#cause I sure liked a lot of their posts

[hinamie]

色彩 [Shikisai]

[anewp0tat0]

omg I finally finished it. I was torn in wondering if this was out of character for Lizzy but my final concusion is that she's a kid and your parents being romantic is gross no matter what you like. lil headcanon ♡

[fortheloveofexy]

I've seen a lot of posts in the wake of tsc calling out how the Foxes mistreated Kevin and never really gave him the same degree of compassion and patience that they gave Neil (and like, fair enough, there's definitely a disparity in how the two are treated by the broader team) but I think it's important to remember that it's very likely most of the Foxes didn't know just how bad things in the Nest were, especially when Kevin first came to Palmetto.

Like, they knew he'd been hurt badly, but were they ever told the full extent of the abuse in thr Nest? Probably not, because unlike Jean, Kevin was media trained. It was ingrained habit for him to conceal the true conditions inside the Nest to all outsiders, and that's not a habit he'd have been able to break easily. The only people who knew the full extent of what he'd been through were probably Wymack, Bee and Andrew.

Add to that Kevin's abrasive personality and his tendency towards nitpicking and perfectionism, and it's no wonder that the Foxes' patience with him ran thin after a while.

[buwheal]

Mr. Spamton, have you ever tried sewing before? The patterns some people draft up are bamboozling to the mind, for sure...

-Silly woman who tried, but only managed to stitch together lopsided "pillows" from t-shirts and stuff them with cotton balls

[icewindandboringhorror]

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[aroaceleovaldez]

i'm so happy you brought back up the topic of rick's shitty writing of anyone even remotely non white / "white passing"

with that being said, do you think the shitty script he gave to annabeth in the show has to do with him just being deeply uninterested in adapting his story to include characters of color? bc it seems like once rick encounters a character that cannot be easily erased all ethnic or racial identity of to fit them into an usamerican specifically white ass narrative, he gets lost.

i just keep thinking how the only thing that "changed" about annabeth as presented in the show was her race but her plot relevance and her characterization got downgraded severely. meanwhile percy, whiter than before (wheres the mediterranean god look......................................), got half her functions. like i just look at rick in context and i wonder if he just gives so little fuck about characters of color he cant even write a decent character arc for an adaptation of a very established persona

thoughts? thank u!

I wouldn't be surprised if it's Rick (and the writer's room, since it actually seems Rick isn't all that heavily involved if much at all with the script itself based on some interviews) just has internal biases that he refuses to reflect on. It would be a consistent trend with the uptick in offensive writing in the books themselves (see: the troglodytes in general, all the Jewish kids in CHB being in Hermes cabin, etc etc). Rick seems to want to engage with these topics but refuses to actually assess how he's approaching it and his own biases while also overemphasizing his engagement with the topics. It's a kind of big talk/words vs actions type thing to me.

[this got a wee bit long so throwing it under a cut]

I was having a couple of conversations about this topic recently - one being group reading/discussion of WottG and how, allegedly, the slightly different characterizations in that book are inspired by the actors in the show. Annabeth is repeatedly and frequently described as motherly and maternal in the book, plus some other misc characterizations that make you tilt your head and go "Wait, what about Leah made you want to write Annabeth this way?" and concerns about it leaning into stereotypes. (It's also strange, because in the show Sally is MUCH more aggressive and less maternal, and this is painted like it's supposed to be a girlboss thing cause her being too soft and motherly was too weak or something? But now book Annabeth is now being described as all soft and maternal??? What. What is happening.)

Another conversation that i had with my therapist (cause we talk about pjo a lot lol) and later repeated and discussed more with other folks on discord more specifically regarding the show was a lot of discussion about the casting. Particularly casting choices and how the writing either is refusing to take casting into consideration to respectfully approach how things would be changed to avoid problems or are actively changing the script for characters in a way that is potentially if not downright offensive. Clarisse is the number one example i bring up because a lot of people say that the reason a plus sized actress wasn't cast for her was to avoid the "fat bully" trope. The thing is, there is ALSO a POC bully trope that is just as bad if not worse, so if they were actually taking offensive tropes into consideration one would expect them to avoid that too (especially since Percy was cast as a pasty white boy - which just makes it all look worse)? (Also other plus-sized characters like Dionysus and Gabe were also cast as skinny, same with Tyson. So it just seems like they don't want to cast plus-sized actors either.)

But also they're rewriting stuff that actively puts the casting decisions into worse tropes. Like hey, why is Percy (a white guy) the one who knows the "real" versions of all these myths and is expositioning them to Annabeth (a black girl), who in the books is supposed to know more than him? Why does he know better than her for some reason and have to guide her? Why is Percy teaching Annabeth about pop culture and how to be a kid? Not to mention stuff like the show constantly encouraging the viewer to doubt or distrust characters like Grover and Clarisse and Annabeth as red herrings as to who the traitor is. Plus there's no adjustments to stuff from the books like Annabeth initially being somewhat aggressive/antagonistic towards Percy, or Clarisse's aggression and bullying towards Percy to try and circumvent those being bad tropes in the contexts of the casting.

And there's an ongoing trend of characters who are antagonistic towards Percy in the books being divided into two groups: those who continue to be antagonistic towards Percy in the show, or those who are tweaked to suddenly become kinda silly-goofy and significantly less threatening. Gabe, Dionysus, Ares, and Hades are all examples of characters that should be antagonistic towards Percy but are softened SIGNIFICANTLY and played for laughs in the show. Echidna is played as a twist antagonist because she initially because she approaches the kids as very sweet and helpful. And they're all cast as white! Meanwhile other characters like Clarisse, Luke, Zeus, etc, are still antagonistic towards Percy (plus also like Annabeth initially and again, Grover being painted as a major red herring). Plus some new additions like Hermes, Mr. Lin Manuel Miranda himself, being wholly introduced into the plot when he's not supposed to appear until book 2, and all he does is sabotage the quest. Like, it's weird! That's a weird writing decision!!!! I get wanting to get that sweet sweet LMM cameo money, but, why is Hermes an antagonist here???????? he's not even supposed to be here yet!.

We also have stuff like Poseidon (who, like many of the god/major kid pairings so far seems to have been cast to match each other appearance-wise) saving the day for Percy and being this weirdly good dad, versus the books where we get the iconic "I am sorry you were born" line and Percy and Poseidon's tension is part of their arcs. Notably, Poseidon does this by ceding to Zeus, who is actively about to start a war. While Gabe is rewritten to be a total loser, Sally is MUCH more aggressive and her yelling and screaming at young Percy is supposed to be sympathetic for some reason? If Gabe were acting like Sally does in the show, he would actually be significantly more like his book counterpart! The show is making active decisions to paint these characters the way they do!

Admittedly, part of it may just be they got overzealous with their casting (not inherently a bad thing! diverse casting is good!) and then proceeded to not consider how that casting affects the way the characters are perceived. It also doesn't bode well for certain guesses we can make going further into the show - Thalia is very at odds with Percy initially. She's a very aggressive character. They fight a lot! Also Annabeth's description already implies that they're tweaking Thalia's character to be more "tough love" versus the books where she's significantly more of a bleeding heart when she first meets Annabeth. Like, I'm very happy about Thalia's casting, her actress seems amazing, but also I'm VERY concerned with how they're going to approach her character to make sure it doesn't end up wildly offensive. Athena is similar - we can guess based on casting decisions so far that they're going to try and cast Athena as similar in appearance to Annabeth/Leah. The show has already painted Athena has antagonistic and uncaring towards her daughter. If projected trends continue, these things are not gonna be great.

And the show does seem to rarely want to engage with these topics - like the scene with the cop in the train. You can tell what they wanted to address by having Annabeth be the one to confront him. The thing is they were too cowardly to actually have that conversation! They paint the kids as being unreasonable and getting unnecessarily upset when they aren't directly being accused of destroying a room, therein painting the cop as the one in the right in that situation. The implication seems to be a little bit they were going for "Oh, this is Annabeth's hubris getting them into trouble" but. that's such a bad way to do it! That's like the worst way you could have done it! (This is also a trend in books from HoO onwards, more or less - Rick tries to engage with certain topics, often using characters of specific demographics, and then proceeds to do a really bad job of it.)

There are also some aspects that are just like - in the books, Luke being a middle-class blond-haired blue-eyed pretty white boy is relevant! Because the fact that he has privilege from that particularly in how he's perceived is part of how he came to where he is and why he acts the way he does. Percy not having those same privileges, and having aspects like constantly inherently being labeled as a trouble-maker just based on his atypical (neurodivergent) behavior and coming from a lower socioeconomical background play heavily into his character!!! Percy being both a poor and disabled kid (and implied potentially POC) plays DIRECTLY into why he feels so strongly about standing up for other disenfranchised kids (in SoM, explicitly including other disabled kids and kids of color). It directly relates to his experiences and standing up for kids who are like him because he didn't have that, versus Luke whose perceptions and goals are very self-oriented. Now, in the show, we've essentially swapped Percy and Luke's appearances, and that paints a very different narrative. And that's important to acknowledge!

[funkbun]

the funkbun

[padfootagain]

THE FIRST DRAFT IS DONE!!!!!!!!!!

I'm crying, at this point...

The first draft of the Prof!AU Love in Verses is officially done!!! All 44 chapters are complete!!!

The posting schedule will be posted next week!!!

[doubleedgemode]

Happy summer, everybody!

This has been a big project to take and while there's stuff to improve I'm pretty happy with it. Be sure to zoom in the big picture for details and read the comic from left to right. (Needless to say, please don't try A.B.A's behaviour.. For your safety)

Bonus doodle:

[karleksmumskladdkaka]

Diabolik Lovers Dark Fate Vol. 3 Chapter of the Last Quarter — Short Story Translation

A short, sweet, and comedic tale about the Mukami brothers being supportive siblings… and nearly committing accidental fratricide in the process. Meanwhile, Yui watches with increasing concern as the disaster unfolds.

Please refrain from using or reposting the translation anywhere without my permission.

[Note: The story is written in Yui's POV.]

─── ⋆⋅☆⋅⋆ ───── ⋆⋅✮⋆⋅

"Uh...something's wrong..."

Kou-kun groaned as he stared down at the pot.

"Should I help after all?"

"Eve, you mustn't get involved...okay? Just quietly watch over us."

Even though he said that, an increasingly terrible smell was spreading throughout the kitchen. Despite being told not to interfere, I was starting to get a bit worried.

"Maybe it needs some sugar-chan!?"

"Ah!!"

Before I could stop him, Yuma-kun dumped several sugar cubes into the pot, filling the room with a foul stench. I felt a sense of despair.

The whole mess had started when Ruki-kun injured his hand.

"Ruki-kun always cooks for us, so let's all pitch in today!"

And so, Kou-kun's plan of making dinner ended up as disastrously as I had feared.

"...This is...?"

"Well... It's supposed to be curry..."

Kou-kun glanced at me as if pleading for help. When I looked at Yuma-kun and Azusa-kun, they averted their eyes. In short, something horrible had been created. Its color was... to put it nicely, pitch black. After tasting it, Yuma-kun commented nonsensically that it was "bittersweetsalty". Dubbed "Mukami Brothers' Style Curry" it had transformed into a mysterious substance resembling anything but curry. Just by looking at it, anyone would instantly recognize it as inedible.

Yet, Ruki-kun was peering at the plates lined up on the table with a happy look on his face.

"Maybe it's better if we don't eat this..."

In spite of Kou-kun's uneasiness, Ruki-kun scooped up the substance with a spoon and brought it to his mouth.

". . ."

"It's disgusting."

We all shared the same fear. That even though he's immortal, Ruki-kun might die from this.

Despite his words, Ruki-kun's expression suddenly relaxed. We stared at him in amazement.

"R-Ruki-kun...!!"

"Ruki..."

"Ruki...! Damn it! Yer such a...!"

The three brothers, seemingly drained, collapsed to their knees on the spot. Ruki-kun simply watched them in silence as he continued to eat.

And then, afterwards—Ruki-kun was bedridden for three days and nights. Even though Vampires aren't supposed to get sick...

Seeing this, his brothers made a firm vow to themselves. They would never try to cook again.

─── ⋆⋅☆⋅⋆ ───── ⋆⋅✮⋆⋅

[skitskatdacat63]

Fernando Chair Lore: 2013 edition(no lore, just pics haha):

[olivegardenhunter]

one thing that I find really really interesting is that in practically every scene where it's just jiraiya and tsunade alone, kishimoto very deliberately draws at least a panel of the two of them being completely silent in each other's companies, even refusing to look at each other.

when jiraiya got drinks with tsunade in og

when he got drinks with her before he left. notice that neither of them are making any eye contact, refusing to look at each other.

the iconic bench scene ofc

why this is important to me is cause I think it's an excellent way on kishi's part to show the dynamic and history between the two of them (and the sannin as a whole too). ((note this isn't a jiratsu post))

the few scenes we get of the two of them talking alone, you always get the impression that there's a secondary, entirely silent conversation going on in the background that only the two of them even know about. a conversation about all the things they cannot say. and he conveys that so well in these deliberate panels. you can SEE in their expressions, in the things that they do say when they choose to break the silence. there's so much between them, so much they yearn to say. and the weight of all of that, the depth of those feelings and emotions, is ultimately what makes them not say anything at all.

because you've known each other since you were SIX years old, you fought WARS together, this is a person you'd put your life on the line for without a second of hesitation. yet. there is a 20 year gap. you haven't spoken with each other for as long as you grew up together too. they've lived an entire lifetime together, but then an entire equally as long lifetime apart. they're the same person they've always been but yet... you can't really recognise the person in front of you. they both can see that they've become shells of the people they used to be. you both have gone through so much, and you know the the other person knows this. you know it so intimately, what things you can say, what things you can't. youre being so careful yet you both know there's this pretense going on.

there's so much left, yet so little. after all of that, what is there even left to be said? what CAN be said? they're already so intimately aware of what the other is thinking, there's nothing new, yet somehow, there's this gap. there's this emptiness that both know they can't really do anything about.

in the end, the sannin are a tragic trio. and kishi does an excellent job of showing this through their stories and histories, sure. but he does an even better job at showing it through their small interactions together. the way they always end up talking about the past, the attempt to bring up happier times (like tsunade trying to reminisce about their genin days as team hiruzen), yet how they ALWAYS come back to ultimately how they fell apart, and the world kept spinning, and all they can do is try to make sure the future doesn't make the same mistakes they did.

what can you even say to someone like that? it must've been so freeing, to have someone that understands them to such an extent. that would know them more than anyone else in the world ever could imagine. and yet. so suffocating. because they're a reminder. a reminder of what you used to be, a reminder of what could've been, a reminder of how everything went wrong, every single mistake you ever made. and so despite the person in front of you being the only person in the world that likely knows exactly how you're feeling, what you're going through, all your experiences, they're also somehow the last person you can ever speak to about any of it. because it becomes like a trap almost. they're constantly reminded of their pasts when they look at each other. how can you ever begin to move on with someone like that right in front of you?

once upon a time, they were the hope of konoha. they were the young shinobi, meant to bring in a new era of peace, meant to be the change. and they wholeheartedly believed this too. and then, to make it to 50, after everything they went through, and realising they were no better off than the generation before them. that everything they ever stood for, ever fought for, were all practically in vain. and how suddenly the people meant to be the change for the future can only hope to make sure there is still even a chance for change for the next generation.

really, what else are they meant to do around each other than continue their little dance or chess game and let the unspoken remain unspoken?

[steakout-05]

not sure if this has been done before but

[moeblob]

They're soulmates in every single universe and I miss them at the most random times.

[deerest-deer]

The Terror S1 Ep. 9 // Yellowjackets S2 Ep. 8 // "Famous Last Words (An Ode to Eaters)" by 1017 ALYX 9SM & Ethel Cain // "Strangers" by Ethel Cain