#cast conversion

[thestuffedalligator]

My brother-in-law has a Thing where he gives me increasingly rare copies of The Bee Movie and it’s long since gone from “Goofy running gag” to “I don’t know how much money he’s willing to commit to this bit and it Scares Me.”

Where the fuck can we go from here

[castorochiaro]

the most attractive traits you can give a fictional man:

good with kids

good cook

fat

[gunsatthaphan]

4 boys, 1 braincell 😌🧎🏼‍♀️

[ohithankyou]

[enitsirk]

hot ladies who can fight and are squatting at a dead womans castle

[travelling-hydaelyn]

it's just light murder

[c1trvs]

what yall say fuck me for?

[hotdaemondtargaryen]

FABIEN FRANKEL AND MATT SMITH DISCUSS THEIR CHARACTERS FOR FORBES MAGAZINE.

frankel talking about criston and daemon:

“They both have a great kind of violence inside of them, and they’re good at it.”

“So, with that kind of mindset, you’re therefore drawn to putting yourself in situations where you can let that violence out, to some extent.”

“I think they’re also kind of both suffering great loss.”

“I think weirdly for Criston, it’s like his loss of freedom.”

“I think once he left being a solider and became a member of King’s Landing, he lost his freedom in his head.”

“Then obviously for Daemon, it’s his brother - loss and violence, I suppose.”

matt smith added:

“I would sort of echo those sentiments, really.”

“I think strangely, as well, when you look at them, they are both at times - they are both kind of frightened little boys, aren’t they, without any real guidance.”

while seated beside frankel during our conversation, matt smith said to his house of the dragon co-star:

“You never really hear about your sort of family back home at all, do you?”

“Perhaps they were quite isolated as young people.”

“There’s a scene in the first season where [our characters] get together and there’s a mini sort of standoff, and I think there’s a recognition in them both that they’re probably more similar than they let on.”

matt smith on daemon targaryen in s2:

“Well, I don’t really judge his decisions too much.”

“I just try and engage in the behavior as truthfully as I can on behalf of him, so to speak.”

“I don’t think, ultimately, he’s very interested in power.”

“I think he’s more interested in chaos and disorder and the thrill of - I don’t know, it’s like being on a jet ski with an axe in your hand, riding towards an army.”

“He lives for whatever that feeling is, if you could kind of bottle that up.”

“When he’s not feeling something akin to that, he just causes problems.”

“He’s outlandish.”

when asking frankel for his thought process as an acting partner with olivia cooke during those heated scenes, he said:

“I don’t want to speak too much to sort of what Olivia and I have spoken about, because I think that it’s for the audience to decide what they see as the sort of justification for the relationship - be that the genuine love or infatuation, or whether it’s a strategic move on either of their parts, because there’s benefits for both of them, I suppose.”

“What I will say is those scenes, in general, really come down to having an amazing director and Clare Kilner, who helmed sort of the majority of mine and Olivia’s kind of romantic-type scenes, made that such a collaborative experience and such an easy one.”

“Thankfully, Olivia is a great friend and very easy to work with.”

i was curious as to what smith and frankel would say to their somewhat enigmatic characters, if only they could.

instead of answering for his own character first, smith jokingly said of frankel’s criston:

Well, I’d go up to Criston Cole and I’d go, ‘Mate, you need to change your wardrobe. You’re always in that.’

frankel added with his message for criston:

“I think I’d say - take a holiday, son.”

“I think he’s just like been - he needs to get out of there for a moment.”

“That trip to Essos sounds pretty lovely, really.”

“Get himself some fresh oranges and make a mimosa.”

matt smith concluded:

“I’d say to Daemon - have you thought of going dark?”

“Hair color, really.”

“Have you thought of a ‘new hair, new you’ sort of thing?”

“It might change your perspective.”

[flanaganhorror]

GRAVE CONVERSATIONS with David Dastmalchian

[cosmicquilt]

Practicing piercings with Chuuya

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[sunflowerhythm]

finally have time to make Tay new expression pack from SAG-AFTRA😁

[castorochiaro]

not ignoring canon nor strictly adhering to it, but a secret third thing (taking the small bits and crumbs canon barely spent time developing and running absolutely hogwild)

[justjensenanddean]

Jensen Ackles (and Nathan Mitchell) | A Conversation With The Boys Cast [x] 

[heybiji]

In reference to the last ask you posted! Do you mind going over your tips on role-playing as that active-type character and/or digging up the thread of conversation it seems the original asker was referring to? I'm so interested in your experience role-playing for both prep in possibly joining a game someday and also bc it sounds like such good character creation and general writing advice!!!! I tried checking you blog but didnt turn up anything that touched pn it more (No worries if not though!)

Sorry for this late response!

My advice is make characters that create opportunities for story.

Reacting to a story is fun! Reacting to a character is fun! But if you're always reacting then you're creating opportunity for other characters to react, so sometimes you gotta Act to let the other characters and the story React.

To do this, characters should all want something. And not something vague (like "to be happy"), it should be something more tangible, more specific, and everything else can stem from there. It'll guide your character naturally. It's their Motivation.

More under the cut (or skip to the end for more standard advice)

For example, my dnd character Dandelion wanted more than anything to go home. "Going home" meant a lot of things, yeah it means being happy, it means he wants to be with his family, it means he wants to be loved, it means he wants to feel safe, it means he wants to belong somewhere, but the tangible idea is "go home."

Because I knew this is what he wanted most of all it guided all his actions, and his actions for better or for worse all made sense because of it (and I made it clear that was what he wanted "on-screen" on multiple occasions). So anything that involved the idea of getting home would activate him, and he'd also deeply empathize with anyone and anything else away from home/away from family. Giving him one strong, clear motivation instantly made him an active participant in the story. This made him active with other characters too, any mention of home, any mention of family, any idea of not belonging, it drew him toward them.

(as a DM now this is also what I need more than anything, what's your hook? how can I tempt you? how can I make your character move forward? how can I make your character react? also characters that create opportunity for story take a LOT of work off the DM's shoulders in my experience, it shows you're engaged and it feels less like dragging a cat around on a leash haha like "are you enjoying this? do you want this? i don't know! please give me something!")

my more standard advice?

Be a good listener

Be present (in the moment)

Be curious

Be the biggest fan of all the characters

Put your story on-screen frequently, give people the opportunity to react to it and join in on it (this can be as simple as "my character's body language changes at the mention of 'home')

Create opportunities for the other characters to have their story on-screen (ask them questions! if you know what the character's buttons are and it makes sense in the moment, press them! listen to what they're saying, pay attention to what they're doing, and react to it)

Interact with the world! Interact with each other! And make these things mean something to your character!

Your character should make mistakes. Mistakes create opportunity for everyone.

If there's a genre, or theme, play toward them earnestly.

The more you RP, the better you'll get at it! It's a process and that's okay!

my little tip for knowing whether your character is Active vs Reactive: if the story were a musical, do they have an I Want song? do they have multiple moments for songs within the narrative? have they shared a duet with another character? do their songs change, evolve? songs happen for important moments in a musical so if you're not contributing to important moments, it may mean you're reacting more than you're acting. which is fine if you're playing a game solo and are granted access to the narrative by virtue of being the designated main character, but because RPing is collaborative storytelling, everyone should be doing their part!

[jinxed-sinner]

Headcanon: Alastor doesn't like speaking French unless he's close to everyone in earshot. He isn't fluent, and he's heard Angel speak fluent Italian a few times and he's heard Husk speak multiple languages fluently, so the fact that he isn't fluent in French is an insecurity of his and he's afraid of being teased or mocked for it.

Additional headcanon, apparently both Husk and Angel are fluent in Italian. They've had multiple conversations in Italian, much to the irritation of everyone else who doesn't speak Italian lol