#children shouldn’t have to work

[disappointingcabbage]

I just realized that it’s highkey fucked up that my dad had to drive me to and from my first job. Like I had a whole ass job but I wasn’t old enough for a driver’s license.

[soyboywenzie]

no i am not an aegon girl. i am a tgc is a beautiful man and him playing aegon is the best part of that character.

i am a his story is so strange and interesting because he’s one of the shittiest men in the dance saga and everyone! knows it but they rather have the worst man alive than a woman who is him but with a vagina and less sexual offenses.

i am a aegon is so much more fun to talk about when you don’t ignore the worst about him, and act like you can’t read between the lines of, he’s at worst a pedo and at best, a sexual harasser, because you think you can’t like immoral characters.

you are reading/watching asoiaf content, one character’s best is not everyone and their worst isn’t everyone’s but holy hell do they all play ping pong with how crazy they want to be?

i am an aegon is a shithole truther, the nasty man alive and probably became the worst version of himself because of what his family put him through even if he was already the worst version of himself before it all happened. he deserves nothing and can burn but also cry like his mother and make my heart melt.

man, tom glynn carney you are gonna eat this season!!

[theres-whump-in-that-nebula]

Oh my god why didn’t anyone tell me any of this sooner?

[lastnightonthecyclone]

Another fucking wip on fnaf because inconsistency is my skill

[gonzocoded]

if you bring your loud child to the library please FOR THE LOVE OF GOD take them to the youth department!!!! PLEASE I AM BEGGING YOU ON MY HANDS AND KNEES

[pepprs]

beaver gnawing on wood noises

[crushingway]

all these posts about who can watch children’s media and how it’s supposed to be analyzed are silly and I don’t agree with any of them because it all boils down to “here’s who is and isn’t allowed to get mad on the internet and about what”

but why worry about that when you can get mad about anything you want and be as petty as you like in a small discord server of you and your closest friends

[shatterthefragments]

We were having a pleasant dinner mum. All you do is complain. And make yourself the victim when hey- maybe after a long day at work I don’t want to just be your vent buddy!?

“So why don’t I just shut up. I won’t talk to you then. I know deep down you kids would’ve preferred a different mother anyway.”

Yeah. A mother that got treatment for your mental health issues. And wouldn’t take it as an utter failure of yourself if you found out that both your children have mental health issues too. (Which. Yeah. Maybe the dream is to have a mother who took care of their mental health and maybe informed the children of how stuff might feel and how it’ll get better. Because as roller coaster-y as I am still. And the lows are always crashing straight o the bottom. Like. CHOOSING to go for walks and go outside and do things that I enjoy has been so beneficial for me. Making new friends here and talking to them and interacting has been so beneficial for me. I have a will to live that actually makes me a little scared to die. Despite how it feels in the moment (oh how fucking easy it would be to scream back WOULD IT BE EASIER TO HAVE HAD CHILDREN WHO WERENT SO SCARED TO SPEAK UP INSTEAD? WOULD IT BE EASIER IF I WERE DEAD? YOU ALWAYS SAY YOU THINK OF US MORE AS FRIENDS THAN AS MOTHER-CHILD. AND GUESS WHAT BITCH? IF MY FRIEND HADNT LEFT THE HOUSE IN AS LONG AS YOU I WOULD THROW THEM ON MY BACK AND TAKE THEM FOR A DRIVE TO SOME NATURE PLACE.) I. I want to want to live. I want to live. (But shiiiit I can’t live here forever like this.)

[bluesundaymorn]

My friend just unironically tried to defend letting children watch shit like hasbin hotel

[ryukisgod]

It’s easier to say “I hate kids” than ‘I don’t enjoy the company of children’

The thing about people talking about how much they hate children is that I've never seen any correlation between "openly expressed loathing of children" and "support for policies that actively harm children."

In contrast, when people go out of their way to tell you how much they love children and want to protect children, it's at least a 50/50 chance that you are about to hear support for the most actively evil assault on children's rights and dignity that you can possibly imagine.

[yokelfelonking]

Post 9/11 Trivia

Most folks on this site were either children on September 11, 2001, or weren’t even born yet.  But America went crazy for about a year afterwards.  Here’s some highlights that I remember that might not be in your history books:

There was national discussion on whether or not Halloween should be canceled because…fuck if I know why.  After planes crashed into buildings in NYC it follows that 6-year-olds in Iowa shouldn’t be allowed to dress up like Batman and ask their neighbors for candy, I guess.  (Halloween wasn’t canceled, by the way.)

On a similar note, people asked if comedy - any sort of comedy - was appropriate anymore, ever.

People sold shitty parachutes to suckers “in case your building gets attacked and you have to jump out the window.” There were honest-to-God news reports warning people not to jump out of the window with shitty mail-order parachutes because they wouldn't work.

As a follow-up to the attacks, someone mailed anthrax to some prominent politicians and news anchors - you know, famous people - along with some badly-written notes about “you cannot stop us, death to America, Allah is good” and after that every time some random dumbass found a package in the mail they didn’t recognize they thought that the terrorists were targeting them, too.

Everyone was similarly convinced that their town was going to be the next target, even if they were a little town in the middle of nowhere. "Our town of Bumblefuck, South Dakota (population 690) has the largest styrofoam pig statue west of the Mississippi! Terrorists might fly planes into that too! It's a prime target!"

People started taping up their windows and trying to make their houses or apartments airtight out of fear of chemical and biological attacks. There were news reports warning people that turning your house into an airtight box was a bad idea because, y'know, you need air to breathe.

"[X] supports terrorism!" and “if we do [X], the terrorists win!” were used as arguments for everything.  "Some rich Arab you never heard of donated to his organization that backs Hamas which backs al-Queda, and also owns stock in a holding company that has partial ownership of the Pringles company, so if you eat Pringles you're supporting terrorism!" "The terrorists want to tear down our freedoms and our way of life and rule us through fear! Eating what you want is one of our freedoms as Americans! If you're afraid to eat Pringles, the terrorists win!" (I promise you that this sort of argument is in no way hyperbole.) (This argument is how Halloween was saved, by the way.  “If we cancel Halloween, the terrorists win!”)

People worked 9/11 into everything, and I mean everything, whether it was appropriate or not.  If you went to the grocery store the tortilla chips would remind you to support the troops on the packaging. Used car sales would be dedicated to our brave first responders. You couldn't wipe your ass without the toilet paper rolls reminding you to never forget the fallen of 9/11, and again, this is not hyperbole. My uncle, who lived in Ohio and had never been to New York except to visit once in the 70′s, died of a stroke about 8 months after 9/11, and the priest brought up the attacks at the eulogy.

On a similar local note, on the day of 9/11, after the towers went down, gas stations in my home town immediately jacked up gas prices.  The mayor had the cops go around and force them to take them back down.  I doubt any of that was legal.

Before 9/11, Christianity in America - and religion in general - was on a downward swing, with reddit-tier atheism on the upswing. Religion was outdated superstition from a bygone age. The day after 9/11? Every single church was PACKED. (This wasn't a bad thing, but the power-hungry on the Evangelical Right saw this as a golden opportunity to grab power and influence.)

EDIT: By Popular Demand - Freedom Fries. I initially left these off because they came a couple years after the initial panic and most people thought they were kind of absurd (and I don't recall anyone really going along with it other than maybe some local diners here and there). France didn't want to get involved in our world policing so some folks were like "TRAITORS!" and wanted to call french fries "Freedom Fries" instead, so as to stick it to the French.

Besides dumb shit like that…it’s really hard to overstate how completely the national mood and character changed in the span of a day, or how much of the current culture war is a result of the aftermath. (9/11 was the impetus for the sharp rise in power of the Evangelical Right, who made themselves utterly odious and the following backlash helped the rise of the current Progressive Left, for instance.)

And if all of this seems batshit...well, it was. But I want you to think for a moment how people react today over even trivial shit. People send death threats over children's cartoons. They call for blood if the maker of a video game had an opinion they don't like. If someone made a racist joke a decade ago when they were a teenage edgelord, folks will go after people who even associate with them. "DON'T YOU UNDERSTAND ALL THE HARM THEY'RE DOING!?"

Now take that same level of over-the-top histrionics and apply it to the unprecedented event of passenger planes crashing into crowded buildings in America's most populous city and killing thousands of people all at once. "DON'T YOU UNDERSTAND THAT WE WERE ATTACKED!?"

[hyperlexichypatia]

As I keep shouting into the void, pathologizers love shifting discussion about material conditions into discussion about emotional states.

I rant approximately once a week about how the brain maturity myth transmuted “Young adults are too poor to move out of their parents’ homes or have children of their own” into “Young adults are too emotionally and neurologically immature to move out of their parents’ homes or have children of their own.”

I’ve also talked about the misuse of “enabling” and “trauma” and “dopamine” .

And this is a pattern – people coin terms and concepts to describe material problems, and pathologization culture shifts them to be about problems in the brain or psyche of the person experiencing them. Now we’re talking about neurochemicals, frontal lobes, and self-esteem instead of talking about wages, wealth distribution, and civil rights. Now we can say that poor, oppressed, and exploited people are suffering from a neurological/emotional defect that makes them not know what’s best for themselves, so they don’t need or deserve rights or money.

Here are some terms that have been so horribly misused by mental health culture that we’ve almost entirely forgotten that they were originally materialist critiques.

Codependency What it originally referred to: A non-addicted person being overly “helpful” to an addicted partner or relative, often out of financial desperation. For example: Making sure your alcoholic husband gets to work in the morning (even though he’s an adult who should be responsible for himself) because if he loses his job, you’ll lose your home. https://www.nytimes.com/2022/07/08/opinion/codependency-addiction-recovery.html What it’s been distorted into: Being “clingy,” being “too emotionally needy,” wanting things like affection and quality time from a partner. A way of pathologizing people, especially young women, for wanting things like love and commitment in a romantic relationship.

Compulsory Heterosexuality What it originally referred to: In the 1980 in essay "Compulsory Heterosexuality and Lesbian Existence," https://www.journals.uchicago.edu/doi/abs/10.1086/493756 Adrienne Rich described compulsory heterosexuality as a set of social conditions that coerce women into heterosexual relationships and prioritize those relationships over relationships between women (both romantic and platonic). She also defines “lesbian” much more broadly than current discourse does, encompassing a wide variety of romantic and platonic relationships between women. While she does suggest that women who identify as heterosexual might be doing so out of unquestioned social norms, this is not the primary point she’s making. What it’s been distorted into: The patronizing, biphobic idea that lesbians somehow falsely believe themselves to be attracted to men. Part of the overall “Women don’t really know what they want or what’s good for them” theme of contemporary discourse.

Emotional Labor What it originally referred to: The implicit or explicit requirement that workers (especially women workers, especially workers in female-dominated “pink collar” jobs, especially tipped workers) perform emotional intimacy with customers, coworkers, and bosses above and beyond the actual job being done. Having to smile, be “friendly,” flirt, give the impression of genuine caring, politely accept harassment, etc. https://weld.la.psu.edu/what-is-emotional-labor/ What it’s been distorted into: Everything under the sun. Everything from housework (which we already had a term for), to tolerating the existence of disabled people, to just caring about friends the way friends do. The original intent of the concept was “It’s unreasonable to expect your waitress to care about your problems, because she’s not really your friend,” not “It’s unreasonable to expect your actual friends to care about your problems unless you pay them, because that’s emotional labor,” and certainly not “Disabled people shouldn’t be allowed to be visibly disabled in public, because witnessing a disabled person is emotional labor.” Anything that causes a person emotional distress, even if that emotional distress is rooted in the distress-haver’s bigotry (Many nominally progressive people who would rightfully reject the bigoted logic of “Seeing gay or interracial couples upsets me, which is emotional labor, so they shouldn’t be allowed to exist in public” fully accept the bigoted logic of “Seeing disabled or poor people upsets me, which is emotional labor, so they shouldn’t be allowed to exist in public”).

Battered Wife Syndrome What it originally referred to: The all-encompassing trauma and fear of escalating violence experienced by people suffering ongoing domestic abuse, sometimes resulting in the abuse victim using necessary violence in self-defense. Because domestic abuse often escalates, often to murder, this fear is entirely rational and justified. This is the reasonable, justified belief that someone who beats you, stalks you, and threatens to kill you may actually kill you.

What it’s been distorted into: Like so many of these other items, the idea that women (in this case, women who are victims of domestic violence) don’t know what’s best for themselves. I debated including this one, because “syndrome” was a wrongful framing from the beginning – a justified and rational fear of escalating violence in a situation in which escalating violence is occurring is not a “syndrome.” But the original meaning at least partially acknowledged the material conditions of escalating violence.

I’m not saying the original meanings of these terms are ones I necessarily agree with – as a cognitive liberty absolutist, I’m unsurprisingly not that enamored of either second-wave feminism or 1970s addiction discourse. And as much as I dislike what “emotional labor” has become, I accept that “Women are unfairly expected to care about other people’s feelings more than men are” is a true statement.

What I am saying is that all of these terms originally, at least partly, took material conditions into account in their usage. Subsequent usage has entirely stripped the materialist critique and fully replaced it with emotional pathologization, specifically of women. Acknowledgement that women have their choices constrained by poverty, violence, and oppression has been replaced with the idea that women don’t know what’s best for themselves and need to be coercively “helped” for their own good. Acknowledgement that working-class women experience a gender-and-class-specific form of economic exploitation has been rebranded as yet another variation of “Disabled people are burdensome for wanting to exist.”

Over and over, materialist critiques are reframed as emotional or cognitive defects of marginalized people. The next time you hear a superficially sympathetic (but actually pathologizing) argument for “Marginalized people make bad choices because…” consider stopping and asking: “Wait, who are we to assume that this person’s choices are ‘bad’? And if they are, is there something about their material conditions that constrains their options or makes the ‘bad’ choice the best available option?”

[literaryvein-reblogs]

Writing Notes: Hooking your Readers

Hook—The first line, lines, or paragraph meant to grab the reader’s attention

For most people, a night out at the movies includes sitting through the coming attractions. We watch these short bursts of scenes that scare us, intrigue us, make us laugh, and sometimes nearly bring us to tears. No matter the preview, though, if it looks good, we want to go see the movie. An effective “hook” in your story works the same way. You want to grab your reader right away and compel them to continue reading.

Some common strategies for creating a hook & examples:

Anecdote: My hands shook and beads of sweat rolled down my face. I double-checked the directions before assembling my tools and turning up the heat. Making lasagna shouldn’t have been this stressful, but in my grandmother’s kitchen, the stakes were a little higher. 

Direct quote: “Be open and use the world around you.” Toni Morrison gives this advice about the craft of writing, but I find that it applies to most areas of my life.

General statement or truth: Every child, no matter how sheltered or well-adjusted, will experience fear. Whether they are scared of the monster under the bed or the neighbor’s barking dog, children experience fear as a normal and healthy part of childhood.

History: On Wednesday, August 28, 1963, thousands traveled to Washington D.C. by road, rail, and air. There were demonstrators of all races, creeds, and genders. Unafraid of the intimidation and violence they faced, they demonstrated for the rights of all. Known as The Great March on Washington, this day marked an important turning point in the Civil Rights Movement in the United States.

Metaphor: Stretched out in a sunbeam, my cat may seem timid, but really, she’s a lion. She will stealthily stalk her prey, attack without mercy, and leave a trail of blood and guts in her wake. Afterward, as she grooms her luxurious mane, she shows no remorse.

Scene or illustration: Shadows stretch across the pavement as jack-o-lanterns flicker in windows. Little trick-or-treaters scamper from porch to porch, filling their bags with various forms of sugar. It is the day dentists dread most: Halloween.

Sensory description: The stale smell of cigarettes engulfed me as I stepped into the dim, silent apartment. The heat had been turned off, so I could see my breath fog in front of me as I carefully stepped over the old pizza boxes, overturned cups, and random pieces of paper strewn across the floor.

Startling statistic or statement: Teenage drivers crash their cars at nearly ten times the rate of older drivers.

More: Writing Notes & References

[lonlonranching]

If I get really into bnha again would y’all be mad at me 👉🏻👈🏻

[not-neverland06]

Hey I’m just begging for a fic of Logan with a shy reader that she has a crush on him but thinks he’s never going to fix on her since Jean exists (maybe the reader can make her hair color change depending on the emotion or something

a/n: sorry I haven’t been responding to asks. The new job has officially killed my spirit. But I got to work out finally and do some yoga so hopefully I’ll start feeling more motivated 🤞🤞this one will be shorter

Logan Howlett x X-men!reader (Chameleon)

“Chameleon!” You jump, shoulders flying up to your ears. Almost immediately you can feel the tips of your fingers tingling. Sure enough, when you look down they’re already disappearing. Sighing, you turn around and glare at Scott. 

“What have I told you about scaring me?” 

He grimaces, raising his hands in surrender. “Sorry, I forgot.”

You roll your eyes and turn back toward your project. “Every time,” you mutter bitterly. You’re not an idiot. You know he thinks scaring you is funny. The whole school does. They all like to see you yelp and blend in with the nearest surface, the only thing visible is your stupid hair. 

“You’re, um, turning red.” Scott points to your head and you don’t have to look to know your hair is shifting colors.

You reach over and swat harshly at his arm, “Because you pissed me off! I know you scare me on purpose,” you accuse, jabbing your finger into his chest. He laughs and stumbles away from you. 

“Alright, alright, calm down. I was just messing around a little. Look,” he glances down at the lesson plans before you and sighs. “All this will have to wait. Charles needs us all for a mission.”

You huff and shove the papers into your desk drawer. “Alright, lead the way.” You feel Scott’s eyes still lingering on your hair and glare at him. “Move it, Summers,” you demand. 

You were already in a bad mood, you didn’t need him making it worse. It honestly shouldn’t be such a big deal for you. You get scared by everyone all the time. You used to enjoy it, enjoyed the way it felt like you all had your own joke. But, eventually, it started to feel less like an inside joke and more like you’re the unwitting butt of one. 

Some mutants get amazing powers, like Jean or Charles. Logan’s abilities are incredible, even if he doesn’t believe you when you tell him that. But yours, well, you're better suited as the cheap gimmick of a children’s birthday party than an X-Men. You’re just a walking mood ring that blends in with her environment. 

The only thing you’re good for is reconnaissance missions and embarrassing yourself. You don’t know what Charles sees in you. You’ve never understood why he insists you’re such a good asset to the team. Yes, you are good at spying on people, but you don’t need to when Charles has such strong telepathic abilities. You’re essentially useless in a fight due to a lack of regenerative or strength abilities. 

More often than not you feel like a child playing dress up, chasing after the big kids. You know the others don’t mean anything bad by it when they tease you into going invisible or laugh when your hair changes. It’s all in good fun. But it doesn’t make you feel any less like easy entertainment rather than a teammate. 

It doesn’t help that you’ve got little to no control over your abilities when it comes to Logan. You’ve never had such a horrifically bad crush like this. Anytime he opens his mouth around you, you're fighting off the urge to just go invisible and run away. You feel like you go feral around him. You don’t know how he hasn’t caught onto what the colors of your hair mean when you’re near him. 

It’s constantly switching between some odd mix of red and pink when you talk. Which, you know what it means, but you’re praying no one else does. Red can mean angry, depending on whether you’re talking to Scott or not. You know, though, that with Logan it just means you want to jump his bones and you’re hopelessly in love with him. 

Thankfully, like the others, he associates red with anger. Which isn’t great for you because that just means he thinks every time he opens his mouth you’re pissed off. At yourself, maybe, but at him, never. It just means when he wears those stupid tanktops you want to dig your teeth into his biceps and never let go. 

Scott opens the door to the meeting room and you slide in past him. Charles gives you a brief smile as a greeting. You take the chair at the end of the table, which just happens to be next to Logan - completely coincidental. He gives you a tense smile and you return it stiffly. You tug your hood over your hair, praying he doesn’t notice the red in your strands yet. You don’t want him to think you hate him. You completely prefer that over him knowing how feral you are for him, but it’s not conducive to your slow plan to finally get him to acknowledge you as a sexual partner. 

You swear, if your name isn’t Jean Grey, you might as well just be a shapeless blob of nothing. He glances over at her, that smoldering look in his eyes, and you try not to throw up in your mouth. Scott wraps an arm around Jean’s shoulders and they break their lingering stares. 

Logan glances over at you and catches the glare on your face before you can get rid of it. He huffs and turns towards Charles. With a sigh, you sink back into your chair and focus on not just going invisible. 

“Chameleon,” Charles says your name and your eyes widen. You wonder how much you’ve missed while you’ve been glaring at the back of Jean’s head. “Does that sound alright with you?”

You look around the table for help but they’re all staring expectantly at you. “Sure,” you stumble over the word, racking your brain for any answers. It seems not even your subconscious was paying attention to Charles droning on. “Sounds great.” He gives you a satisfied nod. 

“Good. Off to the jet, all of you.” he rolls out of the room and you wait until he’s out of earshot to kick Logan under the table. 

He glances back at you, smirking. “Don’t know what you agreed to?”

You purse your lips and shake your head. “Nope,” he gives you a look like he knew you’d say that. You hate how well he can read you when it feels like you’re constantly hitting walls trying to understand him. 

“You’re scoping a place out for us. Making sure it’s safe so we can retrieve some information.” You give him a thankful look and he chuckles. “You need to start paying attention, kid.”

You groan and get up from your chair, brushing past him. “I told you to quit calling me that.” It makes you feel like that’s all he’ll ever see you as, some kid invited onto the team. You want him to see you as someone he could have sex with, hopefully, love one day. 

He glances past you at Jean. She smiles at him and you fight everything inside you to not roll your eyes and gag at them. She’s holding onto Scott and making fuck me eyes at Logan, which he’s happily returning. This is just too disgusting for you. 

You shove past him and ignore how he calls out your name. Your real name. He’s the only one that uses it. For some reason, most people just refer to you by Chameleon. You don’t understand why. They just don’t seem to think of you outside your abilities as a mutant. 

You make it to the jet before the others, taking the private time to change into your X-Men suit. If there’s one useful thing about your ability, it’s that it affects whatever’s touching you. Which means, you don’t have to strip naked to go completely invisible. And if anyone is around you, all you have to do is hold onto them and they’ll blend in too. 

You’re tugging up the zipper of your top as Logan walks in. He gives you an odd look, sitting on the bench in front of you. “Angry about something?” He asks, gaze darting up to your head. 

You drag your fingers over the ends of your hair and sigh. “No,” you tell him bluntly, taking the seat beside him. 

His brows furrow in confusion. “It’s red, though,” he points out, his tone colored in suspicion. 

You laugh a little, “Red doesn’t always mean angry.” It’s the most you’ve ever confided about your hair colors to him. The largest hint you’ve ever given him that you don’t hate him. You’re worried if he knew how you really felt about him, he’d think you were a little creep. 

He slides his arm behind you on the bench, leaning in until you’re practically sharing the same air. You know your eyes are comically large, you don’t even want to know what color your hair is turning right now. “What else does it mean, kid?” He whispers and you don’t even pay attention to the nickname. All you can see and hear right now is him. How close he is, how close your lips are. 

You could lean forward an inch or two and you’d be kissing. “Um,” you swallow harshly around the lump in your throat. You don’t even know what he asked you, all you can think about now is kissing him. 

“Logan!” Ororo’s voice echoes through the jet and you leap away from him, trying to calm your racing heart. Logan sighs and leans back in his seat, giving Storm a tense smile. She glances at you and laughs, “She’s nearly see-through, what are you doing to her?”

You frown and look down at your hands. Sure enough, you’re going translucent. You let out a silent groan, and tuck your knees into your chest. You take a few deep breaths until you’re one solid form again. It’s so embarrassing when that happens, when you lose control over yourself like that. 

But it’s even worse when Logan does it to you. He gives you hope, stupid, hateful hope, for one minute that he might feel something deeper. Only for it to be another joke. You’re a walking mood ring, nothing more than a quick laugh to all of them. 

Jean walks up the ramp, her gaze going to Logan first before drifting towards you. “Are you alright?” She mutters, trying not to let the others hear. Of course, Logan can, with his stupid enhanced abilities. “You’re turning blue,” she points out and you roll your eyes. 

You can feel Logan’s stare burning holes into the side of your head and it only makes you feel worse. You hate being a joke, but you also hate showing them just how much it affects you. You don’t want to seem like a crybaby that can’t handle a little teasing. But you’d thought coming to Charles’ school meant people would stop poking fun at you. It feels like being dragged right back into high school. 

“I’m fine,” you tell her. She doesn’t look like she believes you but she takes a seat anyway. Of course, placing herself right next to Logan, even though her fiancee is a few feet away from her, looking just as hurt as you. They lean into each other and whisper. They’re not even trying to hide it anymore. You let your glare bore into the floor, ignoring how much seeing them together hurts. 

The mission had gone well, Logan had been hoping to go to the bar and grab a drink with you. But the second his back is towards you, you’re running off the jet. Logan calls out your name, trying to catch up. You glance back at him, looking like a deer caught in the headlights. He smiles at you and your eyes widen. You go invisible and Logan glances around, baffled. 

He calls out your name again but the door ahead of him opens and closes quickly. He can only assume you’ve run away again. You always run away from him. You’re always pissed off at him. He doesn’t know what Jean’s talking about when she says you like him. 

Logan’s never met anyone more repulsed by him. 

“Would you just trust me?” Jean tells him lowly, creeping up behind him. 

His face falls and he turns to her, glaring at her knowing smirk. “She just fuckin’ ran away from me. Pretty sure that’s about as good a hint as I’m gonna get, Jean.”

She glances over her shoulder, waving Scott away and looping her arm through Logan’s. “You’re an idiot, Howlett.” He scoffs and she swats at his shoulder. “Trust me, I can read minds, remember?”

Of course, he knows she’s got some pretty decent telepathic abilities. But he didn’t think she would so brazenly breach your boundaries. There’s an unspoken rule that the mind readers of the school don’t delve into your brain without permission. 

She sees the look on his face and sighs. “I didn’t read her mind. She got drunk a little while ago and told me about her raging crush on you,” she laughs a little at your expense and Logan lets out a short chuckle. You can be a pretty sloppy drunk if they let you go too far. He figures it was one of those girl’s nights he wants nothing to do with. You’d probably let the tight reigns you keep on yourself slip for once. 

“She goes red every time she sees me. I don’t know what else that could mean other than she hates me.” Logan isn’t surprised that you’re not taken with him like he is with you. He’s used to the rejection, but it hurts just a bit more coming from you. You’re so welcoming to the others. 

You embrace every new member of the school with open arms. Yet, with him, you get angry whenever you see him. You see through his walls, see the rot lurking underneath them. And, rightfully, want nothing to do with him. He understands your reasoning. 

Most days he barely wants anything to do with himself. He’s made a lot of bad choices in his life, half of which he can’t remember. But he’d hoped, for one minute, that you might give him a second chance. As much as Jean insists otherwise, he can see the truth of how you feel about him every time you run away. 

“Red doesn’t always mean anger,” Jean tells him elusively. It’s the same thing you’d said to him on the jet. It makes his brows furrow in confusion and he glares at her. 

“What else could it mean?” He demands sharply, sick of her teasing him with the possibility you might feel the same way. 

She bites her lip, looking suddenly sheepish. “I can’t say-”

“Jean,” Logan snaps. He stops her from walking any further, keeping her planted in one spot with him. “Tell me,” he’s sick of the games you’re both playing with him. He just wants some straight fucking answers. How hard is that?

She sighs and looks away from him. “I promised her I wouldn’t tell.”

“And I’m sure you promised you also wouldn’t tell me how she feels about me,” he points out. There’s a sharp tone to his voice, it’s rude but he can’t bother feeling guilty about it. 

She can’t meet his eye, a smirk fighting at the corner of her lips. He waits impatiently for her answer, irritation broiling quickly in his gut. He’s about to snap at her again when she finally meets his eyes. 

She speaks through a laugh, like what she’s about to say is so ridiculous she can’t hold it in. “She wants,” she cuts herself off with another laugh and Logan groans in frustration. He begins to walk away from her when she yells, “She wants to fuck you!” At his back. 

His eyes widen in surprise before he turns back to her with a displeased look. “Are you fuckin’ with me?” He demands, narrowing his eyes at her suspiciously. 

She shakes her head and brushes past him. “You didn’t hear it from me,” she warns, tone grave as she leaves the room. 

Logan is left standing in the same spot, stunned at the revelation. He’s not sure how much of that he believes. But he doesn’t understand why Jean would possibly lie to him about this. She gains nothing by setting him up for failure. As much as he doubts the honesty behind her words, he’s got no other choice but to trust them. 

He heads to the most likely place you’re hiding out. Charles has a private library that’s blocked off from the kids. There are too many first editions in there, he can’t risk any of them accidentally blowing them up. You like to head there when you’re trying to avoid people. 

He tries to stay quiet as he walks in, not wanting you to run off again. It’s hard to confront someone who goes invisible whenever she feels like it. He sees light blue hair draped over the back of an armchair. He feels like a creep as he stalks towards you, sneaking and pouncing on you so you can’t run away. 

He can’t imagine how Jean ever thought him approaching you would be a good idea. He whispers your name, trying not to startle you. It doesn’t take a genius to see how much you hate when the others scare you. They might not mean anything bad by it, but they have to be blind not to see how much it pisses you off. 

You still jump, glancing up at him with a surprised look. He looks to your hair for any tells of how you feel. Some pink weaves its way through the stands but it otherwise stays relatively blue. His brows furrow in confusion, he can’t tell if it’s a good or bad sign that there’s no red. 

“How are ya, kid? Ran off pretty quick earlier.” 

“Don’t call me that,” you mutter, giving him a brief glare before staring absently down at the book in your hands. Logan kneels beside your armchair, covering the pages with his hand. You huff, giving him an expectant look. “Yes, Logan?” You demand, tone short.

Logan tilts his head, examining you and your body language. You seem relatively closed off, irritated at him or something else. He doesn’t know what to say. He’s never been good with words or trying to express how he feels. He’s more comfortable showing how much he cares for those around him. 

Throwing caution to the wind, he lets his hand drift to your wrist and tugs you forward. Your eyes widen as he drags you toward him. The kiss is short, he doesn’t want to push you too much. But it takes everything in him to stop himself from deepening it. All he wants is to pull you into his arms and devour you. 

He holds back, parting from you with a low exhale. Your eyes flutter open and he grins when he sees the bright red your hair has turned. “What,” you sputter and stumble over your words. You shove him back and leap to your feet. “What the hell was that?” You demand, voice higher than he’s ever heard of it. “What was that?” You ask him shrilly, again. 

You almost seem to be stuck in a loop, blinking rapidly and asking the same thing. Logan chuckles and gets to his feet, he gives you a knowing look and you narrow your eyes at him in disbelief. 

“Jean told me.”

Your brows furrow and you shake your head. Realization dawns on your face and you gasp, looking up at him with something like horror on your expression. “No,” you tell him lowly. “She didn’t,” it almost sounds like you’re begging him to tell you otherwise. 

He laughs again and your face falls. You start going clear, he can see the bookshelf through your stomach and he sighs. He grabs your hand, holding onto you before you can run again. You don’t even seem to be aware that you’re slowly disappearing from view. 

“She’s, uh,” he struggles to figure out what to say to make you feel better. “She’s been coaching me,” he admits shamefully. “Trying to help me talk to you.”

You glance up at him but he can barely see your expression. The only thing reassuring him you’re here is his grip on you and your voice. “What? But I thought that-” You cut yourself off quickly and Logan glares down at where he thinks your face is. 

“Thought what?”

You take a long pause and exhale deeply. “I thought,” you mutter, “you liked her.”

“She’s with Scott,” he points out bluntly. He can practically hear you roll your eyes, even if he can’t see it. 

“Yeah, I know. But you guys are always whispering to each other and making googly eyes.”

“Googly eyes?” He interrupts, disgust clear in his tone. 

“I was wrong,” you continue, ignoring him. “I see that now, but I thought you didn’t care about me.”

Logan huffs, he hates that you thought that. He should have just been open with you from the start. He’s faced rejection his whole life, he shouldn’t have been so petrified of it just because it could come from you. If he’d just manned up and told you earlier, it would have saved you both a lot of time and hurt. 

“Kid,” he hopes he’s making eye contact with you and not just staring at some random book. It’s really hard to tell when you go invisible like this. “You’re the only person I care about in here.”

You’re quiet for a long while and he worries you’ve somehow slipped away without him realizing. But, ever so slowly, you start coming back into view. Logan awkwardly averts his eyes from your breasts, he’d been hoping he was making eye contact with you, clearly, he was wrong. 

“You mean that?” You ask, and he hates the trepidation in your voice. He’s never been good with words, he doesn’t know how to tell you how much you mean to him. But he can show you. 

His hand drifts up your arm, wrapping around the back of your neck and tugging you towards him. You trip over your feet, hands landing on his chest to stabilize yourself. He leans down, hovering over your lips for a moment. He waits until your eyes drift shut and your lips purse impatiently before he finally kisses you again. 

He doesn’t hold himself back this time. He pours every racing thought he’s ever had about you, every one of his wanted-to-tell-you-how-he-feels-and-hasn’t moments into the kiss. Your hands slowly curl up into his shirt, wrinkling it and tugging him further into you. 

To his surprise, you deepen the kiss, mouth moving over his like you want to devour him whole. He’s sure if he opened his eyes your hair would be a bright roaring red. He smirks against your lips, happy that, for once, he actually listened to Jean. If it gets him results like this, he might have to do it more often. 

end. — I do not own the characters or the comics/movies Wolverine/X-Men, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

General Taglist: @evasmlp ♡ 

Logan Taglist:  @nonamevenus @smexy-bucky-waifu @wh1sp @peony-always @corvusmorte  

@mrs-ephemeral @wolviesgirl @allllium @insomniachox @izbelross  ♡ 

[tropes-and-tales]

Fall from Grace

(Captain John Price x F!Reader)

CW:  Slight angst. Inexperienced (but not virgin) reader. Smut (oral, f!receiving; PiV, unprotected). 18+ only.

Word Count:  7324

AN:  This was requested by an anonymous person!

It’s part of Captain Price’s job to know his soldiers.  He has their dossiers memorized, of course, but he also learns them intimately through their work together.  How could he not?  War reveals the true core of a person, their real character, but the mundane moments add color.  The long helicopter rides, the long plane rides.  The long stretches of time sitting, waiting for intel, waiting for orders.

It's boring.  His soldiers talk to fill the quiet and pass the time.  They joke and tease each other, discuss football matches and rugby scores.  Sometimes, when it’s dark outside, in the quiet hours before dawn, they talk in low voices and share secrets, fears, worries. 

Captain Price overhears much of it.

He overhears Gaz talk about his girl back in London, how terrified he is to lose her.  How he worries that he’ll never be good enough for her.

He overhears Ghost’s low rumble as he talks about his family and the loss of them.  How losing his brother Tommy and his nephew Joseph broke some part of him that will never heal.

He overhears Soap—convivial Soap—talk about his passel of siblings and how they’ve all married and found careers and started to have children.  How he feels left behind, out of sync with his own family.  How he doesn’t want to go home on leave, sometimes, because he feels so out of step with where he came from.

What Captain Price overhears from you is less deep for a long while.  You’re a cipher.  He has the bare facts of your dossier, but when it’s the small hours of the night and everyone is restless, you don’t open up the way the men do.  You rarely let your guard down.

It shouldn’t affect Price, but it does.  Is it a benign sort of misogyny that makes him want to protect you more than he does Gaz or Ghost or Soap?  Or is it the fact that he sees how hard you try, how you keep your walls up even when everyone else is sharing their darkest secrets?  Is it because he worries that you think he’s judging you, that when you catch him watching you, you see judgement there?

So for a long while, Price overhears little from you.  He hears inconsequential things.  Music you like, your favorite brand of beer.  A memory from your childhood that makes the guys laugh.

But there is a night where it changes.

The 141 is on a plane back to base.  The latest mission was a success, a new terrorist group quashed before it could get off the ground.  Price sits in the back of the plane and gets a head start on his paperwork while you and the guys sit around a four-seat table and play a no-stakes game of poker for little chits of torn notebook paper.

Everyone has leave coming up, so the evening’s talk is brighter.  There’s more laughter, more gentle shoving and ribbing as Gaz throws down winning cards and sweeps the pile of chits in front of him.

And when the chatter turns to sex, Captain Price bites the inside of his cheek to keep from smiling.  He’s reminded that these soldiers, his men, are little more than boys sometimes.

It starts with Gaz waxing poetic about his girl, and Soap makes it bawdy by saying Gaz will spend his leave horizontal and return to base dehydrated and exhausted.  Gaz chucks him on the shoulder but Price can see the pleased grin on the man’s face:  of course he’s going to spend a lot of his leave in bed with his girl.

Then it shifts to Soap and his handful of reliable hook-ups.  He says he has a bevy of women, all Scottish and feisty, and that earns him a chuck from you, a hard little punch to his bicep and you tell him to behave himself.

“Ach, don’t be jealous, hen,” Soap whines, rubbing his arm.  “I could clear some room in the schedule for ye if ye want to join me in Inverness.”

“That’s a lot of travel for, what?  Two minutes of disappointment?”

Soap lays his palm over his heart, mimes being wounded, and he says something in reply but Price misses it because Gaz and Ghost are laughing too loudly.

And that’s how Price learns about you.  The flight turns into rapid-fire questions, talk, and rejoinders about sex.  You mostly stay silent, but you take little zings—mostly at Soap—but each time Price glances over at you, your face has a taut quality that he’s only seen on the battlefield.

Interesting.

If he thought it’d be something for him to mull over later, he’s wrong.  Halfway through the flight, Gaz brings up the topic of favorite positions, and when Soap asks you what your favorite position is, you snort and say, “on my right side, curled up with my pillow, alone.  Asleep.  White noise machine set on ‘rainstorm.’”

That makes Price laugh, but he covers it smoothly with a cough, keeps his head bent over his paperwork.

But the guys are like sharks, and your sarcastic non-answer is like chum in the water.  And you’re good—smart, resilient—but you’re also their captive audience, and they wear you down.

An hour into their three-on-one interrogation, the truth comes out:  you are fairly inexperienced at sex.

“Virgin?” asks Gaz.

“No.”

“How many times—” starts Soap, but you cut him with a glare that even he won’t challenge.

“Were you assaulted?” Ghost asks in his soft rumble, and that makes you go soft too, your glare shifting from Soap to gazing at the hulking man in his skull mask.

“No, Si.”  Your voice is low, and Price watches as  you lay a gentle hand on Ghost’s forearm.  “I’m lucky.  Never that.”

Ghost pats your hand with his own.  “Just saying, love.  If you were, and you knew the guy’s name, I’d make him a grease stain before the week is out.”

(And this is part of why being a captain is such a burden:  the quiet little exchange between you and Ghost makes a hot flare of love burn in his chest, how the two of you are like a brother and sister to each other.  The purest form of found family.)

But then Soap breaks the moment.  “Just not into it then?”

You shrug.  “Guess not.”

“Why?”  Gaz asks it, and he sounds genuinely curious.

Another shrug.  “It’s hard to have a relationship in our line of work.”

“Ah,” Soap says.  He leans back in his seat, crosses his arms over his chest.  “Makes sense now.  You need to be in love with someone before you’ll sleep with ‘em.”

“Not necessarily.”  You reach out and gather the playing cards, the poker game long abandoned.  Price watches from under the brim of his hat as you fiddle with the cards, stacking them up, squaring the edges, shuffling them idly.

“Then what?” Soap prods, and you sigh.

“I dunno.  It’s just…a lot of work, you know?  You gotta vet a guy even if he’s a one-night stand, and you have to play it cool but not too cool, and you have to be friendly but not too friendly. You have to shower and shave and smell nice but not put on too much perfume, and you have to dress just right and wear uncomfortable lingerie and pinching shoes.  I did all that shit when I was in my twenties, and the handful of times I finally got a guy on the line and reeled him in?  It wasn’t worth the effort.  All that work and stress for what?  A few minutes of nothing.  A few minutes of bad kissing where the guy slobbers on me worse than a Saint Bernard, awful beer breath too.  And while he’s jamming his tongue down my throat, he’s groping me like someone drowning and grabbing at a life preserver.  Then what?  Then the main event, and all that effort is a waste because he doesn’t notice the nice lingerie at all, he doesn’t notice that I smell nice and shaved and moisturized because he’s lying on top of me like some paradoxical corpse slash jackhammer because he’s weirdly positioned and barely touching me, not looking at me, just dead eyes fixed off into space, but he’s also, what, thrusting for half a minute before he’s done?  And then it’s ‘thanks, love, great shag,’ and he’s rolling off of me, getting dressed again and out the door, and the entire affair took less time than it takes to bake a frozen pizza.  I mean, what’s the point?”

A deadly silence falls over the group.  The only sound is the thrum of the plane’s engines, and you look up from where you’re fiddling with the cards to find everyone staring at you.  Your eyes dart over to where Price is staring at you too, and you make a face and duck your head.

“Jesus, hen,” Soap breathes out.

“I’m sorry,” Gaz adds. 

You chuckle weakly.  “For what?”

“On behalf of men, I guess?”

Ghost, at least…sweet Ghost and his brotherly love for you…he pats your hand and says quietly, “well, you always smell nice, love, and I always notice.”

-----

Price doesn’t do anything. 

Leave starts and you disappear, off to someplace on your list of places to visit.  Who knows with you?  You love the world, all parts of it, so it’s just as likely that you’re in a jungle in Costa Rica as you would be in Tokyo.

Leave ends and the team reassembles.  There’s a mission in the mountains of a country teetering into civil war.  There’s a mission for intel.  There’s an extraction mission.  There’s a mission to take down a warlord in a lithium-rich country, and there’s a close call there.  A bullet grazes you, cuts a burning line along your hip, and seeing you bloodstained and limping pulls Price up short.

He shouldn’t care the way he does.  He cares about all of his soldiers, loves everyone, but he’d be lying if you weren’t different.  The love he holds for the men is paternal:  Soap and Ghost and Gaz are the sons he never had.

You?  His love for you is more complicated.  There’s a whiff of paternalism, a protectiveness that he knows you’d chafe at if you knew.  There’s admiration, of course.  But there’s also a deep vein of romantic love that threads between you and Price, and if you don’t know it, it’s only because Price has a good poker face and hides his feelings so well.

By the time you’re shot, everyone has earned another leave.  Ghost, Gaz, and Soap all disappear for a month.  Price could go to his empty house in the countryside, but he usually just stays on base anyway.

You?

The night before leave starts, there’s a knock on his office door, and when he calls out, you poke your head in.

“Have a moment, sir?”

He nods, gestures at the chair in front of his desk, and he winces internally at how you limp a bit, your stitches obviously pulling.  You settle in your seat and he nods at you to start.

“I thought I might stay here for leave,” you say.  “I’m not really in any shape to travel, and I’d be close to medical if anything goes bad with my wound.”

He says nothing, so you add, with less certainty, “would that be alright, sir?”

Price clears his throat.  “Of course.”

Of course it’s okay that you stay on base for leave.  With him.  With few other people around.

-----

But he does nothing during your month together.  How could he?  He’s your superior.  It would be wildly inappropriate to knock on your door some evening and confess his feelings for you.

One small concession:  he orders you to call him ‘John’ while you’re on leave.  No Captain, no ‘sir.’  He wants you at ease, relaxed, healing.  You still wake up early, he notices.  You train on a modified program as you heal.  You keep your room painfully neat, hospital corners on your bed, boots polished and tucked in your foot locker.

But you do relax.  You go off base and have a pint alone in a pub, come back slightly looser with your smiles.  His name rolls easier off your tongue when you have some alcohol in you.

You lie on the couch in the rec room and read giant novels.  You doze off to tennis on the television, and Price aches as he watches you sleep.  You look so young this way; the years and stress slough off of you in slumber.

There is one night he cajoles you into joining him out for dinner off base.  There’s a steakhouse nearby, and Price is craving a steak and a whiskey and a good cigar, and he’s craving your company.  You agree, and the weeks on leave have softened you towards him.  Maybe you see him as John now and not just Captain Price, and the conversation over steak flows so evenly that any casual observer might think it a date between an established couple.

But he does nothing more.  Not this time.

-----

Leave ends.  Another mission.  Another.  Intel-gathering, coup-ending.  They intercept a dirty bomb for sale in a Morocco marketplace.  They break up a human trafficking ring.  They support Kor-tac in a mission.

Another leave.  You’re healed now, but when Gaz asks where you’re going, you shrug and say nowhere.

“I didn’t plan anything,” you admit, and Price watches you on the sly.  You explain that New York City was next on your list of places, but you are tired of cities, tired of the crush of people and always wondering where the next threat was.  You tell Gaz, as Price eavesdrops, that you really just wanted a quiet month in the country but hadn’t the time to research anywhere or book anything—

He has to wait for Gaz to leave, which gives him a moment to despair that it’s a bad idea.  It’s a terrible idea, the worst idea, but even with a moment to stop himself, Price can’t stop himself.  He pulls you aside once you’re alone and the words tumble out of his mouth before he can stop them.

“I have a place in the Lake District,” he says.  “Quiet, in Rosgill.  I’m going myself, but it’s a big place for just me.  Too big, really.  You could join, if you want.”

It’s a terrible idea, the worst idea, but it must mean something that you only think on it for a beat before you smile at him and accept his offer with your genuine thanks.

-----

On the trip to his home, he explains it to you, and he hates how he sounds like an estate agent selling you on the charms of the place.

“It’s an old seventeenth century blacksmith forge that’s been converted into a home.  Quiet.  One side overlooks the eastern fells.” 

He explains how he bought it when he was young with the windfall of his father’s modest estate when the old man died from a heart attack. 

He doesn’t explain that it had been his dream as a young man to share it with someone, and as that dream had steadily died off, so too has the planned renovations.  The place is half-restored—mostly the house proper—but his plans for the outbuildings and grounds have been abandoned.  He had planned a copse of trees, a raised garden bed for vegetables and herbs, a small greenhouse.  What was the point of sinking money into a place that never saw any use?

You laugh quietly, then say that you don’t even have a home, that you have a small storage unit in Reading for the handful of things you can’t bear to give up.

“I appreciate your hospitality, Captain,” you say.

He tuts, reminds you to call him by his first name.  “There’s no Captain Price in Rosgill.  Just John.”

-----

It takes less than a week to fall into a comfortable domestic rhythm with you.  John wonders at it:  he had a girlfriend in his late twenties who had moved in for a year, and the two of them never reached even a fraction of the ease you and he reach within days.

It doesn’t mean it’s not torture.  The house has two bathrooms and a WC, but you end up sharing a bathroom because it’s the only one on the second floor, situated between both of your bedrooms.  It’s torture to shower after you, when everything is damp and faintly scented with your soap.  It’s torture to see your toiletry bag sitting on the edge of the sink, and of course he snoops.  Takes in the tube of lip balm, your brand of toothpaste, a bottle of paracetamol.  He sees a little ornate glass bottle of perfume, and he uncaps it, smells it.  It makes him remember the conversation on the plane, your rant about your disappointing experiences with sex, all the effort you put in to look nice and smell nice.

Which makes the rest torture too.  You calling him John.  You stretched out on a chaise in the conservatory that overlooks the fells.  You making him a simple, hearty dinner—who knew you could cook?—then calling him to table, your name in his mouth, your hands passing him a plate with chicken and roasted vegetables, your smile as he pours you another glass of wine.  You passing him in the hallway at night in your sleepwear, the soft-looking pajama pants and oversized t-shirt that strains around your breasts.  You meeting his eye, smiling at him, saying “g’night, John.”

Then the torture of your bedroom door clicking shut behind you, with John on the other side of it.

-----

It’s the meteor shower that changes it.  The Perseids, and John’s home has a big conservatory with a wall of windows that overlooks the night sky.  He mentions them to you that morning, suggests it might be nice to stay up and watch them together, maybe open a bottle of Lagavulin to mark the occasion.

It’s also Soap that changes it.  You and John make dinner together—just a spag bol—and your phone chimes as you’re sitting to eat.  You swipe at the lock screen, read the message, and snort.

“Soap,” you say, and you hold up the screen to John even though he can’t read the tiny print.  “Says he had a cancellation with one of his standby ladies and can work me into his rotation if I can get to Inverness in an hour.”

John chuckles, shakes his head.  “Want me to put him on KP duty when we get back?”

“A few extra laps on his runs wouldn’t hurt.  Wearing full kit, for the weight.”

The thread of conversation could die off, but it’s an opening, and John takes it.  He clears his throat, spins a forkful of spaghetti on his plate, then offers, “I’m sorry you’ve had such a rough go of it.  Romantically, I mean.”

You shrug.  “It’s fine.”

“For what it’s worth, I’ve not had the easiest time of it lately.”

It earns him another snort, and you cock an eyebrow at him, pull an incredulous face.  “I don’t buy it.”

He’s not lying.  His twenties, he was a wolf on the prowl.  Broke plenty of hearts, had his own broken in turn.  He had a few girlfriends, one who moved in for a bit, then moved out after a terrific row, never to return.  He always had the fixed idea that he’d meet someone by his mid-thirties, take an early retirement by his mid-forties, and have a family waiting for him by then. 

But as his mid-thirties receded, he found the prospect of dating a bleak affair.  Some women were too young, too immature.  The generational differences in sex and love were too steep to overcome.  Some wanted a sugar daddy.  Some wanted to be taken care of with no care extending back in his direction.  Other women were older, closer to his age, but saddled with ex-husbands, children bitter from divorce, a cynicism that John couldn’t overcome.

He doesn’t tell you any of that.  Instead, he volleys it back at you, retorts with a gentle smile that he doesn’t buy that you hadn’t had a single satisfying experience in your life. 

You sigh, shrug again.  “Ah, well.  I guess I can’t blame the men entirely.  Who’s to say I wasn’t the problem?  Maybe I’m a terrible kisser.”

“Doubtful.”

“Just outrageous amounts of tongue.”

John laughs, and you grin at him, add, “garlic breath, too.  Got too bitey halfway through a make-out session.  Made the guy bleed.  Now he has a scar on his lip and he tells all the blokes down at the pub about the crazy girl he took out once who bit him.”

John puts down his fork and takes a drink of wine.  He smiles around the rim of his glass.  “None of that can be true.”

“Didn’t know how to move during sex, so I elbowed him hard and broke his nose.  Touched him in a weird spot in an attempt to be sexy and creeped him out.”

He laughs again.  “What’s considered a weird spot?”

“Maybe I, I dunno…rubbed his elbows in a seductive way.  Touched him between his toes in the hopes of turning him on.  Maybe no one ever told me that that there’s no erogenous zone in the space between toes.”

His laughter grows at the mental image you’re painting; tears creep out of the corners of his eyes.  “That’s how I know you’re lying,” he manages to reply.  “Because most men would find any type of touch from a woman sexy.”

You cock an eyebrow at that and take a sip of your own wine.  “Duly noted, John.  If I ever make a move on you, I’m coming for your toes.”

“Prepare to be awestruck then, sweetness:  I have feet like a fucking hobbit.”

Your first response is to laugh at him, but he notes the way you take in the pet name, the little shine you get in your eyes.  The conversation dies off, shifts to other topics, but the rest of dinner holds a charge in the air, and both of you can feel it.

-----

After you share clean-up duties in the kitchen, you make your way to the conservatory.  It’s just a fancy word for ‘living room,’ but it holds no television:  just a bookcase, a fireplace, and a few chaise lounges and couches for taking in the view.  John used to envision lazy weekends in here with a family:  a wife and kids, maybe, settled around a board game.  A dog curled up by the fire. 

He also used to envision something like this:  sharing an intimate moment with a woman here.  His ex hated the house, hated how remote it was.  She liked London and the bustle of cities, but you are a better fit.  You settle on the chaise, curl up on your side like a cat, and you sip at the cut-glass tumbler of whiskey when he hands it to you.  John settles on the floor right near you, and the two of you chat while you wait for the meteor shower to start.

You don’t talk about much of consequence.  It’s a rambling conversation, tinged by the alcohol but not impaired by it.  The evening holds a dreamy quality, like it’s not quite real, like if John raises his voice above a low rumble he might pop the ambiance like a soap bubble.

When the first streak of white shoots across the sky, you both fall silent.  John turns away from you and faces the windows, and you both watch quietly.  Once in a while you sigh, a pleased little exhale, and the spell deepens.  Weaves of magic seem to tighten around the two of you with each brilliant falling star.

John leans his head back and rests it against the chaise, but he bumps into some part of you.  He mutters a sorry, and you whisper back no worries, but a beat later he feels your hand on the top of his head.  Tentative.  Shy.  A question in the touch, and he answers it by leaning into you more.  You push your fingers into his hair, and he honest-to-god has to bite his fucking tongue at the moan that threatens to tear out of his throat at the feeling of you touching him.

He turns his head and finds you watching him, not the meteor shower.  He knows he cannot go a single step further without putting it all out in the open, addressing it immediately.

“You know I’m your commanding officer,” he says softly.  “Not here, but when we get back. And I’m not stupid.  I know some part of you still thinks of me as your captain even here, just like some part of me still thinks of you as my charge.”

You nod.  Say nothing.  Look at him expectantly.

“What I mean is, this leave will end and we’ll have to go back.  We have to be able to compartmentalize it.  And I need to know that you want this completely free and clear.  That there’s no part of you that feels you have to do this, because I know there’s a power imbalance, but…”  He trails off, doesn’t want to admit it out loud.

“But what, John?” you prod, and he takes a breath, finally says it.

“I know there’s a power imbalance here, and I know I should be strong enough—should be your captain, I mean—and stop this before it starts.  But I can’t.  I don’t want to.”

You don’t laugh at him, and you don’t pout at his words.  You nod seriously.  You say you understand, that it’s complicated.  You promise that you will try to compartmentalize it.

“It’s just me and you right now,” you say, softly.  “Just two people.  Not boss and employee or captain and soldier.  I don’t feel pressured or feel any power imbalance.  And John?  I don’t want you to stop it before it starts.  Truly.”

This must be what falling from grace feels like.  Some small part of John despairs at this breach of trust, even if you assure him it isn’t so:  he’s your captain, he’s worked so hard to always keep clear lines between him and his soldiers.  He needs to be able to send people he cares about, people he loves, into situations where death is more likely than staying alive.  He needs to be able to leaf through your dossier and not blink at the section where you’ve listed out your final wishes in the event of death.  He needs to be able to leave you behind if it threatens the mission or the 141, and he’s always been able to do that before but the moment you lean forward and kiss him—your hand cupping the curve of his face, drawing him to you eagerly—he knows he’ll never be able to do any of that again.

He's failed as a commander, and a small part of him despairs, but the larger part rejoices at the feeling of your lips on his, your hands on him.  His eyes shut, and you both completely forget the meteor shower as you fall from grace together.

-----

You make out in stages:  the eagerness cedes to a near-shyness, then melts into a level of comfort as you get used to each other.  John knows now that you oversold your inability to kiss—you’re eager, then you’re shy, but you’re pretty damned good at it after all, and if those other assholes you’ve slept with didn’t think so, then that’s on them. 

He eventually makes his way up to the chaise to sit beside you, and then he guides you into his lap.  He has you straddle him, and when his palm gently grasps your cheek to lead you back to kiss him, he feels how flushed you are under his hand. 

“You okay?”

You nod against his hold.  “Yes,” you reply, but you perch yourself back in his lap, closer to his knees, and he can feel how you’re holding your weight off of him.

“We can take this slow.  There’s no rush.  We can stop here.”

“I know.”  A beat, and you add, “I’m good, John, really.”

“Then c’mere, love.  Settle in.”

When you don’t move, he puts his hands on your hips and draws you down and in, pulls the delicious weight of you right where he wants you most.  Right on top of him.  His growing erection presses against your clothed core, and your breasts brush against his chest.  He slides one hand around to your ass and grips the swell of you, kneads at your flesh, but the other hand slides up to cup the nape of your neck.  To hold you steady as he kisses you more forcefully.

John tries to strike the perfect balance between gentle and still leading you.  He presses his tongue against the seam of your mouth, urges you to open yourself to him, and you obey.  He licks against your mouth, tastes the smoky peat of the whiskey on you, and the sensation of his tongue against yours makes you rock in his lap.  He feels the pressure of you brushing against his cock, and it draws dual moans from each of you.

He breaks the kiss, catches his breath.  “Sweetness, what do you want?  What do you like?”  He wants to make you moan like that again and again, wants you to breathe out his name  or scream it or both.  He wants your eyes to shine up at him like they did at dinner when he used that sweet nickname on you the first time. 

You shake your head.  “I don’t know.”

He knows what it must take for you to admit that.  He remembers your rant on the plane, the disappointment in your past dealings with lovers.  It makes his chest ache at how lonely you must have been, how separate you must have felt from others.

He loosens his hold on your neck.  He slides his palm around to cup your face, and he brushes his thumb over the curve of your cheek. 

“Then how about we find out together?”

You answer him by turning your head into his palm and kissing him there, a sweet gesture, and that ache in his chest blooms stronger.

-----

It’s awkward at first, and John can’t figure out why.

He manages to get you out of your shirt and shorts, manages to unhook your bra and strip himself until you’re both nearly naked and stretched out together over the chaise.  You let him lead, but you aren’t exactly eager.  You are passive to an almost uncomfortable degree, and there’s something off—

“Is this okay?” he murmurs against your skin.  You’re so warm under his lips, soft, and he is going so slowly, but you’re hardly moving and you’re saying even less.  Your earlier touches—your hand in his hair, cupping his face—have disappeared entirely. 

Yet when he asks his question, you whisper back that it’s wonderful.

It takes another moment before he realizes part of what’s wrong:  you’re holding your breath.  You’re barely breathing, and once he locks in on that, everything else falls into place.  You’re not precisely rigid underneath him, but you’re tense, your muscles taut to the point of trembling.  And your hands lie by your side.  Not touching him at all.

He pauses, then makes his way back up to where your face is.  In the faint light from the windows, he can make out a tension in your expression too.  Something else too.  Not dread, maybe, but maybe a lighter version of that.  Trepidation. 

John kisses you lightly on your mouth.  “How are you doing, sweetness?” 

“Good.”  You smile at him, but it doesn’t reach your eyes.  “Great, really.”

“You sure?”

You nod.

He brushes his lips over your cheekbone, to the edge of your jaw near your ear.  “Not nervous at all?”

“Maybe a little.”

You’re hedging.  Lightly lying to him.  Your nervousness fills the room like the incoming tide, and John susses it out gently, teases it from you bit by bit.  It’s not difficult to guess the source of your nerves.

“Thinking about past encounters, maybe?”

You huff softly near his ear.  “Hard not to.”  You hesitate, then add, “it was always so bad.”

“And you think you were the reason it was so bad?”

Another huff, and your voice is tinged with embarrassment.  “I’m the constant factor each time, John.”

It occurs to him that you’ve likely missed all of the experimenting that many people get when they are younger.  All the goofy, awkward moments in sex, when a person figures out what they like or don’t like, what they love and what they hate.  You’ve probably been left with a handful of one night stands where you got no feedback, never had a chance to understand what felt good to you, and now are paralyzed to the point of doing nothing. 

John resets the moment.  He strokes the side of your face, then leans down and kisses you.  Slow, gentle.  No rushing.  The barest brush of his tongue against yours, just enough until he feels you relax a bit underneath him.

As much as he wants to compartmentalize it, John knows from working with you that you’re eager for feedback.  You’re eager to learn, and you never take constructive criticism badly. 

“Let me help you,” he says now.  “Okay?”

You gaze up at him, and if your body is tense as a strung wire, your eyes are full of trust.  “Okay.”

“First thing, sweetness.  You have to breathe for me.  You’re holding your breath, and it’s making you tense.”

Sure enough, your tight, shallow breathing evens out and deepens.  And sure enough, he feels your body relax a bit more.  He kisses you as a reward, then gives you more advice that you take readily.

“You can move your body.  Make yourself comfortable.”

“I want to feel your hands on me.  I want you to touch me too.  I’m yours.”

“You need to talk to me.  Tell me what feels good.  Tell me if anything doesn’t feel good.”

As he instructs you, he eases back into it.  Kisses your mouth, kisses his way over your face and neck, spends long moments at your bared breasts.  It’s the first test, but you breathe as he mouths at your tender skin, as he suckles against your hardened peaks.  And you move underneath him, arching your chest to give him better access.

A beat later, he feels your hands—still tentative, but warm, soft—touching him.  Stroking his shoulders, his arms.  Running your fingertips through his hair.

He’ll find out later, days later, that you had only been working off of previous feedback from those terrible one night stands.  The guy who told you that you were breathing too loudly, the guy who told you to lie still.  One baffling guy who told you not to touch him, to keep your hands to yourself as he fucked you.

But now?  This is a good start to finally getting to what you like.  To finding out together.

What you don’t like:  anything remotely like tickling.  He skates his fingertips too lightly over your sides, down the curve of your waist, and you jerk away from him like you’ve been burned.  You apologize a second later, but John laughs, which makes you laugh too.  It dispels some more of your nervousness, and when he tries the move against with more pressure—down your sides, over your waist—you like that far better.

You also don’t like it when he pauses at the scar on your hip.  It’s still a lurid red, and it pulls him up short for a moment.  Dampens his own mood.  It reminds him at how close you were to really being hurt, even killed.  You don’t like it when he bends his head to kiss the ridge of scar tissue, and he doesn’t push it.  Instead, he shifts his head and kisses your stomach where the edge of your panties is, and you like that a whole lot more.

What you like:  everything else.  Every other thing he gives you, everything he does to you.  You like it when he eases your panties off you.  You groan when he buries his face between your thighs, and you gasp when he kisses you there, when he drags his tongue over the slick seam of your cunt.  You like it very much when he laps at your arousal, when he lays plush kisses to your swollen clit, when he slides a finger inside you and a second finger and when he slides them along your inner wall until he finds the spot that makes you jerk underneath him, whine out his name, reach down and tug at his hair.

You like it when he makes you come with his mouth, and you like it when he makes his way back up your trembling body, when he spreads your legs wider to fit him.  When he pushes into you in a slow, steady thrust, so soon after your orgasm that he feels the tiny aftershocks as he seats himself inside you for the first time.  You gasp at the sensation, you breathe out a “god, John,” but when he opens his mouth to ask if you’re okay, you grab his head and kiss him so hard you steal his breath from him.

And you especially like it when he coaxes another orgasm from you, his thrusts strong and steady, deep.  When you bend one leg alongside him, he reaches down and hikes it higher over his hip.  It allows him to push deeper inside you, that extra fraction making you cock-dumb, because you’re so far gone you forget to be nervous.  You forget to lie still, to keep your hands to yourself, to hold your breath. 

You arch up and meet him thrust for thrust.  You wrap one arm around his broad shoulders but the other hand reaches down and grips the meat of his ass, urges him on.  You breathe; you pant in his ear, and sometimes it’s just your hot breath, but just as often it’s you talking, babbling, begging him to fuck you, to please don’t stop, to keep going, to never stop fucking you.

And you like it when he does as you say.  He doesn’t stop, and you come again, but then you whine out that it’s too much.  It probably is:  you’ve gone from disappointing interludes with absolute bell-ends, and now you’re an overstimulated mess underneath him.  You’re not openly crying but tears leak out of the corners of your eyes and streak down your face.  Your lips are slightly chapped and swollen, and you look stunned. 

“Want me to stop?” he asks.  He kisses one damp cheek, then the other, and he can taste the salt from your tears.  “Too much?”

“Uh-huh.”  It comes out slurred.

“Need you to use your words, sweetness.”

“I don’t think…”  You blink, and you lose a bit of your stunned quality.  “I don’t think I can again.”

“Oh, I think you could.”  Another kiss, this one open-mouthed on your pulse point.  He presses his teeth there, sucks lightly against your skin.  “I think you have one more.”

“John—”

“Gotta make up for lost time.”

“I can’t.”  You whine, but it ends in a moan as he bites you harder at where your shoulder meets your neck.  “Too much.  It’s too much.”

“You’re doing so well, though.  You don’t have one more?  Not even for me?”  He laves the flat of his tongue over where his teeth have left dimpled marks, then he blows over the wet line, makes you shudder underneath him. 

“John,” you reply, but it holds less of a warning than before.  There’s surrender in your tone.

“Love feeling this sweet pussy coming around me,” he growls in your ear.  “Fucking soaking my cock, sweetness.”

The dirty talk makes you clench down on him, and he smiles to himself.  He draws back, sinks back into you.  He goes slow, and you whine that it’s too much, but you like this too because you hold him tighter.  You press back against him each time he seats himself in you, his hips settled against yours.  He goes slow, so slow, sinks into you as deep as he can, barely pulls out before he’s pushing back inside.  You’re swollen, fevered where he’s joined to you.  You’re so fucking wet that he feels your arousal soaking the coarse hair at the base of him, dripping down your thighs, likely soaking the chaise. 

He's proud that he’s been able to forestall his own pleasure, but his restraint has frayed.  How could it not?  The whole moment had been sold as for you, to make you feel good, to make sex not the scary specter it has been for most of your adult life, but John can’t remember the last time he had sex where he felt so connected to his partner. 

Maybe he never has.  He can’t conjure up a moment from his past when he felt so flayed alive, his heart visible and beating as he joined with another person.  He can’t remember ever reveling so deeply in his partner’s pleasure.  He can’t remember anyone else’s touch or voice in his ear or breath panting underneath him making him feel so whole.

But you like it when he finally comes too.  He pulls another orgasm from you, less intense but longer—you tremble for longer, and your cunt twitches against him—and it sets him over the edge.  He groans in your ear that he’s close too, asks where he should…but your hand on his ass pulls him deeper into you, and if the gesture wasn’t clear, you whisper that you want him to come inside you, you want to feel him, and he does.  His pleasure breaks around him, shatters him, and he growls your name as he fills you, and you answer by whispering his name back, over and over.

-----

If you never had a satisfying sexual experience before, John can guess that you never had the post-sex moments either.  The come-down, the cuddling, the falling asleep together.

He gives that to you now too, but it’s not altruistic at all:  he wants it too.  He selfishly wants it.  He leaves you on the chaise to get a washcloth, a glass of water, and he helps you clean up.  He helps you recover, but then he leads you to the deep couch on the other side of the room and has you lie down.  He lies down beside you—it’s a tight fit, but he holds you safe between the broad planes of his body and the back of the couch, and he covers you both with a light blanket.

“Thank you,” you tell him, and it’s plaintive.  It makes that ache in his chest flare back, so he kisses you gently, replies, “don’t ever thank for me this.”

It doesn’t take long for you both to fall asleep:  you go first, the slack weight of you pleasant against his body, the deep and even breathing, the little grumble as you shift.  He’s not far behind you, but he has a moment or two where the earlier thread of despair pushes to the forefront of his mind. 

He might just be John right now, and you’re just you, but soon enough you’ll be soldier and captain again.  How will it ever work, now that you’ve fallen from grace together?