#casper root

[episims]

Aurora "-I had scheduled to work on the rocket. But, um, it's okay. We can talk for, hmm, ten minutes-"

Aurora ...I can't confirm precisely how high it'll fly without pressure sensors. But the teacher said it would be 'too much'. I'm not sure what he meant? Hmm. The next time Casper calls, I remember asking if it's allowed to use sensors in high school science projects...

[hattafan2593]

For @mpsansy

[in-spain-without-an-s]

casper is sweating so bad, there’s no point in keeping that shirt on.

[iguessricciardo]

can’t believe we as a society allowed an abuser to reach the final twice in a row

[nancywheeeler]

i can't believe it's so tayover for taylor fritz when taylor swift is in the house supporting him

[thatuselesshuman]

Yk online I'm generally a non-confrontational and kind person but irl I'm an Olympic level hater. My ENTP roots shine through in the fact that I can look at a person for 0.2 seconds and immediately have ammunition to put someone in the ground

[knightsofrayx]

because @daisychainsandbowties loves blood so much... a little something from Luminous Beings Chapter 2

"She felt it strike the side of her head and whip her face down onto the toe of a trooper's boot. Her lips - both of them - split open, splashing blood up onto the greaves of the trooper all the way to his knees."

[episims]

Casper ". . ."

Aurora "Um... are you angry at me?"

Casper "Why would I be? You just know everything."

Aurora "I don't know everything. I just remember things easily. Dad says it helps with learning, but that understanding is more important than remembering."

Casper "...Whatever. It must be still nice to remember all those things."

Aurora "Sometimes it's nice. Sometimes, um... the teacher says I should let others reply, too. But when I remember something it's not easy. And I remember a lot of things..."

Aurora "I think that might be why no one talks to me during breaks. Maybe they're annoyed that I don't let them reply...? And um, things that interest me don't seem to interest anyone else. Others usually talk about toys and clothes and games, so I read books alone. I like reading, but—you play with others all the time! Is it fun?"

Casper "I guess. Depends on who's playing. I, uh, thought you just didn't want to play with us?"

Aurora "I don't know. I'm not good at playing... maybe others wouldn't like me to join."

Casper ". . . I'm sorry that I called you a smartass."

Aurora "It's fine. Um. If you want, I can teach you some memory tricks. I read a book that says it's possible to learn them."

Hanna "Positive; it says right here that techniques for organizing or associating information can be learned. So that it's easier for the brain to process!"

Casper "Okay. And, uh. I can teach you some plays if you want?"

Aurora "...I'd like that."

[dracimexidae]

So yeah since Jasmine and Sara are out of the Finals 😢, I'm left with the BJK Cup and then i'm basically on vacation myself from tennis (as for the more engaged and "stressful" part of watching matches😝- honestly it's "exhausting" being a fan a pause is definitely needed phew 😮‍💨🤣)

[in-spain-without-an-s]

my favorite is casper. casper is my favorite. won’t change.

[iguessricciardo]

losing a set 6-1 in the final…. we used to be a proper country

[moondvncer]

so, since I got all the achievements, here's how to get all the achievements and endings on "a date with death" under the cut!

ALL ENDINGS:

ending 1, semi bad ending. It's honestly the fastest to get. Choose whatever answer you want for the first two days, but during the soul connection on day 3, choose the panicked options as in: “Grim… ma—maybe this is a bad idea…”, and then “I… I think something’s wrong… this doesn’t feel right…”, then “Please… stop…”. The story will finish and you'll get the achievement.

ending 2, you lose the bet (bad ending). Be distant and dismissive, and pick more negative choices throughout the game, don’t water your plant on any of the days. don't open the window to get the flowers until it's your only choice when he shows up with the bouquet, then on day 6 choose: “Vaguely, yeah.” just before the first call, and “I don’t mind. I’ll take the sickness. The taint.”. The story will go on and you'll get the achievement.

ending 3, you win the bet. Be flirty all the way through, do your worst girlie, on day 6 choose: “You really know how to sweep me off my feet.”, “You’re cute. Cute and stupid.” and “How do I stop? What if I give it all away?!”. Once the story is completed you'll get the achievement and a super cute CGI of Grim.

ending 4, dual reapers. Since it's the DLC ending, it doesn't give you an achievement. If you decide to buy it, just choose DLC choices throughout the game, you'll recognise them immediately because there's a ★ next to them, for example: "Do you like me, Casper? ★"

ending 5, wedding. As soon as you suggest what's going to happen if he loses the bet, choose "Your hand in marriage." Joke about a wedding if given the change within the next day. On day 5, choose: “Want to meet the in-laws, Grim?”, and on day 6, choose: “I feel touched!”, and then, “How about a shotgun wedding?”

ALL ACHIEVEMENTS

First Chance at Death: this achievement will pop up as soon as you are finished creating your MC.

The First Day[...] The Sixth Day: you get these achievement as soon as you complete your day in game.

My Little Baby: interact with the pet you choose.

Serenity: water the plant on your bedtable, once is enough for this achievement.

Blooming Flowers: you'll need to water the plant once every day. It's easier if you do this while following any of the good endings.

Untrustworthy: you'll get this achievement once you get ending 1.

Take My Soul: you'll get this achievement once you get ending 2.

Dead Roots: do ths while going for ending 2, don’t water the plant at all. check on it on day 6 and on the last day before chatting; if you click on it by mistake during the previous days, choose not to water it.

Sealed with a Kiss: you'll get this achievement once you get ending 3.

Our Wedding: you'll get this achievement once you get ending 5.

Eavesdropping Champion: interact with the door every single day, and always choose to eavesdrop.

Patience: wait for the very last day. check your Internet browser in game before starting the chat with Casper, and wait for about a minute with the browser open! you'll see a white screen and the text changing from something like "there's nothing here" to "okay, click here to get your achievement", you click on the text and it's done!!!

I really hope this was helpful!!

↳ ☆  “a date with death: beyond the bet” walkthrough

[venussaidso]

Nodal Dominant Themes — 𝐍𝐚𝐤𝐬𝐡𝐚𝐭𝐫𝐚 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬 𝐩𝐚𝐫𝐭 12

Ardra, Swati, Shatabhisha embody Rahu qualities to the fullest. Breaking boundaries, whether they mean to or not, refining or rebuilding themselves by the way they absorb Maya (illusion), being thrown into foreign lands to create, explore and challenge existing paradigms. The ultimate mastery of Rahu nakshatras lies in recognizing that Maya is not the goal, but the process of refinement. This is shown in the natives' urge to learn, apply and cultivate something for themselves. This means that their initial stages have a lot of lack, and that's where that hunger to achieve and receive comes from. They'll take on challenges if it means there's an opportunity to fulfill themselves. In these following examples, the Rahuvian character is often given an opportunity to enter higher societies, usually through a job, a scholarship or from meeting the right person in the right time.

Swati Sun Julia Roberts, in Pretty Woman, plays a poor, sex worker who enters the high society through a billionaire and becomes 'refined'. Despite her glow up, her authenticity still contrasts with the pretentiousness of the high class social circle she finds herself in, challenging their perceptions of worth and class.

Much like Pretty Woman, in the film My Fair Lady, the Rahuvian meets a snobbish phonetics professor who wages that he can make her presentable in high society.

In the film Khoobsurat, Shatabhisha Moon Sonam Kapoor Ahuja plays a quirky physiotherapist who is ill-mannered and boundless. She is given a once-in-a-lifetime opportunity to work for a royal family. There, she meets a handsome young Rajput prince who is her complete opposite (given that he is portrayed by a Mula Moon native, Fawad Khan, who adheres to the customs of his background, bound by his roots).

Despite their different social classes, the royal family learns a lot from her authenticity.

This theme of outer duality in which the native crosses over to a whole new world different from where they originally came from centers a lot around the 'poor vs rich' dynamic in these modern examples — exploring classism, elitism and other societal divisions which make outsiders.

As I briefly gave examples in this post, Shatabhisha can be linked to Cinderella. Which means that trine nakshatras can also inherit this theme of person from poor background falls in love with person from wealthy background. As shown in that post, the union is often with a Mula native. It was expected to find these Rahu-Ketu connections, as the nodes are always one with each other. Their themes can overlap, which I'll be going more into further down this post.

The Mula CEO also comes from old money.

Rahu thrives on venturing the unknown and embracing the unconventional, often shown in the trope of one falling in love with someone alien.

This otherworldly love is seen in Pirates of the Caribbean: On Stranger Tides, where a Rahuvian sailor falls in love with the mermaid, Syrena. Mermaids are captured and exploited by humans — immediately we see this theme of division. And unlike the other humans, he treats Syrena with respect and equality.

Syrena is portrayed by Mula Moon Astrid Berges-Frisbey, while the sailor is portrayed by Ardra Sun Sam Claflin. In the end, Philip becomes a merman and lives with Syrena underwater. This transformation that the Rahuvian goes through in order to unite with a lover of another species is also seen in the film Lisa Frankenstein, starring Shatabhisha Moon Kathryn Newton — although it's more in a Romeo-&-Juliet style.

The Rahuvian character, Lisa, falls in love with Creature, who is a living corpse portrayed by Magha ASC Cole Sprouse. Lisa kills herself in a tanning bed to join the Creature in death. Their union shows her alive, but mummified.

This theme of one overcoming the obstacle between them and the person they desire is seen yet again in the film Casper (1995). A girl, played by Magha ASC Christina Ricci, meets a ghost named Casper, who falls in love with her. Casper is voiced by Malachi Pearson who has potential Swati Moon. Casper's one wish is to be human again so that he can win her heart.

His wish is fulfilled but he can only be human up until midnight. His human form is portrayed by Swati Moon Devon Sawa.

In the Korean drama, Are You Human?, Shatabhisha Sun Gong Seung-yeon plays a bodyguard who is given an opportunity to protect an advanced humanoid whom she falls in love with. Another abnormal, interspecies relationship.

The humanoid is the clone of an heir of a rich conglomerate. The heir is portrayed by Magha Moon native Seo Kang-joon – him being born into wealth contrasts with her being brought up from a poorer background; we see this theme again of a cross over between two opposite worlds as she gets romantically entangled with him.

A lot of these pairings show Rahu's need to break taboos and seek authenticity over conformity, as these unions tend to be abnormal in a discriminatory society. As illusory as Rahu is by nature, it highlights the illusions within society and the challenges that come with it.

Rahu seeks to challenge conventions, forcing individuals to confront their biases, embrace diversity, and explore love in its most expansive ways; while Ketu can be detached from society in general, already transcending or dissociating from it altogether.

Now extending the old money archetype into this, we can see Rahuvians embodying this shabby, nonconforming, rough-around-the-edges, transformative archetype who'll be on the opposite end. As Ketu symbolizes the past, ancestral roots, tradition, the old way of doing things; Rahu symbolizes the future, foreignness, pursuit, a new way of doing things.

Old money often means adhering to strict family rituals, customs, and expectations. There's an expectation for the wealthy to marry their own, maintaining a cultural practice that has existed for centuries, a theme of Ketu as it means to preserve the past. But Rahu comes in as a disruptor, changing rules that seemed absolute, causing more confusion and tension. Rahu often seeks unity, even with our all differences.

Rahu and Ketu are always 180 degrees apart in a chart. This gives an understanding to how they're always on opposite sides of the same coin. So their union in these media examples often come with resistance and chaos.

The story of Romeo and Juliet is about a star-crossed love stuck in this push-&-pull between tradition and breaking free from tradition.

Rahu is symbolized as the head of a dragon, while Ketu is the tail. Together they remain in this endless chase, their nature defined by longing and separation. Maria and Tony from A West Side Story mirrors this nodal dynamic, as it's based on the classic Romeo and Juliet. Just as the nodes themselves are forever trapped in opposition and in an eternal chase, these lovers remain trapped by their differences. Their love and lives are destined to be cut short, signifying the impossible union between the opposing nodes in these forbidden love stories.

The tragic ending of Maria and Tony’s story reflects the inevitable nature of the nodes. In both Romeo and Juliet and A West Side Story, we see the power of love transcending societal barriers, yet this love is doomed by the very forces it seeks to overcome.

Another pair of this nodal influence (Ketu-Ketu), with this exact theme, is Mavis and Johnny from the animation Hotel Transylvania. Mavis is voiced by Ashwini Moon Selena Gomez, and Johnny is voiced by Magha Sun Andy Samberg. Mavis is a vampire and Johnny is a human. Their worlds should never have had a crossover to begin with. But Johnny, being Magha, feels a sense of belonging with these monsters and Mavis instead of fearing them (a nod to the Mula archetype and Beauty-&-the-Beast trope, which, as I've stated before, can also manifest itself as Ketu-Ketu instead of Ketu-Jupiter... much like Belle and Rumpelstiltskin from Once Upon A Time, Belle being played by Mula Sun Emilie de Ravin and Rumpelstiltskin portrayed by Ashwini Sun Robert Carlyle — the show's own Beauty & the Beast).

Though light-hearted and comedic, their union was forbidden as monsters and humans should be kept apart to their own worlds due to past conflicts. Mavis' father, Dracula, goes to great lengths to separate the two, but then he realizes that their love is genuine and overcomes his prejudices.

The theme of letting go touches on Ketu's tendency to sever ties, signifying the lesson of how temporary things are, including love. As Mars also rules Ashwini nakshatra, there can a theme of loss.

Connecting Orpheus to Ashwini, so much of this nakshatra's themes are highlighted in this Greek myth. Ketu is associated with nature, animal caretaking, and taming wild beasts. This is seen in Orpheus's ability to charm animals, move trees and rocks, and even change the course of rivers, through his music. Music has been known as a form of comfort and healing, and Orpheus' music is so powerful that it hypnotizes wild beasts, even influencing Hades, the ruler of the underworld.

The mythological character loses the love of this life, Eurydice, and he is unable to accept her death. He becomes so desperate, filled with grief and fear, that he descends into the underworld to get Eurydice back. As Ashwini can be driven by selfishness, severance becomes a major lesson in their journey.

The musical film Black Orpheus (1959) is directed by Ashwini Sun, Magha ASC Marcel Camus, a black Brazilian retelling of the tale.

In Jason & the Argonauts (2000), Ashwini Moon Adrien Lester portrays Orpheus. In the animation Hell and Back, *Ashwini Moon Danny McBride voices Orpheus. In 1960s The Giants of Thessaly, Massimo Girotti portrays Orpheus and he has Moon in Magha (trine nakshatra to Ashwini). This obvious connection of Ashwini to Orpheus takes me back to the ruling deities, the Ashwini Kumaras. Ashwini can be related to partnership, soulmates, connected minds. Here, there's a theme of inseparability yet the nature of the nakshatra forces severance. Back to the tale — With just the charm of his music, Orpheus is able to convince Hades to bring Eurydice back to life, only under the condition that Orpheus never looks back at her when they leave the underworld. Overwhelmed with so much love, he's unable to help himself, as he fails and looks back at her as they neared the exit. This is how Orpheus loses Eurydice forever.

Similar to Orpheus, the Twelfth Doctor from Doctor Who spirals into madness and desperation after the death of his close companion, Clara Oswald. The Twelfth Doctor is played by Ashwini Sun native Peter Capaldi. His Aries relentlessness and selfishness has him breaking the laws of time to bring her back, just like Orpheus breaks the natural order of life to get Eurydice back.

Clara Oswald is interestingly nodal herself, being played by Ashwini native Jenna Coleman.

YouTube video link

His journey through grief and his refusal to let her go mirrors Orpheus's determination to challenge the natural order of life for love. In the end, Twelve's memories of Clara get wiped out when he is forced to sever ties with her. Clara remains dead and so does Eurydice. This makes these pairs star-crossed, as Ketu reminds us of the inevitability of loss and separation. With Mars there, it makes it an obvious theme with Ashwini nakshatra.

Orpheus tried to get Eurydice back after her death by seeking the realm of the dead as a mortal being. He finds the cave that led to Hades and slowly descended into the Underworld. He sang to Cerberus, a terrifying, three-headed monstrous watchdog, able to tame and charm the beast so that he enters. This theme of entering portals to other worlds and dimensions tends to be associated with Ketu, and I find it interesting that I am particularly seeing the magic within Ashwini nakshatra.

In the 2008 film Jumper, Ashwini Sun Hayden Christensen plays a young man who can teleport himself anywhere and everywhere due to a genetic anomaly.

It is interesting that Ketu nakshatras also have this otherworldliness quality to them which is seen in having access to portals or dissociating into other realms. Although I have already explored this theme within the context of Anuradha nakshatra, there is still an undeniable nodal influence to it as I see these nakshatras frequently pop up in this genre of film.

Magha Sun Amy Adams' character in Enchanted falls into a well which is a portal to another world. In Alice in Wonderland (2010), Magha Moon and Swati Sun native Mia Wasikowska's character also falls into a portal to another world.

In the animation Caroline, Ashwini ASC and Shatabhisha Sun native Dakota Fanning voices a girl who finds a portal to another world. In 1953's Peter Pan, Ardra Sun Kathryn Beaumont voices Wendy who is taken to another magical world called Neverland by a boy named Peter Pan who's voiced by Shatabhisha Sun Bobby Driscoll. In 2003's Peter Pan live-action movie, Wendy is played by Ardra Moon Rachel Hurd-Wood, taken into this whole other reality of magic and wonder. In Hook (1991), adult Peter Pan is portrayed by Shatabhisha Moon and Swati ASC Robert Williams, the character a middle-aged lawyer from the modern world who returns to his magical origins. In the Korean drama Spice Up Our Love, Ashwini Moon Han Ji-hyun's character wakes up as the protagonist of the web novel she wrote. In the Korean drama W: Two Worlds Apart, Shatabhisha Sun Han Hyo-Joo gets sucked into a webtoon written by her father. There she falls in love with the protagonist who is played by Shatabhisha Moon Lee Jong-Suk, who gets gets sucked into her reality as well. In the Chinese drama Love Game in Eastern Fantasy, Mula Sun Esther Yu gets sucked into a video game novel as a supporting character. In The Wizard of Oz, Mula Moon, Ardra ASC Judy Garland plays a Kansas farm girl who is taken away in a tornado and ends up in the magical Land of Oz. In the series Emerald City, Ashwini Sun Adria Arjona is a Kansas nurse who is transported by a tornado to the Land of Oz. In the film Oz: The Great & Powerful, Ashwini Sun James Franco is a magician who is hurled away from Kansas into the wonderful land of Oz.

As Rahu is associated with illusions and exploring the foreign, we see this theme of escaping into simulations and dreamy worlds which one becomes absorbed in. This has been explored deeper within Swati nakshatra, which combines the arts and illusory tendencies of Rahu together.

The influence of the nodes often transcends the physical realm, embodying forces of spirituality, illusion and transformation together. But they both manifest differently in this theme. Rahu becomes absorbed in illusions (in form of the arts, simulations, imagination (ex. Peter Pan being the boy who is attached to Neverland because he never grows up — Neverland is an illusory place only found in the minds of children, this highlighting his attachment to illusions)); while Ketu tends to escape the material plane altogether, yearning transcendence and passing by realms to seek meaning and lessons.

In the film Meet Joe Black, Mula Sun Brad Pitt plays an otherworldly being who takes over the body of a man to experience Earth and be guided in the teachings & meaning of life. His very existence quite literally transcends time and space, which I relate to Ketu, as he is a mystery himself.

He is innately detached from human concerns like time, societal expectations, and permanence. But he falls in love with a human named Susan, who is also nodal-ruled, and his nature makes their connection doomed from the start. Susan is played by Mula Sun, Mula Moon native Claire Forlani. This making for another star-crossed pair because he can never fully participate in human life.

Going into the body-swapping trope, this calls to Rahu's desire to navigate a foreign perspective while Ketu seeks to transcend its rigid reality.

In the film Hot Chick (2002), Swati ASC Rachel McAdams plays a teenage girl who wakes up in the body of a 30-year-old male criminal played by Swati Sun and Ashwini Moon native Rob Schneider. In 1989's film Dream a Little Dream, an accident puts the consciousness of an elderly dream researcher played by Magha Moon Jason Robards into the body of a bratty teenager who is played by Mula Sun and Shatabhisha Moon native Corey Haim. Many more examples often include a Saturn nakshatra native as well, which I found very interesting. Hopefully I'll be circling back to that one day!

Rahu is thriving on the chaos of this trope since an entirely new identity is being explored (and lessons are learned as the social difference in one's gender, class, and even age tends to be highlighted for the ignorant one (Rahu essentially refining the native through this experience)).

The interaction of the nodes drive each other to a deeper understanding of life's illusions as it signifies letting go and refining oneself. In this little exploration, I got to understand that Ashwini is a romantic nakshatra which deals with loss and forced detachment due to Ketu. While Rahu nakshatras tend to be more romantic and igniting conflict in their pursuit of a love that's not right according to societal standards. This solidifies the image of the eternal chase of the dragon representing desire and detachment.

[void-botanist]

#per survived yayy!! #which is an extremely common thing with uep. some don't even know their second parent at all. Nid doesn't #<- I'm so curious Abt why that is

Oh boy I cannot resist an opportunity to discuss this. So, compared to all the other species, uep have weird reproduction. All of the sexual species (read: nonroots) reproduce the same way humans do. The rooted species (neriem and uep) both use this same rootstock-style reproduction, where there is no such thing as a male and female of the species. But while with neriem, having no sexes means reproduction is completely open-ended and any pair can reproduce, there are nine subspecies of uep and they can only reproduce with another member of their subspecies. Except that has nothing to do with how people form relationships, and it's extremely common for uep and neriem to be in relationships too.

Enter the central Tree Forest government.

The Forest runs the equivalent of a sperm bank for uep, but the end result is more like Tinder: they have a database of vetted uep who have applied to work as seeders, who are paid to be someone's second parent. Some people will choose a seeder parent from the database on looks or on vibes, but the preferred way to do it is to choose (or have the seeder department choose) based on their interests, because uep reproduction requires two uep to be rooted together in one place for some number of months (I haven't decided how long). So it's kinda important to not do that with someone you are likely to not like. Ultimately lots of uep have a parent they don't know, and that's normal. But there's a lot of possible permutations with this situation:

Nid doesn't know their seeder parent at all beyond the bio in the database. Casper raised them and did not keep in touch with their other parent.

Ellery knows his seeder parent, Kadelia - she lives on another continent with her husband and their sprout, who is El's half-sibling but who he considers a cousin.

Milo didn't really know Tem even though his mom kept in touch because Tem also lived on another continent. Some 40 years later, after Tem's husband died, they and Marietta ended up getting married.

It's also related to why many uep don't have siblings that they were raised with (Rae and Madge are exceptions - they had different seeder parents but were raised together by the same dad). Getting a seeder isn't the hardest process but it is a long one, along with the unavoidable requirement of being rooted in for months. Uep who are partnered are more likely to have multiple kids (like Tirias and Ari) but even then it's not that common. This is also a big reason that Nid and El keep putting off sprouting, because they have to get seeders.

Wrapped Scenelets No. 95: splits

I'm writing scenelets for (most of) my Spotify Wrapped top 100 songs. Here's number 95, Bad Moon Rising by Creedence Clearwater Revival.

━━━━━━━━ ⋆⋅☆⋅⋆ ━━━━━━━━

The Confluence leaves seemed to intensify the sound of the wind, clattering together in a way the conifers at home never did, and throwing around the weird storm light with their shadows. It was easier to look out the window than it was to keep watching what was happening six feet away, to keep waiting and waiting. Tem stole a glance back anyway. Marietta was still making small talk with the nurses, though it was getting bigger the longer it went on. Probably Tem should be talking too, pretending that all this was real normal and they weren’t that worried. But they didn’t feel quite like they were in the room anymore. The worry and the panic surrounded their mind completely, and they were getting through it by just not thinking about it too hard. Not thinking about how their roots were still locked into Marietta’s, and would be until their sprout, Milo, finally split off their combined rootstock, however many more hours that took. Not thinking about the brace around Milo’s tiny body, covering so much that it looked like per was just a metal can with limbs and a head, the only thing standing between per and all manner of infection and injury. Not thinking about what happened if the brace wasn’t enough, and despite the doctors’ confidence, Milo died when per differentiated. Just thinking about the strange foreign leaves. The strange foreign wind, and the strange foreign shape of the window. Just how this was their first, and Marietta’s, and if per died, they would have to get out of this job. There was no way they could brave it again after that. It was honestly a wonder they hadn’t passed out from the stress yet.

They were half-rehearsing a worst-case call to their husband when they felt an odd creaking in their roots. Turning back to the room, they found the nurses all crowding around Milo, and Marietta watching them. Milo’s roots were lifting up, shrinking back from the rootstock. When Tem could feel the bizarre sensation of Milo standing on their roots rather than as part of them, per eyes opened. They felt per wobble and their heart stuck in their throat. But the machine connected to per brace said that per was breathing. Now Tem was too, coming halfway back into reality out of pure relief.

━━━━━━━━ ⋆⋅☆⋅⋆ ━━━━━━━━

Scenelets wrapped taglist: @kk7-rbs

[riot-ghost]

So I've started a DP writing prompt and I don't know whether or not to finish it so I'll set my base ideas here and see if it hits.

Danny slammed his locker shut, kicking the metal door so hard that it crumpled like a can of soda, barely hanging on by the top hinge. The school was mostly empty, given that school was out regardless. But the remaining students were in a similar state as him.

The students remaining in the school were all in different stages of grief, really. The whole scene looked like something straight from one of Jazz's textbooks. Paulina was picking up her locker, talking with Star about Phantom. Denial.

Danny was the perfect picture of anger. Pure rage leaked from every pore. Star had only just passed bargaining, the mascara tear-stains from begging with her parents are enough evidence of that.

Dash sat against his locker across the hall, staring into blank space. Mikey sat in the cafeteria, head buried into the phone he'd gotten off of his parents.

All of Casper High was like this. Tucker sat next to Mikey, the vibrant screen glaring at his thick-framed glasses. Sam was trashing the art room, her angry screams heard from where Danny stood in the hallway. He'd gotten into his locker and was currently busy tears apart every picture he had with his parents.

What Danny really wanted to know, what all of the students did, was why. Why was this happening? What led to this?

It had started the Friday before, really. School was going as normal. Danny was on edge. There hadn't been a ghost attack all week. He sat in his seat, ready for English class. Mr. Lancer came in. He set down his book, took off his reading glasses, and stared at his class.

"Our funding has been cut." No one says anything. Mr. Lancer sighs, rubbing his face. "I... Shouldn't be the one to break this to you." He turns to the corner of the room. "I... Have to be." He sighs. "Eighteen years ago, I got hired for an acting job." Still, silence follows his words.

"A government-funded project. Full time, the pay was astronomical. I was suspicious, but I was broke. I was so indebted that I would have joined the military. Or, hell, I would've done anything." Mr. Lancer took a seat. "I was briefed on this... This project. The Amity Project. A fake town, something about the ambient air. Genetically mutated kids. I didn't understand it all."

There's a click from somewhere. Just a background sound, hardly anything. "I didn't understand the sheer size of the project. A whole fake town? I-I was in awe. But then, when you guys got here, to this school, and the project took a turn. No longer was the project raising you guys. It wasn't... It was something twisted and wrong. It was torture." He hangs his head. "No one told me. No one told me until it was too late, and I was too far in, and-"

Mr. Lancer swallows. "I'm sorry." He places his head in his hands. "The Amity Project has come to a head. The portal's been shut down, and you all will be... Dispersed. Rehomed."

"Why?" Danny finds the word falling from his mouth before he can even think.

"They say it's because our benefactors were almost caught. Downsizing. I... I recommend you all stay here. At school. Your parents. They... They are your parents, but they are scientists. This has been a job to them. You'll all be given your housing and guardian's information by Monday. I'm sorry."

Danny had only gotten minimal information from his 'parents'. Just that they'd be busy sorting through years of backlogged data. Just that they were upset that it was all over. No one could stand being around the edge of the town- the sheer number of people just on the other side of the fence was overwhelming.

The juniors of Casper had stayed in Mr. Lancer's English class for hours after the bombshell had been dropped. They'd all had some sort of deep-rooted mutual understanding with each other. And they were all feeling. All feeling anger, depression, they were all feeling grief.

The cards that sat in their back pockets, the creased folders, everything. They all stood in a line, now, all twenty-four students. All of the younger students had been cleared. The older ones had already been gone. But they knew, those 24 students, they knew that it wasn't them that the Amity Project ruled around. It was them.

The students looked less their age as they watched car after car pull up in front of the school. They look like warriors, watching the 'civilians' step out of their cars.

Danny is in the middle of the line, hunched forward a bit as he twists and rips at the flag pole in his hands. He crunches it like it's made of playdough, the metal creaking and grinding in his hands.

Sam is to Danny's left, dripping in blood red paint. Her gothic attire is soaked, her hand color is lost to the red. She looks hellious, like she'd crawled from her own personal pit in hell.

Tucker stands to Danny's right. His posture is firm. His eyes are calculating. His jaw is set. His face is stone. He's tall, looming.

... So. Anyways. I'm thinking from here Sam goes with Diana Prince, Danny goes with Clark Kent, and Tucker goes with Bruce Wayne. The rest of the class goes with assorted civilians (or minor vigilantes). The class remains in contact with each other via letters. The story will follow them coping with not being normal, with the rage and anger, and their evolution into being a new phase of heroes. Heroes without masks or names or anything.

Jazz is living with Barry Allen. She was specifically separated from Danny, and kept that way. Vlad is a halfa, but he's part of the project. Dani is his daughter, and Dan was an unscripted blip in time.

Any feedback would be nice! I just don't know if it'll turn out the way I'm thinking it will.