Like you, I’m not here to think about Jamie and Noble in the context of pandemic quarantine. As a cop and a [redacted], they’re both Essential and wouldn’t probably get to spend any extra time at home anyway. But I’m certainly not opposed to shorter stuck-at-home scenarios for less terrible reasons. And would it be Joble fluff from me without (lap? hip? whatever) straddling? 😘
OHMYGOD y'all. This is what im talking about. Can you believe this is the life that awaits Jamie once his life stops falling apart?? Everyone appreciate this plz.
***
The apartment building’s sheltered hallway takes the edge off as I step out of the bone-chilling wind, but the tension in my hunched shoulders doesn’t melt away until I reach Noble’s front door. I’m greeted in his entryway by a blast of warm air and a subtly sweet aroma I don’t recognize.
“Jamie? That you?”
“No, nope, it’s Santa Claus a month late.”
As he rounds the corner I don’t miss his unimpressed eye roll. “Okay, ha, ha—“
“I’m not showered,” I interrupt, dodging his kiss, “and after today, I really need it.”
“You didn’t shower at work?”
“No, I decided to come straight here since someone had been texting me all day about how bad it’s supposed to get…”
“Hey, it was only like, four texts,” he insists. “To make sure you knew the latest forecast. Now they’re saying eight to twelve inches tonight with more tomorrow.”
I raise a suggestive eyebrow at him as I hang up my jacket. “Eight to twelve inches, huh?”
He’s not amused. “It’s getting bad out there!”
“But it’s nice and warm in here, and you’re not going into work tonight, and I’m going to take a shower and then you can tell me what smells so good.” I’m careful not to lean my body too close to his as I meet his lips with a quick, chaste kiss. “Okay?”
“Your lips are cold!” he grumbles to my back.
I’m already halfway across the apartment. “Give me ten minutes, dude.”
Though I’d intended to shower quickly, I let myself stay under the steaming water for a few minutes after I’m done scrubbing off my shift. After one unpleasant guest managed to both urinate and vomit in the back of our RMP — earning himself a trip to the ER for detox instead of waiting out the snowstorm in a homeless shelter — my partner and I spent the rest of the shift patrolling on foot. The wind picked up and the temperature dropped throughout the day and now it feels good to thaw out stiff muscles before I find sweatpants and a clean t-shirt and head back out to Noble’s living room.
He’s in the kitchen with his back to me when he hears me emerge. “I was gonna order Chinese, how’s that sound?”
“So you wanted me to rush home before it gets too bad out there, but you’re gonna make some poor delivery guy bring us orange chicken in the middle of a blizzard?”
“I’ll give him a big tip,” he shrugs as I move next to him, pressing my shoulder against his at the counter. “Oh, hey.”
“Hi.” Stretching up, I greet him with another kiss, a real one this time. “What’s all this?”
“This” —he gestures dramatically at the crockpot full of dark liquid in front of us — “is the best hot chocolate you’ll ever taste. And it’s about to get even better.”
“Oh. I’m not really—“
I mean to say a big fan of hot chocolate, but Noble shushes me before I can get the words out. I raise inquisitive eyebrows as he reaches into the liquor cabinet to bring down two bottles. “Which one?”
“For the hot chocolate?” I clarify. “Uh, the Kahlua I guess.”
“Really!” Noble’s head falls back with a surprised laugh. “And I figured you’d go for the bourbon.”
“I’m full of surprises.”
“Apparently!” He’s grinning as he spikes the hot chocolate with a generous pour. “Alright, and I know you’ve said you don’t like hot chocolate but trust me, this shit is so rich it’s like dessert in a mug.”
Noble ladles two steaming mugs full and leads the way to the couch. We’re a few episodes into Mindhunter and the blizzard outside, perfectly timed with two days off for both of us, will probably let us finish the rest of the series before we next venture out of Noble’s apartment.
“Okay you’re right, this is good,” I have to admit, settling back against the cushions next to him.
“See? You just have to trust me to expand your horizons.”
“I’m more worried about you expanding my waistline. Whenever we move in together, I’ll have to start—“
Noble leans sideways on the couch to regard me with an intrigued stare. “When we move in together?”
“Well yeah, someday. In the not-so-distant future.”
He glances around his apartment then lets his gaze fall back to catch mine. “As long as when someday comes, you move in here. Your place is nice but I’ve got more square footage.”
“You just don’t want to give up your kitchen island.”
“Yeah, I do like my kitchen island.”
Between my warm, boozy drink and my boyfriend pressed close against my side, that last lingering chill in my bones has finally edged away and I can’t help laughing at his admission. “My bathroom is bigger though! I mean, both of us using your tiny — water closet…”
“We make it work now!” he says.
“Yeah, for what, a night or two per week?”
“We’ll look for a new place then,” Noble decides. “A nice kitchen for me, a big bathroom for you. So we each have a luxurious room to spend most of our time.”
I dig my elbow into his side. “I don’t know why the bathroom is for me when you’re the one who’s full of shit.”
“Oh I’m full of shit? How’s that hot chocolate, Jay?”
“It’s alright,” I shrug noncommittally.
“It’s alright. It’s alright, he says!”
“Oh, shut up.”
“Oh! Why don’t you make me?”
Reaching to the side, I set my drink on the end table. And I lean back into Noble, craning my neck until I reach his lips and shut him up.
He obliges me for a second, his kiss sweet and unyielding until he breaks away to ditch his own mug. With his hands free he meets me again with an insistent mouth and wandering fingers that find their way to my waist. I push against him and he gives up his leverage, shifting to his back on the couch as I quickly follow on top of him, one knee landing on either side of his waist.
Noble’s hands frame my face, trying to maintain a shred of control but I’m quick to grunt my disapproval and grasp his wrists to take it away. Pinning his hands on either side of his head, I let my hips move against his in deliberate slow downstrokes as my lips work down the ridge of his jaw.
“Fuck,” he exhales the airy word and arches to meet my hips, his arousal obvious. “Oh my god, take your clothes off. Right now.”
My grip eases up and one hand tangles in his hair. “Mhmm,” I hum. “Go ahead, make me.”
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Blue Bloods 9x05 “Thicker Than Water” Recap/Ramble/Rant
The ranting is very mild this week. This was An Good Episode.
I am trying to condense these Recaps somewhat, so that they’re less novelizations and more Highlights. It’s my tendency to novelize bloody everything…and I’d like to have room for a screenshot now and then.
That said, let’s get started. SPOILERY SPOILERS THAT SPOIL below the cut.
OPEN ON: Reagan Annex, that is, the House of Dudes. The living room is a semi-controlled vortex of bins and clothing. Jack is off to college, and Danny is in a bit of a state, trying to juggle bill collector calls and advise his elder son on clean socks and condoms while he has the chance.
I sincerely hope that at some point, there was little more detailed a sex talk than “You’re not a kid anymore and there’s gonna be girls there.” But good call on simply packing them like NBD, this is your grown-up packing list now, son. And if not for Jack, then they could be a lifesaver for someone else. [I enjoyed being the Condom Fairy in a hostel for several weeks, even though I was completely solo myself: an awesome way to make friends and also double-check that people actually wanted to do the do with their fellow travellers without being pressured.]
As Danny takes another call, this time from Baez, Sean and Jack get into an absolutely spot-on bit of brothering, with Jack being just the slightest bit condescending and Sean ragging him just enough to get a reaction.
Sean heads off to school with a little backwards glance at his big brother. The Terraciano brothers have grown up so well, and clearly they still get a kick out of working together.
CUT TO: Street scene. Baez and Officer Cosgrove (tall, blonde and radiating sass even without a word) greet Danny, who is noticeably frazzled. Baez comments on the frazzle and asks if he wants to talk. Aww. Danny, surprisingly receptive, says with a certain self-awareness, “I probably do, but not now.”
They’re there to investigate the most futile shooting ever. A doctor was targeted and took twelve shots, but instead of a messy cleanup, Baez freestyle raps, “No need, all shots missed / except the one that grazed his wrist.”
The doctor, McCandless, is sitting on the stoop of an ambulance, and I can sense @cards-onthetable twitching about bad medical hygiene and doctors who should know better.
CUT TO: Office of E. Erin wanders down the hallway with her morning coffee, looking absolutely On Point in a long, sleek belted sheath dress in black and coloured stripes and soft-looking hair. (Hair & Makeup has also stopped plastering eye makeup on both Bridget and Vanessa, and they both look years younger and less weighed down by the world.)
Erin is looking for Tony, who shuffles in late and discombobulated. After some gently prying – and a notification from Camryn the clerk that someone ran up eight grand on Tony’s office credit card that morning – Tony fesses up that he got rolled by an online hookup. The poor guy is mortified and wants nothing more than to forget it ever happened. Yikes. That’s an expensive forgetting, there, champ.
Erin is left with an utterly priceless look on her face.
CUT TO: The shooting scene. Cosgrove is about as sassy as she looks, trading eyerolls and patter with Baez like they’re old pals (my headcanon is that Baez is Big Sister to every female officer and a few male officers in the five-four). Danny is speaking with Doctor Sunshine – sorry, “The Baby Magician”, a fertility doctor. He’s extremely smiley and has a hip little micro-ponytail like he’s a Vegas showman or something. He toothily assures Danny that he has no enemies. Everyone knows he only wants to help them. He’s even about to go to an annual picnic in his honour. Uh huh.
Cosgrove is roped in to drive McCandless to his damn picnic, and Danny and Baez get serious, deciding where to start interviewing.
CUT TO: A PT room in a hospital, filled with walking bars and balance bars and therapy tables, and just a bit of natural light from high windows. A middle-aged man, Detective Moreno, is slowly and painfully working on his walking, with the help of his therapist. Enter Frank, in beige trenchcoat and tinted glasses, looking more potboiler private eye than PC. He smiles and waves, and Moreno greets him, pleased to see him.
Moreno rolls up in his wheelchair, and the two chat easily at first. Moreno has taken two bullets in the back on duty, and Frank assures him that the department will take care of all of his expenses and needs. Moreno wants his job back. Frank has come by with the news that unless he’s willing to ride a desk, his return to active duty is not going to be okayed by the medical and insurance people. Ouch. That’s got to sting. Frank offers him full retirement or an admin job, which is pretty decent. But it’s cutting him up to have to say so. Moreno has the whole outward aspect of someone who lives for being a cop, and a good one.
Moreno then asks for one favour: to find and fire the cop who refused his son Jay, also a cop, the guarding post at his father’s hospital room when he was injured. Frank’s moustache promises to look into it.
CUT TO: Credits! A long intro, but felt faster than eight minutes. Great pace. Dorky musical couch dance interval.
CUT TO: The two-nine. Daytime, so Eddie’s tired amble down the hallway is possibly because she’s at the end of a long shift. Or she may be back on days. Who knows? An Officer Irving has called her on account of finding Frank’s courtesy card on Sean, who claimed that Eddie was family (Awww.) We get a close-up of Sean and some of his classmates sitting meekly all in a row on a bench, in school uniform, a bag with a broken twelve-pack beside them. Oh, dear. We’ve been down this road with Jack before.
As Irving coordinates with Eddie, Sean pipes up, “JUSTYOUNOTUNCLEJAMIE” and I melt. Good call, Sean – I rather think Eddie’s been there herself. She rolls down the corridor, thinking of how she’s going to handle being dropped in the deep end of Aunthood.
CUT TO: Office of F. After Frank finishes being cute about wanting to take a swing at-bat instead of throwing a ceremonial first pitch at an event, Gormley brings up Moreno Sr. and Jr. It turns out that it was Jay’s choice not to guard his dad in the hospital, not an order from above. The entire family are cops or work in emergency services. It’s unprecedented to refuse that kind of duty, Frank says in wonderment.
“Kinda like if a Reagan did it,” Gormley anvils usefully.
CUT TO: Adams Park, where Eddie is speaking to Officer Irving and his partner about her class-cutting nearly-nephew. Eddie takes a mild approach, at first: “Skipping school, getting boozed up…really?” I think that would be my reaction, too. This kid knows better. It’s more a matter of why? Mind you, I was a kid raised in a Held To A Higher Standard family, too, and sometimes you just gotta do shit. Eddie keeps it pretty cool, reminding Sean that even aside from the Higher Standard crap, cutting class to drink while underage is clearly never the right thing to do. But she pulls out a bit of hardass, telling Sean that he’s used up his one-shot courtesy card, and insisting that he answer her properly. And then –
“Good, ‘cause I’m starting to sound like your Uncle Jamie, and it’s scaring the hell out of me. Let’s go.” AHAHAHA CACKLING FOREVER! Girl Scout.
CUT TO: Doctor Sunshine’s ex-wife’s house. Danny and Baez are making preliminary enquiries. The good doctor was more sunshiney on the outside, according to his ex, and soon there was no room in the marriage “anything but his patients or his ego”.
Danny calls the son out for eavesdropping (Ha! More good Dadding from Danny), and the surly youth offers to hire the shooter a lawyer when they find him. All his mother says is, “Oh, honey, don’t say that.” Danny chortles, but has to ask him where he was at the time of the shooting. The kid was studying at NYU, and the ex-wife was at Pilates.
The kid gets up in Danny’s face and tells him it’s time to leave. Attitudinal little twit. Danny give him quiiiite a look, and he and Baez leave without further ado.
CUT TO: Office of Tony. As he is shaking his head sadly over the online profile of Donna, 36, Erin comes in. Tony hides his phone under a newspaper – literally – and switches to business. Erin gingerly removes a bag of takeout barbeque or something from his guest chair, and sits down. She’s had the fraudulent credit card charges written off, and has dug down on Donna, 36.
“Didn’t I tell you to drop it?” Tony asks.
“Yeah,” Erin agrees. “That’s the beauty of being the boss. I get to call the shots.” It’s lovely how her affection just shines through all of this. She explains that a woman with the same description has pulled this off with at least ten other guys, and assures Tony he’s not the schmuck he feels like.
“If we grab her, I’ll get outed,” Tony protests, when Erin wants to go after her. And I feel a real pang for the guy, because for all it’s nearly impossible for women to report date fraud (let alone date rape) male victims have their own social barriers and reactions of disbelief and scorn to contend with, too.
His job is to see things a mile off, he says. If this gets around, he’ll be laughed out of the building.
Erin gets serious at that. “You are the victim of a crime,” she says, “Now, what do we tell victims in this building?”
(“I believe you”, I hope…)
“There’s no reason to feel shame, because you’ve done nothing wrong,” Tony recites. Pulling himself together, he prepares to launch a search for her through the dating app. Erin points out he won’t get in the door without a subpoena. Her eyebrow says she has something cunning in mind and with less paperwork involved.
CUT TO: Tony’s apartment, a spacious, airy open-plan flat about four or five storeys up, overlooking a ball park. It’s very modern and clean, in total contrast to all of Tony’s workplace habits, as Erin points out.
Erin stands in the kitchen in her lovely dress, gloved up for a search, like a proper Reagan. (No booties, bonnet or bunny-suit, though: she’d never pass muster at an actual crime scene.) Tony comes around the corner and tries to hurry her along, saying they’ve looked everywhere and there’s nothing to print and nothing to pull DNA off. (Um, really? I think CSI could find something.)
Tony ribs her a little about having booty calls with Jack, which she denies (you little liar), but then he soliloquizes about being lonely and single. Aw, Tony, you big bug. He tells her a little more about his date with Donna, and she doesn’t bust him at all, but sympathizes genuinely. He asks her plainly why she’s settling for random Jack reruns, and she just shrugs and admits it’s a good question. These two are so great when they let themselves lean on each other.
Tony tries once again to hurry them out, and Erin says she thinks he’s holding back on something. Which was entirely predictable, but they play it perfectly in character as a genuine moment: Tony sheepishly pulls out his handcuffs and suggests they might get Donna’s prints off them.
“You know the expression TMI? This goes way beyond that,” Erin keeps her voice very calm, as the Soundtrack of Lilting Nonsense plays.
CUT TO: The two-nine, where Eddie is feeling badly about spilling Sean’s secret to Jamie right away, as much as being concerned for Sean.. And really, I don’t think Sean would expect Eddie to keep a real secret from Jamie. Kid just needed a bit of a buffer, without the entire family sitting on his head. Jamie tries to calm her down. They’re back on form, with the perfect timing and poking each other even when they’re supporting each other totally.
Eddie asks about the Reagan Rules regarding secret-keeping. Jamie tries to explain that certain things are more of a need-to-know, like giving the boys courtesy cards.
“It’s good, what you did,” Jamie tells her, earnestly. “Any of us would tell you the same.” Eddie moves from concerned to dubious to charmed to alarmed in half a second, because Vanessa can do that.
When suddenly: Danny walks in the door right behind Jamie, loaded for bear.
“Danny! Come to see the new digs?” Jamie tries. Danny is having none of it. He’s on his way back to work after being called into Sean’s school. Oh, dear. Everyone’s busted. And Danny’s concerns are bigger than one escapade: Sean’s picked a fight, he hasn’t been doing his homework and his grades are slipping.
“That’s rough,” says Uncle Jamie, perhaps thinking of how recently Sean’s mother passed away, and how soon his big brother is going to be going to college and leaving him baching up with his old man.
Danny proceeds to take a small strip out of Eddie for getting Sean off the hook for underage drinking. Which, okay, a first warning with a responsible adult to take charge? That’s what most cops would do.
“You two wanna raise kids, feel free to have your own,” he says, “But leave raising Sean and Jack to me, okay?”
I am stuck somewhere between big sappy heart’s-eyes and OUCH.
Jamie turns his puppy dog eyes to Eddie, who looks highly nervous about the next dinner. Also? I adore the old office gack they have for the two-nine sets. I remember those card files and OMG FLOPPY DISK BOXES and scrolled wooden desk chairs and all…
CUT TO: Office of E. Erin, still looking like a million bucks in a slim grey pencil skirt and grey and white fluttery blouse, emerges from the elevator. Tony has tracked down Donna’s real name. She’s actually a Maud Weaver. Hm. Okay. Maud has a long string of complaints and a history of rental fraud and/or offering sex for rent. There’s no current address.
Tony, sly dog that he is, suggests making a fake profile on the dating app to snare her.
CUT TO: Office of Dr. Sunshine. Danny and Baez have examined local security video, and while they haven’t spotted the shooter, they’ve found footage of a young woman who’s been lurking around the place. The Dr. recognizes her as someone who worked just one day as a clerk, two weeks back. She wasn’t fired – she was great, he says, but she left after one day without even her paycheque.
At least he has her ID and place of residence.
CUT TO: Office of F. Baker (Baker! Baker! Baker!) greets young Jay Moreno outside a borrowed office at the One PP, and assures him, “No formalities today, Officer.” Moreno, hat in hand, finds Frank therein, with coffee and sandwiches. Frank sits him down for a fatherly chat, assuring him that this is a way to stop the entire office clocking who’s been summoned to the fourteenth floor. (And for sure nobody is going to make eye contact with Baker, standing guard outside.)
Frank asks Moreno to explain why he didn’t take the hospital post to be near his old man. Jay explains that out of a family of cops, he’s the only one whose heart isn’t in the job, despite his Excellent Service Award. He’s a good cop because he’s been well trained, but he has a Master’s Degree in Urban Planning – shades of Jamie Reagan, but into community development rather than law. Jay, however, feels stuck, and he can’t back out now that his Dad’s out of the business. He loves his Dad. But he can’t stand all the Brothers-in-Blue that would come along with guarding him, not when he knows it’s not his true calling.
Frank seems to understand. He has to have wondered from time to time if all three of his boys could really have been called to be cops, or if they were just doing it out of love and duty. He promises Jay to keep the conversation between them.
This whole scene was so well played. The young man playing Jay slid so easily into character across from Tom Freaking Selleck, and held his own the whole way. Tom just gave him space to work, trusting him, and they made what could have been a maudlin bit of script into something that felt like the sand everyone gets under their skin where family is concerned.
CUT TO: Office of F, fourteenth floor. Frank, Baker and the Two G’s are sitting discussing the situation (so I guess the idea of “keeping this between us” in Frank terms just means not bringing Moreno Sr. into the loop). The Moreno family has a combined century of service between then, something they should be proud of. Gormley thinks maybe the kid hasn’t has his defining moment as a cop yet, the event that makes him really feel that he’s living the life.
“Is this a first, you without an opinion?” Frank asks Garrett, who is over at the coffee tray.
“As has often been pointed out, I’m not a cop,” Garrett says, and SERIOUSLY let it go, Moore. But he does have a point to make: “As a non-cop, I don’t go all butterscotch-and-marshmallows talking about a big cop family.” Heh. What if they were talking about a surgeon who didn’t want to practice surgery, he says. What if he’s in a shootout and has to cover his partner?
“If he freezes up,” Frank says, standing directly in-frame with the portrait of Roosevelt that could be his own father in looks, “That’s his defining moment.”
In such a cultish show about cops, it’s refreshing that the writers deal with the family outliers who definitely don’t want to be cops – Jay Moreno, Erin herself. Jack still on the fence. Also, that scene was beautifully claustrophobic in framing. Just saying. It fit the theme perfectly.
CUT TO: A classy looking diner, into which strides a classy looking Erin. She spots Donna, 36, and make a beeline for her table. Sliding herself across from Maud, she sweetly explains why she is there, outlining the many crimes Maud is accused of, and placing her under arrest. (Erin is wearing a heavy silver chain necklace that in certain contexts would clearly be a slave necklace, and when put together with Maud’s prints on Tony’s cuffs, my brain is now in double-TMI land. I’d have figured Erin for a dom, but hey, switch away, my good lady.) When Maud laughs in her face and claims that Erin must be making a huge mistake, Tony appears out of nowhere and assures her there’s no mistake.
Such teamwork. As Erin smiles to herself, Tony marches Maud out of the diner in cuffs, and not for fun.
CUT TO: Reagan House. Dinnertime. Nicky asks Jack if he’s signed up for his classes. Not yet, he says – he’ll wait till he gets down there. (WHAAAT? Says I. No, no, no, son. You get all of your classes ready to enroll and you wait with your finger on “Submit” the very second your reg window opens.)
“Most of them will already be filled up,” Nicky assures him. Yup.
“Seriously? Why?” Jack asks. Seriously, you have to ask, a bright kid like you?
“Nobody knows. Just the way it works, for freshmen,” Nicky smirks, being a recent graduate and all.
Ain’t that the truth. First year you take the crumbs on the ground. Second year, the herd has thinned out and it’s way easier. Third year, you’ve got mostly small seminars instead of lectures again, and whoa, things pack up. Fourth year, you better pray to your favourite great whatever high atop the thing that you get the mandatory courses you need without having to wait around another few terms…but anyway. My Spring Term reg date is two weeks away, and you better believe I’ve got seven upper level courses ready in my online cart, in hopes of landing a seat in three of them…
Sean instigates another round of brotherly heckling, which Danny shuts down as Jamie tries to re-direct things into asking after Jack’s major.
Now this is where I get interested, because in my head/fic canon, Jack plans to major in broad Public Policy studies with a Cognitive Science concentration, at Princeton. Eddie did Business and Marketing at a private college upstate, and Erin did a joint Lit and Poli Sci degree before law at Columbia.
The writers proceed to burst my bubble by making it canon that Jack hasn’t yet decided on a major, that Eddie did Art History and Erin did (or started) Botany. What? I could see Eddie taking a few Art History classes, and I could see Erin maybe enjoying learning all the Latin names and respiratory structures of variegated begonias and monocots, but not as a major…whereupon I pull out my CANON IS FOR SUCKERS t-shirt.
Anyway. The adult siblings™ are totally on their game, back-and-forthing about how they turned out okay despite majoring in subjects that have nothing to do with where they ended up. I’m 100% nodding along, having ended up so far off where I thought I’d be that I still marvel at it.
Frank launches into a classic Frank homily that is nevertheless heartfelt and wise, and I wonder if Tom really was speaking to the grandkids who have grown up onscreen around that same dinner table. Frank, though, is clearly thinking of his conversation with Jay and with Garrett, and maybe remembering Danny’s past conversations with Jack about To Cop Or Not To Cop. He wants Jack to be aware of his right to be his own person, to take what is valuable from his family but forge his own way.
“I like to think that your dad, and your aunt and your uncle do what they do because they were called to it, not because they were pushed. I like to think…to hope, anyway,” he finishes. Erin, who we know went through her own turmoil about joining up, looks particularly keenly at her father, watching his face. The others look pretty touched.
The family raises its collective glasses to Jack.
CUT TO: The kitchen. Jamie (ROLLED SLEEVES DOMESTIC JAMIE ALERT) is scrubbing the dinner dishes, and Danny is bringing in the last lot.
Jamie tries to re-open the issue of Sean, or rather, Eddie getting involved with Sean’s troubles, and Danny turns on the snark. Jamie takes a breath and tries to keep going. He thinks he knows why Sean’s acting out so much, he says. Jack’s going away, and maybe in Sean’s mind, he’ll stay home if he sees that his kid brother is going off the rails and needs him. He knows, because he did it himself when Danny left for Camp Lejeune. Aww. He must have been, what, eight or nine?
“What, you get a B-minus on a test?” Danny cracks.
“A-minus, it was a dark time,” Jamie answers in a rush, like it’s a painful memory he doesn’t want to revisit, and I nearly snort my tea.
It doesn’t quite work, though. Danny, trying to keep his cool, says he sincerely loves Eddie (Awww) and that they’re great together (WE KNOW) but that the two of them have to mind their business.
That get Jamie in the buttons. “You know what, we already apologized,” he says, “You got a problem with that? Go to hell.”
Yup. Brothers.
Danny knows he’s probably in the wrong but he’s not going to admit it just then. He throws his kid brother a look and stalks off.
CUT TO: Office of E. A female detective is taking custody of Maud, because Tony intends to take the stand. As the detective says she’ll return his cuffs, Erin pipes up, “You might wanna wash those, first.” Hee!
“Could you not?” Tony growls.
“What?” Erin asks, all wide-eyed. Then they share a truly lovely smile. “I’m proud of you,” she tells him. She offers to set him up with a friend from the Brooklyn DA’s office, but he declines, with thanks.
CUT TO: The five-four. Finally, back to the shooting plot. Danny and Baez have the lurker in the interview room. They unwind a sad and sordid story from her, culminating with the fact that Dr. Sunshine the Baby Magician is not only the fertility specialist who assisted her parents, but her biological father. The good doctor used his own sperm to create her and nobody knows how many others.
“Could be one of them’s our shooter,” Danny says, looking ill.
CUT TO: Dr. McCandless’ office. Danny and Baez arrive and put him in cuffs. He laughs it off at first, saying it’s just a misunderstanding. Eventually his mask slips off and he yells that of course he did it – he was helping people, giving them something they needed. YUCK. We’re actually dealing with a case of this up here right now. Yuck.
CUT TO: A bench on the East River Promenade on a beautiful autumn afternoon. A portly fellow tucks his phone back into his pocket, and pulls out a small handgun instead. Oh, dear.
Danny appears beside him, speaking softly. He explains that his daughter covered for him, diverting their attention to unknown persons, until he sent her a goodbye message an hour ago. (I assume they pinged his cellphone by super-urgent red-hot subpoena.) Danny keeps him talking, and eventually gets him to give up his gun.
The man turns around, and his daughter is there waiting for him. Thicker than water indeed. The full text of the proverb, by the way, is “The blood of the covenant is thicker than the water of the womb.” 99.99% of the time, it’s misquoted and twisted 180 degrees from its intended use. The point is supposed to be that family means many things, and doesn’t have to define an individual.
CUT TO: Reagan Annex. The camera drone swoops down from above on Danny and Jack stuffing Danny’s car as full as they can, for the first of many college runs.
Eddie and Jamie step out of the house. Jamie is still wearing the same black polo and beige chinos he’s worn on every day off this season. Eddie’s in – I swear to God – a denim pantsuit with a ruffled halter top. As Vanessa, it’s a sweet look to rock to brunch on a sunny Saturday. As Eddie, it’s…please, no. Eddie helping someone move would be in her oldest jeans and a ratty t-shirt. I love the bouncy ponytails they’ve had her in, though I did see that Vanessa’s tired of cop hair. (I know, honey, I know. I’m sure she’s seen what real live female officers go through with their hair, and why so many chop it all off.)
ANYWAY. This was supposed to not be a novel.
“Maybe he wants to show off how good a dad he is?” Jamie wonders. I’m getting all melty with these two and the this-will-be-us-soon chat. Highchair at the dinner table in a year, you think?
“Gonna miss you guys,” Jack says sincerely. For the hundredth time this episode, AWW. He gives his uncle a hug, and then his Aunt-in-waiting.
“We’re only a phone call away,” Eddie reminds him. I don’t know where the fictional Hadleigh College is supposed to be, but it’s apparently a drive away, too.
Jamie slips Jack some mad money, being that kind of uncle, and no doubt remembering what being a broke college kid is like.
Sean appears in the door, looking a bit surly and down.
“C’mon, man, come say bye to your brother,” Jamie calls.
“Alright, I guess I’ll see you around,” Sean mumbles.
“Actually, you’re coming with us,” Jack tells him. Sean brightens right up. I guess he thought he was going to be staying at his grandpa’s house, or maybe being semi-babysat by Jamie and Eddie? Jack says he can help him get settled in, and have a campus tour to get ready for weekend visits. Sean practically leaps for the car, but does not yell “SHOTGUN”.
As the boys get ready, Danny comes over to Jamie and Eddie, and everyone falls over themselves apologizing. Danny insists he’s the one who screwed up, “running around with my hair on fire” which is a pretty apt visual.
Danny and Eddie hug it out (again, AWWWW), and Jamie wrestles Danny into a tackle-hug with an actual growl, which, okay. I’m going to need to replay that a couple times.
Danny ribs Jamie about needing some mad money too, and Jamie replies he’s got his own circus coming up soon, called a wedding. Eddie rolls her eyes. I guess that Sergeant’s pay bump will come in handy.
“Well,” Danny says, gesturing to Eddie, “You chose well.”
“Let’s not go overboard,” Jamie deadpans, earning him a whack from Eddie.
“Hey!” she squawks.
“What?” he asks, and busts out a grin. He reaches out to bring her in for a hug like we haven’t seen in years, just the two of them being natural and goofy and honest-to-God enjoying each other’s company, and it’s glorious. The camera swirls above them, in an allusion to all the open possibilities ahead, for them, and for Jack.
CUT TO: Office of F. Baker is escorting Moreno Sr. and Moreno Jr. to the fourteenth floor. Jay is pushing his father’s wheelchair. As Frank welcomes them in and Jay gets his father settled, Baker fixes Frank with yet another eloquent look as she closes the door – but this time it’s one of approval.
“My son, Jay,” Detective Moreno introduces them – or thinks he does. Frank plays it off like he’s never seen Jay before, as he promised.
“You find that idiot who refused my son’s transfer?” Moreno asks.
“I did, John. Heads rolled, that’s all I can say.”
“Thank you, Frank,” Moreno replies. That’s really all he needed to hear.
Frank sits down and outlines a quandary he’s in. He’s always fought the Housing Development Board to bring in a cop into the actual planning of the projects that they’ll end up policing. There’s always been pushback. And they still won’t allow a cop on a board. The only solution to getting cop perspective and expertise on the board is for someone with a valuable degree in Urban Planning, who is also a cop with a strong track record, to resign his badge and move to a civilian consulting position. For the greater good and the future of the city.
Having dangled this bait, Frank waits to see what the Morenos make of it. Jay is stunned but quiet, but when his father says it’s a request they can hardly refuse, he perks up, in his understated way. So while Frank has to cut a good cop free, he’s also freeing up an unhappy and undervalued man to do what he’s best at, with his policing experience as an extra asset rather than an albatross.
A tad contrived, but you know what, I’ll take it.
For all the wildly divergent plotlines, this stories were well-balanced, and even if the theme was a little sledgehammery at times, it was lighter than some episodes. I love love love that the actors just took scenes and ran with them - it felt very natural, and I wonder how much ad-libbing was going on. The parallels between Danny and Baez and Erin and Tony, as working partners, are becoming clearer, especially as Danny and Baez become less reactionary and performative, and Erin and Tony poke each other into more friendly and less professional interactions.
And of course, watching Jamie and Eddie trying to make sense of everything is hilarious, even if they definitely shouldn’t be working together. Maybe when Eddie’s a Sergeant too, they could collaborate on community projects, but not as CO and Officer, no, no, no...
Looking forward to next week.
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