#castelli legacy

[athenasdaydreams]

HOW TO LOSE A GUY IN 10 DAYS 🥂✨🍸💫

pairing: rafe cameron x fem!reader synopsis: as ALLURE magazine's 'how-to' girl, you've been tasked to write your most ambitious piece yet: how to lose a guy in 10 days. but VANGUARD's rafe cameron has been given a mission to make a girl fall in love with him in 10 days, to get the brand deal of a lifetime. all's fair in love and... journalism? a/n: hi guys math was boring so i came up with a cute smau idea... [just for legal reasons: i didnt come up with the plot of how to lose a guy in 10 days (the movie) and i do not claim to!]

character introduction

MEETING TRANSCRIPT RICHARD LANCASTER (EIC): Alright, let’s get to the point. Castelli Roma. You’ve heard of it, right? The Italian luxury brand. High-end craftsmanship, tradition, passion—we’re talking about a legacy of romance, devotion, and timeless elegance.

(Intern Note: At this moment, I can almost hear Archer Wells inhale sharply, his eyes lighting up like the brand itself was a woman he was about to court.)

RAFE CAMERON (Senior Features Writer): Yeah, I know it. It’s practically synonymous with romance, but it’s also, you know, the brand for power couples. If anyone was going to define love as a luxury, it’s them.

RICHARD: Exactly. Now, here’s the deal. Castelli Roma is releasing its most exclusive, prestigious campaign of the decade—a multi-million-dollar ad centered on passion, romance, and the idea that love itself is the highest luxury. But there’s a catch.

(Intern Note: I swear, Richard’s eyes are glowing like he’s about to drop some divine wisdom.)

RICHARD: Castelli Roma doesn’t want a typical alpha male approach. They don’t want the brash, over-the-top bravado. They want something real. Authentic. They want someone who can show that love is not a gimmick—it’s a luxury worth investing in.

(Intern Note: Rafe shifts in his seat. He’s listening, but he’s clearly trying to figure out what his boss is about to ask him next.)

RAFE: Alright, so you’re looking for what? A man who knows how to romance in a way that feels real?

RICHARD: Yes. And no. The truth is, they’re not interested in just words. They want to see it. They want proof. That’s where you come in.

(Intern Note: Rafe straightens up, looking cautiously intrigued. And by cautiously I mean, he’s pretending not to care, but I know he does.)

RICHARD: You have 10 days. 10 days to make a woman fall in love with you.

(Silence. Pure, unfiltered silence. Archer Wells almost looks like he might choke on his coffee. I don’t blame him.)

RAFE: [deadpan] Wait—hold on. Let me get this straight. You want me to make a woman fall in love with me in 10 days… and you expect that to be real?

RICHARD: Yes. Real. Authentic. And the woman’s got to believe it.

ARCHER WELLS (Luxury Editor): [grinning] I’m all for it. I think we’ve found a worthy challenger, Cameron. You up for the challenge?

RAFE: [rolling his eyes] Of course, I’m up for it. But what do I get out of this?

RICHARD: Oh, I think you’ll be interested in this. If you succeed—and if Castelli Roma is convinced that you understand the essence of real love, the campaign is yours. The cover feature is yours. Plus, a massive promotion.

(Intern Note: At this point, Archer’s expression shifts. He’s still smug, but there’s a flicker of panic in his eyes. He knows what’s on the line for Rafe now.)

RAFE: Okay. And if I fail?

RICHARD: Then your biggest competitor, Archie, gets it.

(Intern Note: I look over to Archer Wells, and there’s a distinct shiver in the air. He’s doing his best to look like he’s above it, but we all know—this is his worst nightmare.)

RAFE: [sarcastically] So, let me guess. This woman I have to make fall in love with me is a total stranger? Completely neutral?

RICHARD: Exactly.

RAFE: So, I’m supposed to make this mystery woman fall for me? And I’ve got 10 days to do it?

RICHARD: [shrugs] You’re a smart guy. Make it happen.

(Intern Note: “Make it happen.” This is going to be chaos, and I’ll be here for all of it.)

RAFE: [gritting teeth] Alright, 10 days. That’s all.

RICHARD: Good. And when you win this campaign, Cameron, you’ll be walking away with more than just Castelli Roma. You’ll walk away with your career.

RAFE: Let’s do it.

Meeting Adjourned at 9:02 AM.

[ahye1427]

1947 Karen Circle Cookeville, TN 38506

Welcome to the gateway of your dream home! Here lies a magnificent opportunity to sculpt your vision into reality on this sprawling .69-acre canvas, boasting a breathtaking vista of Falling Water River. Nestled within the prestigious Eastlake Estates, where luxury meets tranquility, this parcel is more than land - it's an invitation to craft your legacy. With each sunrise painting the horizon in hues of possibility, envision the masterpiece that awaits your touch. Priced to spark excitement and destined to inspire, seize this rare chance to claim your slice of paradise. Deals like this are the whispers of fate, urging you to embrace the extraordinary. 10 mins to Downtown Cookeville, 25 mins to Sparta, & little over an hour to Nashville International Airport! The stage is set, the spotlight is yours - will you seize this moment? Call Elijah Castelli 931-283-6644 for more details.

[autisim]

Things start looking up for Leone’s job hunt when they run into Graham Hodge - another Brindleton Bay resident - on a morning walk around Sable Square. Though Leone initially dismisses him as an overfriendly (and possibly slightly confused) old man, Graham takes a liking to Leone for reasons unknown and offers them a job on the spot, mentioning that the hospital he works at is looking for new nurses.

Leone privately thinks entering the medical career should probably be harder than that, but they aren’t going to challenge their luck and accept Graham’s offer.

Career Hopper: Doctor (1/5)

Beginning / Previous / Next

[lisawilsonlisa]

Elaine de Kooning: Landscape and portrait female artist

Elaine de Kooning: Landscape and portrait female artist

Elaine de Kooning wouldn't spend her profession under the shadow of her better-known spouse, Willem de Kooning. A craftsman in her own right, she took an interest in Abstract Expressionism and large numbers of the developments that followed. Her commitments to workmanship history incorporate a charged picture of President John F. Kennedy, a re-arrangement of customary likeness, and an immediate test to creative sexual orientation jobs.

A 1953 painting by de Kooning, titled Home, came to auction in Doyle’s Post-War & Contemporary Art sale. Explore Elaine de Kooning's life, career, and legacy and know the latest upcoming auctions in auction calendar of auctiondaily. Along with this painting, there are a lot more Elaine De Kooning paintings worth seeing.

Elaine de Kooning experienced early achievement in the New York craftsmanship world. She was a noticeable individual from the Artists' Club on New York's Eighth Street, an early center of Expressionist thoughts. In 1938, she was acquainted with her future spouse through conventional drawing exercises. She would later credit her abilities in likeness to his severe instructing. The couple before long became hopelessly enamored and started a decades-in length, turbulent marriage. As Willem's vocation fabricated, Elaine utilized her own impact to give him openings. Her pictures of key figures included Harold Rosenberg, a craftsmanship pundit; Thomas B. Hess, the supervisor of the ARTnews magazine; and Charles Egan, a display proprietor in Manhattan. She matched her pictures with sentimental undertakings, purportedly to assist Willem with getting.

She started composing for ARTnews in the last part of the 1940s to support the couple's pay, giving publications and evaluates of contemporary workmanship. This openness encouraged her benefit both certainty and consideration, which gave her a lift when she began building up her composition vocation vigorously. Brandon Brame Fortune, the custodian of a 2015 review at the National Portrait Gallery, portrayed her strategy: "As far as she might be concerned, every individual has a represent… the posture is the individual."

During a brief partition from Willem, she started voyaging and showing workmanship expertly. This period was essential in the advancement of her style. While remaining in Albuquerque, New Mexico, she extended the size and shading range of her work. De Kooning likewise began to alter Abstract Expressionist brushstrokes to more readily catch the character and development of her subjects, which included matadors, sports stars, and companions.

In 1962, a commission came to paint President John F. Kennedy. The decision offered basic help for the Abstract Expressionists. De Kooning was picked for the commission dependent on her standing for speed and her situation at the front line of the new development. She chipped away at the task with extreme fixation for longer than a year, finishing many representations and varieties to catch the President's similarity. The finished canvas was marginally overwhelming size and is today housed at the National Portrait Gallery.

After Kennedy's death, de Kooning expounded on the interaction for ARTnews. "Beside[s] my own extreme, various impressions of him, I likewise needed to fight with his 'reality picture' made by the unending paper photos, TV appearances, exaggerations… Covering my dividers with my own representations and these photos, I worked from one material to another… continually making progress toward a composite picture."

Contrasted with her significant other, de Kooning didn't appreciate close to as much monetary accomplishment during her lifetime. In the course of the most recent couple of many years, in any case, her work has been rediscovered. The 2015 presentation at the National Portrait Gallery helped separate her work from Willem's, showing pundits their comparative however particular imaginative plans.

De Kooning's artworks likewise started to perform better at closeout, with costs ascending as she drew the consideration of gatherers. Large numbers of her turns out sold for under $1,000 around 2010, with some mallet costs as low as $450. In May of 2018, in any case, a still life painting by de Kooning sold for $12,000 at Rago. Sometime thereafter, an alternate turn out sold for $38,000 at Heritage Auctions. Her representation of craftsmanship seller Leo Castelli had an acknowledged cost of $75,000 at Christie's in 2016, over 350% of the part's high gauge.

Media source: Auctiondaily

[look-out4u]

Allie says:

Today's keyword is gratitude.

Gratitude for choosing me and for having such an amazing mother like you, who is always giving her best for her children and everyone around her even when she is broken. I thank you for all the times you were a mother lioness with us, protecting us from everything around us and even our own thoughts.

I can only feel grateful to receive this shelter and to have you with me. There is no doubt that you will be as amazing a mother as you already are to our new family member. This baby has the privilege of being born into a family like ours, in a crib full of love and having the surname 'Castelli', which is not just a surname, but also a legacy. We are very excited awaiting the arrival of this little package.

With love, your daughter and sister.

[reportwire]

Credit Suisse 'a great franchise' despite legacy issues, strategist says

Credit Suisse ‘a great franchise’ despite legacy issues, strategist says

ShareShare Article via FacebookShare Article via TwitterShare Article via LinkedInShare Article via Email Francesco Castelli, head of fixed income at Banor Capital, discusses the outlook for equity and fixed income investors in Credit Suisse after the lender’s fourth-quarter profit warning. Source link

[rginternetpress]

Trelles-Del Buono segundo en San Marino

Muy buena actuación de Gustavo Trelles-Jorge Del Buono con el Subaru Legacy de la escudería Balletti en la 19º Edición del RallyLegend que se disputó en San Marino.

Finalmente, la tripulación uruguaya-argentina Trelles-Del Buono ha realizado una muy buen gestión en esta nueva edición del RallyLegend donde, tras tres etapas, se ubicaron en la segunda posición en la categoría y cuarto en la General.

Utilizando un Subaru Legacy de la escudería Balletti MotorSport, escuadra nacida en Catania bajo la gestión de Angelo Balletti que luego siguió la tarea en Bélgica. Actualmente este team está en mano de sus hijos Carmelo y Mario quienes tienen a su cargo de la preparación de este auto japones done el binomio uruguayo-argentino estuvieran presente en la Clase Mitos.

Debieron de cubrir un total de 195,16 kms donde 57,68 correspondía a 10 Pruebas Especiales, mientras que de Enlace fueron 137,48 kms.

Tres etapas totalmente diferentes en el cual Trelles-Del Buono encararon el primer día que fue nocturno habiendo mucha lluvia y nieblas que perjudicó el accionar.

Luego de finalizada la misma Gustavo Trelles nos comentaba “Mucha agua y niebla, el primer tramo lo hicimos tranquilos marcando el quinto tiempo, pero en el segundo me salí afuera por ir con slicks en lluvia y perdimos mucho tiempo, veremos mañana de recuperar lo que se pueda”.

En la primera especial, la victoria correspondió a Carlo Boroli-Renzo Casazza con un Subaru Impreza de 1993 sobre el Ford Sierra Cosworth de Francois Delecour-Simona de Castelli.

En referencia a la etapa del sábado, la más extensa, anduvieron en forma excelente ya que triunfaron sobre Delecour-de Castelli (Ford Sierra Cosworth) lo que significó subir en las posiciones tanto en la clase como en la General.

“Hoy ganamos la etapa por 36 segundos a Delecour, anduvimos muy bien, lo que significó levantar la moral y quedar muy satisfecho por lo que hemos hecho en un día muy difícil”, comentaba el minuano.

La etapa de este domingo fue cortita donde lograron un tercero y un quinto lugar en las dos Pruebas Especiales para finalizar esta 19na. Edición del RallyLegend.

De esta forma terminaron en el cuarto lugar en la General y segundo en su clase con el Subaru Legacy de la escudería Balletti.

“La etapa de hoy fue muy cortita, por lo cual no podíamos mejorar, pero quedamos 2dos en la categoría y cuartos en la general”, finalizaba diciendo Gustavo Trelles

Clasificación General

01-Boroli-Casazza-Subaru Impreza 46m.14s.9/10 74.861 km/h.

02-Delecour-de Castelli-Ford Sierra Cosworth-a 1m.44s.6/10

03-Colombini-Selva-BMW M3-a 2m.18s.6/10

04-Trelles-del Buono-Subaru Legacy-a 3m.20s.2/10

05-Messori-Caputo-Mitsubishi Evo III-a 3m.34s.4/10

[architectnews]

Enel Power Plant Venice Building, Italy

Enel Power Plant Venice, Italy Energy Production Building, Italian Architecture Design

Enel power plant in Venice

8 July 2021

Design: Frigerio Design Group

Location: Venice, northern Italy

Resilience Lab Grid – Enel power plant Venice

Frigerio Design Group wins the competition for designing the ecological transition of Enel power plant in Venice.

It’s part of Enel’s project to convert their coal power plants in Italy, the contest “The new energy spaces” to design the power stations of the future. Frigerio Design Group’s project has been selected for the new plant in the lagoon of Venice: an architecture that integrates research, training, information and recycling, to stimulate environmentally sustainable development and regeneration.

Fusina (Venice, Italy) | Convert all coal-fired power plants located in Italy into environmentally sustainable facilities: this is the goal set by Enel – Italian multinational manufacturer and distributor of electricity and gas – by 2025. On conclusion of the competition “New Energy Spaces”, set up by the company last July, the winning project was announced for the transformation of the Andrea Palladio power plant in Fusina (Venice). The project by Frigerio Design Group, “Resilience Lab Grid”, was selected by a committee made up of representatives from Enel, the University of Venice IUAV, and the City and County of Venice, according to criteria based on environmental and social sustainability, technological innovation, design and visual impact.

Two major factors in the competition were the new buildings, with areas open to the public to foster social and cultural development in the territory, and the legacy constructions that needed development to enhance the aesthetic and symbolic value of the plant, thereby modernizing and redeveloping the industrial zone.

The concept presented by Frigerio Design Group will now move on to the development phase. The architectural study of the Resilience Lab Grid proposes a paradigm shift in the collective perception by transforming the plant into a positive example for ecosystem regeneration and protection. Inspired by the “fractal”, a natural geometric element, Frigerio Design Group created a shared space, open to the public and the community, where activities focusing on sustainability and environmental intervention are promoted to stimulate regeneration and environmentally sustainable, besides social and cultural development for the area. At the same time, the architectural elements are integrated into the territory: the complex is designed to appear visibly dynamic and light in relation to the surrounding landscape.

“New Energy Spaces was designed to regenerate the environment and enhance corporate image and identity, while at the same time becoming more involved in the local community. Putting together people and nature, environment and industry, technology and innovation, the expression of a new entrepreneurial culture. Sharing values to generate value!” states lead architect, Enrico Frigerio. “For too long we have used only: in this day and age it is clear that simply using things and scarce resources will have a major impact on our future. What better chance to rethink our outlook than in places considered the archetype of consumption, here studied to approach new options, to give essence to a collective plan to rethink our future?”

“This competition is a tangible example of our vision for the future of energy, which needs to be planned out and realized in an open and shared manner,” explains Carlo Tamburi, President and CEO of Enel Italia, adding “with this project, the Fusina energy hub, which will expand its technology to facilitate energy transition, will become an area open to the local community, a space able to be in harmony with the landscape and be perfectly integrated into the surrounding environment.”

“While Venice celebrates its 1,600 years since its foundation, it is still looking toward its future,” comments Luigi Brugnato, Mayor of Venice, and points out “converting the Fusina plant from coal to an energy hub confirms that we are a cutting-edge territory in the challenge of energy transition and that Venice can attract investment and new jobs by focusing on sustainable technologies.”

The Frigerio Design Group Project: Resilience Lab Grid

The intervention envisaged by Frigerio Design Group is inspired by the “fractal”, a natural geometric element, whose form does not vary when changing the scale of length. Based on a feasible and modular system, the new buildings will be of different sizes according to their function; however, they will share the same features. The core generator and control room of the entire system is the Enel Pavilion, a place for reception, information and promotion for corporate values: environmental sustainability, circular economy and innovation.

The architecture is located in an environment where the lagoon borders the countryside, between water and land, and the project is inspired by the natural matrix of the area. “Patterns” of fields and cultivated lands are reinterpreted abstractly into geometrical elements enveloping buildings and plants. An additional element to blend with the lagoon is vegetation. It is inserted into the project as a junction between the industrial complex and the natural environment. Reviving the lagoon landscape with its evocative sandbars becomes an opportunity to illustrate the territory and include it in an educational context.

Enel Power Plant Venice, Italy – Building Information

Location: Fusina, Venice Client: ENEL Produzione SpA Surface Area: 450,000 m2 Project: Frigerio Design Group

Collaborators: E. Frigerio with M. Verdona, S. Rota, M. Roberto, W. Larteri, F. Valido, A. Chiappini Consultants for environmental and socio-economic strategy: T. Georgiadis and L. Cremonini Istituto per la BioEconomia IBE-CNR Landscape: Openfabric Technical Systems: Tekser ingegneria Dates: contest in July 2020, allocation May 2021 Frigerio Design Group – www.frigeriodesign.it

Enrico Frigerio, Italy

Born in Turin, Enrico Frigerio graduated from the University of Genova with a degree in Architecture and went on to become a part of Renzo Piano’s workshop, where he worked alongside Mr. Piano and learned the trade. In 1991, he founded Frigerio Design Group and made quality and the environment its primary objective.

Architect Enrico Frigerio of Frigerio Design Group:

Some of his most significant projects include: the ecological stands at the Imola racetrack (1991-1992), the Sambonet headquarters in Orfengo (2000-2004), power plants for the Swiss group AXPO (2002-2008), the Ferdeghini sports center for Spezia Calcio (2012- 2013), the new TERNA substation in Capri (2012-2017), the headquarters for Crèdit – Agricole Green Life (2008-2018) in Parma. In 2020 major projects were brought to completion such as the Arcaplanet headquarters in Carasco, a residential complex in Saronno and the Zamasport headquarters in Novara. Current projects under completion include the Ferrero Technical Center in Alba and refitting the Rosenthal offices in Selb, Germany.

Enel Power Plant Venice Building images / information received 080721

Location: Veneto, Italy, southern Europe

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Comments / photos for the Enel Power Plant Venice Building design by Frigerio Design Group page welcome

The post Enel Power Plant Venice Building, Italy appeared first on e-architect.

[offrouteart]

Offroute's weekly Art Inspiration is Joan Mitchell! Mitchell was an American Abstract Expressionist painter and printmaker. Born on February 12, 1925 in Chicago, IL, Mitchell earned both her BFA and MFA from the School of the Art Institute of Chicago. Moving to New York in the late 1940s, she was introduced to the ideas espoused by artists like Kooning, Pollock, and Hofmann. In 1951, Mitchell was included in the groundbreaking “Ninth Street Show,” curated by Leo Castelli at the Artists’ Club in Greenwich Village. Over the following decades, the artist divided her time between Paris and New York, developing her style. “My paintings are titled after they are finished. I paint from remembered landscapes that I carry with me—and remembered feelings of them, which of course become transformed,” she said.   Mitchell died on October 30, 1992 in Paris, France at the age of 67. Today, the artist’s legacy is remembered through the Joan Mitchell Foundation which provides grants for sculptors and painters in the United States. Her works are featured in the collections of the Centre Georges Pompidou in Paris, The Museum of Modern Art in New York, and the Tate Gallery in London, among many others. #offroute #art #arthistory #womeninart #joanmitchell #supportartists #supportlocalartists #supportyoungartists #supportsmallbusinesses #womanownedbusiness https://www.instagram.com/p/CNXvfujhPUA/?igshid=10m3ap0txouzw

[foryourart]

Étienne Szeemann’s Swiss cross made of hair from salon clientele, a personal tribute to his receipt of Swiss citizenship, ca. 1919. Getty Research Institute, Los Angeles (2011.M.30) © J. Paul Getty Trust. PLAN ForYourArt: February 22–28

Thursday, February 22

Caravaggio — Part II, Santa Barbara Museum of Art (Santa Barbara), 10–11:30am.

Immigration Workshop, CalArts (Valencia), 12–1pm.

Medeas by Andrea Pallaoro - Film Screening, CalArts (Valencia), 1–4pm.

School of Music Visiting Artist Series: Seth Boyden, CalArts (Valencia), 2–4pm.

Late Night: Tattoo, Museum of Natural History (Downtown), 5–9pm. $10.

Tom Friedman: Ghosts and UFOs: Projections for Well-Lit Spaces, Parrasch Heijnen Gallery (Downtown), 5–7pm.

Learning to Love the Literati Poetry Reading and Reception, Santa Barbara Museum of Art (Santa Barbara), 5:30–6:30pm.

MOVIE NIGHT – The Royal Tenenbaums, ESMoA (El Segundo), 5:30–7:30pm.

TOURS & TALKS: Stories of Almost Everyone Walk-through: Gary Dauphin, Hammer Museum (Westwood), 6pm.

Screening: Eliot Rausch, Underground Museum (Mid-City), 6pm.

ORANGE 6, Coagula Curatorial (Chinatown), 6–9pm.

One Hour/One Painting, Laguna Art Museum (Laguna Beach), 6pm.

Matthew Rolston: Hollywood Royale, Annenberg Space for Photography (Century City), 6:30–8pm.

Volume I: Cultural Identities, Residency Art Gallery (Inglewood), 7–9pm.

Kybelle Dance Theatre, The Loft at Liz’s (Mid-City), 7–9pm.

Challenge for Change | Mur Murs (1981), LA Plaza de Cultura y Artes (Downtown), 7–9pm.

Moving Line, El Camino College Art Gallery (Torrance), 7–9pm.

At land’s edge: Kristina Wong, Human Resources (Chinatown), 7–9pm.

Cameron Rowland lecture, Hammer Museum (Westwood), 7:30pm.

David Horvitz with Christine Sun Kim, JFDR, and Xiu Xiu Noise: Watering a Glass Flower II, (Some Meditations for Resonating Hourglasses Sounding the Shapes of Hours), Edward Cella Art+Architecture (Culver City), 7:30pm.

The Broad and X-TRA present Simone Leigh + Steven Nelson in Conversation, The first in a series of talks addressing the legacy of Joseph Beuys, The Broad (Downtown), 7:30pm. $15.

MONDONGO: WHAT ARE WE GONNA SAY AFTER HELLO?, Track 16 (Downtown), 7:30–9pm.

Cheng Foundation Lecture - Chop Suey, USA: How Americans Discovered Chinese Food, The Huntington (San Marino), 7:30pm.

TONY KUSHNER & SARAH VOWELL IN CONVERSATION, CAP UCLA (Westwood), 8pm.

Friday, February 23

Talk: A Bilingual Scholars' Day— Painted in Mexico: 1700–1790: Pinxit Mexici, LACMA (Miracle Mile), 9:30am.

A Man and His Prostate, Palm Springs Art Museum (Palm Springs), 10am–5pm. Through February 25.

Culture Fix: J. Lorand Matory on the Arts of Candomblé, Fowler Museum (Westwood), 12pm.

Distinguished Artist Interviews: Catherine Opie interviewed by Helen Molesworth; The Promise Piece, Ten Years Later, A message from Yoko Ono; Judy Baca interviewed by Anna Indych-López, 106th CAA Annual Conference, LA Convention Center (Downtown), 3:30–5:30pm.

Hannah by Andrea Pallaoro - Film Screening, CalArts (Valencia), 4–7pm.

Art Buzz: Harald Szeemann, Institute of Contemporary Art, Los Angeles (Downtown), 5:30–7pm.

Bill Barminski Retrospective, Castelli Art Space (Culver City), 6–10pm. Continues February 24.

Alake Shilling: Monsoon Lagoon, 356 Mission (Downtown), 6pm.

Gabrielle Teschner, Michael Wall, and Brant Ritter, TAPPAN (962 East Fourth Street, LA CA 90013, Downtown), 6–9pm.

Panel: Chicanx/Latinx Art after PST: LA/LA. Sustaining the Field, Self Help Graphics and Art (Downtown), 6–8pm.

Guided tour: Mari Cardenas & Milton Jurado, Self Help Graphics & Art (Downtown), 6:30pm.

NO TIME TO WASTE, Moskowitz Bayse (Hollywood), 7:30pm.

Pictures of an Exhibition, LA Phil (Downtown), 8pm. Through February 25.

Djanjoba LA 2018: A Drum & Dance Gratitude Festival, various locations (across locations), 8pm. Through February 25.

Witch House: A Witches' Cabaret, CalArts (Valencia), 8pm. Through February 27.

Saturday, February 24

SYMPOSIUM: BLACKNESS AND THE ART OF EMPOWERMENT IN BAHIA, BRAZIL, Fowler Museum (Westwood), 10am–4:30pm.

Demanding Investment Without Displacement, The Wellness Center (Downtown), 10am–3pm.

Feminism and the State: Art, Politics, and Resistance, MOCA Grand Avenue (Downtown), 10am–4:30pm.

What is Contemporary? Feminism and the State: Art, Politics, and Resistance, MOCA Grand Avenue (Downtown), 10am–4:30pm.

Bob Baker Day, Bob Baker Marionette Theater (MacArthur Park), 10am–6pm. 

Not Her(E): A Workshop, Women’s Center for Creative Work (Frogtown), 10am–1pm.

Bonsai-a-Thon, The Huntington (San Marino), 10am–5pm. Continues February 25.

tokidoki x iHasCupquake Launch Event & Signing, La Luz de Jesus Gallery (Los Feliz), 11am–3pm.

Cartomancy: The Seni-Horoscope Re-imagined by Shay Bredimus and Tony Delap: A Retrospective, Laguna Art Museum (Laguna Beach), 11am–5pm.

Workshop: Finding Autonomy and Connection through Contact Improv, Pieter (Lincoln Heights), 12–3pm.

Donna Bates and Corban Lundborg, Gabba Gallery (Koreatown), 12:30pm.

Thinking Like a Roman: How to Renew America's Polarized Landscape, Getty Villa (Pacific Palisades), 1pm.

Artist at Work: Paper and Light, Getty Center (Brentwood), 1–3pm.

Dos Colectivos, USC Fisher Museum of Art (Downtown), 1–4pm.

Closing Reception, Tieken Gallery (Chinatown), 1–6pm.

Public Anchors Finale, Side Street Projects (Pasadena), 1–4pm.

Talk: Artists in Conversation: Isabel Avila and Linda Vallejo, LACMA (Miracle Mile), 1:30pm.

Existing On Our Own Terms: Healing Rituals As Liberatory Practice, Women’s Center for Creative Work (Frogtown), 2–5pm. $15–25.

Maren Hassinger: The Spirit of Things, Art+Practice (Leimert Park), 2–5pm.

The Great Compromise, UCI Claire Trevor School of the Arts (Irvine), 2–5pm.

"Animalia" - A Voice Event, CalArts (Valencia), 2–4pm.

Male Glaze pop-up, Freehand Gallery (Beverly Grove), 4pm.

The Circuitry of Joyce J. Scott: A Group Exhibition of Collaboration and Innovation, Craft in America Center (Beverly Grove), 4–6pm.

Melvino Garretti: Space Versus Space, Vernon Gardens (Vernon), 4–8pm.

Kevin Larmon: slipping in and out of phenomenon and Nathan Hayden: Strong Magic, CB1 Gallery (Downtown), 4–7pm.

Açúcar: A film series organized by Ellen Gallagher, Hauser & Wirth (Downtown), 4–10pm.

#CAMOLORDS - UNSEEN, Anahid Boghosian - HERE NOW and Brian Reed - From Semi-Abstract And Back, TAG Gallery (Santa Monica), 5–8pm.

UNICEF Next Generation Art Party, 800MAIN (Venice), 5pm. $40–150.

Petra Cortright: CAM WORLS, UTA Artist Space (Downtown), 5–7pm.

ADC Fundraiser: The Koerner Affair, Koerner House (Palm Springs), 5-8pm.

Opening Reception: Carmen Argote Artist Lab and Opening Reception: Mariángeles Soto-Díaz, 18th Street Arts Center (Santa Monica), 6–8pm.

Rodrigo Valenzuela: General Song and Carla Issue 11 launch party, Klowden Mann (Culver City), 6–9pm.

Kevin Cooley: Still Burning, Kopeikin Gallery (Culver City), 6–8pm.

Matthew Brandt: AgX.Hb, M+B (West Hollywood), 6–8pm.

Lorser Feitelson: Figure to Form, Louis Stern Fine Arts (West Hollywood), 6–8pm.

Aaron Wrinkle: LA Salon, there-there (East Hollywood), 6–8pm.

L.A.W.S. presents Language: The Art Show, Los Angeles Water School (Downtown), 6pm–12am.

SHOP and SOLO PROJECT, Denk Gallery (Downtown), 6–8pm.

Robert Moreland: Slow Talker, Wilding Cran Gallery (Downtown), 6–8pm.

Like Ghosts: New Works by Rema Ghuloum and HK Zamani, JAUS (Sawtelle), 6:30–9:30pm.

THE PAIN ISN'T OVER | Leafar Seyer & Prayers, THESE DAYS (Downtown), 7–10pm.

Herakut: Rental Asylum, Troy Brooks: Skinwalker, and Adrian Cox: Terra Incognita, Corey Helford Gallery (Downtown), 7–11pm.

L.A. Dance Project presents Bodies2, L.A. Dance Project (Downtown), 7pm.

Los Angeles Ladies Arm Wrestling Presents Queens at the Table, Bootleg Theater (MacArthur Park), 7–11pm. $10–15.

Sonnets and Sonatas Presents: Animals!, Getty Center (Brentwood), 7:30pm.

Independence Day and A Cylindrical Object on Fire in the Dark, Los Angeles Contemporary Archive (Chinatown), 7:30–10pm.

lost tribes, LACE (Los Angeles Contemporary Exhibitions) (Hollywood), 8pm. Also February 25.

Saluti, Grace Palmer: Secrets of Virtuous Cycle Management Institut IDGAF, Pieter (Lincoln Heights), 8:30–10pm.

The Moon Has Made Us Brothers, CalArts (Valencia), 9–10pm.

Sunday, February 25

The Art of the Movie Poster: Highlights from the Mike Kaplan Collection, LACMA (Miracle Mile), 10am–7pm; talk, 4pm. 

Tony DeLap: A Retrospective, Laguna Art Museum (Laguna Beach), 11am–5pm. 

TURBANTE-SE / A HEAD WRAP WORKSHOP, Fowler Museum (Westwood), 12pm.

Mesoamerica in Midcentury California: Revivals and Reinventions, LACMA (Miracle Mile), 1–2:15pm.

Painting workshop with Alake Shilling, 356 Mission (Downtown), 1–4pm.

IN CONVERSATION: ENRIQUE MARTINEZ CELAYA WITH DAN MCCLEARY & DEMIAN FLORES, USC Fisher Museum of Art (Downtown), 1pm.

Symbols in Copper, California African American Museum (Downtown), 1–3pm.

WORKSHOP: FREE THE VOICE: Odeya Nini, Pieter (Lincoln Heights), 1–4pm. $35.

Pop-Up Community Portrait Studio, Santa Barbara Museum of Art (Santa Barbara), 1–4pm.

Dora De Larios and Rigo 23: Ripples Become Waves, Main Museum (Downtown), 2-5pm.

Panel: Albert Chong, Andrea Chung, and Maria Magdalena Campos-Pons, moderated by Los Siu, California African American Museum (Downtown), 2–4pm.

WON JU LIM: Aunt Clara's Dilemma, AUDREY HOPE: Dreams of Pentecost, and MARISSA GRAZIANO: Lesbian Step-Sisters Better Not Get Caught By Dad!, DXIX (Venice), 3–6pm.

Artist Talk: All Hands on Deck, Otis College of Art and Design (Westchester), 3–5pm.

HOME, HOOD, HILL: Final Projects: Group XLV, Mackey Apartments, MAK Center for Art and Architecture (Mid-City), 3–6pm.

Chad Attie: The Last Island Talk & Screening, The Lodge (East Hollywood), 3-6pm.

Feminism Now, Shoebox Projects (Downtown), 3–6pm.

Anna Wittenberg: Dog Mod, Bozo Mag (West Adams), 4–8pm.

Talk: The Art of the Movie Poster: A Conversation with Mike Kaplan and Kenneth Turan, LACMA (Miracle Mile), 4pm.

Surfing Countdown, Zebulon (Frogtown), 6pm–12am.

WORKSHOP: Orgasmic Yoga: Dr. Victoria Reuveni, Pieter (Lincoln Heights), 6–10pm. $30–40.

SCREENINGS Part of the series The Black Book: Chocolate Babies, Hammer Museum (Westwood), 7:30pm.

PlumbLine - Jewelry Objects seminar, Long Beach City College Art Gallery (Long Beach), 7–9:30pm.

Monday, February 26

Artists, Icons and Legends: The Portraits of Michael Childers, Palm Springs Art Museum (Palm Springs), 10am–12pm.

THIS, NOT THAT LECTURE: CHARLES WALDHEIM, UCLA (Westwood), 6:30pm.

Tuesday, February 27

Cut! Paper Play in Contemporary Photography and Paper Promises: Early American Photography, Getty Center (Brentwood), 10am–5:30pm. 

Film: Amadeus, LACMA (Miracle Mile), 1pm.

Artists Council 50th Anniversary Celebration, Acqua California Bistro (Rancho Mirage), 4–7pm.

PAUL ESPOSITO, UCLA (Westwood), 5–7pm.

Artist walkthrough: Black, The Loft at Liz’s (Mid-City), 7–9pm.

PEN PRESENTS X ARTISTS BOOKS: ALEXANDRA GRANT & KEANU REEVES with SYLVAN OSWALD, The Masonic Lodge at Hollywood Forever (Hollywood), doors 7pm; show, 8pm.

How To Have Hard Conversations, Women’s Center for Creative Work (Frogtown), 7–10pm. $16–20.

PlumbLine - Jewelry Objects closing reception, Long Beach City College Art Gallery (Long Beach), 7–8:30pm.

SCREENINGS: Faces Places, Hammer Museum (Westwood), 7:30pm.

Zoe Buckman: Champ, The Standard (Hollywood).

Wednesday, February 28

MAC Meeting, Lecture & Luncheon with guest speaker David Zippel, Palm Springs Art Museum (Palm Springs), 10am–1pm.

FOWLER OUT LOUD: RANDY REYES: LXS DESAPARECIDXS, Fowler Museum (Westwood), 6pm.

Talk: Michael Govan and Richard Prince, LACMA (Miracle Mile), 7pm. Sold out.

Founder's Day Lecture - In Search of Blue Boy's True Colors, The Huntington (San Marino), 7pm.

CONVERSATIONS: Jeffrey Stewart and Carl Hancock Rux, Hammer Museum (Westwood), 7:30pm.

Getting Fed By Your Feed: Curating An Instagram Diet, Women’s Center for Creative Work (Frogtown), 7:30–9:30pm. $1–10.

Reconstructing Grandfather, ICA LA (Downtown), 7:30pm.

Cross-Hatched: Incidents and Echoes: Jasper Johns + John Cage, The Broad (Downtown), 8pm.

[longlistshort]

The Whitney Museum’s exhibition, Andy Warhol – From A to B and Back Again is a great representation of the artist’s body of work. Despite the fact that so much of it has been seen before, the curation makes so much of it feel fresh.

Andy Warhol’s artistic legacy is vast. He created a prolific amount of work throughout his career and the exhibition covers a lot of it. From his early commercial illustrations to his more abstract pieces, his collaborations with Basquiat, his silk screen portraits, his videos, films, and books, there is a lot to see. Below are a few highlights.

Warhol's fascination with death is seen in numerous works in the exhibition. In 129 Die In Jet,1962 (pictured above), he recreated the newspaper cover by hand and even used a sponge-blotting technique to reproduce the look of the halftone image. It's interesting to see how this work foreshadowed his move to the screen printing process. This technique combined with his interest in the subject of death can be seen in his car crash paintings made the following year.

There's a room dedicated to reproducing Warhol's Cow Wallpaper, which he used to fill a room in the Castelli Gallery as part of a 1966 installation where he "retired from painting". He used it again in 1971 for a retrospective at the Whitney, where he directed that all the works be hung on it for the exhibition. It's a creative way to tie in that history and to present the various colored flower paintings.

Some of Warhol's portrait series, Ladies and Gentlemen,1975, which focused on members of New York's queer community, is included in the show. It's a nice contrast to his portraits that more commonly feature socialites and Hollywood celebrities.

His giant portrait of Mao is impressive, and takes up a wall in one of the galleries. It's a reproduction of a painting by Zhang Zhenshi, which was at the time thought to be the most widely reproduced artwork in the world. Warhol created the work in response to reading about then President Nixon's trip to meet with the Chinese leader, while China was still considered an enemy of the United States.

On a separate floor are several monitors playing Warhol's video work and work related to the artist. Included is one of him eating a Burger King burger, shot by Danish documentarian Jørgen Leth, that the fast food chain used as part of their ad in this year's Superbowl.

Warhol was a constantly evolving artist who worked in many mediums, in effective ways. The exhibition is a testament to Warhol's unique perspective and how his work continues to resonate in a time period where so much of what he was commenting on has even more relevance.

Andy Warhol - From A to B and Back Again, closes 3/31/19 and is free Friday from 7-10pm.

[autisim]

The afternoon finally comes around, signalling it’s about time to meet Omar to “show him the sights of Brindleton Bay” (and hopefully get a bit of flirting in). Leone makes their way down to the pub as the sun sets beautifully over the harbour - spot on time and keen to make a good impression.

Unfortunately Omar doesn’t seem to have arrived just yet. Amity, however, is there, much to Leone’s annoyance. And even worse: she immediately spots Leone and starts talking to them. Great.

For what it’s worth, Amity does seems apologetic about the way she behaved the previous day. Leone isn’t interested in hearing it though, all but ignoring her as they sip the glass of wine they got from the bar whilst wondering when Omar is going to get here.

Beginning / Previous / Next

[topfygad]

A Taste of Italy in Ethiopia

Discovering a brand new delicacies, and the key behind Ethiopia’s spaghetti.

  Meyazia 27 Sq., generally generally known as Arat Kilo, is a well-liked sq. in Addis Ababa. Picture By: Milosk50/Shutterstock

“Why does it have cabbage?” I virtually shrieked, when a steaming bowl of spaghetti was positioned in entrance of me by a younger waitress, who seemed like she’d somewhat be anyplace however on this desolate restaurant on a freeway in northern Ethiopia. She shrugged, “Would you like carrot in it?”

“No thanks,” I mentioned with some dignity. “I need actual spaghetti.” She gave me a long-suffering look, which appeared to say, that is the way in which we eat it, take it or go away it. I had no alternative however to eat the spaghetti with the cabbage, laced with Ethiopian sauces and spices. I didn’t understand it then, however this was my first encounter with Ethiopian Italian delicacies, and let’s say I used to be not an instantaneous fan. However I’m getting forward of my story.

I had been in Addis Ababa for a number of days in Could, and everybody mentioned I have to attempt Italian meals within the metropolis. So I headed to Ristorante Castelli, a pleasant trattoria in Piazza, the previous Italian quarter that was once the center of the capital and is now a contemporary purchasing district with eateries. Together with Liberia, Ethiopia is one in every of two international locations by no means to be colonised in Africa, however remnants of Italy’s temporary occupation might be seen in among the previous buildings in Piazza. Mussolini’s forces occupied Ethiopia in 1936, throughout the Scramble for Africa—they had been booted out in 5 years following a lot bloodshed and bloodbath.

This political historical past is a byway to understanding the legacy of Italian meals in Ethiopia. The Ethiopians are pleased with resisting colonising forces, and pleased with their wealthy and numerous delicacies, distinctive to the African continent which they are saying has no exterior influences. However cussed traces of the Italian interlude can nonetheless be present in two streams of cooking in Ethiopia: genuine Italian meals straight out of provincial Italy and standard within the greater cities; and Ethiopian Italian delicacies, a fusion of native flavours and the meals of the would-be colonisers.

Tiziana Castelli is the the proprietor of Ristorante Castelli, a traditionally well-known Italian restaurant in Addis Ababa. Picture By: Sunaina Kumar

Ristorante Castelli belongs to the previous class. Tucked in a leafy nook of bustling Mahatma Gandhi Road, its partitions are lined with pictures of well-known individuals who have eaten right here, together with Angelia Jolie, Brad Pitt, Jimmy Carter and Tony Blair. Bob Geldof, on one in every of his visits,deemed it the perfect Italian restaurant on the planet. It’s most likely not the perfect, nevertheless it’s heat and genuine and the employees is pleasant with a way of ceremony. The fettuccine in creamy white sauce was reassuringly hearty. The native Ethiopian wine was a revelation.

The day I visited, Tiziana Castelli, the hospitable proprietor of Castelli’s, was seated on the until. Her father was a soldier within the Italian military and her dad and mom began the restaurant within the 1950s. She has been coming to Castelli’s since she was a baby, and it has remained precisely the identical, despite the fact that Addis Ababa has grown right into a metropolis and plenty of Italian households have left. “Ethiopians actually love our meals. Individuals usually share recollections of visiting as youngsters with their dad and mom,” she mentioned.

Addis Ababa is filled with new and hip opponents to Castelli’s. Most of those keep away from conventional Ethiopian flavours of their kitchens. Picture By: Franck Metois/agefotostock/Dinodia Picture Library

Addis is filled with new and hip opponents to Castelli’s. Most of those keep away from conventional Ethiopian flavours of their kitchens. So I wasn’t ready for Italian meals cooked within the Ethiopian approach, although I later discovered that each Ethiopian household feast at all times has pasta simply because it has tonnes of injera.

The delicacies is little-known exterior of the Ethiopian group. I found it removed from Addis, in tiny eateries within the countryside, whereas driving by the northern area of Tigray on my strategy to the medieval metropolis of Lalibela and the volcanic landscapes of Dallol. After days of consuming injera, I used to be craving anything. Most eateries would solely serve injera and spaghetti, and typically spaghetti in injera. The flavours are tailored to the native palate. As a substitute of the tomato and cream base of Italian meals, it’s made with onions, garlic and a mixture of spices, and it tastes bitter, spicy and pungent. Cheese is nearly totally lacking, because the Orthodox Christian inhabitants doesn’t devour dairy or meat throughout frequent fasting intervals. Beef is the mainstay meat—Ethiopians have a number of it and are averse to pork. The vegetarian model presents only a few greens other than cabbage or carrot.

The closest I can get to describing this hybrid delicacies is to check it with Indian Chinese language meals, that joyful, spicy concoction hatched in Calcutta and unrecognisable to Chinese language folks. Maybe Italians have the identical response to spaghetti and lasagna cooked within the Ethiopian fashion.  Italians would possibly scoff, and it’s not meals you immediately fall in love with, however it might be an underrated treasure. After a bit of labor and a few endurance, I did develop to understand its novelty—although I gained’t be including cabbage to my spaghetti anytime quickly.

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source http://cheaprtravels.com/a-taste-of-italy-in-ethiopia/

[cross-border-communications]

Assocastelli opens the doors of the most beautiful residences in Italy.

image, Villa Sola Cabiati; source Associazione Assocastelli   

From Odescalchi family to Sola Cabiati. Como - Located in Tremezzo, a village on Lake Como in Italy, is a sixteenth-century Villa belonged to the Odescalchi family. In the 18th century, it was the summer residence of the Dukes Serbelloni. Then it has moved on to the Marquises Busca and the Earls Sola Cabiati. > by Benny Della Chiesa Migliorati in Assocastelli   

July 20th 2018, communications / leisure in Italy / architectural heritage / vintage and historical residences   

Intro

Assocastelli is the leading organization of luxury and welcoming in Italy, specialized in providing tailored and bespoke holiday-experiences in most desired Italian destinations. They offer old and historical residences as well as classic and vintage supercars and cars, to give their elite clientele the uniqueness and the best possible solution that match all their needs to transform travels and desires in dreams.   

The purpose and aim of the Association are to upgrade the tourist facilities of the Wonderland - Italy - to ensure appropriate resources by creating new high-quality offerings, with emphasis on promoting the national historical and architectural heritage.

Considering the lack of the availability of financing "reservoirs" to tackle an enormous culture legacy, it proves next to impossible to preserve it by using only family-owners resources.  

Following, a selected offering of Private Tours in one of the most beautiful residences in Italy. Those spectacular sightseeing experiences shall be provided privately and with accompaniment all the way through the stay.    

The story

Here is Palazzo Pfanner of Lucca. The Moriconi family built the palace in the seventeenth century and sold it within a short-term to the Controni family. Then, the latter entrusted the design of the garden to the architect Filippo Juvarra.

In this venue, at the end of the 1600s, Prince Frederick of Denmark (future king of Denmark and Norway) had a love affair with the noblewoman Mary Magdalene Trenta.

After in the mid-800s Carlo Lodovico di Borbone, Duke of Lucca expressed the interest about starting a factory for brewing in his duchy.

In the meanwhile in Lucca came Felix Pfanner, an Austrian brewer who set up the factory. He was so successful when proceeding that he could buy the mansion still owned by the family today.

The Pfanner brewery closed in the 1920s.

Given its striking scenery of this vintage residence, it was chosen to be a movie set. Three films have been shot in this palace: "I Bersaglieri" by Luigi Magni with Ugo Tognazzi, "Il Marchese Del Grillo" by Mario Monicelli with Alberto Sordi and "Ritratto di Signora" by Jane Campion with Nicole Kidman.

source By Benny Della Chiesa Migliorati in Castelli&Castellani Storie di Castelli, Fortezze, Rocche e Torri d'Italia 

Assocastelli Associazione Proprietà Castelli Palazzi e Ville d'Italia opens the doors of the most beautiful residences in Italy Find out Here ➡️➡️www.assocastelli.it 

Pearls of wisdom. Aim high, but don't forget to aim: The Limits of Ambition: 

“explore, to know one’s limits, test one’s abilities and accept the challenge of self-knowledge, is to give meaning to own life.”  

aphorism - © by Rosanna Marani  

related article: Castles & Porsche. In Italy, it’s like a super exclusive club.  

Appreciate your thoughts, comments and sharing through your network. — Giancarlo Antonini — via cross-border communications  

[trendbassador]

Tribú coffee table collection by architects Michela and Paolo Baldessari for Italian brand De Castelli. In spite of their heavy material, the tables have a very air-like appearance reflecting the art of ironwork involved in their production. Both designers have created the coffee table with three different shades of metal. The circular plans associated with the thin legs give the impression of lightness. The appearance of the pieces is enhanced by the use of noble materials such as iron, copper and brass. The sophisticated crafting skills of De Castelli inherited from the centuries-long legacy of the Celato family and the use of today’s most cutting-edge technology made this creation possible. . . @decastelli_official . . Follow @trendbassador and discover the coolest design products on Earth. http://ift.tt/2tnYuP9

[yesshinypizzastudentthings-blog]

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