#cause i can see how this will end

[bluerosefox]

Her Astrophel and Sterling

hmmm

Hmmmmmmmm

You know what.

You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.

Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.

DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!

YES.

Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.

"Ellie! I thought I said do not answer the door my Sterling."

"But Daddy, yous was busy fighting the hotdoggys!"

Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.

and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."

[dykedvonte]

I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.

I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?

The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.

[egophiliac]

hi! this is Insomniac Anon here!!! I noticed on some of ur artworks (specifically the unique magic posters), that u have a textured look to em, like paper or grain ... i wanted to ask how u get that effect? is it a brush, a filter, or like an overlay/png u use ... ? pls tell me!! ;v; I really like how the texture looks, so i wanted to know how 2 do it since ure a very big inspo 2 me LAWL ... I've been doing art practices in diff styles i find, so, i wanted to know a bit more how you do it :^D

thank you! :D :D :D it's usually photos/textures of paper that I've messed around with; I have a bunch of free/paid/ones I took myself. anytime I see good photos of paper I add it to the collection...it is my weakness. 😔

I mostly use Photoshop, but this should work in any program that supports blending modes (also I did this in like an hour to use as an example, please forgive it :')

image by itself before texturing:

with the texture pasted in (for this one I'm using this public domain one from Pexels):

then mess around with the blending mode to see how it looks -- in this case I went with overlay, but soft light and hard light are usually good ones too, it really depends on the texture:

then with a bunch of messing around with opacity/colors/saturation/levels/adding in a bit more texture until I like how it looks:

et voilà, texture! (waves hands)

[thecoldandcruel]

Okay, but I just wanted to make clear how Timebomb literally destroyed me. Not only because they could've had EVERYTHING on a different time line: being together, working together, living their best life inside a really well done and sane Zaun. They made millions of parallels between the bridge scene and the dance scene, just to make Ekko see that, no matter how hard he tries, how desperately he wants to believe that Jinx is all that the women he fell in love with has left, he won't be able to stop loving her. Being Jinx. Being Powder. He loves her entirely, even after all the bad things she had done. When they fought, he saw Powder in Jinx's eyes, and when they danced and talked during the kiss scene and when he arrived there, he somehow knew that, no matter how many timelines the world had prepared for him to see, she will always be the girl of his dreams in every one. And then he came back just to stop her to end her own life and tried multiple times to talk to her when she thought that everything was lost, that she didn't deserve to live after the little girl she practically adopted sacrificed herself for saving everyone. Then she just stoped detonating the bomb knowing that it will kill Ekko too if he stayed, jumping into the void to avoid hurting him. But he just wanted her to see that she had much more to see, to fight, to live for. That she wasn't alone, that many people still believed in her, loved her, cared about her, and were waiting for her to come back again. The story literally built all this to just make Jinx sacrifice herself at the end and give us and scene where is insanely obvious how much Ekko misses her. He saved everyone. Sacrificed a better life just to save his timeline. Saved her before she gave up. And then they gave him an ending full of sorrow and loneliness after losing the woman he knew that now could've been with him after the battle is done. They are tearing me apart.

[lunarharp]

if i just told you i love you would this world change

[blackhholes]

teen wolf meme: [2/6] creatures -> banshees

It's not the scream that gives you power... All the scream does is help drown out the noise, allowing you to hear what you really need to.

[torchstelechos]

People be like, how you doing? And I'm like, Loop is never going to see their family again.

[puppyeared]

AND I MET THE CHANGE GOD TOO. OKAY. COOL OKAY

[glow-worms-are-believers]

Just like heaven (dp x dc)

So.

Maybe diving head first into a rapidly disappearing portal in pursuit of the Phantom Menacetm was something she could’ve thought about a little longer. Because, though it was generally a good thing Valerie didn’t know when to quit, it also tended to lend her in difficult situations. This time she had landed herself in a strange city with no idea of how to get back home.

Worse still, Phantom and his furry partner in crime were nowhere to be found which mean she couldn’t threaten them into answering her questions.

“Alright, Val,” she muttered. “You can do this.”

She looked around wearily, noticing the seedy atmosphere of the urban landscape she’d found herself in. Valerie turned towards the other end of the unfamiliar dirty alley and spotted a shadowed figure.

“Hello?” Valerie called out but the person didn’t move.

The teen hesitated a bit before approaching slowly. “Hi, sir?” She tried again.

There was still no answer, so Valerie walked up to the figure. She side-stepped to place herself in front of the figure to find herself facing what looked like a teenage girl wearing an oversized purple hoodie and sweatpants.

“Hey,” Valerie repeated, waving her hand in front of the girl’s face. “Are you ok?”

The girl’s eyes widened as she looked up into Valerie’s visor. “You can see me?”

Valerie frowned behind her helmet. “Uh, yeah?”

“You can see me,” the girl repeated, her blue eyes, wide.

“Uh,” Valerie let out. “Do you need help?” She couldn’t help but ask though she herself was in a pickle already, the girl was clearly in distress.

“No, it’s just-“ the girl’s voice hitched. “Nobody has been able to see me.”

Valerie raised a hand to pat the girl on the shoulder awkwardly, as she didn’t know what to say to that but as she did, her hand passed straight through the girl as if she wasn’t even there.

“What the-” Valerie almost cursed.

“Are you a medium?” The girl asked, uncaring of the fact someone had just put a hand through her shoulder. “Please I need your help.”

“My help,” the teen vigilante repeated blankly as she struggled to reconcile her previous encounters with ghosts and this very human-looking girl in front of her.

“I think-” the girl started haltingly before taking in a steadying breath. “I think I died.”

[dykedvonte]

Curly had two days to act and Swansea had two months.

I think it’s just interesting that every defense of Swansea not immediately acting are the same ones that are argued against for Curly. “He didn’t want to alert Daisuke or makes things worse for Anya either Jimmy!” I mean people also assume that about Curly and the crew. “He has to think about his plan of action and a right moment!” Again so did Curly, power and authority aside, he still would have to think of what he had to do. “He makes sure he doesn’t have to be around Jimmy!” So did Curly and they only do this to an extent, both give Jimmy more than a few opening to keep harassing Anya.

This isn’t defense of Curly nor a damnation of Swansea. Their actions are very parallel to each others in tragic and sour ways when it comes to how they approached helping Anya. In the grand scheme of it all they both did the same thing: Nothing. No action either took stopped the inevitable outcome of her death nor Jimmy’s continued damage to themself.

The only real difference is Swansea didn’t like Jimmy which is pretty substantial, but also just as damning as Curly knowing how bad Jimmy could get to an extent. He had even less of a reason to wait, even more of a reason to act seeing as he was now worried for Anya AND Daisuke. He is not bound by the possible procedure as Captain and actively does not care about what happens next. So what does it matter if he acted in the moment? Why did he wait? I think he’s just as morally complex and grey as Curly and we hold him on a pedestal that still perpetuates things in rape culture the game critiques.

It’s not just enough to dislike and be abrasive to predators/abusers like Jimmy. It’s not enough to just put yourself between them and the other person. It’s not enough to hold tensions when you know someone is vulnerable. He and Curly do the exact same things but on different sides of the coin. I ask how is it better to not turn a blind eye but still not really do anything about what you are seeing? Not until it affects you atleast…

The game makes a big point to not put men doing the bare minimum or who wait to do more on pedestals and I’m actually surprised so many are missing that point.

[tleeaves]

There are two wolves inside me. One wants to embrace a new hobby in dance so I can be active and feel elegant and graceful and strong. This wolf wants to try something new and exciting, finally indulging in something I've always had an interest in.

The other experiences such frustrating emotions on a near daily basis that I want to go back to boxing, which is arguably easier to break into since I've already done it before. This wolf doesn't think of elegance, she just wants to fuck shit up until her body's so overworked and warm it fogs up car windows without having to do anything but sit inside.

Which one do I fucking feed??

[cent-scratchnsniff]

here together

[marimbles]

i miss carpisuns sometimes </3

[melonisopod]

Hon we need to get you some Adderall.

[umblrspectrum]

alright fuck you if you haven’t seen the episode yet Thats On You its free on youtube why are you going on a murder drones blog why haven’t you w

[bitchthefuck1]

That one chef saying that the worst thing about a bad boss is how they unlock that behavior in you and seeing Carmy mirror the attitude of the chef that terrorized him and gave him panic attacks and then ending the season with Syd having a panic attack because of the stress of working with Carmy...diabolical.