#cause like chefs kiss

[mushrooms-and-blooms]

but the Devil sees all and She thinks you're a beauty

this girl and this devil scene live in my brain live in my brain live in my brain

[eurodyne-d]

[justabiteofspite]

I honestly don't get the spawn vs ascended debate when we really should all be coming together to shame those who think it's "unrealistic" that Astarion could fall in love with default dragonborn Durge on account of that Durge "not being attractive."

Like, I'm sorry, but are you fucking high? In what world is Default Durge not peak sex appeal? Big, tall, muscley thicc ass man who can barely run because he's so caked up with a deep, haunted voice struggling to overcome the darkness within himself all while looking like he could bite Cazador's head off in one satisfying crunch? You're telling me Astarion wouldn't be speed running that romance arc to climb him like a tree? Like that wet pathetic cat man looking for protection and attention wouldn't be the president, vice president, and treasurer of the "Top That Nice But Kind of Disturbed Hot Lizard" club?

Get fucking real.

[ooowyn]

wretchedness

[heartagasm]

Can we just take a second to appreciate the growth of Ava’s protective instinct towards Beatrice over these past 2 seasons because it’s suPERb. In season 1 we see the first time Ava reacted, completely subconsciously, to Beatrice in danger

at this point she’s not aware of her emotional connection to the halo’s power, and has way less control of what happens - so even though she does shatter the bullet and save Bea’s life, she also blows everything in the room backwards including herself. Even Beatrice gets pushed back (although super softly) as you can see her recover briefly to run over to Ava after

THEN we start to get spicier protection in season 2 when Ava does react with more understanding of the halo’s power and her feelings towards Beatrice, and not only does she accomplish a much harder goal (poofing away a demon???) 

but this time Ava able to handle the blast AND it doesn’t get anywhere close to Beatrice. She does clearly have a blowing back effect on people next to her (cue Miguel/Michael folding like a lawn chair part 1) but Ava is learning to control the power of the halo and how to use it to protect specific people... or in her case specifically Beatrice

and then of COURSE because third times the charm, the last one is my favorite. This time it’s intentional, Beatrice knows Ava can control the power and she tells Ava to let go, and Ava nods AND pulls Beatrice in telling her to hold on 

WHICH if we look at past experience showing Ava having a forceful blast that surrounds her after using her power, her instinct should initially be to tell Beatrice (and Michael I guess) to run so that they don’t get hurt, but she knows at this point that whatever power she releases won’t hurt Beatrice because Ava would never let it. I mean look at Michael ! ! ! 

Dude folds like a lawn chair (PART 2) as if he were one of the possessed enemies Ava is releasing a blast towards. Even though Ava thinks logically she’ll be able to protect both of them, her internal instincts are only thinking of protecting Beatrice in the moment and the halo’s blast reflects that.

Bonus is watching them walk away without a second glance at anyone because to them, as long as they’re both safe, it’s mission accomplished:

Thanks I’ll be here till 2049 talking about this show and couple

[xanderscollection]

Some more anime and manga panels

[theforgottengreatpoem]

Alecto using Annabeths hubris to convince her to give up Percy vs Medusa using Percy's loyalty for his mom to convince him to kill his friends

Monsters + Playing into the Hero's Fatal Flaws | Percy Jackson and the Olympians 1x03 | inspiration

[calliecat93]

Okay but this scene. Sorry but OMG the start of The City on the Edge of Forever man. The way that after McCoy's accidental self-injection, every crewman already on duty is already over there trying to help him. The way that despite this Kirk makes them all get the Hell out of the way so that he can put himself beside him. How he just hovers over him until he goes all psychotic is just... God these two do things to my feelings~

And then Spock? Spock didn't have to go over there. He could have just let Kirk handle it. But nope. He bolted over there just as quickly as Kirk did. He's just as worried about what just happened as Kirk, as especially evident at the end with the aggressive hand-shaking. Just... damn. The way that two just care so much about their McCoy and it's so beautiful and I love it~!

[isagrimorie]

The Brief Flash of Ahsoka's Dark Side/Sith Eyes / Star Wars Ahsoka 1x05 - Shadow Warrior

"Ahsoka, within you will be everything I am. All the knowledge I possess."

[sass-squat]

Part 4 of the Linked Universe Winged Au! This time around we've got our favorite short king, Four!

<<< Previous Next >>>

Starting off strong with more fun facts about birds, Painted Buntings are mainly known and recognized for their bright, colorful plumage to the point where they are oftentimes referred to as, "Nature's Living Box of Crayons".

Now aside from the obvious similarities in color schemes and the absolute CRIME it would be to choose any other bird for Four, my interpretation of Four and his personality also share many similarities with those of a Painted Bunting. For example, these birds most commonly lurk in low, dense covers of brushy areas and woodland edges which is incredibly similar to what he did in his adventures all throughout Minish Cap.

On top of that, Painted Buntings also have a tendency to be very independent and fiercely territorial. Because of this, I headcanon that despite his generally calm exterior and his short height, Four is by far the Link who's most ready to throw hands at a moments notice and is willing to dive bomb enemies should the need arise, even more so than Wild.

However, while Four does share certain behavioral traits of a Painted Bunting in this Winged Au, his appearance is actually a result of the combination of all his other "selves" or "colors".

Four was still very young when he began his adventure in Four Swords to the point where he actually hadn't lost his baby feathers yet before starting his journey. However, when he drew the Four Sword and split into four separate individuals, all four of those "colors" not only had different personalities like in both the manga and comic, but different wings and colors as well. Because of this, by the end of his adventure when they merged into a united whole again, his wings took on a combined mix of all the colors to resemble that of a Painted Bunting.

Anyways, that was a lot but that's all for now folks! As always kudos to all those who read through that mini lore dump and thank you all again for being so nice and supportive! Feel free to reach out with any questions or requests for who or what you would like to see next!

[fromtheseventhhell]

I'm not sure how to get it into people's heads that Arya is a female character. She's not a boy, not nonbinary, trans, agender, or genderless. I don't intend this in a way to be negative or wanky, but her girlhood is imbedded within her character. The problem isn't that Arya stans are missing the point by overemphasizing her femininity and wanting her to be a barefoot tradwife baby making machine, but that we're stating it exists when the majority of fandom and the show itself have gone out of the way to minimize the relevancy of her gender. I'm fully convinced there are a lot of people who think Arya would be the exact same character had GRRM created her as a male character named Arry instead, perhaps they'd do a better job at acknowledging her importance.

What's most ironic to me is how these same fans will gush and coo over the sisters being more alike than we think, but only if it involves giving Arya's characteristics to Sansa. Well acktually, Sansa likes to ride horses just as much as Arya does! They're so alike uwu! But dare acknowledge that Arya has traits and aspects commonly associated to Sansa then not only does that get accusations of wanting Arya to become Sansa, but that it's solely about showing Sansa up and wanting her to grovel in Arya's shadow and superiority 🙄 Hypocrisy and projection showing itself.

Somewhat of an aside, but I recently saw a post on reddit complaining about the fact that all four of Daemon's children survived the Dance specifically focused on the fact that both Rhaena and Baela lived. According to the OP, one of them should've died and their post-war roles in the story should've been given to only one of them. Which at its core is really the main conflict between Sansa and Arya stans, no matter how much the Stansas want to cover their ears and play dumb. It's not about Arya stans projecting their sibling squabbles onto the two of them but simply the fact that it's not possible for two characters to fulfill the same role in the story, specifically when it involves two female characters. The existence of two Stark sisters is an inconvenience for the people who want the story to revolve around Sansa.

I have to believe there's some bubbles that they don't want to admit will burst if TWOW will ever be released and that's why they cling to the idea that Arya stans are the delusional ones. They have to believe that the parts of Sansa's seasons 5-8 storyline they like came from GRRM instead of D&D or else their Jonsa and QITN fantasies will fall apart. I have no idea how someone can watch the scene where Sansa tells Arya she couldn't survive what she had while Arya can only sputter out that she was training and believe 1) it makes sense for their book characters and 2) D&D didn't blatantly favor Sansa and Sophie over Arya and Maisie.

This ask came literally seconds after I drafted a post talking about this exact topic and it's so wild to me that we were both up thinking about Arya + her girlhood and wanting to discuss it 🥹

As for this ask, you really hit the nail on the head. Arya's gender is an essential aspect of her journey but fandom ignores that because they've decided that there's only one "right" way to exist as a female character. Arya's self-esteem issues stem from her being a non-conforming Lady in a misogynistic society, she has to disguise herself as a boy in part because of the threat of sexual violence, in Harrenhal she is assigned gender-specific tasks/labor, political matches are made without her knowledge/consent, she is threatened with sexual violence multiple times, and even her role within the FM is influenced by her gender. Her being non-conforming doesn't mean she's the complete antithesis of everything feminine. The obsession with propping up Sansa has ruined people's ability to perceive complex female characters, ironically including Sansa herself. They genuinely would've respected Arya more if she had died passively rather than fight for her life and you can't tell me that isn't misogyny.

That Reddit post is a great example of how people genuinely can't (or refuse to) comprehend the idea of two female characters occupying the same space. Cause you're right, that is the root of the issue. I think the only reason they bother with the fake "Stark sisters uwu" crap is because they've backed themselves into a faux-feminist corner and they don't want to look hypocritical for disliking Arya. So instead, they pretend to care all while rewriting her to serve as Sansa's prop. This is also why so many Queen!Sansa truthers are also anti-Dany + think that Sansa becoming Queen depends on Dany's downfall. They desperately cling to the show as canon, when D&D have openly admitted they changed the story because they favored Sansa/Sophie. They're fine with how show!Arya is written because to them, that's exactly how she should be; a subservient lapdog for Sansa. TWOW is definitely going to ruin that illusion, and one of the reasons I'm optimistic about it being released is getting to see fandom's reaction.

[alagaesia-headcanons]

I love that Nasuada's major flaw is the same as one of Galbatorix's greatest flaws, and that it gets worse and more ingrained throughout the series. And it's so compelling because it's incredibly in character for her and there's every reason for the circumstances to perpetuate and exacerbate it, but that doesn't make her flaw any less egregious. The scene where Galbatorix compares the two of them is so fascinating because his intention is very manipulative and malicious, yet the statement itself isn't entirely untrue.

Because Nasuada treats people like tools. She considers a person's utility more important than anything else, including their personhood.

And it's such an engrossing flaw because of course Nasuada treats people like tools! She is proud and powerful and stubborn and noble and utterly committed to achieving what she has set out to do, by whatever means necessary. She will use whatever she has at her disposal to reach her goal, and that includes using the people around her. Of course, this doesn't make Nasuada inherently immoral; she cares deeply about justice and protecting her people. But her views on the individuals around her are impersonal and self serving.

And the goal she's trying to achieve is to win the war. Nasuada would never be pushed out of her ways by the circumstances because they work, the way she treats people accomplishes exactly what she intends. By its nature, the bloody act of war rewards using people like tools. It demands that, even; to a certain extent, it's an ugly necessity in war, but the thing is that Nasuada doesn't see it that way. She never struggles with or grieves over the need to consider people's individuality as secondary to their function. It comes naturally to her, and it lasts through the end of the books, when the war is already over.

Because I think the most flagrant example of this is at the very end, when Birgit intercepts Roran as he's leaving, presumably intending to kill him, and Nasuada says, "He has proved himself a fine and valuable warrior on more than one occasion, and I would be most displeased to lose him." It's such a wonderful, pointed line that perfectly sums up this aspect of her character. Because what a disgusting thing to say. Especially for the queen of all Alagaesia, perfectly positioned and empowered to stop this confrontation and declare it unjust if she cared to. But her words make no attempt at all to defend Roran as a person, only his value to her.

The way she uses others I find most evident in her treatment of Roran, Murtagh, and Elva. The way she tells Eragon that she thinks of giving Katrina a dowry as a "purchase" of Roran's goodwill and loyalty. In Uru'baen, only at great length, she makes the conscious choice to ignore Murtagh's past and only judge who he is in the present, but disregards any care for what that might say about him as a person, solely focused on if he could be useful as an ally. And when Eragon offers to revert Elva's curse, the one that condemned an infant to feel every piece of pain and suffering surrounding her, Nasuada is so fixated on Elva's utility and value to Nasuada's goals that she goes so far as to ask Eragon to fake his effort to cure her. She sees people as tools to such an extent that she can't recognize that relieving an innocent baby of unimaginable, cursed agony should come before her own priorities.

[possessable]

it'd be kind of cool if when Dallin stabs Olen/Oas they start tearing up a little bit but it's completely ambiguous as to Which One of Them Is Crying

(whispers)

It's Oas

[savroseline]

A little valentines Vash ;-; him in little heart shaped glasses has been living rent free in my mind for months

[vaggieslefteye]

OUT FOR LOVE ↳ from Hazbin Hotel Season One (2024): 1x07 - "Hello Rosie!"

[vincentsleftear]

feel like people don’t give Hozier enough credit for inventing love with his DEBUT album