#characters that give into their flaws >>>>

[cy-lindric]

bonjour cy-lindric, j'ai une petite question. when I was a young person, I read The Three Musketeers and then eagerly started to read Twenty Years After and was so upset at what had happened to my beloved young heroes that I put the book down and never picked it up. what do you think, should I try again?

Bonjour !

After reading The Three Musketeers, I also wasn't sure I wanted to read Twenty Years After, and I took a break inbetween both to read something entirely different (The Locked Tomb, iirc). I think my reason for that was kind of the opposite of yours ; I enjoyed T3M a lot and loved the characters, flaws and all, but by the end they had somewhat crossed over the line into being Too Awful and the lack of retribution left me a bit frustrated. I didn't see it as a failing of the story - on the contrary, their strong character flaws and downfall in the conflict with Milady is one of the most emotionally intense and compelling parts imo - but I wasn't sure I felt like hanging out with these guys for a few hundred more pages at that point.

If your vision of the characters as a young reader was a very positive and perhaps idealized one, I can imagine why you might not have enjoyed entering into Twenty Years after. The illusion of glory has worn off ; the characters have separated, they live unremarkable lives, and their personalities have evolved drastically with the passing of time. It's almost a brutal return to reality.

For me though, it added layers of characterization to the point where now it's clear to me that this version of the Inseparables is by far the one I prefer.

I hope it's ok if I take the opportunity to talk at length about what I like about TYA below the cut. TL;DR : I love that Twenty Years After is a more realistic look at the big four's personalities and how they evolved while still keeping them thematically coherent, and that TYA makes them confront the reckless and cruel shit they did in their youth.

Spoilers ahead obviously.

We've often talked about how T3M is at its core a story about the end of knighthood. It's a tongue-in-cheek approach at chivalrous initiation, set at edge of the modern world, inbetween the time of ballads about knights in armor and that of adventures about journeying gunmen and soldiers. I think TYA embodies that particularly ; the story of people who have carried the last of these intense, dangerous chivalric ideals in their youths, and who have now grown into middle aged adults who need to find their place in the world.

For a good chunk of the book, the big four are separated into two teams ; that in of itself might discourage some, but imo it's genius. Instead of the natural two-by-pairings, Dumas goes for a d'Artagnan+ Porthos and Athos + Aramis split on opposite sides, which makes for good drama and develops lesser explored dynamics. D'Artagnan and Porthos form a scrappy team of opportunists with money on their minds, and Athos and Aramis a more idealistic duo fighting for a noble lost cause. I think it's a bold choice but also premium sequel writing.

I also love the way the young and wild characters we knew evolve into middle aged men ; at their core, they're still the same, but they've all changed and struggled against the sunset of the golden age in their own ways.

D'Artagnan, after knowing such adventures and subsequent rapid social ascension in his teenage years, has been met in his adult life with the harsh reality that he is, in fact, not a noble knight but a soldier on payroll. His modest origins give him little hope for any further career advancement, and he takes on a new mission in his early 40s for a man he has no devotion for and a cause he doesn't care about, simply because he is bored and broke. D'Artagnan still has his quick wits, his strategic talent, his fencing skills, but he has grown out of the excesses of pride of his teenage years. I loved meeting him again in TYA, and it made so much sense to me that his bouts of anger and aggressivity would be a youthful trait that he'd ended up taming. He also realizes now a lot of what seemed like funny adventures and necessary violence was actually kind of fucked up ; that was a shock to me, as their shenanigans are treated so lightly in T3M, and tbh it healed me a little. Grown up d'Artagnan is cunning, calculating, down to earth and realistic. My foxy little man. I love him.

Porthos, likewise, has been struck by the weight of reality. He has made the sensible choice and got married to the rich widow who sugar mommied him in the first book. Now she's passed, he is rich, but he still fails to earn the respect of the high society he evolves in because he's not high born enough. Like d'Artagnan, he's stagnating and bored and now that he goes back adventuring it has nothing to do with the queen or the kingdom or honour ; it's about getting his damn nobility title.

Athos, on the other hand, is the eternal knight : the only truly high born of the four, and still hopelessly holding on to a time gone by. It's no surprise imo that his storyline brings him into the english civil war, doomed to fail at saving a king who'll end up executed right in front of him. TYA acknowledges more clearly than ever that at 28 yo, Athos was a depressed alcoholic, and an embodiment of what an excess of aristocratic righteousness can do. In TYA, he is sober and moisturized and a DILF, and now he's running around frantically looking for absolution for his numerous crimes. It's delicious.

Aramis is maybe the hardest pill to swallow. TYA confirms the T3M hints that he isn't really the prim and proper romantic boy he acts like he is, and that he's possibly the most hypocritical and ruthless of the four. It might be a harsh one for Aramis fans who like him better as a cute bean, but I love the early onset of remorseless conniving bloodthirsty ambitious Aramis. Another harsh bit might be the evolution of Aramis and d'Artagnan not really liking each other ; they were always the least close combination, and imo it makes sense that their personalities would clash. I think it's clever and compelling conflict.

Now, obviously, if you've cared enough to read all this and if you know me a little, you know that a huge highlight of the book for me was its late-appearing antagonist, Mordaunt. Mordaunt is the son Milady had with her english husband. Because of the Musketeers' intervention, he's grown up in poverty and has been denied his father's inheritance. He's now a Roundhead working for Cromwell, and set on avenging his mother at all costs. Mordaunt, unlike his mother who was this beautiful and dangerous force of nature, is very uncool and pathetic. She was the primordial snake, he's the gutter rat. Obviously, I love that in and of itself, but it's also kind of striking image of the wretchedness of what they've done to her, a fucked up little goblin ghost come back to haunt them as they're trying to make their life worth living again. This time, their enemy is not a cunning political rival with a flamboyance of body and mind akin to their own ; it's a shitty little guy with bad skin who wants to kill the king and punish the murderers. Watch out babes, it's the modern world coming for you.

Of course, they're the Four Musketeers, and they did what they had to do, so they get together again and swear friendship and keep going their way. But they're also old guys with difficult personalities in a world that's never going to be the same. I think it's a cool book.

[starcurtain]

Hello! I just saw your latest post and you might have been referring to my ask if it was the one about Ratiorine's differing philosophies or of what philosophies they abide by (existentialism, absurdism, etc) then that's me! If you weren't referring to that I apologize for the confusion. Sending it off anon this time so maybe it doesn't disappear 🥲

Sorry for the ask disappearing the first time; I'm not sure what happened, and I was so sad because I had been carefully holding on to it to answer it! I'm glad you were able to resend.

I do have to say first that philosophy is not my area of expertise, so there may be much more qualified philosophy buffs out there who can answer this more accurately than me, but I'll give it a go with my personal understandings of the characters:

First, Ratio is the easier of the two I think. As many people have said, he's a good fit for existentialism. His entire shtick is basically believing in the power of the individual to improve and enrich their own life, to fight valiantly regardless of the hardships imposed by their life's circumstances, and to make themself into a better person by their own choices.

It's important to underscore that this means Ratio believes in self-determination, in the idea that people's lives are not foreordained but are actually actively shaped each day by personal decisions. Therefore, people have inherent freedom to decide the course of their own lives by accepting what they approve of, refusing to accept what they disapprove of, and harnessing their own individual power to ultimately achieve self-actualization.

Essentially, Ratio works under the impression that life is not guided by something as intangible as destiny, and no matter where you start off in life, what ultimately happens to you is within your control (or at least within the control of whoever controls you). This is likely a small part of why it grates on him so badly that he wasn't recognized by Nous, because the fact that one can dedicate everything to a goal and still not achieve that goal runs contrary to his central philosophy.

If he believes that people have the power to determine the course of their own lives, then what does it say about him, who fought so hard to do exactly as he claims even idiots can do--seize control his own fate--and yet didn't succeed? Are there some things outside of man's power? It's enough to make even a renowned doctor question himself, and Ratio decided to come out on the side of "It's a personal failing, not a flaw in my philosophy." He literally said "Skill issue" to himself.

Changing tack a tiny bit here, I think it's also important to emphasize that there is a difference between existentialism and nihilism even though these philosophies dovetail. Again, I'm not an expert in philosophy, so my understanding is very limited, but the basic idea of existentialism is that "existence comes before essence"--that is, things start as a blank slate and gain nature and meaning after the fact. We are not created by some grand design, nor is there any inherent "purpose for living." Things just exist because they exist.

This is where existentialism intersects with nihilism, at the starting point that existence is inherently meaningless. But, in my personal opinion, nihilism as a philosophy fails to move beyond that. Pure nihilism is ultimately self-defeating because it leaves us with no motivation to commit to growth. It's a philosophy antithetical to the continuation of life as we know it. Existence is meaningless and any meaning you personally derive from existence is also meaningless, so why bother attempting to derive any meaning at all? This complete apathy is the Device IX that Star Rail paints as so dangerous.

And Ratio is not this way at all. His philosophy absolutely reaffirms that life can have meaning, so long as people create that meaning for themselves. He simultaneously asserts that anything that people create is not meaningless ...which basically means that meaning itself cannot be meaningless. (If that makes any sense to anyone.)

Frankly, I would argue that this philosophy may be a core part of why Ratio has not been recognized by Nous so far, rather than simply his "being a good person." (Nous is a robotic AI super-computer, why would THEY care about the presence or lack of human empathy?) Ultimately, Ratio's central philosophy about people being capable of determining their own fates and purposes also applies to his understanding of knowledge--knowledge is not something which is inherent in certain beings from birth or limited to the purview of the "special" (geniuses), but is attainable by all people. People are not "born talented" or "born untalented," they are simply "educated" or "uneducated," with the only barrier between these categories being one's own personal willingness to change. The mundane can become the divine--if they work hard enough at it.

Thus, knowledge is not wealth to be hoarded, but a currency to be spent to enrich other members of humanity.

(By the way, completely random aside--it also surprises me that everyone relates Ratio to Alhaitham from Genshin when they literally have such a glaring fundamental discrepancy in their understanding of the concept of wisdom... But anyway, back on topic!)

Ratio may (sort of) respect the members of the Genius Society, may recognize their incredible knowledge and abilities, but at the heart of the matter lies a single all-important question: Does Ratio even really believe in "genius" as a distinction (other than as a concept to insult himself)? Does he truly believe there is barrier between brilliance and idiocy that "ordinary people" can never cross?

He speaks convincingly about geniuses being different from "the ordinary," but if his core belief is that people have the power to pull themselves up out of despair and achieve greatness through effort and self-development, rather than some form of luck or god-given talent at birth, then... do born "geniuses" even really exist? Is there really an insurmountable difference between brilliant and mundane?

If knowledge is the equalizer of all sentient beings, do we not all have at least the initial capacity to become geniuses?

I personally think this central distinction about the capacity for knowledge among all humanity is the actual deciding factor in Ratio's rejection from the Genius Society, because, at the end of the day... how do you become a member of the "Genius Society" when you fundamentally reject the distinction of "genius" as an exclusive category from the start?

Ratio wants to share knowledge and uplift everyone (even if he thinks most people are starting off at the rock bottom known as idiocy).

His mission is diametrically opposed to the concept of a "Genius Society" in the first place.

He wanted in to the cool kids club because he desperately craves validation and acceptance, but the philosophical values of the Genius Society are ultimately incompatible with his own. In short, he would have to cease to be "Veritas Ratio" to succeed in joining the geniuses.

Okay, okay, back to the original point again, and just one more note about Ratio: Even though existentialism also goes hand-in-hand with absurdism, I don't think Ratio is far enough down the philosophical rabbit hole to believe in the wider definition of absurdism. Although I think he does agree with the inherent meaninglessness of existence, I don't think he views existence itself as truly irrational and the universe as as manifestation of unknowable chaos. I think he'd at least like to imagine that there are some ontological principles and inherent laws governing the operations of reality, and I think he does believe that certain things can be predicted with the application of enough thought... He certainly seems to believe in some form of "objective truth," at the very least.

I think he'd at least like to believe the universe is semi-orderly, even if he might deep down admit this is also wishful thinking.

So, to me he reads as a strong metaphor for pure existentialism, with deliberate rejections to both nihilism's apathy and absurdism's lean toward solely subjective reality.

PHEW, this is already long and I still have a whole other character to talk about... I had more to say about this topic than I thought. Sorry for the long read!

Anyway... Aventurine.

I've seen all sorts of things thrown around for Aventurine's philosophy, and while I think he does inherit a bit of Acheron's absurdism by the end of 2.1, I actually don't think Aventurine is an absurdist, an existentialist, or a nihilist.

I think Aventurine is a struggling fatalist.

He doesn't like it. We see him actively question it, but ultimately, he does come back to the concept of destiny over and over.

First, I think it's important to draw a clear distinction between Ratio and Aventurine: Ratio's existentialism is a philosophy that technically works even in a theological vacuum. Nous doesn't have to exist for Ratio's philosophy to function. Ratio's belief in the self-determination of humanity is, in fact, somewhat opposed to belief in aeons in the first place, and only works because technically the aeons of Star Rail used to be human (or were originally human creations). It's essentially an atheist viewpoint.

But Aventurine is a religious character. Like, he's just... religious. That's a fact about him. Even though we do hear his doubts, at the end of the day, he actually believes in Gaiathra, and believing in a omniscient supernatural being that is not human in origin (is from outside the aeon system) comes with a whole set of philosophical foundations that most aeon-worshipping characters just don't have in Star Rail. (Sunday is the obvious exception here, by the way.)

Kakavasha's like the one practicing pagan in the middle of an atheist convention. Awkward.

Being more serious: Religion requires faith. Faith requires the ability to believe in things you cannot verify with empirical facts. To believe in things you can only feel, never see. The belief that a goddess is watching over you, blessing you, and guiding you requires you to also accept the idea that events in your life are not always in your own control--that some of what occurs to you is decided by powers beyond your comprehension.

In essence, faith requires belief in fate. And that leads to fatalism.

No matter how much he doesn't like it, no matter how much we see him struggle with it, Aventurine does actually seem to believe in the concept of fate. He believes that some events in life are destined to occur, that some things are outside of individuals' control, and that ultimately not everything can be changed.

This is the dead opposite of Ratio's mindset: No matter how hard we fight, how far we push ourselves... in the end, sometimes people fail. Sometimes the only answer to our endless struggles is that we die, as we were destined to, before ever achieving the greatness we sought or the futures we were promised.

As an aside, I don't think faith or religion are necessarily the only factors connecting Aventurine to this particular philosophy either. Even removing theological aspects from the conversation, his extreme focus on the gambling aesthetic suggests a strong connection to fatalism too--if not a goddess, then one's fate may as well be in the hands of luck itself, of the whims of the rolling dice--or the push and pull of "powers that be," those figures of authority in the room where it happens, who make their shady deals according to preset rules and expectations, every bet resulting in an ultimately predictable outcome.

(He keeps gambling and gambling, hoping that he'll get a different result than the one he knows is inevitable...)

This is, of course, an inherently pessimistic mindset, a perfect dark-mirror to Ratio's deep-down optimism. Fatalism puts humanity into a position of powerlessness. All hopes and dreams are given over to the goddess, by whose judgment and whims the actual events of one's life are decided. Pain and poverty are inevitable trials. Suffering and death are foreordained.

And yet Aventurine has to cling to this, as much as he doubts it, as much as he hates the idea that things in his life are beyond his power to control.

Because if fate doesn't exist... If it wasn't destiny, if the tragedies of his life weren't trials from the goddess, if things weren't supposed to go this way... Then every single thing in his life really is meaningless. Everything he suffered, everyone he loved and loss, his mother's and sister's sacrifices, the torment he went through--just sheer bad luck. All of it, completely and utterly meaningless.

How can you convince yourself to keep living, in the face of such supreme and all-encompassing Nihility?

This is the central struggle of Aventurine's character, the actual mental and emotional journey we see him undertaking from 2.0 to 2.1. He is literally on the precipice, swinging between a viewpoint that he hates--his fatalistic belief in destiny--and an entirely self-defeating philosophy--nihilism--whose only possible final outcome is suicide.

This is what his talk with Acheron at the end of 2.1 is all about. This is how she saves him. In that final cutscene, we witness Aventurine reach a mental compromise, managing to finally reconcile his necessary faith in the concept of destiny with the reality that life may truly begin meaningless--but beginning meaningless does not mean staying meaningless, and believing in destiny does not bar you from making your own choices or finding your own purpose in life.

Later on in Penacony's story, we literally see Acheron use Ratio's philosophy to reject the same nihility that crept into Aventurine's:

Acheron wards off nihility's apathy through an absurdism all her own, but one which manages to enclose both Ratio's and Aventurine's otherwise incompatible mindsets: We have no way of ever knowing for certain whether the events of our lives are fated or mere nonsense. We have no way of knowing if our choices are our own or foreordained. But we don't need to know this to find meaning and value in them. Whether life is nothing more than unpredictable chaos or a predetermined pattern of cause and effect, what matters is what you make of it.

Ultimately, I think that this post has really helped me recognize just how well Aventurine and Ratio work as philosophical foils.

They really are perfect opposites.

Aventurine's fatalism is deterministic, while Ratio's existentialism is self-deterministic. Aventurine's philosophy is inherently pessimistic; Ratio's is inherently optimistic. Ratio's philosophy operates on a core belief in the freedom of humanity to decide their own paths in life, while Aventurine hates but does ultimately believe that people aren't really in control, that even if no gods are guiding us, we can't rise above our own natures. Ratio's philosophy makes meaning from growth; Aventurine's makes meaning from loss...

And they both struggle with fundamental doubts in their own philosophies, core questions that are directly tied to their own lives. Aventurine worries that his faith might be misplaced, that destiny might not exist, and that everything he suffered might have been in pointless, empty vain. Ratio faces the crisis of recognizing that his core belief in the power of humankind to determine their own paths and make their own meaning might not actually apply to everyone--because it doesn't seem to apply to himself.

It's literally only by bridging this philosophical binary with Acheron's anti-Nihility absurdist rhetoric that we can reach some sort of healthy outcome. That's why it takes both Ratio's note and Acheron's comments to finally lead Aventurine to acceptance. Ratio probably needs a little bit of Aventurine's "If you didn't make it into the Genius Society, there's got to be a reason" mindset to finally reach some peace with his situation too.

I'm not even a philosophy expert and even I can see that there's really only one takeaway here: These two characters were totally written with each other in mind.

Aventurine and Ratio need each other on core metaphysical levels! 😂

It's so good guys. You can't see it, but I'm making chef's kisses, I promise.

[muzansfangs]

hello, may I request bleach male characters reaction to F! reader breaking up with them in a modern au?

You break up with them.

Starring: Kyoraku Shunsui x f!reader; Jugram Haschwalth x f!reader; Grimmjow Jaegerjaquez x f!reader; Urahara Kisuke x f!reader; mention to Jushiro Ukitake, Ulquiorra Cifer, Yoruichi Shihoin and Sosuke Aizen;

Format: short-imagines;

Warnings: sfw, angst, modern au, breaking-up, alcohol consumption, toxic relationship, self-deprecating behavior, mental struggle, anxiety, psychological abuse, inferiority complex, suggestive themes, mutual pining, power imbalance, family problems, trust issues, infedelity, violence, gore;

Plot: Once upon a time, you were happy by their side. Things changed, though. Their flaws, their behaviors hurt you to the point of no return. You left them, they are now coping with the absence of the only woman they had ever claimed to love, whilst you try to build yourself up again.

﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏

Kyoraku Shunsui.

Lumpish, unsteady steps approched your bedroom. He probably figured you were already asleep. After all, it was three in the morning. However, you were wide-awake, sitting on the edge of the bed, a luggage at your feet and a livid expression plastered over your face. You had spared him the fatigue of moving cautiously in the room not to startle you. The last act of magnanimity you had ultimately decided to grant him.

“What are you doing awake, sweetheart?” Shunsui slurred, a frown on his face, droopy eyes boring into yours as he sauntered towards you confidently.

You scoffed, even jumping on your feet to catch him in your arms, when he tripped over the carpet. He was blind drunk, the stench of saké wafting over your face making your skin crawl and your heart shatter in your chest. It was already broken, for what could matter, hence your decision to leave. On the other hand, you cared way too much about him.

Shunsui sighed, slumping down onto the bed, weary from the lack of sleep and hours spent chugging down enough alcohol to slip you, or anyone else, into an ethylic coma. Dark circles under his eyes, disheveled hair and a feminine perfume that was not yours had given him away that night, like the privious ones. This relationship was toxic and you were not going to spend the best years of your youth attempting to save the life of a lothario who had a tendency of loving self-destructive activities.

“I’m leaving, Shunsui. We’re done. I can’t do this anymore” you simply explained, watching him sulk, obviously expecting you to give up on him, sooner or later.

“Is there anything I can do to make you stay?”.

You felt tears prickle at your eyes, jaw clenching as you shook your head and picked up your trolley. You were devastated.

“Don’t make it harder than it already is. — you admonished him, swallowing the lump in your throat as he stood up and tried to reach for your hand, but you stepped away — No, Shunsui. I tried really hard to show you how much I cared about you, about us. All you did was choosing bottles of liquors over me”.

“Honey, wait, I care about you, let’s go to sleep. We can talk about it tomorrow—” he rambled, his grey eyes shimmering in the dimly illuminated bedroom. They always seemed sincere, even his tone was softer and somehow more serious than it usually was. Yet, you knew better than falling for his sugarcoated promises to work on himself.

“There’s no tomorrow for us. We’ve been there before, Shunsui. I’m tired of being the only one invested into this relationship! It’s one-sided and, frankly, I don’t deserve it” you declared, watching him slick back one of his unruly cowlick constantly tickling his nose. You were going to miss him, of course you were.

No one fell out of love in one single night. Naturally, you were not an exception. You could not stop the tears rolling down your cheeks, not even a sob escaping your quivering lips, but you could run away to save your heart from being buried underneath a pile of ashes and dust, shambles of the wildfire consuming what remained of your love. Shunsui knew he had lost you. He fell onto his knees the moment you turned your back at him and walked out the room. He was in no condition to chase after you, not right now. He cussed and fell onto his knees, hands planted onto the carpet, fisting the fabric in his huge hands out of frustration and despair. It was all his fault and he knew you were right.

The sound of the front door slamming close made his heart sink into his chest as he punched the floor in anger. He was worried sick about you. Disappearing from his life in the dead of the night, alone, in a city as big as that. He felt miserable. He wanted you back. He wanted you safe in his arms, not alone at the bus station looking for a place to spend the night at.

You were right to leave him. He had no right to stop you. Shunsui knew he did not deserve you. But he could try to change and, hopefully, win you back. The last thing he did before laying down onto the floor was sending a message to you.

“Please, send me a text, when you’re somewhere safe”.

Obviously, you did not text him back, but your mutual friend Jushiro did. At least, Shunsui thought, you were in good hands. Better than his ones, undoubtedly.

Haschwalth Jugram.

It happened after the umpteenth dinner at the Royal Palace. Your relationship with him was balanced. He treated you with so much care, stared at you from across the rooms in adoration and reverence, gave you more than you could have ever asked for. The real problem was who he was: a Prince, the scion of a Royal family that had never truly accepted you and the class you came from.

His father’s glacial stare spoke volumes, it made you feel so out of place you often ended up having panic attacks during balls and dinners. The spotlight was perpetually on you. Snippy remarks from his mother and the uptight members of the upper class hanging around the royal family poisoned you to no end. Restless nights and a sudden incapacity to concentrate on easy tasks, such as walking down aisles alone, or dancing with your beloved boyfriend under their attentive eyes, were the results of their ferocious tongues.

The worst part of it was that you had no one to talk to about the stressful situation you were experiencing. You had been forced to move to the castle with your boyfriend, determining your connections outside to keep their distance from you. Your old flat had been abandoned along with your ordinary life. Nights out in a pub with your friends had become a taboo and even the necessary visits to your parents had been drastically reduced to mere lunches with bodyguards roaming through their house.

Talking to Haschwalth about your uneasiness and discomfort had led to arguments between the two of you and you had not failed to notice how his mother seemed uncharacteristically gregarious the day after your altercations with her son. Maids talked a lot, unfortunately. However, you were not going to tolerate this situation any longer. Collecting your clothes and belonging into a bag, you had asked Haschwalth to meet you at the train stations after escaping the bodyguards watch, while shopping at the mall.

When he found you, alone, piercing blue eyes pinning you on the spot, he realized it was the end of the road for you two. You were distraught, hands wiping away the tears from your face, whilst you attempted to talk.

“I love you. I really do. But that’s not the life I expected to live with you. It’s never the two of us. They hate me, Haschwalth” you started, your boyfriend jaw clenching.

“I am expected to become the King of this Country. If you expect me to turn my back at my family, you are clearly mistaken” he replied lowly, twisting the blade in your heart already making you bleed out before his magnificent eyes.

You shook your head “That’s why I have to leave, Haschwalth. I don’t want you to give up on the throne, or go against your family. I just… I needed you to stand by my side, when they denigrated me publicly” you punctuated, but even this was not enough to make him flinch.

They had taught him how to suppress his emotions well. Stolid, impassive, detached from sentimental matters. Maybe way too much for him to build a strong, intimate connection in a healthy relationship.

He did not look away, instead he took a single step closer to you “You do understand that’s not affordable for the future heir of the throne? It’s something beyond my willpower. — he replied, voice firm and devoid of any affection he had usually opted for in your regards — I would never ask you to disrepect your parents, if their antics offended you. Insofar as possible, I’ll make sure you can rely on me. Don’t make a scene”.

“No, Haschwalth. I refuse to be mistreated by the band of lackeys your mother surrounds herself with and pretend everything’s fine! — you blurted out, drawing the attentions of some people waiting for their train on the platform — I should have known I meant less than a noble title” you choked out, right before turning around and heading straight to the coach assigned to you.

His eyes followed you, a turmoil of contrasting feelings making their ways in his mind. This was far from the life he wanted to share with you. Only when he saw the train departing, he realized he had lost you forever and how much emtional damage his parents had inflicted to him. He felt kind of dehumanized, an empty shell even in private matters.

Your absence affected him more than you could have ever imagined. He watched you from afar for months, making sure you were fine without him. And you were. It hurt him immensely and, even though he wanted to contact you, he did not. You needed space and time and it was probably for the better. He had watched your lovable smile fade from your face through the time you had spent at the Royal Palace. Now, watching you eat a pizza with your friends, he witnessed to you blossoming again into the radiant girl he had met a long time ago.

Maybe, one day, if you still wanted him, he would have come knocking at your door again, offering his heart to you on a silver tray.

Grimmjow Jaegerjaquez.

From the moment you had seen him getting off of his motorbike outside a bar, black leather jacket and cheeky grin modeling the wondrous eyes of the girls sipping on their drinks into glossy hearts, hoping vainly for him to choose them, you knew he was trouble. The wise ones turned their heads away from him, reminding themselves of who he was, where he came from and what kind of a player he was. You had tried to do the same, but you were a little more adventorous and naive back then.

He bought you a drink, rizzed you up and you decided to stay by his side for more than a one-night stand. Boy, how delighted you were to find out he actually had decided to stop collecting broken hearts anywhere he went. You dated for a while, then you settled down and your life turned upside down. You met his friends, learned a little more about the place he came from and you had the confirmation he was part of a gang called ‘The Espada’.

You thought you could handle the situation. You even stitched up his friends for free, when they dropped by your house wounded, collecting scars from the violent fights with cops, or members of other gangs. It took a while to realize Grimmjow did not want to change his lifestyle. According to him, he already had made a lot of progresses since you two had become a couple. You would have been a liar not to agree with him on that: after all, he had even dressed up in a nice clean white shirt and attended a dinner with your parents. He behaved that night, you felt on cloud nine.

But things changed abruptly a couple of weeks later.

He began to come home later than usual, battered, nervous. The news an emerging gang was emerging and had declared war to ‘The Espada’ began to spread.

It was your best friend’s birthday and Grimmjow had been invited too. He was busy patrolling a zone, hence he had let you know he would have met up with you later. When hours began to pass and most of the guests had left the party, you sensed something had gone wrong. You hopped into your car, driving to what you had grown to learn was his gang’s den. Of course they tried to keep you out of the situation, but how could you not fight your way inside, when you heard someone screaming at the top of his lungs. The scene welcoming you into that barrelhouse made your stomach churn. A man, battered, tethered like an animal to a chair. His face was a bloody mess, but so was your boyfriend’s one.

When your eyes met, he cussed and punched that man one last time before marching towards you. For the first time ever you feared he was going to harm you too and, when his hand gripped your forearm with far less grace than you expected, you began to wriggle in terror.

“Let me go! Grimmjow, hands off, now!” you squealed, your protests falling to deaf ears as he led you out of the pub.

“What the fuck are you doing here?”.

“Is that even important?! Look at yourself, Grimmjow! That’s blood! There’s blood on your clothes, on your face! What the Hell was that?” you questioned him, hands trying to reach for his face to check on him for any injuries.

He groaned and turned his head to the side scornfully “It’s not mine, alright? Mind your damn business, princess. That’s not a place for you. What is it, don’t you like this anymore?”.

His words blinded you, the sound of your hand colliding against his cheek made you flinch as well. You had hit him. You really had. Despite that, the one sobbing before his eyes were you. He sighed, glaring down at your smaller frame like a caged animal. He was restraining himself.

You took a step back, swallowing thickly “I can’t stand there and watch you ruin your life and… And kill people” you stated then, hands shaking.

Grimmjow shoved his hands into his pockets, eyeing you contemptuously “I was like that before I met you, sweet cheeks. — he gruffly said — If you want to stick around, suck it up. Otherwise, go hook up with a Prince. One of those fuckers whose hands smell like money, not of gasoline and blood”.

The world seemed to shake under your feet, your hand clasped over your mouth as you realized how stupid you had been to fall for him. To believe he could actually change. He was toxic for you. He was a monster. This was not your boyfriend.

“Fuck you” you muttered, jogging towards your car with a blurry vision and stomach cramps. You drove away into the night, miraculously making it back home safe and sound. Clueless that Grimmjow had sent Ulquiorra after you to make sure you were fine.

Deep down he knew he had screwed up and, every single time he drove by your house, he remembered all those summer evenings spent on your rooftop with your fingers running through his soft blue hair and how much loved he had felt for the first time ever in his life. It was not just sex. It was not just about the way he fucked you. You were not a random girl. He loved you.

Urahara Kisuke.

A brilliant, laidback engineer who had easily whisked you off to live a colourful life travelling the world by his side. It was easy loving Kisuke Urahara. He never missed a chance to make you laugh and tell you to pack your things for your next tropical destination for a project he was working on. He was also a party person, very popular among important people and, unfortunately, with the ladies.

Kisuke would have never broken your heart. This was what he had promised you so many times, espacially while you were tangled into the bedsheets of your bedroom. Panting, sweating, he swore to love you through breathy groans. You believed him, of course you did. Maybe, you should have kept an eye on him and his best friend, the eclectic artist Yoruichi Shihoin. Maybe you should have not let her hang around with you so often. Still, you did not like being controlling. You had no apparent reason to be resentful to her, or to put a leash on your boyfriend.

Staring in horror at the two of them, naked, into the bed where Kisuke had told you so many times you were the only woman he loved, felt like someone had kicked you in your guts. They had played you like a complete idiot. It pained you to find out your boyfriend’s rival was right. He had tried to warn you about Kisuke’s habit of enchanting people with words and hide his second nature masterly.

“I can explain!” Kisuke breathed out, reaching for his sweatpants in a hurry to chase after you.

Yoruichi, on the other hand, sat comfortably on your side of the bed. Her topaz yellow eyes bored into yours, a mocking grin gracing her lips. She could keep him, for all you cared. A man who cheated would have done it again and again.

You scoffed and stormed out of the bedroom hastily “I don’t need a goddamn oculist, Kisuke. Go to Hell” you snapped, hellbent to leave that house as soon as possible.

He ran after you, quick to block your path “Baby, please, I know I fucked up. I’m sorry, I’m terribly sorry! Just… Just let me explain” he pleaded you, vulnerability in his eyes almost making you faltering. But it was enough. You were fed up. He had cheated on you, you had wasted opportunities and chances to support him in his work. All for what?

Where did it get you? To be disrespected in your own house, under your nose.

“No, thank you, I don’t want to hear another word coming out of your mouth. Congrats for having reduced our relationship to a huge pile of shit. That’s the best construction you’ve ever made” you spitefully hissed at his face, your throat constricting with each hateful word leaving your mouth as you pushed past him and ran off to your car.

Kisuke fell onto his knees, hands fisting his sandy hair, while he realized what he had done. He felt lost without you. Yoruichi made her getaway almost immediately, leaving him alone and with a shattered heart in his chest. The bitter taste of your break-up indulged on his tongue for a long time, culminating in terrible phase of regrets when he saw you walking by Sosuke Aizen’s side. A gleeful smile on your lips, you let that bastard loop his arm around your waist.

You seemed happy. You truly were. The problem was you were happy without him. This was something he could have never done something about.

Kisuke knew he had lost you forever.

AUTHOR NOTE.

Hello there! Angst, yes, a lot of angst. If any of the above shit happen to you, RUN FROM THAT MAN. Those are not red flags, those are RED BLANKETS. Love you all! Let me know what you think about this!

As per usual, likes, comments and re-posts are greatly appreciated!

Love,

Luce

[drey-theintrovertedcake]

"I didn't want anyone to have to feel that way.."

Now. After reading this short comic made by one of the Sonic IDW comic artists, Adam Bryce Thomas, I'm starting to understand Lanolin the Sheep a lot. comic here

The short sketched comic explains a realistic depiction of the whole collateral damage from the endless battles between Sonic and Eggman. There may be victory from the heroes, but let's not forget about the damage those battles had caused. Lanolin was a part of this. She didn't expect this to happen, and because of that, she wanted to make a difference despite her serious personality around the Restoration (let's not forget that PTSD can change you a lot, and this war never ever ends). Even if she looked up to Sonic for being the infamous Hero he is, she has never forgotten the destruction caused by him and Eggman. She may have resentment on Sonic for that, because if you think about it.. Sonic messed up a lot, and he has spared Eggman many times already when he had the chance to stop him. Wouldn't this cycle of war all be over if Sonic FINALLY defeated Eggman? And if that were the case, then Lanolin wouldn't have to go through so much. The remains of Eggman's robots after Infinite's reign, the Metal Virus, Surge and Kit's attacks... Lanolin couldn't catch a break.

If there was a scene of Lanolin snapping at Sonic and the other heroes for not handling things well, for not finishing the job, and for all of the hell she and other innocent people have gone through.. I'd say: "Y'know what? That's completely understandable.."

Lanolin wants to at least help because she never wanted anyone to go through the bad shit she went. Of course, she admits to everyone that she's not as experienced as the others and may come off as bossy and strict, but she wants EVERYTHING to be okay or it'll end up a disaster (Kinda like Miguel O'Hara when he admits he's been trying to hold the Spider-verse together as it really messed him up after his mistake). Honestly, I love her development from being a helpless citizen in the background to being a soldier of the Restoration and leader of the new team, The Diamond Cutters. However, things might go south cause of.. *coughs* Mimic, Surge, Kit, Clutch & Eggman.... *coughs* Well, let's see how this goes.

Btw, if you want more of these defenses of Lanolin and her character, try to look into @sage-nebula, @fazar234 and @kingmaxstatic's analysis of her!! They're so good and give me a better understanding of the character!!

@sage-nebula: Lanolin has PTSD

@fazar234: Understanding Lanolin

@kingmaxstatic: In Defense Of Lanolin, A Post About Perspective, Flaws and Development.

[sukibenders]

Look, I enjoy the Targaryens as much as the next person and think that their house, their family mess, all of it is very interesting. I want a dragon so bad and they are one of the reasons, I get it. But, on the same hand, it gets annoying when people say/act like they are the only interesting house within ASOIAF (this rhetoric is mainly on Twitter, from what I've seen) and it primarily has to do with them having dragons (to which, for a time many Targaryens didn't have after the dance and until Daenerys came into the picture). Look, having dragons is cool and all, but if that's all that makes a house interesting then maybe that house is boring. And, could be just me, but by saying that I feel like it's lowkey disrespecting all the work GRRM put into the other houses and their characters. If the Targaryens are your favorite that's fine, but there's no need to act like the lore behind other houses also isn't just as important. I'm new to this fandom, but there are so many aspects that have pulled me in and it's sad that people ignore it just because it's not a part of one particular house.

[tossawary]

Watching "The Clone Wars" show now and look, I know, I KNOW it's a kids' show and that's why there's a 14yo(?) girl acting as not only a child soldier but a military commander. (I'm developing a headcanon / interpretation that legal adulthood in the Republic starts at 13. Ex: Padmé being a queen at 14, Obi-Wan nearly aging out of the Order at 13, Boba is apparently going to be sent to maximum security prison at 12??? Haven't gotten there yet.) I honestly kind of enjoy the fact that "Star Wars" depicts a Jedi Order that kind of sucks sometimes and keeps having these incredibly deadly kids who are a little fucked-up.

Nevertheless, I AM low-key judging these characters a little bit for the fact that 14yo Ahsoka has apparently also been sent to act as (21yo?) Anakin's impulse control and emotional management. Or has herself taken on that role a little bit regardless of initial intentions. (I already don't love that Padmé's key role (as the only major female character) in the prequel trilogy films is to deal with Anakin's big feelings. This threatens to become a repeat of that.) It's reminding me of Yoda throwing Obi-Wan at Qui-Gon in the "Jedi Apprentice" series; and also Obi-Wan taking Anakin on immediately after Qui-Gon's death instead of maybe claiming him but putting him in the crèche to cook for a few years first.

Like, guys, you can't just keep throwing padawans at these problems. It's giving "having a baby will fix our marriage" vibes, a little bit. It's kind of fun to see this cycle play out again and again in these stories, I am generally loving the flawed mentors and generational damage here, but I do pause every once and a while just so I can also say, "Yikes, dude. There's patterns here."

[writers-potion]

Hi! How do I write a mafia novel?

How To Write A Mafia Novel

The term “mafia novel” makes me think of a few possibilities here. It could be (1) an action-thriller where our hero is either fighting the mafia or is a part of the mafia or (2) a mafia romance novel, where the love interest(s) come from rich mafia backgrounds.

If you’re writing an action/adventure story where mafia are the bad guys:

They need to have a cause – a twisted one. No matter how bloodthirsty these mafias might be, no one works so hard for fun. 

They’re struggling financially. This is a great motive for the bad guys to attack the hero, or use more cruel methods than usual. 

The ones who are going against the mafia would be independent investigative agencies or the Federal Bureau of Investigation, not your typical cop or police. 

They’re allied with other crime groups, even with some backdoor government organizations. I don’t think the depiction of mafia groups as a self-sufficing group always exchanging insults with other groups in inaccurate. Also, this raises the story stakes when your back guys combine with other bad guys to get back at the hero.  

They can’t be threatened with just an incriminating recording or photo, especially if they’re obtained illegally – which means they’re unlikely to have power as evidence.

Mafia leaders realistically won’t force their children to take over – in fact, they’ll want to keep their family out of it altogether. 

If you’re writing an action/adventure story where mafia are the good guys:

Give them a motto that gives them a cause for the higher good. Like ‘manners maketh men’ in the Kingsmen movies. In a loose sense, the Kingsmen are mafia too – they’re a secret society with lots of money, etc. 

A running theme would be that you can afford to use questionable methods as long as the outcomes are good. The mafia would kill, steal, imprison and murder – but they always have a convincing reason. Plus, the bad guys are doing a lot worse. 

The mafia organization is flawed in a critical way. This can be anything – a newbie who starts to question the mafia’s practices, or a corrupt leader, etc. This flaw will cripple this apparently sturdy organization at the end of Act II, raising the stake sky high. 

Give them secret codes, special weapons, a quirky dress code, a tattoo? 

Show how the mafia are tightly networked among themselves, often in a good way. The senior mafia mentoring the newbies, colleagues struggling through their probation periods together, etc. The mafia are a tight-knit organization. 

For a mafia romance, what the mafia really does or how they’re structured, etc. isn’t that important. As long as you get the black suits, expensive Jaguars, and exclusive clubs/hotels vibe right, you have enough mafia worldbuilding. What’s important are the characters. 

If you’re writing a male mafia love interest:

They’re high-ranking, filthy rich, intelligent, and cold-minded individuals who are powerful beyond your usual realm of rationality. The absolute unrealness of these sexy competent men is what’s appealing. 

The mafia background becomes the “hurtful dark backstory”. One of the main selling points of dark mafia love interests is that on the inside, they’re fractured puppies in need of some sunshine to soften up. Give them a good reason why they’re assholes to your female love interest in the beginning. They’re repressed – high time.

They must be able to draw a line between being adorably overprotective and unreasonably controlling. The same goes for their use of violence. Sure, a male mafia love interest may kill that stalker who’s been bugging our heroine but don’t have him putting bullets in the heads of people who just mildly irritate him – that’s a huge turnoff. 

If you’re writing a female mafia love interest:

Your heroine is a clear-minded, physically fit, confident, and competitive mafia queen/princess with both eyes fixed on power and success – until the male love interest comes along, either as an enemy mafia or a clueless softball. 

Alternatively, they’re oppressed by their father/brother(s) who are hard-core, bloodless men. These heroines are capable in ways that are not approved by their mafia family (like a career in social services or running a bakery, whatever) and need someone to understand and remove them from their toxic family – our male love interest. 

Again, feel free to use the mafia background as a source for some juicy, traumatizing backstory.

Hope this helps :) 

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2 

[demodraws0606]

An character analysis POV as to how Hu could be the culprit (and a little bit of Nico stuff as well)

tw/ mentions of suicide

So I've seen certain Eden!Culprit truthers just not really believing that Hu could be the culprit because of her behavior during the class trial. However her committing murder against Arei and Ace makes a lot more sense than Eden does by a longshot (especially with Eden having no accomplices atp).

But I also understand why people are confused by Hu's behavior if she could possibly be the culprit. There's a lot of things that don't seem to make sense on the surface that I also accepted however digging further, you can find a version of Hu that honestly fits really well as the culprit of this chapter.

I will also throw in analysis of Nico's behavior because a lot of their behavior during this class trial is strange if Hu really is the culprit but again I think I can explain why this happened.

I also want to preface this by saying that I do think Hu is going to be a heavily flawed character but I don't think she's malicious in any way shape or form. If I find any Hu hate after she's revealed to be the culprit, I will actually fight your ass and that's a promise.

Her outburst against David :

I honestly was also in the camp of not really understanding Hu being the culprit, doesn't this go against her outburst against David ?

Well, here's the thing, I think her outburst was 100 pourcent genuine, I just think Hu is both being a hypocrite in a way but mostly she's hiding her true feelings behind her wording.

Let's take what she says in her outburst :

There's a funny thing about her wording, especially at the beginning :

"You have no right to decide wether I, whether any of us..."

I think what Hu is trying to say is being hidden by her saying "we" and "us". In my opinion, she's probably mad at David for wanting to toy with her life, not even to escape himself but simply to commit mass suicide. Which we know Hu has a very complicated history with suicide due to her secret.

I do think her anger is both a mix of projecting onto David her present (and past self) and also her genuine desire to want to continue living.

She would be mad, she's trying so hard to live and here is David who both planned to let her die not even to survive himself but simply because he gave up. Interesting to note how she interprets David's desire to stop the killing game as "Because this killing game requires us to live, you think you should just reject that notion and kill us all". She doesn't mention him wanting to end the killing game, she mentions David rejecting the notion of living itself.

If Hu was a past suicidal person who now has committed herself to continue living, of course she would be insulted by David's action, it spits in her face and reminds her of a past self that simply rejected the idea of living.

A desire to live that's shown through this outburst and also in her secret quote.

Again switching the pronouns Hu is using here with "I" really gives a new perspective that I think makes a lot of sense with her being the culprit.

"It is not and never will be your desicion as to what happens with MY life"

Because Hu wants to live now, she's no longer her past self, she won't try and throw her life away anymore.

The murder of Arei and attempted murder of Ace :

I want to discuss both the victims and method of murder here because I think it works very well with Hu. It's not really a character analysis thing as much but I didn't want to make a seperate post for it.

Hu clearly does/did not have high opinions of either Ace or Arei, like at all. They were both people that Hu reprimended heavily.

Especially with the secret motive happening, it's very possible that Hu's possible choice of culprit was done with the notion of "who deserves to be killed". Her first pick being Ace makes a lot of sense

I'm making her sound villainous when I say this but I do think it was her mindset at the time, Ace's horrible behavior towards Nico possibly being what led to her to feel allowed to take his life. However when Ace survived, she decided she was simply to deep into it and decided to go with the second best choice in her mind, Arei.

I want to also point out the method of murder...hanging

Clearly the culprit had a lot of knowledge about hanging, with it being their main method of murder. Which would make sense with Hu's past, using her past attempts as knowledge for her to take someone else's life which I find very ironic and in a way morbidly narratively compelling.

What was the motive ? :

I think Hu simply just wanted to live, it had nothing to do with the motives (and I honestly think the motives will actually not ever be involved in the murders bc it seems like they're setting it up to be a recurring trend).

I think Hu was thinking about murdering to get out ever since she was put in this killing game. However the only reason why she has never done so is because she was way too attached to her classmates.

From her secret quote, to her outburst against David, to her secret motive. All of it hints at this strong desire to want to live.

However she couldn't bear to kill anyone in this cast until chapter 2 happened.

Ace and Arei both are probably the least likable characters in chapter 2's daily life, I don't mean that in the fandom sense but I mean that in the eyes of the cast itself. Especially Ace who truly ends up falling to horrible harmful patterns out of self preservation.

We know how toxic the cast became in chapter 2 and I think that's what led to Hu feeling more comfortable killing someone. She no longer felt as guilty when she saw Ace (and Arei but mostly Ace) acting this way. This allowed her to commit murder. When it failed, she simply ended up chosing the second person on her list that she saw as nothing more than a horrible bully.

After all who would miss Ace and Arei, they're both horrible horrible people right ? Who would cry for someone who isn't a good person.

It was a murder both driven by Hu's strong desire of survival and also her view of her fellow classmates.

Nico's behavior :

Before I get more into Hu's mindset, I want to take a little detour to why is Nico being so difficult ?

I know I've made theories about Nico being an accomplice, but looking back I don't think they actually knew Hu did it. Even if they're not telling the truth about Ace's attempted murder and Hu's false allibi.

But then why ? Why would Nico ever do this, don't they know they're potentially putting everyone's lives at risk

Well it wouldn't be the first time a character in DRDT's cast is difficult to the point of risking people's lives (i'm fucking look at you WHIT.). However I think there are both actually decent reasons as to why Nico wouldn't tell the truth alongside his issues with being non-confrontational.

First, I don't think Nico ever expected the murder of Ace to be important to the case. I think they lied because everyone else made it extremely obvious what their thoughts truly were and Nico probably thought that trying to argue against them simply would just make them look more guilty or not do anything at all.

Again I would like to pull Nico's secret quote for evidence here. Because again I think it just fits with everything here.

For the alibi thing, I think Nico genuinely didn't contest it because they probably believe Hu only did that to protect them from getting blamed. Again anything that would make Nico not get yelled at or suspected probably is something they would hold onto. They still have no reason to think Hu really did it, so again with their issues with being non-confrontational I think it would make sense for them not to contest it.

I think Nico's arc is heavily tied with Hu, and vice verca. There's an empahsis on how Nico is struggling to make their true feelings truly known because everyone talks about them and the one person who thinks they are there to protect them actually are just as bad if not worse in ignoring them.

Nico wasn't ready to come out, they were instantly labelled an attempted murderer and the one person who is here to defend them is someone who constantly interrupts them. The entirety of chapter 2 has just been them being objectified and not really giving them a voice.

Which I think comes back to a part of Hu that I think is related to the murder.

Hu's relationship with Nico and Eden :

Isn't that interesting how Hu has established relationships with both Nico and Eden, meanwhile Ace and Arei both have bullied Eden/Nico.

I don't think this is a coincidence and I think it matches Hu's misguided attempts at protecting people.

Hu wants to be useful, she desperately wants to be the strong protector of the group. However there are very clear signs here intentions aren't very glamorous.

In a fucked up way, it's very possible that she sees the murder of Ace and Arei as her helping Eden and Nico. Two people she clearly wants to protect (at least for Nico it's obvious).

However Hu's actions clearly did not help them, in fact, what she did ended up backfiring on the both of them.

Nico ends up being framed as a murderer

Eden lost a potential friend

Not only that but she had to have manipulated both Nico and Eden, to accomplish her murder. It's a flimsey self excuse for Hu to keep up her belief that she's a protector.

Obviously I don't think this was her main motivation, I've talked about it before but it's yet again something that would make it more easy for Hu to swallow the idea of being a murderer.

Is Hu evil ? :

No ! What the fuck did you think this post was for !

See I don't think Hu being the culprit suddenly makes her this horrible manipulative person. Despite the dread I feel with the likelyhood of Hu getting dragged to the ground if she's the culprit, I don't think she's remotely close to characters like...Celeste for exemple.

She's a person who was desperate to live who let herself murder by making up excuses, that she was doing this for the greater good somehow that it wasn't just a selfish desire of survival.

It makes sense for a chapter all about morality right ? Justifying a horrible action by justifying that well...these people she murdered weren't really good people were they ? Plus she ended up killing Eden and Nico's bullies right ? And I mean the killing game will only really end when two people are still alive right ? So maybe she's not a bad person. Maybe she deserves to live.

But people don't to be deserve murdered (99 pourcent of the time, i'm talking about DRDT's moral here) , not even horrible people. You don't know these people, if they could change, and you don't know what consequences you bring upon others by enacting justice like this.

And in a chapter about morality wouldn't it be interesting to tackle the morality of someone who would want to live no matter what. Is it fair to call Hu a bad person because she simply didn't want to die ? Somehow her attempts at killing herself in the past is wrong but letting herself be killed in a place like this is the moral thing to do ?

Is the fact that she killed people who she perceived as bad make this whole thing better. Did these people's lives matter less than her, someone who has been trying to actually be nice to others and help them ?

Or is her attempt of being a good respectable motherly figure only just a facade to feed her ego, a person who once didn't think they deserved now hanging to every possible reason to continue fighting to stay alive ? No matter what, no matter what happens, she needs to continue living.

"A pig never hopes to grow up into a human, because it knows that a metamorphisis like that is impossible"

[yan-lorkai]

.⁠｡⁠*⁠♡ A/N: I'm very normal about Idia, guys. Being his friend would be great, I just know. Yet he is an interesting character to me so at the same time he'd want you to spend all the time by his side, he also idolizes a version of you, smth smth I love him, enjoy this <3

.⁠｡⁠*⁠♡ Warning: Yandere content, control and manipulation tendencies, guilt tripping, gn!reader

.⁠｡⁠*⁠♡ Idia becomes intensely possessive when he first make friends with you, something he’s not used to. His loyalty runs deep and he expects the same in return, often feeling jealous and anxious if you spends time with "the normies", as he likes to call them. He tries to monopolize your attention by filling your days with online games, late-night chats and gossip sessions and anime marathons, making it difficult for you to spend time with anyone else. He even try your blogs if it is something he can do inside his or your room.

.⁠｡⁠*⁠♡ Sometimes he beg you to spend the day in his room, studying online as he does, when he is dealing with a particularly bad day - which are slowly turning into a daily thing.

.⁠｡⁠*⁠♡ While Idia doesn’t confront people directly, he’s skilled at subtly manipulating you. If you mention hanging out with someone else, he’ll sulk or act overly dramatic, making you feel guilty for not spending time with him. He wants youto believe you’re the only one, besides Ortho and his family, who truly understands him, ensuring that you stay close. His tech expertise also gives him an advantage over you as he keeps tabs on your online activity, always aware of who you’re talking to or what you’re doing when you are away from him. And if you tell about how suffocating is to be with someone like him or something like that, Idia will make little changes in himself so you won't be bothered by how he acts.

.⁠｡⁠*⁠♡ To further isolate you, Idia draws you deeper into his world, introducing rare games and niche interests that only he can share with you. If you try to make plans outside your usual routine, he’ll always have something special, a one time offer that you simply can't resist. Deep down, his tendencies come from a deep fear of rejection. He’s terrified of being abandoned and he believes the only way to secure your friendship is to make you depend on him as much as he depends on you. He wants to be your hero, strong, fierce, yet he turns into your villain, your tormentor.

.⁠｡⁠*⁠♡ As the friendship deepens, Idia’s clinginess becomes more apparent, though he tries to hide it behind his usual awkwardness. He starts to get anxious whenever you doesn’t respond immediately to messages, bombarding you with worried texts or even calling, something he normally hates doing. When you finally reply, he plays it off but the relief he feels is palpable. He needs that constant reassurance that you’re still there, still close to him, that you still like him.

.⁠｡⁠*⁠♡ Idia’s jealousy, though subtle, can become intense. If he notices you are growing closer to someone else, he starts planting doubts in your mind, making snide comments or pointing out flaws in the new person’s behavior. His aim is always to make sure you realizes that no one will ever be as loyal or understanding as he is. He never wants to be obvious about it but his bitterness leaks out in small doses, enough to make his friend second-guess their other relationships.

.⁠｡⁠*⁠♡ When things don’t go as planned, Idia retreats into self-pity, making you feel responsible for his mood. He might withdraw entirely, going quiet for days at a time, only to return with cryptic messages about feeling “left behind” or how much he hates being alone. This emotional tug-of-war keeps you constantly on edge, never wanting to hurt him or push him away, which only feeds into Idia’s control over you. Wether you realize what he does or not, Idia will always find a way to have control over you, no matter what.

.⁠｡⁠*⁠♡ Despite his fear of being too obvious, there are times when Idia’s obsession shows more openly. He might create custom in-game avatars of you, carefully crafting you to reflect his idealized version of a romantic relationship. He’ll obsessively collect items or trinkets that remind him of you, even going so far as to create private spaces in games or online where it’s just the two of them, away from anyone else or have an AI of your voice saying sweet little nothings to him, or singing. This, though, he'll never let you know. He doesn't want for you to think he is a weirdo, he just really love you, his bestie.

[bloodpxct]

They preach about wanting more morally grey characters, more queer representation... then demonize Albus. The hypocrocy is bewildering.

Albus is not a villain, he is a man with many flaws. He is not a god or some divine being who can solve everything with a snap of his finger. Yes some of his descicions were bad but he is not the 'true villain' of Harry pottter I can assure you.

I find it so hypocrytical, It genuinely gives me headaches.

[literaryvein-reblogs]

Character Development: Unlikable to Likable

3 strategies on making unlikable characters likable (or at least, more relatable)

Redeeming Quality

Give your hero one redeeming quality or action (even if it’s small) at the beginning of the story.

This helps endear your readers to your character.

An Enemy

Give your hero an enemy…a really evil one.

One of the best ways to make a reader sympathize with an unlikable character is to have an even more unlikable character to compare them to.

Love to Hate

This strategy is probably the toughest one of the three to implement, because it requires the most creativity, and it can also backfire if not done carefully.

Essentially there are numerous reasons we love to hate certain characters.

It’s often hard to pinpoint why we love to hate them.

One trick is to find a unique flaw or skill about your character that you can exploit and/or exaggerate to the point of comedy, ridicule, or fascination.

Source

[jacarandaaaas]

What you hate about each Encanto character and what you love about each Encanto character?

oh this is such a fun ask! a hard question as I love all the madrigals and the fact they’re so flawed makes them more fun to follow!

alma: i love her commitment, how she vowed to protect all these people even sacrificing her own needs to provide for others, how she promised these people a place of refudge and was always there to provide.

dislike: An obvious one here but I dislike how controlling alma can be, how her need for perfection can blind her and lead her to disregarding her own families feelings as well as her own! Her generally dismissing a lot of the problems of her family like telling pepa to control her emotions or not realizing how hurtful her comments are to mirabel.

pepa: i love how emotional she is! when pepa loves she loves with her entire heart she pours her all into every interaction and she wears her heart on her sleeve! she’s so compassionate! pepa truly is an open book and I love her for it!

dislike: i would probably say how she can get irrational very quickly and cause situations to elevate fast! Although I really can’t blame her for this based on the circumstances!

julieta: i always describe julieta as warm and i feel like no other word can capture her comforting nature and gentleness. I just love her warmth and her soothing energy!

dislike: I would say how she tends to coddle mirabel a lot. I know it comes from a place of love but you can see it doesn’t help mirabel and only makes her feel more insecure because julieta doesn’t understand her.

bruno: for bruno I would say I love how selfless he is. It’s a big thing to sacrifice your own sanity like that for someone else and it’s touching how much he truly cares about mirabel to want to protect her like that.

dislike: i would have to say how he’s timid a lot of the time. It’s sad to see him become so resigned and almost accept his fate and stay in the walls possibly forever. He had no fight left in him.

felix: I adore how felix is just the epitome of life of the party! he’s so uplifting and I love how he never gives out to pepa for her emotions. He’s the best at cheering people up and a sunshine in everyone’s lives!

dislike: about felix? that’s hard to say I feel like we don’t see enough of him for me to really base my answer on anything so I’m just gonna say how he told pepa about the vision at dinner😭 dude that was the worst idea!!

agustín: i love how supportive he is! He continuously supports julieta he runs after luisa when she’s upset and he promises mirabel he would hide the vision to protect her! the fact both he and julieta tried to go after her when she ran for the candle too! He also fiercely stands up for mirabel in such an iconic way and he doesn’t back down!

dislike: I would have to say how he can often hammer in the fact he is also unexceptional to try relate to mirabel but it makes the situation worse.

isabela: I love how loyal isa is. She was doing everything for the sake of the family and was willing to sign her entire life away just to keep them happy. Her loyalty knows no limits and I just feel it’s such a defining trait for her.

dislike: probably how smug she can be at times a key example being the apologize scene! it is funny but it’s also infuriating how smug she was making mirabel apologize for something she didn’t even do. Also how she tells mirabel to shut up and her general rude remarks to her!

dolores: for dolores I would say I love how attentive she is! small scene but how she immediately notices alma needs help and goes to offer her support! She notices the small details even without her super hearing! Like how she points out how mariano talks loud even though she hears everyone’s voice his always stuck out to her <3

dislike: probably how she blurts stuff out without thinking it through! like we know she was trying to be helpful when she told the kids mirabel doesn’t have a gift but she didn’t consider how mirabel would feel about that.

luisa: I love how kind luisa is! she was always willing to lend a hand to the people who need her even when they absolutely could deal with a lot of issues themselves! She’s also very sensitive and soft and I love when she allows herself to be vulnerable!

dislike: this might be unexpected but for dislike i would have to say how she kept ignoring mirabel when she wanted to talk. I understand she was stressed and mirabels being irritating but she could atleast look at her, mirabels already ignored a lot already and all she wanted was to talk to her sister about an issue.

camilo: like how mirabel says in the opening song I love how camilo won’t stop until he makes people smile! whether it be through his humor or his compassion I get the impression he would always be there for people. the scene where he comforts pepa is such a key example of this!

dislike: he can be a bit too blunt at times where it’s definitely not called for! he also has a tendency to exaggerate the truth for dramatic effect!

mirabel: have always said this and always will mirabels core trait is her empathy! Her ability to see others perspectives and empathize with them is so important! I always think of the “I need you” scene as a key example of this. She put aside her own feelings and focused on supporting antonio making sure he’s ok! how when she learns of the other madrigals struggles she tries her best to help them or comfort them! empathy is such a strong defining trait for her!

dislike: when it comes to mirabels negative traits I would have to say her stubbornness is the most prominent. the entire scene in isabelas room is proof of this she would have rathered let that house collapse than apologize or even listen to isabelas struggles the fact she was supportive and empathic to everyone’s issues but isas (at first) she was too stubborn to put aside her issues with isa! but also her recklessness and impulsiveness tie into this as well.

antonio: I love everything about him he’s so sweet and caring and I love how he returns the support mirabel gave to him! he always believed in her and was her biggest supporter and best friend! also how offered his plushie to comfort bruno when he was nervous! antonio is just such a caring kid!

dislike: nothing literally nothing how can u dislike this baby?

[aziraphales-library]

hello, i've been on the aziraphale-centric fics kick because he is one of my favorite characters ever :( <33 i wondered if you all have any azi centric fics to recommend? i really like hurt/comfort and hurt aziraphale :-) thank u <3

Hi. We have some Aziraphale-centric fics here, so check those out (it includes that one you're thinking of, so you don't need to add it in the notes). Here are some more...

A Gradual Acceleration by PunJedi (G)

Aziraphale has to deal with 6000 years worth of pent-up feelings and what happens when the world doesn't end on schedule. It's a tricky thing, love; his modus operandi has been to ignore it. But there reaches a point at which it simply cannot be ignored. Crowley is willing to wait, though.

It's Not The End Of The World by mellohirust (T)

“I think I'm still worried about… our old sides.” This is where he expects said bomb to explode. This is his fatal flaw, that he hasn't actually moved on, that things aren't actually as over as he wants them to be. It's all they've ever wanted, and they didn't truly have it. Not in his mind. Not somewhere deep within him, like a disease, like something he couldn't pry out of him. How selfish would he be, to drag the other down with him just for reassurance, force him to relive it all? Crowley stays quiet. Aziraphale feels as if he's confessed to something awful, like a part of him was fundamentally incompatible with the other. Aziraphale suspects both of these things could be the case and Crowley would love him anyway. He has it written down, somewhere in his mind, what Crowley ought to say. It’s not what he actually winds up saying. “Yeah,” the other finally mumbled, after what felt like eternity. He draws a breath. “Yeah, me too.” - Aziraphale hasn't been able to let himself rest in six thousand years. Crowley's determined to help him change that, even if addressing the root of the problem is more unpleasant and complicated than either would've hoped for.

So Still I Wait by HotCrossPigeon (T)

Aziraphale asks one too many questions. What is Heaven to do with their wayward Principality? Crowley picks up the pieces. (Solitary confinement warning)

A Hard World for Little Things by GiggleSnortBangDead (E)

When the Almighty Lord created the universe and decided that desire would exist within it, They hadn’t exactly said: “This shall go on top, and this on bottom.” But there was an ordering of things and a hierarchy of desire. That’s how it was explained to Aziraphale. All of us serve, he had been taught, and some of us are happy to serve a little more.

Night and Day by wyrmy (E)

Aziraphale Engel, black sheep of his strictly religious family, lives a quiet and monkish existence in the middle of London, trying to avoid the many temptations of the flesh and do his bit for the church that his father founded. But his quiet, untroubled, and unhappily narrow existence is about to come to an end, and he will be faced with the choice to give up even more of who he is or to survive in the real world.

Smitten at First Fright by Oopsynini (M)

Aziraphale has problems. No one needs to tell him so, he's well aware that his issues are many and in-between. He's an agoraphobic shut-in with a bad back and a sad past. It's a rule that, to most, he isn't much worth the effort of getting to know. Crowley doesn't seem to abide by any of that. He's an enigmatic gardener with a green thumb and a smile a thousand miles wide. It's something like love at first sight; if that included a panic attack and a minor foray into bird watching. Aziraphale is smitten, now if only he could get past his fears and admit it.

- Mod D

[girlwithrituals]

101 ways to improve self esteem

1) Master a new skill.

2) List your accomplishments.

3) Do something creative.

4) Challenge your limiting beliefs.

5) Talk to a counselor.

6) Don't worry about what others think.

7) Read or watch something inspirational.

8) Stay true to your character.

9) Let go of negative people.

10) Set healthy boundaries with others.

11) Care about your appearance.

12) Welcome failure as part of growth.

13) Be a lifelong learner.

14) Face your fears.

15) Become a mentor.

16) Accept compliments.

17) Eliminate self-criticism.

18) Practice coping skills to manage stress and big emotions.

19) Notice negative thoughts and beliefs.

20) Challenge negative thinking.

21) Think about what you learned from negative experiences.

22) Practice gratitude.

23) Exercise.

24) Eat healthy and limit junk food.

25) Get good sleep.

26) Spend time with positive and supportive people.

27) Encourage yourself.

28) Write a list of your strengths.

29) Don't compare yourself to others.

30) Avoid perfectionism.

31) Do at least one positive, enjoyable activity every day.

32) Celebrate small victories.

33) Be helpful and considerate to others.

34) Be honest with yourself and others.

35) Accept your flaws.

36) Don't give up.

37) Practice self-care.

38) Go easy on yourself.

39) Practice being assertive.

40) Practice saying "No".

41) Practice relaxation techniques.

42) Take on challenges.

43) Volunteer to help others.

44) Forgive others and yourself.

45) Set goals and work toward them step by step.

46) Seek balance in all areas of your life.

47) Discover your passions and purpose

48) Groom yourself.

49) Dress nicely.

50) Be kind and generous to others.

51) Practice good posture.

52) Change a small habit.

53) Smile.

54) Don't procrastinate.

55) Don't take things personal.

56) Organize your personal space.

57) Challenge unkind thoughts about yourself.

58) Spend time outside.

59) Notice the good things.

60) Celebrate your successes

61) Write a list of things you like about yourself.

62) Don't take too much on.

63) Do something for yourself every day.

64) Develop daily habits.

65) Remind yourself it's okay if not everyone likes you.

66) Practice mindfulness.

67) Learn to tolerate discomfort.

68) Use problem-solving skills.

69) Take responsibility instead of blaming.

Tell Yourself Positive Affirmations Such As:

70) I am grateful for every day.

71) I am worthy of happiness and love.

72) I am in charge of my own happiness.

73) I love, respect, and believe in myself.

74) I deserve to be happy and successful.

75) I approve of myself, right here and now.

76) I am learning and changing for the better.

77) I accept 100% responsibility for my own life.

78) Every day in every way, I am getting better and better.

79) I can learn to accept the parts of myself that I don't like.

80) I am thankful for my challenges as they make me a stronger person.

81) Write down three positives about each day.

82) Make a collage with your talents, goals, and dreams.

83) Practice laughing.

84) Be proud of yourself.

85) Say mistakes are an opportunity to learn.

86) Show respect to yourself and others.

87) Resolve conflict peacefully.

88) Ask for help or support.

89) Complete a daily task list.

90) Have a growth mindset.

91) Be optimistic.

92) Treat yourself with kindness and compassion.

93) Focus on the things you have control over and can change.

94) Get started on tasks you have been putting off.

95) Practice good daily hygiene.

96) Focus on solutions not problems.

97) Talk about your feelings with someone you trust.

98) Drink plenty of water.

99) Start a new hobby or join a club/sport.

100) Do random acts of kindness.

101) Create a dreams list.

[yandere-yearnings]

How would Sun react if he had a character in his newest book inspired by you, but you didn't know and when you read it, you tell him you think the character is annoying or your least favorite lol

If Sun were to write a character inspired by you, he’d employ the most care into making them as lovable as you are in his eyes. Objectively, there is no flaw that could be assigned to them, not in-verse, or from the perspective of the reader. Obviously, even if there’s nothing inherently wrong or dislikable about them, people are bound to have their own opinions — sometimes even being too perfect can be a problem.

Sun understands that much, but that doesn’t stop him from refuting every bad thing you have to say about them when you bring up that they’re your least favourite. He defends them like how he’d defend you if anyone had the audacity to bad-mouth you — though in that case, the other party would assuredly walk away without a tongue. You get a much milder response since you’re his precious darling.

He’d flick through the book with you, asking you to point out every characteristic of theirs that irked you, then spend the hours giving you a different perspective. His perspective. He phrases it all like a technical argument, but really, he’s just giving you his thoughts about yourself. He certainly won’t let you walk away until you have a newfound admiration for that character, and he’s quite content when you do. Sun thinks of it as helping you to learn to love yourself a little more, even if you remain unaware about being his muse.

[qiu-yan]

3 6 7 11 16 20 25

bro is trying to get me killed lmao /s

choose violence ask game

3. screenshot or description of the worst take you've seen on tumblr:

this shit

6. which ship fans are the most annoying?

gonna be honest here, the single most annoying part of the MDZS fandom is that one hyperspecific sort of wang and xian stan who insists on shitting on not only the other characters, but also other wang and xian fans who ship the characters in ways they don't approve of. this kind of stan can not only be relied on to have the worst possible takes on everyone ranging from jin guangyao to jiang cheng, they can also be relied on to harass other wang and xian fans simply for putting wang on the bottom. fun times.

7. what character did you begin to hate not because of canon but because how how the fandom acts about them?

surprisingly, no one yet. sometimes i feel the hater urge to dunk on the morally-pure version of wei wuxian that the diehard wei wuxian stannies have collectively hallucinated, but i still find the wei wuxian from canon to be quite compelling.

11. number of fandom-related words you've filtered

the "canon jiang cheng" and "canon jc" tags. everyone stfu

16. you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

"morally pure wei wuxian who did nothing wrong ever." to me, wei wuxian's hubris, his unique capability for inventing new kinds of cruelty, his failure to think of the consequences of his actions, his tendencies to run away from negative feelings, and his ultimate failure to protect the people he was trying to protect, are what make him a compelling character to me. these flaws in parallel with his courage, kindness, stalwart moral compass, and genuine love make him interesting to me. so i don't quite understand fans who instead insist on erasing all the morally grey and highly interesting stuff he did in favor of insisting he did nothing wrong ever.

20. part of canon you found tedious or boring

not quite what the question is asking, but i found the actual wang and xian romance in the original novel to be a bit lacking. mainly because (as other people have said already) a lot of the romantic development happened when lan wangji was drunk. at the very least, i wanted to see lan wangji's reactions to his various drunken adventures once he sobered up the next day, and i'm rather disappointed we never got to see that.

furthermore, on wei wuxian's end, it did kind of feel like wei wuxian was using this exciting new romance to distract himself from his past problems, even though it also seemed like he didn't actually know all that much about lan wangji. the only version of the romance that makes sense to me is the one where wei wuxian was already into lan wangji (subconsciously or consciously) in his first life; otherwise, wei wuxian falling in love with lan wangji during his second life, when he's yet to process any of the shit that happened in his first life, feels too much like him running away from his problems with a guy he believes will validate all his decisions. meanwhile, on lan wangji's end, i feel like the novel just did not give us a lot to work with in regards to his character. so it feels like, if you want to be a fan of lan wangji, you have to do a lot of the legwork of building up his personality yourself.

what also disappointed me a bit about wang and xian, as well as lan wangji's character arc itself, is that lan wangji is never really challenged on a moral-dilemma level in the same way that many other characters are challenged by the story. how do i explain this...alright, i'll put it this way. i've been brainrotted about madohomu (madoka magica) since i was in middle school. and that's partially because i know for a fact that, if homura was put in the trolley problem and had to choose between [killing 5 strangers] and [allowing madoka to die], she would choose to kill those 5 strangers to save madoka. but after reading MDZS, i realized i legitimately did not know what lan wangji would do in such a moral dilemma. because MDZS equates [being morally righteous] with [supporting wei wuxian], lan wangji is never placed in a dilemma where he has to choose between sacrificing wei ying and doing something the audience would think of as unforgivable.

these are just my own hyperspecific tastes, though.

25. common fandom complaint that you're sick of hearing

gonna put my hater hat on for a second, but i kind of roll my eyes at the jiang cheng haters complaining about how jiang cheng stans keep posting in the "canon jiang cheng" tag. dude, if it bothers you that much, just block the jiang cheng stans. then things will be peaceful in your favorite tag again.