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architectnews · 3 years ago

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Enel Power Plant Venice Building, Italy

Enel Power Plant Venice, Italy Energy Production Building, Italian Architecture Design

Enel power plant in Venice

8 July 2021

Design: Frigerio Design Group

Location: Venice, northern Italy

Resilience Lab Grid – Enel power plant Venice

Frigerio Design Group wins the competition for designing the ecological transition of Enel power plant in Venice.

It’s part of Enel’s project to convert their coal power plants in Italy, the contest “The new energy spaces” to design the power stations of the future. Frigerio Design Group’s project has been selected for the new plant in the lagoon of Venice: an architecture that integrates research, training, information and recycling, to stimulate environmentally sustainable development and regeneration.

Fusina (Venice, Italy) | Convert all coal-fired power plants located in Italy into environmentally sustainable facilities: this is the goal set by Enel – Italian multinational manufacturer and distributor of electricity and gas – by 2025. On conclusion of the competition “New Energy Spaces”, set up by the company last July, the winning project was announced for the transformation of the Andrea Palladio power plant in Fusina (Venice). The project by Frigerio Design Group, “Resilience Lab Grid”, was selected by a committee made up of representatives from Enel, the University of Venice IUAV, and the City and County of Venice, according to criteria based on environmental and social sustainability, technological innovation, design and visual impact.

Two major factors in the competition were the new buildings, with areas open to the public to foster social and cultural development in the territory, and the legacy constructions that needed development to enhance the aesthetic and symbolic value of the plant, thereby modernizing and redeveloping the industrial zone.

The concept presented by Frigerio Design Group will now move on to the development phase. The architectural study of the Resilience Lab Grid proposes a paradigm shift in the collective perception by transforming the plant into a positive example for ecosystem regeneration and protection. Inspired by the “fractal”, a natural geometric element, Frigerio Design Group created a shared space, open to the public and the community, where activities focusing on sustainability and environmental intervention are promoted to stimulate regeneration and environmentally sustainable, besides social and cultural development for the area. At the same time, the architectural elements are integrated into the territory: the complex is designed to appear visibly dynamic and light in relation to the surrounding landscape.

“New Energy Spaces was designed to regenerate the environment and enhance corporate image and identity, while at the same time becoming more involved in the local community. Putting together people and nature, environment and industry, technology and innovation, the expression of a new entrepreneurial culture. Sharing values to generate value!” states lead architect, Enrico Frigerio. “For too long we have used only: in this day and age it is clear that simply using things and scarce resources will have a major impact on our future. What better chance to rethink our outlook than in places considered the archetype of consumption, here studied to approach new options, to give essence to a collective plan to rethink our future?”

“This competition is a tangible example of our vision for the future of energy, which needs to be planned out and realized in an open and shared manner,” explains Carlo Tamburi, President and CEO of Enel Italia, adding “with this project, the Fusina energy hub, which will expand its technology to facilitate energy transition, will become an area open to the local community, a space able to be in harmony with the landscape and be perfectly integrated into the surrounding environment.”

“While Venice celebrates its 1,600 years since its foundation, it is still looking toward its future,” comments Luigi Brugnato, Mayor of Venice, and points out “converting the Fusina plant from coal to an energy hub confirms that we are a cutting-edge territory in the challenge of energy transition and that Venice can attract investment and new jobs by focusing on sustainable technologies.”

The Frigerio Design Group Project: Resilience Lab Grid

The intervention envisaged by Frigerio Design Group is inspired by the “fractal”, a natural geometric element, whose form does not vary when changing the scale of length. Based on a feasible and modular system, the new buildings will be of different sizes according to their function; however, they will share the same features. The core generator and control room of the entire system is the Enel Pavilion, a place for reception, information and promotion for corporate values: environmental sustainability, circular economy and innovation.

The architecture is located in an environment where the lagoon borders the countryside, between water and land, and the project is inspired by the natural matrix of the area. “Patterns” of fields and cultivated lands are reinterpreted abstractly into geometrical elements enveloping buildings and plants. An additional element to blend with the lagoon is vegetation. It is inserted into the project as a junction between the industrial complex and the natural environment. Reviving the lagoon landscape with its evocative sandbars becomes an opportunity to illustrate the territory and include it in an educational context.

Enel Power Plant Venice, Italy – Building Information

Location: Fusina, Venice Client: ENEL Produzione SpA Surface Area: 450,000 m2 Project: Frigerio Design Group

Collaborators: E. Frigerio with M. Verdona, S. Rota, M. Roberto, W. Larteri, F. Valido, A. Chiappini Consultants for environmental and socio-economic strategy: T. Georgiadis and L. Cremonini Istituto per la BioEconomia IBE-CNR Landscape: Openfabric Technical Systems: Tekser ingegneria Dates: contest in July 2020, allocation May 2021 Frigerio Design Group – www.frigeriodesign.it

Enrico Frigerio, Italy

Born in Turin, Enrico Frigerio graduated from the University of Genova with a degree in Architecture and went on to become a part of Renzo Piano’s workshop, where he worked alongside Mr. Piano and learned the trade. In 1991, he founded Frigerio Design Group and made quality and the environment its primary objective.

Architect Enrico Frigerio of Frigerio Design Group:

Some of his most significant projects include: the ecological stands at the Imola racetrack (1991-1992), the Sambonet headquarters in Orfengo (2000-2004), power plants for the Swiss group AXPO (2002-2008), the Ferdeghini sports center for Spezia Calcio (2012- 2013), the new TERNA substation in Capri (2012-2017), the headquarters for Crèdit – Agricole Green Life (2008-2018) in Parma. In 2020 major projects were brought to completion such as the Arcaplanet headquarters in Carasco, a residential complex in Saronno and the Zamasport headquarters in Novara. Current projects under completion include the Ferrero Technical Center in Alba and refitting the Rosenthal offices in Selb, Germany.

Enel Power Plant Venice Building images / information received 080721

Location: Veneto, Italy, southern Europe

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Comments / photos for the Enel Power Plant Venice Building design by Frigerio Design Group page welcome

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offrouteart · 4 years ago

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Offroute's weekly Art Inspiration is Joan Mitchell! Mitchell was an American Abstract Expressionist painter and printmaker. Born on February 12, 1925 in Chicago, IL, Mitchell earned both her BFA and MFA from the School of the Art Institute of Chicago. Moving to New York in the late 1940s, she was introduced to the ideas espoused by artists like Kooning, Pollock, and Hofmann. In 1951, Mitchell was included in the groundbreaking “Ninth Street Show,” curated by Leo Castelli at the Artists’ Club in Greenwich Village. Over the following decades, the artist divided her time between Paris and New York, developing her style. “My paintings are titled after they are finished. I paint from remembered landscapes that I carry with me—and remembered feelings of them, which of course become transformed,” she said. Mitchell died on October 30, 1992 in Paris, France at the age of 67. Today, the artist’s legacy is remembered through the Joan Mitchell Foundation which provides grants for sculptors and painters in the United States. Her works are featured in the collections of the Centre Georges Pompidou in Paris, The Museum of Modern Art in New York, and the Tate Gallery in London, among many others. #offroute #art #arthistory #womeninart #joanmitchell #supportartists #supportlocalartists #supportyoungartists #supportsmallbusinesses #womanownedbusiness https://www.instagram.com/p/CNXvfujhPUA/?igshid=10m3ap0txouzw

#offroute #art #arthistory #womeninart #joanmitchell #supportartists #supportlocalartists #supportyoungartists #supportsmallbusinesses #womanownedbusiness

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foryourart · 7 years ago

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Étienne Szeemann’s Swiss cross made of hair from salon clientele, a personal tribute to his receipt of Swiss citizenship, ca. 1919. Getty Research Institute, Los Angeles (2011.M.30) © J. Paul Getty Trust. PLAN ForYourArt: February 22–28

Thursday, February 22

Caravaggio — Part II, Santa Barbara Museum of Art (Santa Barbara), 10–11:30am.

Immigration Workshop, CalArts (Valencia), 12–1pm.

Medeas by Andrea Pallaoro - Film Screening, CalArts (Valencia), 1–4pm.

School of Music Visiting Artist Series: Seth Boyden, CalArts (Valencia), 2–4pm.

Late Night: Tattoo, Museum of Natural History (Downtown), 5–9pm. $10.

Tom Friedman: Ghosts and UFOs: Projections for Well-Lit Spaces, Parrasch Heijnen Gallery (Downtown), 5–7pm.

Learning to Love the Literati Poetry Reading and Reception, Santa Barbara Museum of Art (Santa Barbara), 5:30–6:30pm.

MOVIE NIGHT – The Royal Tenenbaums, ESMoA (El Segundo), 5:30–7:30pm.

TOURS & TALKS: Stories of Almost Everyone Walk-through: Gary Dauphin, Hammer Museum (Westwood), 6pm.

Screening: Eliot Rausch, Underground Museum (Mid-City), 6pm.

ORANGE 6, Coagula Curatorial (Chinatown), 6–9pm.

One Hour/One Painting, Laguna Art Museum (Laguna Beach), 6pm.

Matthew Rolston: Hollywood Royale, Annenberg Space for Photography (Century City), 6:30–8pm.

Volume I: Cultural Identities, Residency Art Gallery (Inglewood), 7–9pm.

Kybelle Dance Theatre, The Loft at Liz’s (Mid-City), 7–9pm.

Challenge for Change | Mur Murs (1981), LA Plaza de Cultura y Artes (Downtown), 7–9pm.

Moving Line, El Camino College Art Gallery (Torrance), 7–9pm.

At land’s edge: Kristina Wong, Human Resources (Chinatown), 7–9pm.

Cameron Rowland lecture, Hammer Museum (Westwood), 7:30pm.

David Horvitz with Christine Sun Kim, JFDR, and Xiu Xiu Noise: Watering a Glass Flower II, (Some Meditations for Resonating Hourglasses Sounding the Shapes of Hours), Edward Cella Art+Architecture (Culver City), 7:30pm.

The Broad and X-TRA present Simone Leigh + Steven Nelson in Conversation, The first in a series of talks addressing the legacy of Joseph Beuys, The Broad (Downtown), 7:30pm. $15.

MONDONGO: WHAT ARE WE GONNA SAY AFTER HELLO?, Track 16 (Downtown), 7:30–9pm.

Cheng Foundation Lecture - Chop Suey, USA: How Americans Discovered Chinese Food, The Huntington (San Marino), 7:30pm.

TONY KUSHNER & SARAH VOWELL IN CONVERSATION, CAP UCLA (Westwood), 8pm.

Friday, February 23

Talk: A Bilingual Scholars' Day— Painted in Mexico: 1700–1790: Pinxit Mexici, LACMA (Miracle Mile), 9:30am.

A Man and His Prostate, Palm Springs Art Museum (Palm Springs), 10am–5pm. Through February 25.

Culture Fix: J. Lorand Matory on the Arts of Candomblé, Fowler Museum (Westwood), 12pm.

Distinguished Artist Interviews: Catherine Opie interviewed by Helen Molesworth; The Promise Piece, Ten Years Later, A message from Yoko Ono; Judy Baca interviewed by Anna Indych-López, 106th CAA Annual Conference, LA Convention Center (Downtown), 3:30–5:30pm.

Hannah by Andrea Pallaoro - Film Screening, CalArts (Valencia), 4–7pm.

Art Buzz: Harald Szeemann, Institute of Contemporary Art, Los Angeles (Downtown), 5:30–7pm.

Bill Barminski Retrospective, Castelli Art Space (Culver City), 6–10pm. Continues February 24.

Alake Shilling: Monsoon Lagoon, 356 Mission (Downtown), 6pm.

Gabrielle Teschner, Michael Wall, and Brant Ritter, TAPPAN (962 East Fourth Street, LA CA 90013, Downtown), 6–9pm.

Panel: Chicanx/Latinx Art after PST: LA/LA. Sustaining the Field, Self Help Graphics and Art (Downtown), 6–8pm.

Guided tour: Mari Cardenas & Milton Jurado, Self Help Graphics & Art (Downtown), 6:30pm.

NO TIME TO WASTE, Moskowitz Bayse (Hollywood), 7:30pm.

Pictures of an Exhibition, LA Phil (Downtown), 8pm. Through February 25.

Djanjoba LA 2018: A Drum & Dance Gratitude Festival, various locations (across locations), 8pm. Through February 25.

Witch House: A Witches' Cabaret, CalArts (Valencia), 8pm. Through February 27.

Saturday, February 24

SYMPOSIUM: BLACKNESS AND THE ART OF EMPOWERMENT IN BAHIA, BRAZIL, Fowler Museum (Westwood), 10am–4:30pm.

Demanding Investment Without Displacement, The Wellness Center (Downtown), 10am–3pm.

Feminism and the State: Art, Politics, and Resistance, MOCA Grand Avenue (Downtown), 10am–4:30pm.

What is Contemporary? Feminism and the State: Art, Politics, and Resistance, MOCA Grand Avenue (Downtown), 10am–4:30pm.

Bob Baker Day, Bob Baker Marionette Theater (MacArthur Park), 10am–6pm.

Not Her(E): A Workshop, Women’s Center for Creative Work (Frogtown), 10am–1pm.

Bonsai-a-Thon, The Huntington (San Marino), 10am–5pm. Continues February 25.

tokidoki x iHasCupquake Launch Event & Signing, La Luz de Jesus Gallery (Los Feliz), 11am–3pm.

Cartomancy: The Seni-Horoscope Re-imagined by Shay Bredimus and Tony Delap: A Retrospective, Laguna Art Museum (Laguna Beach), 11am–5pm.

Workshop: Finding Autonomy and Connection through Contact Improv, Pieter (Lincoln Heights), 12–3pm.

Donna Bates and Corban Lundborg, Gabba Gallery (Koreatown), 12:30pm.

Thinking Like a Roman: How to Renew America's Polarized Landscape, Getty Villa (Pacific Palisades), 1pm.

Artist at Work: Paper and Light, Getty Center (Brentwood), 1–3pm.

Dos Colectivos, USC Fisher Museum of Art (Downtown), 1–4pm.

Closing Reception, Tieken Gallery (Chinatown), 1–6pm.

Public Anchors Finale, Side Street Projects (Pasadena), 1–4pm.

Talk: Artists in Conversation: Isabel Avila and Linda Vallejo, LACMA (Miracle Mile), 1:30pm.

Existing On Our Own Terms: Healing Rituals As Liberatory Practice, Women’s Center for Creative Work (Frogtown), 2–5pm. $15–25.

Maren Hassinger: The Spirit of Things, Art+Practice (Leimert Park), 2–5pm.

The Great Compromise, UCI Claire Trevor School of the Arts (Irvine), 2–5pm.

"Animalia" - A Voice Event, CalArts (Valencia), 2–4pm.

Male Glaze pop-up, Freehand Gallery (Beverly Grove), 4pm.

The Circuitry of Joyce J. Scott: A Group Exhibition of Collaboration and Innovation, Craft in America Center (Beverly Grove), 4–6pm.

Melvino Garretti: Space Versus Space, Vernon Gardens (Vernon), 4–8pm.

Kevin Larmon: slipping in and out of phenomenon and Nathan Hayden: Strong Magic, CB1 Gallery (Downtown), 4–7pm.

Açúcar: A film series organized by Ellen Gallagher, Hauser & Wirth (Downtown), 4–10pm.

#CAMOLORDS - UNSEEN, Anahid Boghosian - HERE NOW and Brian Reed - From Semi-Abstract And Back, TAG Gallery (Santa Monica), 5–8pm.

UNICEF Next Generation Art Party, 800MAIN (Venice), 5pm. $40–150.

Petra Cortright: CAM WORLS, UTA Artist Space (Downtown), 5–7pm.

ADC Fundraiser: The Koerner Affair, Koerner House (Palm Springs), 5-8pm.

Opening Reception: Carmen Argote Artist Lab and Opening Reception: Mariángeles Soto-Díaz, 18th Street Arts Center (Santa Monica), 6–8pm.

Rodrigo Valenzuela: General Song and Carla Issue 11 launch party, Klowden Mann (Culver City), 6–9pm.

Kevin Cooley: Still Burning, Kopeikin Gallery (Culver City), 6–8pm.

Matthew Brandt: AgX.Hb, M+B (West Hollywood), 6–8pm.

Lorser Feitelson: Figure to Form, Louis Stern Fine Arts (West Hollywood), 6–8pm.

Aaron Wrinkle: LA Salon, there-there (East Hollywood), 6–8pm.

L.A.W.S. presents Language: The Art Show, Los Angeles Water School (Downtown), 6pm–12am.

SHOP and SOLO PROJECT, Denk Gallery (Downtown), 6–8pm.

Robert Moreland: Slow Talker, Wilding Cran Gallery (Downtown), 6–8pm.

Like Ghosts: New Works by Rema Ghuloum and HK Zamani, JAUS (Sawtelle), 6:30–9:30pm.

THE PAIN ISN'T OVER | Leafar Seyer & Prayers, THESE DAYS (Downtown), 7–10pm.

Herakut: Rental Asylum, Troy Brooks: Skinwalker, and Adrian Cox: Terra Incognita, Corey Helford Gallery (Downtown), 7–11pm.

L.A. Dance Project presents Bodies2, L.A. Dance Project (Downtown), 7pm.

Los Angeles Ladies Arm Wrestling Presents Queens at the Table, Bootleg Theater (MacArthur Park), 7–11pm. $10–15.

Sonnets and Sonatas Presents: Animals!, Getty Center (Brentwood), 7:30pm.

Independence Day and A Cylindrical Object on Fire in the Dark, Los Angeles Contemporary Archive (Chinatown), 7:30–10pm.

lost tribes, LACE (Los Angeles Contemporary Exhibitions) (Hollywood), 8pm. Also February 25.

Saluti, Grace Palmer: Secrets of Virtuous Cycle Management Institut IDGAF, Pieter (Lincoln Heights), 8:30–10pm.

The Moon Has Made Us Brothers, CalArts (Valencia), 9–10pm.

Sunday, February 25

The Art of the Movie Poster: Highlights from the Mike Kaplan Collection, LACMA (Miracle Mile), 10am–7pm; talk, 4pm.

Tony DeLap: A Retrospective, Laguna Art Museum (Laguna Beach), 11am–5pm.

TURBANTE-SE / A HEAD WRAP WORKSHOP, Fowler Museum (Westwood), 12pm.

Mesoamerica in Midcentury California: Revivals and Reinventions, LACMA (Miracle Mile), 1–2:15pm.

Painting workshop with Alake Shilling, 356 Mission (Downtown), 1–4pm.

IN CONVERSATION: ENRIQUE MARTINEZ CELAYA WITH DAN MCCLEARY & DEMIAN FLORES, USC Fisher Museum of Art (Downtown), 1pm.

Symbols in Copper, California African American Museum (Downtown), 1–3pm.

WORKSHOP: FREE THE VOICE: Odeya Nini, Pieter (Lincoln Heights), 1–4pm. $35.

Pop-Up Community Portrait Studio, Santa Barbara Museum of Art (Santa Barbara), 1–4pm.

Dora De Larios and Rigo 23: Ripples Become Waves, Main Museum (Downtown), 2-5pm.

Panel: Albert Chong, Andrea Chung, and Maria Magdalena Campos-Pons, moderated by Los Siu, California African American Museum (Downtown), 2–4pm.

WON JU LIM: Aunt Clara's Dilemma, AUDREY HOPE: Dreams of Pentecost, and MARISSA GRAZIANO: Lesbian Step-Sisters Better Not Get Caught By Dad!, DXIX (Venice), 3–6pm.

Artist Talk: All Hands on Deck, Otis College of Art and Design (Westchester), 3–5pm.

HOME, HOOD, HILL: Final Projects: Group XLV, Mackey Apartments, MAK Center for Art and Architecture (Mid-City), 3–6pm.

Chad Attie: The Last Island Talk & Screening, The Lodge (East Hollywood), 3-6pm.

Feminism Now, Shoebox Projects (Downtown), 3–6pm.

Anna Wittenberg: Dog Mod, Bozo Mag (West Adams), 4–8pm.

Talk: The Art of the Movie Poster: A Conversation with Mike Kaplan and Kenneth Turan, LACMA (Miracle Mile), 4pm.

Surfing Countdown, Zebulon (Frogtown), 6pm–12am.

WORKSHOP: Orgasmic Yoga: Dr. Victoria Reuveni, Pieter (Lincoln Heights), 6–10pm. $30–40.

SCREENINGS Part of the series The Black Book: Chocolate Babies, Hammer Museum (Westwood), 7:30pm.

PlumbLine - Jewelry Objects seminar, Long Beach City College Art Gallery (Long Beach), 7–9:30pm.

Monday, February 26

Artists, Icons and Legends: The Portraits of Michael Childers, Palm Springs Art Museum (Palm Springs), 10am–12pm.

THIS, NOT THAT LECTURE: CHARLES WALDHEIM, UCLA (Westwood), 6:30pm.

Tuesday, February 27

Cut! Paper Play in Contemporary Photography and Paper Promises: Early American Photography, Getty Center (Brentwood), 10am–5:30pm.

Film: Amadeus, LACMA (Miracle Mile), 1pm.

Artists Council 50th Anniversary Celebration, Acqua California Bistro (Rancho Mirage), 4–7pm.

PAUL ESPOSITO, UCLA (Westwood), 5–7pm.

Artist walkthrough: Black, The Loft at Liz’s (Mid-City), 7–9pm.

PEN PRESENTS X ARTISTS BOOKS: ALEXANDRA GRANT & KEANU REEVES with SYLVAN OSWALD, The Masonic Lodge at Hollywood Forever (Hollywood), doors 7pm; show, 8pm.

How To Have Hard Conversations, Women’s Center for Creative Work (Frogtown), 7–10pm. $16–20.

PlumbLine - Jewelry Objects closing reception, Long Beach City College Art Gallery (Long Beach), 7–8:30pm.

SCREENINGS: Faces Places, Hammer Museum (Westwood), 7:30pm.

Zoe Buckman: Champ, The Standard (Hollywood).

Wednesday, February 28

MAC Meeting, Lecture & Luncheon with guest speaker David Zippel, Palm Springs Art Museum (Palm Springs), 10am–1pm.

FOWLER OUT LOUD: RANDY REYES: LXS DESAPARECIDXS, Fowler Museum (Westwood), 6pm.

Talk: Michael Govan and Richard Prince, LACMA (Miracle Mile), 7pm. Sold out.

Founder's Day Lecture - In Search of Blue Boy's True Colors, The Huntington (San Marino), 7pm.

CONVERSATIONS: Jeffrey Stewart and Carl Hancock Rux, Hammer Museum (Westwood), 7:30pm.

Getting Fed By Your Feed: Curating An Instagram Diet, Women’s Center for Creative Work (Frogtown), 7:30–9:30pm. $1–10.

Reconstructing Grandfather, ICA LA (Downtown), 7:30pm.

Cross-Hatched: Incidents and Echoes: Jasper Johns + John Cage, The Broad (Downtown), 8pm.

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autisim · 4 years ago

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The afternoon finally comes around, signalling it’s about time to meet Omar to “show him the sights of Brindleton Bay” (and hopefully get a bit of flirting in). Leone makes their way down to the pub as the sun sets beautifully over the harbour - spot on time and keen to make a good impression.

Unfortunately Omar doesn’t seem to have arrived just yet. Amity, however, is there, much to Leone’s annoyance. And even worse: she immediately spots Leone and starts talking to them. Great.

For what it’s worth, Amity does seems apologetic about the way she behaved the previous day. Leone isn’t interested in hearing it though, all but ignoring her as they sip the glass of wine they got from the bar whilst wondering when Omar is going to get here.

Beginning / Previous / Next

#ts4 #ts4 gameplay #ts4 legacy #random legacy challenge #castelli legacy #gen 1 #leone castelli #amity melville

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longlistshort · 6 years ago

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The Whitney Museum’s exhibition, Andy Warhol – From A to B and Back Again is a great representation of the artist’s body of work. Despite the fact that so much of it has been seen before, the curation makes so much of it feel fresh.

Andy Warhol’s artistic legacy is vast. He created a prolific amount of work throughout his career and the exhibition covers a lot of it. From his early commercial illustrations to his more abstract pieces, his collaborations with Basquiat, his silk screen portraits, his videos, films, and books, there is a lot to see. Below are a few highlights.

Warhol's fascination with death is seen in numerous works in the exhibition. In 129 Die In Jet,1962 (pictured above), he recreated the newspaper cover by hand and even used a sponge-blotting technique to reproduce the look of the halftone image. It's interesting to see how this work foreshadowed his move to the screen printing process. This technique combined with his interest in the subject of death can be seen in his car crash paintings made the following year.

There's a room dedicated to reproducing Warhol's Cow Wallpaper, which he used to fill a room in the Castelli Gallery as part of a 1966 installation where he "retired from painting". He used it again in 1971 for a retrospective at the Whitney, where he directed that all the works be hung on it for the exhibition. It's a creative way to tie in that history and to present the various colored flower paintings.

Some of Warhol's portrait series, Ladies and Gentlemen,1975, which focused on members of New York's queer community, is included in the show. It's a nice contrast to his portraits that more commonly feature socialites and Hollywood celebrities.

His giant portrait of Mao is impressive, and takes up a wall in one of the galleries. It's a reproduction of a painting by Zhang Zhenshi, which was at the time thought to be the most widely reproduced artwork in the world. Warhol created the work in response to reading about then President Nixon's trip to meet with the Chinese leader, while China was still considered an enemy of the United States.

On a separate floor are several monitors playing Warhol's video work and work related to the artist. Included is one of him eating a Burger King burger, shot by Danish documentarian Jørgen Leth, that the fast food chain used as part of their ad in this year's Superbowl.

Warhol was a constantly evolving artist who worked in many mediums, in effective ways. The exhibition is a testament to Warhol's unique perspective and how his work continues to resonate in a time period where so much of what he was commenting on has even more relevance.

Andy Warhol - From A to B and Back Again, closes 3/31/19 and is free Friday from 7-10pm.

#andy warhol #whitney museum #new york art shows #art shows #nyc art shows #painting #video #portraits #photography #artists #art

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sebastiankurz · 6 years ago

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A deeper look at the world of High-End Italian furniture design

Luxury Italian brands are kings in this chess match of interior design, but that doesn’t really mean that the rest are mere pawns. What most of us don’t understand is the reason why the Italians rule the game. Today we’re diving inside the world of high-end Italian furniture design where you’ll understand why Italy still owns the high game in this area.

A Historically Rich Market

From design to color here is characterized by sophisticated technology and more. Moreover, Italy has a good history to create an innovative design of furniture producing. So, the demand for Italian interior design is growing too high in the indoor and outdoor market even global market. So, they are emphasizing on how to make the Italian furniture market trendy globally. Moreover, Italian interiors have some unique features that really make an outstanding look.

Besides custom design, Italy is more developed in technological advancements for interiors. Just compare outmoded and modern design and you will really understand how they improve in using innovative style. It may not be possible to know how they were in past. But when you look around in present, you will really understand how they have already developed in style and design on furnishing. All kinds of interiors are made with genuine material, innovative design, and attractive theme and so on. All features fascinate you when you plan to use modern Italian interiors. Add expert craftsmanship techniques, like the world renown Murano glass blowing, and you can start to imagine why the Italians sit comfortably at the top of the food chain.

The Best High-End Italian Furniture Brands

Antonio Lupi

Highest standard quality, customer care and a wide range of collections with a deep passion for work are the key factors which inspire Antonio Lupi. “Tailor-made” production allows adapting every product to the requirements of the clients through a high degree of customization.

Armani Casa

Armani Casa is one of the best brands, related to luxury furniture, made in Italy. With its quality craftsmanship, Armani is the zenith of Italian design, incorporating its fashion perspective onto the contemporary design pieces they so excellently produce.

Bugatti Home

The luxury supercar brand Bugatti entered the world of interior design with the world renown Luxury Living Group. It transports the iconic lines of its supercars to create unique furniture pieces like the Cobra dining chair. The cars’ bench technology provides unique comfort and experience in the brand’s furniture.

B&B Italia

B&B Italia’s products have contributed to the history of Italian design. A history based on technology, creativity, and that inherent style that has made Italy famous throughout the world, establishing the “Made in Italy” brand that has been exported to international markets. The B&B Italia furniture collection has its roots in its ability to reflect contemporary culture and the capacity to respond quickly to the ever-changing lifestyles, habits and requirements.

Cassina

Founded in 1927, Cassina launched industrial design in Italy during the 1950s. The company was pioneering thanks to its striking inclination for research and innovation, working with important architects and designers and encouraging them to envision fresh designs, a characteristic that still distinguishes the brand today. Cassina’s identity lies in the innovative fusion of technological skill and traditional craftsmanship. The collections feature iconic furniture by great modern architects including Le Corbusier, Mackintosh, Wright, Rietveld, Perriand, Albini and Zanuso, as well as important architects and designers such as Bellini, Lissoni, Magistretti, Pesce, Ponti and Starck. Since 2015 Patricia Urquiola is the Art Director of Cassina.

Flexform

FLEXFORM is an Italian industrial company that relies on deeply rooted expertise in the production of finely crafted sofas and furnishings, with an innate focus on design culture.

Edra

Edra is the evolution of modern technology and artistic tradition. The production is the result of a blend of talent for invention, specialized craftsmanship, research on innovative technologies and materials. The pieces are created with such care as to become unique, unmistakable presences. Sofas and cabinets that adapt to all kinds of spaces, contemporary or traditional homes, public venues, international museums.

Fendi Casa

The rich Fendi Casa catalog contains furnishings for every area of your home. Seamlessly integrating modern advancements with retro details, the collection adds an elegant and inviting ambiance. Part of the Luxury Living Group, Fendi Casa brings a little bit of the Roman Fashion House flair into our home.

Roberto Cavalli Home

Officially launched in 2012, the group offers a wide range of furniture and interior design accessories developed in collaboration with sector’s specialists: JC passion for furniture, Industria Emiliana Parati for wallpapers, Gruppo Ceramichee Richetti SPA for tiles, Caleffi SPA for home textiles and Compagnia del Cristallo SPA for tableware.

Porada

Porada’s collection is wide and varied, made up of a multitude of occasional furniture developed in cooperation with designers as Tarcisio Colzani, Patrick Joiun, Carlo Ballabio, Marconato e Zappa, Opera Design, Studio Buratti, David Dolcini, Stefano Bigi, Gino Carollo and Emmanuel Gallina among others.

Missoni

According to Missoni Home, the fabric itself is fundamental. It creates a game of visual and tactile emotions, with light and colour, offering matt and silky contrasts, compact structures, layered embroidery and metamorphic effects. The fabric gives shape and support to the design of seating and furniture and provides surface reliefs that are always different. And that philosophy separates Missoni from the rest. High-quality fabric is of the utmost importance for the luxury Italian brand and they make sure you feel it the same way they do.

Seletti

From its very first year in 1964, Seletti in Cicognara, Mantova, has followed its principle of professionality service and constant research to strive for betterness innovation and originality. The company focuses on design projects and on creative characteristic Italian excellence. The collections containing art blended with daily life icons, send a message of shape and function, conveying to its customers a vision for a unique, personal and fun lifestyle. Today Seletti aims at new productions, an ongoing journey within the idea of beauty. Several well-known designers and artists have worked with Seletti all over the years, such as Studio Job, Marcantonio Raimondi Malerba and Gio Tirotto.

Poliform

A leading player in the furniture industry worldwide, Poliform is a trendsetter in contemporary lifestyle. They strive to be the best choice for those who embrace a good, modern and trendy lifestyle. The folks at Poliform are providing their clients with a wide array of choices for complete – and modular – home design. They are also very much involved in large commercial and residential projects, showcasing their creativity in places like London’s West End Quay, the AOL Time Warner Center in New York or Amsterdam’s Conservatorium hotel.

Luxury Living Group

Luxury Living Group is a leading organization in the luxury lifestyle and furniture sector, unique by developing, producing and distributing furniture collections for some of the world’s most celebrated brands. The group characterizes itself by the use of the finest materials, a large variety of finishes and the limitless prospects offered by customizing the pieces. Exquisite craftsmanship along with innovative technology and a loyal community of clients and partners was built up all over the world.

Poltrona Frau

Poltrona Frau Group’s furniture has always been recognized for its exceptional quality that starts from the careful and meticulous selection of raw materials. All stages of the production process are subject to rigorous quality monitoring. From design to experimentation with innovative materials, from aesthetic research to the production of every single piece and up to final testing. Their quality brings the signature of art of making and of an artisanal and industrial capacity consolidated in almost a century of history and experience, unchanged in the spirit, but always ready to face the challenges of modernity.

Molteni & Dada

The story of a family, a legacy and a passion for things beautiful and for finely crafted furniture, a culture forged and nurtured within the firm. This is how it has always been, for Molteni&C. Since 1934, when it started out as a joinery workshop eager to exhibit its furniture at the Monza Biennali, which later became the Milan Triennali, and to make its debut in the world of art and culture, attracting the attention of the critics and of an increasingly international public.

Zanotta

Established in 1954, Zanotta is one of the recognized leaders in Italian industrial design since ever. Guided by the insight and wonderful entrepreneurship abilities of the founder, Aurelio Zanotta, starting from the 1960s it won and has held the international spotlight, thanks to its products: these are emblematic from the viewpoint of formal innovation as well as of technological research, aiming at a continuous evolution in the materials quality and in the production processes.

Kartell

A leading design company, founded in 1949 by Giulio Castelli and now run by Claudio Luti, Kartell is one of the symbols of Italian design around the world. A success story told through an incredible series of products – furniture, furnishings, lighting, home accessories – that have become part of the domestic landscape, not to mention actual contemporary design icons. Kartell is known for its collaborations with well-celebrated designers, cush as Piero Lissoni, Phillipe Starck and Jeremy Scott.

Moroso

Moroso has been working in close collaboration with some of the world’s most talented designers to produce luxury sofas and seating since 1952. The company has always been open to new ideas, from its origins in post-war Italy where there was a culture of ‘doing things and doing them well’, Moroso has been farsighted, daring and certain of the advantage of combining craftsmanship and tailoring with industrial processing techniques to create unique products and by drawing on the worlds of industrial design, contemporary art and fashion.

Other Honorably Mentioned Related High-End Furniture Brands

The luxury design world is, fortunately, well-established in other markets. Italy might have the stronghold, but there are plenty of other European countries who too have something to say. From France to England, and not forgetting Portugal, nicknamed ‘El Dorado’ by Maison et Objet, are serious players in the game.

Boca do Lobo

BOCA DO LOBO furniture is an exclusive emotional experience, a sense of belonging and a state of mind. We strive to encourage sensational experiences by creating beautiful pieces which are passionately inspired and handcrafted in Portugal by a staff that loves what they do; experiences which pass on the feeling of exclusivity. Our designers possess an undeniable talent for composing pieces which stir emotion in their admirers. Our artisan’s wisdom, accumulated from years of experience, is instilled with love and dedication in the art that they perform. No detail or element is overlooked as we offer the best at the frontier between design and art. Each piece will bring you on a journey to sources of pleasure you may have forgotten, and take you to places you have never been before; a journey to BOCA DO LOBO world-a world of emotions.

Swarovski Home

Inspired by the idea of making crystal accessible to more people, Daniel Swarovski, a Bohemian jeweler, patents an electric cutting machine that cuts crystal more precisely than by hand. In 1895 he founds Swarovski in the small town of Wattens, high in the Austrian Alps because the energy potential offered by nearby rivers makes it the ideal destination for Swarovski’s first production site. Daniel’s vision was to use the crystal to create “a diamond for everyone”, and his pioneering spirit and glass-cutting innovations help us continue the mission today.

Circu

Circu was built under a dream! The dream is to allow children to dream their own dreams and to really give them space to be and live their fantasies and magical world. Our hand-crafted and hand-tailored pieces are made in Portugal with the finest materials, combined with a lot of passion, so we can deliver only the highest quality furnishings.

Tom Dixon

Tom is a restless innovator who works mainly in lighting, accessories and furniture. From his departure point in the early eighties welding salvaged steel into radical furniture, he has constantly reinvented himself through a series of different design lives – working with luxury Italian goods with Cappellini, Creative Director at Habitat and Artek, creating Plastics company Eurolounge and finally instigating his own eponymous brand in 2002 to rethink the product designer’s relationship with industry.

Brabbu

BRABBU is a design brand that reflects an intense way of living, bringing fierceness, strength and power into an urban lifestyle. With a diverse range of furniture, casegoods, upholstery, lighting and rugs, and through sensory design, they pass on a unique experience in every piece they design and produce.

MOOOI

For more than fifteen years Moooi has inspired and seduced the world with sparkling and innovative designs. The venture founded in 2001 by Marcel Wanders and Casper Vissers is named after their native Dutch word for beautiful – the third ‘o’ in the brand name stands for an extra value in terms of beauty & uniqueness. The art direction of the company is in hands of Marcel Wanders. From 1 September 2015, Robin Bevers assumed the position of Moooi CEO, taking over this role from Moooi co-founder Casper Vissers.

Maison Valentina

Maison Valentina was born in Porto, Portugal, aiming to deliver the most exquisite and sophisticated bathroom furniture. Offers high-end solutions made with the finest material selection, combined with rare handwork techniques, contemporary design and assuring supreme quality.

Ligne Roset

Ligne Roset is synonymous with modern luxury and invites consumers to revel in a contemporary, design-forward lifestyle. Known for its artful collaborations with both established and up-and-coming talents in contemporary design, Ligne Roset offers consumers an entire lifestyle in which to live both boldly and beautifully via its furniture collections and complementary decorative accessories, lighting, rugs, textiles and occasional items.

Pullcast

PullCast was born digging deep into the wonders of nature by a jeweler and a designer, who adore collecting objects from outdoor experiences. Crossing the worlds of jewelry and design only led to a path of exploring new aesthetic design approaches with architectural and artistic strong influences. Expect to find diverse ranges of styles on collectible sculptural hardware, wide spreading a sense of rarity and legacy, grounded by ancient forms of craft.

BoConcept

BoConcept was born in Denmark in 1952 and is today a premium retail lifestyle brand, with close to three hundred stores in over sixty countries. They design, produce and sell contemporary furniture, accessories and lighting for living, dining, sleeping, home-office and outdoor spaces. They also help their customers create a personal home with their comprehensive in-home or store interior design service.

Essential Home

Essential Home is an innovative mid-century modern furniture brand that takes important historical and cinematographic references from the 1930s and 1960s and turns them into unique furnishing pieces. What started out in 2015 as ‘Essentials’, a furniture collection by the mid-century lighting brand DelightFULL, quickly grew to be one of the most elegant representations of mid-century modern design, thus creating a new name and a new brand, Essential Home.

Vitra

Vitra is a company that constitutes part of the Turkish Eczacibasi Group which has produced tiles and sanitary ceramics and distributed these globally since 1942. The name similarity with the brand name Vitra. is coincidental; both companies developed entirely separately from one another. A friendly exchange presently exists between both companies, but there are no commercial links.

Delightfull

A fresh reinterpretation of mid-century lighting design. The brand revives design and inspirational art from the 40s to 70s, bringing to you fresh classic lamps with the progress of colors and materials of modern décor. Their mid-century spirit can be suitable for any project customizing any piece that you need.

Ritz Paris

Ritz Paris Home Collection is a part of the Luxury Living Group, like their sister brands Baccarat, Bently Home, Bugatti Home and Fendi Casa. Ritz Home Collections shares with you a bit of the French Heritage that you can find in the hotel with their unique luxurious details. Anyone can feel like Coco Chanel with these pieces.

The Best Italian Interior Designers

From the ultra famous Dimore Studio Antonio Citterio to more local but incredible Interior and Product Designers, Italy and Italian Design have always presented us with several strong and powerful examples of luxury and quality design works, inspirations and projects that put our imagination and design taste in overdrive.

Piero Lissoni

Italy at it’s best through the eyes, projects, vision and ideas of award-winning Piero Lissoni, the internationally known architect and designer with a vision for spaces, ambiances and time. Through his works, we will see the developing world of architecture in Italy and in the world reflected in his hospitality projects, furniture designs and futuristic ideas.

Piero Lissoni was born in 1956 and is one of Italy’s golden boys. He is a world-famous architect and designer who graduated in 1978 from the very prestigious Politecnico di Milano. In 1986 He opens Lissoni Associates with Nicoletta Canesi and ever since that he has lead groundbreaking projects. Today his studio is made of a staff of over 60 people and has projects that cover all design fields such as architecture, interiors, industrial design and graphics project.

The exquisite Laurent restaurant is located on the first floor of the Hotel Cafe Royal, above the impressive new lobby featuring a 17 feet double height Murano glass chandelier by legendary Italian glassmaker Vistosi. Offering a relaxed yet refined all-day dining concept in line with today’s contemporary lifestyles, the informal lunch and dinner menus will be centred around the Parilla grill, a traditional iron grill barbecue, originally from Argentina, allowing the chef to control the heat to ensure perfectly cooked chargrilled meat or fish. Taking a step back to 15 years ago, Chef Laurent Tourondel has long championed ‘easy going’ food and accessibility, and his varied and diverse menu encourages casual and relaxed dining.

Dimore Studio

Also related to the world of Luxury Interior Design we can find another major name of the current Design Industry in Italy. We are of course talking about the Dimore Studio, another heavy hitter studio based in Milano that’s quickly becoming an International Trend Setter. Head Designers Emiliano Salci and Britt Moran both invested in their individual experience and founded in 2003 this now prestigious studio on the hopes that this institution could become a beacon for Italian Design.

And that’s precisely what this studio has become. With a focus on Design Art and Fashion, the Dimore Studio have collaborated in the past few years of some of the great names of Italian craftsmanship like Ceramica Bardelli, but their list of clients/ partnerships also includes some top names of Italian Luxury, like Fendi. In fact, Dimore Studio was responsible for the redesign of some of the most iconic Fendi Shops in Italy and they work closely with this brand in their Design Projects in Italy.

Fendi knows that Dimore will always represent the Essence of Italian Design and, since Fendi it’s also a Top Italian Ambassador, they know that only a Great Name of Italian Design can perfectly recreate the image that they want to transmit. This love of the Dimore Studio for the World of Art and the Style of Italian Design led it’s Head Designers to create the Dimore Gallery, a top Design Gallery in the Heart of Milano where this studio pays a constant tribute to the past, present and future inspirations and products of Italy!

Antonio Citerio

Legends like Ponti or Bellini inspired all of the great Architects and Product or Interior Designers of today’s Italian Design Industry. We can’t find one Great Name of Today’s Design that isn’t inspired by at least one of the names mentioned before and that says a lot about the legacy that those legends left the Designers of Today. In fact, some of the Top Designers of today were Mentored by those Legends of the Past.

One of the top names of today’s Italian Design is Antonio Citterio. Like all the design legends that inspired his youth, Citterio started his career in Milano and like his hero, Gio Ponti, Citterio started his Academic and Professional life as an Architect. From 1987 to 1996, Citterio worked in association with Terry Dwan in several amazing buildings in Europe and Japan, but after many years spent designing buildings, Citterio also decided to follow the footsteps of Ponti and became a prominent Furniture and Industrial Designers!

In the role of Product Designer, Citterio helped shape the World and Style of some Top Italian Brands of Today, namely Vitra, Ansorg, Arclinea, Axor-Hansgrohe, B&B Italia, Flexform, Flos, Hermès, Iittala, Kartell, Maxalto, Sanitec (Geberit Group) or Technogym. All of them showcase in their most popular Collections of all time at least one piece designed by Citterio and those pieces bear his amazing trademark style that boosts Italian Modernity and a more Contemporary Vibe!

Karim Rashid

We couldn’t pass the opportunity of mentioning another great name of Italian Design, but as the other Two Giants mentioned earlier, this one is native of Italy but his influence is well present in the Italian Design Industry. That’s right, Karim Rashid design impresses because of the quantity (over 3000 pieces produced, 300 prizes and presence in 40 countries), diversity (furniture design, spaces, product, new technology, lighting, packaging, fashion, identity, surfaces and not only) and modernity and it’s this versatility that led him to focus in Italy, as well as France in Canada.

Rashid studied in Italy and that’s why his style is influenced by the Italian Style of Design. Even though we can trace his origins to French Design, it was in Italy that Rashid learns all of the skills and absorbed all the influences that allow him to become that top Interior and Product Designer that he is today.

That’s why Rashid is, like Dimore and Citterio, a top and recurrent presence in all the major Design Events in Italy and a Top Reference for all major luxury brands, publications, galleries and design museums of Italy. There are many other names of today’s Italian Design that are also shared with other Cultures and Countries. One of those top designers is Patricia Urquiola.

Patricia Urquiola

Top collaborator of Kartell and a regular presence at the prestigious Salone del Mobile event, Urquiola is one of today’s faces of French Design, but it’s also impossible to disassociate her name with the Italian Design Industry. In fact, Urquiola is one of the patrons of Italian Craftsmanship, in fact, in 2018 she was the Guest of Honor of Homo Faber, a top Craftsmanship Event in Venice where she presented a strong showcase of her Colorful Style mixed with the Craftsmanship Values of Italy, namely the love of this country for Hand Made and Elaborate products in Wood and Glass!

With stunning projects around the world, including Italy, Urquiola always manages to bring to her Italian Designs and Creations those inspirations that are at the core of her education and that helped her become one of the top designers in the world. From her award-winning project at Hotel Il Sereno in Lake Como to more residential Projects in Central Italy, Urquiola provides each Italian project with the passion and the style that characterizes but always adapted to the Italian Culture.

Ludovica and Roberto Palomba

Ludovica and Roberto Palomba are also big names of today’s Italian Design. They are the two founders of the Palomba Serafini Associati, a powerful design studio based in Milan, Italy, that was created in 1994. For the past years, they have been collaborating with the most prestigious design brands from all over the world, namely Poltrona Frau, and the majority of their products designed since 1994 is still in production, making them some of the most long-standing design studios in production in Italy.

And like Ludovica and Palomba or all the other names on this List, the very own Italian Style that characterizes many products from the Top Italian Brands can also be found in the heart of the architectural projects of one of Italian architecture biggest names: the award-winning Piero Lissoni, the internationally known architect and designer with a vision for spaces, ambiances and time. Through his works, we will see the developing world of architecture in Italy and in the world reflected in his hospitality projects, furniture designs and futuristic ideas.

You may also like: Tom Dixon is opening The Manzioni during Milan Design Week 2019

Other Honorably Mentioned Related Interior Designers

Kelly Hoppen

Kelly Elaine Hoppen is an English interior designer, author and proprietor of Kelly Hoppen Interiors. Kelly made an astonishing career and is now one of the biggest names of interior design worldwide. The creations of a Jewish and Irish descent designer are not only focused on hospitality or residential projects but cover also stunning yachts of private clients, as well as commercial projects all around the world, including restaurants, offices and an aircraft.

Kelly’s passion for interior design started when she was 16 and had the opportunity to design a family friend’s kitchen. During her career, she designed for a bunch of celebrities, including David and Victoria Beckham or Martin Shaw. Currently, with over 40 years of experience in interior design, Kelly Hoppen manages her own design studio in London (Studio Hoppen) and an eponymous decor and home accessories brand (Kelly Hoppen Interiors).

Besides being admired by interior designers, Kelly Hoppen is also a recognized TV personality. In 2011 she fronted Channel 5 Design Series, Superior Interiors and has appeared on various shows throughout her career including Good Morning Britain, 8 out of 10 cats, Saturday Kitchen, CNN Richard Quest, The Wright Stuff and Room 101. In 2013 Kelly became an investor on BBC Two’s hit Dragon’s Den entrepreneur show and has since invested and helped make a success of several businesses including Skinny Tan, Reviveaphone and Clean Heals, to name a few.

Marcel Wanders

Marcel Wanders is without a doubt admired product designer and one of the top interior designers in the world. Regarded by many as an anomaly in the design world, he has made it his mission to “create an environment of love, live with passion and make our most exciting dreams come true.” His work excites, provokes, and polarises, but never fails to surprise for its ingenuity, daring and singular quest to uplift the human spirit, and entertain.

Today Marcel’s powerhouse studio numbers around 50 international design specialists, and he is a prolific product and interior designer and art director, ubiquitous with over 1700+ projects to his name for private clients and premium brands such as Alessi, Bisazza, KLM, Flos, Swarovski, Puma, among scores of others.

In 2001 Marcel Wanders co-founded the successful design label Moooi, of which he is also Art Director. Conceived as a platform for design talent from around the world, today the company works with around 30 designers, has a presence in 79 countries and is renowned for its quirky, eccentric but altogether inspired take on the objects that surround us.

India Mahdavi

Paris-based architect and designer: India Mahdavi’s name is a reflection of the designer herself: exotic, feminine, dramatic. It’s a name that evokes a chic, global sensibility and one that completely captures the essence of her designs. As an international interior, furniture and objects designer, India’s work is influenced by memories of her nomadic life. Each of her projects, be it a bar, restaurant, hotel, private residence or a piece of furniture, carries in its elements that are modern yet familiar. Her style is by turns playful, sexy and chic, and she’s not afraid to let her femininity come through in her work.

Mahdavi studied architecture at the École des Beaux-Arts in Paris between 1980 and 1986. She earned her Architect Diploma DPLG in 1987. In 1989, she spent a year in New York, studying graphic design at the School of Visual Arts, furniture design at Parsons, and industrial design at the Cooper Union. She then returned to Paris and joined Christian Liaigre’s design studio as Art Director, where she remained for seven years. Mahdavi’s company, imh interiors, was founded in 1999, with the designer subsequently opening her own showroom in Paris in 2003. The following year, Salon Maison & Objet elected her Designer of the Year.

Jean Louis Deniot

Jean Louis Deniot is one of the best interior designers out there. He is the most prestigious French decorator. Since 2000, the year that he concluded his studies in the École Camondo (a renowned school of product design and interior architecture), Jean Louis has been working on projects from New York to New Dehli. Architecture, decoration, lighting and furniture…Deniot does it all. Jean Louis is recognized for having a very eclectic and traditional style. He loves history and tries to recreate some periods in his designs.

“My style is full of history and references coming from many different periods. I like emblematic interiors, full of archetypical furniture which one could consider “Neo or Cool Classic”. This ranges from Neoclassical to the ’30s, 40’s. 50’s, 60’s, etc. The decors are never literal or featuring typical period rooms, but eclectic and very architectural, with mixed influences, and always focusing on the highest level of quality possible. I don’t do pure contemporary as to me, it has no soul. I need to have history in my works.”

Oitoemponto

After developing his talent for many years in fashion, in Portugal and Sweden, Artur Miranda diversified into interior design. Following his resolutely modern and innovative design approach for that time in Portugal, he created Oitoemponto in 1993. Two years later, Jacques Bec joined him, bringing his own very personal French touch from Paris. They start working for public and commercial places, but their common taste for sophisticated and personalized surroundings soon leads them to develop their creativity in private places – which is now the main part of their job.

In 2002, Artur Miranda and Jacques Bec decide to open a space where they can exhibit their numerous creations such as furniture, carpets and light fitments. In this 300 m2 showroom, a specialized selection of objects brought from their frequent travels abroad can be found – from Hervé Van Der Straeten´s bronzes to vintage and contemporary furniture. And a selection of contemporary art. In this big open space, situated in the heart of Porto, Oitoemponto offers a studio where a vast team of professionals develops all kind of projects.

The Ancient Crafts Behind High-End Brands

You can’t have high-end furniture design if you don’t have any craftsmanship involved. Nowadays, everything’s pre-fabricated and made for yesterday, with its perfect, laser-cut nooks and edges. But where’s the value in that? There’s no uniqueness in there, there’s no heritage, there’s no luxury in that. Ancient crafts are what support the upscale design, and it shall remain like this for years to come.

Murano Glass

For centuries Murano has conserved the art of glass with jealous closeness, to the point that in the ancient Serenissima Republic of Venice, nobody was allowed to leave the island of murano without official permission. Although its tradition has been handed down from generation to generation for centuries, from Master to “garzonetto”, father to son, the history of Venetian glass working has evolved in a manner that continues to respect the true traditions, and integral customs of the land, and its history. This has carried to the present day the true largeness and beauty of the works of glass created on the island of Murano. It is therefore impossible to describe just how and why this art is fascinating, its presentation would demand attention and knowledge. We will try to give a short description of some of the more important points for those who are interested in knowing more of this wonderful and unique art.

Wood Carving

One of the oldest arts of humankind, the art of making sculpturing ornaments in a wooden object creates undeniable beauty forms and shapes. From its natural look and textures to highly polished and colored versions, wood has always been easily accessible and relatively easy to manipulate, attracting the interest of artists and designers over the years. Adding details to a piece can be performed thru different wood carving styles and techniques, such as pattern, blocking, detailing, surfacing, or smoothening. Although the wood carving technique is one of most widely practiced, it survives much less than other main materials like stone carvings or bronze, changing thru time if left long periods of time without care.

Gold Leaf Gilding

The gold leaf application can be called gold leafing or gilding. It has been a process of ornamental decoration used on different materials and surfaces by the application of a thin layer of gold. It is available in a wide variety of karats and shades, and actually, there are a few substitutes for gold such as silver or copper. Using different techniques, the art of gilding has been mostly applied to the decoration of art objects, such as statues, or even pictures frames Architecture is also one of the creative fields that applies the rich technique on buildings and design components, evoking unique moments of rare opulence. Traditional water gilding is the most difficult and it remains unchanged for hundreds of years and it is still done by hand.

Metal Casting

The art of casting metals into a chosen shape and size. The process starts by melting metal into a liquid, pouring it in a mold with a cavity of the desired shape, and removing the material, or casting, after the final work gets cool and then solidified. The solidified part can be ejected or even broken out of the mold. This technique is one of the most used for making intricate forms that would be difficult to have from other methods. Cast iron and aluminium are the most common metals processed, although bronze, brass, steel, among other varieties, are also used to produce castings.

Tile Painting

One of the most representative art forms of the Portuguese cultural heritage. The renowned blue hand-painted tiles reflect a tradition used for hundreds of years. Azulejo is usually clay or ceramic plate piece, generally with a square shape decorated with glazed colourful designs, and repeated hundreds to a few thousand times. It is used as wall covering decoration, being linked to architectural use, covering a large surface area on both the inside and outside of buildings. The majority of tiles illustrates Moorish designs which have curvilinear, lacelike and looping designs, or even have geometric or floral motifs. Originally, azulejos appeared in Portugal thanks to the Arabs in the XV century. Since then, the country has been using the art uninterrupted for over five centuries, meaning it is already part of the Portuguese soul and the most meaningful place for this timeless technique movement.

You can also check out: More about ArtsTool Project Culture’s Series of Handcrafted Designs

Crafts & Design Icons of Italy

It’s not only within the Interior Design Industry or the Architectural Business that the powerful Italian Style is evoked. Also linked to that two powerful industries we have another major vehicle of the Italian Design: The Art World. Well, the relation of Italy with Art is legendary. Most of the major Artists of the World, from the Ancient Art to the Contemporary Age, are Italian or build their careers in Italy, but even though masters like Leonardo DaVinci, Rafael, Donatello or Michelangelo are still strong sources of inspiration for today’s Italian Art Scene, today we are focusing on the Design Art!

It’s within the specific category of the Art World where we can find even more stunning examples of the characteristic Italian Style and Way of Life! There are many big names of the Italian Design Art Scene that mixe their love for both Art and Design and it’s time for us to highlight those names.

One of the more irreverent names of both the Art & the Design scene is Rossana Orlandi. This Lady of Italian Design is amazing and the perfect example of how the worlds of Interior Design, Art and Craftsmanship can come together under one single roof. That’s precisely what Orlandi tried to do when she opened the Gallery Rossana Orlandi in 2002 in a former tie Factory in the Magenta neighbor.

Galleria Rossana Orlandi has been forecasting along the years new and upcoming designers and establishing the premise as one of the most revered platforms for avant-garde Design and Lifestyle. Started her activity focusing on the rising Dutch design wave with designers such Piet Hein Eek, Maarten Baas and Nacho Carbonell the research has moved widely around the world creating a catalogue which reflects the most innovative scenes from Europe to Asia to America, but always with a strong focus on the Italian Inspirations!

Gaetano Pesce and Piero Fornasetti are other of the two biggest names linked to Craftsmanship, Art and Design. With a passion for Murano Glass and other Italian Classic Design Techniques, such as Wood Craving and Porcelain Work, these two top designers and top instigators of the value of Craftsmanship in the Italian Design Industry are two of the top flagship names of Italian Value in the World of Art and Design!

No wonder their respective work, along with other projects of a few other Italian Art Designers, are constantly on display at some of the Top Italian Design Galleries, like de iconic and worldwide famous Nilufar and Italian. The Art Council of these two and other major Art Galleries in Italy are increasingly responsible for the elevation of Italian Design worldwide and whether it is in Milan, Roma, Florence or Naples, every single major Art Gallery in Italy has one specific mission: Elevate Italian Design & Craftsmanship!

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from Sebastian Kurz Blog https://www.designbuildideas.eu/deeper-look-world-high-end-italian-furniture-design/

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justforbooks · 8 years ago

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Alexander Iolas or Alexandre Iolas (25 March 1907 – 8 June 1987) was a Greek art gallerist and collector. Born Constantine Koutsoudis (Κωνσταντίνος Κουτσούδης) in Alexandria, Egypt to Greek parents, he went to Berlin in 1924 as a pianist. Soon, he moved to Paris to study ballet. There, he socialized with artists such as Jean Cocteau, Giorgio de Chirico, Georges Braque, Pablo Picasso, Man Ray, Rene Magritte and Max Ernst and bought his first works of art.

In 1944 he gave up ballet and got involved in the art world. He opened galleries in New York, Paris, Milan, Madrid and Geneva. In his galleries, he represented artists such as Andy Warhol, René Magritte, Roberto Matta, Ed Ruscha, Jean Tinguely, Joseph Cornell, Yves Klein, Jannis Kounellis, Takis, Victor Brauner, Jules Olitski, and Niki de Saint-Phalle. In fact, he was the one who organized Warhol’s first and last shows (during the artist’s life) in New York. Known for his exclusive representation of the major European Surrealists in the United States- primarily Max Ernst and René Magritte - Alexander Iolas helped to form more than one important collection.

Alexander Iolas built between 1951-1972 a 1,300 square meter (14,000 sq. ft) Attica-stylle villa on a 7000 square meter lot in Agia Paraskevi, a suburb of Athens. It was designed and built by the Greek architect Dimitris Pikionis, along with artist Yiannis Tsarouhis. There, he started exhibiting his collection, together with ancient Greek and Roman antiquities.

In his last years, he tried to donate the villa along with his whole collection to the Greek state, however the government at that time though denied the deal. Iolas died in 1987 and his villa became property of his heirs who sold it to a real estate developer. The construction plans however, were held up by the Ministry of Culture that marked it as a site of Greek cultural heritage in 1998 and promised to acquire the villa from its owners. Since then, no progress has been made and the property has remained abandoned.

The villa nowadays has been heavily vandalized and most of his collection of art works have been stolen or dispersed. A part of the collection had been already donated by Iolas himself to the Macedonian Museum of Contemporary Art. The only items that remain in the villa today are artefacts too heavy to take away, like roman columns and other marble vanities.

On 25 May 2017, Sotheby’s London will offer at auction a selection of paintings, sculpture, furniture, prints and jewellery formerly in the collection of Alexander Iolas, the twentieth-century art dealer whose legacy is credited with defining the careers of the leading artists he championed. From mounting Andy Warhol’s first and last gallery exhibitions and introducing an American audience to Surrealism, to shaping the careers and movements of those with whom he forged personal and lasting friendships, Iolas played a vital role in the post-war art world. Over 150 lots will be offered for sale, with estimates ranging from £100 to £150,000.

Georgina Gold, Senior Director, Sotheby’s Impressionist & Modern Art Department, London: “In many ways, Alexander Iolas lived a surreal life, and in constantly looking to the future and to the past, he was a Janus-like figure whose imprint on art history should not be underestimated.”

Iolas nurtured connections among artists, gallerists and collectors through his international network of galleries in New York, Paris, Milan, Geneva and Madrid, and collaborations in Rome and Athens. He was a renowned perfectionist and his attention to detail when staging exhibitions was fastidious. Each show was much like a performance for him, a fitting analogy considering his early years as a ballet dancer who toured internationally with Theodora Roosevelt and the Grand Ballet du Marquis de Cuevas.

“Each exhibition is like the premiere performance of a ballet,” he told the art historian Maurice Rheims in 1965. “I await the audience, I perform. I don’t consider the gallery as a commercial occupation. It’s a purely artistic occupation. An exhibition has to be a ballet, decorated by Yves Klein, by Max Ernst. It’s a show in which the audience members are the dancers, and the scenery is made by the painter.” Iolas was born in Alexandria, Egypt, in 1907, into a family of wealthy Greek cotton merchants. Although his parents wanted him to enter the family firm, Iolas defied familial expectations, recalling later that, “they could not take me away from the arts. I didn’t want to become a cotton dealer, not even a rich cotton dealer.”

During his time as a celebrated dancer on the ballet circuit, he developed his eye for art. An encounter in Paris with a painting by Giorgio de Chirico hanging in a gallery window was transformative, in effect sealing his career path as an art dealer. “I was drawn to the picture as if by magic,” he recalled.

Retiring from dance in 1944, Iolas was active in his career as a dealer for 35 years, between 1945 and 1980. He served as the director of the Hugo Gallery in New York for a decade before going on to open his eponymous galleries around the world. Unfairly overlooked in the roster of influential twentiethcentury art dealers, including Ileana Sonnabend and Leo Castelli, in recent years Iolas has been hailed as the “proto-Gagosian” of his day at the dawn of the era of the mega gallery and the celebrity artist.

Iolas had a talent for friendship, maintaining close relationships with some of the most prominent cultural figures of the time, including Warhol, Max Ernst and Rudolf Nureyev (with whom he danced in a Milanese street). His devotion to artists was unwavering, and he came to regard them as his family. Iolas not only extended the hand of friendship and financial support, he also played an important role in the creation of their artistic output, inspiring ideas and themes. From de Chirico, he commissioned costumes and set designs for a ballet production in Athens; in the mid-1980s he proposed to Warhol that the artist create a series of works based on Leonardo da Vinci’s ‘The Last Supper’ for an exhibition in Milan, a project Warhol relished. He was even one of the few people at the time to fully embrace Picasso’s late paintings, when these works by the artist were undervalued and unappreciated by all but a discerning few.

Iolas staged pivotal exhibitions of new work by Ernst and René Magritte, but also by Victor Brauner, Dorothea Tanning and Leonor Fini. He fostered the talents of artists such as Lucio Fontana and Claude Lalanne, and also connected with the Pop sensibility of Ed Ruscha and the eroticism of Takis, giving shows to both. His eye was informed by intuition, he said, rather than commercial considerations.

The bond between Warhol and Iolas was to prove unbreakable. They met in New York in 1945 when the young illustrator was just 17. By 1952, Iolas gave Warhol his first gallery show: ‘Fifteen Drawings based on the writings of Truman Capote”. The two continued to work together closely until their deaths, only months apart in 1987. Just as Iolas hosted Warhol’s first gallery exhibition, he would also host his last, commissioning a series of works, coincidentally but somewhat poetically based on Da Vinci’s the Last Supper. In Adrian Dannatt’s words, “Andy worked with many other dealers, but Iolas had a special place.”

Warhol produced several portraits of Iolas, testament to their enduring friendship. The gallerist can be seen in a 1972 diptych portrait, where he fades and appears through smudges of silver acrylic paint. Again, in 1974, Warhol immortalised Iolas in a portrait, against a proud blue background, in which Iolas stares straight at the viewer.

Quoted in Interview magazine in March 2014, Adrian Dannatt and Vincent Freemont – who collaborated on the exhibition that year at the Paul Kasmin Gallery in New York, ‘Alexander the Great: The Iolas Gallery 19551987’, of some 40 works by artists Iolas worked with during his lifetime – describe how Iolas cut a swathe through the art world with his flamboyant persona: “he made up for [his small stature] by wearing shoes with Cuban heels, outlandish furs… if you saw him you would stop and go, ‘Wow, who is this person?’”

His professional achievements were often attached to extraordinary stories – possibly apocryphal – and a legend formed that was in part of his own making. It was said that he had married Theodora Roosevelt to attain a Green Card and that curls of his hair were made into false eyelashes for Marlene Dietrich.

Michel Strauss, former Head of the Impressionist & Modern Art Department at Sotheby’s London, recalls visiting Iolas in 1979: “He opened a drawer which was full of Cartier watches, pulled one out and gave it to me. He had a big drawer full of those watches, which he handed out to his friends like sweets.”

In later life, having closed all but his New York gallery, Iolas concentrated his energy on his home, a marble palace that he built in an unprepossessing working class suburb of Athens. It was, in a way, his last gallery, a domestic space filled with the art that he had loved throughout his career and furnishings that complemented his flamboyant demeanour.

Iolas returned to New York, the setting of many of his greatest triumphs, and he died in Manhattan in the summer of 1987. The New York Times noted that he would be remembered as a dealer who could convince a client with “his hierophantic manner, his often sensational mode of dress and his mischievous and sometimes irresistible charm.”

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