#carl lovis

[clouseplayssims]

Carl Cavallario

Nathalie Cavallario

Runa Cavallario

Claes Cavallario

Marta Cavallario

Lovis Cavallario

Pernilla Cavallario

[random-brushstrokes]

Lovis Corinth - Carl Hagenbeck in his zoo with the walrus Pallas (1911)

[maximumwobblerbanditdonut]

Manhunt

Tobias Menzies -Emmy Award Winner in the ‧ Conspiracy Fiction Manhunt - 2024

The 2024 Winter Television Critics Association press tour, Apple TV+ revealed the trailer for “Manhunt,” the upcoming seven-part, true crime limited series starring Emmy Award-winning actor Tobias Menzies (“The Crown,” “Game of Thrones”), and created by Emmy nominee Monica Beletsky (“Fargo,” “The Leftovers,” “Friday Night Lights”), who also serves as showrunner and executive producer. “Manhunt” makes its global debut on Apple TV+ with the first two episodes on Friday, March 15, 2024, and new episodes will debut Fridays, culminating in the finale on April 19, 2024.

Based on the New York Times bestselling and Edgar Award-winning nonfiction book from author James L. Swanson, “Manhunt: The 12-Day Chase for Lincoln's Killer “ is a conspiracy thriller about one of the best-known but least understood crimes in history, the astonishing story of the hunt for John Wilkes Booth in the aftermath of Abraham Lincoln’s assassination.

Part historical fiction, part conspiracy thriller, Edwin Stanton delves into the aftermath of the first American presidential assassination-and the fight to preserve and protect the ideals that were the foundation of Lincoln's Reconstruction plans.

Starring alongside Menzies are Anthony Boyle (“Masters of the Air,” “Tetris”), Lovie Simone (“Greenleaf”), Will Harrison (“Daisy Jones & The Six”), Brandon Flynn (“13 Reasons Why”), Damian O’Hare (“Hatfields & McCoys”), Glenn Morshower (“The Resident”), Patton Oswalt (“A.P. Bio”), Matt Walsh (“Veep”) and Hamish Linklater (“The Big Short”).

Manhunt” is produced by Apple Studios and coproduced by Lionsgate Television, in association with POV Entertainment, Walden Media, 3 Arts Entertainment, Dovetale Productions and Monarch Pictures. Beletsky, Emmy nominee Carl Franklin, Layne Eskridge and Kate Barry executive produce. Swanson, author of “Manhunt: The 12-Day Chase for Lincoln's Killer,” also serves as executive producer alongside Michael Rotenberg, Richard Abate, Frank Smith and Naia Cucukov. Franklin (“Dahmer – Monster: The Jeffrey Dahmer Story,” “One False Move,” and “Devil in a Blue Dress”) also directed the first two episodes.

“Manhunt” will premiere globally on Apple TV+ on Friday, March 15.

Tobias Menzies great actor. I’m determined to watch the series 🍿

[ducktracy]

do you happen to know why there’s a noticeable drop in animation quality in the Daffy vs. Speedy cartoons? I’m very curious

short answer: studio shutdowns, the theatrical industry on the decline thanks to TV, lower budgets, all of their main talent either gone or mentally checked out beyond belief

MUCH longer answer reaffirming the above points!: the WB studio had a bit of a troubled lifespan, and the falling of the dominos can be traced back to the early '50s (or hell even post-war, since there were Technicolor shortages that caused lengthy backlogs) with the first--keyword, FIRST!--studio shutdown in 1953. 3D was on a huge rise around that time, and Jack Warner believed it would be the new industry standard. so! the cartoon department was shut for a few months so they could figure out if they needed to convert and adapt to this new format. Lumber Jack-Rabbit was a bit of a test subject for this

but the 3D bubble was indeed a bubble, and so the studio eventually reopened a few months later. a lot of the shorts are colloquially divided by this time period: "pre-shutdown" and "post-shutdown". the quality difference wasn't as big for directors like Chuck Jones and Friz Freleng, as they still had their units intact, but it made a HUGE impact to Bob McKimson, who was the lowest in the studio hierarchy. he lost his entire unit and wasn't able to get any of his animators back, so he had to rebuild his entire unit from scratch (and in cases like The Hole Idea and most of Dime for Retire, animating entire cartoons himself.) his shorts likewise had the strictest budgets, and that's why you begin to really see a noticeable quality drop in his shorts

fast forward about a decade or so. everyone is getting older, a bit more disinterested, crews are being shuffled around and people are leaving. Carl Stalling retires in 1958, the same year as the musician's strike (which is why there are shorts from that year composed of stock tracks courtesy of John Seely), Milt Franklyn takes over for him until his death in 1962... theatrical cartoons are on their way out the door as TV is growing bigger and bigger. there's a clear decline, both for WB and the theatrical industry as a whole, which is why the Warner Bros studio shuts down for a final time in 1963.

this is where we get a little more relevant to the ask. Dave DePatie was the last exec in charge of the studio, assuming John Burton's role after he took over for Eddie Selzer, who retired in 1958. DePatie and Friz Freleng teamed up to start DePatie-Freleng Enterprises (DFE), and so they leased the old Warner Bros studio and were contracted to produce their cartoons from 1964-1967. this is around the time where the Speedy and Daffy team-ups start beginning in early 1965. Friz directed the first handful or so, but DFE was ALSO making their own, non LT related cartoons at the time, and rolling in the dough with their new creation of a certain Pink Panther. so, Friz as a director started investing his time into these non LT cartoons, leaving Bob McKimson to finish up the rest of his dirty work for him. McKimson's crew is still the weakest, his budgets are still the smallest, and McKimson himself was growing more and more checked out with the job. he had for awhile now, but the death of his wife in the '60s certainly seemed to kickstart that sort of disenfranchisement further. the cartoons are the most obligatory than they've ever been

but don't you worry! the downward spiral still continues! once DFE's contract was up and they moved to a new studio, WB decided to bring back production in-house. such enters the Seven-Arts era, lasting from 1967 to the studio's last gasp in late 1969. Alex Lovy of Walter Lantz fame is brought in as the main studio director, and this is when you begin to see the emergence of characters like Merlin the Magic Mouse, Cool Cat, etc. they were still doing the Daffys and Speedys, budgets still cheap as ever, but attempting to lean into the late '60s animation landscape. all of the other LT characters had been retired by this point, and 1968 would see the last short with any formal LT characters in it (so... Speedy and Daffy)

i also neglected to mention Rudy Larriva's involvement with Format Films. going back to the DFE era, the Format Films studio (known for doing the '60s Popeye TV shorts and The Alvin Show) were used as outsourcing to make a handful of Road Runner cartoons. if you've ever watched a Road Runner and thought "wow, this sucks!" then CONGRATS! you're likely watching one of the "Larriva Eleven".

anyhoo, Larriva/Format Films also worked on some Speedy and Daffys (and when i double checked which ones he did work on, i was surprised to only see 3??? i thought he directed way more), and they too are cheap and quick for the same reasons above

SO! there you have it! and i've been slagging on the Speedy and Daffy shorts a lot, and i can't say it's without good reason LOL. with how many there are and in such a short amount of time and how utterly monotonous they are (as well as a reminder of the integrity these characters USED to have), it's easy to really point to them as the worst of the worst. but, unfortunately, they're just a portion of the studio's continued decline as a whole. all of the shorts were getting cheap and dull and droll--it's (unfortunately) not like the Speedy and Daffys were super flat and awful while the studio was also making amazingly lush Road Runner shorts at the same time.

like MANY of the most popular theatrical cartoon series, WB had a very unfortunate decline that i think is just more apparent to see because they were one of the studios that lasted the longest theatrically. i THINK Walter Lantz and DFE may have been the only studios that outlasted them, but i could be just as wrong so don't quote me on that! i'm not nearly as intimate with my 50s-60s history of the studio as i am the 30s and 40s, but i aim to change that!

[oldsardens]

Lovis Corinth - Artist Carl Stratmann

[power-chords]

Carl Heidenreich, Untitled (1965). Oil. Image courtesy of Richard M. Buxbaum

Alla Efimova, Executive Director of The Carl Heidenreich Foundation, which aims to preserve the painter’s work and broaden its critical and historical recognition, explains that Heidenreich’s art is a story of someone who lost everything, his family, possessions, and art, “struggling to replace and recuperate his loss” by working through the traumatic experience of immigration.

The puzzle, Efimova writes, is that Heidenreich’s late works “do not fit into any accepted narrative of twentieth century modernism.” Richard M. Buxbaum, President of the Foundation’s Board of Trustees likewise argues that the strength of the work means it “should be part of a canon.” One answer is to position Heidenreich in relation his teacher, the great Hans Hofmann.

Hofmann was the only artist of the New York School — the city’s experimental poets, painters, dancers, and musicians working in the 1950s-60s — to participate directly in the early-20th century avant-garde.

[...] Heidenreich preserved, Arendt claims, a quality of “intense inwardness.” This English expression fails to describe, let alone define, the German Immigkeit. Heidenreich’s Immigkeit is comparable, for Arendt, not only to the great lyric poets, but a whole German artistic tradition including Caspar David Friedrich, Lovis Corinth, and Emil Nolde. She sees Heidenreich’s loyalty to their inspiration, if not the tradition for its own sake.

Hofmann believed in a version of Immigkeit, too. In a late interview, he explains his belief in the “spiritual” quality of artistic creation. This is, for Hofmann, not a syncretic “new age” faith, but comparable to the German Geistigkeit. Hofmann thus places himself in the tradition of Spinoza, Schiller, and Goethe, frequently quoted in his lectures. This is, he explains, is a result of a sixth sense, the sense of sensibility, the ability to see or look into things in depth, to discover the inner life. We see only the surface of things, but our sensibility explores the inner life of everything and has the capacity to feel every new relationship to this inner life.

Hofmann’s main interest was how artists translate their own experiences into works of art which reflect the “sensorial and emotional world” according to the “inner laws” of a specific medium. Artists, for Hofmann, must not imitate nature, but transform the external physical reality into spiritual reality, reordering of their experience of nature in the physical form of a work of art, in which “the spiritual quality dominates the material.”

Arendt explains sensus communis (“common sense”) in similar terms. She explains that things appear to us in two modes. We take in the world through our five senses (sight, smell, touch, taste, and hearing). This gives our experiences of things the character of seeming. The world seems to us to be one way or another based on our subjective, personal take on it. Appearances also carry what Arendt calls “a prior indication of realness.” This is sensus communis, a “sixth sense,” an idea which enters western philosophy through Thomas Aquinas, for whom this “inner sense” unifies all objects of the five senses, guaranteeing that the thing we see, touch, taste, smell, and hear is one and the same object.

[...]

Sensus communis, however, lets us translate private sensations into a common language shared by others. Its worldly property is, Arendt explains, “realness.” There is a problem with this, however. Because we cannot perceive it like other primary sensory qualities, the sensus communis is not itself a sensation because, Arendt says, “the ‘sensation’ of reality, of sheer thereness, relates to the context in which single objects appear as well as to the context in which we ourselves as appearances exist among other appearing creatures.”

[loveforbrandonflynn]

MANHUNT

It will premiere on Apple TV+ on March 15th 2024, Brandon will play Edwin (Eddie) Stanton Jr, a war department clerk and the son of Edwin Stanton, played by Tobias Menzies. The TV show is based on the Novel ‘Manhunt: The 12 day chase of Lincoln’s killer’ by James L. Swanson.

After Abraham Lincoln’s assassination, his secetery of war and friend Edwin Stanton goes on a ‘manhunt’ in search for his killer, John Wilkes Booth, played by Anthony Boyle and is almost driven to madness.

Carl Franklin is the director as will as one of the exective producers with James L. Swanson

Full Cast:

First look pics:

Brandon Flynn and Tobias Menzies as Edwin Stanton Jr & Snr

Hamish Linklater as Abraham Lincoln

Anthony Boyle as John Wilkes Booth (Right)

Tobias Menzies and Lili Taylor as Mary Todd Lincoln

Patton Oswalt as Lafayette Baker

Lovie Simone as Mary Simms

[costumedump]

Model Of A Berlin Carriage Ordered By Carl Gustaf Tessin For Crown Prince Gustav

Paris, C. 1750s

Queen Sofia Magdalena's Sedan Chair

C. Late 1700s

Queen Lovis Ulrika's Sedan Chair

C. Mid 1700s

The Royal Armoury

Stockholm, Sweden

[pwlanier]

Lovis Corinth (Tapiau (Gwardeisk) 1858 - 1925 Zandvoort)

Oil on canvas

Hamburger Kunsthalle, acquired with funds from the legacy of Beer Carl Heine (1810-1865), 1941

[aayo-whatt]

tagged by @herefortears thanks sm lovie, i love tag games

Your name: i typically go by 'aayo' online, but sometimes it's 'lucinda' (either or i don't mind-)

Your first fandom(s): uhh, in all honesty either Haikyuu, Harry Potter, or mcyt stuff- i honestly don't remember it was so long ago-

Your current fandom(s): Supernatural, Merlin, ACOTAR, TWD, Stranger Things, Throne of Glass, TGS, POTC, OUAT, Haikyuu and MHA

How did you first get into fandom? I've honestly got no idea- uhh, i just started watching/reading a bunch of series and one day i got bored and went searching (online) for someone i could rant to about everything, and who would understand what im going on about- (totally didn't started on wattpad-)

How long have you been engaging in fandom spaces? hmm, minimum five years, but it was really scattered and i didnt do much in the early days

How often do you read fanfics? not often enough, i try to read as many as i can, though i can almost never find the time to

Top three characters from your current fandom(s): Supernatural: gabriel, gadreel, charlie Merlin: gwaine, gwen, and merlin ACOTAR: helion, cassian (pfp), tarquin/mor TWD: glenn, maggie/carl, negan Stranger Things: robin, dustin, erica (OR eddie) Throne of Glass: fenrys, dorian, lysandra/aedion (cant choose 😭😭) TGS: rachel, hyde and lanyon for sure POTC: sobbing, i havent watched this in ages (minimum 5 years) i can barely remember these people- OUAT: regina, hook and henry Haikyuu: sakusa, suna anddd either tsumu or bokuto MHA: kaminari, kirishima, sero

Have you ever written fic for a fandom? God yes. So many that were so cringe and got abandoned, and even more that have never been published.

Have you ever drawn fanart for a fandom? Yes. Never posted, but yes.

Share a personal headcanon that you feel very strongly about: aedion has the manliset man bun you've ever seen there's more, but that's a big one for me

You’re trying to convince a friend to get into your current fandom(s) with you. what episode, clip, or scene are you showing them? idek- smth that either made me laugh so hard i nearly peed myself, smile so much my face hurt for hours afterward, want to punch [character/writer/director/whatever name] in the face so many times, or made me cry so much i could barely get out of bed days later

And finally, what does fandom mean to you? hmm, being able to all caps rant to someone about this thing you hated/loved in a fandom, or just being accepted by a group of people/person who you might not know irl, but consider family/really really good friends like holy fuck we're besties, i want to marry you platonically and we can adopt all of our blorbos even from fandoms we dont share we can all be one absolutely massive family that puts the fun in dysfunctional

(no pressure) tagging @aliens-took-my-iwa-chan @reverie-starlight @gay-destiel and anyone who'd want to join!

[3bentretenimiento]

MANHUNT Caza del asesino de Abraham Lincoln Tráiler español AppleTV+ Tobías Menzies y Lovie Simone

Manhunt es una miniserie de televisión estadounidense creada por la showrunner Monica Beletsky . La serie sigue la búsqueda de Edwin Stanton de John Wilkes Booth después del asesinato de Abraham Lincoln , basando la historia en el libro Manhunt: The 12-Day Chase for Lincoln’s Killer de James L. Swanson . Carl Franklin dirigirá y Tobias Menzies interpretará a Stanton. La serie se está…

[clouseplayssims]

Carl Cavallario

Nathalie Cavallario

Runa Cavallario

Claes Cavallario

Lovis Cavallario

Marta Cavallario

Pernilla Cavallario

[ahoexploringinteractions]

Trenings film:

Hva:  Vis en øvelse, men spill den inn baklengs for deretter å konvertere den til forlengs… ???

Sjanger velger dere selv!

Lengde: maks 30 sekunder

Group 1: Astrid, Kim T, Alek,Arin, Oda, Ola august

Group 2: Herman, Julian, Vibooshan, Signe S, Milla

Group 3: Peter, Jens, Line, Hugo, Fredrik

Group 4: Maria, Sophia, Jimmy, Fabian, Isak H

Group 5: David, , Tobias, Kim S, Yunus

Group 6: Sophie, Gudrun, Sina, Mina, Lillian

Group 7: Andreas M, Chaumiya, Signe W, Isak S, Andreas L

Group 8: Vegard, Willy, Dagny, Neo, Serafin

Group 9: Kip, Julija, Rebekka, Petter, Vilde

Group 10: Idun, Silje, Lovis, Meea, Rose

Group 11: William, Lin, Nicolai, Magnus, Carl

Group 12: Emma, Carine, Marte, Jonas, mathilde

Last filen opp til box:

[kingdomofedirann]

Basic Information

Name: Pernilla Cavallario

Age: Child (Child)

Sexuality: n/a

Gender: Female

Mortality State: Human

Location: Edirann City

Position in Society

Title: n/a

Class: Nobility

Heir: n/a

Personality

Primary Aspiration: Grow Up

Secondary Aspiration: n/a

LTW: n/a

Zodiac: Gemini

Personality: TBA

Traits: Equestrian, Eccentric, Fashionable

Preferences

Likes: TBA

Dislikes: TBA

Hobby: Science (Metallurgy)

Addictions: n/a

Religion: n/a

Favorite Color: Grey

Favorite Material: Fabric

Aesthetic: Tudor

Favorite Clothing Style:

Favorite Location: TBA

Genetics

Skintone: Warm Tan

Eyes: Light Green

Hair Color: Light Brown

Hair Texture: Straight

Hair Thickness: Average

Height: n/a

Body Type: Maxis

Body Hair: n/a

Other: Widow's Peak

Relationships

Father: Carl Cavallario

Mother: Xanthe Cavallario

Spouse: None

Siblings: Nathalie Cavallario, Runa Cavallario (luck baby, half sister), Claes  Cavallario, Marta Cavallario, Lovis Cavallario

Children: None

Other Relatives: None

Allies:

Rivals: None

Other: None

History

Birthplace: Kingdom of Edirann

Place of Death: n/a

[photostrust]

Diogenes painting

With Max Liebermann he became one of the leaders of German Impressionism, though his vision remained closer to that of Rembrandt than to that of any of the French Impressionists. He opened an art school, and married one of his first pupils. The enjoyable life he had in Berlin was mirrored in the work he did there, which grew richer and brighter as he laid his pigments more thickly and freely. He left Paris in 1887, lived for a short time in Berlin, and then, apart from frequent journeys in Germany, Switzerland, and Denmark, he settled in Munich until 1900. When Corinth was in Paris more than 20 years later, he went daily to the Louvre. Corinth's stylistic masters at the time were Rembrandt, Rubens, Frans Hals, Velazquez, and the realist par excellence, Gustave Courbet. He was unmoved by what he saw of Impressionism in Paris, but admired the realism of a painting by Wilhelm Leibl, The Poachers, that was on view there. His ability was noticed by his father, a master tanner, who sent him to study art in Koigsberg on the Baltic.Īt the age of 20, Corinth went to the Munich Academy, and at 26 to Paris, where he took lessons at the Academie Julian and painted mostly portraits. As a child he sought relief from his hostile brothers and sisters by drawing. Lovis Corinth was born on July 21, 1858, at Tapiau in eastern Prussia. 45-day Satisfaction Guaranteed and 100% Satisfaction Guaranteed.Send you a digital copy via email for your approval before.Need special frame for oil painting? Please Canvas stretched on wood bars for free.The cheapest shipping rate from DHL, UPS, USPS, etc.You can order any painting in any size as your requests.In stock items ship immediately, usually ships in 3 to 10 days.No middle people, directly ship to the world.Additional 2 inch blank border around the edge.100% hand-painted oil painting on artist grade canvas.Why settle for a paper print when you can add sophistication to your rooms with a high quality 100% hand-painted oil painting on canvas at wholesale price? Order this beautiful oil painting today! that's a great way to impress friends, neighbors and clients alike. Sir John Everett Millais paintings (246).William McGregor Paxton Paintings (136).Sir Lawrence Alma-Tadema Paintings (245).Frederick Arthur Bridgman Paintings (208).John Frederick Herring Sr Paintings (852).John William Waterhouse Paintings (118).Frederick Carl Frieseke Paintings (185).Charles Courtney Curran Paintings (150).Cassius Marcellus Coolidge Paintings (30).Maurice Brazil Prendergast Paintings (349).Frederick Childe Hassam Paintings (808).Henri de Toulouse-Lautrec Paintings (279).

[lindadigsgraves]

Riga Great Cemetery. Latvia