#chippewas

[mudboots]

happy new year

[androdconstruction]

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Celebrating National Indigenous Peoples Day! 🌍🌱 Today, AND-ROD Construction stands in deep appreciation of the land we inhabit and work on, the Treaty 72 Territory. We also respectfully acknowledge the Chippewas of Saugeen and the Chippewas of Nawash, together forming the Saugeen Ojibway Nation, as the rightful custodians of this traditional territory.

With deep respect, we honour their rich heritage and culture. 🌾✨

[willowsallen]

🪶    /    in  the  source  link  below,  you’ll  gain  access  to  #438  gifs  of  khadijha red thunder  in  after  (2019), after we collided (2020), and youtube videos.  she  was  born  in  the  year  1994  and  is  of  chippewa cree, black, and white  descent,  so  please  cast  appropriately  when  using  my  resources.  all  of  these  gifs  were  made  from  scratch,  so  you  may  edit  these  as  much  as  you’d  like,  but  please  don’t  redistribute  or  claim  as  your  own.  please  refer  to  my  rules  for  further  information.

note:  this  pack  is  completely  free  and  is  also  accessible  through  a  zip  file.

[todaysdocument]

Photograph of Lt. Thomas Whitecloud Entering a C-47 for a Parachute Jump Training

Record Group 75: Records of the Bureau of Indian AffairsSeries: General Photographs of Indians

This photograph shows Lieutenant Thomas Whitecloud climbing into a C-47 for paratrooper training at Fort Benning, Georgia.  An armband on his left arm indicates that he is a medic.  He wears a helmet and his parachute pack.

[athleticperfection1]

Central Michigan Track & Field

[allthecanadianpolitics]

Researchers say newly discovered archival records reveal an important connection between Ontario First Nations and Irish famine victims.

The Irish Potato Famine was a period of starvation and disease in Ireland, and one of the most traumatic events in modern Irish history. Year after year, the country's potato crop failed. By the time the worst was over, one million people had died of disease and starvation. Survivors were forced to emigrate. In the summer of 1847, Toronto gave refuge to 38,000 Irish famine victims — at a time when Toronto's population was only 20,000.

The part of this history that is virtually unknown is the contribution to the relief fund from Indigenous communities in Canada.

"At least 15 bands answered the call and requested that donations be deducted from their government annuities, added to the fund, and then sent to 'our suffering fellow subjects and Christian brethren in Ireland and Scotland,'' according to Mark McGowan's research. McGowan is a professor of history at the University of Toronto and has spent time going through the archival documents. [...]

Continue Reading.

Tagging: @politicsofcanada

[welldigger62]

From Midland Michigan (part 2)

This shows on Google maps where the Chippewa River (lower left) joins the Tittabawassee River in Midland Michigan. This spot is home to The Tridge, a three-way pedestrian bridge over these rivers.

I have posted here about this bridge and more info can be seen on Google about The Tridge. The next pic was taken after I walked up the steps seen above 👆

This is a peaceful place and also the starting point for a bike and walking trail. The trail runs for miles to the northwest and is built on old railroad tracks.

I like visiting here and thought I would stop again as long as I was on town yesterday.

Have a great Friday y’all.

[booteddaily]

I still have boots that have not yet made it to my blog, but today the choice was Chippewa engineers. These could use a bit of cleaning and a polish, but they seem to be doing just fine for boots that I bought at least 30 years old. 🖤 As with all my boots, I love this pair. Durable, great sole, great feel, and the jeans should, of course, stay tucked in. 😉 Make it a great day, bootmen. 👊

[thebigkelu]

Ne-gon-e-bin-ais II (aka Flat Mouth II) - Ojibwa - circa 1898

[unteriors]

Dawnshire Drive, Chippewa Lake, Ohio.

[oncanvas]

American Indian Gothic from the Indian Self-Rule portfolio, David P. Bradley, 1983

Lithograph on paper 30 ⅛ x 22 ¼ in. (76.5 x 56.5 cm) Smithsonian American Art Museum, Washington, DC, USA

[piizunn]

ᓄᐦᑕᐃᐧᕀ ᐊᐢᑯᑖᐢᑯᐱᓱᐣ nohtawiy askotâskopison, My Father’s Cradleboard by Morgan Possberg Denne

The New Gallery, November 18 - December 22, 2023

“Cradleboards have been used for thousands of years by our ancestors to carry and love for our future generations. They have protected us, acted as an external womb, and given us a place as children to watch our parents' culture and learn from a safe distance. I’ve always wondered if the fact that neither my father, his father, or myself was ever put in a cradleboard may have had a long term impact on our development, personhood, and our coping mechanisms to the ways that colonialism, residential schools and the foster care system has affected my family.

Now as an adult I deeply wish I could rewind the clock and put myself, and my father before me, and his father before him in a cradleboard as a child. To softly sing songs to us, give us safety, and to give us a connection to our culture in a safe environment. Maybe this would fix things. As kids when we were supposed to be kept safe and playing in the woods we were instead being prepped for the meat factory - the eternal meat grinder of colonialism.

The western world teaches us to push aside this childhood imagining and innocence - “These things can’t be undone!”, but what if they could? In another world somebody took better care of us, in another time we learned to drum and sing and dance, in another place we were listened to by adults who had the capacity to love and care for us.

These hot chest and aching throat feelings, the times of biting back angry tears and saying “It’s fine” have to count for something….right?”

“Morgan Possberg Denne is Two-Spirit millennial scoop and foster care survivor; with settler, Cree, Metis, and Chippewa blood connections. They have grown up in treaty 7 territory, and have relatives in southern and northern Ontario. Morgan creates imaginative, illustrative objects which could be seen as pieces of possible narratives, different ways to connect with the past and potential futures through layers of abstraction with no right or wrong answer. What matters to them is not accurately recreating the past or to predict the future, but rather to capture an inner truth and a possible alternative reality of colonial experiences. In a sense, creating new culture from a series of “what-ifs” and new stories / lore. Their work has been recently shown at the Confederation Centre for the Arts and Gallery Gachet.”

(Photos belong to me and the description and artist bio are courtesy of The New Gallery’s website)

[IDs:

1. a large wall hanging made from fish leather,

2. a close up of the same piece. the artwork has faint text cut out of the green tea tanned fish that reads “hey it’s not your fault, you know that right?”

3. a photo of the space showing a video projected onto several fish skins, a table with a vest and a hat made of fish leather, and on the table are cartons made from rawhide.

4. a coatrack on which are a rawhide hunting ruffle and rawhide fishing net resembling a badminton racket

5. a shelf seen in the background of image 3 containing a astro-turf shirt, a hand gun and pocket knife made from rawhide and a fish leather circular clip with a piece of dark hair hanging off the shelf.]

[athleticperfection1]

[gearpupbuddy99]

My super loggers won't clean themselves, get that 👅 to work! Should be easy for you given I haven't worked them too hard today... Just salt and snow... For now... 😈😈

[floridaboiler]

source - https://www.facebook.com/groups/ithoughtitwasanormalpicture

Every year, dozens of local boat owners in Wisconsin band together to move a giant floating island on Lake Chippewa, also known as the Chippewa Flowage. This floating island, known as the "Forty Acre Bog," is composed of peat, plant roots, mud, and even mature trees. These trees act as sails, catching the wind and moving the island around the lake. When the bog drifts and blocks a crucial bridge connecting the east and west sides of the lake, it requires a community effort to push it back into position using their boats. The floating bogs formed over time as peat bogs from the lake's swampy bottom rose to the surface, creating a habitat rich in biodiversity. Moving the bog is a complex task that relies on favorable wind conditions, and it often requires multiple attempts to place it correctly, or it will drift back within days. This annual task, while challenging, highlights the community's dedication to preserving the natural environment and maintaining access across the lake. The floating bog is legally protected and cannot be broken apart, adding to the complexity of the task. Despite their best efforts, there are occasions when the bog gets stuck on obstacles like rocks, necessitating repeated efforts to clear the passage.