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it girl | sanzu h.
synopsis. you find sanzu after a fight at a party and end up introducing yourself and helping him patch up. turns out sanzu isn't as extroverted when it comes to speaking to girls, rindou finds out.
contains. smut, first time (sanzu's a virgin), nervous sanzu, bold reader, mentions of violence, busted lips, bruised knuckles, kantou!manji era, nude/explicit photos, oral (m), sanzu gets head for the first time, koko rindou and sanzu are best friends idc.
author's note. sanzu's so pretty but i just know that boy has never felt the touch of a woman, hence why i wrote this lmfao. call it a power move or whatever 🙄 (i wanna see more submissive sanzu honestly). fanart credits: caravaggist
“My head is fucking killing me,” Sanzu said with a pained groan. He began coughing until he started laughing, running purely on adrenaline. “I beat that fucker’s ass, didja see that?!”
“Shut up, stop being so loud.” Sanzu winced when Rindou smacked him upside the head. He looked down at his busted, bruised knuckles and cursed. “We’re so fucking dead.”
“Told you not to drink that much,” Koko sniped, gesturing with his chin over at Sanzu. “Got us into a goddamn fight.”
“Not my fault you guys are such wimps.”
“Yeah, whatever.” Koko doubled over to catch his breath, slumping against a car.
“Are you guys okay?” you called out, steadily approaching the three boys.
Your heart nearly stopped when they all turned to meet your eyes, but there was one you couldn’t take your eyes off of the most. He had green eyes and crazy pink hair tied up into a ponytail. You’d been eyeing him for the majority of the party, just small glances over at whichever end he was loudly talking at. The entire time you had been taking extra shots for courage to approach him but pussied out each time. When you were upstairs, there was loud shouting, chanting, and the sound of things breaking as a group of boys managed to get into a fight. You didn’t see the full thing, only coming down the stairs the exact moment you saw the three of them run outside, tearing down the street and around the block in record time. A quick scan of the party, you saw the pink haired guy was no longer there, so your feet went running before you could even think of what you were doing.
He was much prettier up close, an ethereal kind of beauty you rarely ever see. Not many people can rock long pink hair but he manages to make it work well.
You ran out, taking off after them. It was a miracle you found them, having guessed which direction they must’ve took off in.
“Who are you?” Kokonoi asked, looking strangely at you.
“I was at the party,” you gestured down the street, “and saw everything. Are you guys okay?” you repeated, walking a little closer to the group.
Kokonoi’s hostility dropped down a few notches and he nodded. Rindou shrugged and rolled his neck, trying to ease away the stiffness residing in his bones. Sanzu, on the other hand, just stared at you dumbfoundedly. He didn’t say a word, just stared at you with half wide eyes that only widened when you met his gaze. You held eye contact for a few seconds before looking down at his knuckles. Out of the three, Sanzu was probably the most roughed up, having done the most the entire fight and caught the most strays. His lip was busted and his knuckles were bruised.
“Oh that looks really bad. One second,” you said, pulling out a tissue from your pocket “Can I?” you asked, looking into his eyes. He doesn’t say yes or no, and Rindou isn’t even sure he’s breathing anymore. He doesn’t stop you as you hold his bruised hand and lift it up to your face for examination.
You placed the tissue onto his knuckles. “I’m sorry that happened by the way. I don’t know how it started but I’m sure you guys didn’t deserve it.”
Kokonoi snorted and Rindou elbows him roughly. “Eh it’s whatever. Bottom line is we won, so.”
“You guys shouldn’t be fighting like that though. Especially in public. The police got called and are probably on their way here.”
“Wait seriously?!” Kokonoi whipped his head up at you and you nodded. He cursed under his breath. “We better get going again. Don’t wanna have to get bailed out again.”
Again?
“True that,” Rindou agreed, dusting off his pants. His head was pounding and he might probably have a concussion, but all that didn’t matter to him. He just needed to get out of here. “Call Ran, he’ll come pick us up.”
“He’s gonna fucking kill us,” Kokonoi replied.
“Better him than Mikey.”
“But—”
You tuned out the rest of their conversation and continued dabbing Sanzu’s knuckles, who still hadn’t said a single word since you approached. You blinked up at him and removed the bag from his hand.
“Your lip is bleeding,” you announced, and he almost flinched away when your thumb rose to his lip. “Does it hurt?” He shook his head. “Can I put this on your lip?” You shook the tissue in your hand.
He nodded slowly and your smile nearly sent him straight to heaven. You pulled a water bottle from your purse and wet the tissue, pressing it on his lip and held onto his chin, tipping his head upright so you could see what you were doing better. Granted the tissue probably weren’t helping at all, but you had to work with what you had.
“This looks really painful,” you murmured, fixated on the damages done to his face. He has these two pairs of twin scars on both sides of his mouth that you think are so cute. Without thinking, you let your thumb trace the diamond outline gently. You pull the tissue away from his lip and pocket it. “Does your lip hurt?”
Sanzu shook his head and you smiled. “That’s good.”
Rindou looked over at Sanzu weirdly, wondering why the loudest person in the group was suddenly so quiet. He didn’t have time to explore that train of thought deeper because Kokonoi spoke up.
“Rin, Sanzu. Ran’s on his way now. Let’s go.” He pocketed his phone and turned to you. “Thanks for the warning about the cops by the way. Really appreciate it.”
“It’s no problem.”
A black car pulled up to the curb and the window rolled down. “You three are so fucking dead,” Ran said exasperatedly.
“As long as Mikey doesn’t find out we’re goo—” Kokonoi’s relief came crumbling down as his biggest fear came to light. The passenger seat window rolled down and Mikey’s face came into view. He didn’t look mad, honestly he didn’t look like anything. Just emotionless, but that was enough to scare the absolute shit out of Koko. “Boss, we can explain—”
“Get in the car.”
Kokonoi swallowed but obliged, his feet dragging behind him as he walked around the car to get in.
You looked back over at Sanzu who’s eyes hadn't left yours. “Guess this is goodbye. I’m (Name) by the way. What’s yours?”
Whatever reaction anyone was expecting, it wasn’t for Sanzu to completely stammer over his words, forgetting who he was, or how to form a literate sentence. “Me name? Who is—I—what, huh?”
Rindou looked at him like he grew two heads, even Mikey raised a confused brow. You pressed your lips together in a thin line to stop yourself from laughing and Sanzu’s ears burnt with humiliation. Frankly he was mortified with those being the first words he’s said to you ever. Rindou thankfully saved him from more embarrassment by grabbing the back of his collar hard.
“His name is Sanzu by the way,” he told you before dragging him towards the car, kicking him into the backseat. The door slammed shut and you watched as Rindou entered the front next to his brother and then the car pulled off, recklessly rounding the corner.
You stayed there for a minute, blinking, then smiled giddily down at the floor before making your way back to your friends inside.
~*~
“Yeah they’ve definitely got a concussion,” the nurse said, snapping her gloves off. She stepped away from the three boys at the table and handed them each plastic cups of water. “Make sure you drink plenty of water and get plenty of rest.”
“Thanks doc.” Mikey wrote her a check and she nodded, thanking him before exiting the room. He looked at the three in them in disappointment. They each had an annoying habit of crashing random parties going on in the street and getting shit faced, then turning up to work and events hungover or too exhausted. Now they have hit the final nail in the coffin by getting in a physical altercation with strangers and the police are probably looking for their asses right now.
“I have nothing to say to you three. You heard the woman, get plenty of rest,” he scolded before leaving the room.
“Who wants to bet the medical bills are coming out of our paycheck?” Rindou asked, sliding off the table. He rubbed his head exhaustedly and yawned.
“I might just have a heart attack if I see that,” Kokonoi responded, shuddering.
“That girl…” Sanzu muttered under his breath, scratching his chin.
“What?”
“That girl,” he repeated louder as if he just came to a sudden realisation, “was a fucking angel!”
“Oh. Welcome back to earth Mr. Who me is name I what?” Rindou mocked, amusement written all over his face as Sanzu rolled his eyes.
Kokonoi laughed loudly. “Oh yeah! What the fuck was that all about?”
“Shut up,” Sanzu grumbled and closed his eyes, blocking their mockery out. He tried to picture your face again behind his closed lids but the concussion was slowly getting worse and your face was starting to fade from his memory. “I need to find this girl and redeem myself. What’s her name?” he said snipply, snapping his fingers at the two boys for them to hurry up.
“Stop being a weirdo. You probably blew your chances anyway,” Rindou stated.
“Nah uh! It wasn’t that bad!”
“Who me is name I what?” Kokonoi repeated and Sanzu groaned loudly.
“Keep making fun of me whatever! But when I find her and make her my future wife I don’t want to hear shit from any of you.”
“Wow,” Kokonoi fake gasped. “You can tell your future kids the story of how you met!”
“Future wife huh?” Rindou chuckled. “So we’re just skipping past girlfriend?”
“Gotta aim big.”
Kokonoi shook his head. “That girl wants nothing to do with you.”
“Yeah? Well why did she patch me up and not you two fucking idiots then? HUH?” Sanzu gestured to his busted lip. The two boys had nothing else to say and just rolled their eyes, muttering whatever under their breath. “Exactly, shut the fuck up.”
Sanzu traced his scars with his finger. He could still feel the gentle trail of your finger on his skin and closed his eyes once more, picturing you in front of him, staring up at him with such care in your eyes as you genuinely found yourself worried at his injuries. He looked down at his knuckles, still bruised, and pictured your hand in his. He regretted not saying more to you earlier, regretted not actually having a conversation with you and telling him his injuries looked worse than they actually felt.
Sanzu stood up and Rindou called out to him. “Oi. Where the hell are you going? We’re heading back to mines.”
“I’m going back to that party to redeem myself.”
“It’s been like an hour and it’s almost three am. She’s long gone. Let it go.”
Sanzu shook his head, condescendingly clicking his tongue in a way that ground Rindou’s gears. “Don’t be jealous Rin.”
“Jealous of?”
“I got a girl that wants me for me, not my dick.”
“That’s something only a virgin would say,” Kokonoi inputs, laughing when Sanzu instantly closes his mouth. “No way, are you actually a virgin?”
“No I’m not!”
“Yes you are!”
“I’m not!”
“Who’d you lose it to?”
Sanzu scoffs. “Like anyone remembers that,”
“Okay playboy.” Rindou laughs. “I remember mine.”
“So do I,” Kokonoi high fives Rindou. The two of them look at Sanzu. “Well? What’s her name?”
“I was high. Don’t remember,” Sanzu shrugs. Rindou looks over at Koko who both equally look unimpressed. “ANYWAY! It doesn’t matter because I’m going to find that girl and redeem myself tonight.”
Kakucho enters the room. “Find what girl?”
“Redeem yourself for what?” Kokonoi asks.
Rindou laughs even louder. “Redeem himself for “Oh friend who I am what?””
Sanzu’s ears burn when Koko joins in the laughter. “Alright so just forget my question. Cool,” Kakucho rolls his eyes.
“Sanzu got us into a fight tonight and some girl helped him with his busted lip and now he thinks he’s in love.”
“I don’t think—”
“We know,” Kokonoi interrupts.
Sanzu shoots him a glare. “If you’d let me finish,” he says snarkily. “I don’t think I'm in love. I know I am.”
“In love with a girl you don’t even know the name of?” Kakucho asks hesitantly. He should be used to this by now honestly, it's not the first time Sanzu got hyper fixated over something, except in this case it's someone. In actuality, he should be worried for this girl, knowing how obsessive Sanzu gets at times. Picturing the boy in a relationship was something Kakucho just could not do no matter how hard he tries.
“I’ll find her name. You forget who I am and what I do in this goddamn organisation?”
“Aside from dragging us to useless parties and getting us involved in unnecessary fights?” Rindou asked.
“You had fun tonight, stop acting like you hated it that bad,” Sanzu complained.
“What did this girl look like?” Kakucho asks.
Sanzu describes your appearance from your height all the way down to your eye colour, recounting to his friends every single detail he managed to observe about you the entire time he spent staring at you. They all looked at him with concern. Sanzu noticed their glare and shrugged. “What?”
“Surprised you didn’t count every single lash of hers honestly,” Kokonoi rubbed his forehead exhaustedly when his head pounded again. “This headache is killing me. Gonna head home.”
They all said goodbye and waited for him to leave the room.
“I think I know the girl,” Kakucho said, recounting the horrifying moment of Sanzu describing you in as much detail as possible.
“WHAT?!” Sanzu exclaimed far too loudly for his head and Rindou’s to handle, a sharp pain shooting their heads. “Ah fuck,” he groaned, rubbing his head.
“Are you serious?” Rindou asked, looking at Kakucho who nodded.
“Yeah. Someone like that lives on my floor. I see her leaving every morning.”
“To Kakucho’s we go!” Sanzu grinned, grabbing the younger boy's hand and dragging him outside. Rindou reluctantly follows behind them, wanting to see where this situation was heading.
Kakucho ended up being right, and when they entered the lobby of his apartment, they saw you collecting your mail. Sanzu’s feet felt frozen to the floor as he just stared at your side profile. He almost had a stroke when you turned to face in his direction, and he swore you were looking directly at him when you broke out into a smile, waving your hand.
“Hey! Haven’t seen you in a while,” you said and Sanzu was confused. It’s only been a few hours, hasn’t it?
You were walking and he stood up a little straight when it looked like you were heading towards his direction, only for his heart to do a complete 360 when you hugged Kakucho instead. It wasn’t an affectionate hug, both your hands barely lingered on each other’s body, just an awkward side hug that lasted barely 2 seconds.
“Yeah, you know. I’ve been busy with work and stuff.”
“Ah cool cool. I’ve been collecting your mail though.” You handed him his mail. He thanked you and held them under his arm.
You looked at two boys next to them and then gasped. “Oh its you!” You pointed between Sanzu and Rindou, who only nodded, asking how you’ve been. Sanzu was frozen again as you and Rindou gave each other basic small talk, only breaking out of his stupor when Rindou elbowed him hard in the stomach.
You bit down a laugh when you saw Sanzu clutch onto his stomach in pain. “Oh my god, are you alright?” Sanzu could hear the laugh in your voice, but didn’t feel offended the slightest.
“I’m good, yeah. Just distracted.”
“Oh. Am I boring you?”
He was too scared of the fact you thought that about him to notice the playful hint in your voice. “No! Not at all. I just have a concussion that's all.”
“No way. Does it hurt? Are you okay?” You hesitantly lift your hand up and press it on his forehead which is burning up. “You need to get some sleep right now.”
“It’s too late to drive right now.” Kakucho says. “You two can just sleep at mine.”
“Only if I get your bed,” Sanzu adds.
“Fuck that. Sleep on the couch.”
“But I’m concussed.”
“And who’s goddamn fault is that?”
Sanzu rolled his eyes. Kakucho sighed. “Fine. You can get the bed.”
“Let’s fucking go,” Sanzu grinned and started heading towards the elevator. The other two boys followed them and Kakucho looked behind at you.
“You coming?”
Sanzu pressed the button and turned to look at you and Kakucho as you shook your head. “No, I'm heading back out.”
“Right now?” Kakucho says and looks at his watch, “It’s almost 4 am?”
“I know,” you sigh exhaustedly. “My friend, well kinda friend, I guess wants me to come to his house. Just got his text a few minutes ago.”
“At this hour?” Kaku says sceptically.
“So a booty call?” Rindou says and gets elbowed by Kakucho, telling him to mind his business.
You laugh. “I guess if that's what you want to call it. I don’t sleep with him, he just uses me to impress his friends it feels like.” Your eyes slide over to Sanzu who has a scowl on his face and looks away almost immediately after you make eye contact. “I don’t wanna do it but he scares me so I feel like I have to.”
“What’s his name?” Kakucho asks.
“Why? You gonna hurt him?” you ask back. Though you and Kakucho are only neighbours at best, you’re well aware of what he does and his reputation around town. The Brawler is his nickname, or was, back when he was in Tenjiku. But you didn’t know what his role or job entailed, all you knew he was in some shady shit and you wanted no part of it.
“Depends if I know the guy or not.”
You roll your eyes. “His name is Osanai.”
“Wait a minute,” Rindou says, “Is he tall? Smokes all the time, blonde hair? Kinda tan?”
“Yeah…” you say slowly, sceptically, “how’d you know?”
“We’ve actually been kinda looking for that guy. Mikey wanted to see him, didn't he?” Rindou asks Kakucho who shrugs and points over to Sanzu who’s been awfully quiet the entire time. “Didn’t he?” Rindou asks Sanzu again.
“Oh. Yes he has.” He looks up and meets your gaze one more time before looking away.
“Where’s he at?” Rindou asks, approaching you.
“I dunno probably his house?”
“Okay but where genius.”
You give him Osanai’s address and he starts heading outside. “Wait! Don’t kill him or something.”
“Why do you care what we do? Doesn’t he scare you?”
“I mean yes but that doesnt mean I want him dead…”
Kakucho sighs. “Sanzu wait here with (y/n), me and Rindou will sort this out.”
Sanzu instantly looks at Kakucho. “Wait—”
“Just do it,” Rindou snickers before the two of them leave. Sanzu watches them go with a betrayed look on his face, already thinking of 101 different ways to kill Rindou once he got back home. You look up at Sanzu and smile at him.
“So…you can go home if you want. I don't need a babysitter.”
“No it's fine I'll uh wait here.”
“We can go back to mine?” you ask a little hopeful.
Sanzu opens his mouth to speak but the words can't seem to come out. He resorts to nodding and you smile, taking his hand in yours and walking up to your apartment.
~*~
Three hours in and you’ve been binging shitty movies together, laughing at the bad plot and horribly written characters. When you first saw Sanzu at the party, he was outgoing and the life of the room honestly. Maybe your opinion is a bit biased because you were focused on nothing but him, but he had this energy that attracted you to him. Now, in front of you, he’s nothing like he was a few hours ago, he seems shy and reserved, keeping to himself but he’s still funny and cracks a few jokes that make you cackle every now and then.
“Wait you got a little, i’ll get it for you,” you say, cupping his chin and turning his face to you. He watches you with wide eyes as your thumb comes up to his lip and wipes some tomato sauce off. you make continuous eye contact with him as you bring your thumb to your mouth and lick the sauce off the tip. Then, you almost give the guy a heart attack when you go back in with your wet thumb and wipe the remnants of the sauce on the corner of his mouth.
His pizza flops in his hand and something else rises in his pants as you pull back, sitting reasonably closer than you did before, resting your head on his shoulder, continuing to watch the movie. It’s hard for him to even focus on the TV with you sitting this close to him right now. He can smell your shampoo, your perfume, can feel your body heat warming him up and he’s actually going to pass out if you continue clinging to his arm like that. He clears his throat and shifts in his seat a little, hoping his boner goes down and praying you don’t see it.
Just to be on the safe side, he nonchalantly grabs a couch cushion and places it on his lap, claiming he's cold. You don’t buy it one bit but only smirk at the hidden implications. You let out a fake yawn and shift even closer to him, bringing your feet onto the couch, shifting into a lying position.
You look up at Sanzu and smile slightly. “Is this okay with you?” you ask, batting your eyes at him.
“Y-yea. It's fine. cool.” He swallows thickly and turns to look back at the TV.
The cushion gets in the way and you click your tongue, sitting upright and almost bashing him in the jaw with your head. You toss the cushion away and Sanzu's about to protest before you lay back down, your head only inches away from his crotch. His erection was going down slowly but now it might as well sprung back up.
“Oh wait a second,” you said, sitting upright and Sanzu almost panicked when you pointed down at his crotch. “You okay?”
“I—sorry. I didn’t mean to—”
“No, it's fine,” you laugh. “These things are uncontrollable, I know.” Sanzu sighs in relief. “Do you need any help?” you ask and he blinks at you.
“What?”
“Nevermind,” you clear your throat. “That was a dumb question.”
“No wait!” he says abruptly, making you jump. “I mean, yeah, if you don’t mind.”
“Really?” you perk up a little.
“Yeah I guess.”
You move to sit next to him, your head only inches away from his. “This is gonna sound a bit creepy but,” your eyes drop to his lips, “I’ve been wanting to do this since I saw you tonight.”
“Really?”
“Yeah,” you say absentmindedly, distracted as you ran your finger over his scars. “Thought you were so pretty.”
“Pretty…?”
“Yeah, you’re really pretty Sanzu.”
He bites his lip, fighting the urge to look away from your intense eyes in the dark. You’re leaning in closer and his eyes close and then he feels your lips pressing against his. It starts off with short pecks that linger a little too long before you're actively moving your lips against his. Your hand cups his face and you pull him closer, sucking on his lips and entering your tongue into his mouth. He moans softly when your fingers find their way to his hair, scratching gently at his scalp.
You pull away and plaster kisses to his neck, gently pushing him down onto the couch, your body basically straddling him as you kiss down his throat.
His body feels hot and he can't focus anywhere but your lips going down his body. Your fingers grab the seam of his shirt and your lips tickle against his skin as you mutter, “Take this off.”
He obediently does as he’s told and lifts his arms up as you help him remove the shirt. You toss it on the other couch and sit upright to examine his chest. His abs were faint but visibly and you bit your lip, running your finger along his chest.
He stares up at you as you look distracted at the sight of his bare chest. You make eye contact and smirk a little before lifting your shirt up and over your head. His eyes go wide at the sight of you in your bra. You go back down and kiss down his stomach, fingers moving to unzip his jeans and pull them down.
“Wait wait wait!” You freeze and look up at the boy in front of you, tilting your head in confusion. He swallows thickly. “I haven't…done this before.”
Your eyes widen in surprise. “Really?”
“Shocking, I know.”
“Oh. It really is. I thought girls would be all over a guy like you.”
“What do you mean?”
“Like I said before, you’re really pretty Sanzu.” He instantly looks away and you laugh. “You’re shyer than I expected Sanzu. At the party you were really loud and stuff, I didn't expect this. It’s cute.”
“I’m not shy.”
“You said less than 100 words to me tonight and we’ve been hanging out for almost four hours.”
“...”
You laugh and sit upright, leaning back in to kiss him. “Do you still want me to…” Your fingers trail down his body, rubbing the outline of his cock in his briefs.
“If you want to.”
“I obviously do, that's why I'm asking you.”
“Sure then.”
You give him one last kiss before settling back between his lips. His cock has never felt more sensitive than in this moment when your fingers wrap around his cock, pulling it free from his boxers. It stands tall against your face and you lick the tip, not ceasing eye contact. He feels obligated to watch you suck his cock and desperately wants to look away because he knows he will bust in less than ten seconds if you keep staring at him like that.
You take him in your mouth and he moans so loudly, the sound soft and heavenly. You smile around him and begin to suction your cheeks as you take him lower. Your tongue swirled around his shaft every time you bobbed. He was throbbing inside you, your heavy eye contact and warm mouth making him grow harder.
He finally broke the eye contact to throw his head back, a long groan of “fuccccckkkkkkk,” leaving his mouth as he placed his hand on your head, bobbing you up and down. You moaned when his hips bucked up into you.
You pull off his cock and jerk him off, his words dying in his throat when he feels your tongue lick his balls, sucking gently on them.
He sits up and holds the back of your head, his fingers digging into your scalp as he pants heavily. Your eyes squeeze shut as you focus on pleasuring him, putting your mouth back onto his cock and taking him deeper than you did before, your fingers gently massaging his balls.
“I’m gonna—fuck, i’m coming,” he groans and without warning holds the back of your head, pressing you down and came inside your throat.
Honestly you were shocked he lasted this long. Your body felt so warm and hot hearing his pretty moans, and the sight of him with his mouth open, head thrown back was something you’d never forget. His grip on your head ceased and you pulled off his cock, eyes teary and watery and mouth full of cum.
“Oh shit,” he mutters, watching you take a minute before swallowing. His dick twitches again. Without thinking, his thumb comes up to the corner of your lip and wipes a stray drop of cum. Before he can remove his thumb, your head turns and you suck the tip of it. “You’re actually trying to kill me, aren’t you,” he groans and you giggle around his thumb.
“Are you a virgin too if you’d never gotten head before?”
He nods shamefully and you can’t help but kiss him again. “Want me to take it?” you ask, forehead resting against his.
He blinks at you before not-so-subtly dropping his eyes down to your cleavage. “yeah.”
You grin and push him back down onto his back, slipping off the couch. He watches you strip down naked, your bra and panties are tossed to the opposite couch. Thanks to the help of the tv, your body is still a shadow but the outline of your body makes him instantly hard again. You climb back on top of him.
His hands migrate to your hips, and with absolutely zero confidence with what he’s doing, his hand slides towards your clit and you gasp when his thumb snakes its way to your folds. “You’re really wet.”
You squirm, slightly embarrassed but bite your lip, amusement in your voice as you say, “Yeah…that’s supposed to happen.”
“I know that,” he grumbles, still rubbing your clit in circles, wetting his fingers with your arousal. “I’m not an idiot.”
He pulls his hand away and you grab his wrist, guiding his finger into his mouth, watching him suck your juices off his fingers. “God that’s hot,” you pull his fingers out and lean back down to kiss him.
“I'm going to get condoms,” you say against his lips before pulling away. He nods and watches you head down the hallway when his phone buzzes.
rindou: we found osanai so we’re heading back right now
sanzu: hell no just go home
rindou: ???? walk home then tf
sanzu: don't think that's an issue honestly think i might be sleeping over if you know what i mean ;)
rindou: what? you’re getting laid? YEAH RIGHT
sanzu: IM NOT LYING
rindou: i never once ever in my entire life found you funny but you’re telling some good jokes right now
sanzu: 1) im always funny, 2) im serious. i would send you proof but then you’d see my dick and thats gross
rindou: would rather bleach my eyeballs honestly. you could barely look this girl in the eye and you really expect me to believe you’re fucking her?
“I’m back!” you call out making sanzu jump. “What’re you doing on your phone?” you ask, snatching it from his hands and reading the messages.
It’s a miracle it’s dark right now because Sanzu doesn’t know what he’ll do if you saw him blushing from embarrassment right now.
“He’s fucking rude. Why doesn’t he believe you?” you huff, handing him his phone back before your face lights up. “Wanna show him?”
“Show him what…” He hopes you’re not heading in the direction you’re so obviously going.
“You know what I mean, c’mere.” You sit back against the couch and pull up the camera app on his phone. You hold the phone out in front of you, “Stick your tongue out.”
He does so and you stick yours out also, just barely grazing his as you snap a bunch of pictures. You take a couple more in different poses, putting your lips in a kissy face and kissing his cheek, his lips and resting your forehead against his as you smile at the camera.
You sit upright and scroll through the photos, smiling at each of them. “Send these to me after yeah.” You toss the phone behind you and rip open the condom. You reach behind you and slip it easily down his shaft before aligning it with your pussy. “Ready?”
“Yeah…” The tip nudges your clit before slipping inside, warm heat instantly engulfing the tip of his cock and his mouth falls open, panting breathily as you continue sinking downwards, watching the pleasured look on your face as your pussy squelches trying to accommodate his entire length.
“Oh fuck,” you whimper, fixing your hands onto his chest for support. You bounce experimentally, ripping another moan from your throat it sinks you a little lower.
“Shit, shit—wait,” He digs his nails into the fat of your ass cushioned against his thighs.
“Sanzu,” you moan, collapsing down onto his chest, wrapping your arms around his shoulders. He can hear your breathy pants beside his ear, sending shivers down his spine.
“You feel so fucking good,” He huffs against your ear and you sit upright, pushing your arms behind you to his knees and start swiveling your hips in circles that turn to full on bouncing on his cock.
His eyes are focused on your tits that swing in motion with your movements and he can’t help but lift you up and down on his cock. “Fuck,” He gropes and squeezes your cheeks as you whimper, clenching around his cock with every bounce.
“Touch me please,” you whimper, looking down at him, grabbing one of his hands and bringing them up to your tits. He squeezes it and runs his thumb along your nipple, sending ripples of pleasure through your body, giving you more motivation to continue bouncing.
“Wait, slow down— oh fuck.” His body was tense, and you were sure he was leaving fingernail shaped dent marks on your hip with how tight his grip was. His cock felt so good, having a slight tilt to it that hit that spot no other guy had been able to reach. You couldn’t stop bouncing, his words falling on deaf ears.
“Wait wait wait stop,” he gasped, his grip getting tighter, bringing you to a stop. Wasting no time, you lean back down and begin kissing along his jaw as he catches his breath, impatiently wiggling your hips just to feel something. “I just came,” he admitted.
You froze and shot up, looking down at him. “For real?” he nodded, wiping a shameful hand over his face. “That's so cute,” you giggle and kiss him.
You lifted yourself up and off his cock and laid down on top of him. “Did you like it?” you ask, tracing your finger along his chest.
“Yeah, it felt so good.”
“Yay,” you smiled bashfully.
“You didn’t finish though.”
“Eh it's not a big deal. I wanted to make you feel good.”
“Still though…” he mutters, pouting at the fact he didn’t make you feel as good as he felt.
His phone buzzed and he sat upright to grab it.
rindou: having fun loverboy??? u busy humping her pillow to text me back? asshole
Sanzu scoffs and you lean your head against his shoulder and read the messages. “Send him the photos.”
He turns to look at you, your lips almost brushing against his in the process. “You sure? You’re kinda naked in them.”
“I don't really care. It’s just a boob. You can crop it out if you’re that worried.”
“Okay…” He crops your chest out of the photo and stares down at the photos once more. He's never deleting these. He sends three different photos to Rindou, not even bothering to caption them and turns his phone off, waiting for his response.
“Oh wait! Gimme your phone!” You hold your hand out as he hands it to you.
“What’re you doing?”
“Adding my number,” you hum and add your number to his contacts, adding a heart after his name. You’re never usually this forward, but you knew you wanted Sanzu from the moment you saw him, and you weren’t going to let him slip away. “Call me when you get home. okay?” Your forehead brushes against his and your eyes dart down to his lips, fighting the urge to kiss them.
“Okay.”
You give into temptation and kiss him slowly. Your thumbs traced along his jawline as you hum, almost lazily enticing your tongue with his. His hands ran teasingly along your body, cupping your ass and pulling you back on top of him.
The doorbell rang and you sat upright, cursing under your breath. “I’ll get it.” You press one more kiss to his lips and slip off the couch to re-dress. Your shirt was backwards and your pants were inside out, but you didn’t care as you answered the door with a cheery, “yes?”
Kakucho rubbed his forehead with a world heavy sigh and you instantly felt all colour drain from your face. He was with Rindou and probably saw the photos. “How can I help you Kaku?”
“Just…just tell Sanzu to come on, let’s go.”
Sanzu appears behind you,redressed, and gives you a hug goodbye, his arms lingering around your form for much longer than Kakucho considered friendly. You pull away and whisper in his ear for him to call you when he gets home. He nods and you plant another kiss to the corner of his mouth.
Sanzu is about to deepen the kiss before Kakucho grabs him by the back of his shirt and tugs him out of your apartment.
#sanzu x reader#sanzu haruchiyo x reader#tokyorev x reader#tokrev x reader#tokrev#sanzu smut#tokyorev smut
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The Backgammon Players
Artist: Theodoor Rombouts (Flemish, 1597–1637)
Date: 1634
Medium: Oil on canvas
Collection: North Carolina Museum of Art, Raleigh
In this painting, and also in some of his other works, Rombouts has placed himself and his wife rather obviously among the bystanders, a custom which was not unusual in Dutch genre painting, particularly among the Caravaggists. The lavishly dressed soldier bears the artist's likeness.
#oil on canvas#genre painting#17th century painting#backgammon#board game#flemish painter#theodoor rombouts#game#players#classic architecture
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@caravaggist part 3
just can't get enough of this
#ryota miyagi#sakuragi hanamichi#slam dunk#basketball#birthday#birthday cake#cake#party#teenagers#anime#manga#fanart
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The Violin Player | Gerrit van Honthorst | 1626 | Mauritshuis
"The Utrecht painter Van Honthorst lived for a while in Rome, where he was influenced by the work of Caravaggio. He caused a sensation with his night paintings, which gave him the nickname ‘Gherardo delle Notti’, Gerrit of the Nights. But he also made cheerful figure paintings, such as this enticing young woman.
Van Honthorst was one of the Utrecht Caravaggists, and his modern, dramatic style had a great influence on Dutch painting. When he became court painter to stadholder Frederik Hendrik, his style became gradually daintier."
#The Violin Player#Gerrit van Honthorst#mauritshuis#den haag#holland#netherlands#the netherlands#caravaggio#caravaggisme#utrecht#bella ramsey
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Wat? Stilleven met vis (1612-1621), Bloemen in een vaasje met sprinkhaan en kikvors (1612 of later) en Bloemen in een vaasje met knabbelende muis (1612) door Clara Peeters, Annunciatie (1629) door Hendrick ter Brugghen en Portret van een kleptomaan (1819-1822) door Théodore Gericault
Waar? Tentoonstelling Zeldzaam en Onmisbaar – Topstukken uit Vlaamse collecties in MAS, Antwerpen
Wanneer? 7 januari 2024
Clara Peeters is een tijdgenote van Rubens. Ze specialiseerde zich in stillevens. Dit is vaak het geval bij vrouwelijke kunstenaars uit die tijd. Het werd als een bescheiden en dus voor vrouwen passend genre beschouwd. Bovendien konden stillevens worden gemaakt in de eigen huiselijke omgeving. Vrij reizen en eropuit trekken was immers voor vrouwen ongepast. Naast twee mooie kleine bloemstillevens met respectievelijk een kikker en een muis, hangt er in het MAS een wat groter stilleven met vissen. Een vergiet bevat een karper en een snoek. Verder liggen op tafel oesters, baarzen, gerookte haringen, rivierkreeften en garnalen. Wat in alle drie de werken onmiddellijk in het oog springt is de hoge mate van realisme. Peeters’ stijl is vaak geïmiteerd. Daardoor is lange tijd onduidelijk geweest welke werken aan haar moesten worden toegeschreven.
Een annunciatie door de Utrechtse caravaggist Hendrick ter Brugghen behoort eveneens tot de Vlaamse topstukken. Het is het laatste werk dat deze kunstenaar maakte voor zijn dood in 1629. De kleuren van het werk zijn fris en helder. Maria is een opmerkelijk jong meisje en ook de engel Gabriël oogt eerder als een puber dan als een volwassen man. Opmerkelijk is de nogal onaantrekkelijke putto rechts boven. Hij heeft meer weg van een duiveltje dan, zoals gebruikelijk van een jong kereltje. Aanzienlijk aaibaarder is het hondje dat rechtsonder zit weggedoken achter het tafelkleed.
Théodore Géricault is vooral bekend van zijn schilderij Het vlot van de Medusa in het Louvre. Hier hangt een portret dat door deze schilder is gemaakt. Het werk stelt een kleptomaan voor. Géricault was bevriend met psychiater Etienne-Jean Georget. Waarschijnlijk in diens opdracht maakte de kunstschilder een reeks van tien portretten van mensen met obsessies of waandenkbeelden. Het portret is noch een karikatuur noch geïdealiseerd; het toont ons een mens van vlees en bloed.
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In this debate, seventeenth-century painting itself repeatedly places the stories of sex and violence before our eyes, our psyches, and bodies through vividly embodied forms where we have to read bodily posture and facial gestures in the lurid realism of Caravaggistic painting from a living model, posed theoretically before the painter in embodied translation of a literary, theological, or philosophical text. The Susannas who anxiously clutch inadequate coverings around their vulnerable nakedness as elderly men ogle with intent, the Lucretias who leap naked from the rapist's couch to plunge daggers in their bared breasts figure the culture's texts on sexual violation of women by men in terms of extremely vivid artistic conjuring of the body, physical violence, and emotional anguish. Artemisia Gentileschi was one of the major Caravaggisti, an artist who looked closely at bodies, posed them to convey intensity of fraught emotion, pathos, determination, and suffering as well as the capacity to inflict a visibly carnal violence. Indeed, if we start with the paintings, rather than arguing about their author's imagined state of mind via the highly contentious legal documents, we might have to ask ourselves why these paintings so heighten the stakes of subjectivised and incorporated drama through every Caravaggist technique: lighting, realism, blood, pressed flesh, furrowed brow, deathly pallor. What else is the baroque but an intensified artistic technology of embodiment and subjectivity?
The Artemisia Files: Artemisia Gentileschi for Feminists and Other Thinking People
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The Concert - Judith Leyster oil painting
Judith Leyster
(July 28, 1609 – February 10, 1660) was a Dutch painter of the Baroque period.
#OnThisDay - Judith Leyster was born on July 28th. In Haarlem, The Netherlands.
On Friday before the weekend, a painting suits her - The Concert was created around 1633.
She was a student of Frans Hals in Haarlem. In 1633, as the first woman, a master's title in the Haarlem guild of St. Luke. In 1636 he married Jan Miense Molenaer, a painter of genre scenes (ca. 1610-1668). It runs a shared studio, works with these similar models and props. She painted genre scenes, portraits and flowers. The Utrecht Caravaggists (Hendrick Terbrugghen, Gerrit van Honthorst) and Frans Hals had a great influence on her painting. The painting is in the National Museum of Women in the Arts Washington, United States.
#Judith#Leyster#painter#theconcert#friday#weekend#piątek#piąteczek#piątunio#Haarlem#netherlands#Hals#Molenaer#baroque#barok#malarze#artyści#NationalMuseumofWomenintheArts#Washington#UnitedStates
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Orazio Gentileschi, The Lute Player, c. 1612-20.
— — — — — — — — — — — — — — — — —
In response to the closures of both the National Gallery of Art and the Smithsonian American Art Museum due to the partial government shutdown, I will be posting highlights from both collections indefinitely until these museums are reopened.
#orazio gentileschi#baroque#italian baroque#caravaggism#caravaggisti#caravaggist#caravaggio#national gallery of art#national gallery#art history#art#follow for follow#follow back
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Bozar Night - Exhibitions
Beyond Klimt
NEW HORIZONS IN CENTRAL EUROPE, 1914-1938
The end of WWI and the Austro-Hungarian Empire also meant the revival of major developments in the art world. Political and economic shifts led to artistic migrations, new ideas and perspectives and new artistic networks sprang up all over the place. Artists met up in arts centres and international associations and used magazines to communicate across political borders. They believed their artistic identity was more important than their nationality. This exhibition is your chance to take a look at the Central European territories in full transition through the eyes of Gustav Klimt, Josef Capek, Egon Schiele, Oskar Kokoschka, László Moholy-Nagy and 75 other artists.
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Theodoor van Loon
A Caravaggist Painter between Rome and Brussels
Theodoor van Loon was one of the first painters from the Southern Netherlands to be deeply influenced by the art of Caravaggio. Like his contemporary Rubens, Van Loon developed a powerful, original style and throughout the whole of his career he remains marked by the Italian masters.
For the very first time this exhibition brings you into contact with the work of this atypical artist. By placing his paintings alongside those of his contemporaries (Rubens, Barocci, Bloemaert) the show reveals the particular role Van Loon played in his era.
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Chris Marker
Memories of the Future
BOZAR and La Cinématèque française join forces for a journey through the world and archives of Chris Marker (1921-2012), the militant filmmaker behind La Jetée (1962), not to mention an author, photographer, artist, musician and globetrotter. Nouvelle Vague film director Alain Resnais called him “the prototype of the twenty-first-century man.” Hyper-versatile and cosmopolite.
ICEBERG is a workshop, a workspace and a meeting space inspired by the work of Chris Marker, where visitors can experiment with plenty of analogue and digital tools, texts, images and sounds.
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Joris Van de Moortel
Cachivache Bugui Bugui
Visual artist and all-round musician Joris Van de Moortel has drawn inspiration from the formal excesses of the baroque period and the carnality of Van Loon’s canvases for his installation of visual collages, monochrome drawings, blue neon and an amplified altar.On 19 October 2018, Van de Moortel joins fourteen musicians from the Belgian National Orchestra on guitar in the Horta Hall. Together they give voice to wax, glass, smoke, nature, white paint, fire and vandalism – the seven sacraments of the artist. Snapping strings, a sparking Bunsen burner and boiling wax included.
#bozar#exhibitions#art#klimt#chris marker#Theodoor van Loon#caravaggist#Joris Van de Moortel#Caravaggio#painting#painter#filmmaker#la jetee#workshop#photography#artist#musician#night at the museum#video#analog#digital#memory#future#Belgian National Orchestra#bozar night#caroline lessire
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Paul La Tarte Saint Irene cradling the Head of Saint Sebastian
17th century
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Utrecht Caravaggio and Europa, Central Museum Utrecht
16 Dec 2018 - 24 March 2019
The exhibition contains more than sixty loans, including “The Entombment of Christ” from the Vatican.
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Jacques de l'Ange - Ecce Homo - 1640-44
oil on canvas, height: 116 cm (45.6 in); width: 98.5 cm (38.7 in)
National Gallery of Ireland, Dublin, Republic of Ireland
Jacques de l'Ange or the Monogrammist JAD ([c. 1621 – 1650) was a Flemish painter and draughtsman known for his genre scenes and history paintings executed in a Caravaggesque style. The artist was only rediscovered in the mid-1990s as his work was previously attributed to other Northern Caravaggists and in particular those of the Utrecht School.
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@caravaggist on twitter for the art
#slam dunk#sakuragi hanamichi#rukawa kaede#ryota miyagi#akagi takenori#hisashi mitsui#street art#mirror pic#graffiti#teenagers#high school
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// GARAVAGGIO
Michelangelo Merisi da Caravaggio is considered the founder of Roman Baroque painting. With his new style, Caravaggio exerted a lasting influence on many painters of this era, who are often referred to as Caravaggists.
128 GARAVAGGIO 190 €
Größe: 23,5 × 30 cm
Material: Acryl & Metalliclack auf Leinwand
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#caravaggio #barock #baroque #epoch #italien #acrylartwork #acrylmalerei #painter #metalliclack #acrylicpainting #ornaments #interior #art #artist #katjafreimuth_art
www.katja-freimuth.de
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Wat? Le Reniement de saint Pierre (1615-1616), Le Jugement de Salomon (1609-1610) met detail, Saint Thomas (rond 1613), Saint Barthélemy (rond 1613), David tenant la tête de Goliath (1620-1630), Le Martyre de saint Barthélemy (1644), Étude pour un Crucifiement de saint Pierre (1624-1626), La Feme à barbe (1631), Lamentation sur le Christ mort (1620-1623), La Mise au tombeau (1616-1624), Lamentation sur le Christ mort (1633) met detail door Jusepe de Ribera
Waar? Tentoonstelling Ribera – Ténèbres et lumière in Petit Palais, Parijs
Wanneer? 19 november 2024
De in Spanje geboren schilder Jusepe de Ribera (1591-1652) werkte zijn hele carrière in Italië. Ik ken Ribera vooral als caravaggist, navolger van Michelangelo Merisi da Caravaggio. Daarmee wil ik echter allerminst zeggen dat hij werk van deze Italiaanse meester klakkeloos nabootste. Overeenkomsten zijn de theatrale gebarentaal, het dramatische clair-obscur en het rauwe realisme. Met name dit laatste tekent het werk van Jusepe de Ribera. Alles komt bij hem voort uit de werkelijkheid, of het nu een bedelaar, een filosoof of een pietà is. Daarbij laat hij onnodige verhalende elementen weg, zodat de achtergrond van zijn werken tot een minimum wordt beperkt.
Ribera’s tijd voor hij Naar Napels verhuisde was lange tijd in nevelen gehuld. Over zijn leven was weinig bekend en werken waren er nauwelijks. In 2002 veranderde dit, toen schilderijen die tot dan toe werden toegeschreven aan ‘de Meester van Het Oordeel van Salomo’ werden geïdentificeerd als werk van Ribera. Het eponiem bleek niet, zoals lang werd gedacht, naar een Franse kunstenaar te verwijzen; maar naar de jonge Spaanse schilder Ribera. Met deze ontdekking werden zestig schilderijen aan zijn oeuvre toegevoegd. In navolging van Caravaggio vernieuwde Ribera religieuze voorstellingen door deze vanuit het ‘echte leven’ te schilderen. Het werk De verloochening van de heilige Petrus grijpt qua compositie duidelijk terug op Caravaggio’s Roeping van de H. Mattheüs. Ook dit werk lijkt meer op een eigentijdse kroegscène dan op een geïdealiseerde Bijbelse voorstelling.
Het eponiem ‘Meester van het oordeel van Salomo’ is ontleend aan het gelijknamige schilderij. De scène is ontleend aan het Bijbelverhaal waarin Salomo een oordeel moet vellen in een zaak waarin twee vrouwen claimen dat een baby van hen is. Als Salomo oordeelt dat het kind dan maar in tweeën moet worden gehakt, wil de ware moeder dat voorkomen door het kind af te staan aan de ander. Salomo wijst vervolgens het kind toe aan de rechtmatige moeder. De scène is uiterst theatraal weergegeven. Het beeld wordt begrensd door links een pilaar en rechts een staande jongeman. De weidse gebaren van de protagonisten worden fel belicht.
Wat betreft de jongeman die links vooraan op het doek staat: die heb ik in deze tentoonstelling al eerder gezien in een vrijwel gelijke pose. Aan het begin van de expositie hing een aantal portretten van apostelen. Eén van hen was Thomas. Ribera hergebruikte blijkbaar bepaalde motieven. Dat geldt niet alleen voor de jongeman die vervolgens als Thomas werd geschilderd, ook de kale man in de schaduw rechts achter de jongeman komen we ook tegen als de apostel Bartelomeüs.
David en Goliath was een populair thema van Caravaggio en zijn navolgers. Ook Ribera schilderde het onderwerp enkele keren. Hier is David afgebeeld als straatschoffie. Het hoofd van Goliath is buitenproportioneel groot weergegeven. Gewelddadige scènes waren een thema dat veelvuldig door de kunstenaar werd geschilderd. Menige martelscène werd door Ribera op realistische wijze geschilderd, zoals die van de Heilige Barthelomeüs. Een voorstudie voor de kruisiging van Petrus laat zien dat de schilder nauwkeurig te werk ging om de martelscènes zo werkelijkheid getrouw mogelijk weer te geven.
Een heel opmerkelijk werk is de vrouw met de baard. We zien een bebaarde vrouw die een baby zoogt. Haar echtgenoot staat achter haar. In 1631 werd Ribera ontboden door de hertog van Alccalá om een ‘natuurwonder’ te schilderen. Op de steenblokken rechts is deze gebeurtenis uitgebreid beschreven. De kunstenaar heeft “naar een levend model” het portret geschilderd van een zekere Magdalena Ventura, een tweeënvijftigjarige vrouw uit Abruzzo bij wie, na drie kinderen te hebben gebaard, op zevenendertigjarige leeftijd een dikke baard groeide.
Het interessante van tentoonstellingen als deze is dat werken die normaal nooit samen te zien zijn, tijdelijk bijeen gebracht worden. Hier is dat het geval met drie versies van de bewening van Christus uit de National Gallery in Londen, het Louvre in Parijs en Museum Thyssen-Bornemisza in Madrid. Het laatste werk heeft een merkwaardig detail. Als je goed kijkt naar de vouwen in het doek bij Christus’ schouder, zie je een oog.
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The Violin Player, Gerrit van Honthorst, 1626, Mauritshuis Museum
The Utrecht painter Van Honthorst lived for a while in Rome, where he was influenced by the work of Caravaggio. He caused a sensation with his night paintings, which gave him the nickname ‘Gherardo delle Notti’, Gerrit of the Nights. But he also made cheerful figure paintings, such as this enticing young woman. Van Honthorst was one of the Utrecht Caravaggists, and his modern, dramatic style had a great influence on Dutch painting. When he became court painter to stadholder Frederik Hendrik, his style became gradually daintier.
https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_1107.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp
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