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Asian Pasifika/Afro Latine Native demigod metahuman and alien hybrid superhuman superhero Character Bio

Dossier, Profile, Record, & Archive: King/Queen Kana’i Makoa Latu/Ataahua Kamalani Latu:

Real Names:

Polynesian name: Kana’i Makoa Latu/Ataahua Kamalani Latu.

Asian name: Ryuu Kato/Haruka Kato or Guang/Biyu Wei.

Afro-Latine name: Francisco Alejandro Diego Garcia Ochoa/Francisca Alejandra Maria Garcia Ochoa.

English name: Alexander Mack “Alex” Smith/Alexandria Macy “Lexi” Smith.

Alien extraterrestrial name: Zana Saani

Demigod/Deity name: Kalani

Ethnicity: Asian Pasifika and Afro Latine Native.

Racial Identity:

A mixed East Asian Japanese and Chinese Asian and European British person of color

A South American Colombian, Bolivian, Argentine, & Chilean Afro Latine person of color.

Cultural Identity:

A Polynesian Hawaiian, Samoan, and Tongan Indigenous Pasifika of Oceania.

South American Baniwa and Embera Indigenous Ameridian of Colombia and Chorote Indigenous of Bolivia and Argentina.

Species:

A Polynesian Indigenous Pasifika Oceanic demigod

The Asian Pasifika and Afro Latine Native demigod and alien hybrid main character is born a demigod/demigodess and is later given divinity to become a god/goddess/mahu deity. After being chosen as a champion of a more senior god/goddess and underwent trials as a hero. It was trials hard for even a metahuman and superhuman cuz divinity to them should not be easily given in this world. As a demigod they only had power over a few elements thanks to family bloodline. Only when they were given divinity did they unlock most of the elements to use as a deity. They were chosen by Tiʻitiʻi to be his champion and chosen one as a hero.

Descendent of Namaka a Polynesian Hawaiian water goddess, Chinese god Hou Yi, an unknown Tongan god rediscovered after reconnecting after post cultural genocide, and Amaterasu a Japanese sky goddess

They are a mahu demigod of the art and sciences. They are a new era god/goddess of the elements.

Kanai Makoa Latu/Attahua Kamalani Latu or Kalani the fakaleiti or mahu deity of storms. They are usually laughing as a trickster, comedian, & jokester. They were born as a mahu demigod with power over air, mist, smoke, fog, water, snow, & ice and demigoddess with power over earth, wood, stone, metal, fire, magma, lava, lightning, thunder, & storms. They are a god of philosophy, business, and law and goddess of magic, dreams, resurrection, and prophecy. They are divinely beautiful. They have brown skin the color of polished oak, brown eyes the color of new forged copper, & short black hair color of the night sky. They are very tall, broad shouldered, & very muscular. They wear stylized gold and ruby colored chainmail, metal, and leather full plate armor. They usually wear a hooded cloak that is dyed gray-blue over their full plated armor. They are a titan and titaness associated with friendship, brotherhood, valor, honor, and strength. They are associated with weapons, armor, and shields. Their followers who are magic users are distinguished by the shrines they have in their homes and the charms they wear on their armor. Their followers who are magic users are distinguished by their magical tattoos and the robes they wear. There are a respectable amount of offerings of food, water, tear, incense, and liquor to them on islands. There are a large number of statues of him/her/them in most villages. They are many myths about their polyamorous relationship with Diona Artemis Megalos (the daughter of Ares and Athena) and Carina Bellona Ragorio (the daughter of Mars and Venus) who are both goddesses of justice, heroism, love, & beauty. They are known to sometimes place obstacles in the way of villains as a demigod of fog and mist. They are known to challenge mortal warriors. There are myths involving their enduring friendship with certain mortal artists and storytellers. They as a demigod granted full godhood divinity and immortality are the great grandchild of namaka the Hawaiian water goddess, Chinese god Hou Yi, and Amateratsu a Japanese sky goddess.

An alien Iuyamanian and Ethanxiian extraterrestrial hybrid. They are a shapeshifter as an alien hybrid. They are queer and trans as someone Indigenous third gender. Their masculine, feminine, and nonbinary genderless and androgynous gender forms reflect that.

He/she/they are an alien Iuyamnian and Ethanxiian alien hybrid. Iuyumanians are warm blooded mammal aliens with orange skin, yellow eyes, red hair, & red and black striped fur. Ethanxiians are cold blooded reptilian and amphibian aliens with reptilian scales and avian feathers. Ethanxiians also have green skin, blue hair, and purple eyes. His/her/their mother’s alien form and his/her/their alien form both reflect this.

Height:

Depends on gender and gender identity.

He/she/they have transformed gender forms and untransformed gender forms.

He/she/they have a 5’11” male masculine untransformed form that identifies with he/him pronouns.

He/she/they have a 6’1” female feminine untransformed form that identifies with she/her pronouns.

He/she/they have a 6’3” nonbinary genderless untransformed form that identifies with the pronouns of they/them.

He/she/they have a 6’5” nonbinary androgynous untransformed form that identifies with the pronouns of xer/xers.

Weight:

Depends on gender and gender identity.

Body Type:

Lean, tone, & athletic body type

Strongman physique for masc kane divine form

Built, muscular, statuesque, buff, & strong body type for wahine/vahine femme divine form

Hairstyle:

Human Form:

He/she/they like short hair styles.

He/she/they like the pompadour, clipper cut, pixie cut, or crew cut.

He/she/they like medium to long hairstyles

Afrocentric hairstyles of braids, twists, & dreadlocks

He/she/they have a clipper cut, crew cut, high and tight, Ivy League, pompadour, or clean shaven hairstyle in masculine male form. It’s tightly coiled. It is a tall or high Afro tapered on the sides. With a low skin fade with a design and locs on top. The design shaved into their low skin fade is a sacred geometrical alien extraterrestrial symbol. The locs are braided with alien metal braids as an alien hybrid superhuman. The locs are beaded with divine wooden beads as a divine demigod metahuman. Some parts of the locs are dyed red, blue, purple, or green.

Long ponytail that is partly shaved in a punk look. Single or double three strand flat braid. When in female form when shapeshifting as a metamorph, changeling, or shapeshifter. Sections of his/her/their hair are adorned and braided with divine bamboo wood beads, ash wood beads, elm wood beads, holly wood, & pine wood beads. Sections of his/her/their hair are braided with divine bronze, silver, & gold metal braid beads.

They also wear their hair in a bouffant hairstyle. He/she/they structured part of his/her/their loosely knotted or twisted pinned up buns with divine silver, brass, & gold wire. Sections of his/her/their hair are adorned and braided with divine bamboo wood beads, ash wood beads, elm wood beads, holly wood, & pine wood beads. Sections of his/her/their hair are braided with divine bronze, silver, & gold metal braid beads.

Alien Form:

Bundles of tendril, cord, or tentacle-like hair similar to Yautja Predators or Zerg infested Sarah Kerrigan that are tied together in a long ponytail. His/her/their bioluminescent cord, tentacle, or tendril-like hair help with telepathy and empathy. They help them breathe, see, hear, & taste. These tendril-like hairs are braided with alien metal and divine wooden beads. This alien hair is an important link to their alien extraterrestrial culture. The tendril, cord, or tentacle like hair comes out of a head crest of her alien skull.

Hair color:

When not transformed: Black.

When transformed: white, red, gold, blue, green, or purple.

He/she/they have light brown, to dark brown, to black hair in his/her/their untransformed form

Eye color:

When not transformed: Dark Brown.

When transformed: white, gold, blue, green, red, or purple.

He/she/they have dark brown to black colored eyes.

Skin color: When not transformed: As an Asian Pasifika and Afro Latine Native their skin tone is terra cotta, russet, ochre, sepia, or umber. Kissed by the sun.

When transformed: gold, blue, green, red, & purple.

Their bioluminescent skin absorbs solar radiation, lunar energy, cosmic energy, & natural energy to give them superhuman and supernatural strength, perception, endurance, speed, lifespan, intelligence, agility, senses, durability, reflexes, and flexibility. The absorbed solar radiation, cosmic energy, and lunar energy also powers their optic blasts, energy blasts, breath blasts, & flight as an alien hybrid

Age:

Middle aged. Has longevity as a demigod metahuman and alien hybrid superhuman with a supernatural and superhuman lifespan.

Born in the 22nd Century. Currently alive in the 60th century as a metahuman and superhuman

Birthday:

Libra Dog

Shoe Size: Depending on gender form size 11 to 13

Scar marks:

Healed scars from experimentation. Healed scars from torture and interrogation. Healed scars from self harm caused by mental illnesses.

Extra features:

Alien Form:

His/her/their transformed form has alien hair, skin, & eyes.

His/her/their transformed form’s body is covered in mammalian fur with stripes, avian feathers, and reptilian and amphibian scales (that covers his/her/their chest, back, arms, & legs).

His/her/their transformed form has webbed clawed (retractable) hands with opposable thumbs and webbed clawed (retractable) feet with opposable toes.

His/her/their transformed form has a prehensile chimera tail that is covered in avian feathers and reptilian scales.

He/she/they are an alien Iuyamnian and Ethanxiian alien hybrid.

Iuyumanians are bipedal warm blooded mammalian aliens. Iuyamanians have orange skin, yellow eyes, red hair, & red and black striped mammalian fur. Iuyumanians have clawed (retractable) hands with opposable thumbs and clawed (retractable) feet with opposable toes. Iuyamians have a prehensile tail. Iuyamanians have a lion-like mane, dire wolf-like lupine canines, lupine gray wolf-like ears, dire wolf like snout, kitsune nine tailed fox demon-like whiskers, & retractable smilodon-like saber teeth. They have three horns coming out of their head. They have four eyes. They are bipedal and quadrupedal and are capable of running faster on four legs. They can reach speeds of up to 120 miles per hour and can run 80 miles per hour for hours.

Ethanxiians are bipedal cold blooded reptilian, avian, & amphibian aliens with avian feathers, reptilian scales, and amphibian scales. They have reptilian scales, non-corporeal ethereal avian feathered wings that allows them to fly at 350 miles per hour. Ethanxiians have webbed clawed reptilian hands and webbed clawed feet. Ethanxiians also have green skin, blue hair, and purple eyes. Ethanxiians have a reptilian prehensile lizard tail. They have three eyes. Ethanxiians when in reptilian form have reptilian retractable serpentine fangs and forked tongue. When in avian form Ethanxiians have a avian raptor beak, avian eyes that see near 360 degree vision, and avian raptor clawed feet with talons.

His/her/their mother’s alien form and his/her/their alien form both reflect this.

Aquatic Form:

They have an aquatic bipedal form for swimming underwater that looks like a were shark. This form has mako shark skin on their body, magical elemental hair made out of seawater, mako shark fins on their body, great white shark fin on their back, webbed clawed feet, webbed clawed hands, seven inch megalodon like teeth in their mouth, bull shark gills on their neck and chest, tiger shark stripes on their arms and legs, glowing blue eyes, kaluga fish fins on their face, blue and green sturgeon like fish scales on their body, a great white shark tail, whale shark spots on their chest and back, & a humanoid merfolk or triton like face. They have glowing bioluminescent skin. They have glowing ethereal Atlantean tattoos and Atlantean characters on their bodies. They have Indigenous Pasifika tattoos on their face, neck, chest, back, arms, & legs. They wear Indigenous Pasifika jewelry such as bracelets, rings, & necklaces. They wear shark tooth necklaces. They wear Atlantean steel combat armor decorated with sea turtle, manta ray, shark, & dolphin designs. Their weapons are Atlantean swords, axes, spears, clubs, & war hammer made out of atlantean steel. They rule with a five pronged quident made out of Atlantean steel and a circlet of power made out of precious metals and decorated with gemstones. These weapons are enchanted with arcane elemental magical water and serrated with seven inches long megalodon shark teeth. They can swim up to 200 miles per hour.

As a Bionic/Cyborg:

Cybernetic Implants

Bionic Enhancements

Has many mod slots for upgrading and customizing nano machines, cyberware, cybernetic implants, & bionic enhancements

Brain computer interface that allow uploading and downloading data

Can plug in to hack holographic computers, holographic smartphones, holographic televisions, & other electronics through cybernetic and bionic fingers

Human metal and alien metal enhanced skeleton and muscles for supernatural strength, endurance, and durability

Microchip implants that allow fast diagnosis and monitor health in real time

Metal reinforced joints for supernatural flexibility, speed, & reflexes

Has nanomachines for supernatural healing

Super soldier (ways super soldiers are made in the cyberpunk science fiction near future and far future: cybernetic implants, bionic enhancements, alien plants, nanites, growth hormones, organs harvested from aliens, & super soldier serums)

Sex:

Female.

Assigned female at birth or AFAB

Gender:

Non Binary

Mahu/Fakaleiti Indigenous Pasifika Third Gender of Oceania

Third gender of Amerindian Indigenous people of South America

Gender Identity:

Nonbinary or Genderfluid

Has both male and female genitalia

Sexual Orientation: Bisexual/Pansexual

Pronouns: He/him, She/her, they/them. Neopronouns Xer/xers. Indigenous Pasifika Ona

Spirituality:

Buddhist

South American Indigenous Colombian spirituality

Polynesian Indigenous Pasifika pagan.

Jaothean alien polytheistic pagan religion

Disabilities:

Autistic as someone with autism

Kanai Makoa Latu/Attahua Kamalani Latu is a recovering addict and alcoholic They used to use alien and magical drugs and alcohol as a metahuman and superhuman to deal with abuse and trauma. He/she/they is a former alcoholic who drank magical alcohol meant for demigods, gods/goddesses, & titans. He/she/they used magical drugs meant for magical spellcasters. They used magical alcohol meant for magical humanoids such as fae elves, dwarves, gnomes, goblinoids, & giantkin. He/she/they drank Spirit, Myth, & Devil’s Tongue. He/she/they were a former addict who used alien drugs meant for metahumans and superhumans. He/she/they used drugs meant for cyborgs and bionics. He/she/they used drugs meant for alien hybrids and aliens. He/she/they were addicted to Blaze, Nitro, Supernova, Nightfall, Burnout, & Light Speed.

Neurodivergent:

ADD or attention deficit disorder, ADHD or attention hyperactive disorder, OCD or obsessive-compulsive disorder, & hyperlexia.

Disfigurement:

He/she/they are physically disabled as someone because he/she/they were disfigured in combat during war.

Disfigured by a hard-light sword wielded by a female alien super soldier who fought for the Earth Space Military

Later had their right arm replaced with a bionic and cybernetic prosthetic arm

Later had his/her/their left eye replaced with a cybernetic and bionic prosthetic eye.

He/she/they have a hard light and plasma burn scar from the top of his/her/their eyebrow to the bottom of his/her/their cheek.

Hypersexual as a result of the trauma being a survivor of rape, abuse, assault, & domestic violence at the hands of three abusive exes who were their ex fiances. Want to reclaim autonomy so they have sex on their own terms.

Mental Illnesses:

Depression, anxiety, panic attacks, schizophrenia, BPD, DID or dissociative identity disorder, & PTSD or post-traumatic stress disorder.

As a result of abuse and trauma

Experimented on by the scientists of the settler colonizer government of earth as part of a black project on a black site to become a child soldier and mind controlled weapon

Blackbirded or from their home in Polynesia

Kidnapped exploited and enslaved by metahuman and superhuman traffickers

Blackbirded and forced to mine alien ore on colonized terraformed planetoids, asteroids, and comets colonized by the Terran Dominion

Blackbirded and forced to pick alien planets on alien crop plantations on colonized terraformed alien moons and planets colonized by the Terran Dominion

Generational trauma of Samoan Tongan and Hawaiian ancestors who went through similar things on earth because of English settlers

Main System:

Kana’i Makoa Latu/Ataahua Kamalani Latu

Plural Systems:

Goes by an Alien name: Zana Saani.

Decisive, charismatic, disobedient, cruel, provocative, open minded, flirtatious, driven,

Goes by demigod and later god/goddess name Kalani.

Upright, hero syndrome, honorable, driven, leader, good listener, misguided, attention seeker, eloquent, selfless, elegant.

Goes by an English name: Alexander Mack “Alex” Smith/Alexandria Macy “Lexi” Smith.

Generous, Impulsive, focused, procrastinator, intelligent, vindictive, boastful, sweet, loud, dutiful, rash, punctual, vain, tolerant, popular, lazy, social, immature, crass, realistic, & bossy

Goes by his/her/their Polynesian name: Kana’i Makoa Latu/Ataahua Kamalani Latu.

Humorous, stable, demanding, peaceful, nosy, flexible, compassionate, articulate, cultured, reckless, warm, patient, elegant, observant, pretentious, selfless

Goes by his/her/their Asian name: Ryuu Kato/Haruka Kato or Guang/Biyu Wei.

Comical, obnoxious, affectionate, sore winner, excited, prankster, primadonna, upbeat, warm, easy going, extroverted, overprotective, caring, charismatic, naive, picky, honest, trustful, hopeful, chaotic, & friendly.

Goes by his/her/their Afro Latine name: Francisco Alejandro Diego Garcia Ochoa/Francisca Alejandra Maria Garcia Ochoa.

Jaded, charitable, cynical, sarcastic, earnest, cold, disciplined, serious, modest, calculating, vulnerable, quiet, benevolent, reclusive, forgiving, suspicious, cooperative, humorless, introverted, apathetic, helpful, indifferent, resourceful, paranoid, respectful, & stoic.

Insults:

As an alien hybrid superhuman:

Gene snatcher, xeno

As a demigod metahuman:

False ones, half breed, cast off, outcast.

As a bionic/cyborg:

Rust dick, bolt brain, tin man’s bitch, cyber bastard, oil bag, socket fucker, bot, toaster, clicker, beeper, tin man, can opener, assisted, chip head, half fleshbag, scrap ass, tin tits, augmented, Siri, beep boop, Cortana, gear boy/girl, computer, calculator, toy soldier, clanker, wind up, scrap heap, cog, nuts and bolts, chrome dick, metal mind, chrome dome, droid, & wire head

Status:

Alive

Died twice. Once as a demigod. Second as an alien hybrid. Resurrected twice

In their first death they were killed by a behemoth created by adamantine, mithril, divine iron, heavenly bronze, stellar titanium, & celestial steel and other magical metals. A monster made sentient by arcane and esoteric aether and nether. It was created by demigods, deities, & titans. It was commanded by enemy gods and goddesses.

In their second death they were slain by a spear with a blade made by the strongest metals in the omniverse that cut through the chest of their power armor and an explosive javelin coated with unknown substances that pierced the back of their power armor. It was created by remnants of the earth government and Terran dominion regime. It was wielded by a leader of the Forces of Evil.

When they were brought back to life, because of how they died, what happened to them in the afterlife, & how they were brought back to life. Their mind was possessed, their heart was corrupted, their mana was contaminated, their soul was tainted, & their body was decayed. They had to be purified and healed by nanites, medicine, healers, potions, magic, etc. when they were resurrected by talismans, charms, & amulets.

Currently Alive but MIA

Class:

Cyborg/Bionic.

Telepath/Empath/Psionic.

Mutant (Changeling/Metamorph/Shapeshifter).

Street Samurai.

Gunslinger.

Rigger.

Martial Artist.

Starship Space Pilot.

Personality.

Techie (Engineer. Inventor. Doctor. Scientist).

Mage.

Solo (Mercenary). Rogue (Shinobi/kunoichi ninja assassin. Bodyguard. Contract Killer.

Netrunner (Hacker).

Super Soldier. Combat Specialist/Physical Adept (Magical Fighter).

Background:

Entrepreneur. Scientist (Magical and Xeno Archeologist, anthropologist, biologist, chemist, marine biologist, paleontologist, sociologist, & zoologist.) Royalty. Creative (Actor/actress, singer, band member, rapper, songwriter, producer, voice actor/voice actress) Philanthropist. Racer (Hover car, hoverboard, hover sport bike, hover motorcycle). Celebrity (model). Athlete. Academic.

Bionic and Cybernetic Arm:

Automotive Armored Prosthetic Cybernetic Bionic Arm. They have an automotive armored prosthetic bionic and cybernetic right arm. He/she/they are physically disabled as someone because he/she/they were disfigured in combat during war. He/she/they were disfigured by an alien super soldier of the Terran Empire. At some point in the past he/she/they have lost use and function to a part of himself/herself/themselves. But through study of the sciences and the help of those who have already done so he/she/they have replaced it with an advanced high-end prosthetic bionic cybernetic replacement. It is a prosthesis that replaces a missing extremity such as an arm or leg. The type of limb used is determined by the extent of amputation or loss of the missing extremity and the location of the missing extremity. Artificial limbs are needed for a variety of reasons where a body part is either missing from the body or a body part is too damaged to be repaired. It was built for them by an engineer, an inventor, & mechanic. It was installed on their body through a team of highly trained surgeons and doctors. Having artificial prosthetic limbs comes with a number of complications. Some of which are minor inconveniences while others can be dangerous if ignored. Due to the constant risk of damage and mechanical failures the mechanical prosthetics require daily maintenance and repair. It is maintained and repaired regularly by a team of mechanics and surgeons. The automotive armored prosthetic bionic prosthetic arm is highly upgradable and highly customizable. The prosthetic is linked directly to the nervous system taking electrical pulses from nerves to regulate the many electrical motors and actuators inside the prosthetic bionic arm. It can be moved at will like a natural appendage. This augment functions as if it were the normal body part. These constructs are designed to replace lost limbs if magical healing is not available or if the user desires to have an improved replacement. The automotive mechanized bionic prosthetic arm has electrical motors, gears, & springs. The bionic arm is made with a full skeletal titanium frame with steel armor plating to protect the wires and intricate machinery inside. The automotive armored prosthetic bionic arm moves using synthetic muscles and fibers. It is a fully articulated prosthetic arm with multiple moving parts capable of manipulating even weapons. Once the prosthetic is attuned to its user it will behave and act as the limb it replaces. It moves according to conscious and unconscious thoughts and commands from its user. This was a prosthetic intended to replace lost limbs and damaged organs. This advanced prosthetic replaced and enhanced the lost limb. The prosthetic bionic arm was painted to look like their real biological arm. First perfected by humans and alien humanoids the armored automotive prosthetic bionic arms arms are now built by several master inventors and engineers. The bionic arm provides an almost perfect semblance of full functionality but is quite expensive. The recovery time it took for the user to recover from the automotive armored prosthetic bionic arm after doctors and surgeons installed on their body took three months. It does not require an external energy source. It has a built-in battery. The automotive armored prosthetic bionic arm is electrical and fusion powered. The automotive armored prosthetic arm is also a cyberware enhanced bionic arm. This prosthetic bionic arm is made of steel, gold, silver, electrum, nickel, brass, titanium, platinum, & copper for durability. However, contemporary technological advancements have allowed certain automotive armored prosthetic bionic limbs to be composed of other materials as to be less cumbersome and more durable than steel in abnormal conditions. This prosthetic bionic arm is also made with a weave of chrome, fiberglass, aluminum, & carbon fiber for flexibility. Like wearers of normal prosthetics these users are subject to various aches and pains resulting from drastic changes in barometric pressure. However another drawback to full steel limbs are the adverse effects which occur in extreme conditions such as heat and cold. In extremely high temperatures the metals which conduct and retain heat induce great deals of discomfort to the user. Who must remain with a heated metal object grafted to the skin. In extremely cold temperatures the cold conducting metals cause standard oils to cease functioning as well as expedite frostbite damage to the connecting tissue. This means that the bionic arm is also made of lighter more expensive alloys that is resistant to extreme temperature changes so the armored automotive prosthetic bionic arm no longer suffers the ill effects of certain extreme heat and extreme cold environments. This is a high quality prosthetic bionic replacement that is made to look life-like (at least at first glance). This artificial prosthetic limb is much less bulky than its counterparts. Since its frame more closely follows the contours of an organic biological limb. The exterior and interior of its chassis is lined with precious gemstones, crystals, metals, and complex alien engravings. Engraved with intricate decorations and animated with holograms. A powerful sensor provides full sensory feedback to its user allowing all sorts of tasks to be accomplished with the limb. It was upgraded with large glowing red, blue, green, gold, silver, & violet bold alien crystals. The bionic arm comes with a built-in sonar to detect nearby enemies and allies. Some of the more creative and talented prosthetics inventors, & engineers have been known to include all sorts of devices in prosthetic limbs. Some ranging from helpful tools to dangerous weapons. Including some with questionable legality. Some intrepid amputees have even been known to tinker with their limbs on their own time. However you go about it, modifying an artificial limb requires great expertise and tends to be costly. The prosthetic bionic arm was later weaponized and upgraded with human and alien metals for combat situations as a military grade augmentation. This makes the prosthetic arm built with a lot of durability and so would not break easily even with high output performances in combat. Based on the technology used to construct a robot, power armor, or an exosuit using alien metal and human metal is shaped into a single limb. These constructs are designed to replace lost limbs if the user desires to have an improved replacement. Once the prosthetic is attuned to its user it will behave and act as the limb it replaces. According to conscious and unconscious commands from its user. These limbs are of a stronger and lighter design. Designed to serve another function in addition to their use as a limb. Usually these limbs have a hidden compartment, concealed weapon or a set of tools. Such as a hard light arm blade and a plasma cannon. These additional functions can be used at will. These limbs are designed to shift, adjust and grow. Prostheses made of alien alloy can grow organically and form so many things if reasonable. Metal limbs can shift to form whatever other form the host can imagine, but cannot gain or lose mass. While deactivated, these limbs seem to be little more than simple alien and human metal plates, but once attached and active these limbs appear as masses of energy forming whatever shape their host imagines.

Tattoos:

Their tattoos are divided on whether they appear in their regular human form, divine form, or alien hybrid form. Their tattoos are divided on whether they appear on their masc form, femme form, genderless form, or androgynous form.

He/she/they have black and white and colored geometrical sacred geometry tattoos on his/her/their body as an alien hybrid

He/she/they have colored holographic alien calligraphy and ethereal demigod and later divine deity characters on his/her/their body. These are holographic alien tattoos that glow yellow, red, green, blue, purple, white, & black depending on what cybernetic implant and bionic enhancement powers they are using as a bionic and cyborg transhuman. These are ethereal divine tattoos that glow yellow, red, green, blue, & white depending on what divine elemental power of divine fire, magma, water, ice, wood, nature, plant, earth, rock, metal, storm, lightning, thunder, sand, fog, steam, & air he/she/they are using as a divine demigod and later god/goddess.

He/she/they have colored holographic cyberpunk science fiction inspired and colored ethereal magical high fantasy inspired tattoos on his/her/their body as an alien hybrid superhuman and demigod metahuman that glow gold, silver, sapphire, amethyst, crimson, emerald, & obsidian.

He/she/they have black and white and colored modern and traditional East Asian Japanese and East Asian Chinese tattoos on his/her/their neck, chest, back, arms, & legs. He/she/they have tattoos of Fudo Myoo, Fujin and Raijin, a Buddha, a phoenix or fenghuang, a dragon, a tiger, a snake, a samurai, an oni, a kitsune nine tailed fox, a kirin, a fu dog or guardian lion, a koi fish, turtles, & lotus flowers. These tattoos are colored gold, crimson, sapphire, jade, amethyst, white, & black.

His/her/their body from their face with facial tattoos, neck tattoos, & upper body (of their chest and back) have traditional South American Indigenous and traditional Indigenous Pasifika tattoos. They have tattoos on their arms from their upper arms (from their shoulder to their elbow) and their lower arms (from their elbows to the fingertips of their clawed hands with opposable thumbs). They also have tattoos on the lower body of their upper legs (from their thighs to their knees) and their lower legs (from their knees to their toes to their clawed feet with opposable toes).

Their entire body is covered in traditional black and white and colored Embera and Baniwa Indigenous Colombian and Chorote Indigenous of Bolivia and Argentina Amerindian of South America tattoos.

Their entire body is covered in traditional colored and black and white Polynesian Hawaiian, Samoan, and Tongan Indigenous Pasifika tattoos. These black and white traditional Indigenous Pasifika tattoos are ethereal and glow silver, gold, cerulean, jade, scarlet, purple, & black as a Pasifika demigod and later divine god/goddess.

Samoan style features rectilinear, geometrical, and repetitive tattoos. They are highly symmetrical body sides. Hawaiian style tattoos feature highly geometric tattoos that are often based on repetition. The male version can include solid areas while the female version is much lighter. Tongan style tattoos are often tattooed from the waist down to the knees in geometric patterns of repeated triangle motifs, bands, and sections of solid black.

Tonga has some of the oldest evidence of Polynesian tattoos based on the fact it was settled first by the Austronesians before the other Polynesian islands. Not only are they some of the oldest but they have a distinct tattooing style compared to other Polynesian people. Tongan warriors are often tattooed from the waist down to the knees in geometric patterns of repeated triangle motifs, bands, and sections of solid black. For the Tongan people the tattoo carried profound social and cultural significance. Women would have similar designs, but with more delicate floral patterns on their hands and lower parts.

Hawai’i was settled around 800 years ago. The tattoo traditions there were similar to the full-body Marquesan tattoos. However, the Hawaiian Kanaka Maoli quickly developed their own unique variations through designs. One characteristic of Hawaiian tattoos is the asymmetry across both sides of the body. As the right side of the body was a solid black and gave spiritual projection to their wearers. This practice was called Kakay I ka uhi.

Historically there was no writing in Polynesian culture. So the Polynesian’s used tattoo art that was full of distinctive signs to express their identity and personality. Tattoos would indicate status in a hierarchical society as well as sexual maturity, genealogy, and ones rank within the society. Nearly everyone in ancient Polynesian society was tattooed. It was in Tonga and Samoa that the Polynesian tattoo developed into a highly refined art.

In ancient Samoa, tattooing also played a hugely important role in both religious rituals and warfare. The tattoo artist held a hereditary and by the same vein. It is a very highly privileged position. He usually tattooed groups of six to eight (usually men) during a ceremony attended by friends and relatives. The Samoan warrior’s tattoo began at the waist and extended to just below the knee.

These were also covered in magical esoteric or arcane and divine demigod tattoos that blazed crimson, amethyst, sapphire, gold, and silver as a mahu demigod of mist and fog who was later bestowed full godhood, divinity, & immortality as a god/goddess of storm.

Depending on where a tattoo was placed on the body, the wearer would be calling for a particular spiritual boom to help lead them through life.

The head is said to be the contact point to Rangi so it is related to themes such as spirituality, knowledge, wisdom, and intuition.

They were on his/her/their chest because in the Polynesian culture Polynesian tattoos on the chest represent kindness, honesty, honor, & resolution. They were on his/her/their head because in the Polynesian culture Polynesian tattoos on the head represent spirituality, knowledge, wisdom, & intuition. He/she/they had Polynesian tattoos on his/her/their arms. He/she/they had Polynesian tattoos on his/her/their upper arms from his/her/their shoulders to his/her/their elbow to represent strength and valor and they relate to people such as warriors, warchiefs, & chieftains. He/she/they wear it as a child of a chieftain and warchief who is next in line. He/she/they had Polynesian tattoos on his/her/their lower arms from their forearms to their fingertips of his/her/their clawed hands with opposable thumbs to represent creativity, creation and making things. This area is from just above the navel to the chest and is related to themes such as generosity, sincerity, honor, and reconciliation. Some may have noticed that this area is placed directly between Rangi and Papa, in order to have harmony between them balance must exist in this area.

Lower body. This area goes from the thighs to the navel. This part of the body directly relates to life’s energy, courage, procreation, independence, and sexuality. In particular, thighs relate to strength and marriage. The stomach or mid area is where mana originates from. The navel represents independence due to the symbolic meaning associated with the cutting of the umbilical cord. Independence is a trait that is valued highly in Polynesian society however individualism is not. All people depending on the sea for sustenance know the importance of sociality and socializing. Polynesian people built their culture around this. Family thus becomes a larger group of people that includes all relatives, friends and neighbors. All of which play an important role.

Joints often represent union and contact. If we look at the body as a reflection of society. We can understand why joints, being the points where different bones meet represent different degrees of relation between individuals. The farther from the head (the chief of the family) the greater the distance in kinship, or the lower the status. Ankles and wrists represent a tie and bracelets placed there often symbolizes commitment. Knees are often related to chiefs (to kneel before them). He/she/they were High King/High Queen and Chieftain and Warchief of several kingdoms as a demigod metahuman and alien hybrid superhuman.

The same word is used to refer both to leg and foot. Legs and feet represent moving forward, transformation, and progress. They are also related to separation and choice. The feet, being our contact with Papa, Mother Nature, are also related to concreteness and material matters.

Human figures otherwise known as enata in Marquesan language represent men, women, and sometimes gods. They can be placed within a tattoo to represent people and their relations. If they are placed upside down then they can be used to represent defeated enemies. A common motif is an enata symbol which is the depiction of a human figure. If this symbol has a row of people, this means that the ancestors are watching over the wearer. Over-stylised enata joined together in a row of people holding hands form the motif called ani ata, which translates to “cloudy sky”. Polynesian languages and a row of enata in a semi-circular form often represent the sky as well as the ancestors guarding their descendants. This symbolizes elders, ancestors, and family deities.

He/she/they had Polynesian tattoos of complex shark teeth. Shark teeth or niho mano deserve a space of their own. Sharks are one of the favorite forms that aumakua choose to appear to man. They represent defense, leadership, power, & ferocity. However they are also symbols of flexibility in many cultures. It was fitting for the strike team commander of the Elites, Paragons, & Sentinels superhero conglomerates that defend the planet, star systems, galaxy, & universe. Another common motif is the triangle shark teeth band which means protection, guidance, and strength.

A spearhead means the wearer is a strong warrior. He/she/they had Polynesian tattoos of a pattern of spearheads. Another typical symbol that is used to represent warrior nature is the spear. Fitting for a former super soldier who fought since he/she/they were a child as a former demigod metahuman and alien hybrid superhuman child soldier. Spear-heads are very symbolic in relation to sharp items too and they can be used to represent the sting of some animals.

He/she/they had Polynesian stylized tattoos of the ocean. The ocean is a second home to Polynesian people and the place of rest when they leave for their last voyage. Coincidentally, turtles are said to join the deceased guiding them to their destinations. So sometimes the ocean can be used to symbolize death and the beyond. Since the ocean is the primary source of food it is no wonder it impacts so much tradition and myth. All the creatures living in the ocean are associated with several meanings usually mutated from their characteristic traits and habits. The ocean and the sea can be represented by waves. The stylizations of the ocean can often represent ideas such as life, change and continuity through change. Waves can also be used to represent the world beyond or the place where the departed go and rest on their last voyage. An ocean design with a curved circle is significant because it represents the second home of Polynesian people. The sea is regarded as the place people go to rest and die. When the ocean motif is part of a tattoo, it represents life, change, and progress through change.

Francisco/Francisca he/she/they had a Polynesian tattoo of a Tiki. One meaning of the word tiki is figure. So tiki is the name given to human-like figures that usually represent demigods contrasting to atua who frequently materialize to men under the shape of animals such as lizards. The tiki can also represent sanctified ancestors, priests, warchiefs, & chieftains who became demigods after their passing. They denote protection, fertility and they serve as sentinels. By stylizing the figure over and over there has been a simplified version that has been reached. This is called the brilliant eye where the eyes, nostrils and ears appear to be the prominent elements. Tiki figures can be portrayed in a front view. Sometimes with their tongue stretched out as a symbol of defiance to enemies. The tiki design is a famous Polynesian tattoo design that comes in the form of human-like faces. They are often received as semi-gods or deified ancestors, such as chiefs or priests. This symbolizes past kings, queens, chieftains, & warchief in his/her/their family, clan, & nation. They are symbols of protection, fertility and are guardians over the wearers.

He/she/they had a Polynesian tattoo of a turtle. The turtle or honu is another significant creature throughout all Polynesian cultures and has been connected with several meanings. The first being the fact that turtles represent health, fertility, longevity, foundation, tranquility, & rest. The word hono, meaning turtle in Marquesan language has other meanings which include things such as joining and stitching together families and representing the idea of harmony. Contrary to what is sometimes believed, turtles drawn upwards do not imply that they are taking the soul of a dead person into the other world. To represent this, a human figure must be placed on or near the shell of the turtle. The turtle, which means good health, fertility, long life, peace, and rest. When this symbol is repeated, it hopes to bring families together.

He/she/they had a Polynesian tattoo of a lizard. Lizards and geckos are often called mo’o or moko and they play a significant role in Polynesian myth. Gods (atua) and minor spirits often appeared to men in the form of lizards and this may explain why the stylized element used to represent the lizard is very similar to the stylized symbol used to represent man. Lizards are very powerful creatures that bring good luck and communicate between the humans and the gods and who can access the invisible world. On the other hand they can also bring death and bad omens to people who are disrespectful. The lizard, which signifies spirits and gods bridging the mortal and spirit worlds. They are all-in-all good luck charms but might lead to ill-omens if disrespected.

He/she/they had a Polynesian tattoo of a stingray. Stingray tattoos come in several variations and styles. So this image can hold symbolic meanings. The stingray has the ability to hide in the underwater sands mainly from sharks and is able to cover up with sand and lay still. Most sharks can sense prey in the sand based on movement but for the most part the stingray is able to hide. For this reason its image is classed as a symbol of protection. Other themes that go hand in hand with the sting-ray image are adaptation, gracefulness, diplomacy, danger, dexterity, speed, & covertness. Fitting for someone who is a shapeshifter, metamorph, & changeling. The tattoos themselves are imbued with divine power as a water demigod and they boost their hydrokinesis as a demigod of the seas and give them command over the seas and aquatic life.

The accolades told through traditional divine alien and futuristic tattoos and facepaint for the Asian Pasifika/Afro Latine Native main character as a changeling and shapeshifter has ever changing tattoos that correlate with divine, martial, spiritual, & military accomplishments, deeds, accolades, and achievements. They have scientific achievements as a scientist, inventor, and engineer in magical and alien archeology, anthropology, biology, chemistry, marine biology, paleontology, psychology, sociology, and zoology. They have artistic accolades as an artist and creator. They have martial accomplishments as a warrior trained in unarmed combat, ranged weaponry, and melee weaponry. They have military accolades as an officer, soldier, & commander who was a former super soldier in the space military of the federation of the Milky Way andromeda and zenith galaxy. Heroic and villainous accomplishments as a superhero, antihero, and villain at different points because of free will, necessity, or mind control and being a commander of a cosmic superhero conglomerate. They have leadership deeds as a high king/high queen of a federation of kingdoms and chieftain and war chief of Mu or Hawaiki that’s like Themyscira, Asgard, or Wakanda but for indigenous pasifika demigods and alien hybrid superheroes. They have spiritual accolades as a mahu fakaleiti pasifika third gender elder and healer for clan and nation. They have divine accolades as someone born a demigod bestowed divinity as a hero and champion and later ascended to titanancy because *** (spoken in celestial speech to hide from mortal tongue). They have accolades as an alien hybrid. Demigod and alien hybrid as a metahuman and superhuman so long lifespan if not for scientific advances that prologues lifespans for centuries for regular humans too. They were not immortal and wouldn’t choose to be either before ascending to godhood and titanancy that is. God killing weapons exist as well as weapons that can negate powers of metahumans and super humans. Has died before when was still mortal as a demigod thanks to a creature made of adamantine and mithril born of aether and nether. The Afro Latine main character is also connected through their piercings and regalia including jewelry like magically and futuristically influenced rings, bracelets, necklaces, and headdresses. A cyborg or bionic have futuristic holographic tattoos to reflect certain accolades as a transhuman that a non augmented futuristic human has. It’s embedded underneath the skin as opposed to those that are just on the skin of regular humans. Their tattoos reflect not only their accolades but maybe from a specific region that they’re from. They have bionic implants and cybernetic enhancements where the cybernetic and bionic parts open up and are upgradable and customizable. They have a bionic arm and cybernetic eye as someone who’s a former super soldier war veteran. They have a military grade version for combat vs regular grade bionic arm and eye for regular things for accessibility as a visible disabled person. Tattoos and specialized parts are from certain regions or companies. Prestige parts that are granted only after winning a contest or completing a mission. The main character has opposing versions of traditional native tattoo accolades across their body as a creator, healer, diplomat, liberator, and artist v destroyer, killer, conqueror, etc that they both feel happy, angry, and sad over. Part of the bad was when they were forced against their will to become a child soldier. After being captured by metahuman and superhuman traffickers after they were blackbirded from the now independent Hawaiian kingdom by the earth colonial military. Part of the bad when they were mind controlled to become a super villain or forced by circumstances to become an antihero. All of these fit on their body as a shapeshifter because their form changes if they are in alien hybrid form demigod form as well as kane masc form, vahine femme form, mahu/fakaleiti third gender form, or genderless or androgynous gender form to reflect their gender and gender identity.

Jewelry:

Ryuu/Haruka wore traditional Samoan, Tongan, & Hawaiian headdresses, necklaces, bracelets, rings, & belts as jewelry.

He/she/they had a Toki (Adze) Polynesian Maori necklace. The Toki (Adze) is the Maori tribal emblem of strength. This symbol resembles resolve, control, power, focus, & honor.” “Its shape represents an axe head. The Toki (adze) was used by the Maori as an everyday working tool for shaving and chipping. Sometimes it was used as a weapon. Unique complex adzes were by tradition carved in stone and passed down as an heirloom. The Toki had much meaning to the Maori created from stone or greenstone. It was a vital tool for survival and day to day life of a Maori tribe. So this was given to him/her/them by an Atlantean King and Polynesian Maori Indigenous Pasifika Chieftain and Warchief means a lot to him/her/them. That’s the reason the Maori attribute the spiritual meaning of strength and power to the Toki. This design represents the Toki which was used to shape the great canoes. The toki was also used to cut and work timber for the fortresses where the Maori lived. It was such an important tool in Maori life that it became regarded as a symbol of power, authority & good character. It was given to them by the King and Chieftain and Warchief as a sign of respect as he/she/they are a King/Queen and Chieftain and Warchief. It is also the mark of a craftsman and an artist.

He/she/they also have a necklace of Hei-Matau (Fish Hook) given to them by an Atlantean Queen and Polynesian Maori Indigenous Pasifika Chieftain and Warchief. These very stylized fish hooks represent power, affluence, wealth, fertility. It also represents vast reverence for the sea. This makes sense since he/she/they are the last scion and lord/lady of his/her/their ancient and powerful house. It also is said to provide good luck and safety when traveling over water so is often worn by travelers. The Hei-Matau are also symbols of authority and power which are held in great veneration by the Maori people. They were used as a practical tool for fishing and were often adorned as a sign of admiration for the creatures of the sea. There are many styles of Hei-Matau from the true hook designs to the more decorative styles which became cherished heirlooms for generations after. Initially the Maori have been fishermen. Their main food source was the sea so a fish hook of premium was a valued item to possess. Worn around the neck the hook became a symbol of wealth, abundance, good health, authority, & power. As well as a mark of reverence for the sea and its life in it. It is also believed to provide good luck and protection while traveling over water. The Maori fish hook symbol refers to being reliant on the sea for their food gathering. The matau is a talisman for good luck.

He/she/they also had a bracelet of whales, dolphins, & turtles. The ocean has always been the prevailing force for the Maori people who traveled colossal distances in their long canoes and lived on the gift of the tropical waters. They had a great respect for the creatures on the sea and in particular dolphins and whales. The whale with its immense size and evident intelligence played an essential part in the traditions of the Maori people. They were often represented as an example of family love with mother and calf always side by side and touching at every opportunity. Beached whales were cherished as gifts from the gods. They were chiefly valued for the bone which after numerous years of curing was used to carve elaborate jewelry and art works that were frequently passed down for many generations. The whale is the most important animal in the life of the Maori. Besides speed and strength the whale also represents success, confidence, and sensitivity. It represents the bond between animal and human.

A dolphin (Papahu) is an emblem of liveliness, harmony, & camaraderie. The turtle is the mark of a navigator. The dolphin is another Maori symbol of protection. Schools of dolphins were reported to attack sharks circling around canoes. The dolphin shows sympathy with the sea and nature in general. It resembles a free spirit. Nowadays the dolphin represents protection on all types of travelers. So it is another Maori symbol of protection.

He/she/they had the jewelry of the symbol of the Koropepe (The Mythical Eel/Fish). The Koropepe is an eel-type fish and a legendary guardian. It is a symbol of new beginnings and youth, prosperity, & wealth. The koropepe is thought to characterize the curled eel which was one of the main protein sources hundreds of years back in Maori history. Many koropepe have a coiled appearance with bird-like heads. These heads are said to possess its divine power. The design is a relatively modern form as no ancient examples have been found.

He/she/they had jewelry of the White Heron bird (Kotuku). Kotuku is the Maori word for the rare White Heron bird. It is a symbol of status, purity, & individuality. One of the greatest compliments among the Maori was to liken someone to Kotuku. For it signifies everything extraordinary and gorgeous. It is sometimes referred to as a darling or treasure. The kotuku is one of New Zealand’s rarest birds and is held in chiefly high regard in Maori mythology. As with other birds the kotuku stands for the connection between the afterlife. He is a messenger of the spirit world. The kotuku represents everything pure and beautiful in Maori legends and oratory. Most importantly the kotuku represents all the people of this land. The kotuku is a traveler who came to this beautiful country and chose to stay. There are more Maori bird symbols such as the huia, kaka, & torea. He/she/they finally wear a bracelet of the huia bird of which the long feathers were used as hair adornments by Maori chiefs and notables. As King/Queen, Chieftain and Warchief, & as President/Madam President who is the ruler and sovereign of a few countries on several alien planets, moons, & asteroids they wear the long feathers of this Maori bird in their headdress. Intricately carved wooden treasure boxes used to store the huia bird feathers are a characteristic form of Maori art work.

He/she/they had jewelry of a Tiki. One of the most fashionable and most identifiable Maori symbols. The Tiki is symbolic for the whole Polynesian hemisphere. It is the insignia of Polynesian cultures from Hawaii to Tahiti, to Samoa, & to New Zealand. According to folklore tiki was the first man on earth who originated from the stars. According to myth tiki was the first mortal person who created the first woman after his image. The literal meaning of the tiki symbol is disputed. There are several opinions but the most acknowledged are that tiki stands for fertility. The regularly occurring hands placed on the groin are a direct reference to fertility. Tiki is a good luck charm meant to keep evil spirits away. Other theories state that tiki represents the human embryo. The Maori god Tiki who was considered responsible for the creation of life. The Tiki is a very primordial symbol and is by far the least understood so there are a number of legends about its meaning. Some say he came from the stars and that he was the first man of the world. He is also often depicted with webbed feet which suggest a strong connection to the creatures of the sea. Tiki was respected as the instructor of all things and the wearer of this symbol is therefore seen to possess clarity of thought, devotion, great inner knowledge and strength of character. The Tiki is regarded as a good luck charm when worn and in some areas is also regarded as a fertility symbol.

He/she/they have a necklace of Koru (Spiral). Koru is the Maori word for “bight” or “loop” and refers to new shoots of the silver fern. The spiral shaped koru design is derived from this unfolding silver fern frond.” The circular movement towards an inner coil refers to going back to the beginning. The unfurling frond itself is symbolic of new life, new beginnings, optimism, precision, regeneration, a new start, awakening, personal growth, purity, nurturing, a new phase in life, the spirit of innovation, & tranquility. The koru design is repeatedly worn as a Maori necklace but present in many cultural expressions. It is a fundamental symbol in Maori art forms. Both on itself as well as integrated in more intricate designs such as carvings and Maori facial tattoos. The spiral is a Koru that represents the fern frond as it opens bringing new life and purity to the world. It also represents peace, tranquility, & spirituality as well as a strong sense of regrowth or new beginnings. The Koru is also often associated with nurturing so when interlocked with others is frequently used to represent the strength and purity of a loving relationship within a family.

He/she/they had a necklace of a circle (Porowhita). The closed circle is said to embody the circle of life which has no beginning or end. It also tells of the stars and planets which are part of the circle of life and contain the information of our origins. It is often used to enclose other elements such as the Koru linking love and new life or new beginnings with the circle of life. For an artist like Alexander Mack Smith/Alexandria Macy Smith the circle represents the relationship or oneness between the artist and his/her/their craft bringing together head, hand, & heart. The closed circle with a hole in between represents the never-ending circle of life and nature. It also stands for the belief that life has no beginning or end. Both the spiral and the circle are also described as a metaphor for a never-ending journey of discovery and rediscovery. The journey itself with its aboriginal or Indigenous perspectives and sense of direction is the most important act of cultural convalescence. It reflects the importance of being on the move in the present while realizing that the path of tradition is a two-way track. It points concurrently in the present, towards the past, & towards the future.

He/she/they have a necklace of a twist. The twist with the interweave form represents the many paths of life and love and as such is regarded as the primordial infinity symbol. The single twist or Pikorua (Single Twist) in particular shows the union together of two people for eternity even though they sometimes move away from each other on their own journeys. They will always come together again sharing their lives and blending to become one. It tells how the strength of the bond of friendship, devotion, & love will last forever. The Maori single twist symbol consists of a closed loop with three knots. Pikorua as the Maori name this symbol refers to eternal emerging paths in life. The double and triple twists have a comparable meaning but refer more to the fusion of two peoples or cultures rather than individuals. They also refer to the three baskets of knowledge. They were given an eight shaped single twist when he/she/they as someone polyam, queer, & trans married his/her/their Indigenous Pasifika wives. They were married by their childhood friends, two Polynesian Indigenous Pasifika Atlantean hybrids. These Polynesian Indigenous Pasifika people who married them were European British Polynesian Maori Chieftain and Warchief and Atlantean King Arapeta William Rewi and his wife a Polynesian Indigenous Pasifika Atlantean hybrid. It is something that Alexander/Alexandria and his/her/their Polynesian, Micronesian, & Melanesian wives, partners, & spouses treasure, especially after being married for decades, centuries, & even millennia as metahumans and superhumans in a polyamorous union. The eight-shaped single twist denotes the power of the bond between two people, their loyalty & friendship. It signifies the sacred merger of two people for eternity. Although people will take different paths in their lives they will always be connected and will return to each other. The twist is a powerful statement of loyalty, friendship, and love.

Teardrop or roimata designates healing and console, hope, & optimistic energy. It is often called a comfort stone. The drop is a stylized version of the toki and signifies strength, power, pride, & independence. The core meaning of the teardrop is speed and strength. It indicates the support often shown by dolphins and whales to humans in anguish. So therefore, it is a symbol of protection but also of speed, power, & compassion. It represents the bond between animal and human. It expresses respect for the sea and nature. It is also a good luck charm providing safe passage over water.

They have rings, bracelets, & necklaces made out of magical wood and alien metal.

Piercings:

He/she/they have a tragus ear piercing with a zircon gemstone, a conch ear piercing with a topaz gemstone, a helix ear piercing with a tiger’s eye gemstone, a daith ear piercing with a sunstone gemstone, a snug ear piercing with a spinel ear piercing, a lobe ear piercing with a smoky quartz gemstone, an anti tragus ear piercing with a sapphire gemstone, a rook ear piercing with a ruby gemstone, an anti helix ear piercing with a rhodonite gemstone, a forward helix piercing with a quartz gemstone, a lobe transversal ear piercing with a pyrite gemstone, a high lobe piercing with a peridot gemstone, a helix stud lobe with a pearl gemstone, and a upper lobe piercing with opal gemstone on their left and right elvish or lupine like ears.

He/she/they have facial piercings. They have vertical barbell eyebrow piercing with amethyst gemstone, horizontal eyebrow piercing spiked barbell piercing with onyx gemstone, Medusa diamond stud piercing with moonstone gemstone above their lip, dimple studs with malachite gemstone in their cheeks, a spiked labret with lapis lazuli on their chin, a septum ring piercing with kunzite gemstone that goes through their nose, a barbell bridge piercing with jasper gemstone between their eyes on top of their nose, a rhino barbell nose ring piercing with jade gemstone on the top of their nose, nasallang piercings with lolite and kyanite gemstones on the left and right side of their nose, a middle tongue piercing on their tongue, and a third eye stud piercing with hiddenite gemstone on their forehead.

He/she/they have body piercings. They have a barbell piercing with garnet gemstone in their navel, a barbell piercing with fluorite gemstone on their chest, & nipple piercings on their body.

Protégés:

Kan-Xul Tamay a male 25 year old adult Maya Indigenous Central American

Brenda Tesarkee a female 22 year old adult Black Tsalagi Native Freedman

Nampeo a 21 year old adult native third gender Hopi indigenous person

Tatigat Arnatuk a male 18 year old young adult Inuit Indigenous Arctic Native

White Flare (Methoataske Harjo) 19 year old young adult female Shawnee and Muskogee Creek Indigenous woman.

Yesa Hau a third gender 17 year old young adult Melanesian Papuan Indigenous Pasifika

Kiri Matua a female 16 year old teenage Polynesian Māori Indigenous Pasifika

Langidrik Korok a 15 year old male teenage Micronesian Indigenous Pasifika

Relatives:

Father: Akio Kato or Puleleiite Kaimana Latu

Mother: Maria Lorena Garcia Ochoa, Marie Gabrielle Smith, or alien name Maaela Kayuth Adrjin

Siblings:

Younger Sister: Leilani Ailani Latu.

Younger Brother: Kekoa Maleko Latu.

Children:

Biological Children:

He/she/they can get pregnant and can get others pregnant. This is how he/she/they have biological children with his/her/their spouses and partners. ‬

Iolani Keali’i Latu Daughter of Hokulani Kaimana Keali and Kanai Makoa Latu/Ataahua Kamalani Latu

Amipa Tupou Latu Daughter of Polynesian Tongan Indigenous Pasifika woman Lekeleka Tupou and Kanai/Attahua Latu

Kahurangi Kohe Son of Polynesian Māori Indigenous Pasifika woman Olivia Kohe and Kanai/Attahua Latu

Ariihau Tran Latu Son of Dior Linh Heimana Tran and Kanai Latu/Attahua Latu

Fiafia Leota. Daughter of Black Samoan indigenous pasifika woman of color Jazmine Leota and Ryuu Kato/Haruka Kato

Ma’afu Tagi Son of Melanesian Indo Fijian Vaulina Tagi and Ryuu/Haruka Kato.

Koina Kila Daughter of Melanesian Papuan Indigenous Pasifika woman Vavine Kila and Ryuu/Haruka Kato

Cent Keju. Son of Micronesian Marshallese Indigenous Pasifika woman Runica Keju and Kanai Makoa Latu/Attahua Kamalani Latu.

Hostino Alik. Son of Micronesian Kosraean Indigenous Pasifika woman Tulpe Alik and Kanai Makoa Latu/Attahua Kamalani Latu.

Tana Akapito. Daughter of Micronesian Chuukese Indigenous Pasifika woman Achina Akapito and Kanai/Attahua Latu.

Saplasr Apaisam. Son of Micronesian Pohnpeian indigenous pasifika man Eiken Apaisam and Ryuu/Haruka Kato

Aki Fiija. Daughter of East Asian and Ryukyuan Indigenous Ukiyaka Fiija and Ryuu/Haruka Kato.

Apolaki Isip Ochoa the son of Kana’i Makoa Latu/Ataahua Kamalani Latu or Francisco Alejandro Diego Garcia Ochoa/Francisca Alejandra Maria Garcia Ochoa and Loretta Dawn Isip. He is the older sibling.

Mayari Isip Ochoa the daughter of Kana’i Makoa Latu/Ataahua Kamalani Latu or Francisco Alejandro Diego Garcia Ochoa/Francisca Alejandra Maria Garcia Ochoa and Loretta Dawn Isip.

Chula Harris. Daughter of Afro Indigenous Chickasaw Freedman Native man of color Miko Harris and Asian Pasifika and Latine native Ryuu/Haruka Kato

Nizhona Yazzie. Daughter of Dine man Kai Jaan Yazzie and Francisco Alejandro Diego Garcia Ochoa/Francisca Alejandra Maria Garcia Ochoa

Chaton Teton. Daughter of Francisco Diego Garcia Ochoa/Francisca Maria Garcia Ochoa and Afro Latine Nakota Native Ana Zaghloul

Tsula Robinson. Daughter of Black Tsalagi Native Freedman Angela Robinson and the Asian pasifika and latine native main character

Atohi Na. Son of Asian Tsalagi Native Cheng Na and the Asian pasifika and latine native main character

‪Carolina Isabel Acosta Ochoa. The daughter of Kana’i Makoa Latu/Ataahua Kamalani Latu and his South American Afro Latine Native woc love interest Adrianna Stephanie Macias Acosta. She is cis female. She is pansexual. Carolina is the older sibling.

Josephine Gabriella Acosta Ochoa. The trans femme daughter of Ryuuu Kato/Haruka Kato and Adrianna Acosta. Josephine is nonbinary genderfluid bisexual.

Jonas Hakala. Son of the main character and Sami indigenous Emma Hakala.

Hilda Hakala. Daughter of the main character and Sami Indigenous Emma Hakala

Peter Lestenkof. The son of the Asian Pasifika and Latine Native main character Ryuu Kato/Haruka Kato and white Arctic Native Aleut Mary Lestenkof.

Carlos Alejandro Veracruz Ochoa. The son of the Asian Pasifika and Latine Native main character and Central American Latine Native Veronica Dulce Gomez Veracruz.

Teresa Maria Perez Ochoa. The daughter of the Asian Pasifika and Latine Native main character and his Afro Latine Apache Native ex Kelly Andrea Perez or Gouyen Mescal.

Yej susen Sakagut Ochoa. Biological child of the main character and Zapotec indigenous Nayeli Sakagut.

Teyacapan Acuca. The daughter of the main character and Nahuatl Indigenous Coyotl Acuca.

Katsitsienhawi Murphy. Daughter of Iroquois Mohawk Tekawitha Murphy and Kanai Makoa Latu/Attahua Kamalani Latu

Adoptive Children:

Maria Garcia Morales. She is a young adult. Adopted child of them and Inayat Aloomse Barnett a Lac La Ronge Woodland Cree and Northern Cheyenne Indigenous woman.

Nathaniel Xuan Nguyen. He is a teenager. Adopted child of them and Inayat Aloomse Barnett a Lac La Ronge Woodland Cree and Northern Cheyenne Indigenous woman.

Takeda Sato. He is a preteen. Adopted child of them and Inayat Aloomse Barnett a Lac La Ronge Woodland Cree and Northern Cheyenne Indigenous woman.

Farah Ali. She is now an adult. She is Southwest Asian Iranian. She is Muslim. Adopted child of them and Inayat Aloomse Barnett a Lac La Ronge Woodland Cree and Northern Cheyenne Indigenous woman.

Young adult Wapun Aponi Barnett who is Woodland Cree and Plains Cree. Adoptive child of them and Inayat Aloomse Barnett.

Teenager Kitchi Barnett who is Woodland Cree and Eastern Cree. Adoptive child of them and Inayat Aloomse Barnett.

Preteen Ahanu Barnett who is Woodland Cree and Swampy Cree. Adoptive child of them and Inayat Aloomse Barnett.

Relationships:

Love Interests:

He/she/they is polyamorous and is in polyamorous non-monogamous and monogamous relationships.

He/she/they have many partners and spouses as someone considered to be a mahu (Hawaiian), fa’afaine (Samoan), fakaleiti (Tongan), or maohi (Tahitian) in the middle elder and healer.

He/she/they have many partners as someone polyamorous.

He/she/they have many spouses as a trans queer Indigenous Pasifika person of color high king/high queen or chieftain/warchief.

As someone with DID and schizophrenia in his/her/their psyche and mind he/she/they have several identities each with their own distinctive names, likes, dislikes, hobbies, & personalities since he/she/they are a plural system.

Such as Alexander Mack Smith/Alexandria Macy Smith. Such as Ryuu Kato/Haruka Kato. Such as Zana Saani. Such as Francisco Alejandro Diego García Ochoa/Francisca Alejandra Maria Garcia Ochoa. Such as the alien hybrid Zana Saani. Such as Polynesian demigod Kalani. Each plural system is a system of the main system Kana’i Makoa Latu/Ataahua Kamalani Latu.

This is to deal with the abuse and trauma that he/she/they have suffered as a former metahuman and superhuman child soldier.

The plural systems of Ryuu Kato/Haruka Kato, Alexander Smith/Alexandria Smith, Zana Saani, & Francisco Alejandro Diego Garcia Ochoa/Francisca Maria Garcia Ochoa are all polyamorous like the main system Kana’i Makoa Latu/Ataahua Kamalani Latu. Each system is dating different people that is different from the other plural systems.

Spouses and Partners:

Kana’i Makoa Latu/Ataahua Kamalani Latu:

His/her/their Indigenous Pasifika spouses and partners of color are Asian Native (East Asian Chinese, American English, Polynesian Hawaiian, Samoan Pasifika) Hokulani Kaimana Keali’i-Latu or Zhao Ya-Latu, Asian Native (Southeast Asian Vietnamese, East Asian Chinese, Polynesian Tahitian, Melanesian Kanak Pasifika) Dior Linh Heimana Tran-Latu, Jazmine Kueni Leota, Polynesian Māori Olivia Hine Kohe, Asian Native (South Asian Indian and Melanesian Fijian Indo Fijian) Vaulina Jiya Tagi-Latu, Asian Native (East Asian Japanese and Micronesian Marshallese) Runica Hana Keju-Latu, & Asian Native (East Asian Japanese, East Asian Chinese, & Ryukyuan Indigenous) Ukiyaka Fiija-Kato or Rin Lan-Fen-Kato.

Francisco Alejandro Diego Ochoa/Francisca Maria Garcia Ochoa:

His/her/their Indigenous spouses and partners of color are Central American Latine Native (Guatemalan, Salvadorean, & Costa Rican and Chorotega Indigenous of Costa Rica, Kekchi Indigenous of El Salvador, & Mopan Indigenous of Guatemala Latine Native of color) Veronica Dulce Gomez Veracruz-Ochoa, South American Afro Latine Native (Peruvian, Brazilian, & Venezuelan and Aguaruna Indigenous of Peru, Canela Indigenous of Brazil, & Maco Indigenous of Venezuela Afro Latine Native of color) Adriana Stephanie Macias Acosta-Ochoa, Latine Native (Bolivian Ecuadoran, & Peruvian and Aymara Indigenous of Peru, Quechua of Ecuador, & Wichi Indigenous of Bolivia Latine Native of color) Daniela Isabel Flores Rodriguez, Latine Native (Central American Honduran, Panamanian, & Nicaraguan and Garifuna Indigenous of Honduras, Ngobe Bugle indigenous of Panama, & Mayangna Indigenous of Nicaragua Latine Native woman of color) Karla Gabriela Ortega Lopez, a Latine Mexican and Cherokee or Tsalagi Indigenous woman of color Tayanita Castillo, Lac La Ronge Cree and Northern Cheyenne Indigenous woman ‪Inayat Aloomse Barnett-Latu, Black Native Hunkpapa Lakota Indigenous woman Dyani Maka, Plains Cree Indigenous woman Aponi Mitchell, & Asian Native Loretta Hope Dawn Isip-Latu (Southeast Asian Filipino, Aeta Indigenous Pasifika, and Anishinaabe Ojibwe Indigenous).

Ryuu Kato/Haruka Kato:

His/her/their non native partners of color are Joanna Jacobson, East Asian Korean Hae-lin Ae, West Asian Safia Rashid, Afro Latine Cuban Valeria Diaz-Ochoa, Afro Caribbean Jamaican Karalana Robinson, North Asian Mongolian Magnai Tse, Black African Rashida Ashanti Bello, Southeast Asian Cambodian Vannak Keo, West Asian Nijah Nadra Nadar-Kato, South Asian Sri Lankan Janaka De Silva, Black American Michelle Lewis, & Latine Sofia Velasquez-Ochoa.

Alexander Mack Smith/Alexandria Macy Smith:

His/her/their non native white partners are Talia Macridis Macar-Smith, Jessica Darby-Smith, & Leslie Pearlman-Smith.

Yunos:

His/her/their nonhuman alien lovers are aliens Scir'uil, Kir'els, Litux, Falder, & Ollas

Crel:

Their nonhuman humanoid lovers are Greco Roman Amazonian Elolipe, Merfolk Hasi Kac (she is merfolk as a sea nymph, triton, & siren hybrid), Homo magi Charlotte Nightmore, angel Matariel, & demoness and devil lady hybrid Kylesh

Kalani:

His/her/their nonhuman divine partners are Atlantean demigod Olle (who is the daughter of a goddess of the ocean), Aesir Asgardian Valkyrie Ylva Helga Olafsdottir (daughter of Loki and Sif), Roman goddess of war Carina Bellona Ragoria (daughter of Mars and Venus), & Greek goddess Diona Artemis Megalos (daughter of Ares and Athena).

Zana Saani:

His/her/their alien extraterrestrial partners are Kulax Kojir-Saani, Ohoi Nessars Saani, Breapru, four armed alien R’hasiss, Iesloria, Melmih, Loran, winged alien Terris, & Hleor.

Exes:

His/her/their Indigenous exes were Afro Latine Apache Native Kelly Andrea Perez or Gouyen Mescal, Latine Native Yaqui Hoan Escalante Valencia Yocupicio, Asian Arctic Native Amaruq Ren Naitok, white Arctic Native Aleut Mary Lestenkof, Asian Tsalagi Native Cheng Na, Black Tsalagi Native Freedman Angela Robinson, Black Chickasaw Native Freedman Miko Harris, Latine Native Náhuatl Coyotl Acuca, Latine Native Zapotec Nayeli Sakagut, white Native Iroquois Mohawk Tekawitha Murphy, Sami Indigenous Emma Hakala, Nez Perce Kaya, Afro Latine Native Nakota Ana Anacaoana Ahura Lagunas Zaghoul or Tahcawin Teton, Black Native Lakota Tanaya Avery Johnson, white Native Blackfoot and Salish Hurit Ridley Clarke, Asian Native Dakota Chaske Kiren Tiwari, & Dine Jaan Kai Yazzie.

His/her/their Indigenous Pasifika exes were Polynesian Tongan Ahio Colin Moala, Polynesian Maori Taki Anaru, Black Pasifika Kanaka Maoli Leilani Brittney Kekoa, Asian Pasifika Filipino and Polynesian Hawaiian Kalea Malea Ioane, Afro Caribbean and Melanesian Papuan Nali Tamara Apa, Melanesian Fijian Hereva Tanimani, Melanesian Solomon Islander Agarobe Garae, Melanesian Papuan Vavine Kila, Melanesian Ni-Vanuatu Ailana Tari, Asian Pasifika Micronesian Marshallese Runica Maiko Alik, Asian Pasifika Micronesian Pohnpeian Eiken Hiro Apaisam, Micronesian Chamorro Isa Dela Cruz, Micronesian Chuukese Achina Akapito, and Micronesian Kosraean Tulpe Alik.

His/her/their ex partners of color were Jonathan Kaven Ruslo, Lavanya Sunita Mishra, Devrim Keyan Uzun, Karishma Patel-York, Jayani Kumar-Patel, Raji Patel Keisuke Tanaka, Seo-Jun Jeong, Lisa Nguyen-Jeong, Jason Fujimoto, Hank Nguyen, Yoon-Sook Lee-Tanaka, Ruro Suzuki, Jason Peter Rodriguez, Lola Macias, Raquel Marina Alonzo-Jones, Lorena Castillo, Ulric Hayes, Vincent Tennyson, Jasmine Harris, Taylor Davis, Hector Vega, Hasan Karim, Ashaki Kahn, & Tirsa Malik.

His abusive exes are four armed female alien Migua, Atlantean sorceress Hinesy, and anthropomorphic alien wasp empress Ziewei

Citizenship:

Kingdom of Hawaii. Kingdom of Tonga. Citizen of mythical Mu and Hawaiki as an Oceanic demigod and goddess. Earth. Europa. Titan. Sol System. Milky Way Galaxy. Intergalactic Federation of Ethanxiia. Planetary Confederacy of Iuyumania. Polaris System. Andromeda Galaxy.

Marital Status: Married.

Education:

High school

Principal's Honor Roll

High school sports: Swimming, Golf, Volleyball, Baseball, Tennis, Water polo, Track, Wrestling, Basketball, Soccer.

College Sports: Cross country, Volleyball, Ice hockey, Skiing, Baseball, Snowboarding, Basketball, Lacrosse, Soccer.

Club: Fencing, Kendo, Archery, Kickboxing, Equestrian, Fishing, Judo, Shooting (pistol and rifle), Weightlifting, Rock climbing, Taekwondo, Karate, Sailing, Mixed martial arts

College graduate.

Valedictorian

Science major who graduated from a four year university with an Associate’s Degree of Science in Xeno Zoology with a minor in Magi Paleontology.

Graduated from the Earth Naval Academy. Master’s Degree of Science in Oceanography with a minor in Ocean Engineering.

Science major who graduated from Sol System Ivy League University with a Doctorate in Science. Dual Major in Xeno Biology and Magi Archeology.

11 notes · View notes

mudaship39 · 2 years ago

Text

Info about the Asian Pasifika and Afro Latine Native character of my BIPOC and QTIPOC Futurism Project

Dossier, Profile, Record, & Archive: King/Queen Kana’i Makoa Latu/Ataahua Kamalani Latu:

Real Names:

Polynesian name: Kana’i Makoa Latu/Ataahua Kamalani Latu.

Asian name: Ryuu Kato/Haruka Kato or Guang/Biyu Wei.

Afro-Latine name: Francisco Alejandro Diego Garcia Ochoa/Francisca Alejandra Maria Garcia Ochoa.

English name: Alexander Mack “Alex” Smith/Alexandria Macy “Lexi” Smith.

Alien extraterrestrial name: Zana Saani

Demigod/Deity name: Kalani

Ethnicity: Asian Pasifika and Afro Latine Native.

Racial Identity:

A mixed East Asian Japanese and Chinese Asian and European British person of color

A South American Colombian, Bolivian, Argentine, & Chilean Afro Latine person of color.

Cultural Identity:

A Polynesian Hawaiian, Samoan, and Tongan Indigenous Pasifika of Oceania.

South American Baniwa and Embera Indigenous Ameridian of Colombia and Chorote Indigenous of Bolivia and Argentina.

Species:

A Polynesian Indigenous Pasifika Oceanic demigod

Descendent of Namaka a Polynesian Hawaiian water goddess, Chinese god Hou Yi, an unknown Tongan god rediscovered after reconnecting after post cultural genocide, and Amaterasu a Japanese sky goddess

They are a mahu demigod of mist and fog. They are a god/goddess of storms.

Height:

Depends on gender and gender identity.

He/she/they have transformed gender forms and untransformed gender forms.

He/she/they have a 5’11” male masculine untransformed form that identifies with he/him pronouns.

He/she/they have a 6’1” female feminine untransformed form that identifies with she/her pronouns.

He/she/they have a 6’3” nonbinary genderless untransformed form that identifies with the pronouns of they/them.

He/she/they have a 6’5” nonbinary androgynous untransformed form that identifies with the pronouns of xer/xers.

Weight:

Depends on gender and gender identity.

Body Type:

Lean, tone, & athletic body type

Hairstyle:

Human Form:

He/she/they like short hair styles.

He/she/they like the pompadour, clipper cut, pixie cut, or crew cut.

He/she/they like medium to long hairstyles

Afrocentric hairstyles of braids, twists, & dreadlocks

Alien Form:

Hair color:

When not transformed: Black.

When transformed: white, red, gold, blue, green, or purple.

He/she/they have light brown, to dark brown, to black hair in his/her/their untransformed form

Eye color:

When not transformed: Dark Brown.

When transformed: white, gold, blue, green, red, or purple.

He/she/they have dark brown to black colored eyes.

Skin color: When not transformed: As an Asian Pasifika and Afro Latine Native their skin tone is terra cotta, russet, ochre, sepia, or umber. Kissed by the sun.

When transformed: gold, blue, green, red, & purple.

Age:

Middle aged. Has longevity as a demigod metahuman and alien hybrid superhuman with a supernatural and superhuman lifespan.

Born in the 22nd Century. Currently alive in the 60th century as a metahuman and superhuman

Birthday:

Libra Dog

Shoe Size: Depending on gender form 11 to 13

Scar marks:

Healed scars from experimentation. Healed scars from torture and interrogation. Healed scars from self harm caused by mental illnesses.

Extra features:

Alien Form:

His/her/their transformed form has alien hair, skin, & eyes.

His/her/their transformed form’s body is covered in mammalian fur with stripes, avian feathers, and reptilian and amphibian scales (that covers his/her/their chest, back, arms, & legs).

His/her/their transformed form has webbed clawed (retractable) hands with opposable thumbs and webbed clawed (retractable) feet with opposable toes.

His/her/their transformed form has a prehensile chimera tail that is covered in avian feathers and reptilian scales.

He/she/they are an alien Iuyamnian and Ethanxiian alien hybrid.

His/her/their mother’s alien form and his/her/their alien form both reflect this.

Aquatic Form:

They have an aquatic bipedal form for swimming underwater that looks like a were shark. This form has mako shark skin on their body, magical elemental hair made out of seawater, mako shark fins on their body, great white shark fin on their back, webbed clawed feet, weet clawed hands, seven inch megalodon like teeth in their mouth, bull shark gills on their neck and chest, tiger shark stripes on their arms and legs, glowing blue eyes, kaluga fish fins on their face, blue and green sturgeon like fish scales on their body, a great white shark tail, whale shark spots on their chest and back, & a humanoid merfolk or triton like face. They have glowing bioluminescent skin. They have glowing ethereal Atlantean tattoos and Atlantean characters on their bodies. They have Indigenous Pasifika tattoos on their face, neck, chest, back, arms, & legs. They wear Indigenous Pasifika jewelry such as bracelets, rings, & necklaces. They wear shark tooth necklaces. They wear Atlantean steel combat armor decorated with sea turtle, manta ray, shark, & dolphin designs. Their weapons are Atlantean swords, axes, spears, clubs, & war hammer made out of atlantean steel. They rule with a five pronged quident made out of Atlantean steel and a circlet of power made out of precious metals and decorated with gemstones. These weapons are enchanted with arcane elemental magical water and serrated with seven inches long megalodon shark teeth. They can swim up to 200 miles per hour.

As a Bionic/Cyborg:

Cybernetic Implants

Bionic Enhancements

Has many mod slots for upgrading and customizing nano machines, cyberware, cybernetic implants, & bionic enhancements

Brain computer interface that allow uploading and downloading data

Can plug in to hack holographic computers, holographic smartphones, holographic televisions, & other electronics,

Human metal and alien metal enhanced skeleton and muscles for supernatural strength, endurance, and durability

Microchip implants that allow fast diagnosis and monitor health in real time

Metal reinforced joints for supernatural flexibility, speed, & reflexes

Has nanomachines for supernatural healing

Sex:

Female

Assigned female at birth or AFAB

Gender:

Non Binary

Mahu/Fakaleiti Indigenous Pasifika Third Gender of Oceania

Third gender of Amerindian Indigenous people of South America

Gender Identity:

Nonbinary or Genderfluid

Has both male and female genitalia

Sexual Orientation: Bisexual/Pansexual

Pronouns: He him, She her, they them. Neopronouns Xer xers. Indigenous Pasifika Ona

Spirituality:

Buddhist

South American Indigenous Colombian spirituality

Polynesian Indigenous Pasifika pagan.

Jaothean alien polytheistic pagan religion

Disabilities:

Autistic as someone with autism

Neurodivergent:

ADD or attention deficit disorder, ADHD or attention hyperactive disorder, OCD or obsessive-compulsive disorder, & hyperlexia.

Disfigurement:

He/she/they are physically disabled as someone because he/she/they were disfigured in combat during war.

Disfigured by a hard-light sword wielded by a female alien super soldier who fought for the Earth Space Military

Later had their right arm replaced with a bionic and cybernetic prosthetic arm

Later had his/her/their left eye replaced with a cybernetic and bionic prosthetic eye.

He/she/they have a hard light and plasma burn scar from the top of his/her/their eyebrow to the bottom of his/her/their cheek.

Mental Illnesses:

Depression, anxiety, panic attacks, schizophrenia, DID or dissociative identity disorder, & PTSD or post-traumatic stress disorder.

As a result of abuse and trauma

Main System:

Kana’i Makoa Latu/Ataahua Kamalani Latu

Plural Systems:

Goes by an Alien name: Zana Saani.

Decisive, charismatic, disobedient, cruel, provocative, open minded, flirtatious, driven,

Goes by demigod and later god/goddess name Kalani.

Upright, hero syndrome, honorable, driven, leader, good listener, misguided, attention seeker, eloquent, selfless, elegant.

Goes by an English name: Alexander Mack “Alex” Smith/Alexandria Macy “Lexi” Smith.

Generous, Impulsive, focused, procrastinator, intelligent, vindictive, boastful, sweet, loud, dutiful, rash, punctual, vain, tolerant, popular, lazy, social, immature, crass, realistic, & bossy

Goes by his/her/their Polynesian name: Kana’i Makoa Latu/Ataahua Kamalani Latu.

Humorous, stable, demanding, peaceful, nosy, flexible, compassionate, articulate, cultured, reckless, warm, patient, elegant, observant, pretentious, selfless

Goes by his/her/their Asian name: Ryuu Kato/Haruka Kato or Guang/Biyu Wei.

Goes by his/her/their Afro Latine name: Francisco Alejandro Diego Garcia Ochoa/Francisca Alejandra Maria Garcia Ochoa.

Insults:

As an alien hybrid superhuman:

Gene snatcher, xeno

As a demigod metahuman:

False ones, half breed, cast off, outcast.

As a bionic/cyborg transhuman: