#carrion project
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carrion //ch10 tomorrow
tw/cw : alcohol, transphobia
notes aasimar is pookie i love him
taglist: @tapioca-milktea1978 @neapolitantoebeans
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Seated around a table, Shepherd finds himself amongst a few of the Instituteâs greatest minds. Across from him sits Aasimar, who looks almost bored, and he flicks tiny paper balls at another who seems annoyed but attempts to keep her composure. She grows increasingly more and more upset with him, however.
The others ignore them, and largely they ignore him too which is something that still feels odd to him. But he tries not to think on it too hard. They were called into this meeting for a reason. Whatever that reason is.
âCan someone get it to stop flicking things at me,â the woman seethes, and her badge reveals her to be Lucille Greenwich, interim head of the defense department. âCould we not find another feasible replacement for the Doctor instead of using this ⊠miscreant?â
Aasimar snorts, and it perturbs Shepherd how casual he is. She has just insulted him, reduced him down to an âitâ, an object, inhuman. And yet, he laughs! He almost takes pleasure in it.
âPlease, you and I both know Iâm not going anywhere,â he leans back, letting out a low hiss of discomfort with the position change before hes back to smiling. âYouâll have to try much harder to get me out of here.â
âHow about I strangle you?â
âMm, I might like that, but not from you. Iâm in a bit of an exclusive⊠relationship of sorts.â He waves his hand and laughs at the way Lucille almost chokes.
Shepherd flushes and his eyes widen ever so slightly. Is that⊠Does Aasimar speak of them? Is this dating? Too many questions barrel through him and there just isnât the time to ask. Luckily, the meeting commences when the boss walks in. No name comes up when Shepherd looks at him, nor does he wear a badge. A strategic move, maybe, but heâs not sure.
âThatâs enough, you two,â he says, and Shepherd notices the woman straighten out, âhow is it that you are in charge of defense and yet, you let little Aasimar get on your nerves so easily. And Aasimar, you ought to know better. We are here for a reason, your petty squabbles will get you no further.â
âOf course, boss man,â Aasimar bows his head slowly, âI was merely having a bit of harmless fun while we wait. No harm no foul.â
Shepherd canât help but stare at Aasimar. He seems almost entirely relaxed, like he knows he canât be punished for his behavior. And for a moment, their gazes meet, and Aasimar smiles. He looks so⊠beautiful, with a smile like that.
âI see our latest project is up and running,â the man interrupts Shepherdâs thoughts, eyeing him like some slab of fresh meat on a table, âgood, good, has he been trained in combat yet?â
Aasimar shifts, uncomfortably, the smile dropping from his face. âI donât see why he must be trained to fight. He was designed to help people, right?â
Shepherd remains silent â the look on Aasimarâs face tells him itâs pertinent that he remain quiet, the perfect example of a well behaved weapon. But heâs curious, is this man the creator of the Institute?
âHe will only help those loyal to the Institute,â he said, his tone almost grim, yet calculative, âand punish those who stand against us. Simple. Why do you think we made him as big as he is? Heâs designed for power and domination.â
âAh, Aasimar only mourns not having him as a plaything for his lab,â another jests, the head of communications, but Shepherd quickly deems him unimportant. âHe loves having toys to play with. Or fuck. Whatever works for him, really.â
The table laughs, but Aasimar does not. He shrinks in his seat, gaze casted downwards. He is⊠ashamed. It takes everything in Shepherd to sit quietly, to pretend not to care that they had objectified him and hurt Aasimarâs feelings all in one fell swoop, but thereâs anger boiling inside of him. Anger thatâs festered since the day heâd woken up.
âHe provides better results than you, Edwards,â the Boss narrows his eyes, silencing their laughter in an instant, âwho is it thatâs provided alternatives to fixing the smog in the southlands? Who is it thatâs returned the extinct flora of the eons past to us? Certainly not you. The Doctor is a more trustworthy guardian of Shepherd than you.â
âYouâd truly trust a weapon bioengineered for warfare with⊠with her?â The air in the room goes still.
Her? Shepherd thinks, Aasimar is notâŠ. His mind trails off, there had been peculiar scars on Aasiâs chest, but nothing out of the ordinary, not really anyway. But her? That just isnât right â the slip of Lucilleâs tongue has Aasimar standing abruptly, wobbling on his feet.
âIâm not a her, Lucille. I have been here for almost ten years, you know that. Call me that again and Iâll tear your spine out through your mouth.â His fists clench, trembling with white-knuckle rage. Â
âThat is enough. I trust him with far more than you think,â the Boss hisses, âAasimar, why donât you⊠meander about the town? Take it with you. He needs more⊠freedoms if the project is to work.â
Aasimarâs wrath doesnât waver easy, and he nods through gritted teeth. âShepherd, come.â
The members of the meeting mean little to Shepherd as he stands, carefully maneuvering himself past the seated members, hoping their gazes see nothing beyond the shell he wants them to see. He follows behind Aasimar, head down as he ducks beneath doorways too small for his largeness.
âAasi,â he says, softly, pulling them into a hallway, tucked away from the main hall, âAasi, what did she mean? Why did she say that?â
âItâs not â itâs not true!â Aasimar hisses, his tone laced with despair, âIâm not a girl, I â Iâm not. I â I promise!â
Shepherd blinks and he stops, brows furrowed in confusion and worry. âAasimar, of course youâre not a girl. What do you mean? Whatâs going on?â
Aasimar wears a look of despair like he had become accustomed to it, but the look of confusion morphs his face, like heâs not used to the blissful ignorance. âYou donât⊠You donât know? ButâŠ. Didnât Oleander talk about it, in his notes? Why I have my scars?â
âHm? No, he only talked of your experiments, your kindness when youâd help him. Occasionally the notes on your favorite things, like that flower you want to bring back? The blue nemophila? He never mentioned anything about scars, though. Are⊠are you okay? Were they⊠bad scars?â
âNo, theyâre⊠theyâre good scars,â Aasimar nods slowly, arms wrapped around his chest tightly, as if protecting himself. âThese scars make me happy, very happy.â
âThen does it really matter why you have them? Truthfully, I donât understand, youâre happy, you arenât hurting anyone. What does it matter?â Shepherd huffs loudly and casts a look over his shoulder. âLucille is a bitter woman, I think. Perhaps jealous she did not get ownership of me like you have.â
âI donât own you, Shep. You are your own person, Iâm just your temporary guardian until theyâve decided your capable of being on your own.â Aasimar recoils, hands slowly dropping to his side. âI⊠itâs not like I donât trust you to share why I have them, I just⊠itâs not easy for me to talk about it.â
âDonât feel like you have to tell me, Aasi. I just⊠I was worried, in there. You looked so hurt and angry. It was different than the other times youâve been angry.â He shrugs, hands tucked into the pockets of his pants. âBut anyway, who was that boss guy?â
âOh, Andersfellen? Heâs the founder of the Institute. Started it when he was young, cryogenically froze himself until his plans came to fruition, and then woke up to become a ruler from Hell,â Aasimar casts his gaze aside, âhe collected a few favors and now weâre all stuck here, like slaves. Youâll do good to keep the robot persona up around him. He wonât hesitate to put you down if he sees one sliver of humanity from you.â
âIs everyone here so⊠against my existence?â Shepherd purses his lips, brows furrowed. If the world is so cruel, why create him at all?
âThe Institute doesnât care about anything other than itself, itâs a remnant of a society long gone, or at least we had hoped it was long gone.â Aasimar glances around them, to make sure there was no one around. âBut there are others that are similar to you, maybe not exactly. But weâd have to go deeper into the Under city for that, and I donât know. Itâs ⊠itâs not like our previous outing.â
âI can handle it.â He says, even though heâs not actually sure that he can, but he wants to try. Thereâs a whole world out there, one he longs to see.
Aasimar makes a face, before he relents. âYouâre lucky youâre sweet, I wouldnât take Hannah to any of the places I normally hang out at. Sheâs not asâŠ. Willing to try new things.â
This piques Shepherdâs interest and he tilts his head. âEarlier, she said you were avoidant to change. But⊠Is she avoidant of it too?â
âWeâre all avoidant to change, Shepherd. We get comfortable in what we have, we donât imagine how different the world could be.â He says, eyes shifting but then he smiles. âBut, change can be good sometimes. It brought you here.â
âIt brought me back you mean.â He replies bitterly, and the anger in his tone surprised him.
âNo, youâre not Oleander. Youâll never be him, and thatâs the point. You shouldnât be him. I donât want you to be him, and you shouldnât ever want to be like him,â Aasimar looks at him, as if this may be the single most important thing heâs ever been told. âBut anyway, letâs get out of here. I need a drink.â
â
           Shepherd does not strike Aasimar as a club goer, but he leans back in the booth, legs parted, and his head cocked to the side like this was a second home to him. The thrum of the music and the cool-toned lights highlight him perfectly. But Aasimar only holds his attention for a few moments before others in the club call towards him. They dance, but glowing from their bodies are metallic parts, some more than others. Theyâre all not completely human either, pieced together by metal.
           This mustâve been what Aasi had meant â others like him existing. Theyâre like him, made of metal, and maybe heâs not made of real flesh like him, but thereâs some comfort in their similarities.
           He turns to look at Aasimar, catching him mid sip of his Pink Whitney vodka, he looks exceptionally relaxed, and Shepherd has to restrain from scanning his body to see if heâs drunk. Heâs not really sure if Aasimar getting drunk here is safe.
           âDo you come here often?â Shepherd asks quietly, eyeing the pristine glass, âthe bartender seemed to know you.â
           âI come here every Friday,â Aasimar tilts his head, tracing the rim of his glass, âwant a sip? It isnât a necessity for you, but they gave you taste buds, right?â
           Shepherd gulps and eyes the glass before he nods, âmay I?â
           Aasimar shifts the glass, pushing it towards Shepherd and he cocks his head to the side, âso, what do you think of this darling outing of ours?â
           Thereâs a quiet pause as Shepherd brings the glass to his lips, taking a small, unsure sip. It tastes bitter yet sweet all at once, with a citrus tang to it.
âThis is⊠very nice. I didnât expect to see others that wereâŠ. Similar to me.â Shepherd furrows his brows and he hums, âthis is really good, do you get this often?â
âPlenty of people are mostly metal nowadays, gang fights, violence, the Institute, people lose limbs all the time. Some do it because itâs cool.â Aasimar glances at the people dancing on the floor, âsometimes. Other times Iâll get a mimosa, or something heavier depending on mood. Youâre welcome to have as much of it as youâd like.â
Shepherd quiets and he watches Aasimar, âAasi, what are we? Earlier, you said you were in an exclusive relationship. Did that⊠mean us?â
âI⊠yes, I did,â he tilts his head slowly, brows furrowed, âwhat do you want us to be, Shepherd? I want to do this on your terms, it only seems right.â
He thinks. Aasimarâs existence had brought him so much, helped him understand things he hadnât really fully grasped yet. Being with him felt as natural as existing, and maybe Hannah was right. Maybe Shepherd might only adore him because of how integral he was to Shepherdâs discovering humanity, but⊠heâd rather have Aasimar, regardless of what it meant.
âI want,â he pauses and licks his lips, âI want to be your boyfriend.â
âBoyfriend,â Aasimar hums and leans his head back, grinning, âyeah, I like the sound of that, Shep. My boyfriend. My sweet, big, perfect boyfriend.â
âYouâre drunk,â Shepherd shies away, averting his gaze as his body heats up a few degrees, âshould we get going back to the Institute? Hopefully walk it off before we make it there?â
âMm, Iâve got a place, might be nice to spend the night outside of the Institute for once, if⊠youâre willing to try that, that is. New surroundings and all that.â He smiles lazily and downs the rest of his Pink Whitney. âWhat do you say, lovely boyfriend of mine?â
Shepherd snorts, âyeah, we can go. But Iâll feel better if I carry you. You donât⊠look all there.â
Aasimar slow blinks and he grins, âpiggyback? Iâll be good, promise.â
âWhatever you want, Aasi,â he snorts, and stands, offering a hand to him.
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Aasimar !!
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Bit of a spoiler for what happens to him but I think he looks just as handsome as always ! Thank you for taking the time to draw him <3 he's currently my brain worm and he is NOT paying rent
a commission for @missingcarrion !!!
thank you so much for the honors to draw your oc! this one was really fun ^w^
#art#artists on tumblr#digital art#oc stuff#oc art#carrion [wip]#carrion project#carrion ocs#missingcarrion ocs
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i forgot i have tumblr
#len'en#len'en project#art#kurohebi#willhelm von clausewitz halcyon hisuimaru#common kingfisher#carrion crow#do i tag thid as furry#why not#furry#shit i fucking posted this two times
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been reading a lot of clive barker recently and find him to be incredibly whimsical, life-affirming, and wondrous so I decided to read his ya series "abarat" which as it turns out isn't finished, so we're waiting at a point of utter despair for the most part, rip to the kids (that being said I do wish I'd known of it when I was a kid, no matter how frustrated by the wait I might have been)
anyway, do think I will write a little fanfic that nobody is going to read of christopher carrion and finnegan hob working through their mutual realisation that they were both being used by princess boa (meanwhile she's shooting finger guns at them, love her, love how she fucked up not one but two incredibly powerful silly boys, love that she just loves being bad, it appears to be her whole raison d`etre), and then they make out or smthin, unclear
#abarat#clive barker#carrion and hob have barely met like... once#as in they were both so down to fight in one scene but they never did and then the leads were all whisked away#but carrion and hob 1. sounds great together (carrion and hob - perfect teamup) 2. both have surprisingly similar ideas on romance#3. both are related to the theme of night and day should get together to solve the problems of the realm#(which was poisoned by boa's abuse of the trust of the people + her manipulation of them both)#4. both sad boys -- hob being a sad pretty boy and carrion being a sad goth#5. ofc the fact that hob starts out as the Hero capital H and carrion starts out the Villain capital V#before that gets poked at and dismantled#im just saying i think they have a lot in common - they're foils who never foiled - they were manipulated by the same evil being -#they're both Romantics#they're both flamboyant af#yes yes carrion was a very bad man for awhile but he's getting better... he's had a tough life he's working on himself#CMON barker carrion and hob i am projecting it to you wherever you are#youve got two books left to make it happen!
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I have an UTAU WIP for Patreon that I'm gonna post today, but I'm rly trying to figure out something art or writing related to post, too đ€
#it doesn't help that I'm still slightly on edge about posting anything HiB#I could post a poem but like I want something to show for the bigger projects I'm working on#I've been doing more writing than art lately but more applying to jobs and doing household chores than either of those lol#I've yet to make a Janus (Bouquets of Carrion) drawing I didn't give up on instantly; I could try to do that#I just wanna post stuff that feels worth people's time and money (yes even though I have one Patreon member and it's my friend lol)#I wasn't supposed to run into this problem bc I had a backlog of HiB concept art and stuff to post but now. UGH of course I can't post it
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In the depth of the central lake the floor of this enormous body of water gets next to no light from the surface. Here a drastically different ecosystem thrives. We call it the worm zone, for it's diversity of large worms that lives of the carrion from above, bacterial lawns and small living prey items. Many species down here are endemic, but certain species are making migrations to the surface at night or visit on deep dives.
On Lemuria
Lemuria is a new spec evo project for and by the #paleostream community. Like the Atlantis project beforehand it deals with a fictional piece of land in 3 phases. Lemuria is an already existent concept that was invented before the recognition of plate tectonics to explain certain distribution patterns of animals and plants. In our case Lemuria is a continent consisting of India and Madagascar. We speculate how animals and plants would evolve if these two would never separate. This has MANY consequences. And the further we progress through time the more natural history will change. Phase one deals with the Cretaceous, when things are still rather "normal".
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The Oriental Blue Clearwing Moth: these moths were regarded as a "lost species" for more than 130 years, until they were finally sighted again in 2013
For more than 130 years, the Oriental blue clearwing moth (Heterosphecia tawonoides) was known only from a single, badly damaged specimen that was collected in Sumatra in 1887. There were no recorded sightings of this species again until 2013, when entomologist Dr. Marta Skowron Volponi unexpectedly found the moths feeding on salt deposits that had accumulated along the riverbanks in Malaysia's lowland rainforest.
These moths were observed by researchers again in 2016 and 2017, and research indicates that the moths are actually bee-mimics, as they mimic the appearance, sound, behavior, and flight patterns of local bees. Their fuzzy, bright blue appearance might seem a little out of place for a bee-mimic, but those features do appear in several different bee species throughout Southeast Asia.
When the moths are in flight, they bear a particularly strong resemblance to the bees of the genus Thyreus (i.e. cuckoo bees, otherwise known as cloak-and-dagger bees), several of which are also bright blue, with banded markings, dark blue wings, fuzzy legs, and smooth, rounded antennae. The physical resemblance is compounded by the acoustic and behavioral mimicry that occurs when the moths are in flight.
Cloak-and-Dagger Bees: the image at the top shows an Indo-Malayan cloak-and-dagger bee (Thyreus novaehollandiae) in a sleeping position, holding itself upright with its mandibles clamped onto a twig, while the image at the bottom shows a Himalayan cloak-and-dagger bee (T. himalayensis) resting in the same position
The moths also engage in "mud-puddling" among the various bees that congregate along the riverbanks; mud-puddling is the process whereby an insect (usually a bee or a butterfly) draws nutrients from the fluids found in puddles, wet sand, decaying plant matter, carrion, animal waste, sweat, tears, and/or blood. According to researchers, the Oriental blue clearwing moth was the only lepidopteran that was seen mud-puddling among the local bees.
Dr. Skowron Volponi commented on the unusual appearance and behavior of these moths:
You think about moths and you envision a grey, hairy insect that is attracted to light. But this species is dramatically differentâit is beautiful, shiny blue in sunlight and it comes out during the day; and it is a master of disguise, mimicking bees on multiple levels and even hanging out with them. The Oriental blue clearwing is just two centimeters in size, but there are so many fascinating things about them and so much more we hope to learn.
This species is still incredibly vulnerable, as it faces threats like deforestation, pollution, and climate change. The president of Global Wildlife Conservation, which is an organization that seeks to rediscover "lost species," added:
After learning about this incredible rediscovery, we hope that tourists visiting Taman Negara National Park and picnicking on the riverbanksâthe home of these beautiful clearwing mothsâwill remember to tread lightly and to take their trash out of the park with them. We also recommend that Americans learn about palm oil production, which is one of the primary causes of deforestation in Malaysia.
Sources & More Info:
Phys.org: Bee-Mimicking Clearwing Moth Buzzes Back to Life After 130 Years
Mongabay News: Moth Rediscovered in Malaysia Mimics Appearance and Behavior of Bees to Escape Predators
Journal of Tropical Conservation Science: Lost Species of Bee-Mimicking Clearwing Moth, H. tawonoides, Rediscovered in Peninsular Malaysia's Primary Rainforest
Frontiers in Zoology: Southeast Asian Clearwing Moths Buzz like their Model Bees
Royal Society Publishing: Moving like a Model - mimicry of hymenopteran flight trajectories by clearwing moths of Southeast Asian rainforests
Medium: Rediscovery in a Glint of Blue
re:wild.org: The "Search for Lost Species" Project
#lepidoptera#moths#heterosphecia tawonoides#oriental blue clearwing moth#entomology#insects#cute bugs#nature#animals#lost species#mimicry#evolution#bees#southeast asia#Malaysia#colorful moths#bee mimic#science
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More Carrion AU from @polarspaz !!
I was working on this a while ago but was hating my rendering, but now I render differently and I think it looks a lot better now! Also, I added neck scratches cuz I feel like he picks his skin...totally not projecting đ
(also there is a hidden Batman, see if you can find him)
#carrion au#tim drake#batman fanart#dc batman#dc#dc fanart#red robin#crows#dick grayson#red hood#robin#nightwing#dc robin#damian wayne#fanart#digital illustration#digital art#digital drawing#i cant think of more tags
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Carrion
My piece for the 2024 @mcytblraufest ! It was a pretty weird experience writing my own script and having someone else work off of my work, instead of the other way around, but was pretty enlightening!
Do check out my partner for this event @pancho-pinto and the fic they wrote! https://archiveofourown.org/works/57947521/chapters/147513718
Extra concept work under the cut!
Alternate patterns!
And the boys :D
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carrion//ch6 skin and bone
heh this was 7 pages
tag list: @tapioca-milktea1978 @neapolitantoebeans
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Thereâs something distinctly wrong when Shepherd awakens from his sleep. It is still night, and his room is empty. He can move, thereâs nothing keeping him from sitting up, yet something is wrong. The shadows that haunt the corners of his room feel like people, it feels like Clare is in here again. It feels like heâs hopeless â hopeless and like someone is sitting on his chest, suffocating him.
           Shepherd canât put a name to the suffering, but itâs his and he fucking hates it. Itâs like a burning, searing pain that splits from his head, down to his knees, rending him as useless in the confines of his mind as he is in the real world.
           A broken, fractured cry escapes his lips. Something is so very wrong. Things flash in his mind â more memories, hands of flesh replace the hands of synthetic skin. A heart thrums within him, instead of a deadened, constant hum of fans and components. He feels human, with hot breath leaving his lips. But something shatters this vision â this hallucination â and heâs sitting on the harsh, cold floor of his room. Desolate and alone.
           Who am I?
                       WHO FUCKING AM I??????????
           None of this is real, none of him is real. But something in him says he is real, realer than the cold of his floor and the longing in his chest. He is real. Despite it all, he is real.
           Shepherd finds himself wandering the halls, bare feed padding against the cruel flooring as he searches for something â someone. His mind is addled, ruined with thoughts. He sees people, so many. Faces, doctors, scientists. People he thinks he recognizes but the memories are blurry, like theyâve been tampered with.
           A peculiar door stands out to him. Itâs far away from his room, furthest from most of the staff dorm rooms, but⊠this one holds more than just a bedroom. Access to a private laboratory, amongst other things. Shepherd doesnât need to look at the name on the door to know the person who lives here. Aasimar. Itâs curious that in his state, in the addled mind of a man trapped in a body, he finds himself seeking the fascinating little scientist. And yet⊠heâs here, hand suspended against the door, like he canât figure out if he wants to knock or not. Itâs so lateâŠ. Itâs so late, so late itâs almost early, but after a moment of hesitation, he knocks. It takes several minutes, standing outside feeling like an idiot, before the door opens.
           Aasimar feels exceptionally smaller when he opens the door, wearing something more casual than his usual eccentric attire. He looks⊠sweet, wearing his sweatpants and tshirt with what he assumes is a cat on it and an interesting set of gold rimmed glasses. His hair is in a long, mussed braid. He envies the length of his hair, how it reaches to his knees. It looks beautiful on him. Everything looks good on him.
           â⊠S â Shepherd?â Aasimar blinks and rubs his eyes, like heâd been halfway to sleep if not for working on something. âWhat are you doing at this hour? Is everything okay?â
He stands rigid, brows furrowed as he finds particular interest in the floor. âI⊠something is wrong with me, Aasimar. I just â I know it.â
A pause, and then Aasimar steps aside, head nodding in a way that tells Shepherd to come inside. âTalk and I will listen.â
âA â Are you sure? Werenât you sleeping? I wouldnâtâŠ. I couldnât bother you âŠâ Shepherd feels embarrassed, and shame costs the insides of his body, like even his own components know better than to come crying to some scientist at the first sight of something odd. But⊠Aasimar is safe, at least as far as the people who donât want to hurt him goes.
âYou came all this way. To see me no less, Iâm not going to turn you away, Shepherd. I donât sleep very well, or often at all when I do. Your company is welcome.â The smile on his face, although tired, is genuine, so Shepherd takes the tentative steps forward.
His room is expensive. Probably the largest one in the compound, but most of the room is occupied by tanks full of aquatic animals, save for one thatâs more of a pool, with nothing in it. The lab must be in an offshoot of the main room, but thereâs a bed in one corner, rather simple and neat, like itâs never really been used. There are books and other things thrown about, but what catches his attention are notes on quantum physics and engineering. Something about technology advancements. Aasimar must be exceptionally smart, smarter than anyone has given him credit for.
On the other side is a seating area, not really a living room, but it has a couch and a bean bag and a TV, but Shepherd isnât even really sure if anyone who lives on the compound watches it.
As if sensing Shepherdâs gaze, Aasimar starts tidying up, shoving his books and notes elsewhere. Out of sight and hopefully out of mind.
âYou have a pretty room.â He says, instead, focusing the conversation onto something else for his comfort. âVery blue. I like your fishes.â
Aasimar snorts, âthank you, you are very kind. But we are not here to talk about me. Somethingâs bothering you.â
âI had another visionâŠ. Memory? It⊠it was violent. I felt⊠I felt alive, like I had a heart and I could breathe, but it was hurting.â Shepherd watches him, looking for something, anything that could help him.
âSit,â Aasimar pulls him close, gesturing for him to sit on the couch. He sits on the other end, head tilted. âDo you know what mightâve caused this episode? This ⊠human memory mustâve stemmed from something.,.â
âI was dreaming,â he murmurs, gaze averted to the colorful fish in the tanks, âI was thinking of you, which I guess isnât really dreaming. But I was thinking of how kind youâve been, even if you didnât have to be. Itâs the only thing I can do to not think about what happened. I â I wish I was human, like you, maybe Iâd â maybe Iâd understand everything better.â
âIâm sorry,â Aasimar sighs, and looks at him, golden eyes mapping out every detail. âYou know, Iâm not human either. Technically, Iâm classified as humanoid, like you, but even my insides are inhuman. But fitting in is overrated, Shepherd. Sometimes even we donât understand things, but thatâs how we learn.â
âBut why would â why would Clare hurt me? She⊠she did something to me, broke my mind. I canât â I tried to sleep but it felt like I was right back in that moment. She ruined me, Aasimar,â Shepherd hisses, his throat tightening with a sorrow that settles deep into every crevice of his mind. âI donât get it. Why me? Why do I have to hurt for others to succeed?â
Aasimar is oddly quiet, his face solemn. Itâs an uncomfortable look on a man as bright as him, but thereâs a familiarity in the way he looks at him, like he understands. He shifts forward, sitting himself beside Shepherd now, and he reaches and holds his hand.
Shepherdâs getting spoiled with handholding and hand touching, with touches of comfort. They shouldnât make him feel good, it should feel wrong, but it doesnât. He desires to be seen, to be heard in the way that only Aasimar seems to understand.
âThose questions wonât help you,â he says, quietly, fingers hooking around Shepherdâs, careful of his claws, âask yourself what can be done to ensure no one ever hurts you again. Ask yourself what you can do to make yourself unafraid again.â
âI â I donât know, Aasi,â he whispers, shaking his head, âI was not designed for this. I was designed to help to â to guide people.â
âBe kind to yourself, Shepherd. You were thrust into this world, into this life, with fleeting memories of a time we arenât yet sure of,â Aasimar gives his hand a gentle squeeze, âwhat you were designed for and your purpose are two separate things, sweet one. Your purpose is what you want it to be. What do you want, Shepherd?â
He pauses, brows furrowed in concentration. He braces himself, as if worried about the repercussions of what heâs about to say, âI donât want to help people. I want to be me, whatever that means.â
Aasimar hums and he leans his head back, smiling, âIt can mean whatever you want it to. I do have an idea, though. Would you like to venture outside with me? The stars should be out still â if youâd like to go and see them.â
âYes!â Shepherd nods quickly, his mournful feelings disappearing to make way for his excitement. âPlease? Can we go now?â
Aasimar laughs and his hand withdraws from Shepherdâs, âlet me go change into something else, then we can go.â
â
           Shepherd follows eagerly behind, wishing they were holding hands still, but following nonetheless. Excitement blinds him â itâs happening, itâs really, truly happening! The stars are just beyond his reach, getting closer and closer with each hurried step. It feels big to see something so small.
           The doors to leave are right there, but he falters, pausing. What if itâs not what he expects? What if itâs all just some big sham and heâs left wanting a freedom heâll never get?
           âShep? Are you alright?â Aasimar looks at him, brows furrowed.
           âI â Iâm scared, Aasi. I donât⊠I donât know,â he looks down, biting his lip, âwhat if itâs just⊠another prison? Another place to never be free from. What if itâs just as bad or⊠or worse?â
           âShepherd,â he whispers and steps closer, âit could be, I wonât lie to you, but it could also be better. You could see things that will make you long for more, you would certainly have more out there than you do here. And besides, youâll have me. You wonât be alone.â
           This is enough. It is enough. Aasimarâs words of comfort are enough to reassure him, to get him to resume walking towards the door, and even if heâs still nervous, still utterly terrified. Shepherd must be brace, and when Aasimar offers his hand, heâs more that ecstatic to take it. Comfort is found here.
           When they step outside, everything changes. Nothing will ever be as it was before the moment his body passes the threshold. His eyes linger on the green plants, and the asphalt, but then, when Aasimar tugs his hand, his gaze shifts.
           A million little lights sparkle and dance across the midnight sky â they smile down at him. It feels like⊠It feels like heâs finally free, a weight has been lifted from his chest, and he can finally breathe. The air feels right against his skin.
           âThose are the stars?â He asks, voice hoarse, and he grips Aasimarâs hand tightly.
           âYeah, thatâs them,â he nods, and through Shepherdâs peripherals, he sees the man smile from ear to ear practically. âThe smile suits you, Shep. Iâm glad I got to see it.â
           He bits his bottom lip and shifts his gaze, flattered and a bit embarrassed. âTheyâre so much prettier than I ever thought theyâd be. I want⊠I wish my room had a hole in the ceiling so I can watch themâŠâ
           âHm, well, we have all night to watch them tonight, and maybe we can make it our thing. I donât⊠I donât get out that often anyway, itâll be good for the both of us I think,â Aasimar grins and tugs him forward, âletâs go, weâre not out here entirely for pleasure. There are some things I want to teach you.â
           âSelf defense?â He peers at him curiously, lips pursed. âI donât know⊠I donât â I donât want to hurt people.â
           âSelf defense isnât because you want to cause harm, itâs to protect yourself from those that do.â Aasimar shakes his head slowly. âYour love for stars is charming. What draws you to them?â
           Shepherd shrugs, âyou were born knowing the stars. I was made knowing only their shadows. You got to see them every day of your life, but today⊠youâve made a difference. Thank you, Aasimar.â
           âThis is the bare minimum, Shepherd. You are worth the moon and the stars beyond, this is just the beginning.â He says, and for a moment Shepherd is struck by a feeling of awe and inspiration.
           âYou deserve everything, too.â Shepherd whispers, and Aasimar looks away, shaking his head slowly.
           âI am not the person deserving of such words, Shep,â he snorts, a bit of self deprecation, âI am not a good person. Iâm not deserving of your praise, but⊠thank you, anyway. You are kind as always.â
           Shepherd grabs his hand, forcing him to stop moving. âWhat do you mean? What would make you unworthy of the same kindness that you show me?â
           âYou only know the part of me I let you see â itâs that simple, Shepherd. I work at the Institute, for all that itâs worth. Good people donât subject themselves to that,â Aasimar looks up at him, brows furrowed, âanyway, letâs just go, alright?â
           Shepherd quiets, though his gaze lingers on Aasimar a worrying amount. His friend was suffering from something he isnât really sure of, but he sees the way Aasimar gets quiet and almost makes himself small. He doesnât want to just leave it there â he wants to understand why heâs upset, to comfort him the way heâd comforted him.
           After a while of walking, Aasimar brings him to an abandoned warehouse, but once inside, he realizes itâs fitted like an old club, a bit rundown and not exactly taken care of, but thereâs things strewn about that indicate this place is home to someone.
           âWhat are we going to do here?â Shepherd looks at Aasimar who drops his hand and wanders towards a large computer system.
           âYouâre going to learn to fight,â he says, and types several things and a startlingly realistic hologram appears, âby fighting a holographic version of myself. I am a bit too small to train with you without causing some harm and besides, I donât like getting all sweaty and dirty, makes my gills get soggy.â
           Shepherd fights back the urge to snort and bites his bottom lip. The image of him is near exact, down to the nails which feel far more terrifying than they had been before. âYouâre not â You wonât use those against me, will you?â
           âWhat? Oh, my nails? No,â he laughs and shakes his head, âtheyâre for show, not for hurting. Not usually anyway. The hologram is programmed to not hurt you. Weâre not there yet. Today, weâre going to focus on you learning to punch.â
âMaybe you shouldâve used Clareâs image for this,â Shepherd mutters, and the bitterness in his tone surprises him.
âI thought about it but not yet. When you know more about fighting, perhaps, but not today. Today, you get me.â Aasimar crosses his arms, âfake me will not do more than blocking. Itâll be a good start for today.â
âWhat? Punch you and ruin your pretty face? Are you sure?â Shepherd snorts, eyeing the hologram. âWhat do I do?â
âYou flatter me,â he shakes his head before guiding Shepherdâs legs into a specific stance, âwhen you must fight, stand like this. I donât know if youâll meet anyone capable of knocking you off balance, but if that does happen, this stance will help keep you on your feet. Something about distributing weight, who knows.â
Shepherd snorts and he cocks his head to the side, but he lets Aasimar move him into a position akin to fighting. âYou know you could just upload fighting information into my code, right?â
âWhy? And lose out on quality time with you? No chance.â Aasimarâs hands drop to his hips as he steps back. âPunch me.â
âWhat?â
âThe hologram, sweet one, punch the hologram. Itâll feel realz perks of engineering holograms that have mirroring electromagnetic fields that interact with yours.â
âO â Oh, right.â
Shepherd states oddly at the replica of Aasimar. It looks like him but it doesnât feel like him, itâs nothing more than a husk, a shell. Still, Shepherd hesitates for a moment before eventually convincing himself that hitting the hologram wouldnât hurt Aasimar.
The punch lands a bit lopsided and he pulls his hand back, hissing in annoyance.
âMm, try a hook. Youâd punch upwards like this,â Aasimar demonstrates, âitâll knock your opponents head back if you hit hard enough.â
For hours, they train like that, with Shepherd mirroring Aasimarâs actions, repeating them several times if he messes them up to ensure he gets them right. Itâs delightful and Aasimar is a kind and gentle teacher, despite the fact that itâs him Shepherd is punching.
After a few hours though, Aasimar seems to consider him worthy of completing the first session of training. Then, he invites Shepherd into the lounge area on the second floor, where they sit and admire the rising sun.
Shepherd sits in a prolonged silence, realizing he had unfiltered access to trillions of data at once that otherwise wouldâve been blocked by Institute censors. Â Information passes through his mind, settling into every nook and cranny. It feels weird to have such unfiltered access, and yet thereâs power in it.
âWhy did you say you didnât deserve kind words earlier?â Shepherdâs gaze focuses on him, taking in several thousand new pieces of information. All of which attach themselves to Aasimar in one way or another. Articles on siren folk, on relationships, on the Institute. Everything he could read if he watched to pry, but he doesnât. He locks them away, keeps this information away from everyone. It is not his job, but something in him longs to protect Aasimar the way heâs protected him.
âShepherd, itâs not a big deal,â he waves his hand dismissively, âthe byproduct of growing up different from everyone else. You wouldnât know it , but there are a lot of mutants and other freaks down here. But people like me? With webbed feet and gills? Not exactly the norm. I did some things when I was younger. Bad things.â
âMm. That does not make you any less deserving of kindness now,â he tilts his head, âyou are worthy of the things you give. No matter what you did before, you made a difference with me. You couldâve ignored my cry for help, if you were truly unworthy of kindness, and yet you saved me. You saved me and punished her for hurting me.â
Aasimar keeps his gaze elsewhere, like thereâs a shame in looking at anything else. âYou are too good for this world. Shepherd. I hope the world will be kinder to you than it was to me.â
A frown finds itself on Shepherdâs face and he scoots closer to Aasimar, hand reaching to grab his. âIâm a lot tougher than youâd think. I donât mind being tough for the both of us.â
Heâs quiet before giving Shepherdâs hand a reassuring squeeze. He sighs, âwe should get heading back. Iâm sure they might be wondering where weâve gone.â
âI donât want to,â Shepherdâs grip tightens, ânot yet, anyway. I can see more things, things the Institute had kept hidden. I â Can we just stay like this for a while longer? I promise Iâll behave.â
âYou donât have to behave in order to experience freedom, Shep,â Aasimar sighs and leans his head back, inhaling slowly. âI own this place, but⊠you can come here whenever youâd like. Once they start sending you out more, you might find yourself wishing you had a safe space.â
âYou say that like youâre planning on leaving,â Shepherd says, and then he turns rigid, âyou⊠you arenât leaving, are you?â
Aasimarâs thumb traces circles against Shepherdâs hand, âworried Iâd leave you, Shepherd? I wonât do that, not to you. You have been surprising, Shep. In so many different ways, but you have been so much more than I think even you thought youâd be.â
âWhat do you mean?â
âYou care for people, you care for the things that no one else notices. The stars⊠to me, to all of us, they are just stars. But to you? I wish I could see them the way you do.â Aasimar sighs almost wistfully, almost like his inability to see the world through Shepherdâs eyes had brought him some level of sorrow.
Shepherdâs gaze shifts when Aasimar looks at him, eyes dipping to the manâs lips. A thousand images flash across his face then â images and videos of people kissing, touching, loving. A million images of people he doesnât know, scenes from movies heâll never see, and all of them are replaced by the image of Aasimar.
âDonât⊠donât do things youâll regret,â Aasimar murmurs, his eyes darting from Shepherdâs lips to his eyes, shifting between them like he canât figure out where to rest his gaze.
âHow will I know Iâd regret it?â The reply comes out breathless, and he furrows his brows. âM â May I?â
Aasimar swallows hard, his eyes shifting like heâs thinking, âYou may.â
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I love writing Wesker with a little touch of what he seems to hate so much... humanity.
The one core aspect of his persona is that he was manufactured - abused - created.
The Executive Training School intended to produce sets of controllable psycho-sociopaths - a class worth. Human beings, more complex than tools, rarely turn out how they are meant to - neither Birkin nor Wesker were controllable.
Lisa Trevor was a threat and an intimidation tactic as much as she was an experiment - "this will be you if you don't do what we say", essentially.
Wesker, Birkin, and Alexia were all groomed (literal) under the Doctrine, meant to take over in Spencer's stead when he passed (and meant to fight for the position).
Birkin's hate for Alexia was an intentional machination of Spencer. Wesker was intended to experience it towards Birkin eventually, but ultimately did not.
There is only so much death you can voyeur - unwillingly, willingly, it doesn't change the outcome - until you are no longer empathetic to it.
He's a victim of an insurmountable magnitude of intentional happenings whose scale approaches the Truman trope.
His natural, base inclination is not violence.
Birkin had a much higher kill count than he did in the beginning of his arduous and terrible journey, one that they had both started with the desire for a positive change even after they grew up watching their peers picked off like carrion by Marcus.
Wesker's comment to Birkin after the murder of Marcus is that he does not feel anything - good or bad - and that Marcus was "just another monster".
In RE4, he is more than willing to let people solve his own problems without directly, violently interfering to reach his goals. Only when they require violence does he portray it - his first suggestions aren't needlessly cruel ("ring the church bell", "take advantage of the distraction [Leon] is causing", "use [Leon] to clean up Saddler").
When Wesker initially became suspicious of the Arklays, and he looked upon what he perceived was Spencer's goal, he found the idea of it completely revolting even at its' smallest scale. But he could not flee.
The Arklays were meant to produce a viable strain that Spencer could then himself perfect after shedding the Arklays as a testing ground; it was intentionally set up for the event of Raccoon City to occur, but it was not intended for it to occur at the time that it did.
Spencer admits that he - and Project W as a whole - were raised intentionally to produce tools who would become eugenicists in a similar fashion.
Eventually that bitter lie becomes so numb to Wesker's tongue that it begins to taste sweet. "A lie repeated twice is truth" is a known and very evil propaganda tactic employed by cults and fascists - it is called the 'illusion of truth' in psychology, the curse of familiarity.
He was not born evil, and he's a broken dichotomy of a person who is fundamentally incompatible with life.
#resident evil#resident evil headcanons#albert wesker#albert wesker headcanons#resident evil hcs#/dev/writing/#Sometimes victims do not respond to their trauma with naivety and fear of others.#Sometimes you look deep in someone and there is no little boy to save. Sometimes it's scar tissue echoing back at you#Not every victim of trafficking and role-grooming can be a good person - it is easy to forget this is Wesker's own past. Easier to forego.#None of the most evil people in real life have had normal - loving - caring childhoods of glee; it is an unfortunate and uncomfortable trut#I say those things myself as someone with C-PTSD. We aren't condemned to violence - but the fandom often forgets that Wesker Is A Victim.#Likely because it is far easier to forego than the uncomfortable complexity that he was not - in fact - born with evil in mind.#This is a very common feature of fandom's tendency to boil down a character into easily digestible traits or qualities.#tw childhood trauma#tw trauma
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There it finally is! @evajongepier and my final film!!!
Our film is a music video on the song I carrion (Icarian) by Hozier under rubyworks , with this animation we wanted to convey the story of Icarus in a positive and loving light, much like how Hozier often times sings about him!
In the end we worked on this project for roughly 8/9 painstaking weeks and I'm so happy with the final product, also big thanks to @/ jonathebona (insta) and @calipygos for editing and coloring respectively! It was a huge project and I'm happy I can finally sit back and enjoy the rest of my vacation before I leave for Japan!
Thank you all as well for your patience and excitement towards this project, it was a great motivator, and I hope you all enjoy our final film!
#digital art#digital illustration#animated film#2d animation#animated#animated music video#hozier#Hozier Icarus#Icarus#icarus#greek mythos#greek mythology#digitalart#fanart
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carrion spring, knumears & saetia @ vera project, seattle, wa.
2024.07.23
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A Symphony of Crimson Masterpost
Figured this is gonna have quite a few chapters, so time to make it sort-able! Will update it as time goes on.
A combination of the carrion!sif au originally by @traumaboyexo, and an Au I was working on before, to add elements of AdventureQuest World's Astravia. Only needed reading is ISAT itself!
Siffrin is dead. And has been for a long time. But Something wants to live as them. Something that hungers. Something unnatural. But they want to stay with these people. And hope that they don't hurt them...
But Monsters rarely get what they want.
[Dialogue Symbol Key]
Asks are recommended! Feel free to ask away! Change and Equinox will happily deliver said asks to the party. You can also ask the Scale questions, as they have tech to talk to Change!
#Symphony!Asks is the tag I use for ask questions.
Character Ref and art: [Siffrin? and Loop] [The Scale] [A fallen star]
[Scale voice ref]
The following are links to the chapters released on tumblr, which are outdated or innacurate somewhat. The accurate version is on AO3, but these are kept as an archive of old writing choices!
[Prelude]
Act 1: Movement in Black
Ch: [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16] [17] [18][19] [20] [21] [22] [?]
Act 2: Movement in White (Optimally read A-B, A-B)
A Side: [1] [2] [3] [4] [5] [8]
B Side: [1] [2] [3] [4] [5]
Interludes and Misc moments
[End of a World]
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In the little upstairs bedroom facing the sea, he goes to the wireless on the dressing table. She watches as his wand slowly turns the wireless dial, setting back the clock. [ vulture, n.: a bird of prey that gathers in anticipation of death and feasts on carrion; someone who preys on or exploits others - or - (in mythology) a symbol of maternal love ]
đȘ¶ read the authorâs note for this chapter (coming soon!)
đŸ listen to the playlist
đȘș watch the trailerÂ
đŠÂ thoughts & questions? ask me anything!
#beasts#my face clicking post đ«Ł#reckon it's about time the secrets were out#hinny#romione#ginny weasley#hermione granger#ron weasley#harry potter#molly weasley#post-DH#fic rec
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It's the boy.
The one on the bottom right is @theyodelerz original concept, while the others are what I was envisioning while reading.
I'm gonna be honest. Finding out he was just a smol and chubby version of himself filled me with so much happiness.
I love horror, so the main inspirations for the baby krang were The Thing and Carrion.
Check out the fic here vv
Also, my hand really hates me.
#tmnt#teenage mutant ninja turtles#rottmnt#art#rise of the teenage mutant ninja turtles#fanart#rottmnt kraang#rottmnt krang#rottmnt krang leader#tmnt krang#krang one#body horror#just in case#tmnt fanart
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