#charlie in underworld oliver

[thegayenbydownstreets]

Joy from my post-charlie in underworld au :>

[marzthealien]

Underworld Office headcannon (Mostly with Charlie) because why not

Tw for spoilers for Charlie in Underworld btw

✂️ I feel like Charlie's dad would be really religious and in turn wouldn't let Charlie celebrate Halloween despite them always wanting too. (No offense to people who don't celebrate Halloween btw!)

✂️ So when Eugene (during Underworld Office/aka after Charlie died) told them that Halloween is his favorite holiday, Charlie told him that they never celebrated.

✂️ Eugene would have an idea to put a sheet over their head (Like those sheet ghost costumes) so people could see them, and they could go trick or treating together.

✂️ Charlie is hesitant at first but agrees to the plan.

✂️ On Halloween, Eugene introduces Charlie as their mute friend to Luke, Joy, and Oliver.

✂️ Charlie doesn't really take much enjoyment from getting candy because they can't eat. They are also a bit hostile towards Eugene's friends.

✂️ Eventually, Charlie starts warming up to them and tries their best to be friendly. (It's hard when they can't hear you)

✂️ Soon, Oliver trips and falls, they try to grab on to Charlie, but end up pulling the sheet off.

✂️ They all see nothing behind the sheet, and Oliver starts panicking.

✂️ Charlie just stands there like a deer in headlights.

✂️ Eugene tells everyone that Charlie just went home.

✂️ Oliver and Joy are VERY confused, but believe it

✂️ Luke knows it must be ghost stuff though

(Can't really think of anything else so that's it :3)

Random thing: Charlie and Eugene are Boss's adoptive children. It's canon, trust me, I was the adoption papers/j

[dragonsdomain]

Out of Office chapter 6

AO3

Chapter 5

"Hey, hey."

Eugene groaned weakly as a voice penetrated his slumber. Who was that? Where was he? Why did everything hurt? Was he sick?

"Oh, uh, it's just... this is my stop, so I'm gonna go now, okay? And I wanted to make sure you were okay 'cause you don't look too good. So. You good?"

Eugene processed maybe half of whatever that was. He fought to open his eyes, hissing at the light, silently yelling at the world to stop spinning and shut up while he figured out where he was (then feeling bad for being rude to the world). A hand landed on his shoulder, and he jolted back to reality, letting out a little hiss.

"Hey? Dude? Are you sure you don't need to go to the hospital?"

Eugene breathed in air which felt cold. He became aware that he felt hot, and sweaty. Did he have a fever? Wait, that voice was... what was his name. Mike.

"Goodness, is he alright?"

"Er, I don't know. Eugene? Hey?"

Eugene finally processed that Mike wanted a response from him. He didn't want to. He felt hot and grimy and weirdly hollow inside, like parts of him he'd never wanted to be aware of were hanging open and exposed to the air. He finally managed to crack his eyes open and glance down at his chest, which was, strangely, intact.

"Did someone say 'Eugene'?"

Linda? His head was too heavy to look, but after a second, her face appeared in his line of sight. "Eugene? Honey? Are you alright?"

"Uh..." Eugene tried. Just the effort of generating sound made his head spin.

"Do you know him?" Mike asked quietly.

"Yes." Linda smiled at him gently. "I can take care of him from here. Thank you for your help, young man."

"Okay. Thanks. 'Bye. Uh, hope you get better, Eugene."

Linda's presence soon pulled up against Eugene's side, and he sagged against her (taking a second to wonder whether it was her or him that was burning hot).

"Woah, Eugene, don't fall asleep just yet." Linda's hand pointed Eugene's heavy face up toward hers. "Are you sick?"

Eugene fought to keep his eyes open. "I'm... a-uh... th' ghosts..." Oh, he'd tipped forward on her shoulder again. Uh, oops. This seemed like it would be a good time to sleep again, actually. If his head wasn't burning up. That didn't feel good, he'd like it to stop.

"...any water today? Come on, hey. Have you spent lots of time out in the sun? Eugene?"

Loud footsteps came over, and Eugene gritted his teeth as their owner spoke, close and unfamiliar and loud. "Is your son alright? Sick people aren't supposed to be using public transit, you know. At least not without masks."

"We're sorry," Linda said gently, though her voice was still a dagger to Eugene's brain, along with the sounds of everyone breathing and the subway grinding against the train tracks and somebody coughing once and the way every jolt of the train violently jerked Eugene's body up and down. What was going on? Linda was talking again. "...at the next stop."

"Alright, fine. Er, make sure he gets the help he needs. He looks awful."

"Okay," Linda responded cheerfully. As soon as the footsteps retreated again, she whispered sharply into Eugene's ear, "Eugene, I need to know whether to call an ambulance."

He jolted, then heaved a breathy moan. "Not again... I'm poor..."

"Eugene," she said, in a tone that left no room for negotiation.

"Hhh..." Eugene did feel awful, but the last scraps of logic in his brain knew that the hospitals of the living wouldn't have any idea what to do with this. "I'm just sick... and, um. Water. Yeah... need t'... drink water." There, that was a good argument. Eugene's face buried itself in Linda's shoulder again, and he gave a little sigh.

Linda grumbled even as she gently rubbed Eugene's back. "You had better be telling me the truth about this, okay?"

...

Charlie sat blankly on the wooden floor. Luke was standing near her, and she could glance over at the scissors he was holding, half-open, black ichor congealed on the blades.

Charlie couldn't look up, but she could feel the eyes of her father from every direction. At any second, whatever was holding him back-- oh, River's seal-- would fail, and he would reach in and drag her out, away from her friends and the temporary freedom she clung to, and back into the empty, dusty hallways of his control. He was such a large ghost. He must have died with such a burning hatred of her, one that had only been festering for however many years it had been. He would catch her, and this time there would be no escape. He was already dead. He could no longer be killed.

Distantly, Charlie registered Sean giving Luke a rundown on how things worked with evil spirits, on ghost artifacts, and how River's hair was protecting them. Luke's footsteps eventually retreated from the room, and there was the sound of running water. Charlie wished for protection, so she was sitting with her back to a wall, but she could feel the presence of her terrifying father directly on the other side, and felt already imprisoned by the knowledge that she was inches away from touching him. She wondered if she wanted to scoot away from the wall, but she couldn't bring herself to move, except to lean forward onto her knees. Luke's footsteps returned, and he placed her scissors, sparkling and clean, on the wood floor in front of her.

"You okay?" Luke asked gently.

"How much did Sean tell you about the ghost out there?" Charlie rasped.

"A tortured spirit, or 'monster', powerful and dangerous. Must've been nasty when he grabbed you."

"Huh," Charlie said. Her brain registered that Sean didn't know the spirit was her father. Luke didn't know. Somehow none of them had yet figured out that she was the entire reason he'd returned as a monster. That she had murdered him. Fun web of lies she'd woven, delicate as spider silk to be torn to shreds any second.

"Are you okay?" Luke repeated.

Charlie dropped her head back into her knees, waiting for Luke to give up on getting words out of her and leave.

Luke pushed the scissors closer to her.

Charlie closed her eyes. She didn't want to pick it up and then feel just as powerless as before.

"Ugh." Luke grabbed the scissors again and tapped them impatiently against the floor. "Your name is Charlie, right?"

Charlie grumbled out a sigh.

"You're being self loathy, aren't you? I know what that looks like. I know Eugene. Well guess what? You don't get to." Luke took Charlie's hand and placed the scissors into them. "Making yourself suffer by not accepting help from people isn't going to help anything. It's just going to make you feel worse. And I don't know you, but I know Eugene didn't even deserve it. This big ghost showing up isn't your fault."

Charlie tightened her grip around the scissors. "Shut up. I'm not like Eugene. You don't know what you're talking about."

Luke huffed a breath. "Fine. Be like that." He stood up and walked away.

Charlie let her grip loosen again, her scissors hanging off of one finger. Her eyes were wet. "I do deserve it," she whispered.

...

"This is fine, right? I mean, there can be lots of normal reasons why Luke isn't waking up, right?" Oliver asked desperately.

"How old are those smelling salts?" Joy said, ripping them out of Oliver's hand, then sniffing them. She gave a deranged little laugh. "Okay, yeah, these are definitely too old."

Oliver had returned to gently jostling Luke's limp body back and forth. "Luke, hey? Hey? Pleeease wake up."

"Hospitals are so expensive," Joy muttered to herself as she started pacing. "Do you think he has insurance? He's gotta, right? He's a cop. Maybe this isn't that bad, but it would be irresponsible not to take him to the hospital, right?"

"Hospital?" Oliver repeated, voice cracking. "He's-- he's possessed or something, Joy! We've gone and stuck a magic flower we know nothing about in his mouth, and now he's unconscious! Hospitals don't know what to do to fix stuff like that!"

Joy threw her hands apart. "Fine, Mister Supernatural! Then what do you suggest we do?"

Oliver hesitated. He glanced worriedly over at Luke's limp form, then took a deep breath. "I think... we should talk to Eugene."

Joy blinks at him. "What?"

Oliver cringes. "Luke was right. We shouldn't have been doing any of this behind his back. Not just because it was dishonest, but because we didn't know what we were getting into either."

Joy's expression sank. "But... we're so close. We finally have a lead. If we come clean to Eugene and stop now, we'll never find out what's wrong with him."

"We have more important things to worry about right now," Oliver said, pointing at Luke. "Whether or not this is something doctors can treat, Eugene will know how to fix it. It's his flower. We shouldn't have taken it."

Joy sagged against the wall. "Okay. Alright. Get him on the phone."

Oliver pulled up and clicked on Eugene's number, putting it on speaker. It rang into the quiet room as Joy and Oliver waited for Eugene to pick up. Then it reached his generic voicemail.

Joy raised a worried eyebrow at Oliver as the robotic voice listed the unavailable number. The beep sounded, and Oliver spoke into the phone to leave a message. "Hey, Eugene? Please call us back as soon as you can. We need your help." Oliver considered speaking the confession into the phone receiver then, but the words tangled on his tongue. There was an awkward second of silence, then he jabbed the hang up button.

Joy sat down onto a chair, rubbing her arms. "Call him again? Text?"

Oliver gnawed his lip anxiously. "This can't really wait for a text response. Maybe we should go to his house."

Joy combed a hand through her hair. "It might not be a good idea to move Luke though. Should one of us stay with him?" She grimaced. "I can go ahead and do it. This is my fault, anyway."

"Hey, no, if you want to go, go. I'd rather be with Luke so I don't have to be worrying all the time if something else has happened to him."

"You know I'll call you if anything happens out there though," Joy said, grabbing her bag and checking her shoelaces. "And I'll tell you when I find anything out."

"'Kay. Thanks." Oliver gave her a nervous thumbs up. "Good luck."

"Gotcha," Joy said, with an earnest mock salute, then she dashed up the staircase and out the door.

She pulled her own phone out of her pocket as she marched down the street, double checking for texts. Her phone started ringing, and she jumped. Eugene's number. She quickly answered, putting the phone up to her ear.

"Hello, this is Linda," said a matronly voice from the other side. "I'm with Eugene right now and saw you'd called."

"Oh. Hi." Joy pivoted and started speedwalking back towards her house and Oliver. "Could you give the phone to him? I really need to talk to Eugene."

"Alright, just a minute. Or... no, I'm sorry, he's not very lucid right now."

Joy's eyebrows pinched. "What? What's wrong with him?"

"He's dehydrated, I think. We're on our way to my flower shop."

"I'm going to come to you, okay?" Joy turned the phone to speaker so she could tap out a text to Oliver as she continued talking to Linda. "This is pretty important. I have to talk to Eugene."

"Alright then, I'll see you soon. It's 'Linda's Flower Shop'."

"Thank you," Joy said, then hung up.

As she passed her house, Oliver burst out of it and ran up to her. "Hi. Changed my mind. I'm coming too. Door's locked, Luke'll be fine."

Joy snickered, wondering if he'd even seen her text. "Whatever floats your boat."

Oliver grabbed her hand and pulled her along as he started sprinting down the street towards the flower shop.

...

The world faded in and out, and Eugene was slumped into Linda after their conversation for an instant, then being helped unsteadily to his feet the next, then they were heading up the staircase out of the subway station, with most of Eugene's weight supported by Linda (he wasn't completely sure he'd been supporting any of it, but his legs kept on moving as far as he was aware). At one point Linda slowed down to talk to someone on the phone, and Eugene couldn't register what she was saying with the way the words grated on his ears. At least the walk to Linda's flower shop was short enough.

Eugene thought he was probably imagining the aura of hatred choking the air leading closer to the shop. Maybe he was worse off than he thought.

He was forced back to lucidity when he comprehended Oliver and Joy dashing up towards the flower shop just as he and Linda neared it. Why were they here? Did Linda call them in to help him? This might be rough to explain.

The walked up to him and Linda, and Eugene tried to pull himself upright, but the wince on Joy's face made it clear he hadn't managed to fool her.

"Wow, you look bad," said Joy. "Is this really just dehydration?"

Eugene tried to pull out a response for her, but his head was spinning, and for a second it was all he could do to keep from fainting. Oliver stepped forward and slipped an arm under the side where Linda wasn't before Eugene could muster an answer.

"Whatever. Let's get you some water."

That malicious energy Eugene had sensed became powerful, and his eyes widened as he realized it was not in his imagination. Linda reached her hand towards the door of the flower shop. Eugene gripped the lock of River's hair in his pocket and opened his mouth to tell her to stop.

Several things happened very quickly. Linda turned the doorknob, and then cried out as the door was ripped wide open out of her grasp. A force slammed past her, and Oliver's grip was all that kept Linda and Eugene from hitting the pavement. Eugene tried to swing out River's hair, but he was too slow and too weak to do anything more than swipe harmlessly at the air in front of him.

A scream that sounded like Charlie stabbed directly into Eugene's head, then the force shoved back out the door, whipping it roughly against its hinges hard enough they likely would have snapped if not for the hair from River they were tied with.

And all was quiet.

Eugene's head was spinning again, and he spent a minute just doubled over next to Oliver (who was gaping in confusion) trying not to throw up. His chest was hurting again, though he was pretty sure he hadn't actually gotten injured again. Maybe soul wounds could get re-opened? Like when half-healed gashes started bleeding again? He needed to sit down. He needed to lie down. In the shade. Had he dropped River's hair? No, it was still clenched in his hand. He laboriously put it back in his pocket.

Also, what had just happened?

"Eugene?" Oliver nervously asked. "Do you know what that was about? There's no way that was the wind."

Eugene was tired. He was hurting. There was no way he could come up with an excuse. "Don't know," he mumbled breathlessly. A half truth. He could suspect it was a ghost, but he didn't know which one. Unless... there was something on the edge of his realization. What was he forgetting? His head was thick, everything hurt.

"Let's get him inside," Joy said. She sounded really worried. About the ghost? No, wait, about him. 'Cause she didn't know about the ghost.

Nnoooo, not the stairs, he didn't want to struggle up the... now they were at the top of the stairs. Eugene was slipping in and out of consciousness again. Had someone carried him up the stairs? Now both Joy and Oliver were supporting him.

They lowered him gently onto a couch, and Eugene liked how he could sink down into it, though not how warm it was. He could take a nap here. Should he take a nap here?

Presently Eugene noticed that he was alone in some sort of drawing room with Oliver and Joy. Joy was staring at him nervously while Oliver glanced around the room like he was trying to avoid his gaze.

"What?" Eugene asked tiredly.

Joy laughed desperately. "Well, uh, so we might have messed up. A little bit. And we need your help."

Oliver burst out, "We stole your magic flower and Luke put it in his mouth and then he fainted and we don't know what's wrong and we're really sorry and we hate to put this on you when you're sick and we promise we were just trying to help make things easier 'cause we were worried about you but now we've just made things worse and we're so sorry and we'll never do it again."

Eugene squinted, struggling to keep up with how fast Oliver had been talking. "...What?"

Joy grimaced. "Yeah. It was my idea. Probably a bad one. But, well... we were worried about you. How you've been stressed and depressed lately. You've always been so mysterious about your job, and the fact that something happened with it and you couldn't tell us what made us really worried."

Eugene gave a little sigh. He'd guessed this conversation would happen eventually. He'd just wanted to believe that his friends wouldn't ask, that he wouldn't have to try very hard to keep them away from the truth and things would just be fine. Still, he really was not in the condition to be thinking of explanations for everything. "Do we have to talk about this right now?"

Joy looked away awkwardly. "I mean, yeah. We need your help with Luke."

"Oh yeah," Eugene responded tiredly. "What did you say about him?"

Oliver responded. "He put your magic flower in his mouth and passed out."

Eugene nearly fell off the couch. "What?" His voice was high pitched. So his flower had been missing this morning... because they'd taken it. "Why'd you-- why'd you think that was a good idea? How long have you been planning this? Was Luke in on this?" He was panting. Had Luke come to visit him just to nab that flower?

"N-no!" Joy flinched. "I-I'm sorry. You're right. This is the wrong time to talk about this. But we need your help with Luke."

Luke. Had put the flower in his mouth. "Oh. Oh no." There was absolutely no way Eugene was going to be able to hide the truth anymore. Eugene sighed, grimacing as his stomach shifted uncomfortably. "Okay... okay. It's-- his ghost is out of his body. But he should be okay. Not sure why he would have left instead of finding a way to communicate with you."

Joy blinked. "You're serious. It really is ghosts."

Eugene groaned. "I didn't want to tell you. You were better off not having to worry about it! Why did you have to butt in on my secrets like this?"

Joy glared. "Hey, it's not our fault you decided to keep us out of all this. Why did you even feel the need to keep it hush hush? How would just knowing ghosts exist hurt us?"

"I mean," Oliver leaned over to Joy and whispered, "You're really fine with all this? You're not going to have an existential crisis about your worldview being shattered?"

"No!" Joy spluttered (even though she absolutely would have an existential crisis as soon as she took the time to actually think about it).

Oliver turned back to Eugene. "You're right. It's completely our fault that Luke is in a predicament right now. We shouldn't have messed with your stuff. And we're sorry." He glanced at Joy doubtfully, and she looked back defiantly before sagging, then nodding in agreement.

Eugene drooped, sinking back into the couch. "...Okay. Whatever. I guess I'll have to see if I can check on him."

Eugene braced himself, then reached into the pocket and pulled out his guardian flower again. Joy and Oliver watched as he laboriously placed it in his mouth, then let himself sink into the couch and fall asleep.

It happened fast, and Eugene sat up as a ghost as his body went limp beneath him. Eugene flinched as the pain in his chest flared up again, and he made the mistake of glancing at it before holding it with his hand and standing up again.

An F-bomb ripped through the room, and Eugene jerked to attention, looking for who had said that. His eyes found Luke, ghost-monochrome in orange, with his hands covering his mouth in horror.

"Oh," Eugene mouthed, using both hands to try to cover as much of his tattered chest as he could.

"Eugene?" Luke stepped up to him, hands hovering towards Eugene's wounds. "Are you okay?"

"Uh, I--" Eugene tried to take a step back, but he felt weak and dizzy, and Luke had to steady him to keep him from falling over.

"H... hi," Eugene mustered when he caught his breath. "Yeah, it's, um, not good."

"Yeesh, dude." Luke helped Eugene back over to the couch. "Do you need a bandage or something? Ghost bandage? Do those exist?"

"Don't think so," Eugene gasped. "It hurts, but I don't think it'll be lethal, 'cause I'm still in one piece."

Luke frowned in worry at Eugene's wound for a minute, watching dark magenta blood clot. He pulled off his shirt and moved Eugene's hands so he could hold it over his wound. "So, I was listening to the conversation you were having with Oliver and Joy. I'm fine, just can't get back to my body right now for some reason, but there are other things to worry about probably sooner."

"'Kay..." Eugene blinked blearily at Luke's hands holding the shirt to his chest.

"Yeah, so, your friend Charlie? She got attacked by this huge tall black ghost a bit ago, and we ran and hid here. The big monster ghost followed us, and when you and Joy and Oliver and Linda (that's her name, right?) opened the door it burst in."

Eugene blinked, his mind starting to register that that was really bad. And-- Oh yeah, he'd told that ghost that Charlie was here. So it was his fault. "Oh," he said. "Where's it now?"

"Yeah, so it grabbed her again and then flew away fast."

"No..." Eugene whispered, ducking his head, wanting to curl in on himself but not being able to 'cause he was bleeding all over Luke's shirt and hands for being a stupid, stupid idiot, who kept making the wrong decisions, who kept hurting the people he should've been helping. He'd told that ghost where Charlie was, then after leading it right to her had let it into the flower shop himself (or at least people with him had). And what could he even do to help her now? He was injured and useless.

"Eugene? Hey, snap out of it!" Luke tapped his shoulder insistently. "Come on, hey, we'll figure this out. She needs to be rescued, right? Is there any way we can rescue her?"

Eugene stared at the floor. Then he sighed. "I need your help."

Chapter 7

[alterkishi]

they need to be classmates at some point frfr-

Edit... Of Charlie... As Eug classmate...

[musicfeedsmysoul12]

PJO/Harry Potter AU (Fuck JKR this is not in support of her she’s a fuck) where Fem!Harry Potter is Rosalie ‘Sally’ Potter who meets a handsome man by the beach and ends up with a baby.

This of course is Poseidon she meets. She isn’t to shocked, gods being real is known among wizards. However, she didn’t expect to carry a demigod. She’s happy until Molly talks about a suitable orphanage for the baby.

This is when Sally here learns that Demigods cannot be wizards or witches. The godly blood overwhelms the potential for magic. Usually these children are abandoned.

Like hell will she do that.

Sally leaves England where people clamour for her to obey the unwritten rules, to bow to them. She’s followed by Ron, Hermione, Charlie, George, Percy Weasley, Neville, Luna and Oliver Wood. These alone are the people who back her. She takes Teddy with her, after Andromeda shows some prejudice against the werewolf part of Teddy.

Sally Potter names her demigod child Perseus James Potter. Perseus as a way to honour her godfather by using a constellation, while also being a myth she hopes brings good luck.

Of course his nickname becomes Percy, Little Percy or Percy Jr. it’s cute though and she doesn’t mind.

There is no Gabe. There is Grover and Brunner and Yancy but with Percy knowing magic no secrets are hidden. Chiron whispers his worries to Sally about the upcoming summer, yet she isn’t worried.

Until the Minotaur attacks and she is taken to the Underworld.

Then canon becomes very prominent.

[tybaltsjuliet]

on the first day of the parish boy’s progress, i wanted to share the victorian web with everyone joining in. it’s a really great resource, whether you’re new or new-ish to victorian lit and want a better understanding of the big picture for some of the issues charlie d. is tackling, or whether you’re familiar but want to *really* get in the weeds on the poor laws or london’s criminal underworld.

(also, fun fact, if you want to get nitpicky and pedantic, oliver twist is *technically* only a victorian novel once we hit chapter 9! the first eight chapters were published squarely in the reign of william iv, but *he* doesn't have an Era. so.)

[alterkishi]

some interesting Not exactly a hero trivia that i found (after about like 40+ replays of the game)

in CIU (Charlie in underworld) NEAH was very minorly mentioned and snuck in as an easter egg! although only appeared like once during Hayden's chapter when Eugene uses his computer, it's still amusing

the names that Hayden's parents chose directly references Chief (Ash) and Riley himself (yes oliver's just there too, don't mind the chaotic kid)

CIU aside, time for the actual game trivia (it might be pretty long!):

Riley's dialogue actually changes depending on your M.I.P points, the game will tell you how high/low your MIP is by saying whether Riley has time to relax or not (and alternatively, whether he's okay or not), this is only a gimmick in case 5 for some reason, and there are A LOT more dialogues scattered around other than these screenshots i captured

these extra dialogues also give you extra or less MIP points depending how high/low it is

for the next one i thought they hardcoded it but...

it is ACTUALLY possible to obtain 2 SMAKs masks! you can obtain one from the sewer route in case 2 and Chris gives you another one in case 4. however the game will still registers it as 1 mask for the last case, i'm assuming they didn't anticipate it or they didn't want to make another alternative route, which i mean makes sense considering the unique total 9 endings-

Chief misspelled the Sayden police station (prob multiple times) i'm pretty sure this was unintentional but it's still hilarious that even chief herself can't spell the police station's name correctly

i also have a theory that Sayden might be a reference to Hayden from underworld office. but that's unconfirmed

that's all the trivia for now, i tried to get chief's route A ending WITHOUT seeing the video flare sends, but i haven't gotten much luck unfortunately

it's also possible to obtain Demi route A ending when you always disagree with her and vice versa for Zoe route A where you disagree with him all the time, that's bcuz the MIP points serve as a balancing mechanic and ultimately decides the endings and not much of the progress you make throughout the story

anyway that's all the trivia that i'm sure a lot of you may not know about, i might find more but it's a story game so it won't be easy dissecting everything that most won't see

[darkpeacemusic]

Creepypasta Headcanons: Theme Songs

Jeff the Killer - Numb by Linkin Park

Homicidal Liu - Never Too Late by Three Days Grace

Sully - I Can't Decide by Scissor Sisters

Randy - Psycho by Hardy

Keith - Stressed Out by Twenty One Pilots

Troy - Welcome to my Life by Simple Plan

Ben Drowned - Discord by The Living Tombstone

Jane the Killer - GRRRLS by AViVA

Mary Vaughn - Wrap Me In Plastic by Chromance

Masky - Hide 'n Seek by J-honny

Hoodie - Boulevard of Broken Dreams by Green Day

Toby - Freaks by Surf Curse

Kate the Chaser - Mad Hatter by Melanie Martinez

Charlie Matheson Jr. - Thanks for The Memories by Panic at the Disco

CR - Nowhere to Run by Stegosaurus Rex

Lulling Lauren - Secret by The Pierces

Cat Hunter - Kill the Lights by Set It Off

Third Base - Little Swing by AronChupa

Rouge the Prowler - Animal I Have Become by Three Days Grace

Wilson the Basher - Another Way Out by Hollywood Undead

Skully - Sleeping Powder by Gorillaz

Chris the Revenant - Where the Lonely Ones Roam by Digital Daggers

Slenderman - Come Little Children by Eurtan

Splendorman - Buttercup by Jack Stauber

Trenderman - Fashionably Late by Falling In Reverse

Tenderman - Death Bed by POWFU

Offenderman - Teeth by 5SOS

Zalgo - When You're Evil by Voltaire

Laughing Jack - Left Behind by DAGames

Eyeless Jack - Cannibal by Kesha

Doctor Smiley - Happy Pills by Weathers

Nurse Ann - Dark Horse by Christina Grimmie

Doctor Pain - Dr Sunshine is Dead by Will Wood and the Tapeworms

X-Virus - Drugs by Falling in Reverse

Dr. Locklear - God Syndrome by Madame Macabre

Lifeless Lucy - Cradles by Sub Urban

Lily Kennett - Dollhouse by Melanie Martinez

Sally Williams - Hide and Seek by Lizz Robinett

Sam Williams - Little Game by Benny

Lazari - Monster by Mia and Dia

Slendrina - Killing Butterflies by Lou Bliss

Nightmare Ally - Whisper by Evanescence

Vailly Evans - Control by Halsey

Lulu - Alice by Avril Lavigne

Nina the Killer - Pretty Little Psycho by Procelain Black

Kagekao - Aishite by Kikiuo

Clockwork - Lotta True Crime by Penelope Scott

Smile Dog - Lion by Hollywood Undead

Grinny Cat - Get Out Alive by Three Days Grace

The Seedeater - I Will Find You by Moikkz

Mr Widemouth - Cartman by SPBeams

Will Grossman - At The Huts of the Underworld by Korpiklaani

Laughing Jill - Carousel by Melanie Martinez

Jason the Toymaker - Hypnotic by Zella Day

Candy Pop - Balloon Animals by Madame Macabre

Candy Cane - Circus by Britney Spears

April Fools - Cirque by Sub Urban

Nathan the Nobody - A Match In Water by Pierce the Veil

The Puppeteer - Cigarette (duet) by Princess Chelsea

Emra - Bloody Mary by Lady Gaga

Zachary the Proxy - Hayloft II by Mother Mother

Sonic.exe - Monster by Skillet

Tails Doll - Can You Feel The Sunshine from Sonic R

Dark Link - Someone Must Get Hurt by She Wants Revenge

Herobrine - Andromeda by Dance With The Dead

Lost Silver - Game Over by Falling In Reverse

Glitchy Red - Haunted by Laura Les

Strangled Red - I Bet On Losing Dogs by Mitski

Oliver Henderson - Dumb Dumb by Mazie

Stripes - Limbo by Freddie Dredd

Rosie - Hollaback Girl by Gwen Stefani

Scarecrow Girl - Rät by Penelope Scott

The Skroll - Sarcasm by Get Scared

The Rake - Night of the Hunter by 30 Seconds to Mars

BOB - Six Foot Deep by Creature Feature

Bloody Painter - Heathens by Twenty One Pilots

Judge Angels - Look What You Made Me Do by Taylor Swift

Suicide Sadie - Goodbye to A World by Porter Robinson

Roadwalker - The Zombie Song by Stephanie Mabey

Zero - Everything Black by Unlike Pluto

Hobo Heart - My Demons by Starset

Dollmaker - Creepy Doll by Jonathan Coulton

Killing Kate - Not Nice by Megan the Stallion

Ted the Caver - Blood // Water by grandson

Frankie the Undead - Coming Back Down by Hollywood Undead

Evan - I Don't Care by Fall Out Boy

HABIT - Boogie Woogie Wu by Insane Clown Posse

Jeff Koval - Somebody's Watching Me by Rockwell

Alex Kralie - Pumped Up Kicks by Foster the People

Jessica Locke - No Surprises by Radiohead

Amy - If You Seek Amy by Britney Spears

Sarah - Sarah Smiles by Panic at the Disco

Seth - All I Wanted by Paramore

Screaming Dawn (oc) - I Hate Everything About You by Three Days Grace

Queen Blackheart (oc) - Bring Me To Life by Evanescence

[piece-of-hweat]

So. About Danny Phantom and Underworld Office...

Quick break from my Little Nightmares brain for a sec, I wanna talk about stupid ghost creatures.

Recently, I rediscovered a whole ass discord thread I made a year ago, which was literally filled with Charlie in Underworld/Underworld Office stuff. What is Charlie in Underworld and Underworld Office? Well, the first novel (Underworld Office) is a visual/digital novel about a kid named Eugene who stumbles upon the ghost realm. They are also adopted into a found-ghost-office-family. Important note: Eugene's soul can exit their body while they rest. So basically, going ghost, but not really. (the second thing/sequel just follows the redemption arc of an antagonist, Charlie, from the first game)

Now. Danny Phantom. A couple of months ago, my friend introduced me to the show as well as the Phandom, and gotta say. It's pretty cool. Danny Phantom is a cartoon series about a lil silly dude named Danny Fenton. He is half ghost. Because of his half-ghost-ness, he can "go ghost". This is where he turns into a ghost and kicks ghost-ass.

Alright, let's regroup. Now that you know a bit about both fandoms, remember that note from earlier saying that Eugene can "go ghost"? Yea. See where I'm going with this?

My proposal, fellow DP and/or CIU/UWO fans, is to make a crossover AU. Why? Because I need it. I need these two idiots to bond over the fact that they both have connections to ghosts and how, in a way, they're both half-ghosts.

What is the plot/storyline? No fuckin clue All I have is:

Danny's been Danny Phantom for a while now

Eugene moves into Amity Park. Danny, honestly, can't really give two shits about that.

One day, Eugene and Danny meet, they become friends and bond over the fact that they're both dead and alive.

Danny meets the Office Ghosts and they both become allies or smth (tbf, they both fight monsters/bad ghosts)

Both Danny and the Office have a common goal (perhaps a conflict they both want to solve? Maybe)

Now, as for lil stupid notes:

Danny is creeped out by Boss and River. (Boss is cold and Danny feels like Boss would just casually murder him if he looked away for 0.001 seconds. River is just chaotic in a "high-aunt" way. The shit she does probably scares Danny in a "BRO WTF" way)

Eugene and Danny, unlike the other ghosts, are more warmer-coloured and less monotone.

Charlie will spit on Danny's grave and Danny would do the same. They'd probably hate each other's guts in a sibling way.

Luke, Oliver and Joy would probably meet Sam and Tucker. (Tucker and Oliver would honestly be besties ngl. Joy and Sam can both judge each other silently over a cup of coffee)

Alright, that's all I have to offer. Hope you'll uh, consider this possible AU. Um. Have a nice day or night. Don't turn into a half ghost. Or do, I don't know man--

[thegayenbydownstreets]

Post ciu au chapter 4 - beta / resume with info

-Characters with main focus on :

Louise [the ghost in the image]

Luke [Charlie In Underworld -Adult Luke]

[fallingbossa]

Okay so... Underworld Office/charlie in underworld HCS :>

Eugene- Intersex Non-binary Gay (demisexual and demiaromantic)

Luke- Gay Demiboy

Joy- Mtf bisexual

Oliver- Ftm pansexual

Charlie - Intersex Gender fluid Aroace

River- Aroace Mtf Lesbian

Boss- Non- binary bisexual Aroace

Sean- Ftm bisexual greysexual

Joan- ally

Linda- ally

Done! - I also like to think of Eugene as a trans masculine enby ,,(most of the time I think of he this way )

[dragonsdomain]

Out of Office, chapter 7

AO3

Chapter 6

"Who's gonna be the one to explain to Linda why all three of her guests are now senseless on the couch?" Oliver asked.

He and Joy were now standing as spirits several feet from each of their bodies. While Oliver was glad to see that Luke was okay(ish), and the colors were fun (Joy was a pretty shade of blue, and Oliver was green), things were happening fast, and there were a lot of parts of the situation that still needed to be worried about.

"Please don't tell her the truth about it all," Sean asked, blowing on his fingers after making two extra guardian flowers in a row. "It was hard for her to find closure after I died, and I don't want her having to worry about me still being around."

Joy raised an eyebrow. "No wonder you and Eugene are friends... uh, fine. Okay. We'll come up with a lie of some kind. Eugene might have to be the one to tell her though. Eugene? Do you think you could tell her we had a long day or something and were super tired?"

Eugene was curled up on the couch, half in his body. "Uhuh," he wheezed, struggling to keep his eyes open.

Oliver turned back to Luke. "Okay, so. Evil ghost monster kidnapped a ghost friend and now we have to go save her."

"Because if we don't, Eugene will try to, which in his current state would be really dumb and end badly," Joy added.

Eugene grumbled something from the couch.

"You can't just go after that thing unarmed," Sean said nervously. "Eugene, did you happen to bring any of the Office's ghost artifacts?"

Eugene wordlessly dug in his pockets and pulled out a black fan, a lock of dark hair looped in a knot, and a cloth hat of some kind.

Sean floated over and took them from him. "Thanks, Eugene. We'll be sure to keep them safe. You can sleep now, if you want."

Eugene glared and stubbornly kept sitting upright.

"What are those?" Luke asked, walking over.

"Some ghosts (usually strong ones) have items from their life that gain power after they die. They can do a number of things," Sean explained. "This fan can seal hostile ghosts in it and also be used as a weapon in a pinch. The hair can be used to trap and entangle ghosts, or fling them, if you want. This hat lets you talk to cats. Not sure how useful that'll be, but we have it."

Oliver blinked. "Wait... what about a crucifix? A crucifix with the power to ward ghosts?"

Sean tilted his head. "I mean, I guess that's an example of an artifact somebody could have."

Oliver put his hands out. "You guys. My grandmother's crucifix. She loved that thing. Luke got yeeted out of his body by my grandmother's magic ghost-warding crucifix."

"Oh yeah," Joy said, pressing her lips together. "That, or any number of the other anti-ghost things you brought."

"Oh, uh, oops." Oliver smiled apologetically at Luke.

Luke waved his comment off. "It's fine, you didn't know. Could that crucifix maybe be useful for fighting the monster, though?"

"Er, seems like it would be a problem that we can't get to it in ghost form," Oliver said. "And then in human form we wouldn't be able to see the monster."

"Good point," Joy said.

Luke took the fan. "So the plan is to seal the ghost in here at the end?"

Joy took the lock of hair. "But first we have to weaken it and make sure we get Charlie out of there safely."

Oliver took the hat. "...With cats?"

Sean shrugged. "I guess? Joan's gun probably would've been more useful." Oliver whispered ghost gun under his breath as Sean turned to Eugene and asked, "Eugene? You didn't happen to bring Joan's cane too, did you?"

Eugene blinked, looking barely awake. "Uh... no, it didn't feel right with her in it."

"Oh, okay," Sean said. Why is she in the ghost gun Oliver whispered under his breath, and no one deigned to answer.

The four of them started heading towards the staircase down to the front door. Eugene started to push himself up to follow them, but Sean gently pushed him back down.

The four of them walked to the front door, and Luke tentatively pushed it open. "Oh, huh. Somehow I thought the ghost we're chasing would be easy to see from here?"

"Drat. How are we supposed to find it now?" Joy grimaced.

Oliver grinned, pulling the hat onto his head. "Cats."

...

Charlie's house was old and creaky, full of dust, like no one had lived in it for a long time. Her father's ancestors had lived in this house for generations, and with each of them that died inside of it, more of the house died as well.

Quite a few pieces of Charlie had died here too. She remembered the day her father had torn up her first paper doll because he'd caught her playing with it instead of studying for a test. She remembered the day her cat had gone missing, and the day a week later when she'd found its body rotting in a shallow grave with a gunshot wound in its side. She didn't remember the first day she saw her father hitting her mother, but she remembered the first day he'd hit her.

She vaguely remembered a time when she'd been young and hopeful. When she had rose-tinted dreams for the future. When she'd been happy. But those parts of herself had died, and their unreachable memory haunted the manor along with all the other ghosts.

There were many rooms in the house, but the older Charlie got, the fewer of them she ever went in, until in her last year she only traveled through the few that lead in a direct path from her bedroom, to the kitchen, to the front door.

Now she was in her bedroom again, wondering why she'd killed her father.

She knew why, of course. She'd... resented him for a while. "Hated him", she would've said, but somehow that didn't quite fit, even though she felt like she ought to hate him, deserved to. If she truly hated him, Would she have felt so guilty for having killed him? But now she felt ashamed. Her hands were covered in blood; it wasn’t wet anymore, but she couldn’t wash it off. It would be with her forever.

However long her route through the house usually was, it was now very short. She was grounded, never to leave the house, never to leave her room.

She was so alone, but it was what she deserved.

“Charlie?” a voice called, and she flinched before realizing it wasn’t her father’s voice. Not her mother’s either.

Charlie looked up toward her bedroom window (no light came through it). Mike was there, peeking in at her. “Could you let me in?” he asked, tapping the glass.

Charlie hesitated, not wanting to involve him, but eventually decided to go ahead and listen to him for once. She stood from her bed, then reached up and unlatched the window.

Mike pushed it open and climbed inside the room with her. He grinned. “It’s really you! It’s great to see you again, finally.”

Charlie felt confused for a minute. Somehow she felt like they hadn’t seen each other for years, but he hadn’t aged. He looked exactly the same as when she’d last seen him. Except…

���What are you doing here?” Mike asked, walking around. “Is this your bedroom? From when we were kids?”

“I’m grounded,” Charlie said.

“I thought your dad was… um… not around anymore?”

“He came back to haunt me,” Charlie said blankly, dropping back down onto her bed. “To make me face what I did. To give me what I deserve.”

“What did you do?” Mike said, sitting down beside her.

Charlie’s head sunk. “You know what I did.”

“No, I don’t. Are you talking about this?”

Charlie looked up, and Mike was pointing at the scar over his eye.

She glared at him, tearing up. “Of course, I should’ve known. Are you here to haunt me too?”

He rolled his eyes. “No, I’m not. I’m not mad. Well, I might’ve been, a little, when it first happened. But it’s been years. I’ve moved on. You should too.”

Mike was older than Charlie was. He’d kept on growing while she stayed the same. He looked like he might be somewhere in his twenties now, and the gash over his eye was long-scarred over, fully healed. But she was still in her worst year of high school, wearing her rumpled uniform with dotted with unwashed blood.

Charlie let her head drop. “You’re an idiot. I can’t move on. I can’t forget it. I can’t ignore it. I can’t keep it secret. I tried to move on and be better, but I can’t stop messing up and hurting people. Eugene’s ghost friends are all gone ‘cause I couldn’t keep my stupid mouth shut, ‘cause I couldn’t stick my nose where it doesn’t belong. And my past has caught up to me too, ‘cause it knows I don’t deserve to have people around me who don’t know what I did.”

“Oh, come on.” Mike folded his arms. “If running away from it is such a bad idea, then say it out loud. What did you do?”

Charlie snapped at him. “I murdered my father!”

Mike flinched, but he didn’t look surprised. “Yeah. That’s it.”

Charlie sagged. “Why’d you make me say it?”

“Why’d you do it?” Mike countered.

Charlie glared at him, then looked back down. “I was angry. And… scared.”

Mike nodded. “Yeah. Okay. That checks out. So do you regret it?”

The room was silent for a minute. “I don’t know,” Charlie responded.

“I think you do,” Mike said, “if it’s been a decade, and you’re still beating yourself up over it.”

“So that’s it then,” Charlie said, resigned. “I deserve this. I am a monster.”

“Ugh, no you don’t. That’s not what I was saying.” He gave her shoulder a little shake. “Look up at me, Charlie-Charlie.”

She did.

“Yeah, he did a bad thing. A really bad thing. But you were, what? Sixteen? Seventeen? Teens mess up sometimes. I sure know I did, though thankfully not so bad anyone’s dead about it. And also I know you were having a rough home life, and it was kind of obvious you had some mental health issues. Yeah, you messed up, but you wouldn’t do it again. I’ve moved on, your dad’s moved on, so should you.”

Charlie looked up at him incredulously. “My dad hasn’t moved on. Don’t you know where we are?”

“No? Oh wait.” Mike blinked as the gears turned in his head. “Oh, was that big lanky ghost thing your dad? I thought it was you, or, some manifestation of your self-hatred, I guess?” He grinned sheepishly. “I’m honestly a little confused. No one really explained to me what’s going on.”

Charlie stared at him. “Are you the real Mike?”

“Yeah…?”

Charlie dropped her head into her hands, muttering a muffled swear. “I can’t believe I said all that stuff to you. I thought I was just having a heart-to-heart with a dream Mike, from my subconscious or something.”

Mike cackled at her, and she wanted to punch him (affectionately). “That’s so dramatic!”

Charlie glared at him. “Well how did you get here?” she snapped, like she was accusing him of something.

“Well okay, so get this.” Mike splayed his hands out like he was ready to drop a bombshell piece of gossip. “Couple days ago I had this dream where a tall asian-looking dude told me to find ‘Eugene’ at Station 00 and he’d help me talk to you. And I thought, yo, that’s so specific, and I could remember it super clearly when I woke up. So I went and did it, ‘cause I thought it would be funny if something cool actually was there, and also it was a good excuse to go exploring. But there was a guy named Eugene there! Crazy!”

“Ah. Okay then.” Charlie didn’t know how to feel about Boss still messing around near them. Eugene might be happy to hear that? Or not?

“No there’s more. I had another dream today! I mean, it wasn’t really a dream ‘cause it kind of just happened while I was walking along, super weird, I kind of thought I was hallucinating. Maybe I was. I sure hope I’m not crazy. But anyway he told me to go over here, so I did.” Mike stared off into the distance for a second, like he was finally realizing how insane he sounded. “Please believe me.”

“Hey no, I believe you. I know the guy. Weirdo.”

“Okay. Cool.” Mike stood up. “So we’re in your dad’s ghost’s nightmare dimension or something? We should probably get out. Forget what I said about him moving on. Because I still think you should move on. And him too. Talk about holding a grudge. So! Let’s go.”

“I’m grounded,” Charlie said dismally.

“Oh, come on! Now you start listening to your dad?” Mike pumped a fist. “The only one grounding you is yourself!”

Mike grabbed Charlie’s arm and pulled her towards the door. “Come on!”

“Ack! My dad’ll catch us! Can't we just climb out the window?"

“The window actually doesn't lead outside, just to another room of the house, for some reason. We’ll be sneaky! We just need to get out of your house and we’re home free! Probably. I still don’t know how ghost things work.”

Charlie winced. "Okay. We'll try. But if he catches us, you run. I don't want to see you hurt."

...

When they found the ghost monster that'd made off with Charlie, it was hunched over against a wall, like it was meditating. Charlie was not in sight.

"It's sleeping?" Oliver asked. "Do we just suck it up into the fan now?"

Sean waved his hands anxiously. "Wait, no, I don't think that's a good idea. It ran off with Charlie, right? It might have her in its dream."

"Dream?" Luke asked.

"Yeah. Ghosts can go into people's dreams. Or memories. Either way, we can't contain that ghost until we've gotten Charlie safely out." Sean chuckled nervously. "Or, until you guys've gotten her out. I don't know how much help I'd be."

Joy cringed. "We really don't know what we're getting into, and I'm thinking we might need all the help we can get. Plus, the three of us don't know what we're doing. Come with us. Please?"

Sean sagged. "Okay, okay. I'll come."

...

Charlie and Mike rounded another corner, and Charlie felt a growing knot in her stomach tighten. "Something's wrong. I don't remember this many hallways existing before," she whispered.

"Oh, okay. Uhh, maybe we should just keep wandering, hope we find the way out?" Mike whispered back.

"I don't like this," Charlie said. "This is his dream. We'll probably take way longer to find an exit than he'll take to find us."

"Well, if he finds us we run." Mike shrugged. "Simple as that."

"And we'll split up," Charlie said, narrowing her eyes. "So he chases me, not you."

"Sure, sure. I'll run... somewhere. Whatever."

"Ugh, you." Charlie scoffed.

They rounded a corner and found themselves in the dining room. Despite it being next to the kitchen, Charlie hardly ever ate there. The paintings she vaguely remembered being hung on the walls were gone, and she wasn't sure how she felt about that.

"I wonder if there's some kind of clue as to where we should go?" Mike muttered.

Charlie walked around the table, looking at the different doorways they could take. The kitchen she knew was not through any of them. She paused for a second to shake some kind of debris from the carpet off of her foot.

Wait.

Charlie looked down and saw that that debris... was paper. Shreds of colored paper, intricately patterned. She recognized them as being the remains of paper dolls, though couldn't identify which ones. She could see on each shred of paper the clean and deliberate edge where she cut with her scissors, as well as the ragged edges where the dolls were torn apart.

"Mike," she whispered. "Come over here."

Mike came over, and Charlie pointed out the paper. "It's a trail. It leads this way."

"Those remind me of the paper dolls I used to see you making in class. Is that a good sign? Should we follow it?"

Charlie frowned. "It might also be a trail of destruction left by my father's ghost."

"It's our only lead, but... what do you think?"

"I want to follow it," Charlie said with a conviction that surprised her. "Wherever it leads, I want to get there. I want to reach an end."

"Well! That was a really ominous way of saying that. But okay," Mike nodded. "Let's follow the trail."

The two of them headed off, following the trail of shredded paper. Charlie kept her gaze pointing down at the trail as they passed through halls that looked almost the same, rooms that each seemed like several rooms Charlie remembered, yet also neither and none, all missing paintings on the walls, or else housing empty frames, which were equally disconcerting. Charlie started to wonder if the trail had really started in the dining room, or if she'd missed something, and that maybe they were following the trail the wrong way.

The trail came to an end just before a door Charlie knew all too well. The only one besides her bedroom door which she and Mike had found closed. The door to her father's study.

"Why'd we stop?" Mike whispered.

Charlie's hand moved forward, driven by something akin to curiosity, to purpose, laced with dread. She gripped the handle and turned the door. It slowly swung open with a creak that grew louder as it opened wider, before the door finally dropped softly off of its hinges.

The body in the middle of the floor looked old, as did the rest of the room. It was nothing but a skeleton, all its flesh having worn off, with no memory of it but the strange stains weighing down the crusty clothes hanging over that figure. A large splotch of the rug below it was stained a dull brown.

"Charlie?" Mike asked. "What are you looking at?"

Charlie blinked, and the illusion was gone. She was still holding the door handle, unopened.

She let go of the handle and stepped back. "I can't do it."

"I'll get it," Mike said. He took the handle and pulled the door open.

The office was empty. And behind Charlie's father's imposing desk, letting in a stream of cold moonlight, was a large window.

"An escape!" Mike cried, rushing towards the window to undo the latch and pull it open. Cold air puffed into the room. "Charlie-Charlie, come on!"

"Coming, coming," she said, taking one last glance over her shoulder.

Then she froze.

The door had swung closed behind her, and on the back of it was hung a portrait of her father.

"Trying to run away again, Charlie?" the picture said.

Charlie whirled around and vaulted out the window, landing in a run through the snowy ground.

Mike broke into a run beside her. "What's wrong?"

"My father! He's there!"

She took a glance over her shoulder and saw him slowly walking towards her, but gaining on her as though she wasn't moving at all. He looked just as he had been when he was alive, yet as horrible as when he was dead.

Mike slid to a stop and started pitching snowballs at him. "Take that! Ha! Leave her alone!"

Charlie whirled around. "Mike, no!"

Charlie's father came up to Mike, and his hand snapped out, gripping Mike's neck. Mike scrabbled uselessly at the man's hand as he picked him up like he weighed nothing.

"Let him go!" Charlie screamed, swinging a punch at her father's face.

But her scissors were in her hand.

She froze in terror, blade held inches from her father's face, as images of what she'd done to Mike flashed through her head.

Her father chuckled, making no move to stop her. "So you still want to kill me, do you? Well I'll never be dead. I'll haunt you forever. You think you hate me? Imagine how much I hate you. You horrible girl, you ruined everything. Kill me again and see if it makes you feel better! You'll never be free."

Charlie let loose a rage-filled scream and brought her scissors stabbing down on the arm holding onto Mike's neck.

Charlie's father let out a surprised gasp, letting Mike drop to the ground. Mike tried to lunge toward Charlie's father, but Charlie grabbed him and shoved him away. "I told you to RUN!"

Charlie's father slammed into her from the side, shoving her to the ground. Her face was pushed against the snow, and she inhaled it when she tried to breathe and started coughing.

She struggled against her father, but it was like trying to wrestle the sand. She couldn't budge him. He shoved her face down into the snow again and she tried to stay calm and hold her breath. She heard Mike yell and try to shove her father off of her, but she heard him get thrown aside with a deep thud into the snow.

"Got you!" Someone yelled, and Charlie felt the weight on her lift, then be abruptly yanked off of her to the side.

She shoved up off of the ground and gulped in oxygen, then searched around for Mike. He was there, just a few feet away, also pushing up from the snow. He looked dazed, but unhurt.

Charlie looked back towards her saviors and saw Eugene's friends, along with Sean. Joy was roughly slamming Charlie's father up and down onto the snow by the ends of what looked like River's hair. After a minute he lay still on the ground, Luke pulled out Boss' fan, snapped it open, and Charlie's father was sucked in.

Charlie sagged, dropping to the snow in exhaustion, as the cold world faded around her to be replaced with real life. That was it. She was so tired...

...

It was a few days later, and Eugene and Luke, Joy, and Oliver were working together to sweep up broken glass from the office at Station 00. Eugene's station boss had called him out to help with it (Eugene was grateful for any number of work hours after sudden week of unpaid vacation), and his three friends had volunteered to come along and help, to make sure he didn't push himself too hard while still recovering from his ghostly injuries.

Luke picked up a large piece of glass and threw it into a bin. "Did Charlie tell you about how the ghost that kidnapped her was her father, who she'd killed as a teen?"

"Yeah," Eugene said. He was taking a breather at the moment, sitting on a beat-up chair. "Though I already knew beforehand."

"That's messed up," Oliver said, shaking his head as he swept.

"Yeah, it is," Eugene said, resting his chin on his knee. "I'm tired of trying to be hard on people for bad things they've done though. She regrets it, she's doing better. That's enough for me. Turns out a lot of people are less perfect than you'd hope they'd be."

Joy rested her chin on her broom to give Eugene a pointed look. "Does that include not being hard on yourself?"

Eugene sighed. "Yes, I'm sorry. I know I was stupid, I shouldn't have been trying to do everything on my own."

"We can help if you need us," Luke said. "We might not work at the station with you, but now that we're in on your secret, we can help out with ghost stuff."

Eugene frowned. "I'm still kind of peeved you guys went behind my back about that."

Joy put her hands up. "I get it! I'm sorry! I won't do it anymore, I've learned my lesson. Yes. It's my fault, that was invasive and not okay and we should've just talked to you." She rolled her eyes.

Eugene had the feeling she didn't completely regret it, but he was going to let it go. "I appreciate this."

"No problem," said Oliver. "I'm an expert at cleanup stuff."

"I mean..." Eugene looked down sheepishly. "Thanks for. Making sure I didn't get myself killed. For being my friends. And... sticking with me even if it's weird and I wasn't great at being open with you."

Luke walked over and threw a hand around Eugene's shoulders. "Dude, it's cool. Generally speaking, you have a right to your secrets, so long as they're not hurting you. But like you said, nobody's perfect. We still love you."

Eugene smiled, giving Luke a hug back. "Thanks."

...

Charlie stared at the headstone. Her full name was written out on it, her birth date, and the date of her death. A small note about her being a daughter and a friend.

She turned to look at Mike, who was hovering beside her in ghost form. "How did you know I didn't know where my gravestone was?"

Mike chuckled. "I didn't, not really. But I wanted to make sure you knew that you weren't forgotten. I visit it sometimes, like on your birthday. Your mom does too, by the way. She's still around, and she remembers you fondly."

"Wow," Charlie said disbelievingly. "Don't know how she manages that."

Mike punched her in the arm. "C'mon Charlie-Charlie, you gotta stop getting down on yourself."

Charlie rolled her eyes. "Easier said than done." She knelt down beside the tombstone. "It's kind of plain... not sure what I really expected. I didn't think too much about what it might be like. I think I kind of assumed there just wasn't one."

"It's been there this whole time," Mike said softly. "Well... at least you know about it now."

Charlie stood up again and looked at Mike. "Uh..." She rubbed her arm awkwardly. She wasn't sure how to end the interaction. "Thanks. I guess. This was cool of you. Sorry everybody was out of office and it was so hard for you to find me."

"It really wasn't that bad," Mike said. "I'm glad I was here to help when, uh... all that stuff went down."

Charlie slapped her forehead. "I'm so embarrassed."

Mike shrugged, looking amused. "Eh. We all have our cringe moments. You make fun of me for tripping on my shoelaces that one time, I can make fun of you for..." Charlie gave him a death glare, "...actually I'll probably just try not to bring this up."

Charlie looked away. "Well. Nice seeing you again. I guess this is goodbye."

"Well, I mean, it doesn't have to be. I only live like thirty minutes away," Mike said, thumb-pointing vaguely behind himself.

Charlie stared at him.

"What?" Mike asked. "You don't want to be friends with me anymore?"

"No! I mean, I do!" Charlie sighed. "I can't believe this is happening. Don't you want to move on from me? I'm dead."

"Er." Mike held up his hands helplessly. "I mean, from what I understand, you'll only be gone-gone for real once you get over all your angst and pass onto the next life, right? So we can totally still be friends until then."

Charlie looked him over. She still didn't completely believe he was real. The past had haunted her for so long, it seemed weird for something good to finally come out of it, for a friend to come back to her from the worst time of her life.

She spoke softly. "You're really not mad at me?"

"I'm really not."

Charlie relaxed. She smiled. Eugene wasn't mad at her after finding out the truth. Mike wasn't mad at her either. Maybe if they believed she could be better... she really could be. "Okay. Yeah." She looked back up at him. "I guess I'll see you around."

Mike grinned. "Count on it."

[uwowrites]

Ight so I wasn't even going to send a request cuz I didn't think my idea was that worth it but my sister kept pestering me about it so here ya go.

Okay so basically this goes based off the premise of the new Doctor Strange movie. Basically in the movie they said how dreams are actually visions to you from another universe.

So I kept thinking, what I'd Eugene, from the true ending, started to have dreams of the other endings? From the nice, peaceful one with Luka to the mist horrific and terrifying one where he turned into a monster and got sealed.

And I'm not sure if ghosts dream since they don't sleep, they mostly just seem to have memories as dreams, but maybe Boss starts having "daydreams" of those other endings too. But we can also scrap that because Eugene will come to him either way about these dreams and maybe it affects how he sees Charlie since he sees how much worse Charlie could have made things.

Maybe after everything Eugene opens up about these nightmares and if we go with the fact that Boss also sees them then so does Charlie and he is also scared of becoming like that again.

But yeah, that's my prompt, they have dreams about the other possible endings.

No no no, you see, you didn't send me a oneshot prompt. You sent me a full-fic prompt.

I am so glad your sister told you to send this because I love this prompt to bits (big marvel fan and the way you made a link between my 2 fav fandoms is awesome)

So, I made a fic.

Chapters: 1/? Fandom:Underworld Office (Visual Novel) Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Boss & Eugene (Underworld Office), Eugene & Luke (Underworld Office), Eugene & Joy & Luke & Oliver (Underworld Office), Eugene & River (Underworld Office), Eugene & Joan (Underworld Office), Eugene & Hayden (Underworld Office), Eugene (Underworld Office) & Everyone Characters: Eugene (Underworld Office), Boss (Underworld Office), River (Underworld Office), Joan (Underworld Office), Luke (Underworld Office), Joy (Underworld Office), Oliver (Underworld Office) Series: Part 4 ofThe underworld family Summary:

Some dreams feel so realistic to the point where it feels like they have occurred. And maybe they have, but in a different timeline.

Is that why Eugene has been getting these dreams lately?

OR

Eugene starts dreaming about the alternate endings of underworld office.

[fallingbossa]

I know this post is old asf but I wanted to say how actually gross it is to see people making a huge excuse to why ship something gross is "fine"

Nuh uh it isn't fun news to you:

Even with adult Eugene this is weird as fuck.

Boss saw Eugene growing up and cannonicaly is a parental figure to he in many ways, mainly due to eugenes biological father absence that is mentioned in the first game and in the q&a. And even though "oh but boss isn't his biological father so it's fine" , no it isn't, since boss is a parental figure to Eugene it turns immediately he pretty much into their father. Literally one of the tropes the game is most claimed for is found family.

And even if the whole movie industry and everyone in the world shipped ships like those or anything , it wouldn't make it less wrong. It is wrong , it is gross.

And boss is canonically 428 years old, considering since he died.

But in the end, I think it's funny, you as a person that were defending a problematic ship since the start of the text , and in the middle say the only healthy ship with Eugene "doesn't make sense because it isn't romantic" ....

Well, as a gay person, I feel I needed to point it out pretty much since it's something serious.

+ a not found screenshot of the creator saying the ship was cute ]

Okay I will talk seriously now, like I stated before. Different from boss x Eugene, Luke x Eugene (let's say Lugene ) is healthy (even after Charlie in underworld) and have many context for the reason it is shipped nowadays , different from bougene Wich was created for mainly proshippers and is indeed a really problematic ship, not only for age gaps, but also for boss being Eugene cannon father figure.

Luke x Eugene were here since the fandom started, due to their friendship in game and the posts I showed, one Wich the official account that created underworld office posted, saying that both had a history together.

And in game how Luke worries about Eugene no matter what , plus the fact Eugene blushes in the achievement (Luke's friend) and Luke blushes while talking to Eugene a bunch of times. But we'll, let's get more deep into that.

Underworld Office, like everyone know, isn't a love game, neither is here to be one, but like any fandom there is people who seek for representation in those games , mainly the lgbtqia+ community, and Lugene as a ship between two teens, were a big steep for this fandom, mainly because trans teens, gay teens, bi teens, lesbian teens, etc , are oftenly ignored by media and most of the times said that "they don't exist ", even though, this is fake. But we'll, going back to the main topic, even though uwo isn't a love game, the creator revealed that there was indeed a cannon couple in the game, after she revealed joy and Oliver were a cannon couple in one of the arts she did, where both had rings in their fingers and in not exactly a hero , were there's many jokes related to that in the game, so , what prevents Lugene being cannon? Even though it's a semi-cannon ship, healthy, and makes sense because the creator in her deleted prive acc said she liked it and mentioned they indeed have a history together?

Simply, the fandom is who prevents a gay representation being cannon. The creator is aware that if she confirms the ship as, there is fans that will be upset about it because they believe in ships like :

Boss x Eugene that since the start I said and explained how problematic it is even w adult or young Eugene , it is problematic.

Charlie x Eugene Wich is pedophilia and weird, since charlie is 17 (it took me some time to 100% notice it in Eugene concept art, I never really noticed it completely until 2023)

Eugene x joy Wich deletes a huge gay representation we have

And many others.

At the same time this post is to educate who posted the old one, it is to mention, how Lugene , as a small ship, is too important for this fandom.

As someone who entered here in 2020/12/9 (9th of December) when I was 10 years old, the game helped me to discover who I was, a gay person , and since when I was 11, every small of the smallest drawing of them together could make a huge difference. I remember that in 2022 I even cried for a fanfiction of them both if this is what you want to hear. Understand people, gay representation, HEALTHY gay representation , is important. For many kids like I was, for many teens like many of us are , it is important. Mainly in a game that focuses in the psychological of a teen , Wich is Eugene who is cannonicaly ambiguous and adrogynous and uses he/they.

So, if you want to ship something, ship at least something who is healthy, because you Shipping toxic, unhealthy ships as a "gay representation" only gives a bad reputation for those in the uwo/ciu fandom who are gay men / people. So instead of defending a problematic ship with your soul, try educating people on the why this ship is wrong, why bougene is wrong and shouldn't be shipped.

This post isn't for ship fight purposes, yes to explain the why bougene is a terrible ship and why Lugene is a healthy and semi-cannon ship, since many people don't get that .... (Btw I didn't understood the fact "uhm Lugene doesn't have romantic "something I forgot", neither bossxeugene have ??? They literally interact as father and son the whole game, it's like immensely problematic... were u took this from 😭)

Oh and add because I just saw this part and since you were mean I will be too now :D

.

.

.

.

.

.

okay wtf you mean by "uhm spreading missinformation" NO IT ISN'T??? It's not my fault you want so bad to ship something that could easily be Categorized as problematic , or even incest if you consider the parental figure thing, that literally ignores what other people say, this isn't about "oh you don't like the ship and hate those who do!" No it isn't, it is because it IS problematic. I won't even mention the why because I already said it MANY TIMES in a point I already explained it enough. "You're also ruining all the hard work the creators and blah blah" DUDE YOU'RE THE ONE DOING IT BY DEFENDING A PROBLEMATIC SHIPPPP 😭 the creator herself mentions "ship anything that is HEALTHY" this shi isn't healthy , mainly after ciu , it turns even more problematic considering boss basically used everyone just to build a >>>>family<<<<

"idk if this will get hate, idc" yeah you're pretty much acting like you are 100% right and whoever hates you for defending a problematic ship is wrong.... Bfr

And the last paragraph. Even with Eugene being an adult , IT IS wrong, IT IS bad. Boss saw he growing up, boss was his parental figure and everything, THIS ISN'T headcannons, it's cannon, if you play the game correctly not w your ass you could definitely see this, + if you searched before writing this... At least.

And the fact artists and writers left the fandom after "hate because people didn't shipped it" is actually really good, this means less proshippers in the fandom, Wich is AMAZING. You need to understand rlly bad what is hate and what is educating someone who doesn't want to be educated.

SPOILER FOR UNDERWORLD OFFICE

(Also keep in mind that this isn't meant towards every single person in the Fandom, some of them are nice and they know the truth between the false however others don't so I'm writing this to clear things up between all the misinformation spread about this game and the characters)

Ok so, I'm writing this because of a thing that I discovered today.

Probably some of you know about the game sequel called "Charlie in Underworld" and that's why I decided to do this.

Now that a second game is confirmed I want to make clear something that the people who played the first game always refused despite being Canon.

As you may know the game have multiple endings but of course the True Ending where the game would continue if it ever get a sequel is just one.

In this case that ending is the one where Eugene is a adult that work for the Underworld Office and here comes the misunderstanding from the Fandom side.

I'll specify as first thing that I don't like any Ship in this Franchise more because there just isn't a Ship that caught my interest however I noticed the controversy of the Fandom and how toxic it was towards something that was less popular compared to Eugene x Luke that's why I'm writing this.

You've probably seen some Boss x Eugene FanArt, some good, some bad and some that are better to forget.

The main problem according to the Fandom (who I like to point out already played the whole game and knows about the True Ending) is that Eugene x Boss is pedophilia.

I mean, yes some people use the 15 years old for the FanArt and it's wrong because he's technically 15 or so, but you can't take that hate on people who draw the Canon adult Eugene.

Also it's completely wrong to say "Eugene is 15 because for the most part he was 15 when playing".

What about the True Ending?

That ending literally tell us that Eugene is CURRENTLY a adult, knowing that it means that 15 year old Eugene is past Eugene and adult Eugene is the present Eugene.

Eugene at the start of the game is like this:

But when you reach the True Ending it's not spoke as if past Eugene is describing his future.

Adult Eugene is present time Eugene.

The timeline changed.

At first 15 year old Eugene was the Present Eugene but once you reach the True Ending you learn that 15 year old Eugene is now in the past and the current/correct present timeline have Eugene as a adult.

Now that the sequel is out it makes it even more obvious, even if it was already obvious that Eugene is no longer a 15 years old buy but is Canonically a adult since game 1.

You may not like the Ship and that's obviously ok, I don't either but I'm neutral/more supporting of Boss x Eugene because it actually make sense compared to Luke x Eugene (yes I """"Ship"""" based on what make more sense as a Ship and everything about Eugene and Boss is more romantic coded than Luke and Eugene who make it obvious they are nothing more than friends)

Still, just because you don't like it and you found some Fanarts of 15 year old Eugene with Boss it doesn't mean that you have the right to attack everyone who Ship them and use the Canon adult age in their fanart/fiction.

Also it's wrong to call Eugene a minor because he isn't since the ending of Underworld Office 1 and you can't use that excuse anymore to hate on the Ship because Eugene was a adult in the first game True Ending and still is:

If you don't like the Ship it's completely fine.

That's your opinion and it should be respected but I also noticed this problem amongst the people who didn't liked the Ship and because of that many content creators ended up leaving and stopped drawing/writing because of people who ignored the Canon and said that Eugene was a minor and they couldn't Ship him with a ageless ghost when he's Canonically a adult since game one.

If you played the game you should see and talk about Eugene as his present self (adult) and not as the past self (kid).

It's not only a matter of shipping, it's also a matter of respecting the Canon and avoid to spread misinformation which however were both done.

People didn't respected the Canon by saying that Eugene is a minor and because of this misinformation people believed that Eugene was a minor despite the present timeline since game 1 confirmed that present Eugene is indeed a adult with a job who finished school.

I know literally no one knows me but to tell it simply:

I find really annoying the misinformation/forced Headcanon as Canon no matter what Fandom we are talking about.

It could be a TV show, it could be a game or whatever.

I hate in general how people make their Headcanons the new Canon and spreading (sometimes without noticing because influenced by the people who purposely forced the Canon to be different) wrong/fake informations while the people who are right always get the hate just for being the one who's right.

I also hate how people purposely ignore the Canon because something isn't of their liking so they spread on purpose wrong informations despite knowing it's not true/correct to the Lore of the game just to get people to hate the same thing they hate.

Stop that and learn to be a respectful person.

Not only you are attacking people who are doing literally nothing wrong if not enjoying their Ship, you are also ruining all the hard work that the creators of the game did and changing the Canon story they worked so hard on just because you don't like something.

I don't know if this will get hate or not but I don't care.

I want to spread the correct message and "delete" every misinformation or forced Headcanon that some people did.

I think that now thanks to the sequel it's obvious that they can't accuse anyone of shipping pedophilia but that should have been thought since game 1 after seeing the true ending that's why I wrote this, to make people learn that it never was pedophilia since game 1 and that Eugene after the game reached the True Ending wasn't a 15 years old anymore and Canonically was a adult since game 1 ending.

Edit: I also just remembered about the fact that Underworld Office 1 is literally the plot of Horatubi No Mori E in certain ways.

A young girl, probably 5 or so get lost in the woods.

There she met a ghost who offer her help to get out, eventually they become friends and once she's old like him (not really the same age because he's dead) we see that she likes him and he likes her but at first their relationship was just friendship at first and later on love.

He never loved her as a kid.

It's literally the same and I'm 100% sure that a lot of people watched Horatubi No Mori E and loved it.

So what's so different between Boss and Eugene Ship?

I see so many people complaining about it but as far as I'm concerned this isn't really that wrong or illegal as they say it is and it's no different from all the past shows or movies with ghost love stories that came before it.

[donovanoliver715]

This is Donovan Oliver, and today, I’m counting down my picks for the Top 10 Scariest Moments from Don Bluth. Bluth has been a great animator and director that made perfect progress after leaving Disney, but for this list, I’m going over the sequences where Mr. Bluth does not shy away from darkest, creepy, intense, shocking, terrifying, and disturbing moments in the film. I wish I could sign up for the animation class, but I can’t. But if I want to learn more about Don Bluth’s life and career he’s done over the years, I’ll ask to order a book about it. If you got something to share that really left you with the stuff of nightmares that haunts your dreams, share that with me in the comments, but please keep that PG or G rated, thank you. 10. Drake’s Demise (The Pebble and the Penguin) 9. The Planet’s Destruction (Titan A.E.) 8. The Great Owl (The Secret of NIMH) 7. The Giant Mouse of Binsk (An American Tail) 6. The Tar Pit (The Land Before Time) 5. Turned to Stone (A Troll in Central Park) 4. Small in a big and dangerous world (Thumbelina) 3. Rasputin’s Death (Anastasia) 2. Sharptooth Attacks (The Land Before Time) Before I share what really scared me the most, here are some honorable mentions. Fievel Goes Overboard (An American Tail) A Giant Water Monster looks more like Neptune The Final Fight (The Secret of NIMH) Jenner’s Demise in a G-Rated flick is so unsettling Grand Duke of Owls (Rock-A-Doodle) Another Owl, but voiced by Christopher Plummer 1. The Underworld (All Dogs Go to Heaven) Charlie’s Nightmare is what gets me questioning the similar feeling of how I feel, but this one is the stuff of nightmares. Complete with a tornado that sucks you down into a sea of lava, a winged skeleton that commands the ship, and most of all, a dragon resembled Satan that comes out in burst of fire that can send out demon puppies. https://www.instagram.com/p/CkUMVZzuxLv/?igshid=NGJjMDIxMWI=

[hp-crossgenfest]

2020 HP Cross Gen Fest Masterlist & Reveals

And now the moment we've all been waiting for…​ reveals!

Thank you so very much to everyone who has made this fest such an amazing success! Everyone who submitted stories and art, and those who read, reviewed and recced: You guys are the best! And an extra big thank you to those of you who made that extra effort to comment on all the wonderful creations. <3 <3 <3

It's been so much fun getting to post everybody's works and seeing so much wonderful support for HP cross gen; I hope you all enjoyed the fest as much as we did! 

Without further ado, here's a list of all the wonderful participants who worked so hard to create such glorious things for this year's fest!

ART

MyWitch drew absolution [Aberforth/Severus | Mature] Snape is released after a couple of years in Azkaban; the terms of his parole include apologizing in person to Albus Dumbledore’s brother. His stoicism falls apart in the face of Aberforth’s forgiveness.

@paulamcg​ drew A Portrait with Someone New [Luna/Remus | Teen] Luna and Remus happily expecting (in 2004).

@gee-nx​ drew Extra Credit [Hermione/Teddy | Explicit] Teddy has trouble concentrating in Prof. Granger-Weasley's class. However will he manage to make up the extra credit?

@defenestrationisthekey​ drew A day in the sun [Harry/Severus | General] Severus has been turned into a merman without his consent. Harry still accepts them and helps them reconcile the change, see its benefits, and get some of their own back.

@paulamcg​ drew One Bright Day [Amelia/Tonks | General] Amelia and Tonks meeting under an umbrella and a rainbow.

@motherofmercury​ drew What Lily Knew [Draco/Lily Luna | General] Draco and Lily attend the same adult art class, but it isn't until he sees her finished piece that he understands what Lily knew all along.

FIC

@ac1d6urn​ wrote Talk to Me [Harry/Severus | Explicit] Sentenced to serve his time in Azkaban after the Battle of Hogwarts, Snape is startled out of his depression by the inevitable fights during Potter's frequent visits. What will he say to the man when he is free to walk out into the Wizarding World and speak his mind?

@malenkayacherepakha​ wrote Everything he's ever wanted [Harry/Teddy | Explicit] Teddy had hoped that a few years in Australia would be enough to cure him of his feelings for Harry, but when he returns home and gets some unexpected news, he can't stop the feelings rushing back. The only difference is, this time he might actually have a chance.

ThePeanutButterKid wrote The Apprenticeship [Draco/Lily Luna | Explicit] Prompt: Draco always gets what he wants. Even if he has to take it by force.

@gracerene09​ wrote Battleline [Draco/James Sirius | Explicit] The wizarding world believes James Sirius Potter works for his uncle as a Curse-Breaker, but the truth is that he's one of the Auror Department's most effective undercover agents. After months of waiting he's finally got a new case, but this assignment involves him going in as himself, without the disguises he's come to rely on. More importantly, he's meant to be taking down the one person long-suspected of being the most influential wizard in Britain's criminal underworld: Draco Malfoy.

@theslytherinheart​ wrote Truth from Dare [Harry/Scorpius | Teen] During a late night game of Truth or Dare after a fun Saturday out with Albus, Rose, and their friends, Scorpius finds himself being kissed by Harry Potter as a dare. But it's just a game, right?

Evandar wrote we who walk in shadows black [Harry/Lord Voldemort | Mature] In which Harry Potter is a vicious little gremlin who knows too much, and Lord Voldemort adores him for it.

Lilian wrote Advanced Lunacy [Harry/Severus | Mature] Luna accidentally discovers something, and now the whole Wizarding World is abuzz about it. Meanwhile, Snape keeps appearing in Harry's dreams frequently.

@siriuslythatbitch wrote There's No Such Thing as Getting Out of Hand [Narcissa/Pansy | Explicit] When Narcissa Malfoy finds herself confronted with a tempting treat all grown up, will she quash her appetite or sink her teeth in?

@lordofthegoods wrote The Most Expensive Date [Harry/Scorpius | Explicit] Harry just wanted a quiet evening at home, instead he is being auctioned off at a charity event like a piece of meat. Prepared to have a terrible night, Harry is incredibly relieved when the highest bidder turns out to be none other than Scorpius Malfoy—a nice boy who couldn’t possibly have an ulterior motive... right?

@likelightinglass wrote the gentleness that comes [Harry/Severus | Explicit] There's something bothering Severus, and Harry wants to help. It's easier for Severus to let go when he's exploring his submissive side, so Harry plans a weekend to show him just how loved he is, and how much Harry wants to care for him.

@ivyentwined wrote A Technicality [Hermione/Rabastan/Regulus | General] A ritual to cleanse Hermione's new house has unexpected consequences.

@sistersblack wrote a little bit of grit [Draco/Severus | Mature] Draco is a contract potioneer who specialises in medical research. Severus is... not dead, for one.

@freddie-fox-baxter wrote Vacanze Romane [Harry/Scorpius | Explicit] When he let Scorpius help plan his vacation, Harry had no idea just how involved he would be.

torino10154 wrote Her Pleasure [Draco/Lily Luna & Harry/Narcissa | Explicit] He likes to please his woman.

ivermectin wrote no wrong answers [Harry/Remus/Sirius | Explicit] It's almost five years since the war ended, and after an intense bout of aimless wandering and travel, Harry's come back home and is living at Grimmauld Place with Remus and Sirius. Their relationship fills him up with warmth - they deserve to be happy, and it's obvious that he wants what they have. But maybe, just maybe, Harry wants more than a relationship like the one Remus and Sirius have. Maybe he wants that relationship. Maybe he wants them.

@sportivetricks​ wrote Gouge Away [Millicent/Victoire | Teen] The Weasley girl has developed a keen fascination with Millicent's woodworking shop. Millicent can't seem to get rid of her, no matter how hard she tries.

@articcat621 wrote Late One Night [Hermione/Kingsley | Explicit] Late one night, Hermione finally makes her move. 

slowroad wrote Hyperion [Harry/Scorpius | General] Scorpius is a Veela and Harry is his mate.

Evandar wrote Summer Rain [Harry/Regulus | Explicit] A rainy day gives Harry the perfect opportunity to seduce Regulus.

pauraque wrote Summer Heat [Lily Luna/Luna | Explicit] A unexpected visit from Lily's godmother makes a boring summer weekend suddenly a lot less boring.

@liladiurne wrote On the Deficiencies of Translation Spells [Harry/Severus | Explicit] Divorced, single, and free, Harry lives a completely unapologetic life in Paris. Between casual hook-ups and an easy, comfortable job, he likes to think he is as close to happiness as he'll ever be. And when he gets offered a teaching job at the prestigious Académie Beauxbâtons, he thinks he may have found exactly what was missing. But Harry is thoroughly unprepared for what he finds there - a familiar face that's been haunting his dreams for six years.

@goldenzingy46 wrote Save Me From Her Stone-Cold Gaze [Harry/Tom Riddle | General] Tom Riddle has spent years looking for the Chamber of Secrets, and he's glad he can finally purge the school of Mudbloods. At least, that was the plan. It turns out the basilisk wasn't happy to be controlled, and Tom is forced to make a deal with the Master of Death (and maybe fall in love with him).

@epsilonargus wrote break on me like light [Charlie/Sirius | Mature] When the Order brings Sirius Black to Charlie, the man is still covered in the grime of Azkaban. A story wherein Sirius is still a little broken, calls Charlie kid, and Charlie is far too sweet.

@lordofthegoods wrote Fire for You [Harry/Scorpius | Explicit] Nothing can make them keep their hands off each other.

@evenmyzefronposter wrote Waving Through A Window, Suddenly [Harry/Severus | Explicit] Severus Snape was alive and free and perfectly satisfied with his life. He stayed away from other people and he did what he wanted. And if he felt like he was looking through a window at everyone else, that was alright, because he didn't need them anyway. Until Harry Potter moved in across the street, that is. Suddenly, just looking through the window wasn't enough for Severus anymore.

azyxy wrote Trying not to think [Hermione/Teddy | Explicit] She couldn't even remember the last time her and Ron had left the lights on during sex, let alone the last time he’d complimented her, so watching Teddy struggle to keep his hands to his side while she stepped out of her dress was quite the ego boost.

mindabbles wrote Puddlemere’s New Man [Oliver/Teddy | Explicit] Teddy is willing to put in the work. He’s willing to practice twice as hard as anyone else, except that no one can out-work Oliver — a fact that Teddy finds he doesn’t mind in the least.

@clemandben wrote Maybe I'm Amazed [Albus Severus/Draco | Explicit] Albus Potter never set out to fall in love with Draco Malfoy. A small story telling how Albus and Draco came to be married. On their wedding night they dance, talk and make love.

@dwell-on-dreams wrote Learning to Fly [Harry/Severus | Mature] Post-war, Severus is found not guilty, but due to the stigma in the Wizarding world, he decides to live life as a Muggle, leaving everything (but his wand) behind. Harry is overwhelmed, barely having any time to grieve, he keeps being recognised in the street and strangers ask too much of him. He finds solace in the Muggle world, finally exploring who he is without the threat of death, he finds himself in a Muggle kink club watching Severus Snape tying up a young man, and he wants.

@theslytherinheart wrote Best Man [Harry/Scorpius | Mature] In the years since his divorce from Ginny, Harry Potter hasn't cared much for dating, let alone had feelings for anyone strong enough to pursue. Now that his son's wedding is on the horizon, the Best Man, Scorpius Malfoy, has been spending extra time getting input from the Father of the Groom. And Harry finds he doesn't mind Scorpius' constant company one bit.

hannelore wrote The Ache For Love Was Palpable [Lily/Minerva | Mature] Lily once had a crush no one ever knew about. She thought it was just a schoolgirl pash on a favorite professor, but working for the Order throws her and McGonagall constantly together. Even though she's a married woman now, Lily's feelings for Minerva come back in a rush, even stronger than before. "I didn't know then what I wanted, but the ache for it was palpable." - Sue Monk Kidd, The Mermaid Chair

@emansil wrote Fields of Strawberries [Harry/Remus | Explicit] As much as Remus has done for Harry over the years, this is the least he could do. Little did Harry know what he would discover about himself when he volunteered to marry Remus so he could keep custody of his infant son Teddy.

@avioleta wrote Writing Harry [Harry/Severus | Explicit] After the war, Harry Potter begins writing letters to Severus.