#cd: relationships

[bardic-tales]

To Love a God and a Girl: A character deep dive for Bianca Moore, a FWC / FF 7 OC

Pride Month is often painted in bright flags and celebration, but queerness, especially for characters like Bianca Moore, is far more complex, intimate, and sometimes devastating. For Blorbo Blursday, I want to shine a light on the layered, often painful, always powerful truth of Bianca’s queerness. Her sexuality isn’t a side note or an afterthought. It is central to her story, her survival, and her rebellion. This article dives into how Bianca's demisexual and pansexual identity has been shaped by betrayal, forged through trust, and ultimately claimed as an act of divine defiance.

This is about more than labels. It’s about what it costs someone like Bianca to love, to want, and to be wanted in return.

Possible Trigger Warnings: emotional abuse, manipulation, trauma, violence

Bianca Moore has never been easily categorized, and neither has her queerness. Born from both celestial grace and demonic ruin, her very existence is an act of defiance against binaries. In a world where intimacy is often a weapon or a form of control, especially in the shadowy corners of Shinra’s laboratories and the dreamscape built to warp her mind, Bianca’s identity as demisexual and pansexual is more than orientation. It is resistance. For her, intimacy isn’t casual; it’s sacred. She doesn’t seek it out with ease, nor does she give it freely. Bonds, to Bianca, must be earned through connection, emotion, and trust. This is rare currencies in a world built on betrayal. It makes her love more potent, and her heartbreaks more devastating.

Krista Gilmore was the first to unravel Bianca’s heart. Their friendship bloomed in a rare moment of peace, one where Bianca dared to believe in softness. Krista wasn’t just her first love. She was a tether to a future Bianca never thought she could have: a future of tenderness, laughter, and being seen. But betrayal came like a knife between her ribs, not just physically in the ritual, but emotionally in the realization that even love could be a lie. That first queer love became synonymous with danger and manipulation, reinforcing every message Bianca had internalized about being "too much," "too monstrous," or "too broken" to love safely. It was a psychic wound that never fully healed, but instead, mutated into something armor-like, something that still echoes in the way she approaches every relationship after.

When Sephiroth enters her life, he does so not as a balm to her wounds, but as someone whose own scars mirror hers. Their love is not gentle. It is consuming, mythic, brutal in its honesty. But it is real. Bianca’s demisexuality means she does not give herself lightly, and so when she does fall, she offers her body, soul, and essence to Sephiroth. She gives herself with total devotion.

Queerness, for her, isn’t just about desire. It’s about loyalty. It’s about seeing someone’s darkness and saying, “I will stand beside you anyway.” In Sephiroth, she finds a partner who doesn’t flinch from her jagged edges, who matches her intensity, and who offers her a role in his dream of reshaping reality. Her queerness becomes not just an aspect of her identity, but the foundation of her cosmic rebellion.

And yet, beneath the celestial fire and the chaos she helps unleash, there are moments, quiet ones, when Bianca grieves. She mourns the version of herself that once believed in beachside kisses, in sharing poetry under starlight, and in holding Krista’s hand without fearing knives in her back. These memories haunt her with ghosts she rarely admits to seeing. The world demanded she become monstrous, and she complied, but there are still flickers of that softer self, especially in how she nurtures her Remnant children -- Aurora and Lucien -- or the way she touches Sephiroth’s face like it’s sacred. It is of no consequence that her favorite flower is a black rose. The flower isn’t just a symbol of beauty in darkness. It’s a mourning flower, too. A quiet protest that says, “I bloomed, even in ash.”

In reclaiming that softness, Bianca doesn’t abandon her monstrousness nature. She integrates it. She redefines what it means to be queer in a world that punishes difference. It means survival through tenderness, through boundaries, through choosing who is worthy of your intimacy. Her love, whether for a girl who betrayed her or for a god who would end the stars for her, is a weapon forged in both rage and grace. And in the end, Bianca doesn't just destroy the world and Creation for Sephiroth. She reshapes it to make space for her full self: queer, holy, monstrous, grieving, and gloriously whole.

@themaradwrites @shepardstales @megandaisy9 @watermeezer

@prehistoric-creatures @creativechaosqueen @chickensarentcheap

@inkandimpressions @arrthurpendragon @projecthypocrisy @serenofroses

[bardic-tales]

Bianca tends to prefer individuals with strong personalities, tragic pasts, and profound emotional depths. She is drawn to people with layers of complexity, including inner demons, struggling for redemption, or philosophical depth. This mirrors her own conflicted nature. She tends to really connect with people who display external strength and command but harbor vulnerability or emotional wounds beneath the surface. Aesthetics play a huge role in her attractions. To tend to favor people with dark, commanding presences and appearances that are both sophisticated and dangerous. Although she tries to shy away from emotional connections, Bianca values the few ones that she has.

What's your OC's type?

[dommebigmommyy]

Send a dm to be humiliated 😂😂little one

[bardic-tales]

Before Bianca was thrown into some timey-wimey stuff, she was a romance novelist. This is how she met her first husband, Mordecai Delacroix, a man with a very dark secret who was seeking redemption. She was an indie author hosting her own book signing, and he was the CEO of Darklight Publishing.

After she was thrown into another dimension, she became a dark guardian. So, she could maybe be called a Blackguard. She oversees the protection of her true love's reforming physical body, as well as the safety of the barren landscape that they now call home.

For people with fantasy/otherworldly OCs - What kind of job would your character have if placed in the real world?

For people with OCs set in a world close to the real one - What kind of job would they have if placed in a fantasy/otherworldly realm?

Feel free to take this as a writing or drawing prompt!!

[mummy-rylie]

[bardic-tales]

I come bearing asks!

6: What was your oc’s relationship with their parents like? If they didn’t have any parents/didn’t know them, who in their life was the closest to a parent to them?

7: Does your oc have any allergies, intolerances, or other sensitivities? How dangerous is it? Does this affect their daily life in any way?

Hello, Sea. Thanks so much for the gift of asks. lol. I hope you are having a wonderful day.

I fell in love with you because you loved me when I couldn’t love myself. -- Bianca Moore

For these series of questions, I am going to answer this for Bianca Moore, the protagonist of Fantasy World Collide, a fusion project that blends fandom with original content.

Content Warning: abuse, childhood trauma, cults, death (including the death of a loved one), emotional manipulation and neglect, grief, kidnapping, psychological abuse and manipulation, self-harm, torture, trauma, trauma bonding, and graphic violence

What was your oc’s relationship with their parents like? If they didn’t have any parents/didn’t know them, who in their life was the closest to a parent to them?

Bianca's relationship with Seraphine was once a source of comfort, a guiding voice within her mind that served as her moral compass. As a child, she would confide in Seraphine, treating her presence like an imaginary friend who reassured her during moments of fear and loneliness. Seraphine embodied warmth, wisdom, and unwavering faith, encouraging Bianca to embrace the light within her despite the darkness that loomed over her existence.

However, as Bianca's life spiraled into chaos and her celestial heritage was suppressed by the experiments of Hojo and Ravenscroft, and the influence of Jenova, Seraphine’s voice grew weaker. What was once an unwavering presence became a distant whisper, then an unbearable silence, as Jenova took her form and twisted her influence. The loving, guiding force that had once urged Bianca toward hope and redemption was distorted into a mockery, twisting Bianca’s deepest desires into something insidious.

Asmodeus, Bianca's true father, was an ever-present specter in her life, a figure of terror that haunted her dreams and, eventually, her reality. She never knew him in the way a child knows a father. There were no words of encouragement, no gentle hands. There was only the looming knowledge that he was out there, waiting. His influence manifested through the cult devoted to him, its members relentless in their pursuit to return her to him.

When they finally succeeded, when Asmodeus himself laid hands on her, he did not treat her as a daughter but as a possession. His cruelty was beyond physical. His words dripped with venom, reminding Bianca that she was his creation, that her resistance was futile, and that she was always destined to return to him. No matter how far she ran. The moment he skinned her alive, he stripped away the last remnants of the child who once believed she could escape him. From then on, Bianca trained to harness and embraced the celestial and demonic powers he had awakened in her, as Bianca knew that he would pop up in her life again. But her hatred for him never wavered.

David was the only father Bianca had ever truly known, and despite his reserved nature, she loved him deeply. He was never cruel, never unkind, but after Sarah’s death, something in him changed. He never once blamed Bianca outright, never spoke the words that she feared most, but in his silence, in the way he withdrew, she felt the accusation all the same. The warmth he once showed her became distant. His focus shifting from nurturing her to ensuring her survival.

Every decision he made after Sarah’s death was rooted in necessity. It was about keeping her safe, but in doing so, he unknowingly instilled in Bianca the belief that love was conditional, that if she was too much—too dangerous, too monstrous—she would be abandoned.

Despite this, she never resented him. She understood his grief, his quiet suffering, even as she yearned for the father he had once been. And when she finally left his side, disappearing with disappearing with Mordecai Delacroix and into the world to forge her own path, she did not seek him out again. It was not because she did not love him, but because she could not bear to see disappointment in his eyes. She also never sought him out, as she was desperately fearful that Asmodeus would take him away, too. With David, she would rather him be in the world than not.

Sarah was Bianca’s light, the one person who had loved her unconditionally, without fear or hesitation. Even after Bianca’s night terrors, even after she hurt her in a fit of confusion and fear, Sarah never turned away from her. She believed in Bianca, in the goodness within her, even when others doubted it.

Her love was fierce but quiet, expressed in soft words and gentle touches, in lullabies whispered through a locked door, in prayers said over Bianca’s trembling form. To Bianca, Sarah had been an angel long before she learned the truth of her origins. Her death shattered something in her that could never be repaired. The warmth of their home and the security of Sarah’s embrace? It was all gone in an instant, consumed by fire and blood. Even as Bianca grew older, as she embraced the darkness within her and her relationship with Sephiroth, Sarah remained a ghost in her mind. She became a reminder of what Bianca had lost. She did not speak to her as she once did with Seraphine, but in moments of vulnerability, she could almost feel Sarah’s touch and hear her voice telling her she was still loved.

Does your oc have any allergies, intolerances, or other sensitivities? How dangerous is it? Does this affect their daily life in any way?

I answered this question here.

From the ‘OC Development Question’ ask game here

Tagging some fellow mutuals: @themaradwrites @whatwedointhecraft @megandaisy9 @watermeezer

@prehistoric-creatures @creativechaosqueen @chickensarentcheap @seastarblue

@inkandimpressions

[justdavina]

Farrah Moan!! Smoking HOT!

[mommy-tiana0]

[dommebigmommyy]

??

[askaboutgoddess-1]

[mummy-rylie]

[bardic-tales]

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

OTP Questionnaire

Between Sephiroth and Bianca who steals the blankets, who gets cold easier, and who pays for dinners? In this part of the OTP Questionnaire, I explore these topics.

Who steals the blankets?

Bianca is the blanket thief, though she rarely realizes it. When she sleeps, she instinctively pulls the covers around herself in a cocoon, wrapping them tightly as if shielding herself from unseen threats. Sephiroth, however, doesn’t particularly mind. His body runs hotter than hers, and he often finds amusement in waking up to see her tangled in the blankets, completely unaware of what she did.

If he does get cold, he simply pulls her against him and manipulate one of her wings over him, using her body warmth instead of reclaiming the covers.

Who gets cold the easiest?

Bianca is far more susceptible to the cold than Sephiroth. Though her demonic blood grants her resilience, she has always been sensitive to temperature drops, her body reacting more acutely than she would like to admit. This is actually one of her weaknesses. Her body and their organs freezes quicker than a normal human. Due to her affinity with the cold, she hardly notices.

Sephiroth, on the other hand, has a nearly unnatural tolerance for extreme conditions, his body adapted to function under intense physical strain and conditioning. When Bianca gets cold, she subtly seeks out his warmth, pressing against him or stealing his coat under the guise of practicality. He allows it, though he sometimes teases her for being so dependent on his body heat.

Who pays for the food the most, when they go out?

When they are in another world / timeline, Sephiroth handles most of their expenses, not because Bianca is incapable, but because he sees it as his responsibility. He enjoys providing for her, ensuring that she has everything she needs without question. This is part of the reason why he is a service dom. If there is a need, he can control the expenses

Bianca doesn’t mind, though she occasionally insists on paying just to remind him that she is more than capable of taking care of herself. When she does, she makes a game of it. She'll sometimes sneaking payment to the server before Sephiroth can intervene, just to see his reaction. He tolerates her antics, though he always finds a way to reclaim his role as provider.

@themaradwrites @craftyhal @megandaisy9 @watermeezer

@prehistoric-creatures @creativechaosqueen @chickensarentcheap

@inkandimpressions @arrthurpendragon

[mommy-tiana0]

[dommebigmommyy]

Big girl legs

[mummy-rylie]