#character: lucas bergman.

[daisyjoners]

tag dump!

[wewebaggit]

"El never had romantic feelings for Mike"ers 🤝 "Mike had romantic feelings for El"ers

Y'all think y'all are arm wrestling bt it's actually called a handshake in most parts of the world.

Both come from some weird desire for romantic miIeven to have meant nothing/something for both.

Cuz everything has to be just right and fair and neatly tied in a bow. God forbid the gay boy have struggles with his sexuality or the straight girl get her heart broken in the process. Evil evil things. To have your feelings unrequited. Unless it's Will. Cuz he's single and has to stay single and pure and loyal and what not, and it's only temporary. Soon in a few years after the time skip at the end of the series he'll be rewarded for being reduced to a pathetic little sap with no social life beyond Jonathan, Mike and the horrors of having spidey sense for 2 seasons.

And yeah there will be cirque du soleil levels of acrobatics being performed to show why this story and narrative makes sense. And I'm not opposed to it for being that but just that on show that prides itself for show don't tell it neither shows nor tells and then there's outside the show telling by cast cuz inside the show showing was less subtle and more in the realm of not there at all.

MiIeven is NOT a "plot device" for Byler any more than Mike being revealed gay is a plot device for independent El. They're both self contained arcs for the respective characters. MiIeven thoroughly exploited the BSY dynamic with how their interactions were framed and played and okayed and filmed. It's incredibly condescending to fault the GA for buying into the self insert fantasy of nerdy boy gets supergirl when the show didn't shy away from profiting off of it. Regardless of Mike's impending sexuality. Especially because of the super ambiguity of Mike's sexuality it cannot be classified as anything but trope exploitation. Subversion where? Leaving some visuals here.

El initiating the kiss in S1E6

And I'd love it if anyone explains them to me that's not the tired af "El's idea of romantic love comes from her watching soap operas" cuz she was shown watching it once. She was stuck in a cabin with a TV so she watched TV most of the time and daytime is soaps. You know what she (also) watched regularly? Westerns. Miami Vice.

Also El did make the first move in s1e7 to kiss Mike. Before Mike ever kissed her in s1e8. And before the soap operas n all other things. Point being. The BSY has always been BSYing.

Poor babies being forced by Lucas, Nancy and daytime TV into making out and enjoying it. Tsk tsk. (S3E1)

A forced to be flustered and blushing El after talking to her boyfriend.

Time to make out some more. It hits different at 4:20. - Mike & El probably. Dunno it's on mute.

Naive but powerful fawn rebelling against father for nerdy boyfriend. Ya. White American thing cuz Mike would be pissing his pants if he were anywhere else or maybe anyone else. (Can you imagine Lumax this way?)

For God's sake your platonic soulmate and so called lesbian awakening's brother is dying there.

Don't even understand the point of this shot. Since Mike never looked Billy's way. Or comforted Max. A glance at El that, idk what it meant, no mike crow expressions to guide me.

Scenes from a Marriage (1973) dir. Ingmar Bergman

Scenes from a Marriage (2021) dir. Hagai Levi

There's an intentional way in which the MiIeven scenes (not just the kisses 🤮) are filmed in a more "adult" way as opposed to the "cute teenaged romance" way that some people purport it is in contrast to Lumax and Duzie. (I guess they didn't go through puberty.🤷‍♀️) Heck even Jancy, Stancy never looked this weird even though sex was shown/ implied. (Because they were played by actors born in the 20th century and even then they weren't 13 🤷‍♀️.)

MiIeven is not a plot device for Byler. It is fan service. The adults shipping them and comparing them to various other adult couples isn't outta nowhere. Please compute. Which is why it was stretched for 4 seasons.

As of NOW Mike's sexuality is still plausible deniability and the breakup too is neither here nor there. It's NOT straightbaiting. Lmao. Not at all. It's fan service. Leaving the OBVIOUS BSY aside, the point neither party were forced into anything nor were they doing it to keep appearances cuz canonically NOBODY cared. Not Dustin, not Lucas, definitely not Will and I'm sure neither did Max.

El was a willing participant and initiator and Mike was also not opposed to it until puberty monster/feelings caught up with him. El has shown her attraction to guys and it is okay. There's no need to take that away from her cuz that is also an experience of girlhood. She barely has any experiences anyway. Let her have that.

It's the same for Mike. He's not some evil monster for being gay. Not anymore than Joyce was for being with Bob out of convenience and the fact that she liked him n didn't hate him. Mike does love El and cares about her deeply as all of S4 shows.

So to sum it up. Yes I smooshed 2 posts cuz I couldn't be arsed talking about these 2 AGAIN. But Mike and El were independent agents when they decided to embark on their disastrous romantic journey and Born Sexy Yesterday is REAL.

P.S. If you find this shit cute and y'all roll your eyes over byler kissing n what not (even in fics goddamnit). Hit your head against a spiked wall till you can't no more. Piss and love. 💙💛

P.P.S. Mike's the clingy one. NOT Will.

[tinyreviews]

1970s Cinema

The 1970s were a dynamic and transformative decade for cinema, with filmmakers pushing boundaries, exploring new themes, and producing influential films.

New Hollywood: The 1970s witnessed the continuation of the New Hollywood era, characterized by bold and innovative filmmaking. Directors like Martin Scorsese, Francis Ford Coppola, Steven Spielberg, and George Lucas emerged during this time, bringing a fresh and personal approach to their films.

American New Wave: The 1970s saw the rise of the American New Wave, also known as the "Movie Brats" era. Filmmakers like Scorsese, Coppola, and Robert Altman created gritty, character-driven films that tackled social issues and pushed the boundaries of storytelling. Notable films include "Taxi Driver" (1976), "The Godfather" (1972), "Jaws" (1975), and "Star Wars" (1977).

Blaxploitation: Blaxploitation films, primarily featuring African-American casts and urban themes, gained popularity in the 1970s. Films like "Shaft" (1971), "Super Fly" (1972), and "Foxy Brown" (1974) celebrated black culture and addressed social and political issues.

Disaster Films: The 1970s saw a surge in disaster films, often featuring star-studded ensemble casts and high-stakes scenarios. Movies like "The Towering Inferno" (1974), "Earthquake" (1974), and "Airport" (1970) captivated audiences with their suspenseful and action-packed narratives.

Horror Films: The 1970s is often referred to as the "Golden Age of Horror." Filmmakers like Wes Craven, John Carpenter, and Tobe Hooper revolutionized the genre with films like "The Texas Chainsaw Massacre" (1974), "Halloween" (1978), and "The Exorcist" (1973), which became instant classics.

Asian Cinema: The 1970s witnessed a surge in popularity for Asian cinema, particularly in martial arts films from Hong Kong. Legendary martial arts actors like Bruce Lee gained international recognition with films such as "Enter the Dragon" (1973) and "The Way of the Dragon" (1972).

European Art House Cinema: European art house cinema continued to flourish in the 1970s. Directors like Federico Fellini, Ingmar Bergman, and Werner Herzog produced influential films like "Amarcord" (1973), "Cries and Whispers" (1972), and "Aguirre, the Wrath of God" (1972).

Social and Political Films: The 1970s were marked by an increased focus on social and political issues. Films like "All the President's Men" (1976), "Dog Day Afternoon" (1975), and "One Flew Over the Cuckoo's Nest" (1975) reflected the era's cultural and political climate.

[reflections-in-a-critical-eye]

First thoughts about A Strange Way of Life because I've just finished watching it.

It does feel a bit too short given the format and the scope. The story could use a bit more of development and those 30 minutes feel more like 15. Keep it simple, but still complex enough.

It has an element of theatricality and artificiality which to me it's obvious that it's intentional. It's in the acting, the framing of the close ups, the shots on objects and also the way the characters move and the way they look, specifically the younger ones. The actors which play the younger version of Silva and Jake, but also Silva's son look too much like models out of a Tom Ford perfume ad. But given that this is a Saint Laurent production, I can see why it's like that. It reminds me of Luca Guadagnino's The Staggering Girl, a story woven out of a Valentino collection.

In terms of aesthetics, I can't put my finger on it, I haven't read anything extra about it and my memory is getting worse so my frames of reference are all over the place and might not make sense at all. I thought that Almodovar wanted to see what it's like to make an American Western from an outsider's perspective. Which is interesting. The European western and its variations across countries has a rich history and each bring their own elements on top of the formula. The Balcanic Western, the GDR Western and so on. This one lives in this sort of limbo. Does it feel like a Spanish Western? I don't know so I might be saying nonsense here.

My point it's that it looks like a blend of aesthetics. It's giving 70s experimental European film, but shot in digital in a way that makes the image eerie (my mind went to Bergman's Sarabande in terms of cinematography). The score is reminiscent of Old Hollywood and it's impecable. And at the same time, the sexual element of the story makes the film closer to erotica, but without any explicit sex. It's taking the aesthetic of it, but without going further. Actually I'd say it is erotic in small doses, but doesn't deliver in a way that as a spectator I might expect from watching the acting and the way it was filmed.

[dan6085]

Determining the "top" movies of all time can be subjective and vary based on personal preferences and critical opinions. However, here is a list of 20 widely acclaimed movies, each with a brief description:

1. **Citizen Kane (1941):** Directed by Orson Welles, this film is often regarded as one of the greatest in cinema history, exploring the life of a wealthy newspaper magnate.

2. **The Godfather (1972):** Directed by Francis Ford Coppola, it's a crime epic chronicling the Corleone crime family, based on the novel by Mario Puzo.

3. **The Shawshank Redemption (1994):** Directed by Frank Darabont, it follows the story of a banker who is sentenced to life in Shawshank State Penitentiary and forms a strong bond with a fellow inmate.

4. **Pulp Fiction (1994):** Directed by Quentin Tarantino, this film weaves interconnected stories of crime, violence, and redemption in a non-linear narrative.

5. **Schindler's List (1993):** Directed by Steven Spielberg, it tells the story of Oskar Schindler, a German businessman who saved the lives of more than a thousand Polish-Jewish refugees during the Holocaust.

6. **Casablanca (1942):** Directed by Michael Curtiz, this classic romantic drama set during World War II stars Humphrey Bogart and Ingrid Bergman and is known for its memorable quotes and iconic scenes.

7. **Gone with the Wind (1939):** Directed by Victor Fleming, this epic historical romance film is set against the backdrop of the American Civil War and Reconstruction era.

8. **Lawrence of Arabia (1962):** Directed by David Lean, it portrays the World War I experiences of T.E. Lawrence in the Arabian Peninsula.

9. **The Wizard of Oz (1939):** Directed by Victor Fleming, it's a musical fantasy film based on L. Frank Baum's novel, following the adventures of Dorothy in the magical land of Oz.

10. **The Godfather Part II (1974):** Directed by Francis Ford Coppola, this sequel further explores the Corleone family saga, juxtaposing the story with the rise of patriarch Vito Corleone.

11. **One Flew Over the Cuckoo's Nest (1975):** Directed by Milos Forman, it depicts life inside a mental institution and stars Jack Nicholson as a patient who rebels against the oppressive nurse.

12. **Star Wars: Episode IV - A New Hope (1977):** Directed by George Lucas, it's the first installment in the original Star Wars trilogy, introducing iconic characters and a galaxy far, far away.

13. **Seven Samurai (1954):** Directed by Akira Kurosawa, this Japanese epic follows a group of samurai warriors defending a village from bandits, exploring themes of honor and sacrifice.

14. **Apocalypse Now (1979):** Directed by Francis Ford Coppola, it's a war film set during the Vietnam War, loosely based on Joseph Conrad's novella "Heart of Darkness."

15. **The Matrix (1999):** Directed by the Wachowski siblings, this science fiction film explores the concept of reality and artificial intelligence in a dystopian future.

16. **Schindler's List (1993):** Directed by Steven Spielberg, it tells the story of Oskar Schindler, a German businessman who saved the lives of more than a thousand Polish-Jewish refugees during the Holocaust.

17. **The Lord of the Rings: The Return of the King (2003):** Directed by Peter Jackson, it's the final installment in the Lord of the Rings trilogy, based on J.R.R. Tolkien's fantasy novel.

18. **Raging Bull (1980):** Directed by Martin Scorsese, it's a biographical film about the life of boxer Jake LaMotta, starring Robert De Niro in an Academy Award-winning role.

19. **Goodfellas (1990):** Directed by Martin Scorsese, it's a crime film based on the life of mobster Henry Hill and his involvement with the Italian-American mafia in New York City.

20. **Forrest Gump (1994):** Directed by Robert Zemeckis, it follows the life of a man with low intelligence (played by Tom Hanks) who unwittingly influences several defining historical events in the 20th century United States.

These movies have received critical acclaim for their storytelling, direction, performances, and impact on cinema.

[bristefreelanceservice]

The Top 10 Best Movies That Left a Lasting Impact

Introduction: Movies have the extraordinary ability to transport us to different worlds, evoke intense emotions, and spark profound thoughts. Over the years, the film industry has produced countless masterpieces that continue to captivate audiences and shape popular culture. In this blog post, we'll delve into the top 10 best movies that have left an indelible mark on the cinematic landscape. 1. The Godfather (1972): Francis Ford Coppola's crime epic, "The Godfather," has secured its place as one of the greatest films of all time. With its impeccable storytelling, compelling characters, and iconic lines, this movie not only defined the gangster genre but also introduced audiences to the Corleone family's intricate dynamics. 2. Citizen Kane (1941): Orson Welles' groundbreaking film "Citizen Kane" redefined cinematic storytelling with its innovative use of narrative techniques and stunning cinematography. Exploring the life of media magnate Charles Foster Kane, the film has remained a symbol of artistic achievement and an inspiration for filmmakers worldwide. 3. The Shawshank Redemption (1994): Frank Darabont's adaptation of Stephen King's novella is a testament to the power of hope and friendship. "The Shawshank Redemption" continues to resonate with viewers through its portrayal of resilience in the face of adversity and the possibility of redemption. 4. Star Wars: Episode IV - A New Hope (1977): George Lucas' space opera "A New Hope" launched a cultural phenomenon that has spanned generations. The film's blend of epic storytelling, memorable characters, and groundbreaking visual effects revolutionized the science fiction genre and gave rise to an enduring franchise. 5. Pulp Fiction (1994): Quentin Tarantino's "Pulp Fiction" is a postmodern masterpiece that expertly weaves interconnected narratives, pop culture references, and sharp dialogue. Its impact on independent cinema and its influence on subsequent filmmakers make it an essential entry on this list. 6. The Lord of the Rings: The Fellowship of the Ring (2001): Peter Jackson's adaptation of J.R.R. Tolkien's fantasy epic brought Middle-earth to life in a way previously thought impossible. "The Fellowship of the Ring" set the standard for epic storytelling and showcased the potential of modern visual effects in creating immersive worlds. 7. Casablanca (1942): "Casablanca," directed by Michael Curtiz, remains a timeless romance and a classic example of Hollywood's golden age. The film's unforgettable dialogue, combined with the chemistry between Humphrey Bogart and Ingrid Bergman, has secured its place in cinematic history. 8. Jurassic Park (1993): Steven Spielberg's "Jurassic Park" redefined blockbuster filmmaking with its groundbreaking use of CGI and its portrayal of living, breathing dinosaurs. The film's thrilling adventure and its impact on both cinema and popular culture make it an undeniable classic. 9. Inception (2010): Christopher Nolan's mind-bending "Inception" challenges viewers' perceptions of reality and dreams. With its intricate plot and stunning visual effects, the film has sparked countless discussions and interpretations, solidifying its status as a modern masterpiece. 10. Gone with the Wind (1939): A true cinematic spectacle, "Gone with the Wind" remains a landmark in film history. Its sweeping narrative, stunning production design, and powerhouse performances, particularly by Vivien Leigh and Clark Gable, make it an essential inclusion on this list. Conclusion: These top 10 best movies have not only entertained audiences but have also significantly impacted the world of cinema. Through their storytelling, technical innovation, and timeless themes, these films continue to resonate with viewers and inspire future generations of filmmakers. Whether you're a fan of drama, science fiction, or romance, these movies offer a diverse range of cinematic experiences that have stood the test of time. Read the full article

[honeyleesblog]

July 14 Zodiac - Full Horoscope Personality

They are keen on all that occurs on the planet, what others do, their thought process, all of which permit them to assemble data, grow their experience, and foster their internal identities. They reflect nature, they think and mirror a great deal. They have an extraordinary creative mind and like to stare off into space. They are removed, alterable, very held, fairly modest - they show little interest in succeeding throughout everyday life. Curiously delicate and frequently held - very figuring out in their way of behaving. They partake in their family climate and are astoundingly appended to their moms. They are close to home individuals, genuinely connected to others. They like the past, old traditions and, by and large, all old things; they frequently gather different things. They have a seriously heartfelt disposition. Economical and persisting - they don't leave their place of employment in any event, when every other person does. They are exceptionally terrified of being mocked, which frequently makes them veil their sentiments and cause mistaken assumptions. They are fit for enduring and profound love. Blemishes: They show a specific latency of character and absence of drive. After times of movement and work, there is a few latency and dormancy where they need to keep away from any work. They are excessively glad, excessively partial to shallow functions; nonetheless, they are very severe in connections. What compromises them? The center time of your life will be upbeat and blissful. Notwithstanding, in light of the fact that they express an excess of detachment when they ought to be making an honest effort, the finish of their life could be ominous. Sicknesses in which they may be in danger incorporate stomach related messes, gastric fever, and ailment.

July 14 Zodiac - Full Horoscope Personality 

 Assuming that your birthday is July 14, your zodiac sign is Malignant growth July 14 - character and character character: wary, unbiased, ready, anxious, impolite, little and limited receptive calling: rancher, musician, attorney tones: orange, dark, earthy colored stone: feline's eye animal: duck plant: Chives fortunate numbers: 21,23,44,46,51,53 very fortunate number: 5 Occasions and Observances - July 14 Iraq: Republic Day. Nicaragua: Public Banner Day. France: French Public Day. July 14 Big name Birthday. Who was conceived that very day as you? 1901 - Gerald Finzi, English author (d. 1956). 1903: Irving Stone, American author (d. 1989). 1904: Isaac Bashevis Vocalist, Clean essayist, Nobel Prize Champ for writing in 1978 (d. 1991). 1907: Annabella, French entertainer (f. 1996). 1910: Lucas Demare, Argentine movie producer (d. 1981). 1910: William Hanna, American illustrator, producer and maker (d. 2001). 1911: Terry-Thomas, English entertainer (d. 1990). 1911: Gertrude Scharff Goldhaber, American atomic physicist of German Jewish beginning (d. 1998). 1912: Northrop Frye, Canadian abstract and scholar (d. 1991). 1912: Woody Guthrie, American performer (d. 1967). 1913: Gerald Portage, 38th American president somewhere in the range of 1974 and 1977 (d. 2006). 1916: Natalia Ginzburg, Italian author (d. 1991). 1916: Julio Watchman, Argentine screenwriter and movie producer (d. 1979). 1918: Ingmar Bergman, Swedish movie producer (d. 2007). 1919: Lino Ventura, Italian entertainer (d. 1987). 1921: Geoffrey Wilkinson, English scientist, 1973 Nobel Prize victor for science (d. 1996). 1922: Julio Cozzi, Argentine soccer player (d. 2011). 1922: Mario Recordდ³n, Chilean competitor (f. 1994). 1923: Dale Robertson, American entertainer (d. 2013). 1923: Robert Zildjian, American financial specialist (d. 2013). 1924: James Whyte Dark, English doctor and pharmacologist, 1988 Nobel Prize Champ (d. 2010). 1925: Marდ­a Asunciდ³n Catala Poch, Catalan mathematician and cosmologist (d. 2009). 1926: Harry Dignitary Stanton, American entertainer. 1928: Nancy Olson, American entertainer. 1929: Julio de Grazia, Argentine entertainer (d. 1989). 1931: Luis Pდ©rcovich Roca, Peruvian drug physicist and legislator (b. 2017). 1932: Helga Linდ©, German entertainer got comfortable Spain. 1933: Robert Bourassa, Canadian government official and financial specialist (b. 1996). 1937: Yoshiro Mori, Japanese State leader. 1938: James Christy, American cosmologist. 1938: Jerry Rubin, American social dissident (b.1994). 1938: Richard Rust, American entertainer (d. 1994). 1939: Peter Duryea, American entertainer (d. 2013). 1939: Karel Gott, Czech artist. 1939: Sid Haig, American entertainer. 1941: Ron Karenga, American essayist and extremist. 1942: Javier Solana, Spanish government official. 1943: Christopher Minister, English writer. 1945: Jim Gordon, American artist. 1946: Vincent Pastore, American entertainer. 1947: Navinchandra Ramgoolam, State leader of the Mauritius Islands. 1948: Berhaneyesus Demerew Souraphiel, Catholic strict and Ethiopian cardinal. 1949: Tommy Mottola, American music maker. 1953: Bebe Buell, American model and artist. 1955: L. Brent Bozell III, American essayist and dissident. 1956: Julio Chდ¡vez, Argentine entertainer. 1958: Miguel დ?ngel Cortდ©s, Spanish government official. 1959: Wilmer Barrientos, Venezuelan general. 1960: Kyle Gass, American entertainer, guitarist and artist musician, of the band Industrious D. 1960: Angelique Kidjo, Beninese artist musician. 1960: Jane Lynch, American entertainer. 1961: Jackie Earle Haley, American entertainer. 1966: Owen Coyle, English footballer and mentor. 1966: Tanya Donelly, American musician and guitarist, of the groups Midsection and The Reproducers. 1966: Matthew Fox, American entertainer. 1966: Ellen Reid, Canadian artist, of the band Life sized models. 1966: Brian Selznick, American artist. 1966: Ana Marდ­a Cuervo, Spanish cell researcher 1967: Karsten Braasch, German tennis player. 1967: Jeff Jarrett, American expert grappler. 1967: Robin Ventura, American baseball player. 1967: Michelle Yvonne Simmons, English physicist 1969: Kazushi Sakuraba, Japanese grappler. 1971: Antonio Carlos Ortega, Spanish handball player. 1971: Imprint LoMonaco, American expert grappler. 1971: Scratch McCabe, English guitarist, of the groups The Verve and The Dark Boats. 1971: Joey Styles, American reporter. 1971: Howard Webb, English ref. 1972: Deborah Postal carrier, Australian entertainer. 1973: Kota Hirano, Japanese mangaka. 1973: Candela Pena, Spanish entertainer. 1974: Erick Dampier, American ball player. 1974: Alberto Hevia, Spanish convention driver. 1974: David Mitchell, English entertainer and entertainer. 1975: Untouchable, American rapper, of the band Dark Looked at Peas. 1976: Andrდ©s Ospina, essayist and maker of Colombian radio. 1976: Diego Rivarola, Argentine-Chilean soccer player. 1976: Kirsten Sheridan, Irish producer. 1977: Mototsugu Shimizu, Japanese warrior. 1977: Victoria of Sweden, Swedish blue-blood. 1977: Adil Ramzi, Moroccan footballer. 1978: Mattias Ekstrდ¶m, Swedish motorsport driver. 1978: Kristy Wright, Australian entertainer. 1979: Bernie Castro, Dominican baseball player. 1979: Ariel Garcდ©, Argentine soccer player. 1979: Josდ© Moratდ³n, Spanish footballer. 1979: Scott Watchman, American entertainer and vocalist. 1982: Andrდ©s Borghi, Argentine chief and screenwriter, maker of the computer game "The Dark Heart". 1983: Igor Andrდ©iev, Russian tennis player. 1983: Kareem McLean Powell, Costa Rican soccer player. 1983: Juan Carlos Gutiდ©rrez, Venezuelan baseball player. 1984: Adriana Abenia, Spanish TV moderator, model and entertainer. 1984: Renaldo Balkman, American ball player. 1984: Alessandro Boccolini, Italian footballer. 1984: Mounir El Hamdaoui, Moroccan footballer. 1984: Samir Handanoviე?, Slovenian footballer. 1984: Nilmar, Brazilian soccer player. 1984: Fleur Saville, New Zealand entertainer. 1986: Alexander Gerndt, Swedish footballer. 1986: Dan Smith, English artist. 1987: Sara Canning, Canadian entertainer. 1987: Adam Johnson, English footballer. 1987: Dan Reynolds, American artist. 1988: Conor McGregor, Irish MMA warrior. 1988: Luis Lozenge, Paraguayan entertainer. 1989: Sean Flynn, American entertainer. 1992: Malena Luchetti, Argentine entertainer. 1993: Rubდ©n Garcდ­a, Spanish soccer player. 1993: Ailდ­n Salas, Argentine entertainer of Brazilian beginning. 1997: Cengiz დ?nder, Turkish footballer. 1998: Lucდ­a Garcდ­a, Spanish footballer

[paulskies]

Star wars the last jedi

The Last Jedi is part of a new trilogy of films announced after Disney's acquisition of Lucasfilm in October 2012. It was produced by Lucasfilm president Kathleen Kennedy and Ram Bergman and executive produced by The Force Awakens director J. J. Abrams. John Williams, composer for the previous episodic films, returned to compose the score.

Yoda

Yoda was a legendary member of the Jedi Council as a Grand Master of the Jedi Order and member of a mysterious species capable of living for centuries. He was stronger than most in a connection to the Force and though he was small in size, he'd been so powerful and wise having had trained Jedi for several centuries.He is a small, green humanoid alien who is powerful with the Force and is a leading member of the Jedi Order until its near annihilation.

Darth vader

Darth Vader is a fictional character in the Star Wars franchise. The character is the central antagonist of the original trilogy and, as Anakin Skywalker, is one of the main protagonists in the prequel trilogy. Star Wars creator George Lucas has collectively referred to the first six episodic films of the franchise as "the tragedy of Darth Vader,has become one of the most iconic villains in popular culture, and has been listed among the greatest villains and fictional characters ever. His masked face and helmet, in particular, is one of the most iconic character designs of all time.

Boba fett

With his customized Mandalorian armor, deadly weaponry, Boba Fett was once regarded as one of the most fearsome and capable bounty hunters in the galaxy. An unaltered genetic clone of his father, bounty hunter Jango Fett, Boba learned combat and martial skills from a young age,the armor that he wears was passed down by his father, and he considers it his birthright, but not something he has necessarily earned in the eyes of the Mandalorian.

Chew baca

Known as Chewie to his closest friends, he was part of a core group of rebels who restored freedom to the galaxy during the reign of the Galactic Empire. Known for his short temper and accuracy with a bowcaster, Chewie also has a big heart and unwavering loyalty to his friends.Chewbacca, known affectionately to his friends as Chewie, was a Wookiee male warrior, smuggler, mechanic, pilot, and resistance fighter who fought in the Clone Wars, the Galactic Civil War, the Cold War, and the subsequent First Order-Resistance War.

BB 8

BB-8 accompanied Poe Dameron on many missions for the Resistance, helping to keep his X-wing in working order. When Poe's mission to Jakku ended with his capture by the First Order, BB-8 fled into the desert with a vital clue to the location of Luke Skywalker.The Resistance's ranks had been thinned to almost nothing, but the fight for galactic freedom would continue. BB-8 continued serving the Resistance as Poe helped General Organa rebuild the organization after Crait. He also kept Rey company during her Jedi training on Ajan Kloss.

C-3PO

Built by Anakin Skywalker, C-3PO was designed as a protocol droid intended to assist in etiquette, customs, and translation, boasting that it is fluent in over six million forms of communication.Along with its astromech droid counterpart and friend R2-D2, C-3PO provides comic relief within the narrative structure of the films, and serves as a foil. Anthony Daniels has portrayed the character in eleven of the twelve theatrical Star Wars films released to date, with the exception of Solo: A Star Wars Story, where the character does not appear.

Luke Skywalker

Luke Skywalker was an Human male born a child of the Jedi Knight Anakin Skywalker and a Senator of Naboo, Padmé Amidala, Luke Skywalker was raised by the farmer aunt and a uncle Lars on the desert planet of Tatooine where he was kept hidden away from the Emperor and Dark Lord of the Sith Darth Sidious and his father Anakin, who fell to the Dark Side and became Darth Vader.

[uomo-accattivante]

After Michelle Williams dropped out of Scenes from a Marriage, Oscar Isaac recruited Jessica Chastain to join the production via text messaging.

Excerpt:

Also this fall, Chastain appears in far less makeup and in more natural light in HBO’s new Scenes From a Marriage, based on Ingmar Bergman’s 1973 Swedish miniseries. Chastain plays opposite Oscar Isaac, her old Juilliard pal of 20 years, who texted her last-minute to jump in as the show was going into production during the COVID-19 pandemic.

“She’s one of the greats,” says Isaac. “She’s someone that has always inspired me and brought the best out of me, both as an actor and a person. Acting with her is effortless. Nothing needs to be planned in advance. As long as I’m present, I know anything can happen because there is total trust.”

Adds Chastain, “Because Oscar and I are so comfortable, we didn’t have to be polite. In some sense, we could read each other’s minds.”

Says Scenes From a Marriage creator Hagai Levi, known for his work on the original Israeli In Treatment, “Their old-time chemistry made their married dynamic appear very real and close on-screen.”

Of course, Chastain has her own dashing husband at home, fashion executive Gian Luca Passi de Preposulo. She promises that though both Scenes From a Marriage and The Eyes of Tammy Faye show relationships crumbling (as does Ibsen’s A Doll’s House, which Chastain hopes to do on the West End soon, after a production was cancelled because of the pandemic), her husband is “great.”

Usually, because there are so many people working on set, you have a lot of visitors and “there are just people everywhere,” Chastain says. But because of protocols, Preposulo wasn’t allowed to visit Chastain on Scenes From a Marriage. “There was never a break. I wanted to be reminded of my great husband, but it was so intense and so intimate. Takes were 25 minutes long. We were just fully invested in our characters.”

(rest of the article can be accessed via the source link below)

[santiagogarcia]

Also this fall, Chastain appears in far less makeup and in more natural light in HBO’s new Scenes From a Marriage, based on Ingmar Bergman’s 1973 Swedish miniseries. Chastain plays opposite Oscar Isaac, her old Juilliard pal of 20 years, who texted her last-minute to jump in as the show was going into production during the COVID-19 pandemic.

“She’s one of the greats,” says Isaac. “She’s someone that has always inspired me and brought the best out of me, both as an actor and a person. Acting with her is effortless. Nothing needs to be planned in advance. As long as I’m present, I know anything can happen because there is total trust.”

Adds Chastain, “Because Oscar and I are so comfortable, we didn’t have to be polite. In some sense, we could read each other’s minds.”

Says Scenes From a Marriage creator Hagai Levi, known for his work on the original Israeli In Treatment, “Their old-time chemistry made their married dynamic appear very real and close on-screen.”

Of course, Chastain has her own dashing husband at home, fashion executive Gian Luca Passi de Preposulo. She promises that though both Scenes From a Marriage and The Eyes of Tammy Faye show relationships crumbling (as does Ibsen’s A Doll’s House, which Chastain hopes to do on the West End soon, after a production was cancelled because of the pandemic), her husband is “great.”

Usually, because there are so many people working on set, you have a lot of visitors and “there are just people everywhere,” Chastain says. But because of protocols, Preposulo wasn’t allowed to visit Chastain on Scenes From a Marriage. “There was never a break. I wanted to be reminded of my great husband, but it was so intense and so intimate. Takes were 25 minutes long. We were just fully invested in our characters.”

— Jessica Chastain talking about Scenes From a Marriage in DuJour (x)

[daisyjoners]

tag dump! lune’s version - personagens.

[pkmn-nextgenadventures]

Hi Hi! I just found your blog and I'm in love with all your fankids (especially Os, he's a baby) and also your artstyle is cute! Mind if you give us a list of all the families in this wonderful au? Thank you in advance :DDD

Note: this post is now very out of date, check out the new directory page for a list of current ships and fankids!

Thank you! This truly means a lot. Os is one of my fav kids as well, he’s a good boy ;_;

I’m working on an actual directory of families but for now I’ll give a list of all the current kids and their parents under the cut! I also have a fankid directory here which is usually the most up-to-date list, as I do occasionally change things or retcon more minor characters I’m having trouble developing.

Kanto:

Fern Ketchum (Ash/Misty’s daughter; also Gary’s and Tracey’s stepdaughter)

Rory Greenwood (Red/Yellow’s son)

Amber Greenwood (Red/Yellow’s daughter)

Adam Harrison (Brock/Autumn’s son)

Bryn Harrison (Brock/Autumn’s son)

Briar Harrison (Brock/Autumn’s son)

Ivy Harrison (Brock/Autumn’s daughter)

Leo Sketchit (Misty/Tracey’s son)

Briony Sketchit (Misty/Tracey’s daughter)

Hazel Sonezaki-Oak (Bill/Daisy’s daughter)

Johto:

Harper Blair (Lyra/Silver’s daughter)

Levi Blackthorn (Lance’s son)

Jonathan “Johnny” Woodson (Jessie/James’ son)

Josephine “Josie” Woodson (Jessie/James’ daughter)

Hoenn

Olivia Hayden (May/Drew’s daughter)

Alyssa Hayden (May/Drew’s daughter)

Cecily Birch (Brendan/Wally’s daughter)

Dara Birch (Brendan/Wally’s son)

Jasper Stone (Steven/Wallace’s kid)

Orlando Stone (Steven/Wallace’s son)

William “Will” Powell (Max/Vivi’s son)

Sinnoh

Isabelle Berlitz (Dawn/Paul’s daughter)

Tristan Berlitz (Dawn/Paul’s son)

Alena ‘Lena’ Ilyinichna Morozova (Cynthia’s adopted daughter)

Emilia Stein (Reggie/Maylene’s daughter)

Matthias Stein (Reggie/Maylene’s son)

Elliot Hawthorne (Barry/Lucas’ son)

Cordelia Schoenberg (Ursula’s daughter)

Unova

Kezia Bergman-Weiss (Hilda/Bianca’s daughter)

Osbert Oleander “Os” Gropius Weiss (N/Hilbert’s son)

Lavender Griffith (Iris/Cilan’s daughter)

Basil Griffith (Iris/Cilan’s son)

Cassia Griffith (Chili’s daughter)

Ivan Tyrone “Grimsley Jr.” Grimsley (Grimsley’s son)

Alice Grayson (Hugh/Rosa’s daughter)

Kalos

Madeleine ‘Maddie’ Pascale (Serena/Shauna’s daughter)

Arianne 'Ari’ Pascale (Serena/Shauna’s daughter)

Felix Renaud (Calem/Korrina’s son)

Suzette Griffith-Delmotte (Cilan/Clemont’s daughter)

Nancy Thomas (Anabel’s adopted daughter, also sort of Looker’s adopted daughter)

Alola

Kai Rivera (Lillie/Hau’s son)

Leilani Rivera (Lillie/Hau’s daughter)

Linnea Kukui (Kukui/Burnet’s daughter)

Hana Mahi’ai (Mallow/Lana’s daughter)

[robkirbycomics]

HOUSE OF DARK SHADOWS ('70) When Barnabas Collins leaves the small screen he discovers he can inflict a lot more blood & mayhem on the big screen #31horrorfilms31days

NIGHT OF DARK SHADOWS ('71) Quentin Collins inherits Collinwood in all its splendor, inhabited by the spirit of Angelique the witch, who only wants him to love her. Obviously Quentin's new wife is not into this situation, no way no how

GERALD’S GAME ('17) Couple's sex-zay weekend becomes much less so when he keels over dead while she's handcuffed to the bed. Surprisingly potent mix of super-squirmy thrills n chills w/ Triumph of the Spirit uplift

BODY BAGS ('93) trio of horror tales features a very early 90s brew of synth-y score, jokey cameos by Wes Craven, et al. & an overall sophomoric vibe. But also good performances + Debbie Harry. Body Bags = mixed bag

HEREDITARY ('18) This very dark blend of ORDINARY PEOPLE with ROSEMARY’S BABY features a wonderfully unhinged performance by Toni Collette and remains a sobering reminder that sometimes it does *not* get better

TRAIN TO BUSAN (’16) Excellent Korean Zombie Apocalypse thriller mixes edge-of-the-seat thrills with involving human drama - with characters you genuinely care about. At the end I was all (crying emojis)

THE TAKING OF DEBORAH LOGAN ('14) Harrowing found footage flick: a documentary film crew filming a woman dealing w/ early effects of Alzheimer's disease finds she is afflicted w/ something much worse - something *unholy*. A small gem, I recommend

THE REEF (’10) TFW you realize that the perfect killer shark movie was made nearly 45 years ago. But anyway here's yet another killer shark movie

THE BLACKCOAT’S DAUGHTER ('15) Weirdo teen girl & non-weirdo teen girl spend a lonely holiday weekend in an empty all-girl's school where things get super creepy in that arty-slow-burn-fractured-narrative fashion. Honestly, I was riveted

VIY ('67) Loser-y Russian seminary student must spend 3 scary nights praying over a dead witch's body. Only she's not so dead & wants to drag him down to hell with her. During the day he drinks much vodka, who could blame him? Enjoyed this charming folktale

TIGERS ARE NOT AFRAID ('16) del Toro-esque tale of orphaned street kids on the lam from a vicious drug cartel, alternately haunted & helped by ghostly victims of the cartel. Scary, funny & touching, a fairytale that will give you the feels

ANGST ('83) Psycho creep gets out of jail and wants to kill, proceeds to do so. Best part of this clammy little German film: the totes adorbs little dachshund, even the whackjob seemed to like it with its cute little wagging tail

PONTYPOOL (’07) Radio shockjock has a super bad day at work when a terrible virus breaks out that turns people into murderous zombies - esp when he learns how the virus is transmitted. Def recommend this excellent, downright existential Canadian chiller

HELL HOUSE LLC ('16) A crew of douchebags acquire an old hotel w/ unsavory past to open a Halloween haunted house, only to find themselves stuck in an overlong combination of THE BLAIR WITCH PROJECT w/ THE BEYOND - never a good place to be 

SUSPIRIA ('18) Luca Guadagnino’s radical reimagining of Dario Argento's rococo 1977 masterpiece polarized horror fans: Those Who Damned vs Those Mesmerized. Count me solidly in the latter camp 

16. DARLING ('15) Young woman takes housesitting job in huge, elegantly ritzy NYC apt, slowly unravels, eventually does damage w/ a big kitchen knife. All in beautiful B&W

HUMANOIDS FROM THE DEEP ('80) Monstrous mutants arise from the depths to terrorize a fishing village. Turns out they also want to propagate the species, Ew

BUCKET OF BLOOD ('59) Loser schnook works as a busboy in beatnik cafe, then finds success pawning off corpses covered in plaster as ART. This adorbs time capsule amusingly satirizes both beatnik culture & Art World bullshit

LITTLE SHOP OF HORRORS ('60) This cheap little quickie about a bloodthirsty plant that morphed into an 1982 off-Broadway hit & more is still engaging, w/ fun Borscht belt type humor & game cast, incl Jack Nicholson, genuinely funny as a masochistic dental pt 

EATEN ALIVE ('76) Sweaty whackjob owns (A) rundown remote hotel, (B) large scythe, & (C) man-eating crocodile, all leading to (D) bizzaro murderous mayhem. Highlight: the croc (spoiler alert) eats a pre-Freddy Kruger Robert Englund

HOUR OF THE WOLF ('68) Artist & wife settle into life on isolated, windy island, where he inevitably begins to succumb to his inner demons. Ingmar Bergman's lone horror film is filled w/ all kinds of frightening imagery + existential dread. Good times!

THE BOY WHO CRIED WEREWOLF (’73) Little Richie: I'm scared, Dad's a werewolf! Let's not go camping with him! Everyone: He is not, you're tired, you had a nightmare, those dead people were killed by a wild animal, go to bed, etc. Repeat for 80 minutes

ONE CUT OF THE DEAD ('19) Japanese item features a low-budget film crew filming a zombie flick. Charming, funny, & way-meta - recommend not reading anything about it B4 watching (after this post, obvs)

JU-ON: THE GRUDGE ('02) A brutal double murder creates a relentless curse in this genuinely creepy Japanese ghost story. It's also one of ol' Rob's faves from the aughts

JENNIFER ('78) TFW the school bullies are being super horrible but then you remember Hey wait I have *supernatural power* over *SNAKES* and I could totally use that to my advantage! (hint: she totally does)  

THE AUTOPSY OF JANE DOE ('16) Father & son coroners perform an autopsy on a mysterious corpse & must soon deal with several standard supernatural tropes including jump scares 

HAGGAZUSSA ('17) Portrait of a woman branded as a witch, living in isolation outside a remote village, slowly losing her grip. Not a fun or action-packed watch, but if ur willing to meet it halfway, this German film might both mesmerize & horrify you.

IN THE TALL GRASS (’19) People get lost in an ominous field of grass that apparently stretches out waaay further than you'd ever think possible, not unlike the runtime of this movie

THE NIGHTSHIFTER (’18) In this clever Brazilian gem, guy working in a morgue learns the hard way that when the dead impart information, what they tell you should stay *strictly* confidential

MANDY (’18) Nicolas Cage dials it up way past over-the-top avenging himself on an evil cult & demon bikers in this flamboyantly campy, blood-soaked, LSD-infused revenge tale. Me = shaking my head, utterly hypnotized throughout

CANDYMAN (’93) Candyman Candyman Candyman Candyman (...)

INHUMAN KISS ('19) Young lovers must contend w/ the fact that her head detaches from her body every night to feed upon flesh in this romantic, wildly over-the-top dark fantasy from Thailand. Lovely way to wrap up this yr's  #31horrorfilms31days extravaganza

[alphaneptune]

undefined

Jabberwocky was a daily children's TV show designed for 5-10 year-olds that eventually went into national syndication. The original series ran Monday through Friday for over two seasons, from 1972 to 1974, on WCVB in Boston; the nationally syndicated version ran weekly and was rerun in the wee hours of Saturday mornings by many TV stations up until the 1990s.

Created and videotaped by WCVB-TV Channel 5 Boston, Jabberwockyfeatured real actors and puppets and various interstitial cartoons. The "show within a show" concept featured actress JoBeth Williams—in one of her earliest roles—and actor Tucker Smallwood as the "lead performer" and "director" respectively of a children's show. The actress and director were played by Joanne Sopko and Carl Thoma in the first season. Harvard professor and psychologist Jerome Kagan was an advisor to the program.

The friendly antagonist in most episodes was puppet character Dirty Frank, who popped up from whatever packing crate was convenient. As a representative alter-ego for children, Dirty Frank's inquisitive nature and his sloppy behavior drove the plot of most episodes.

Another main character was the helpful and venerable Mr. Buchanan (actor Robert Prosky), a human handyman-prop master who concocted various inventions to help children in his backstage workshop. In many episodes, Mr. Buchanan's failed inventions and grandfatherly insights led the characters toward answers to their questions.

The characters were seen in a studio set, but episodes often took them out into the Greater Boston area for miniature documentary segments.

Co-creators Fred Schilpp (Executive Producer) and Adam Villone (Head Writer) wrote many of the episodes along with Dewey Bergman and Joseph A. Bailey. Tucker Smallwood was also an occasional segment writer for the show. The animation sequences, and the puppets, were created by Tom and Bob Jurkowski. The original theme music was written and produced by David Lucas of David Lucas Associates, a commercial music house in New York. Gail Frank was Producer and eventually became Executive Producer. Peter Johnson, the puppeteer, was trained by Caroll Spinney (Big Bird) from Sesame Street and Children's Television Workshop.

The value-based program won several major broadcasting awards including a citation from Action for Children's Television, the first ever given to a commercial television program.

WCVB-TV continued to air Jabberwocky well after it went out of production, as it became part of the station's past legacy of original local programming (for over two decades, WCVB was known for producing more local programming than any other station in the U.S.). By the mid-to-late 1980s, the show could always be seen Saturday mornings at 5 a.m., followed by off-network reruns and later, in the 1990s, by syndicated children's programming that lead up to ABC's Saturday Morning lineup (most notably Cappelli & Company). However, WCVB did venture into original children's programming post-Jabberwocky; subsequent shows included The Nature World of Captain Bob, Pixanne, Rainbow, Rapmatazz and A Likely Story.

By 1999-2000, after a continued airing of more than 25 years, Jabberwocky (along with classic airings of The Nature World of Captain Bob, whose reruns also continued well past its production) vanished off the station's schedule.

[sleemo]

Rian Johnson on His Favorite ‘Last Jedi’ Joke, Loving Kylo Ren and Arguing With Mark Hamill

— Newsweek | Dec 19, 2017

A long time ago, before they entered a galaxy far, far way, The Last Jedi writer/director Rian Johnson and producer Ram Bergman began their own epic journey as filmmaking partners. It started with Brick, the 2005 teen noir starring Joseph Gordon-Levitt. Though now regarded as a cult classic, that film made just $2 million at the box office. Johnson and Bergman went on to make two more feature films—the quirky indie romance The Brothers Bloom in 2008 and 2012’s Looper —before they were handed the keys to the Star Wars kingdom. Now, Johnson, 44, and Bergman, 47, are celebrating a $220 million opening weekend for The Last Jedi. The duo spoke to Newsweek about, among other things, finding their way in the mega-franchise.

Star Wars is a huge franchise—very different from other films you’ve made together. What were the key differences?

Rian Johnson: The most bizarre thing about this whole process was how it didn’t feel very different from the process on our other films. Once I delivered a script that everyone was excited about, we were all on the same page about the movie we were making. Disney and [Lucasfilm president] Kathleen Kennedy stepped back and let us make it, which was extraordinary given the size of this movie.

Ram Bergman: Rian delivered the first draft so far in advance, which doesn’t ever happen—like 13 or 14 months before we started filming, so we were able to prep. Rian knew exactly what he wanted, so they trusted him.

Did any of that trust come from your experience with Looper, which was a pretty ambitious sci-fi film?

Bergman: 100 percent.

Johnson: I wouldn’t want to speak for Kathy, but I have a feeling Looper was the thing that sent her our way. And it gave me a little [confidence]—if she likes what we did there, then maybe we can step in and find what’s personally interesting to us.

And what was personally interesting to you about the Star Wars franchise?

Johnson: My connection to it goes back to when I was a kid, so the thing as a whole. But I had to find the story and each of the individual characters—something that I could emotionally engage in. I think Kathy and Disney recognized that the reason the original movies had such a beating heart is because they were personal to [George] Lucas. They were his story.

As a young Star Wars fan, were you playing with the action figures and making up your own stories?

Johnson: Most of the stories I made up as a kid were probably terrible. [Laughs.] They probably would have ruined Star Wars. There would have been G.I. Joe crossovers involved. It would not have come out well.

Who was your favorite character in the original films?

Johnson: Luke Skywalker was always my guy. The way Lucas built the hero’s journey into the original movie… The hero’s journey is really just about growing up. It’s about finding your place in the world. As a kid, seeing Luke go from this very small world into a very big adventure, and feeling like you’re on the cusp of that—it’s scary! These movies give you a roadmap: It’s going to be scary, but it’s going to be OK. That was my entry point.

I read that you and Mark Hamill had different interpretations of Luke. Who was Luke to you, as a character for The Last Jedi specifically, and where was Mark coming from?

Johnson: I had to go from The Force Awakens, where the one big thing we know about Luke is that his friends are fighting the good fight and he’s isolated himself on an island. He’s taken himself out of the fight. So I had to figure out why, and it had to be consistent with Luke as I knew him. He was a hero. That meant he has to believe he’s doing the right thing by removing the Jedi from the equation.

And Mark—this character’s been part of his life for the past 40 years. He’s had a lot of time to think about what Luke would be if he came back. There’s no way that what I came up with was going to line up with what he had in his head. So we got into it, we talked about it, we argued, we went back and forth. I had to justify the choices I made to him. It’s not like there was ever a point where he said, “OK, that all makes sense to me.” But he got to a point where he said, “I can understand why you’re doing these things. I’m going to choose to trust you and go on this journey with you.” Which was incredibly generous of him creatively.

His first scene with Rey [Daisy Ridley] takes an unexpected direction. He throws away the lightsaber she is offering him. It’s a funny moment. What was the thinking there?

Johnson: I thought that's what Luke would do. He's made a purposeful choice to walk away from everything, and he's made a Herculean effort to do so. He's taken himself to, as he says, this unfindable place. And then this kid shows up, a symbol of everything he’s left behind. She holds [the lightsaber] out to him as if to say, “Here you go, here's what you've been waiting for.” And he tosses it and walks off. I knew it would be a moment that might be unexpected, but I wrote it because it felt like—honestly, what else would happen?

There’s a lot of humor in The Last Jedi. Do you have a favorite comedic moment?

Johnson: There’s a moment between Kylo and Hux [actor Domhnall Gleeson], when they’re in the shuttle at the very end. Kylo gives an order, and then Hux very loudly repeats it as if everyone in the room can’t hear him. Adam just gives him this look. We came up with that on the day. It’s a little moment, but I love it. I like finding situational humor in unexpected places.

Humor has always been a big part of these movies to me, and especially for this one because I knew we were going to some darker places. I also knew we were going to be sitting on an island discussing religion for a big chunk of time.

Is there a character in The Last Jedi that you particularly identify with?

Johnson: One of the more interesting for me was Kylo Ren, especially his notion of moving forward cutting off his past. That’s something that all of us can relate to. As you get older you realize that behavior might feel appealing and cathartic, but if you think that’s progressing—by throwing away what came before—you’re probably fooling yourself. The past is there, and it’s always going to be there. That’s the lesson.

And Adam [Driver] is such an incredible actor! That’s part of the reason I wanted to get the mask off him so early—to be able to see those eyes, to use everything that was there.

How much did fan theories influence you when you were writing?

Johnson: I started writing this while they were filming The Force Awakens, so the movie wasn’t out there yet. It was really nice because I didn’t have to deal with how the world reacted to that film.

Bergman: You can’t get deep into the fans and all that stuff. Clearly, you read here and there, but at some point, you really don’t pay attention.

Have you seen the reactions on Twitter?

Johnson: Star Wars fans are a passionate bunch, and whether it’s positive or negative, they’re gonna react really passionately. Weirdly, I feel able to personally disconnect and see it as all part of how much people care about these films. They care about the specific things they want from them, and whether they get them or not.

Can you give us any hints about your new Star Wars trilogy?

Johnson: One word would be “possibilities.” That’s the only word I have right now! Honestly, we’re starting with a blank slate. That was our pitch to Disney and to Kathy: Blue sky. New story, new characters, new places, and right now I’m just at the beginning of what it’s going to be. The potential is what seems so exciting.

— Newsweek

[dan6085]

Determining the greatest movies of all time is a subjective endeavor, as everyone's taste in film is different. However, here are 20 movies that have garnered widespread critical acclaim and have had a significant impact on the film industry.

1. The Godfather (1972): Directed by Francis Ford Coppola, this crime drama follows the Corleone family as they navigate the world of organized crime. Starring Marlon Brando, Al Pacino, and James Caan, the film is widely regarded as a masterpiece of cinema, known for its iconic scenes and memorable performances.

2. Citizen Kane (1941): Directed by and starring Orson Welles, this film tells the story of a newspaper magnate's life and death. Considered by many to be the greatest film ever made, Citizen Kane is known for its innovative storytelling techniques and cinematography.

3. Casablanca (1942): Starring Humphrey Bogart and Ingrid Bergman, this romantic drama is set during World War II and tells the story of a nightclub owner who must choose between love and loyalty. The film is known for its iconic dialogue and timeless themes of sacrifice and love.

4. Gone with the Wind (1939): This epic historical drama follows the life of a Southern belle during and after the Civil War. Starring Vivien Leigh and Clark Gable, the film is known for its sweeping cinematography, memorable performances, and controversial depiction of the Antebellum South.

5. The Shawshank Redemption (1994): This prison drama, based on a Stephen King novella, tells the story of a man who befriends a fellow inmate while serving a life sentence. Starring Tim Robbins and Morgan Freeman, the film is known for its themes of hope and redemption.

6. The Godfather: Part II (1974): Directed by Francis Ford Coppola, this sequel to The Godfather follows the rise of a young Vito Corleone and the fall of his son Michael. The film is known for its complex plot and nuanced performances, and is often cited as one of the greatest sequels ever made.

7. Schindler's List (1993): Directed by Steven Spielberg, this historical drama tells the story of a German businessman who saves the lives of over a thousand Jewish refugees during the Holocaust. The film is known for its emotional impact and powerful performances.

8. Psycho (1960): Directed by Alfred Hitchcock, this psychological thriller tells the story of a woman who checks into a motel run by a disturbed young man. The film is known for its iconic shower scene and twist ending, and is often cited as one of Hitchcock's greatest works.

9. Star Wars: Episode IV - A New Hope (1977): Directed by George Lucas, this science fiction classic follows a young farm boy who joins a rebellion against an evil empire. The film is known for its groundbreaking special effects and memorable characters, and spawned a massive franchise.

10. The Silence of the Lambs (1991): This psychological thriller stars Jodie Foster as an FBI agent who must track down a serial killer with the help of an incarcerated cannibal. The film is known for its suspenseful plot and memorable performances by Foster and Anthony Hopkins.

11. The Matrix (1999): This science fiction action film, directed by the Wachowskis, tells the story of a computer programmer who discovers that reality is a simulation controlled by machines. The film is known for its innovative visual effects and iconic action sequences.

12. Pulp Fiction (1994): Directed by Quentin Tarantino, this crime film tells several interwoven stories about the criminal underworld. The film is known for its nonlinear narrative structure and memorable dialogue, and is often cited as one of Tarantino's greatest works.

13. One Flew Over the Cuckoo's Nest (1975): Directed by Milos Forman, this drama follows a criminal who feigns insanity to avoid prison and is sent to a mental institution. Starring Jack Nicholson, the film is known for its powerful performances and themes of individuality and rebellion.

14. Lawrence of Arabia (1962): Directed by David Lean, this epic historical drama tells the story of a British officer who becomes a leader in the Arab revolt against the Ottoman Empire. The film is known for its sweeping cinematography and memorable performances by Peter O'Toole and Alec Guinness.

15. The Wizard of Oz (1939): This classic musical fantasy follows a young girl who is transported to a magical land and must find her way home. Starring Judy Garland, the film is known for its iconic songs, colorful visuals, and enduring popularity.

16. 2001: A Space Odyssey (1968): Directed by Stanley Kubrick, this science fiction epic follows a voyage to Jupiter with the sentient computer HAL 9000. The film is known for its innovative visual effects and philosophical themes about the nature of humanity and technology.

17. The Seven Samurai (1954): Directed by Akira Kurosawa, this Japanese epic tells the story ofa group of samurai who defend a village from bandits. The film is known for its innovative storytelling and influential impact on the action genre.

18. It's a Wonderful Life (1946): Directed by Frank Capra, this holiday classic tells the story of a man who is shown what life would be like if he had never been born. Starring James Stewart, the film is known for its heartwarming themes and enduring popularity.

19. The Bridge on the River Kwai (1957): Directed by David Lean, this war drama follows a group of British prisoners of war who are forced to build a bridge for their Japanese captors. The film is known for its stunning cinematography and powerful performances.

20. Forrest Gump (1994): Directed by Robert Zemeckis, this drama follows the life of a mentally challenged man who witnesses and influences several key events in American history. Starring Tom Hanks, the film is known for its heartwarming themes and memorable performances.

These 20 movies are just a small selection of the many great films that have been made over the years. Each one offers something unique and valuable, whether it be groundbreaking technical achievements, memorable performances, or enduring themes and messages.