#changed his music life which uh same also i can see the nirvana all over your lyrics man but anyway i know nothing about the band but i lov | Explore Tumblr posts and blogs

byronictrash · 3 years ago

Text

so I was thinking about the whole hbo supernatural thing and all I could think was how it would fit in my major spn interpretation which is TRANSFEM SAM WINCHESTER!!!!

• changed her name to samantha for pure praticity

• is a lesbian, so all the romantic part is pretty similar to the canon, monsterfucking and all

• in which dean got a little confused about the distinction of gender ≠ sexuality at first like “wait but why did you become a girl if you like girls?” (he doesn’t know a lot of queer people, give him some time)

• AND SPEAKING OF DEAN! the biggest ally of all times. at first he doesn’t understand lots of stuff that seems obvious to sam (“why are you putting on a suit?” “dean we’re going to a small town, the case will be way harder if everyone is staring at me”), asks indiscrety questions (“can i ask you something?” “it depends” “you wanna chop your dick off?” “NO YOU CANT ASK IT”) but over time he starts to get it more naturally

• despite his numerous hook-ups, dean has never spent so much time in his life in a company of a woman so even the smallest things are extraterrestrial to him (“hey whats that bowl in the microwave?” “depilatory wax” “OH CMON SAMMY I WAS GOING TO HEAT UP MY DINNER THERE”)

• of course, there would be a scene where they met some hunter friend of john who says shit about sam, misgender her etc and dean goes FERAL, fist fighting with the guy and stuff. later sam yells at dean, saying she doesn't need dean to protect her and the argument would escalate to all the times that dean treated her in a condescending way, dean yelling back that dad said it was his job to take care of her and sam yelling even louder that dad would probably dead by now (in this moment all the lamps in their room (and in the street) simply explode, but they ignore. it was probably some short circuit…. right?)

• ok lets talk about john. still the same asshole, still gave a gun to kid who was afraid of the boogeyman, still tried to summon azazel when his son was in comma in 02X01 BUT now he also has a whole series of microaggressions with sam. she’s not stupid, she know the dad she has so doesn’t come out until she’s in stanford, SO john finds out sam is trans in 01X16 when john see sam after two years wearing a skirt and holding a .45 gun. he looks at her up and down and doesn’t say anything however, suddenly stops calling sam sam and starts calling her strictly samuel.

• it got worse after s1 season finale with the whole azazel possessed john > sam had the opportunity of killing azazel/her dad > couldn’t do it > azazel escaped > the winchesters get hit by a truck. when sam questions her father about being worried about the colt while his own son is dying, john explodes with her “you know samuel this is all your fault, once again you couldn’t just man up and pull the fucking trigger, kill the thing, you had to be same old sissy and chicken off, if your brother dies its his blood in your hands”

• aaaaaanyway, lets go back to our girl :D

• her style is kinda a mess. makeup done in a hurry, most of her clothes are mid skirts, hoodies and long dresses but now and then she spends a week wearing baggy jeans and band t-shirts, like dean’s, and no makeup at all. when he asks her “where is the whole angry teen outfit?” sam would simply respond its “because of the praticity, it’s tough to fight with a vampire in a dress lol” dean knows its because sometimes sam’s internalized transphobia ft repression gets loud

• her music taste is mostly grunge, punk and some alt bands she discover in stanford but dean call all of it emo “oh fuck off sammy, i let you drive once and you already put this emo shit” “dean this is literally nirvana, you cant call everything made after the 80’s emo”

• when she came out to bobby his reaction was literally “so now you’re a girl?” “uh… yeah” “gonna change your name or something?” “now is samantha but sam is still fine” “okay, now look this sigil... (and went back to the lore they were searching)”

• sam’s catholicism being more portrained on screen and how the dilemma of being a Christian and queer filled sam with religious guilty

• her paranormal powers also showed up sooner and since the beginning she knew something was wrong. her throat felt sore every time she recited the rituale romanus and holy water made her skin itchy. the older she got, the harder those “symptoms” became and with her denial, desire to be normal combined with religious guilt, it was easier to just convince herself that all this was just god punishing her for living in sin.

• surprisingly, all the demons and angels (and most of the monsters) even being assholes treats sam with the right pronouns

• which make sam and cas fist encounter even more interesting because cas literally turns to dean and go “is this your sister, samantha winchester?” “yeah” “ABOMINATION”’

• samruby second (cause the real first was ruby killing the seven deadly sins and stuff) encounter on the other side was a little more like "why are you following me?” “because youre tall and tall women are sexy as fuck” (then sam’s brain was short circuited for a sec because her height make usually makes her dysphoric)

• between s3-s4, dean still in hell, there would be a scene of one of the first times that sam drank blood to exorcise a demon with her mind. so here they are, demon tied in a chair and trapped in a trap, sam with blood all over her chin and ruby looking at her all heart eyes. Sam tries to do the exorcism but it doesnt work so ruby says sam needs more blood. Sam responds that shes nauseous and if takes any more shes gonna puke (cause you know voluntary vampirism came too natural in canon and that disturbs me) so the demon, who's wearing a cheerleader as a vessel, laughs and says "you know sammy, for real women blood tends to be a natural thing". ruby kills her on the spot.

• speaking of the catholicism (and the blood drinking) again, sam prays every single time before/after drinking demon blood, ruby mocks her for it but she doesnt care. its a weird feeling because even thinking that what shes doing is right, that she needs to get strong to kill lilith, it still feels bad, unholy in some sense.

• of course lucifer tempted her in s5 not only appearing as jess but also saying things like "why samantha, after all, are you willing to sacrifice yourself for a society that treats you like scum, that looks at you like a freak?"

• no need to say that in 05x04 "The End" episode when dean faces lucifer using sam as his vessel, she's wearing an outfit way cooler than that abbey-road-john-lennon-white-suit (to know what i mean search amanda seyfried 2018 met gala look THATS WHAT IM TALKING ABOUT!!!!!)

• even after being clean of blood drinking, sam still has some of her paranormal powers. she can't do exorcises with her mind anymore but she can move small objects with telekinesis (she doesn't do it in front of dean cause she knows it would scares the fuck out of him)

i also had a list of some episodes rewritten in this au but this list is already long, guess i'll post later

#daaaaaaamn i have so many feelings about this #hbo supernatural #trans sam winchester #supernatural #samruby #transfem sam #lesbian sam winchester #kripke era #yeah im projecting #headcanon #mine

135 notes · View notes

maydaymemer · 5 years ago

Text

Steam vs. Sledgehammer

Yep it’s time to review two songs in one. My favourite song ever: Steam (yes, Steam), as well as one of the iconic songs of the ‘80s: Sledgehammer. Both by Peter Gabriel, both heavily influenced by funk and both with music videos directed by the late Stephen R. Johnson.

Sledgehammer needs no introduction for anyone over 40, which means it does need an introduction here. The song is the lead single from Peter Gabriel’s 1986 pop opus “So”, and is his only American #1 (it only got to #4 in the UK, which makes me more ashamed to be from here than ever). It’s known for its pioneering stop-motion animated music video which is still well regarded today, heck it kickstarted Aardman’s career before they made Wallace and Gromit. The song is a loving tribute to Gabriel’s favourite funk and Motown songs he listened to in his youth, there’s even a funny anecodote a read about Gabriel in his early days going to a soul cafe or something and being the only white guy there. To be a fly on the wall on that day. Methinks he was there to pick up chicks, not just listen to the music, which only makes me love the guy even more to be honest.

Steam on the other hand I don’t think anyone who isn’t a Gabriel fan remembers. Sure, when it was released in 1992 it was a hit but was generally seen as a Sledgehammer II: Sledge Harder, and didn’t set anyone’s world alight. Plus, people weren’t listening to Peter Gabriel in ‘92, they were bumping Nirvana and Tupac. On the bright side we did get a fucking insane music video which I love showing to people to get a reaction out of them.

One of them highly acclaimed and the other mostly maligned, but both are typically overshadowed by their music videos. I’m here to dig into what makes both these songs great, and why they’re both intelligent, finely crafted pop songs. I’m also going to note the similarities between the two, and why I think Steam was a more than worthy follow up.

Let’s get down to the start of both songs. Sledgehammer begins with a synthesised flute that goes on for about 15 seconds, before launching into an opening tune that knocks you right off your seat like, well a sledgehammer. This sets up an appropriate atmosphere for a song that combines the clever soul with the sexy sounds of the ‘80s to create a song that transcends past dated into just a banging tune that holds up today. The song has an excellent bassline and feels simply big. Then we get Gabriel coming in with a prolonged “Heeeeeeey” followed up with a more muffled “tell me how have you been?” to take us into the first verse. The song sets a mood and it sets it well, this is bouncy and fun Peter Gabriel, not weird psycho Peter Gabriel (which is pretty much his default).

Steam, on the other hand, doesn’t introduce itself. The song just abruptly bursts into your door after a short bassline with the distinct drum and bassline with all sorts of sounds flung at you. Horns, electric guitar, you name it. Gabriel yells “Stand back! Stand back!” And you almost think “yeah maybe I should I shouldn’t really argue with Peter Gabriel”, especially in the video where he’s wearing a pimp suit to accompany this. He continues, shouting “what are these dogs doing sniffing at my feet? / They’re onto something picking up / picking up / this heat”. I still have no idea what this intro means, but then we transition into the abolsutely magnificent instrumented chorus as Peter sings “Give me Steam / and how you feel can make it real / real as anything you’ve seen / get a life / with the dreamer’s dream”. I’ve heard reviewers call this song overproduced, and I would agree the song is very maximal in terms of production, but I wouldn’t remove one instrument. The song’s various mood changes from chorus to verse to pre-and-post choruses take me where the song wants me to go emotionally every time. I find the “Give me Steam” part specifically to be rather exciting and really impressed me the first time I listened to this song, last year I believe, and it still impresses me now.

This is where we take a look at the verse structure of both songs, which are pretty much the same not just within the songs but between them. The first verses of both set up two metaphors:

“You could have a steam train / if you just lay down your tracks

You could have an aeroplane flying / if you bring your blue sky back” - From Sledgehammer

“You know your culture from your trash

You know your plastic from your cash” - From Steam

Peter then connects these to the message of the song at the end of the verse:

“All you do is call me

I’ll be anything you need” - Sledge

“Whenever heavens doors are shut / you get* them open but / I know you” - Steam (alright I’m cheating here, that’s three metaphors, but this illustrates my point better)

So as you can see this is where the two songs split off. Sure both include Peter’s patented silly sex puns, a Sledgehammer is long and hard while Steam is hot and wet, but the meanings of each song is different.

For Sledgehammer the song is about how sex can be used to communicate and brighten up the mood of someone where words simply can’t help. The philosophy of the song is that sometimes you just need some fuck. I imagine a narrative where maybe Peter and this lady friend he’s talking to through the song have just broken off some long term relationship, and they’re very good friends so they spend some time together playing with her bumper cars and his big dipper to take their minds off it. The song isn’t really about love, it’s about having fun, but as I illustrated with my interpretation it’s not about sex with someone you don’t love it’s about sex with someone you’re not IN love with. So kind of a FWB/rebound kind of thing, though not a romcom version where they get together in the third act. It’s a very different approach to an ‘Intercourse with You’ song and told in a very fun way. The song has a bounce to it and a sort of mature naivety, Peter comes across as genuinely joyful to the woman he’s narrating too, they aren’t using eachother but they’re not in a serious relationship either. Good stuff, Pete.

Steam on the other hand is about the relationship, it’s about that spark and connection with someone. Specifically it’s about a relationship where the woman is cultured, sophisticated and generally a classy lady but Peter isn’t. He’s talking himself down, except for one subject: when it comes to the lady, he knows her better than she does and that’s the most important thing of all. Maybe he knows how to please her, maybe he knows her deepest depths, maybe it’s both but the songwriting illustrates that Peter is just in awe of this woman and she might not be in awe of herself just yet. I always interpreted this as Peter writing about a relationship between classes, but in a smarter way than say Billy Joel. Peter grew up middle class but in this song it’s like he’s putting himself in the shoes of a working class guy who’s in a relationship with someone who should be out of his league, but perhaps because of those virtues have led to him knowing how to socialise he can get the depths of her heart better jan a thousand potential rich suitors and their relationship just works. I’m being a bit old school with the picture I’m painting but a genuinely smart way of basically writing Opposites Attract but without the cartoon cat (instead we get a CGI Peter Gabriel Chair, perhaps that’s not the best trade off). That’s why I love it so much, it writes a geniunely smart love song about a relationship working despite the differences which a lot of songs do but they never go into why they work together. Peter explains that while he can’t know a lot about art or money he does know a lot about humanity (and sex, as Sledge shows).

The rest of the verses follow this same formula, I’ll close the review by pointing out how the finales of both songs basically are the same again.

With the finale of Sledgehammer Gabriel refers to “shedding his skin”. He then says “this is the new stuff”, which probably sounds like a birthday suit reference to you but I have a more indirect interpretation. What I love about the line is that in a way it’s Gabriel saying “I’m the shit!”, predicting that the song will become ‘the new stuff’ as it did. Which is why it’s one of the things I do prefer over Steam, which goes for a more obvious orgasm innuendo:

“Roomshake, earthquake

Find a way to stay awake

It’s gonna blow, it’s gonna break

This is more than I can take!”

Tho back to praising Steam, it is my favourite song after all, I think that song does pace itself better. Steam is a minute longer and has way more variety, with a lot of change ups with an occasional pre-chorus peppered in. It’s a longer song that feels shorter and endlessly replayable. Granted a listen to both of these songs an unhealthy amount of times, so I wouldn’t recommend any of you reading this skip out on them. Listen to them however you can, they’re a great time. Heck, buy the albums they come from because the rest of the songs on there are great too.

Thanks for reading this review. It’s a very quick one drafter of hopefully many that I’m posting to sharpen my writing skills. Hope you enjoyed and I’ll make sure to improve these over time. I have ideas for little bite size and more cohesive reviews of the following songs: Uh Huh, Girl, Babooshka

*note: thought he sung “kick” but apparently not. Personally I think “kick” has a better kick to it, funny enough, in terms of annunciation.

#peter gabriel #steam #song analysis #review #music #peter gabriel steam #peter gabriel sledgehammer #petr fuckriel #sledgehammer

10 notes · View notes

daily5sosupdate · 7 years ago

Link

I’ll be the first to admit that when I first heard of 5 Seconds of Summer it was because of my niece Kayla. At the time, she was starting to get the hang of playing guitar and she said, “There’s this cool band called 5 Seconds of Summer, you should check them out.” I said, “OK but didn’t they open for One Direction?”, she proudly said yes and played a few songs.

My initial reaction was this is really good radio-friendly Pop-Punk. A few months later she asked for help in learning some parts of one of their songs from their debut album 5 Seconds of Summer. We started going through the parts and I was forced to pay closer attention. While listening, I thought to myself, “Wow, these are well crafted songs…. Those guitars sound great, the vocal arrangements are on point and the rhythm section is seriously good.”

As soon as Kayla started learning guitar I was feeding her a steady diet of Zeppelin, Hendrix, Pink Floyd, U2, Nirvana and more, to show her the groups she “should be” drawing influence on. She humored me, listened and had some positive comments but like my first listening of 5SOS not much came out of it. Then I realized, “Why on earth would she want to emulate my “rock gods”? “. She has found her own for her generation and they deserved the recognition.

Rock Out With Your Socks Out

My first in person encounter with 5SOS in September 2015 and I was determined to find out who they were as musicians. Studio albums are one thing but playing live is a completely different animal. At that time, I had failed to appreciate that 5SOS was a band that was essentially born on the road opening up for One Direction in 2013 and 2014. Now 5SOS and 1D don’t exactly have the same sound and opening for one of, if not the biggest groups of 2013/2014 has an upside and a downside. On the upside, you get to perform your music and expose your band to a massive audience but the downside is the fans came to see One Direction not 5 Seconds of Summer. Therefore, you have to work harder than the headliner to capture the audience.

We had made arrangements to go to meet the 5SOS technical crew at the show in Hartford, CT on the final run of their first headlining tour Rock Out With Your Socks Out, which covered 3 continents and 69 cities. The pre-show period of any live concert is already a hive of controlled chaos hours before the band takes the stage. A team of hard working people are loading in equipment, placing stage pieces, setting lights, rigging line arrays, conducting sound checks, dealing with the inevitable and daily “uh oh” moments, plus getting all the instruments set and show ready. Don’t forget, this is all what you can see from the seats at the venue, there is just as much going on backstage too.

After sound check the stage was empty and doors hadn’t opened yet, so that was the perfect time to meet with the crew to understand how everything on stage is used. During this brief downtime, Ashton Irwin (Drums/Vocals) had taken it upon himself to come over and introduce himself and thank us for coming. Ashton didn’t have to do that, in fact he probably gave up his one break he had all day to do it, but he did, which made an impression on me.

Ashton went on to explain how he was using a V-DRUMS Portable TD-4KP as a warm up kit and a SPD-SX Sampling Pad on stage. One of Michael Clifford’s (Guitar/Vocals) first pedals was a BOSS DD-20 Giga Delay , plus Luke Hemmings (Guitar/Vocals), Calum Hood (Bass/Vocals) and Michael were already using BOSS TU-3 Chromatic Tuners on stage. The first single from the band’s forthcoming second album Sounds Good Feels Good had just been released and the video for She’s Kinda Hot was released a month later.

The video for She’s Kinda Hot features Ashton playing SPD-SX with custom stickers. In addition, it is clear the band’s sound had evolved and pushed forward from the first album.

So there I was, standing in the audience like a good forty something musician, arms crossed with that “impress me” look on my face. The lights went down, 5 Seconds of Summer took the stage and the venue went exploded with energy. 5SOS can put on a show and they didn’t rely on gimmicks or hide behind production. It was clear to me that they were not only talented musicians but performers too, I was truly impressed, these guys could play.

Sounds Good Feels Good

Just like their debut album, John Feldmann produced their second Sounds Good Feels Good, but the songs featured a deeper musicianship and darker tone than the first album. The evolution of their sound had started and Jet Black Heart is a great example of the new direction the band was taking.

Sounds Good Feels Good, like its predecessor 5 Seconds of Summer, debuted at number one on the Billboard charts, making 5SOS the first band (non-vocal) to have their first two albums debut at number one.

Sounds Live Feel Live

To accompany the success of Sounds Good Feels Good and the three singles released from the album, 5SOS announced another world tour, Sounds Live Feel Live which covered 4 continents and 101 shows.

The relationship between Roland/BOSS and 5 Seconds of Summer had deepened since the initial meet up the previous year. The band was in rehearsals and all the pieces for the tour were coming together. Ashton was going out with a new hybrid drum kit that was half acoustic and half Roland V-Drums. The V-Drums components were the SPD-SX, KT-10 Kick Trigger, TM-2 and V-Pads.

For the tour, Michael and Luke had both selected the Waza Amplifiers and Cabinets which was very exciting for both us and them (more on that later). Calum was running a BOSS only pedal board which included a BB-1X Bass Driver . In addition, all three were using the BOSS ES-8 Switchers. Finally, Michael had led the decision to have the RD-800 on stage. Carry On was the opening song and the first notes heard would be the RD-800.

The Waza Amp Story

As the guitarists in “The World’s Hottest Band” ( Rolling Stone – Dec 2015), Michael and Luke could have chosen any amp they wanted but they decided to go with the BOSS Wazas based on tone. This decision is another example of the band putting their vision and sound ahead of “playing it safe”. They loved the tone control and “Waza Brown Sound” that Waza system brought to the stage.

BOSS had only just announced the Waza Amps a few months before so the factory was still ramping up production. The plan was for the first units from the factory in Japan were to be hand delivered by the BOSS team to the first show of the tour in Nagoya. As you can imagine, a band embarking on a world tour with empty flight cases and trusting that your gear will be ready once you fly halfway across the world is not exactly the norm and requires some significant trust.

Meanwhile in Hamamatsu, Japan, the BOSS team including Yoshi Ikegami President of BOSS, were diligently hand assembling each amp and cabinet.

On the day of the first show in Nagoya, Yoshi Ikegami and the BOSS team loaded up the vans with Waza Amps and Cabinets and headed out to Century Hall in Nagoya. The 5SOS team had finished assembling the the stage and were getting ready to start sound check when Ikegami-san arrived with the Waza Amps and Cabinets. They unloaded the vans, rolled the Wazas on stage and fired up. The show and more importantly the tour could now go on!

Youngblood

Evolution is a key to life and this is no different when it comes to music. Given the success 5SOS had achieved, you would think that they had found “the formula” to producing hit after hit. Instead of sticking to their Pop/Punk roots that had garnered them worldwide success, the Australian quartet ripped up their “playbook” and took an entire year to craft their new album. The result is another step forward in their sonic evolution.

Want You Back is the first single from the forthcoming third album Youngblood. The audio only video is already over 10 million views and the music video was released at the end of March. Check out the video above and you’ll see the Waza cabs.

Want You Back – Acoustic

5 Seconds of Summer have been preforming acoustic versions of Want You Back at radio stations across North America and Europe. The reception to the stripped down version has been incredibly positive and on April 6 they released videos for both an acoustic and remix version of Want You Back.

The acoustic performances of Want You Back also feature Roland & BOSS products. Calum, Luke and Michael are using TU-3 tuners and Ashton is using an SPD::ONE Kick. The SPD::ONE Kick is a single trigger pad loaded with kick drums sounds that can be mounted on a drum kick and hit with drum stick. In addition, the SPD::ONE Kick can be placed on the floor and used as a pedal to allow the percussionist to trigger the sounds with their feet. Ashton is using the yellow SPD::ONE Kick as a trigger pedal and you can see him using it in the SirriusXM performance below.

5SOS III Tour

Now that the 5SOS III tour has started, additional new songs from the upcoming album have been heard by the masses. The sound and direction are more mature and another step forward in the band’s continual evolution.

Luke, Michael, Calum and Ashton didn’t stop with changing their approach to making music, they also changed things up in regards to touring.

The 5SOS III tour is a four-month tour across Europe, North America, Asia and Australia, focusing on intimate venues. They could have easily kicked off another worldwide headlining arena tour but instead decided to “flip the script” and go small when everyone expected them to go big. This approach ensures the best fan experience for their new songs. Performing in smaller venues impacts the amount of equipment used as everything has to be efficient and just as importantly, need to be able to fit on stages that vary in size form night to night.

Here’s a rundown of what Roland & BOSS products 5 Seconds of Summer are taking out on the 5SOS III tour.

Ashton Irwin – Percussion/Vocals

Ashton plays a Gretsch drumkit with DW hardware. The Roland SPD-SX-SE is used to trigger samples and loops. In addition to playing the SPD-SX-SE directly, Ashton utilizes the RT-30K, RT-30HR and RT-30H drum triggers on the Kick and Snare. The drum triggers allow Ashton to either completely replace his acoustic drum sounds with samples on the SPD-SX-SE or he can augment the existing acoustic tone with sounds from the SPD-SX-SE. For example, a kick drum might require extra punch or low end for a single song, the triggers allow an additional sound to be played every time he hits the kick drum, toms or snare.

Michael Clifford – Guitar/Vocals, Luke Hemmings – Guitar/Vocals

Michael and Luke both use the BOSS Waza Amp Cabinets to get their tones on stage. Each of the stacks feature 2 Waza Amp 412 Cabinets which are closed back with four custom 12-inch speakers for a maximum input of 320 watts. Given that each stack can handle up to 640 watts for a total of 1280 watts coming off stage, we are not sure if they will need a PA!

To ensure their guitars are in tune, BOSS TU-3w Chromatic Tuners are used by both Luke and Michael. The TU-3w has the same tuning functions as the TU-3 but includes more refined internal circuity.

Calum Hood – Bass/Vocals/Synth

Calum is utilizing BOSS pedals to sculpt his bass tone. The CEB-3 Bass Chorus is used to fatten up his sound, the ODB-3 Bass Driver is used to add distortion, the BOSS GEB-7 EQ is used to shape the bass sound and the BB-1x Bass Driver adds a rounder and warmer distortion and depth to his bass tone. Finally, everything is kept in tune using the BOSS TU-3w Chromatic Tuner.

On the previous tour Michael and Luke also performed keys using the RD-800 however for this tour Calum has taken on the keys duties. The Roland SYSTEM-8 is used for deep bass tones and you can hear Calum play the INTEGRA-7 superNATURAL Sound Module piano sound (via MIDI) on the intro to Want You Back when they perform live. The SYSTEM-8 is a PLUG OUT synthesizer which means not only does it generate incredible sounds using the four onboard Oscillators (including a sub oscillator), waveforms and LFOs it also can load PLUG OUT iconic ACB synths like the JUNO-106, JUPITER-8 and more which means you can customize the SYSTEM-8 in anyway you want! You can even use any of the these synths and many more in your favorite DAW by subscribing to the Roland Cloud.

On June 22nd the third album Youngblood will be released and is available for pre-order now. The title track Youngblood is available now to anyone who pre-orders the album. Check out the live video of Youngblood to see all of the Roland and BOSS gear in action from the 5SOS III tour.

To support the album release the first leg three month leg of Meet You There Tour has been announced which will cover the US and Canada starting in August 2018. Roland and BOSS are looking forward to being part of this next chapter.

#5sos #5 seconds of summer #roland #6 may 2018 #press #5sos3 tour #5sos1 #sgfg #5sos3

9 notes · View notes

thehalfworld · 8 years ago

Text

Fanfic MST: Forbiden Fruit: The Tempation of Edward Cullen, a Twilight fanfic

I was talking to an online friend on Twitter not too long ago, and the subject of bad fanfiction came up. My friend had been reading “My Immortal” and losing his shit over it. I asked if he’d read “Forbiden Fruit: The Tempation of Edward Cullen” and it turned out he had not. He’d never even heard of it.

Indeed, while this story is one of the best-known badfics out there, it’s still considerably less popular than “My Immortal” is, and I think that’s a damn shame. This may be my personal favorite work of bad fanfiction; it’s a fantastic example of the “so bad it’s good” genre. Author BeckyMac666 writes like no other English-language writer has ever written, and this is both a good and a bad thing. She’s almost certainly a troll, given the blatant use of established badfic tropes and several parallels with “My Immortal,” but when you’re this good at being terrible it really doesn’t matter how serious you are about it.

For the record, there are folks who believe that this fic and “My Immortal” share an author, due to the aforementioned parallels. I personally don’t think that’s true, since the prose is very different, but if it amuses you to imagine that they’re written by the same person, be my guest.

Like virtually all Twilight badfic, this story is about a mysterious new girl arriving in Forks and shaking up Bella and Edward’s relationship by creating a love triangle. As usual, Bella is made out to be completely awful in the process, Jacob is largely forgotten about, and the protagonist may not be entirely human herself. This is far weirder, and more entertaining, than your average shitty Twilight fanfiction, though. Mark my words.

I first MSTed this fanfiction back on the old WordPress version of this blog, but, as that was a long time ago and I like to think I’m funnier nowadays, I rewrote most of my comments. It’s not wildly different, but hopefully it is an improvement over the old version.

AN hey guys this is the new improved verson of my story, hope its better this time!

I have no idea what the unedited version of this thing looked like, but I honestly can’t imagine it being any more ridiculous than the final story.

btw i am young and have dyslexia i find spellin hard but its meant2 be unformal ok !

Use spellcheck, you fool! Or get a proofreader!

no critisism pls!

Oops.

tis story goes out 2 my bf zac(kisses!) amd my besfreind Tiffi LOVE YA GRRRL!

The Tara parallel here is probably intentional. Zac never gets mentioned again, much like Tara’s boyfriend, but Tiffi isn’t Becky’s beta reader and they don’t have a spat partway through or anything of that sort.

EDWARD IS OUR GODD!(we wanna SEX him gud!)

Honestly, I think this is how all fanfiction should open. Just tell me straight-up what character you wanna bang before the story’s even started. Save us all some time.

love &blood becky mac! xxx x x xx

Aww. That’s kinda cute.

UPDATE: I have a proofreader and I have cleaned up the spelling and grammer on this chaptor a hell of a lot as you will see (thank u vickie!)

Yeah, Vickie, thank you. Looks like you’re doing a great job and you’ve got everything under control here.

i will be imrpoving the next chaptors soon.

Since this fic got “abandoned,” subsequent chapters have not actually been improved. Not that one can tell, anyway.

Altantiana

Yes, that is a typo of her OC’s name. Off to a great start.

Hey, my names Atlantiana Rebekah Loren (but everyone calls me Tiana or just plain Tiaa).

Virtually no one calls her Tiana during the course of the story. Just so you know. “Tiaa” isn’t a typo, either, though I have no idea why the author felt the need to add an extra A.

Notice the middle name? Subtle.

I am a 16 year old girl and I live in Forks, Washington!

This actually makes her a year younger than Bella, for the record.

My hair is long and pale like spun gold and skims to my waist like a pale shimmering amber mist.

It’s pale and it’s pale? Also, gold and amber are not the same color.

My eyes are deep forgetminot blue and my delicate fentures are lilly white and pure as the winter snow in moonlight.

I’ve been complimented on my fentures before too, but it’s nothing worth bragging about.

I've been told by loads of sleazy, ugly, HORNY guys that I'm real pretty and look like a model or a bunny girl (some of the guys who like me are really old and try to make opt with me its disgusting and weird!) but basically a lot of the girls I meet tell a different story.

Well, gee, after that modest description of yourself I’m shocked that boys think you’re attractive, Tiaa. You sounded so plain and ordinary.

Am guessing that the girls who don’t tell a different story are gay.

They say I'm too ivory white and ethereal and too skinny and that I look anorexic which i don't care about, but I think its seriously disrespectful to people with REAL eating disorders (btw i'm so totally not anorexic! I eat loads I just never gain weight and I'm not thin enough to be anorexic anyways, I think they were just being BIATCHES especially this one ratty brain called Ellie Mayfair who I hope freaking DIES in PAIN with SHIT ON HER FACE! Sorry, I'm not really such a batch but she is SO horrible if you met her you'd think the same!)

I hate when girls pick on me for being too ethereal.

Even though we’re using the “attractive character looks anorexic but isn’t” trope, and that’s obviously not so great, I guess it’s nice that Tiaa/Becky took the time to point out that the comparison is disrespectful to people who actually have anorexia or another eating disorder.

The bit about Ellie Mayfair is one of the best things I’ve ever read. I hope you guys all understand why I had to run this fic now.

Anyways I am quite tall and slim and but with really big boobs that I used to HATE because they look noticeable on my slender body and draw to much attention but now i like them and don't care who stares at me!

Ah, the “skinny yet improbably busty” body type. Strangely more common in fiction than in real life.

Tiaa totally does care who stares at her, by the way. As we’ll see shortly.

I have a lip ring and recently put black and indigo and magenta streaks in my long pale blond hair. I smell like mint and cinnamon.

I have no idea why we’re supposed to care about any of this, but I’m particularly unclear about why we should care what she smells like.

I wear mostly black and hot pink, deep purple and neon blue and listen to COOL music!

Tiaa’s specific music taste never comes up, to my recollection, but I’m betting My Chemical Romance is involved.

It is my first day at school in forks as I just moved here to live with new foster parents Dave and Marie. They are nice and all very hole some sweet people but it is not like having a real family.

Yeah, Tiaa is adopted. This is sort of plot-important later on, but we never get to learn much about her life prior to Dave and Marie.

I've been hurt to many times to let people close to me and I don't talk to them very much.

I mean… you just moved in with them.

My real mom died when I was born and I never knew my real dad. I sometimes wonder what he is like and if I will ever get to met him.

Foreshadowing!

Dave gave me a ride to school and I smiled faintly as he wished me good luck and I got out of the car and went into the school. Loads of people freaking stared at me as I walked down the hall.

Presumably because she’s too ethereal.

I was wearing tight black leather pants with silver chains at the waste and a red fishnet-like top and you could see my black lacy bra through it.

That could have something to do with why they’re staring.

I ignored whispers and the big pink cheerleader imbosils pointing at me. I was used to it and I paid no at-tension to the guys asking desperately for my number(like hell I'd even LOOK at the horny little donkeys!) and told a ditsy blond cheerleader called Jessica to STFU(!) when she called me a freak!

God I love this author’s writing style. Truly, no one has ever written like this, before or since. BeckyMac666 is one of the unsung geniuses of our time.

Next time she tries anything I'll hit her in the eye cause NO ONE messes with me nemore!

Most of the rest of the story is about various people messing with Tiaa. For the record.

My first day I was relay board, I sat gazing out of the window into the gray cloud-embittered sky for most of the morning, My teachers all looked at me disprovable but said nothing cause they probably new I was a foster kid and a Gothic and didn't want to upset me in case I cut them up as they slept,.

I’m a pretty big fan of the phrase “cloud-embittered,” although it is of course completely meaningless.

Hey, uh… why the hell hasn’t she gotten dress coded? I went to a private school and I guess our dress code was a bit stricter than most, but most high schools will get upset at teenage girls for not covering their knees and shoulders, let alone having any undergarments visible. Tiaa’s entire bra is showing through her fishnet top. This is a situation in which I think it’d be reasonable to ask her to change.

My ears are pierced four times, I have a tattoo of a scorpion(like S my birth-sign!) on my ankle and a Gothic cross on my shoulder, and on my hand i have a weird birthmark in the shape of a seven-pointed star that I've had all my life.

I don’t know why we’ve gone right back to (over)describing Tiaa, but I do think I should delete my entire OkCupid bio and replace it with this opening chapter.

Your probably wandering why I'm bothering to tell you this, well I tell you now I am no ordinary sixteen year old girl.

Could’ve fooled me!

I have a secret, a dark and forbidden secret witch I am only just beginning to understand. When I sleep I hear whispers in another language and even though I understand them at the time, when I wake up i can't remember it!

That’s nothing. I had a dream once where I explained the meaning of Nirvana lyrics to somebody (obviously not possible in real life), and I couldn’t remember my explanation when I woke up either.

I also see weird faces in my dreams that fade to nothingness when I open my eyes and I swear out the corner of my eye my birthmark glows shocking bright gold and gets relay hot sometimes but when I look properly it is back to normal boarding scar-color!

I’d like to remind you that this is set in the Twilight universe. It’s already got magical creatures, and there are rules established about their abilities, appearances, and behavior. Tiaa is clearly not quite human, but she doesn’t seem to be a vampire, a half-vampire, or a werewolf. She’s completely unique within her universe, for no defined reason, and the rules governing other nonhumans don’t apply to her.

Like, the physical description and the obvious homage to “My Immortal” already made it clear that this girl is a Mary Sue, but this author clearly gets that Sue status isn’t just about looking unreasonably pretty. It’s about defying the rules of canon. Tiaa’s outstanding at that, as you’ll see later on.

I am really gracefull like the running anti-lopes when I run very fast and am stronger and faster than most people.

God, what a sentence.

I used to just think i was relay athletic but now I'm not so sure, I think there might be something else at work, something so much more mysterious and eeire.

Something like… bad writing?

The truth hovers so softly on the brink of my memory sometimes but if only i could remember the weird things that clung to the edge of my mind as I slept!

There are so many bad fanfics where the prose is bare-bones, with few or no adjectives/adverbs and simple sentence structure. BeckyMac666 tends in the opposite direction, and it’s awesome. Everything is phrased as though it’s super dramatic, nonsense metaphors abound, and our author has clearly never met an adjective she didn’t like. Hey @ aspiring trollfic authors: take note. This is how you write an entertaining badfic.

At lunch I sat alone in the corner and scanned the cafeteria quietly with my eyes smoldering dark blue beheath my long black lashes and my slim thighs curled under me.

Also a big fan of how Tiaa always talks about herself as though she’s checking herself out.

It was the n I noticed an unbelievably jaw-droopingly hawt HAWT HAAAAAAAAWT dude with tusseted blondey-brown hair, golden yellow eyes like wells of hot caramel and pale sexy features. He was tall and mussel and looked like he was wearing eyeliner and my body got hot and cold all at once as I looked at him.

Kind of like an erection only she’s a girl so she didn’t get one you sicko.

I'd never felt this way about anyone before and I'd totally never felt this weird feeling that I'd met someone before but I had no idea where and i knew it was impassible because I'd freaking remember someone THAT hawt!

Foreshadowing! Again!

A girl sat next to him with long brown hair with her arms dripped over him like a freaking flesh-eating plant so i thought well whatevah, hes taken.

Straight-up one of the greatest similes I’ve ever seen. Like, I study English literature and I don’t think I’ve ever read a metaphor better than that one. I’m not joking, it’s brilliant.

She wasn't nearly as hawt as he was, she wasn't ugly though. I figured I was maybe prettier then her. I never really saw myself as beautiful but i'd guessed from thinks others had said, plus this girl wasn't great looking but anyways I'd never try to pilch with another girls' BF cause thats just low.

The modesty act might be a little more convincing if we hadn’t just read several paragraphs of Tiaa talking about how hot she is.

So I got up to leave the hall thinking I'd go and smoke some bald drugs in the locker room while no one was there.

Hey, what’s a “bald drug”? I go to a liberal arts college and I’ve watched the entirety of Breaking Bad multiple times, so you think I’d have heard of it.

As I waked over to he exit I couldn't help but notice the hawt pale guys musky eyes as they met mine.

Musk is a substance some male animals secrete for scent-marking purposes. The word comes from the Sanskrit for “scrotum.” Thought you all should know.

I locked away hurriedly. I smocked dope in the locker room for a bit then I wondered to my next class.

This bitch just hotboxed a locker room on her first day of school.

I bumped into someone in the corridor and my bocks fell everywhere! FRICK! FRICK! FRIIIICKK!

Remember that this is the beta-read version of the chapter.

"WTF!" I screamed loudly, "watch where your FREAKING going you asshole!" (i have anger problems)

So you know how self-insert characters, particularly Sues, often have self-proclaimed “anger issues”? I wanna talk about that, actually, because it’s a trope I see not only in fanfiction but in published fiction, and it honestly bugs me.

In real life, anger issues are a totally legitimate character flaw, and one that can have serious negative consequences in-universe. A character with a bad temper may make rash decisions, screw up their relationships with others, have trouble holding down a job, get in trouble with the law, and so on; people who have anger problems are often mentally ill and/or traumatized, too, and the anger may be just the tip of the iceberg. Many morally ambiguous characters, well-written ones, have trouble with anger. There’s nothing wrong with this trope when it’s executed correctly.

In the hands of a less-than-competent writer, however, anger issues are the opposite of a problem, because the character’s show of anger will invariably cause others to back down or apologize and there will be no negative consequences. Writing a character who’s so sweet and charming that they always get their way has exactly the same effect, but as that trope falls out of style “anger issues” has taken its place and the authors who write these characters have no idea that they’re doing the same thing as the trope they thought they were avoiding.

Of course, this is the work of a troll, and the use of this trope is almost certainly intentional, but there are way too many authors who employ it unironically as a way to give a “flaw” to a character that even they realize is bordering on unrealistic.

"I'm so so sorry" he said in a voice like wet heaven "please forgive me my lady”

Author’s so fond of weird phrases that I have no idea whether or not “wet heaven” is intended as innuendo.

It was the hawt pale guy!

Dun dun dunnnn!

Next chapter

#forbidenfruit.mst #fandom:twilight #halfworld.mst

14 notes · View notes