#cc filmography

[pearlypairings]

this is a public callout (a beautiful, loving one)...

this meme is 100000% you @1lostsoul0fishbowl and you are an icon for us all

[cc-tinslebee]

Finally started watching Shameless and??? Marguerite Moreau jumpscare????

[tastesmes]

˖ ࣪ . ׅ ★   ˚ .  priscilla  quintana,  cis  woman,  she / her  +  melissa  barrera  cc  ⭐️  gracing  news  headlines  the  one  and  only,  MERCY  GARCIA,  luckily  this  twenty eight  year  old  has  been  only  spotted  in  their  new  van cleef & arpels butterfly earrings  and  probably  listening  to  read  your  mind  by  sabrina  carpenter  on  their  airpods  max.  they've  been  described  as  adaptable,  but  starlet.com  claims  they  are  more  gulliable  though  it's  impossible  to  tell  when  you  only  see  their  at  least  finding a new place to be from, deserving much more than what is given and knowing you were born to be better, bright eyes and wide smiles, doing better and wanting to be better.  anyways,  make  sure  you  keep  your  notifications  on  them  to  be  up  to  date  with  their  latest  project,  true blood (reboot)  and  who  knows,  maybe  their  blind item will  get  posted  soon.

statistics .

full  name  :    mercy  garcia .

nickname(s) /  alias(es)  :    merc .

age  /  dob  :   28,  march 10th .

hometown  :    new orleans, louisiana .

gender  /  pronouns  :   cis woman,  she  &  her .

orientation  :   bisexual  ,  biromantic .

faceclaim  :   priscilla quintana

language(s)  spoken  :  english  and  spanish

accent  :   southern 

hair  :  natural  brunette,  shoulder  length .

eyes  :   green .

height  :  5 ‘ 5.

tattoos  :  an array of tiny tattoos scattered in different areas of her body

piercings  :  two  on  each  ear  lobes .

biography .

triggers: alcoholism and death mentions .

despite  what  others  may  believe,  life  for  mercy garcia  hasn’t  always  been  as  sweet.  in  fact,  it  was  quite  the  opposite.  a  mother  who  bailed  on  her  family  when  mercy  was  merely  fives  year  old,  a  father  who  cared  more  about  his  next  bottle  than  his  kids  and  her  brother  –  who  had  been  her  rock  through  everything  –  passing  away  when  she  was  sixteen  years  old.  it  seemed  like  she  was  constantly  being  hit  with  brick  after  brick  and  her  only  means  of  escape  was  writing  in  her  journal.  song  lyrics  about  her  life,  her  dreams  and  everything  in  between.  it  was  an  outlet  for  her  and  always  had  been.  

it  was  when  she  turned  seventeen  that  mercy  finally  grew  sick  and  tired  of  her  life,  her  home,  her  horrible  father.  all  it  took  was  one  bad,  and  final,  dispute  between  the  two  did  mercy  pack  her  things  up  and  go:    no  longer  wanting  to  hold  onto  anything  that  new  orleans  had.  honestly,  she  never  wanted  anything  to  do  with  that  city.  she’s  always  known  that  she  deserved  better  than  the  life  she  had  —  her  brother  constantly  reminding  her  of  that  when  he  was  live  —  and  now  she’d  hit  her  wits  end.  mercy  wanted  nothing  more  than  to  be  somebody.  anybody.  a  completely  different  person  than  who  she  was  currently.  

the  journey  hadn’t  been  an  easy  one,  but  she  fought  her  way  through.  moving  to  los  angeles,  working  part  time  jobs  and  going  to  every  single  audition made available  until someone took a chance on her — landing her first main role in a series. everything from there seemed to only be looking up for mercy and, finally, after all her hard work, she feels like her dedication and determination was getting her where she wanted to be. 

filmography .

vida  as  lyn  —  tv,  2018 to 2020 .

in  the  height  as  vanessa  —  movie,  2021 .

all  the  world  is  sleeping  as  chama  —  movie,  2021 .

scream  /  scream  5  as  samantha  carpenter  —  movie,  2022 .

keep  breathing  as  liv  rivera  —  tv,  2022 .

carmen  as  carmen  —  movie,  2022 .

bed  rest  as   julie  rivers  —  movie,  2022 .

scream  6  as  sam  carpenter  —  movie,  2023 .

your  monster  as  laura  franco  —  movie,  2024 .

true blood as sookie stackhouse — tv, 2023 — ongoing .

[paperairplanesopenwindows]

End of the Year Fic Meme

I last did this in 2022 and apparently didn't do it last year! But I'm bringing it back!

Total number of completed stories: Three. I also completed two full length fanvideos and two fan edits (which I really need to archive on AO3 before Tik Tok disappears).

Total word count: 7,564

Fandoms written in: ClintNatLaura, ClintNat, Agatha All Along

Looking back, did you write more fic than you thought you would this year, less, or about what you’d expected? So I have published very little but I've actually written a lot (thank you 4thewords I love you 4thewords). So I've written A LOT more fic than I expected to this year it's just that none of it is ready for consumption yet (I gotta finish it then send it to the usual Shan/CC/Katherine/Essbie beta circle but god only knows when that will be)

What’s your own favourite story of the year? I think Secondhand News takes the crown for that <3 I'm so glad to finally finish it off and I adore the universe of the CNLCU.

Did you take any writing risks this year? Wrote my first trans interpretation of a character in my secret santa fic! Also I think my "Story of Us" ClintNatLaura video was risky, even though it's not writing. I'm really surprised it came together as well as it did AND I didn't have to branch outside of AOU and into the actors' greater filmographies. It came together REALLY well.

Do you have any fanfic or profic goals for the new year? Man, I'd really love to get all this nonsense I'm writing on 4thewords into something coherent and finish it. And god, I'd love to put up at least a chapter of one of my really old wips, like Time Makes You Bolder or *sigh* the criminal au. 

Most popular story of the year? Secondhand News's stats include a lot of hits and kudos from over the past two years, but I think even without it would be the most popular (it's currently sitting at 1,702 Hits and 149 Kudos).

Story of mine most under-appreciated by the universe, in my opinion: I'm surprised my Silver Springs fanvid didn't get a ton of hits/comments and my AgathaRio fic underperformed considering the fierceness of the fandom (but I also didn't have it ship tagged for a bit which def affected it's performance).

Most fun story to write: You'll Never Get Away [From The Sound of the Woman That Loves You] was really fun to write even with how hard it is to nail Agatha and Rio's voices. Finished Secondhand News was also delightful.

Most unintentionally telling story: I still don't really know what this question means so I think I'm going to go with "The Story of Us" fanvid.

Biggest disappointment: I guess some of the fics/videos underperforming than what I thought. But I wouldn't say I was disappointed, most of my fan creations don't perform super well because of the ships I write and because I'm not fandom famous (and who wants to be, really?)

Biggest surprise: Agatha All Along dragging me kicking and screaming back into the MCU. I thought I was safe until Thunderbolts but NOOOOOOOOOOOOOOO

I think this originally started as a tag meme, but I'll leave that off. If you see this, you should absolutely do it though!

[ccthewriter]

CC's New Watch Ranking - May 2023

Every month on Letterboxd, I make a list of the 10 best films I’ve seen for the first time. It’s a fun way to compare movies separated in time, genre, and country of origin, and helps me keep track of what I’m watching! This is a breakdown of those films.

May! An honored month in my household as my partner enters her time of astrological power. Taurus would have us laze around in the sun enjoying life’s hedonisms, but I’ve been resisting that call and working like a madperson instead. I got cast in a movie! Only a background role, but it’s been an incredible learning experience. You can watch a ton of films (and reader, I have) but nothing will teach you quite like being there. Being able to watch it all unfold before your very eyes? Fascinating. Besides that, Tears of the Kingdom has been occupying my time. I love throwing that twink off a cliff. He soars just right. The protagonist of one of this month’s films would be delighted to see him fly. 

Click below to read the breakdown! Click HERE to view the list on Letterboxd! 

10. Accattone

 1961 - Pier Paolo Pasolini

I watched many films by Pasolini this month. He’s one of the most interesting figures in Italian cinematic history, an openly gay marxist who stood up for ideals that were on the extreme fringe of the culture he was working in at the time. His career was tragically short-lived, cut short by either political assassination or extortive murder, depending on who you believe. Wild that it was films like this that made him the target of such ire. The story is so basic, so familiar: A horrible man is horrible to those closest to him. They suffer; he suffers; eventually, he is killed as a result of his horrible decision making. That tagline calls this “The poor man’s Dolce Vita?” While shot beautifully and containing some compelling moments, I don’t find this nearly as interesting as the other works in Pasolini’s filmography. It was made for a very specific time, and I think if you’re not plugged into the particulars of Italian class and gender dynamics, this just read as typical criminal melodrama. It is funny that Accatone’s criminal career culminates in an attempted salami heist. He and my cat have a lot in common. 

9. Othello

1951 - Orson Welles

Any adaptation of this text is going to bear a ton of baggage. An adaptation made in the 1950s especially. But my main criticism of this film is that it represents a style of Shakespearean performance that I find dated and boring. It’s so stagey - which is a ludicrous complaint given the nature of the work and the sorts of movies I love. But this is false-stagey, containing people making proclamations and japes, without any human emotion behind the vast majority of their lines. It’s a shame, because this is one of the most beautifully shot Shakespeares I’ve ever seen. They gain so much by shooting in Venice, and using the striking contrast of light and shadow that Welles is famous for. That just barely sustained my interest through an otherwise flat adaptation. Maybe it’s just the bias of the time I’m viewing this in - I prefer a much more psychologically rich take on the Bard’s work, rather than a bunch of people wearing tin crowns and signing towards medieval behaviors. 

I watched this with my cat. She sat in a chair next to mine and seemed engrossed. Add this to the “BirdTV 10+ Hours Nature Noises for Cats” rotation. 

8. Shanghai Express

1932 - Josef von Sternberg

I’ve been reading a ton of Agatha Christie lately. This movie, made around the same time as many of Christie’s best works, evokes so much of the era: the glamor, the manners, the ignorance of how the world will change in a few short years, the omnipresent racial caste system. It’s so amusing to read Christie’s work when you hold the knowledge of how the world is going to change. It’s a similar pleasure watching this movie - these wealthy colonizers are passing through a China that will no longer exist, whose trajectory for the rest of the century is going to be a reaction to their actions and attitudes. How peculiar that the center of this film, then, should be Marlene Dietrich and Anna May Wong, two figures who defy all the trends and assumptions one would make about this era. Their sapphic attachment bubbles under the surface of all their scenes. It motivates a movie that would otherwise be heavy-handed and patronizing. While it has its problems, I’d still recommend this to anyone who wants to see some of old Hollywood’s biggest queer icons working at the height of their power. 

7. Theorem

1968 - Pier Paolo Pasolini

Where Accattone looks at the urban working-class folks who live their lives by petty crime, Teorema is concerned with a more provincial elite. I kept thinking of the wannabe literati that I grew up with - boys who read Freud too young and were convinced that this coked-up Austrian held the secrets to the universe. Boys who would lean in at random points in a discussion to say “Well, this really comes back to Oedipus, doesn’t it?” As with Accattone, I think this is speaking to a specific time and place so succinctly that it won’t work for people outside that bubble. A young man basically wanders into a rich family’s home and sleeps with all of them. Through different situations and personas, he gets to each of their psychosexual cores. The most remarkable scene is the exact middle of the film. In the wake of all these sexual encounters, each family member basically addresses the fourth wall and states what this intimacy will do to them. “I will be forever changed; the shadow of this sex will live in my heart forever.” The rest of the film proceeds exactly as they predict. There are some incredible, surreal images bound up in the action, and I enjoyed watching it, but overall there are too many messy edges and pseudointellectual implications for me to heartily recommend this to everyone. Maybe once I’ve completed this mog I’ll see this film in a new light. 

6. Face/Off

1997 - John Woo

Oh man, this is the polar opposite of the navel-gazing art house nonsense of the Teorema. Simple premise: What if Nic Cage and John Travolta swapped faces? Wouldn’t that be fucked up? A thoroughly enjoyable 90s action flick without much beneath the surface besides satisfying action. (Though, on reflection, this film also has a bit of incestuous implication - Cage-Wearing-Travolta flirts with Travolta’s daughter, and she seems to reciprocate? They drop that plot beat quickly, but it is uh, awkward to say the least.) While this wasn’t quite the exceptional genre entry some people had told me it was, I still had a blast watching two of Hollywood’s weirdest actors get a chance to imitate each other’s energy. They do it perfectly. Really makes you appreciate the way a person can truly transform within a performance 

5. Mamma Roma

1962 - Pier Paolo Pasolini

I’ve preferred Pasolini when he’s plugged into *some* degree of realness. As a director who lived through the neorealist era, and was once a close collaborator with Fellini, I feel like his work really shines when he accentuates a grounded reality with just a touch of dream-logic. This happens brilliantly within this film. A middle-aged woman has earned enough through sex work to purchase a fruit stand, and uses this entry into “respectable” life as an excuse to reconnect with her estranged son. But she finds it difficult to shake off all the ghosts of her past. She cannot just snap her fingers and have the life she dreamed of decades ago when she gave her son away. He has grown into his own person, and struggles under the weight of her dream as he tries to pursue his own. It’s a wonderful, messy tangle of competing desires, fantasies, and realities. The extreme highlight of this is two separate oners that take place late at night, during her time as a sex worker. Wandering through these pitch-black streets with only strong, skinny street lights to illuminate the scene, Pasolini follows Anna Magnani with a handicam type-setup, following her as she has a continuous monologue with several passersby. It’s a brilliant shot by Tonino Delli Colli who would later go on to shoot The Good, The Bad, and The Ugly. The dreamlike, anchorless way she walks through this void reflects how disconnected she is from her own life. She does sex work, but does her best to forget it - she holds some standard for herself that is based in a society that despises her, yet loves and adores her at the same time. The happy way she trades jokes between johns and other sex workers, while stumbling through this featureless space… it’s just incredible. Pasolini really did see the tangled web of his society and captured it like no other. It really reflects this social mobility and economic boom after the devastation of World War 2. An entire nation desperate to forget its past, yet unable to do so. Desperate to forge a new middle class while sneering at those who would comprise it. 

4. Seven Chances

1925 - Buster Keaton

My beloved Blank Check has been covering the films of Buster Keaton, and I’ve been watching along. Buster is one of the geniuses of this medium, whose films remain timeless because of his relentless precision and thoughtful craft. This is one of his best films. Through silly circumstances, a young man learns he has to get married in less than 24 hours in order to inherit a large fortune. There are seven women with whom he could have a chance, and he messes it up with them all. Honestly, the title-to-premise connection is a bit weak, as he made many changes to the source material this film is based on. There’s a lot more rockslides than that plot description would have you believe. Even after nearly a hundred years, this succeeds in getting a real laugh out of me. There are too many jokes packed into each little moment for me to really isolate. It’s just perfect slapstick, perfect physical comedy the whole way through. Put your phone down and drink it in. 

3. Europa ’51

1952 - Roberto Rossellini

A devastating film about a woman who changes in the wake of her young child’s suicide. My review on Letterboxd:

“Honestly this is too rich in psychologies, philosophies, and ironies for me to fully understand in one viewing. But I *loved* the transformation Bergman depicts over the course of the film. An incredible performance - going toe-to-toe with Giulietta Masina in one of her best cameos, too! I think this is something I'll be revisiting for years to come.

I write this in the wake of Jordan Neely's murder. It is incredible how mental illness is defined by what causes the slightest annoyance to those in power. We - and by 'we' I mean a specific class that operates our above ability to consent - lock up or kill the people most in need of understanding. Those who really just need positive human connection.”

This film creates an interesting parallel with Mamma Roma. Spoilers ahead: Mamma Roma also has a young boy who kills himself, but indirectly, dying of illness in a prison cell. He’s in prison because he was lashing out, just like the kid in this film was desperately crying for attention. His death was merely more direct, more immediate. These films form an interesting dialogue of similar subject matter, only really changed by the social classes of their protagonists. Mamma Roma longs for the status that Bergman starts with in Europe ‘51. Bergman ends up as shunned as Mamma Roma is at the start of her film. Fascinating examples of the cyclical ways women are demonized, no matter where they begin. 

2. Out of Sight

1998 - Steven Soderbergh

What a fun film!!! Soderbergh is one of the best directors working right now, and my, does he work. I can’t think of anyone else who makes movies at the rate he does, and who is involved in so many different projects and genres. His films have wonderful movement and great characters. He’s a natural fit for Elmore Leonard’s writing. Leonard is a mystery to me - I’ve been watching a lot of films based on his stories with some friends, and on paper, they are all very generic tales with boilerplate characters. A female FBI agent who can “keep up with the boys.” A smooth talking criminal with a violent impulse. A charming thief. You’ve probably seen these characters in a million different works and can’t remember a single one of them - yet somehow, Leonard finds the situations and plot beats to make characters like Karen Sisco soar. Sisco is hunting Jack Foley, played by George Clooney in one of his steamiest appearances. He kidnaps her right before she can catch him, and they are forced to have a long conversation together while locked in the trunk of the getaway car. This starts an attraction that supports the rest of the film, filled with many twists and turns as one tries to reunite with the other - to fuck? To kill? To rope into the robbery? It will keep you guessing until the very end. I really love crime thrillers, and it’s no surprise that the director of Ocean’s Eleven is able to work with these incredible characters and craft some amazing scenes. Come for the romance, stay for the heist. Or come for the heist and stay for the romance. Just see it! It’s great! 

1. The Wind Rises

2013 - Hayao Miyazaki

I had been holding off watching this for a long, long time. It can be hard to watch a film that you know will devastate you. When I heard Miyazaki had made a film about the act of creation and its futility, how even the best minds with the highest aspirations can lead to terrible destruction… oof. I was afraid of the mirror this film could turn out to be. Its tagline is “We must live” - how devastating is that? My mind goes to the final scene of Uncle Vanya.  

The film soared even higher than I could have imagined. Yes, it made me cry, but it also left me feeling more hopeful about the world than I could have hoped for. It follows the life of Jiro Horikoshi, an airplane engineer who lived during the early 20th century and designed some of Imperial Japan’s fighter planes. The film flows seamlessly between his life and his dreams. It’s the perfect subject matter for Miyazaki. You can feel aspects of Miyazaki’s own life bleeding in at the edges - his quest for perfection, his relentless work ethic, the literal machinery that occupies his dreams. An early scene has Jiro speaking to one of his idols in a dream, literally having a sort of psychic communication as they trade notes on plane design. It’s immaculate. Anyone who is a creator has likely had similar conversations playing through their head, dreaming of what their heroes would say if they could read their work. I know I have. As our world faces disaster after disaster, as conflict becomes bloodier and the pursuit of art seems more pointless than ever, works like this reignite my will to keep going. We make the world a little better every time we use our imagination. When we dream, we can envision things as they should be, as they could be, not as they are. It lets us see all the wonderful possibilities that are out there. And if dreams just aren’t enough, remember, there is always love. Fragile, precious, everlasting love, which is immortal even when the people who share it die. This is what makes the wind rise. It’s what gives me hope for the future. 

Reader, if you take anything away from this fleeting blog post, let it be the power of dreams and love. They are the best tools we have for fighting evil. 

~~~~~~~~~~~~~~~

Thank you for reading! If you liked any of these thoughts feel free to follow me on Letterboxd, where I post reviews and keep meticulous track of every movie I watch. Look forward to more posts like these next month! 

[starlethq]

quick question— say our muse is an actor and has an actor cc, are we only limited to the cc's filmography? or are we able to pull movies/tv that the claim wasn't in?

not at all ! my muse has a career claim of sabrina carpenter & tate mcrae & her projects are a mix of both, but also excluding some of their work. like i didn't include sabrina's early work (evolution or eyes wide open albums), same with tate so you're not limited to including all of your career claim projects, but you can also mix them in with others or come up with your own ! we also aren't limiting career claims to only one person, so for example you can pick for your muse selena gomez's career claim but only her acting part & ariana grande's singing part. i hope it makes sense but if you'd have more questions, feel free to come back or message us in ims !

[influencermagazineuk]

The teaser for Mission: Impossible – The Final Reckoning has only fueled speculations about the future of the supposed incredibly much-beloved film series, with Tom Cruise. Originally titled as Dead Reckoning Part Two, this next installment is now posed to be the possible finale of the action-filled adventure, with hints of it possibly being the last mission for Ethan Hunt. Set to debut next July, the movie can also end the series of one enjoyed since 1996. Kathryn Decker-Krauth, CC BY 2.0 https://creativecommons.org/licenses/by/2.0, via Wikimedia Commons Mission: Impossible – Dead Reckoning Part One, the seventh film installment, had opened with worldwide box office results at an underwhelmingly lower tally of $570 million but with an investment budget of $291 million; Paramount has adapted this in its plan for the second film in the series. Instead of the "Part One and Part Two" theme, they chose a title that could have more attention: The Final Reckoning. Now to be framed as the last installment, the movie is likely to become the costliest in the franchise so far, with a budget reportedly at $400 million, which makes it one of the most expensive movies in film history. Yet this could go against what Cruise initially wants with this franchise. For years, he has expressed a desire to keep making Mission: Impossible films-long after his peers in action films have been happy to wrap things up. In a 2023 interview, Cruise said he would be happy to keep playing Ethan Hunt long after most people have stopped acting in the franchise: "Harrison Ford is a legend.". I hope to still be going. I've got 20 years to catch up with him. Hope to keep making Mission: Impossible films until I'm his age." Beyond the end of the series of the Mission: Impossible, the movie promises a star-studded cast, and many of the familiar faces will return. Long time partners Ving Rhames and Simon Pegg are returning, and so are some newer additions Hayley Atwell and Pom Klementieff. Angela Bassett and Vanessa Kirby are back, with new addition Hannah Waddingham. The returning stars plus the new characters seem to indicate the movie will continue to develop the complex plotlines with high stakes the fans have enjoyed. The new installment is also speculated to make an appearance at the Cannes Film Festival-a great selection that could indeed provide a global stage for what might be the last bow of the series. Long the platform for the most significant movie premieres, a Mission: Impossible screening certainly promises to create quite some water-cooler excitement and hype ahead of its summer bow. Tom Cruise, on the other hand, does not leave himself much time to rest between Mission: Impossible projects. He is working on a new film for acclaimed director Alejandro G. Iñárritu, the bearded genius behind strikingly visual and intense films such as The Revenant and Birdman. This new endeavor also features Sandra Hüller and John Goodman, another attempt at making Tom Cruise's filmography ever more audacious. He's also tipped to star in a possible sequel to *Days of Thunder, so it seems that to add to his seemingly endless list of possible future roles, Cruise doesn't intend to leave the world of action cinema anytime soon. The summer of next year will include a plethora of blockbuster releases with *Jurassic World Rebirth* featuring Scarlett Johansson, a new Superman reboot written and directed by James Gunn, and some live-action adaptations of the beloved animated films including Lilo & Stitch and How to Train Your Dragon. A crowded field, but each of these big-money productions will have to fight for attention. If The Final Reckoning is everything it promises in its title, it may bring serious emotional heft to viewers - and by fans, a gratifying conclusion to a long-standing series, placing the thing firmly within the canon of action cinema. For now, the Mission: Impossible faithful must remain wondering whether The Final Reckoning will truly be the last case for Ethan Hunt, or if this is instead a tactical play to keep the fire burning under a franchise that has defined Tom Cruise's career. Only time and summer box office will tell. Read the full article

[actusdefilmsetseries]

Willem Dafoe : célébrez ses 69 ans !

Célébrez l’anniversaire de Willem Dafoe en regardant certains de ses films. Cet acteur a une filmographie impressionnante comprenant des longs-métrages tels que « The Grand Budapest Hotel », « Spider-Man » et « Nos étoiles contraires ». Vous aurez donc l’embarras du choix.

Crédit photo : Mike Lizzi de Flickr, ATTRIBUTION 2.0 GÉNÉRIQUE (CC BY 2.0 DEED)

[enterwealth]

hey bestie, not sure if this is sth you already have in mind but to avoid people going craycray with cc's, maybe put a rule in place where if someone's muse is 25 y/o w leo di caprio's cc, they can only include his early works in the filmography???

hi  bestie,  great  minds  think  alike  or  something  like  that  -  we  totally  understand  your  sentiment  and  we  kind  agree!!  we'll  be  manifesting  that  someone  with  a  muse  in  their  thirties/forties  goes  for  a  dicaprio  career!!  but  if  someone  applies  that  falls  within  leo's  dating  bracket,  we'll  reach  out  to  see  what's  reasonable  for  the  filmography.  sounds  like  a  pretty  good  deal  to  me.

[doctorgalilei]

I wanna stay optimistic but Chibnall really should have just written another season of Broadchurch instead

[emmastillsims]

Titanic Lookbook - Rose

Titanic (1997) follows Rose DeWitt Bukater (Kate Winslet) and Jack Dawson (Leonardo DiCaprio) as members of different social classes who fall in love aboard the RMS Titanic during its ill-fated maiden voyage in 1912.

I could lie and say Titanic is a favorite movie of mine, but it honestly traumatized me as a child. I begged my mother to take me to see it in theatres because all my elementary school buds had seen it. Little did I (or my parents) know, I would end up having nightmares for years about drowning or losing my family in a Titanic-like disaster. HOWEVER, as an adult I can obviously appreciate the beauty of the costumes, sets and overall filmography.

I couldn't fabricate all of Rose's outfits but for the ones I attempted, I tried to find the correct shape and/or color palette if I couldn’t find an exact recreation.

DOWNLOAD:

You can find these sims on the gallery under Origin ID: eregister or you can download the tray files here (mediafire, no ads.) You will still need to download all the CC for your sims to look like mine.

Click here for CC links (AD-FREE) and enjoy! 🚢🌊

// thank you cc creators: @arethabee, @catplnt, @dcwnandout, @imvikai, @threethousandplumbobs, @coloresurbanos, @gilded-ghosts, @glitterberrysims, @grafity-cc, @simverses, @madlensims, @melonsloth, @annamsblue, @birksche, @royaltysimblr, @sentate, @stretchskeleton and those not on tumblr //

[cc-tinslebee]

*pointing at Vince and Jon from Tape* I think those two dumbasses should kiss

[carpedzem]

I cannot express how annoying the whole 'do you like c!dream because of cc!dream ://' thing is because ??? c!dream is great, interesting character on his own and people like complex characters and on top of that I don't own you any explanation why he is important to me but also

yes??? have you ever idk like the actor??? and watch all their filmography because you enjoy watching them on screen??? and because it's your actor you just like their character no matter if they are a bad guys or maybe side characters of just showed for five freaking minutes?? yeah I like c!dream but I also respect how much work and thoughts cc!dream put into his character??? the playing improvement? how he controls his character? how he is writing his story? how we can say so much about c!dream without his POV? it's all hard work cc!dream did and it deserves to be recognised so stop shaming people for seeing and enjoying that

[casual-video-transcripts]

“Ben Mendelsohn Wants You to Acknowledge the Greatness of Bacon and Eggs - In The Details” by Vanity Fair

Video Transcript by CCKN

[0:00] Ben Mendelsohn: [lip pop]

[0:02] On-Screen Text in Red: VF

[0:05] On-Screen Text in Red: IN THE DETAILS

[0:07] On-Screen Text in Red: BEN MENDELSOHN

[0:10] On-Screen Text: Q - What role would you like to play?

[0:11] Ben Mendelsohn: There's a lot of them.

[0:13] It's really the writing I think...

[0:17] That is the stuff you want to play. It's not...

[0:19] I don't think of it so much in terms of "I'd like to play this character or that character."

[0:22] It's the way you respond to the writing, really.

[0:25] In that sense, it's like a good piece of music you just want to be able to dance to something that you know you like.  

[0:32] On-Screen Text: Q - What's your favorite food?

[0:34] Ben Mendelsohn: Actually my favorite food ever!...

[0:35] It's gotta be just done. It's gotta be like...

[0:39] Bacon and eggs!

[0:40] That's gotta be my favorite food.

[0:42] I mean, really!

[0:43] Can we just say something about how good bacon and eggs are?

[0:47] It's pretty plain, it's pretty simple.

[0:48] You know, like caviar, like costs a lot of money and this and that.

[0:51] If eggs and bacon were really rare, trust me.

[0:54] You'd be able to charge whatever you want for that.

End of transcript

YouTube Channel: Vanity Fair

Video Description:

The Australian actor, whose credits include Mississippi Grind and Netflix’s Bloodline, wants to stand up for the humble breakfast food. 

Still haven’t subscribed to Vanity Fair on YouTube? ►► http://bit.ly/2z6Ya9M

ABOUT VANITY FAIR Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture. 

Ben Mendelsohn Wants You to Acknowledge the Greatness of Bacon and Eggs - In the Details

Note: This video does not belong to me. It belongs to Vanity Fair. I'm just someone who wants to provide video transcripts because the auto-generated CC feature on YouTube is....not great most of the time. My transcriptions may not be 100% accurate as I am not a professional. For this post, I focused on the speaker and what is there visually in terms of text. 

Regardless, thank you for reading the transcript and/or watching their video. Please support the YouTube channel by watching their videos on the YouTube platform and/or through other means that are by the channel.

If there are any mistakes I made, comment in this post and I’ll make the corrections right away. 

P.S. Do check out Ben Mendelsohn’s filmography when you get the chance 😉

[influencermagazineuk]

John Cena to Retire from WWE in 2025

Wrestling icon and actor John Cena has revealed he will retire from World Wrestling Entertainment (WWE) in 2025 after a farewell tour. Cena broke the news to an enthusiastic crowd at the Money in the Bank event in Toronto, Canada, mentioning that his final match will take place next year. He reflected on his WWE journey, which has seen both "incredible waves of prosperity" and "tremendous hardship" since he joined over two decades ago. Gage Skidmore from Peoria, AZ, United States of America, CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons At 47, Cena is celebrated as one of WWE's greatest wrestlers, having become a world champion 16 times since his debut in 2001. He hinted that his last appearance might be at Wrestlemania in 2025. The Toronto audience, chanting "Thank you Cena," showed their appreciation as he stood on stage wearing a T-shirt with the slogans "The last time is now" and "John Cena farewell tour." Cena expressed his gratitude, calling it an “incredible gesture of kindness” and thanked the fans for their unwavering support. Cena transitioned to acting in 2006 with his debut in The Marine. His filmography includes notable movies such as Trainwreck (2015), The Suicide Squad (2021), and Fast and Furious 9 (2021), along with the DC superhero TV series Peacemaker. This year, he starred in the comedy Ricky Stanicky alongside Zac Efron and Australian journalist and author Stan Grant. Since 2018, Cena has performed part-time with WWE as he expanded his acting career. Besides wrestling and acting, he holds a Guinness World Record for granting the most wishes through the Make-A-Wish Foundation, reaching his 650th wish on July 19, 2022. Cena, the most requested celebrity for the foundation, typically dons his championship belts during these events, a tradition that began with his first wish in 2002. Read the full article

[secondarychristine]

CC - MatPat

Good day to all, and this is my first post in this account, talking about one of internet celebrities, a Youtuber, a content creator, MatPat

Matthew Robert Patrick, also known by MatPat, is an American internet celebrity and is well-known for his content The Game Theorists (or Game Theory) where he discuss on topics such as the logic and the lore of various video games.  His other channel s such as The Film Theorists (or Film Theory) or The Food Theorists ( or Food Theory) are his spinoffs that also discuss about similar subjects in filmography and food. He is also active in another social platforms such as Twitter (MatPatGT), Instagrams (matpatgt; MatPat (GameTheorists), and Facebook (Matthew Patrick).  In 2015, he created one of Youtube’s  live gaming channel, GTLive, and in 2016, he created Youtube Premium Series MatPat’s Game Lab.

He was born on November 15th, 1986, in Medina, Ohio, U.S.  Growing up, he took an interest in fine arts, especially musical theatre. He graduated from college on December 28, 2009, and moved to New York where he auditioned for theatrical roles. After two years of near-total unemployment, he uploaded the first episode of Game Theory.

He first created Youtube account under the name Matthew Patrick13 where he uploaded his performances on stages and singing. He married his college girlfriend, Stephanie Cordato on May 19, 2012 and has one child.  He quitted his job as a stage director and acting business to pursue another career. Inspired by the Youtube series Extra Credits episode “Tangential Learning”, he created Game Theory with the purpose of creating “gaming’s tangential learning experience”.  The Game Theorists reached 1 million subscribers on December 17, 2013, and 10 million in July 2018. Currently, The Game Theorists has 19.9 million subscribers and over 2.8 billion video views. His most viewed video is “Can Gamers SURVIVE the Real Mirror’s Edge?” which has 69 million views.

https://www.youtube.com/watch?v=snjhDUQktMs

His first content of Game Theory was uploaded 9 years ago titled ‘Is Chrono Trigger’s Time Travel Accurate?’. The video explained how time travel in Chrono Trigger works. The video has almost reached two million views.

https://www.youtube.com/watch?v=tgLSUuKqH4w

He then expanded to various games, such as Minecraft, Pokemon, Among Us, Portal, etc. He is very attached to video games. But, he took it to another level. He analyses the theories and fan theories in his video. His dedication of researching and gathering data is fascinating for me. The topics might sound trivial, but he manages to pique the interests of audience who have never thought about.

MatPat also holds the Youtube records for the most money donated in single charity livestreams. And his livestreams had many other popular Youtubers such as Markiplier and TheOdd1sOut. Even Scott Cawthon, the creator of Five Nights at Freddy’s, also had an appearance.

I was introduced to his content back when Five Nights at Freddy’s was a thing. Five Nights at Freddy’s (FNAF) is an American media franchise created by Scott Cawthon, which began on 2014 when he created his first FNAF game, Five Night at Freddy’s (1). It quickly became a worldwide pop-culture phenomenon. The success of the video games led to another series of books, a guide book, an activity book and an anthology series. Other than the game mechanic of the player being near helpless, the games also have mysterious stories and plot that are very hard to solve, even to this day. Those complex stories caught the attention of MatPat. The total of his FNAF theories videos is 42 videos (and I think most of his videos cover FNAF). That is only discuss this one particular series, and to be honest I am losing a track of it because it is just that many and complicated for my brain. I think this series succeeded in gaining more audience and being known by lot of people, since the game has been people’s guilty pleasure. People say that the game sucks… ironically.

His first FNAF video was posted on October 23, 2014, goes by the title ‘Game Theory: Five Nights at Freddy’s SCARIEST Monster is You!’.

https://www.youtube.com/watch?v=th_LYe97ZVc

The video has reached 26 million. I discovered that there are still many new comments in this particular video. People love rewatching this particular series, because as I said the plot is too complex. So complex it takes 46 videos, and possibly more in the future just to ‘solve’ the mystery. The new game of FNAF is also coming soon, so best be prepared.

The list:

https://www.youtube.com/playlist?list=PLbc0sHjcmje6NCMaJdeLnCWejp5gQuknI

Another things that interest me are the editing and his tone when narrating. He sounds so enthusiastic when delivering his theories. He slips comedies in his discussion and it just makes me love listening to him talk even though I am a little bit confused. I can rewatch his videos whenever I like just to understand what the games all about.

About the editing…. I do not know anything about editing, so I am going to say that the way he deliver his videos is neat and cute. The pictures he uses make it more interesting to see and easy to understand.

This the picture of himself that he always uses in his video. You know when you watch his video. 

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Move on to his another channel is The Film Theorists where he discuss the logic, headcanons or other theories regarding films and cartoons. The recent videos he posted was movies from Godzilla vs Kong, “Why Godzilla Wins”, and a Disneyplus tv series called WandaVision, “The Secret THIRD Witch Revealed!” I rarely watch this channel, because I rarely watch films. If anything related to films, the videos I usually watch on Youtube are mostly reviews.

https://www.youtube.com/watch?v=SAFv2T62Frc

https://www.youtube.com/watch?v=eaYsHV3rIYk

His third channel is called The Food Theorists. Anything interesting theories about food are all there. But, I never watched food theory so I cannot comment on anything. 

https://www.youtube.com/channel/UCHYoe8kQ-7Gn9ASOlmI0k6Q

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I can recommend you for those who never heard of this, go watch his FNAF theories. Though they are complicated, they are still my favourites.