#champagne west
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luv-lee · 1 year ago
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Puzzled by “champagne west,” why west??
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cantcatchmeee · 1 year ago
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vrtlworld · 2 months ago
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FRIDAY VISUALS
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delreyisgod · 2 months ago
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aengelren · 7 months ago
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life after seeing people start waking up and stop idolizing elitism and celebrity culture, feeding their pockets while the working class and third world countries suffer..is the human revolution near?
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latenightxtalking · 1 year ago
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oh COOK
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alainas-sims · 2 years ago
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Héctor’s Journal
Dirk invited me to a get-together at his place— it’s a quaintly decorated apartment in a way I almost would not expect from such a modern guy. Our friend circles have grown to overlap, and it turns out that Dirk himself has found a gal that he likes, my old classmate Katherine West. He and Katherine are such a lovely couple. The girls danced while we listened to swing music on Dirk’s radio and us guys exchanged drinks and smokes. Even in a city as wide and expansive as Los Angeles, in that evening, my world felt as small as my friend’s apartment, with laughter and smiles and my head warm from the alcohol and good times.
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1991diamondaries · 2 years ago
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missing-sector · 2 years ago
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I just found out that David X Cohen did a reddit AMA. Link: https://www.reddit.com/r/IAmA/comments/1hgdrt/i_am_david_x_cohen_head_writer_on_futurama_ama/
Ramble under the readmore.
One of the questions asked was if there was an episode he wished he could improve. To my surprise he mentioned “In-a-Gadda-Da-Leela”.
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It’s a small thing, but I’m glad one of the writers (in fact, the head writer) is able to look back, spot the issues an episode has and admit to them. Still doesn’t excuse the fact that the episode was written that way in the first place.
But it does help me feel a little better seeing this sort of acknowledgement from someone so pivotal to the show. Gives me a bit more hope about the revival. (Still apprehensive about the episode titled “Zapp gets cancelled” because cancel culture isn’t really something cishet white dudes are good at being normal about. Then again the episode hasn’t even come out yet. Maybe the title is just there to throw everyone off).
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mooncustafer · 1 year ago
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Say what you want about having news stories broken to you this way, but I found out about this one via a German satirical news site:
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i didnt saw one of these so here is the news
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rabbitcruiser · 4 months ago
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August 4, 1693 is the date traditionally ascribed to Dom Perignon’s invention of champagne; it is not clear whether he actually invented champagne, however he has been credited as an innovator who developed the techniques used to perfect sparkling wine.  
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vrtlworld · 7 months ago
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instagram @vrtlworld
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travelinformation9246 · 2 years ago
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GrandCanyon Helicopter Tour  with Champagne Toast.
 The Viator Trip advisory Company travel product Grand Canyon Helicopter Tour.  Which is located in Clark County, United States This is  very very Attractive and historical Places for turist EveryYear turist visiting this Places.
Some peoples decided  and plan to trip but they have not decided where we booking trip and GrandCanyon Helicopter Tour  with Champagne Toast.
Welcome to our aerial adventure over the Grand Canyon! We depart from either Las Vegas or Boulder City and will board our Round Trip Helicopter Ride of a Lifetime. As we soar 4,000 feet (1,219 meters) below the West Rim of the Grand Canyon, you’ll enjoy breathtaking views of Hoover Dam, Lake Mead, Grapevine Mesa, Joshua Tree, and the Grand Wash Cliffs Wilderness. Our knowledgeable pilots will provide a running commentary throughout the flight, so you don’t miss a thing! At the end of your trip, you’ll be rewarded with a champagne picnic on the canyon floor, a toast to your incredible journey! Please note: Starting March 21, 2022, there will be a $25 per
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Now come to the What's Including in the Trip
Experience the majestic beauty of the Grand Canyon from a whole new perspective with a helicopter tour departing from Las Vegas or Boulder City! Soar above Hoover Dam and Lake Mead, then touch down on the floor of the Grand Canyon for a picnic. Enjoy a light meal and Champagne amid the canyon walls, complete with expert narration from your pilot about the features that make this site one of the most stunning places on Earth.Choose from morning, afternoon, and sunset departure times for the perfect way to experience the Grand Canyon’s grandeur.Book your adventure today and take flight over the most magnificent sights in the Southwest!
It is a 35 minute flight and includes Champagne and a light picnic. There is an optional Vegas Upgrade Option that includes a 45 minute flight each way, luxury hotel transfers and flight over the Las Vegas Strip. Hotel pickup and drop-off is provided by shuttle bus.
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For More Visiting
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formula1au · 4 months ago
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west coast
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summary: you and max have a romantic date at the beach
pairing: max verstappen x gf!reader
content: fluff, light smut
warning: there's smut but not detailed
word: 719
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The moon hung low in the sky at the beach where you and max had decided to escape for the night. The soft sound of waves crashing gently against the shore provided a soothing soundtrack, and the cool night air was filled with the salty scent of the ocean.
Max had planned this evening, wanting to give you a night to remember. A cozy blanket was spread out on the soft sand, with a small picnic basket nearby filled with your favorite snacks and a bottle of chilled champagne from daniel. Max even set up some lanterns.
As you both settled onto the blanket, Max pulled you close, wrapping his arms around you as you both gazed out at the endless horizon. "This place is perfect," you murmured, leaning into Max's embrace.
"I'm glad you like it," Max replied, pressing a soft kiss to your temple. "I wanted us to have a special night away from everything."
You spent the next hour talking, laughing, and savouring the delicious treats Max had brought. The conversation flowed easily. You talked about the future, his carer, kids, and stuff like that. As the night grew darker and the stars began to twinkle above you, the atmosphere became even more intimate.
Max's hand gently brushed your cheek, his touch sending shivers down your spine. "You're so beautiful," he whispered, his voice filled with love and admiration.
You blushed, feeling the intensity of his gaze. "You always know how to make me feel special," you replied, your voice barely above a whisper.
Max leaned in, capturing your lips in a tender kiss. It started slow and gentle, but soon deepened, filled with a growing hunger and desire. You responded eagerly, your hands threading through Max's hair as they lost themselves in the passion of the moment.
The sound of the waves and the rustling of the palm trees seemed to fade away, leaving just the two of them in your own world. Max's hands roamed over your body, caressing and exploring, eliciting soft moans of pleasure.
You pulled apart briefly, your breaths mingling as you stared into each other's eyes. "I love you," Max said, his voice thick with emotion.
"I love you too," you replied, your heart swelling with affection.
Max gently laid you down on the blanket, his eyes never leaving yours. He took his time undressing you, each piece of clothing removed with love and care. You did the same, your fingers trembling slightly with anticipation as you undressed Max.
As you lay bare under the moonlight, the cool night air contrasting with the warmth of your bodies, Max paused to take in the sight of you. "You're perfect," he murmured, his voice filled with awe.
You reached up, pulling Max down into another desperate kiss. Your bodies moved together, every touch and caress igniting sparks of pleasure. The feeling of Max's skin against yours, the taste of his lips, the scent of the ocean—it all combined to create an intoxicating experience.
Max's movements were slow and deliberate, each thrust bringing you closer to the edge. Your fingers dug into his back, your breaths coming in ragged gasps as you moved in perfect harmony. The world around you seemed to disappear.
As the intensity built, Max's pace quickened, his own breaths becoming labored. "Schatje," he whispered, his voice strained with pleasure.
"I'm close," you gasped, your body arching into his touch.
With a final, powerful thrust, you both tumbled over the edge, your cries of pleasure mingling with the sound of the waves. You clung to each other, riding out the waves of ecstasy until you were both spent, your bodies trembling with the aftermath.
Max collapsed beside you, pulling you into his arms. You lay there, your hearts slowly returning to a normal rhythm, basking in the afterglow. The stars above seemed to shine brighter.
"I don't want this night to end," you whispered.
"Neither do I," Max replied, pressing a soft kiss to your forehead. "But we'll have many more nights like this, liefje. I promise."
As you drifted off to sleep, wrapped in each other's embrace, the sound of the ocean lulling you into a peaceful slumber, you knew that this night on the beach was just the beginning of a lifetime of shared moments and deep, abiding love.
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1991diamondaries · 2 months ago
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amateurvoltaire · 18 days ago
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Exhibition 1793-1794 at the Carnavalet Museum (Part I)
For anyone interested in the French Revolution, a visit to the Carnavalet Museum is essential. Though the museum covers the history of Paris from its very beginnings to the present, it’s also home to the world’s largest collection of revolutionary artefacts. Which makes sense, given that Paris was the epicentre of it all.
Frankly, if you plan to explore it all, you’ll want to set aside a good 3–4 hours. For those focused solely on the French Revolution, head straight to the second floor, where you can get through the collection in under an hour. Best of all, the permanent collection is free, making it a brilliant way to spend an afternoon in the city on a budget.
Currently, though, there’s a special treat on offer. Running from 16 October 2024 to 16 February 2025, the museum is hosting an exhibition dedicated to my favourite (and arguably the most chaotic) year of the revolution: Year II (1).
Now, since the family and I were in Reims for a long weekend, I somehow managed (possibly after too much Champagne) to convince my husband to drive 150 kilometres to Paris just so I could see Robespierre’s unfinished signature. It helped that the kids were on board, too. Yes, the four-year-old fully recognises Robespierre by portrait. The one-year-old is, predictably, indifferent.
So, slightly worse for wear after a ridiculous amount of Champagne tastings, off we went to the museum.
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1. Why Year II?
Because it was a catastrophe. No. Really.  Let me explain, in a very overly-simplified summary:
In Year II, France was plunged into an unparalleled storm of internal and external crises that would define the Revolution’s most radical year and ultimately mark its turning point.
Internally, the government was riven by factional divides, economic collapse, and civil war. The Jacobins (2) took control of the Convention, sidelining the federalist Girondins (3), aligning themselves with the sans-culottes (4), and arguing that only extreme measures could preserve the Revolution. Meanwhile, the more radical Enragés (5) demanded harsh economic policies to shield the poor from spiralling inflation and food shortages. The Convention introduced the Maximum Général (6) to placate them, which capped essential prices; however, enforcement was haphazard, fuelling discontent across the country. At the same time, the Indulgents (7) called for a reduction in violence and a return to clemency.
Externally, France’s situation was equally dire, encircled by the First Coalition—a formidable alliance of Britain, Austria, Prussia, Spain, and the Dutch Republic, all intent on crushing the Revolution before it spread further. With the execution of Louis XVI, France found itself diplomatically isolated, and the army was, frankly, a shambles. Most officers were either nobles or incompetent (8), and the soldiers were inadequately trained and equipped. In a desperate bid to defend the Republic, the Convention issued the Levée en Masse (9) in August 1793, sparking revolts in many cities and outright civil war in the West.
Confronted with this barrage of existential threats, the Convention dialled up its response in spectacular fashion, unleashing what we now know as the Terror—a period of sweeping repression backed by some rather questionable legislation. As you can likely guess from the name alone, this was a brilliant idea…
Put simply: by the end of Year II, nearly all the key figures who had spearheaded the Revolution up to that point were dead. And no, they didn’t slip away peacefully in their sleep from some ordinary epidemic. They met their end at the guillotine.
In short, Year II wasn’t just the Revolution's most radical and defining phase—it was also the year the Revolution itself died. Yes, the Revolution, in its truest, purest, most uncompromising form, met its end the moment the guillotine's blade struck Robespierre’s neck.
2. Overview of the exhibition
The visit  opens with the destruction of the 1791 Constitution and closes with Liberty, an allegorical figure of the Republic depicted as a woman holding the Declaration of the Rights of Man in her right hand. In between, the experience is structured around five main themes:
A New Regime: The Republic
Paris: Revolution in Daily Life
Justice: From Ordinary to Exceptional
Prisons and Execution Sites
Beyond Legends
More than 250 artefacts are featured, including paintings, sculptures, decorative arts, historical items, wallpapers, posters, and furniture. The layout is carefully structured around these themes, with a distinct use of colour to set the tone: the first three sections have a neutral palette, while the final two glow in vivid red, creating a very nice change in atmosphere.
What I appreciated most was how the descriptions handle the messy legacy of Year II. The texts actually admit that, while some Parisians saw this year as a bold step towards equality and utopia, for others it was an absolute nightmare. This balance is refreshing, even if things are a bit simplified (because how could they not be?), and it gives a well-rounded view of a wildly complicated time.
In this first part, I'll focus on the first two sections, as the latter three fit together neatly and deserve a deep dive of their own. Besides, there's so much to unpack that I'll likely exceed Tumblr's word limit (and the patience of anyone reading this).
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3. A New Regime: The Republic
The first section covers the shift from the Ancien Régime to the First Republic, and, fittingly, it starts with a smashed relic of the old order: the Constitution of 1791. After the monarchy’s fall and the republic’s proclamation in September 1792, the old constitution was meaningless. Though it technically remained in force for a few months, it was replaced by the Constitution of Year I in 1793, marking the end of France’s brief experiment with a constitutional monarchy. In May 1793, the old document was ceremonially obliterated with the “national sledgehammer”—a bit dramatic, perhaps, but Year II was nothing if not dramatic.
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This section zeroes in on the governance of the new republic, featuring the Constitution of Year I, portraits of convention members, objects from the Committee of Public Safety and the National Convention (including a folder for Robespierre’s correspondence), and national holiday memorabilia. There’s even a nice nod to Hérault de Séchelles (10) as a principal author of the republican constitution.
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3.1 Martyrdom as a political tool
Interestingly, the exhibition places a heavy emphasis on the concept of martyrdom. A significant portion of this first area is dedicated to the Death of Marat (11) and, to a lesser extent, the assassination of Le Peletier (12). It’s a clever angle since martyrs—whether well-known figures or nameless soldiers—have always been handy for rallying public opinion. The revolutionary government of Year II understood this all too well and wielded the concept to its full advantage.
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In this spirit, the middle of this section features a reproduction of David’s Death of Marat, several drawings from Marat’s funeral, Marat’s mortuary mask, a supposed piece of his jaw, and more. Notably absent are any issues of L’Ami du Peuple, as though the display suggests Marat’s death was more impactful to the Republic’s narrative than his actual writings. I’d agree with that—the moment he died, he was elevated to a mythic status, and his legacy as a martyr of Year II took on a life of its own.
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4. Paris: Revolution in Daily Life
While the first section focuses on the workings of governance, this part delves into Year II’s impact on ordinary Parisians. This period stands out for two reasons: France was in economic and political turmoil (wars, both internal and external, aren’t exactly budget-friendly), yet it also managed to introduce some remarkably forward-thinking legislation aimed at improving the lives of the common people.
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4.1 The Paris Commune & Paranoia
To understand life in Paris during Year II, we can’t overlook the role of the Paris Commune (13). Rooted in the revolutionary spirit of the Estates General of 1789 and officially formalised by the law of 19 October 1792, the Commune was the governing body responsible for Paris. Divided into forty-eight sections, each with its own assembly, it gave citizens a strong voice in electing representatives and local officials. Led by a mayor, a general council, and a municipal body, the Commune handled essential civic matters like public works, subsistence, and policing.
From 2 June 1793 to 27 July 1794 (the height of Year II), the Commune implemented the policies of the Montagnard (14) Convention, which aimed to build a social structure grounded in the natural rights of man and citizen, reaffirmed on 24 June 1793. This social programme sought to guarantee basic rights such as subsistence (covering food, lighting, heating, clothing, and shelter), work (including access to tools, raw materials, and goods), assistance (support for children, the elderly, and the sick; rights to housing and healthcare), and education (fostering knowledge and preserving arts and sciences).
All this unfolded in an atmosphere thick with paranoia and intense policing; enemies were believed to lurk everywhere. The display does a solid job of capturing this side of the Paris Commune, featuring various illustrations that urged people to conform to new revolutionary norms—wear the cockade, play your part in the social order, fight for and celebrate the motherland, and so on.
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One of my favourite pieces was the record of cartes de sûreté (safety cards) from one of the 48 Parisian sections. Made compulsory for Parisians in April 1793, these cards were meant to confirm that their holders weren’t considered “suspects” in a climate thick with paranoia. This small, seemingly random document—issued or revoked at the discretion of an equally random Revolutionary Committee—had the power to decide a person’s freedom or the lack of it.
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At the risk of sounding sentimental, in the study of history, we often focus on broad events and overlook the "little guy" who lived through them. But here, this record reminds us that behind each document was, in fact, a real person. And that this very real person was trying to make their way through a reality that, 230 years ago, must have felt stifling and, at times, terrifying.
4.2 Education
A significant spotlight is rightly placed on education in this exhibition section, given the sweeping changes it underwent during the Revolution.
Before 1789, Paris was well-supplied with educational institutions. Eleven historic colleges and a semi-subsidised university offered prestigious studies in theology, law, medicine, and the arts, drawing students from across France. Inspired by Enlightenment ideals, boarding schools and specialised courses in subjects like science and mathematics had sprung up, mainly catering to the middle class, while working-class children attended charity schools. Private adult education also provided technical and scientific training. The catch? Most of these were church-operated.
Revolutionary policies targeting the Church caused a mass departure of teachers, financial difficulties, and restrictions on hiring unsalaried educators. Military demands, economic turmoil, and protests added to the strain on schools. Even the Sorbonne (15) was shut down in 1792, and by late 1793, nearly all Parisian colleges were closed except for Louis-le-Grand (16), which was renamed École Égalité. With the teacher shortage and soaring inflation, a handful of institutions struggled on.
This left the Convention and the Paris Commune scrambling to find new ways to educate the young, and they rose (or at least attempted to rise) to the occasion. On 19 December 1793, the Bouquier Decree aimed to establish free, secular, and mandatory primary education—a remarkable move, though it never fully materialised due to lack of funding.
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With France at war, the Convention turned public education towards the needs of a nation in crisis. Throughout 1793 and 1794, new scientific and technical programmes sprang up to meet urgent demands, combat food shortages, and push social progress. Thousands of students were trained in saltpetre refinement (vital for gunpowder), and scientific knowledge spread beyond chemists to artisans and tin workers. In the final months of Year II, a saltpetre refinement zone was set up, the École de Mars was founded to rapidly train young men in military techniques, and the École Centrale des Travaux Publics (future École Polytechnique) was established to develop engineers in military-technical fields.
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The education display features a fascinating array of educational degrees, lists of primary school students, and instructor rosters. Although a bit more context on the educational upheaval would have been helpful, the artefacts themselves are intriguing. Placed in the context of the rest of the exhibit, it’s clear that the new educational system wasn’t just about breaking away from the Ancien Régime; it was also very deliberately and openly crafted to instil republican ideals. Nothing illustrates this better than the way Joseph Barra(17) was promoted as a model for students at the École de Mars.
And, of course, this section also showcases one of the most enduring legacies of the Revolution: the introduction of the metric system and modern standardised measurements.
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4.3 The (lack of) Women in Year II
The women of Year II were not real women. They were symbols—or so the imagery from the era would have us believe. There is shockingly little about the actual experiences of women in the collective memory of Year II.
Women played active roles in the Revolution. They filled the Assembly’s tribunes as spectators, mobilised in the sections, founded clubs, joined public debates, signed petitions, and even participated in mixed societies. In many cases, they worked side by side with men to bring about the Republic of Year II. So where are they?
Well, they’re certainly not prominent in this exhibition—but that’s not the fault of the organisers. It’s a reflection of how the time chose to represent them. In revolutionary imagery, women became allegories: symbols of Liberty, wisdom, the Republic, or the ideal mother raising citizens for the state, often reduced to stereotypes and caricatures. Rarely were they depicted as part of the public sphere.
The absence of a serious discourse on women’s rights in this part of the exhibition speaks volumes and is true to the period itself. At the time, there was no cohesive movement for women’s rights, and while specific individuals pushed for aspects of female citizenship, these efforts lacked unity or a common cause. Eventually, being perceived as too radical, all women's clubs were closed in 1973.
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4.4 Dechristianisation
In my view, dechristianisation was perhaps the greatest misstep of the various governments from 1789 onwards. Not because I think religion should be central to people’s lives—not at all—but because, in 18th-century France, it simply was essential for most. The reasoning behind this attack on religion was sound enough: no government wants to be beholden to a pope in Rome who had heavily supported the deposed king. But in practice, the application of this principle was far from effective.
By Year II, Parisian authorities were still grappling with the fallout from the Civil Constitution of the Clergy (1790), which had left Catholics split between two competing churches: the constitutional church, loyal to the Revolution, and the refractory church, loyal to Rome. Patriotic priests suspected refractory priests of using their influence to fuel counter-revolutionary sentiment—a suspicion that only intensified the general atmosphere of paranoia.
As tension mounted, it devolved, as these things often do, into outright destruction. On 23 October 1793, the Commune of Paris ordered the removal of all monuments that "encouraged religious superstitions or reminded the public of past kings." Religious statues were removed, replaced by images of revolutionary martyrs like Le Peletier, Marat, and Chalier (19), in an effort to supplant the cult of saints with the cult of republican heroes.
The exhibition presents this wave of destruction with artefacts from ruined religious statues, the most striking being the head of one of the Kings of Judah from Notre-Dame’s facade. These 28 statues were dragged down and mutilated in a frenzy against royalist symbols in 1793. . Ironically, they weren’t even French kings; they were Old Testament kings, supposedly ancestors of Christ—a fact that most people at the time were probably blissfully unaware of. But hey, destruction in the name of ignorance is nothing new, is it?
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Many in the Convention and the Commune were atheists and enthusiastically supported the secularisation of public life. Unfortunately, they didn’t represent the majority of the French population. To bridge this gap, Robespierre proposed a "moral religion" without clergy, a way for citizens to unite and celebrate a shared, secularised liberty. In December 1793, the Convention passed a decree granting "unlimited liberty of worship," leading to the Festival of the Supreme Being, held in Paris and throughout France on 8 June 1794.
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As with so much in Year II, the "Supreme Being" affair was a logical solution to a pressing problem that ended up blowing up in Robespierre’s face—by now, you might detect a pattern. But that’s a story for Part II of this already very long post.
5. Conclusion to Part 1
Overall, the exhibition presents the first two themes—A New Regime: The Republic and Paris: Revolution in Daily Life—in a balanced way, which I really appreciate. I was expecting a bit more sensationalism, given that Year II is known for its brutality, but instead, it provides a thoughtful overview of how the Republic was structured and the impact this had on Parisians.
The range of media and text offers a good dive into key points, especially on everyday life during the period. I didn’t listen to everything, but from what I saw, the explanations were well done. Naturally, since the exhibition is aimed at the general public, many aspects are simplified.
For younger audiences (pre-teens, perhaps?), the exhibit includes 11 watercolour illustrations by Florent Grouazel and Younn Locard. These two artists attempt to fill the gaps by depicting events from the period that lack contemporary representation (like the destruction of the Constitution with the “national sledgehammer” on 5 May 1793—an event documented but unillustrated at the time). For each scene, they created a young character as an actor or observer, sometimes just a witness to history, to make the scene more immersive. It’s a nice touch, though easy to overlook if you’re not paying close attention.
In Part II, I’ll share my thoughts on the remaining themes: Justice, Prisons and Execution Sites, and Beyond Legends. And yes, a lot of that will involve Thermidor—how could it not?
In the meantime, if you made it this far… well, I’m impressed!
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Notes
(1) Year II: Refers to the period from 22 September 1793 to 21 September 1794 in the French Revolutionary calendar.
(2) Jacobins: A political group advocating social reform and, by 1793, strongly promoting Republican ideals. Most revolutionaries were, or had once been, members of the Jacobin club, though by Year II, Robespierre stood out as its most prominent figure.
(3) Girondins: A conservative faction within the National Convention, representing provincial interests and, to some extent, supporting constitutional monarchy. Key figures included Brissot and Roland.
(4) Sans-culottes: Working-class Parisians who championed radical changes and economic reforms to support the poor. The name “sans-culottes” (meaning "without knee breeches") symbolised their rejection of aristocratic dress in favour of working-class trousers.
(5) Enragés: An ultra-radical group demanding strict economic controls, such as price caps on essentials, to benefit the poor. Led by figures like Jacques Roux and, to some extent, Jacques Hébert, the Enragés urged the Convention to fully break from the Ancien Régime.
(6) Maximum Général: A 1793 law imposing price caps on essential goods to curb inflation and aid the poor. Though well-intended, it was difficult to enforce and stirred resentment among merchants.
(7) Indulgents: A faction led by Danton and Desmoulins advocating a relaxation of the severe repressive measures introduced in Year II, calling instead for clemency and a return to more moderate governance.
(8) Incompetence: At the Revolution’s outset, military positions were primarily held by nobles. By Year II, these noble officers were often dismissed due to mistrust, and their replacements—particularly in the civil conflict in the West—were frequently inexperienced, and some, quite frankly, incompetent.
(9) Levée en Masse: A mass conscription decree of 1793 requiring all able-bodied, unmarried men aged 18 to 25 to enlist. This unprecedented mobilisation extended to the wider population, with men of other ages filling support roles, women making uniforms and tending to the wounded, and children gathering supplies.
(10) Hérault de Séchelles: A lawyer, politician, and member of the Committee of Public Safety during Year II, known primarily for helping to draft the Constitution of 1793.
(11) Jean-Paul Marat: A radical journalist and politician, fiercely supportive of the sans-culottes and advocating revolutionary violence in his publication L’Ami du Peuple. Assassinated in 1793, he became the Revolution’s most famous martyr.
(12) Louis-Michel Le Peletier de Saint-Fargeau: A politician and revolutionary who voted in favour of the king’s execution and was assassinated in 1793 shortly after casting his vote, becoming a symbol of revolutionary sacrifice.
(13) Paris Commune: Not to be confused with the better-known Paris Commune of 1871, this Commune was the governing body of Paris during the Revolution, responsible for administering the city and playing a key role in revolutionary events.
(14) Montagnard Convention: The left-wing faction of the National Convention, dominated by Jacobins, which held power during the Revolution’s most radical phase and implemented the Reign of Terror.
(15) Sorbonne: Founded in the 13th century by Robert de Sorbon as a theological college, the Sorbonne evolved into one of Europe’s most respected centres for higher learning, particularly known for theology, philosophy, and the liberal arts. It was closed during the Revolution due to anti-clerical reforms.
(16) Louis-Le-Grand: A prestigious secondary school in Paris, temporarily renamed École Égalité during the Revolution. Notable alumni include Maximilien Robespierre and Camille Desmoulins.
(17) Joseph Barra: A young soldier killed in 1793 during the War in the Vendée, whose death was used as revolutionary propaganda to inspire loyalty and martyrdom among French youth.
(18) Civil Constitution of the Clergy: A 1790 law that brought the Catholic Church in France under state control, requiring clergy to swear allegiance to the government. This split Catholics between “constitutional” and “refractory” priests, heightening religious tensions.
(19) Joseph Chalier: A revolutionary leader in Lyon who supported radical policies. He was executed in 1793 after attempting to enforce these policies, later becoming a martyr for the revolutionary cause.
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