#cast conversion

[thestuffedalligator]

My brother-in-law has a Thing where he gives me increasingly rare copies of The Bee Movie and it’s long since gone from “Goofy running gag” to “I don’t know how much money he’s willing to commit to this bit and it Scares Me.”

Where the fuck can we go from here

[castorochiaro]

the most attractive traits you can give a fictional man:

good with kids

good cook

fat

[atrophiedemotion]

feeling kind of sick over the fact that till might've been trying to gift a flower crown to ivan (like all the other kids seem to be doing) and ivan destroyed it because he knew they were cameras. blatant and almost unavoidable miscommunication is the basis of their relationship and this really hammers the nail in.

till giving ivan the flower crown as a sign of affection or friendship, ivan destroying it because he doesn't recognize what it means & is squarely focused on making sure they're not monitored, till being visibily very hurt by it (he looks more hurt/betrayed than angry imo) and retaliating with his usual way of self defense, violence. ivan enjoying till's full attention/physicality during the fight and aiming to get as much as possible because he can't even fathom till wanting him in any other way, even though he was just shown proof otherwise.

[gunsatthaphan]

4 boys, 1 braincell 😌🧎🏼‍♀️

[travelling-hydaelyn]

it's just light murder

[c1trvs]

what yall say fuck me for?

[hotdaemondtargaryen]

FABIEN FRANKEL AND MATT SMITH DISCUSS THEIR CHARACTERS FOR FORBES MAGAZINE.

Frankel talking about Criston and Daemon:

“They both have a great kind of violence inside of them, and they’re good at it.”

“So, with that kind of mindset, you’re therefore drawn to putting yourself in situations where you can let that violence out, to some extent.”

“I think they’re also kind of both suffering great loss.”

“I think weirdly for Criston, it’s like his loss of freedom.”

“I think once he left being a solider and became a member of King’s Landing, he lost his freedom in his head.”

“Then obviously for Daemon, it’s his brother - loss and violence, I suppose.”

Matt Smith added:

“I would sort of echo those sentiments, really.”

“I think strangely, as well, when you look at them, they are both at times - they are both kind of frightened little boys, aren’t they, without any real guidance.”

While seated beside Frankel during our conversation, Matt Smith said to his house of the dragon co-star:

“You never really hear about your sort of family back home at all, do you?”

“Perhaps they were quite isolated as young people.”

“There’s a scene in the first season where [our characters] get together and there’s a mini sort of standoff, and I think there’s a recognition in them both that they’re probably more similar than they let on.”

Matt Smith on Daemon Targaryen in S2:

“Well, I don’t really judge his decisions too much.”

“I just try and engage in the behavior as truthfully as I can on behalf of him, so to speak.”

“I don’t think, ultimately, he’s very interested in power.”

“I think he’s more interested in chaos and disorder and the thrill of - I don’t know, it’s like being on a jet ski with an axe in your hand, riding towards an army.”

“He lives for whatever that feeling is, if you could kind of bottle that up.”

“When he’s not feeling something akin to that, he just causes problems.”

“He’s outlandish.”

When asking Frankel for his thought process as an acting partner with Olivia Cooke during those heated scenes, he said:

“I don’t want to speak too much to sort of what Olivia and I have spoken about, because I think that it’s for the audience to decide what they see as the sort of justification for the relationship - be that the genuine love or infatuation, or whether it’s a strategic move on either of their parts, because there’s benefits for both of them, I suppose.”

“What I will say is those scenes, in general, really come down to having an amazing director and Clare Kilner, who helmed sort of the majority of mine and Olivia’s kind of romantic-type scenes, made that such a collaborative experience and such an easy one.”

“Thankfully, Olivia is a great friend and very easy to work with.”

I was curious as to what Smith and Frankel would say to their somewhat enigmatic characters, if only they could. Instead of answering for his own character first, Smith jokingly said of Frankel’s Criston:

Well, I’d go up to Criston Cole and I’d go, ‘Mate, you need to change your wardrobe. You’re always in that.’

Frankel added with his message for Criston:

“I think I’d say - take a holiday, son.”

“I think he’s just like been - he needs to get out of there for a moment.”

“That trip to Essos sounds pretty lovely, really.”

“Get himself some fresh oranges and make a mimosa.”

Matt Smith concluded:

“I’d say to Daemon - have you thought of going dark?”

“Hair color, really.”

“Have you thought of a ‘new hair, new you’ sort of thing?”

“It might change your perspective.”

[marzipanandminutiae]

to the helpful bookstore employee who cheerfully called out, "she's in the horror section!" when I said "they don't even have any Shirley Jackson?!" to a friend over the phone (in General Fiction) (also in a rather disgusted tone):

just know that that will forever be one of the moments my brain replays to embarrass me as I'm trying to fall asleep and I am so sorry

[flanaganhorror]

GRAVE CONVERSATIONS with David Dastmalchian

[wizardsix]

local guy claims intellectual superiority by declaring people who criticise veilguard just haven't played long enough and don't really know what bad writing is. it must be very peaceful to have such an empty head.

[zabiume]

in fact, academy!rukia and HM!orihime are so similar, no wonder rukia took to her so quickly - to the point where ukitake even remarked about it. the obvious choice for that scene would have been ichigo, her established protégé, but it's orihime that kubo singles out as a way to show rukia's own maturity and development. she's not that girl anymore, and her mentoring orihime is a sign of her growth! rukia understands orihime, and she has such a tenderness for orihime that's very similar to rangiku's own attitude. there's this very "gosh, you're so silly (affectionate)" vibe both rangiku and rukia give off around orihime - not in a patronizing way, but in a "this is what growing pain feels like, trust me, i've been there and you'll laugh at yourself in a few years" way. i imagine that, as a teenager, orihime feels very embarrassed about feeling the things she feels (and all her feelings are so Big and Out There in a way that feels so difficult to hide), but having the wisdom of older women guiding her must have felt so comforting.

and this is especially fun to see with rukia, because while rukia's yell-and-motivate approach works with ichigo, it notably...doesn't with orihime. she has to use a more empathetic, gentle approach. and while rukia did "train" ichigo, the extent of her training was pretty much the equivalent of reading off the training manual. ichigo's journey as a shinigami was so wild and unexpected that there really was very little rukia could have prepared him for. but, even if we don't get a detailed look at her training with orihime, you get the sense that it's more formal, more serious. rukia is doing actual combat training with orihime, something she's never done with ichigo (and maybe never had to, considering his crazy growth spurt and learning-as-he-goes approach). and, unlike ichigo, you get the sense that rukia and orihime's methodology is more precise, practiced. ichigo is all energy, burst burst burst, straight-to-bankai (which is funnily/ironically more similar to renji's approach). but kido-user rukia, whose zanpakuto involves meticulous technique and even choreography, seems like a better fit as a mentor for someone like orihime, who is just as contained (see: other characters comparing her technique to kido; that one time she created a perfect sphere at kukaku's house – and was praised for her control). rukia not only supports her emotionally, she trains her in combat, which is not something we've ever seen her do. for her to take orihime to her own home, invest that much time and energy into orihime's learning...no wonder ukitake was surprised. it's the first time we've REALLY seen what rukia can be as a slow and patient Mentor and not just the girl who stuck a sword in a boy's chest and has to stick around to ensure he doesn't fuck things up because he accidentally "absorbed" all her powers. this is not to diminish ichigo and rukia's importance to each other, but neither of them chose or intended for things to be that way at the start. orihime and rukia's friendship is more intentional, more kind, because orihime isn't a stranger to rukia anymore and rukia isn't a stranger to orihime. i always think about that one scene where, after ichigo promises to protect orihime, orihime accepts ichigo's feelings, but she also turns around and thanks rukia/welcomes rukia back, as if rukia is just as essential to that moment, in orihime's head. as if rukia is just as essential to her as ichigo is.

[seafoam-taide]

theyre so fine and not having a bad time at all + arent even a little bit haunted by the past

[cosmicquilt]

Practicing piercings with Chuuya

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[sunflowerhythm]

finally have time to make Tay new expression pack from SAG-AFTRA😁

[secriden]

And you know I bet Joong means this with his whole entire chest, because let me tell you what skin on skin contact is like in a tropical country with like 100% humidity level and ~30+ degree heat nearly all year around: it's TERRIBLE so yeah.

I bet you hated that, Joong.

Like, there's fully an aircon in the room this scene is being filmed it but its blatantly not. even. switched. on!? *shudders*