#carlos lozano

[jessethegoat]

Kiss/Hug/Fucc/Marry/Kill your man (Euro and Copa America 2024 version)

(inspired by @anfieldroad <3) Now that the Euro and Copa America is looming near, let's play fun game shall we?

head to this link first to spin the names and back here to choose what y'all wanna do with 'em!

If you decide to kill him, how? Lemme know in the tags! <3

*plz be kind to Jesse if you got him, he just got the job 🥹

[untiempopararecordaryt]

Mexican Singers Pilar Montenegro & Luisa Fernanda Lozano from pop group Garibaldi with Mexican Wrestler Rayo de Jalisco, photographed by Carlos Anadon for Arena Magazine in 1992.

[djscratch]

Bruno & Pol ❤️

[krispyweiss]

Los Lobos Documentary in the Works

- No release date set for in-production “Los Lobos Native Sons”

A Los Lobos documentary, reportedly titled “Native Sons,” is in production.

News of the film emerged in both AARP the Magazine and the Gotham as the band celebrates 50 years since its 1973 founding.

There’s no release date and the documentary, co-directed by Doug Blush (“20 Feet from Stardom”) and Piero F. Giunti, is said to be in the production stage. It will be based on “unprecedented, exclusive access to the band and their personal archives,” per the Gotham.

“Over the last 50 years, Los Lobos has been on the road nonstop, telling these stories that are universal to all of us, reminiscent of the great Woody Guthrie,” the directors said in a statement.

“Our film gives us the opportunity to share this vision with the world and to demonstrate how this legendary American band has stood the test of time. We’ll also show how they’ve proven themselves in the eyes of their industry peers such as Eric Clapton, Robert Plant, Carlos Santana and Bonnie Raitt, many of whom list Los Lobos as their favorite band.”

AARP spoke with Cesar Rosas and Louie Pérez as they took “a break from shooting a documentary about their career,” and, incredibly, didn’t ask one question about the forthcoming film. The magazine did, however, ask about what’s kept the band going for five decades.

“When you put it all together, it has to do with musicianship but also with the soul of what you’re doing,” Pérez said. “I think that’s the vehicle to communicate your message. Without the soul, you can play your ass off and it won’t mean anything.”

10/20/23

[screenzealots]

"El Sabor de la Navidad"

The film isn’t destined to become the next modern holiday classic, but it lends enough originality, diversity, and comforting fun to make it a worthy Christmas charmer.

There isn’t much to the sweet and accessible holiday dramedy “El Sabor de la Navidad,” but it sure is cute. In what feels like a sub par take on the Christmas classic “Love, Actually,” this trio of stories set in Mexico City all come together in the end with a rousing, intertwined finale. While shining a spotlight on Mexican heritage and holiday traditions, the film oozes charm with universal…

[jenplayssims]

1950s No CC Families

Gallery ID: HawkeyeTARDIS

Meet the Parsons family:

Jerry, Ray, and Shirley

Meet the Seong family:

Randy, Kay, Harry, and Janet

Meet the Lozano family:

Maria, Ricky, Javier, Ramona, and Carlos

[docpiplup]

LA ABADESA (2024)

Synopsis

In the 9th century, Emma of Barcelona (c. 880-942), a 17-year-old girl, is named abbess in order to repopulate and Christianize border territories in 897. Upon arriving at the abbey, she will have to overcome the mistrust aroused by a woman determined to fulfill her mission, which will lead her to confront nobles, like her brother Count Guifré II Borrel of Barcelona (874-911), peasants and the nuns themselves. Despite everything, Emma will show that it is possible to challenge established power structures. Although she will pay a high price to get it...

Emma is willing to carry out the commission of her deceased noble father, Count Guifré I of Barcelona, Guifré el Pilós (840-897), founder of the House of Barcelona: convert the abbey that he founded in 885, the Monastery of Sant Joan de les Abadesses, for which she is now responsible into the engine of change and transformation of a society that comes down. She must help with all her resources to help the lands that are emptied due to hunger caused by border wars, which in turn are a consequence of the ambitions of the feudal lords of the area.

Emma acquired small or large properties with which the monastery came to have a territory equivalent to that of a county. Her sovereignty was also similar to that of a countess: by concession from her father, her domains were exempt from all interference from the neighboring counts, whom she knew how to oppose with resistance.

On cinemas: Friday 22 March

Filming began in January 2023 at the Loarre Castle, and included scenes filmed at the Turó de la Seu Vella, until concluding at the end of February 2023.

Main cast

Emma of Barcelona - Daniela Brown

Eloisa - Blanca Romero

Guifré II Borrel of Barcelona - Carlos Cuevas

Eduard - Ernest Villegas

Odón - Oriol Genís

Bishop Gotmar of Vic– Joaquín Notario

Clara-Berta Sánchez Bajona

Melisenda - Anäel Snoek

Elvira- Olivia Auclair

Data sheet

Script and direction: Antonio Chavarrías

Produced by: Antonio Chavarrías, Jose María Morales, Miguel Morales, Mónica Lozano

Photography direction: Julian Elizalde

Editing: Clara Martínez Malagelada

Music: Ivan Georgiev

Casting: Irene Roqué, Carla Bisart, Sara Bisart, Elena Gómez Zarzuca and Doriane Flamand

Direct sound: Elsa Ruhlmann

Sound editing: Corinne Dubein

Blends: Emmanuel de Boissieu

Art direction: Irene Montcada

Costumes: Catherine Marchand and Pau Aulí

VFX: Natacha Brohan

Assistant director: Falele Ygueravide

Production direction: Anna Boneta

Executive producers: Alba Bosch-Durán, Flavia Biurrun and Jennifer Ritter

Co-producer: Huber Toint, Alex Verbaere, David Claikens, Samuel Feller

Production of Oberon Media, Wanda Films, Icono 2020, Saga Film, RTVE and TV3.

Poster

(Based on a true story/ Based on a true woman)

[scienceninjaturtle]

FANTASTIC FOUR #23

RYAN NORTH (W) • CARLOS GÓMEZ (A) • Cover by ALEX ROSS

VARIANT COVER BY ALEXANDER LOZANO

DISCO DAZZLER VARIANT COVER BY BENJAMIN SU

• The world is recovering from Blood Hunt, and Johnny and Sue take Jo and Nicki to NYC for a bit of a break…

• …but when a cosmic incident from outer space threatens forty percent of the planet, the whole team is forced to meet in New York and get to the bottom of what’s really going on!

• The Fantastic Four will need teamwork, cleverness and an old vehicle dug out of storage to save the world…plus some super-science!

• And that’s before the aliens show up!

• Johnny Storm gets in over his head in this Johnny-narrated issue!

32 PGS./Rated T+ …$3.99

[longliverockback]

Los Lobos The Ride 2004 Hollywood ————————————————— Tracks: 01. La venganza de dos pelados - Café Tacvba 02. Charmed 03. Is This All There Is? - Little Willie G 04. Charmed 05. Somewhere in Time - Dave Alvin 06. Wicked Rain • Across 110th Street - Bobby Womack 07. Kilate - Tom Waits & Martha González 08. Hurry Tomorrow 09. Ya se va - Rubén Blades 10. Wreck of the Carlos Rey - Richard Thompson 11. Matter of Time - Elvis Costello 12. Someday - Mavis Staples 13. Chains of Love 14. Phone Call from Rita 15. Monstra’s Out 16. Jockey Full of Bourbon —————————————————

Steve Berlin

David Hidalgo

Conrad Lozano

Louie Pérez

César Rosas

* Long Live Rock Archive

[boomgers]

¿Has sentido que aún esperas la llegada del amor del pasado?… “Mi Amor Sin Tiempo”

La historia gira en torno a la vida de Greta y sus hijas Bárbara y Fátima, las tres estando en distintas etapas de vida, pero enfrentan una situación amorosa muy similar, ya que tienen una relación aparentemente estable cuando el verdadero amor, ese que desgarra el alma, aparece en sus vidas y las lleva a enfrentarse a sí mismas, a hacer cosas que jamás imaginaron, yendo, incluso, en contra de las reglas de la sociedad a la que pertenecen.

Estreno: 15 de julio de 2024 a las 6:30 pm por Las Estrellas y en ViX.

Producida por Carlos Moreno Laguillo, la novela cuenta con las actuaciones de Leticia Calderón, Karla Esquivel, Juana Arias, Mane de la Parra, Andrés Baida, Michael Ronda, Alejandro Camacho, José Elías Moreno, Federico Ayos, Eric del Castillo, Alma Delfina, Luz María Jerez, Yolanda Ventura, Karyme Lozano, Mauricio Abularach, Denia Agalianu, Alejandra Abreu, Damiana Bej, Andrea de Fátima y Rafaela Bigorra.

[jrlrc]

Por qué AMLO nunca critica a Emilio Azcárraga?

Azcárraga Jean es el dueño de Televisa. Y uno de los hombres más ricos de México.

Televisa es una empresa privada que sirvió a todos los presidentes priistas y ha colaborado con todos los presidentes desde 2000. Pasó de dependiente del PRI y porrista priista a independiente de partidos y relativamente crítica, pero sigue siendo dependiente del dinero del gobierno por publicidad y nunca entra en guerra con un presidente: colabora. Siempre. La crítica la usa estratégicamente.

Televisa es la empresa de comunicaciones que más dinero recibe del gobierno de AMLO, como consta en todos los registros de gasto gubernamental en medios -el periódico que más cobra es La Jornada.

Televisa da cabida a algunos críticos de AMLO, como el decepcionante Leo Zuckerman, pero desde el inicio del gobierno le quitó de encima a Carlos Loret -Televisa complació a López Obrador deshaciéndose del periodista- y con el paso del sexenio ha ido aumentando la cuota de obradoristas en sus programas de opinión. En la actualidad de la empresa, en el programa de Zuckerman operan muchos propagandistas de AMLO, en otro Denise Maerker finge equilibrio y Genaro Lozano hace lo de siempre, ser un mediocre que defiende a AMLO. La cobertura de noticias no está inclinada contra el gobierno. No se le tapa todo pero mucho se queda fuera, el sesgo no es antiAMLO.

Ya se respondió la pregunta: por qué AMLO nunca critica a Azcárraga? Porque Televisa recibe mucho dinero del gobierno federal, es decir, del presidente López Obrador, quien a cambio recibe pocas críticas y cada vez más defensas, descaradas unas e hipócritas otras. AMLO nunca critica a Azcárraga -y viceversa- porque es su colaborador. Así que el AMLO que imaginan todos los extremistas de opinión no existe -lo imaginan.

[freneticfloetry]

Hi Courtney! Lightning ⚡️ for the weather wip game please

Sure! 🥰

⚡️Lightning - Have you ever spontaneously added something to your story that you wouldn't have added normally? If so, what made you do it?

Oh man, probably too many to count, at this point. When it comes to Writing Alignment, I tend to live somewhere between Lawful Plotter and Lawful Pantser — I usually have an outline, I almost always write in order. But in the moment, when I’m deep in the throes of writing, the Flashlight Method is often my very best friend.

I had a detailed outline in place for all of to build a home. Most of that unfolded as planned, but more than a few things changed in the moment, and one scene went wildly off-course — the conversation between Carlos and Gabriel in the hospital, after his whole Darryl and Trudie ordeal. That was supposed to be such a heart-to-heart fueled by familial nostalgia and old fears coming to the surface, and instead, it became this caught-of-guard moment for Carlos, as he discovers that all those years of not talking about who he is isn’t quite the same as his parents not knowing. And that all came in the form of Dominic Lozano, who literally sprung fully-formed from my head as I typed.

Basically, I love it when scenes surprise me with the paths that they take, but I love it most when it happens because the characters are driving.

Ask me about the weather. 😉

[larry-is-a-friend-of-ours]

Ok, tweet para mi misma... ¿por qué estas a punto de empezar a ver una serie mierda que se llama "Smiley" sólo con la intención de que, como sale Carlos Cuevas, puedas tener cierta sensación de fin con repecto a Brunol? JAMÁS TE LO PERDONARE, HECTOR LOZANO... JAMÁS.

[unblogparaloschicos]

Literatura: Cuando fuimos los peripatéticos (2018)

El extraordinario éxito de la serie catalana” Merlí” (tres temporadas entre 2015 y 2018) generó un impacto quizás impensado: además de acercarse al mundo de los adolescentes españoles y a sus pasiones y sinsabores, ha facilitado a las nuevas generaciones conceptos básicos sobre filosofía, popularizando el término “peripatéticos” (por los seguidores del filósofo griego Aristóteles). Fluctuando entre la comedia y el drama y narrada por Héctor Lozano con un desparpajo que la hace atrapante, la historia versaba sobre el personaje del título y su relación con sus alumnos, entre los que se encontraba su hijo Bruno, interpretado por David Solanz. Bruno (ningún spoiler) es gay y su padre lo sabe: durante la serie se muestra sus escarceos con Pol (Carlos Cuevas), el rebelde alumno predilecto del poco ortodoxo profesor.

Acompañando el final de la serie surge el libro, escrito por el propio Lozano, que da un repaso a las tres temporadas, incluyendo ese final que desconcertó a todos. Pero no es sólo un repaso somero de su original televisivo: narrado por Bruno a Mina (decir quién es ella sí sería un spoiler), la historia atraviesa su paso por Italia, adonde echa luz sobre los días pasados allí en compañía de Nicola, a quien conoce por esos lares.

Hubo una continuación de la serie (”Merlí: Sapere Aude”, dos temporadas entre 2019 y 2021), una versión italiana (”Un professore”, desde 2021) y aún un segundo libro, también escrito en primera persona: “Yo, Pol Rubio”. Claro, su verdadero autor es Lozano y prosigue sus pasos tras la primera “Merlí”.

No es la primera vez que este romance aparece en este blog: basta mencionar esta nota sobre la pareja mundialmente conocida por Brunol, publicada en 2019:

https://www.tumblr.com/unblogparaloschicos/188930827561/tv-brunol

[docpiplup]

@asongofstarkandtargaryen Do you remember the film La abadesa, the one I told you some months ago that was looking for its cast? Well, I got good news:

Antonio Chavarrías finalizes the filming of 'La abadesa' in the castle of Loarre.

The film will hit theaters in the fall of 2023. During the fall, the production company held numerous casting sessions in Huesca and Zaragoza to find several of the leading actors and extras. The director Antonio Chavarrías finalizes the filming of 'La abadesa' at the Loarre castle, where the team has been working for several weeks in January and February. The Romanesque fortress of La Hoya de Huesca has once again become the setting for a film set in medieval times as it is a unique location due to its beauty and history, according to the producer. Ridley Scott filmed 'Kingdom of Heaven' at this monument and, more recently, Paul Urkijo chose it for 'Irati', about to be released.

In the film, Chavarrías explores the most human and personal side of a historical character, Emma (Daniela Brown), a young abbess who decides to assume her power to face a patriarchal and dominant world in a society that relegated women to a role socially secondary and without content. The plot takes place in "a dark and violent time". A 17-year-old girl is named abbess and is commissioned to repopulate and Christianize border territories and those at war with Islam.

It stars Daniela Brown, known for her work in series like 'Días Mejores' or 'Com si fos ahir'. She is accompanied in the cast by Blanca Romero ('After', 'Bajo Sospecha', 'Bienvenidos al Edén', 'Física o Química'), Carlos Cuevas ('Merlí', 'Historias para no dormir', 'Smiley'), Ernest Villegas ('La luz más oscura', 'La Caza') and Oriol Genís ('Todos mienten', 'De la ley a la ley').

'La abadesa' is produced by Oberon Media (Mónica Lozano and Antonio Chavarrías), Wanda Visión (Miguel and José María Morales), Saga Films (Hubert Toint. Belgium) and Icono 2020 AIE. It has the participation of RTVE, TV3 and Aragón TV. The film will hit theaters in the fall of 2023 by Wanda Visión. Film Factory will handle international sales of the film. Likewise, the Aragón Film Commission, the Provincial Council of Huesca-Tourism of Huesca and the City Council of the Huesca capital have collaborated.

According to its director, 'La abadesa' is "a story that brings us closer to an almost unknown era, very hard and full of contradictions, to focus on the confrontation of three different, complex and antagonistic female worlds, that of Emma, ​​Eloísa and Clara, only united by their status as women in a world that denies them any of their rights."

Antonio Chavarrías, born in L'Hospitalet de Llobregat (Barcelona), is a screenwriter, director and producer of films such as 'El Elegido', from 2016 (world premiere on Netflix), 'Dictado', from 2012 (Berlin FilmFestival - Official Section) ; 'Las vidas de Celia ', 2006 (San Sebastián Festival - Official Selection); 'Volverás', 2002 (Best Director and Special Mention at the Mar del Plata Festival; Best Adapted Screenplay and Best Photography at the Ariel Awards) 'Susanna'; 1996 (Karlovy Vary Film Festival).