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filmmakerdreamst · 11 months ago

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P.J.Hogan's 'Peter Pan' is still an underrated masterpiece 20 years later

Peter Pan is a live-action fantasy adventure film directed by P. J. Hogan that reimagines the classic story of Peter and Wendy. The screenplay was written by P. J. Hogan and Michael Goldenberg and was released in cinemas in December 2003. The screenplay is based on the 1904 play Peter Pan, or The Boy Who Wouldn’t Grow Upand the classic novel Peter Pan by J.M.Barrie, which was originally published under the title Peter and Wendy.

The film tells the story of a young Edwardian girl, Wendy Darling (Rachel Hurd-Wood) and her two younger brothers John and Michael. On the night she is told she must grow up, a wild, fairy-like boy called Peter Pan (Jeremy Sumpter) flies into her room with his high-maintenance fairy Tinkerbell. When he learns that she tells stories, he whisks Wendy and her two brothers away to a magical Island called Neverland — where you supposedly don’t “grow up” — so that she can mother his henchmen, the Lost Boys. There she fights pirates led by the evil Captain Hook (Jason Isaacs), meets mermaids, dances with fairies, falls in love and grows up.

I have strong family connections tied to Peter and Wendy and J.M.Barrie. My great, great uncle Nico was one of the sons of Sylvia Llewelyn Davies'. He and his other brothers "the Lost Boys" were adopted by J.M.Barrie; which ultimately inspired him to write Peter Pan. Nico’s daughter Laura — my cousin — who I met for the first time a few years ago, told me that she was flown to Australia for the filming of P.J. Hogan’s Peter Pan because she was J.M.Barrie’s goddaughter. She told me that she was thrilled with the cast, especially Jason Isaacs, who played Captain Hook and Mr Darling. She also mentioned that Jeremy Sumpter, who played Peter Pan, was a lovely boy. However, she said she was very surprised and sad that the film wasn’t a big success as she really liked what they did with the story. I have loved the fairytale of Peter Pan from a young age, and learning that I am literally part of the family that inspired the story was very exciting and I’ve only begun to internalise it more as I’ve grown older.

When I was in my mid-twenties, I was diagnosed with a high level of Autism. One of my main symptoms was labelled “ageless”, which in simple terms means that one half of me is still a child that I can’t mentally leave behind. I can’t do many things that most adults can do, such as pay bills, drive a car, look after my own well being etc. I flap my hands when I get excited. I bounce. I sometimes speak in a baby voice. I overcommit to things I enjoy. I admit that it was hard to come to terms with the diagnosis when I first received it. But over time, I’ve come to believe that the two can coexist in a healthy way. I believe that I am an adult who is able to develop and grow while still carrying the child within me, and that this is not seen as a bad thing. I think Peter and Wendy can be seen as a reflection of that.

I was first introduced to P.J. Hogan’s Peter Pan a few years after it was released (I was maybe nine or ten years old), and I absolutely loved it. It wasn’t only one of my favourite film adaptations, but one of my favourite movies of all time. What surprised me most about the film at that age was how dark and gruesome it was, and full of this underlying sexual tension that I hadn’t expected at all from Peter Pan. Even today, this film still has a special place in my heart. It is made with so much passion and love for the original text that I can automatically put myself back into the story. After watching the film again as an adult, I almost immediately opened my copy of Peter and Wendy and started reading. I would even go so far as to say that I prefer the film to the book. However, part of me wishes that the age rating had been set much higher, as the dark and gruesome moments were some of the strongest parts of the film adaptation. This is possibly why some critics and viewers had difficulty categorising the film at the time.

However, I often consider P.J.Hogan’s Peter Pan to be the same equivalent as Joe Wright’s Pride and Prejudice. (which came out a few years later in 2005, starring Keira Knightley and Matthew Macfadyen). The film moves at the same dreamlike pace. It is light, dark, colourful and deeply romantic.

I also often prefer P.J.Hogan’s Peter Pan to the 1953 Disney Animation of the same name, even though it’s the version I grew up with and liked. I find it much less straightforward and innocent. Also, the 2003 film is much closer to the original source material, which I loved reading as a teenager, and to J.M.Barrie’s original vision. The film manages to reflect the same intellectual subtext and depth of the novel while retaining the whimsy and magic.

Magical Realism

Peter Pan was a perfect blend of fantasy and realism. A lot of media these days focus too much on “realism” and make their sets and CGI look bland and washed out. It’s a common myth these days that no one likes whimsy anymore; it’s somehow seen as too childish. As a result, much of the magic of fantasy is lost. But in this Peter Pan, a lot of colour was used in the set design and cinematography. Everything was so brightly and colourfully lit. Most fantasy films these days, including the new live-action adaptation of Peter Pan and Wendy on Disney+, are all so gloomy and dark. You almost have to light up the screen to make out the actors’ facial expressions or what’s happening in the scene. But this film understands that a viewer who watches fantasy wants to be swept away, but also wants a certain amount of believability. Although the film contained a good amount of darkness, it did not shy away from being cartoonish either (which I think was partly inspired by the Disney animation), i.e. characters blushing or bouncing on the clouds.

The design of Neverland was breathtaking. I think the CGI, although criticised by some, made the island and creatures look more dreamy and fairytale-like. It was a good combination of CGI for the landscapes and real backdrops for the jungle, so there was enough magic and believability to transport the viewer into the story. A bright colour palette was used for the landscapes, while down-to-earth colours such as browns and greens were used on the ground, such as in “The Lost Boys Hide” under the tree, to give a sense of realism. The costume department also reflected this, from the majestic reds and blacks of the pirates, to the earthly colours of blue and red for the Native Americans, to the natural greens and browns of the Lost boys. I noticed that the colours in Neverland were used as a contrast to the Edwardian London back home, which is realistic but dull compared to the island.

One aspect I liked was that the lighting on Neverland always changed depending on the mood of the scene- unlike the naturalistic lighting on Earth. It was almost as if the island was a living being. For example, when there was a fight on the ship, the lighting was red. When Peter took Wendy to the mermaids, who were scary and frightening, the lighting was dark and blue. This created a surrealistic atmosphere, almost like a fever dream or a kind of nightmare.

Sometimes the environment changed depending on Peter Pan’s mood in the respective scene. I particularly liked how Peter Pan influenced the weather on Neverland. Just his mere presence when he flew to the island changed the entire atmosphere in an instant. His feelings also determined whether it was summer or winter. In other words, its suggested in the film that the longer he has been there, the more the island has become a part of him, so that he can no longer leave it. It’s almost as if the island has transformed him into a magical being.

The exuberant musical score by James Newton Howard: I’ll never forget that. I think that was one of the first movies I saw where I actively noticed the music because it was so brilliant. Even today, the “Flying” soundtrack still gives me goosebumps. It perfectly encapsulates the whimsy, joy and imagination of Peter and Wendy. I loved that there were always different variations. One of my favourite pieces from the movie is ‘Fairy Dance’, which starts off cheerfully and moves up and down depending on the characters’ conflict/what they’re saying in the scene.

Cast

The cast of this film adaptation was magnificent. The look of all the actors not only matched the book description, but also the mood, especially with the Darling family. One of the standouts was Olivia Williams as Mrs Darling. She captured the gentleness of the character perfectly. I also loved the new addition of Aunt Millicent, played by Lynn Redgrave. She fitted into the story so well that I was surprised not to find her in the novel. She had the perfect amount of ridiculousness and hilarity that suited J.M.Barrie’s style.

One particular member of the cast we can probably all agree on that was perfect, was Jason Isaacs, who played both Wendy’s father Mr Darling and Captain Hook. He was certainly a star in this film for sure. I just can not think of anyone who could play him better, especially in a live-action film adaptation. He was particularly good in the role of Captain Hook. When I first saw the film as a child, I did not know that Captain Hook and Mr Darling were played by the same person until my dad pointed it out to me because he was so good. I loved how they portrayed Wendy’s dad as shy and reserved, as opposed to Captain Hook who was flamboyant and sinister. Mirror versions of each other in different realities — that’s a common theme throughout the film. As Captain Hook, Jason Isaacs perfectly captured the essence of viciousness, deviousness and brutality that was necessary for the character. But also the deep loneliness and frustration behind it all. I have seen a quote that was supposedly cut from the film (and never should have been) that provides so much context for his hatred of Peter Pan:

“Imagine a lion in a cage and into that cage flies a butterfly. If the lion was free, it would pay no heed to such creature. But the lion is not free…and so the butterfly drives him slowly insane.” — Captain Hook

They did a really good job of showing how Peter Pan and Captain Hook are mirror images of each other. Peter Pan is a child who secretly wants to be an adult, while Captain Hook is an adult who secretly wants to be a child. Both fight each other for different reasons, but the goal is the same. For example, there is a great scene towards the end where Captain Hook uses his wits to defeat Peter in a fight. Here it becomes clear that there is deep symbolism for the inevitability of adulthood and the loss of childhood. Jason Isaacs really showed off his acting talent here. I liked that he wasn’t portrayed as a “dumb villain”, which he easily could have been.

There were also some great performances among the adults. Most notable was Richard Briers as the ‘pirate’’ Smee. But the child actors, especially the lost boys, really held the movie together. Their solid performances made it so believable that the island was ruled by children. I loved Theodore Chester as Slightly. He was very charming and funny in that role.

Another member of the cast I thought was brilliant was Carsen Grey, an indigenous actress of Haida descent, who played Princess Tiger Lily. I liked that they let her speak her ancestral language, Mohican, in this film. Although this film came out in the early 2000s, it is the only version of Peter and Wendy in which Native Americans are neither erased nor white-washed even though the representation is far from great. Considering how they’re treated in the novel, it’s perhaps for the best overall that they limited some of their scenes. However, I liked how firey she was in this adaptation and not the damsel in distress she was portrayed as in the Disney animation. I think it was a wise decision to cut the infatuation she had with Peter Pan, as it was really just one line in the book that would have added unnecessary drama, and all in all, it would have fallen short if all the female characters were jealous of each other.

They also downplayed Tinkerbell’s jealousy in this regard, portraying it more as her trying to protect Peter Pan’s youth from romantic advances, as hinted at in the novel, and also being sad that Wendy is attracting all of Peter Pan’s attention. Ludivine Sagnier has, in my opinion, succeeded well in making Tinkerbell equally repulsive and endearing, as befits the character.

Wendy Darling

Rachel Hurd-Wood was the perfect cast for the role of Wendy Darling.I was actually surprised to learn that this was her first film role ever, because she was a natural. She effortlessly possessed the same caring nature and charm that makes Wendy so endearing. She is exactly how I imagine the character when I read the story. When people talk about Peter and Wendy, they always mention Tinkerbell, Pan or Hook, but personally I am always drawn to Wendy. She is the real heroine of the story. After all, she was the main reason for Peter to bring her and her brothers to Neverland.

What always amazes me about Wendy’s role in the story is the fact that Wendy literally doesn’t spend much time being a “child” in the time she spends in Neverland. When she’s not escaping death at the hands of mermaids or pirates, she acts as a mother to the ‘lost boys’ and her brothers. She asks herself what she really wants from life. In comparison, she was allowed to behave more like a child at home in Edwardian London. Neverland is not a place where you never grow up. It’s the place where she chooses to grow up. Many people have described Neverland as a manifestation of Wendy’s subconscious as a result of trauma, and I’ve never found that to be more true in this adaptation.

One of the reasons why I think P.J. Hogan’s Peter Pan is the best adaptation of the novel is the fact that the film revolves around Wendy’s coming of age. I loved that they expanded on her love of storytelling and also gave her a tomboyish streak. Instead of just being on the sidelines, she’s able to get involved and fight pirates while retaining many of her feminine traits such as her maternal instincts and romantic feelings for Peter. She makes mistakes and sometimes gets dragged into things she knows she shouldn’t do. But in the end, she triumphs.

In many film adaptations of Peter and Wendy that I have seen, Wendy is either only present in passing or not at all. Characters like Peter Pan, Captain Hook and Tinkerbell always take centre stage, which I think is a strange decision as they are part of Wendy’s story and not the other way around. Peter Pan is meant to metaphorically represent the childhood she does not want to give up (which is why the character is always played by a woman in the original play, as he is a mirror image of Wendy). And Captain Hook (J.M.Barrie also wanted him to be played by the same actor as Mr Darling) represents the dark side of her father, or rather what she imagines adulthood to be. This is particularly emphasised in this film adaptation because he is an important factor in her being told to grow up. The father, the concept of adulthood, and Peter Pan, her childhood, are at constant war with each other.

“You’re not supposed to be like Peter, who kept every good and bad aspect of being a child and can’t tell right from wrong. You’re not supposed to be Hook, either. He let go of everything childish and loving about him and became bitter and evil..You’re supposed to fall in the middle, to hold onto the things about childhood that make it beautiful — the wonder, the imagination, the innocence — while still growing up and learning morality and responsibility. You’re not supposed to be Hook. You’re not supposed to be Peter Pan. You’re supposed to be Wendy Darling.” — @maybe-this-time

The 2023 film Peter Pan and Wendy took a different approach, by making Wendy a kind of powerhouse who always saved the day and outshone Peter Pan overall. In my opinion, the 2003 film adaptation emphasised very well that Wendy really is the yin and yang. She's allowed to be romantic, be rescued by others and at the same time determine her own destiny and stand up for herself. Because that’s what her journey in the adaptation is all about. She is pressured by all the adults in her life to grow up. She allows herself to be seduced with the prospect of an eternal childhood by Peter Pan. Then she realises that it is not self-fulfilling. She is tempted by Captain Hook with the concept of adulthood. And finally, she finds a balance between these two extremes on her own terms. By the end of the film, Wendy has made her peace with growing up while still remaining a child at heart. That requires a certain mental strength that we should all strive for.

Peter Pan and Wendy Darling

In most adaptations of Peter and Wendy, such as Hook and Syfy’s Neverland, the focus is on the title character Peter. In the more recent film adaptation Peter Pan and Wendy, the focus is on Wendy. This film adaptation of Peter and Wendy, on the other hand, sticks more closely to the original source material, as the story focuses on Peter and Wendy’s relationship. This is perhaps the reason why I always hesitate when I watch other adaptations, because these two characters are supposed to go together. It’s definitely a relationship that can be portrayed in all sorts of ways because they are symbolically the same person.

Although there is no romance between Peter and Wendy in either the original novel or the play, Wendy quickly develops romantic feelings for Peter which, as a prepubescent child, he does not consciously reciprocate as he has no concept of love other than that of a mother’s. Although Peter cares deeply for her, he ultimately only longs for her to be the maternal figure that is missing in his life. One could go into the symbolism that Peter and Wendy are one and the same, and that this is an expression of Wendy learning to love herself. But in a literal sense, J.M.Barrie had unintentionally created this very strong potential between the two characters. And I personally feel if your'e going to make an adaptation of Peter and Wendy that potential needs to be explored in some way, even if it’s not necessarily romantic.

Hogan recognised this potential and developed the romantic elements, e.g. ‘the “thimble” from the novel, into a very real and tangible plot. In other adaptations, Peter and Wendy’s relationship is rather one-sided. But in P.J. Hogan’s film adaptation, however, it is not at all. Over the course of the film, Peter and Wendy fall deeply in love with each other.

Rachel Hurd-Wood and Jeremy Sumpter had a remarkable on-screen chemistry for young actors, which helped give the adaptation its own identity. Whenever they interacted on screen as Peter and Wendy, it was — like the glittering pixie dust of Tinkerbell — simply magical. The off-screen chemistry between the two definitely helped make the romance so believable as well. When I was younger, I didn’t like romantic subplots in family films. I personally found that they clogged up the main plot because the “romance” tended to be very one-dimensional- but Peter and Wendy in the 2003 film version were simply enchanting.

In the original novel, J.M.Barrie alludes to the possibility of a romance between the two. In the film adaptation, they go all out. Their love story was written so beautifully and profoundly, while staying true to the original text and J.M.Barrie’s themes. This made the conflict hinted at in the novel of “staying in Neverland with Peter or growing up on Earth with Wendy” even more poignant and relevant, because in reality there was only ever one option. They couldn’t find a way to have both. That made the ending even more “heartbreaking” for me as a child, because even though they had the chance to be happy together, she couldn’t give up on growing up to stay. And he couldn’t give up being a child to leave, even though it was a natural progression for him.

Peter Pan

Jeremy Sumpter delivered a fantastic performance as Peter Pan. Not only did he perfectly match the illustrations, but he also managed to perfectly capture the essence of the charismatic, mischievous little boy from the novel. What’s more, of all the versions I have seen so far, he is by far the most accurate, right down to the clothes made of skeleton leaves, the dirty fingernails, the feral mannerisms, the traumatised soul behind the charm and the downright creepy insinuations. By today’s standards, you could almost take Peter Pan for a grown man who consciously decides not to behave like this.

However, when I watch the film again as an adult, I can now understand why he has reservations about growing up in Edwardian England and would rather remain a “child” in Neverland forever. As Peter says in the film, “Would they send me to school? And then to an office?” I feel like most of us today have so many choices as we get older, but back then it was much more limited. The choices were very restricted in that “heterosexist” environment. You could only be a certain thing, and it was much harder to hold on to the pleasures of life. I can now also understand the initial reactions of Michael and John to Peter: He must have seemed scandalous to people at the time. His bright colours, his inappropriate clothing and his behaviour are repulsive to the boys, but Wendy is immediately fascinated and attracted. I think it was a deliberate choice that he is the only character with an American accent to set him apart from the rest of the cast; to emphasise the wildness of the character and his non-conformity to the people of Edwardian London.

Another small aspect I liked was the suggestion that the Lost Boys, although they lived with Peter and obeyed his commands, lived in constant fear of him and did not worship him as in other adaptations. (A fear that is justified as Peter tries to kill them more than once in the film). What the 2003 film adaptation captured perfectly about Peter's character was: how terrible of a person he really is. Peter Pan is a hero when he goes on adventures and fights pirates. You could argue — via the quote “Leave Hook to me” (which Peter says to her in the film) — that Peter is Wendy’s split self who can fight her father (Captain Hook) for her, just like antibodies do with germs when we can’t handle them ourselves.

However, when it comes to understanding emotions, caring about others, even his henchmen, the Lost Boys, and doing anything that inconveniences him, Peter Pan is possibly as bad as Captain Hook. This makes Wendy’s decision to leave him all the more powerful. Although she was initially seduced by his adventurous life, she soon realises that his “life” of joy and adventure is not fulfilling at all. Because in reality, there is no real joy. There is no real adventure. In reality, his life is empty because it is not earned. In addition, she realises that she is gradually losing her memory of the outside world, including her parents - a sign that she is “slowly awakening from the dream”. This leads Wendy to realise that she wants more than what he can give her in Neverland (e.g. romantic love) and decides to leave. Being alive means feeling, accepting and growing. However, as long as Peter remains a boy, he can never truly be alive. Peter Pan conveyed this important message, whereas earlier film adaptations, including the Disney animation, did not.

One of the reasons why good adaptations of Peter and Wendy are so hard to come by, especially in this day and age, is not only because they adapt a performative story that exists in layers of subtext. They also work with a protagonist who doesn’t change. Who doesn’t develop in any way, neither negatively nor positively. Not even just physically, but also mentally. (Even Eli from Let the Right One In, the child vampire, changes in the course of the story). At the end of day, Peter Pan is ultimately there to serve someone else’s story. It works in a fairy tale format. But it doesn’t usually translate very well to the screen because it often leads to one-dimensional storytelling. Even if it seems so natural, it doesn’t come naturally.

However, this adaptation allows Peter Pan to grow. The writers expanded on the small aspect from the book, which is the moment when Wendy enters Peter’s life; he begins to feel emotions. Not just love. But anger. Fear. Sadness. Pain. Disgust. And above all: self-awareness. Almost like a version of puberty in condensed time, as if the change suddenly caught up with his body. When Wendy brings this up, Peter immediately rejects it out of fear. I think most of us can all relate to this when we were in the midst of growing into a young adult. We experience feelings that are scary and new, that we can’t yet fully understand or even want to. For Peter Pan, falling in love is exactly what he is afraid of: growing up and no longer being a child. This adds to an interesting conflict that arises between the two when she asks him to leave with her.

“The thing about Peter Pan is, he’s a coward. Had the chance of a lifetime and he bottled it. Just fucked off back to Neverland. All alone, forever he was, by his own hand. Poor old Wendy, she had to grow old without him.” — Skins, 6x07 “Alo”

In the original novel, the reason Wendy can’t take Peter Pan with her (apart from the fact that he refuses to grow up) is the same reason Lyra in His Dark Materials can’t take Pan — the animal manifestation of her soul — on the boat to the land of the dead. She has to split in order to grow up and leave a part of herself behind. She can’t keep both in order to move on. But that does not mean I always agree with the ending either. In which Peter remains a child and takes Wendy’s future descendants to Neverland and back to look after him. It leaves an icky aftertaste, but at least it fits in with the story J.M. Barrie wanted to tell.

Even though the adaptation conveys the same message, that Peter Pan is the manifestation of Wendy’s youth, even to the end. In this version of Peter Pan, that is no longer the case. By the end of the film, the way he holds himself is different. The way he looks wistfully through the open window and solemnly says, “To live would be an awfully big adventure,” : a sign of self-awareness, while Wendy happily reunites with her family. So much so that Tinkerbell has to pull him by the hair to stop him from joining them and reconsidering his decision. Peter is now old enough to know that he loves Wendy. Maybe he’s also mature enough to know what he’s missing, but he knows he can’t have her the way he wants, so he does the most selfless thing he’s ever done in the whole film by letting her go.

There is no such conflict at the end of the 1953 Disney animated film. Peter Pan is described by Wendy as “wonderful”. In reality, everyone else gets their happy ending, except him, because he deliberately chooses not to. Peter Pan very much turns himself into a tragic figure because he is afraid of the most natural thing in the world. He is afraid of life. And I feel like this version of the story knew that and expressed it strongly, which makes me conflicted now as an adult. I’ve seen endings like this before, where two people fall in love but do not end up together because they grow apart or they are both interested in different things, and it’s very important to reach those points in different ways. It very much reflects real life and is also reminiscent of first love. How that love never really fades. It reminds you of simple times, even when you’ve grown up and moved on. That a part of you is still at that age when you look back on it. These endings happen because people grow — which Peter Pan does not.

“Peter in the books lives in oblivious tragedy. He may suspect that he’s not fully happy, but he tends to forget about it… yet this Peter doesn’t… Wendy leaving him and growing up to be a wife of another man is his unhappy thought…It’s the loss of innocence since Peter could not forget this…It’s the process of growing up…all but confirms that Peter’s character arc in the film is one of accepting the fact he too must grow up to be happy.” — @rex-shadao

And I think that’s the real reason why his character is both the strongest and the weakest part of the adaptation. The writers didn’t make it clear enough that Peter Pan forgets in their version of the character. In the novel, Peter Pan forgets everything automatically, which is why he can exist in this limbo of childhood and not go mad. However, as mentioned earlier, this version of Peter Pan is old enough to remember and, more importantly, to feel. Even though he is the closest to J.M. Barrie’s original vision, unlike his counterpart in the book, he is capable of evolving. That’s why the ending sometimes feels strange to me as an adult.

It was hard to say why I had a strange feeling at first, but I realised that a lot of my mixed feelings stemmed from having seen the film adaptation fresh after reading the novel. Since Peter Pan fully reciprocates Wendy’s love in this version, he ends up being a different character than in the book, which is why I now disagree with them keeping the original ending instead of having him grow up with Wendy. It would symbolise that childhood can co-exist with adulthood, that you don’t have to leave a part of yourself behind. That you can be your true and complete self if you find the balance between the two extremes.

The original ending still works however, in all its bittersweetness. I know what it means and understand what it stands for. Wendy basically says goodbye to her childhood and promises never to forget it. There’s a reason it made such an impression on me when I was younger. It could just be because I’m trying to pick up all the pieces of my broken heart from the floor. But personally, as an adult, I just find it weaker compared to the novel. Sometimes I like to imagine an ending to this version of the story where Peter Pan comes back, having quickly realised that he has outgrown Neverland, but doesn’t meet Wendy again until they are both much older, at a time when Wendy is coming to terms with womanhood and the idea of marriage. Or she even meets his real earth counterpart (if we were to delve into the psychology of Neverland being Wendy’s dream). And their relationship is subjected to the natural test of time and growth.

Peter Pan is an almost perfect adaptation. It matches the humour, the tone and the vision of J.M.Barrie. But I can certainly understand why the film didn’t do so well at the box office. In the month it was released, there was an unfair amount of competition, namely the film Lord of the Rings — The Return of the King. And as an adult, I can now understand why it’s not the film people think of or remember when it comes to Peter Pan adaptations. And it’s not just because it doesn’t fit the elfish, jolly trickster persona that Disney has created.

The film adaptation suffers more from what it doesn’t do — such as maintaining a stable tone and consistent editing — than from what it does. It’s one of those films that would have benefited from being much longer. That way, the inconsistent tone and some of the rushed parts of the adaptation would be much more balanced. It feels like it was missing an extra twenty minutes. For example, the film is narrated by an older version of Wendy, but without the deleted ending where it becomes properly clear that it’s her telling the story to tie everything together, the ending feels a little abrupt. Say what you will about Tim Burton’s adaptation of the Series of Unfortunate Events, but the audience could see where the film’s narration was coming from the whole time. I think if they knew the alternate ending wasn’t going to work (that scene is a classic example of something working well in the novel but not in the film), they should have removed the narrator altogether with the deleted ending and adjusted the film accordingly. They should have extended some scenes so that parts of the film weren’t rushed, such as the introduction, and the story would have been left more up to interpretation as there was no voiceover throughout.

Despite its weaknesses, P.J.Hogan’s Peter Pan is still an underrated masterpiece 20 years later. It is an irresistible film that captivates and warms the heart. The film adaptation has certainly stood the test of time, staying true to the original while adding its own flavour to the story. It is full of magic, wonder and heart. It was clearly made by people who loved the origins of the story and explored where they came from, while also digging deep into the text to reshape the character arcs in a fresh and meaningful way. They succeed in capturing J.M.Barrie’s original message, which is that growing up is a natural progression of life, but that doesn’t mean leaving childhood behind entirely. That it is important to maintain a healthy balance between the two: Taking responsibility while appreciating the joys of life. From the vibrant colour palette to the goosebump-inducing music to the solid performances and gorgeous chemistry between Jeremy Sumpter and Rachel Hurd-Wood, my love for this adaptation will never end, no matter how old I am.

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o0-snowdrop-0o · 2 years ago

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" Into your light I dive "

Finally finished! I hope you like it!

( inspired a lot by Starflight1701's amazing fanfiction of James Hook and Wendy )

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lenas-neverland · 3 months ago

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#captain hook #wendy darling #hook x wendy #darling hook #ai generated #ai artwork

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alena-sempai-art · 2 years ago

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Darling x Hook

#digital art #darling hook #adult wendy darling #hook x wendy #captain hook #peter pan #fanart #wendy darling

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romcomisdead · 2 years ago

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The Smiths and peter pan 🥱😱😱

#captain hook #wendy darling #hook x wendy #wendy x hook #hookdarling #hooked #peter pan 2003 #peter pan edit #peter pan 2003 edit #ship edit #the smiths

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tellerficraz · 2 years ago

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"Mother and Father are fighting again"

2023

2003

Peter Pan 2023 and Peter Pan 2003 | Movie Comparison || part 7

#They are two hot heads #peter pan x wendy #peter and wendy #peter pan and wendy #peter pan live action #wendy darling #captain hook #james hook #peter pan 2003

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roselynnthornwood · 1 year ago

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Author IG: roselynnthornwood_author

Support me on Patreon!

Artist IG: drea.d.art

Support her on Patreon!

#fanfic #smutty fanfiction #smutty fan art #peter pan #captain hook #wendy darling #post canon #j.m. barrie #literary fiction #Captain Hook x Wendy

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depressedstressedlemonzest · 11 months ago

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Ugh she was a shadow person.

Yay! Ariel!

Saved his ass regina.

She's so relatable about the charmings lol.

Crossing realms is thst all? Easy peasy lemon squeezy girlypop.

Oof the cave confessions 😬😬😭😭

Speaking of slutty chests Killian has a pretty slutty one too.

Emma because that name would be too obvious.

Belle!

Love the idea of ariel and rumple antiquing or some shit together.

Why are we listening to him?

Because he has a gun.

What's a gun?

That's when belle really evaluated her choice in friends.

Docs miata is like cabbage man's cabbages.

Belle is basically learning magic now.

Peter dickbag pan strikes again. Using wendy like that? Fucking prick.

Regina seems genuinely surprised that rumple loves belle.

And damn if rumple doesn't serve it back to her.

"Of having someone."

I love that regina gave ariel the bracelet of choice. Then disguised that niceness with "whatever Eric is into"

DON'T TRUST HIM HENRY!!!

Gold is the most powerful one there! Let him help!

Awww lil baby rumple is so cute. And so traumatized.

I'm not walking in there with nothing but my good looks.

👏👏👏👏

Aww wendy and Neal reuniting 💜

The incredulous look on his face "you told her I was dead??"

She's lying!

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herstoryheaven · 4 months ago

Text

Descendants Harry Hook x Reader: The Weight Of Words

Request: I wanted to request a harry hook x plus size reader (who's the daughter of Peter Pan and Wendy Darling) and harry kinda hates her at first.

Reader: Female

Word count: 1722

Average reading time: 6 min 15 sec

Category: Hurt/Comfort

Warnings: This story contains themes of body image insecurity, bullying, and emotional intensity. If you are sensitive to these topics, please read with care.

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Disclaimer: All events portrayed in my stories are fictitious. Any resemblance to actual events is purely coincidental. Any actions or behaviours portrayed by the characters may differ from reality and cannot be connected to any actual person. This work is purely fictional and intended for entertainment purposes only.

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Y/n Pan walked through the halls of Auradon Prep, a place where heroes and villains once again live amongst each other, with her head held high despite the nagging insecurity gnawing at her. As the daughter of Peter Pan and Wendy Darling, she holds a great legacy. She was known for her caring and nurturing nature, always there to lend a helping hand or offer a kind word. People often say that she is just like her mother: brave, adventurous, and responsible, all while maintaining a magical sense of imagination.

But despite the warmth she radiated, Y/n couldn't shake the feeling of self-doubt when it came to her body. She had a bit more weight to her then the average princess, and while she embraced many things about herself, her weight was a source of insecurity that sometimes overshadowed her confidence.

Harry Hook, the son of Captain Hook, was a constant thorn in her side. The hatred between their fathers seemed to have transferred to them, with Harry taking every opportunity to remind Y/n of her flaws. He saw her as nothing more than the daughter of his father's sworn enemy, and he used her insecurity to his advantage.

As Y/n walked through the crowded hallway, Harry stepped in front of her, blocking her path. His signature smirk was firmly in place.

"Watch where you're going, Pan." he sneered, his eyes raking over her form with a judgmental gleam. "Try not to take up the whole hallway next time."

Y/n's cheeks flushed with a mix of anger and embarrassment. She bit back a retort, knowing it would only fuel his taunts. Instead, she pushed past him, keeping her focus on the end of the corridor where her friends awaited.

"Hey, Y/n! Over here!" called Jane, waving her over.

Y/n plastered on a smile as she joined her friends, but the sting of Harry's words lingered.

"Don't let him get to you," Evie said, placing a comforting hand on Y/n's shoulder. "He's just trying to get under your skin."

"I know," Y/n sighed. "It's just... sometimes it's hard not to let it affect me."

"You’re beautiful just the way you are, Y/n," Carlos added. "Don't let anyone tell you otherwise."

Despite their reassurances, Y/n couldn't shake the hurt. Harry's words echoed in her mind, feeding the insecurities she tried so hard to suppress.

-----

Days turned into weeks, and Harry's cruel remarks continued. Each encounter chipped away at her confidence, but she refused to let him see how much it affected her.

One afternoon, as Y/n was heading to the library, she heard footsteps behind her. She turned to see Harry, his expression unreadable.

"Pan." he called out, his tone less biting than usual.

She stopped but didn't turn around. "What do you want, Harry?"

"I need to talk to you," he said, his voice softer. "It's important."

Y/n turned slowly, crossing her arms defensively. "What is it now? Another insult? Another way to make me feel like less?"

Harry's eyes softened, guilt flashing across his features. "No. I... I wanted to apologize."

Y/n blinked, taken aback. "Apologize? For what?"

"For everything," he said, stepping closer. "For the things I've said to you, the way I've treated you. I was wrong."

Her heart raced, a mix of confusion and anger bubbling up. "Why now, Harry? Why the sudden change of heart?"

Harry's gaze dropped to the ground for a moment before meeting her eyes again. "Because I see you now." he admitted, his voice filled with sincerity. "I see how my words have hurt you, and I hate myself for it. You're not your father, Y/n, and you don't deserve the things I've said."

Y/n stared at him, searching his face for any hint of deception. "Why should I believe you?"

Harry's expression grew even more pained. "Because... I need to be honest about something else too." he said, taking a deep breath. "I was scared. Scared of what it meant to care about you, beyond just hating you because of your father. The truth is, it was easier for me to lash out and insult you than to confront how I felt."

Y/n’s brows furrowed in confusion. "What do you mean?"

"I was terrified of falling for you." Harry confessed, his voice cracking slightly. "I hated that you were the daughter of my father's sworn enemy, but more than that, I was afraid of how much I cared for you. So I pushed you away, hid behind my insults, thinking it would make it easier to stay distant. But it only made things worse."

Y/n's eyes widened, her anger giving way to a deeper understanding. "So, you were scared of loving me?"

"Yes." Harry admitted, his voice barely above a whisper. "I was scared of what it would mean, of how it would change everything. I’m sorry for letting that fear turn into cruelty."

Y/n looked at him, processing his confession. "And now?"

"Now," Harry said, taking another step closer, "I want to make things right. I want to show you that my feelings have changed, that I want to be honest with you, and that I’m willing to work on it whatever it takes."

Her heart pounded, caught between lingering hurt and slight hope. "How can I trust you?"

"Let me prove it." Harry said earnestly. "Give me a chance to show you that I’m not the same person I was before. I promise, I’ll do everything I can to make up for how I’ve treated you."

Y/n's defenses began to soften, though her trust was still fragile. "We'll see, Harry. Actions speak louder than words."

Before she could say more, Harry gently took her hand, his touch surprisingly tender, his eyes so intense it nearly made her knees buckle. "I understand darling. And you're truly the most beautiful being I have ever had the honor of laying my eyes on, Y/n. Every single part of you."

Her breath hitched as he moved even closer, his hands resting on her shoulders before trailing down her arms and wrapping around her waist. "Harry, what are you doing?"

"I'm making it up to you." he murmured, his voice raspy and low, filled with emotion. He leaned in, pressing soft kisses along her jawline, moving to her neck, and whispering against her skin. "I'm so sorry for the pain I've caused. You deserve so much better."

Y/n's heart raced, a mix of confusion and longing flooding her senses. She felt his hands caress her sides, his touch gentle and reverent. "Harry..."

He pulled back slightly, looking into her eyes with a depth of feeling she hadn't seen before. "Let me show you how beautiful you are." he whispered, his lips brushing hers in a tender kiss.

Completely overwhelmed, Y/n felt tears streaming down her face. She was defeated, all the pain and frustration boiling over. Harry kissed her tears away, his lips soft and comforting against her skin.

"Don't cry, darling." he whispered. "Please, let me make it right."

"I can't help it." she choked out between sobs. "It's all been too much. And... and I'm too heavy for you."

Harry's brow furrowed in concern as he wrapped his arms around her. "Y/n, darling. You're not too heavy."

"You don't understand," she whispered, her voice filled with distress.

Before she could protest more, Harry scooped her up with ease, cradling her against his chest. "Harry, put me down." she insisted, her voice shaky and weak.

"Not a chance darling." he said firmly, holding her tighter. "I’m not putting you down, you’re coming with me."

Y/n clung to him, feeling the strength in his arms as he carried her through the hallways. Her mind racing, but she couldn't deny the sense of safety and comfort that his embrace provided.

-----

When they reached Harry’s dorm room, a quiet serenity settled over them, contrasting with the whirlwind of emotions that had been swirling inside Y/n. Harry gently guided her to sit on his bed, his touch so tender that it felt like he was handling something incredibly delicate. He took a seat beside her, his gaze unwavering as he reached for her hands.

The warmth of his fingers intertwined with hers was comforting, a subtle promise of support and affection. "Y/n, you’re perfect as you are." Harry said softly, his eyes locked onto hers with an intensity that spoke of both sincerity and regret. "Your weight doesn’t change that."

Y/n’s heart ached at his words. She looked into his eyes, searching for any hint of insincerity or pity, but all she found was a deep, genuine concern and love. Her voice trembled as she whispered, "I don’t know if I can trust you, Harry."

Harry’s expression softened even further, and he leaned closer, his breath warm against her face. "Then let me earn it," he said, his voice a low, earnest plea. "Let me show you every day how much you mean to me."

Without waiting for a response, he closed the gap between them and pressed his lips to hers in a kiss that was tender and full of longing. The kiss was slow, a deliberate dance of emotions, as if he was trying to convey all the words he couldn’t find into that single, intimate moment. The softness of his lips and the gentle pressure of his kiss sent shivers down Y/n’s spine, igniting a flicker of hope deep within her.

As their lips moved together, Y/n felt her defenses start to crumble. The warmth of Harry’s affection wrapped around her like a comforting blanket, and for the first time in weeks, she allowed herself to believe in the possibility of a future where she was truly cherished. She melted into the kiss, feeling the depth of his apology and the sincerity of his feelings.

When they finally broke apart, Harry rested his forehead against hers. The closeness of their faces, the shared breath, and the gentle smile on his lips were all part of a silent promise. Y/n could see the unwavering commitment in his eyes, and a small, hopeful smile tugged at her own lips. "You’re forgiven, Harry," she murmured, her voice barely above a whisper. "But you’ll have to keep proving it."

Harry’s eyes sparkled with a mix of affection and mischief. "Oh, I intend to, darling." he said, his tone playful yet earnest. "Every single day for the rest of my life."

From that moment on, Harry’s actions spoke volumes. He made it his mission to uplift Y/n’s spirits, to remind her of her worth with each passing day. Whether it was through small, thoughtful gestures or heartfelt conversations, he showed her, time and time again, how much she meant to him. His constant efforts to cherish and support her gradually helped Y/n rediscover her own self-worth, and with each day that passed, the foundation of their love grew stronger, rooted in trust, understanding, and an unwavering devotion.

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Copyright: All stories contained herein are the intellectual property of the author. Unauthorized copying, reproduction, or distribution of these stories, in whole or in part, without explicit written permission from the author, is strictly prohibited and may result in legal action. Respect the creator's rights and creativity. For permissions or inquiries, please contact: [email protected].

Request Guidelines: When submitting a request, please ensure that your request does not contain any explicit sexual content or graphic depictions, and avoid any form of extreme violence or graphic descriptions of violent acts. I appreciate your understanding and cooperation in maintaining a respectful and inclusive environment for all readers. If you're unsure about your request or want to request about someone I haven't written about yet, feel free to ask me anytime.

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Requested by: Anonymous

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seresinhangmanjake · 6 months ago

Text

Peter Pan x Top Gun: Maverick

Peter Pan - Mickey Garcia

Wendy Darling - Natasha Trace

Captain Hook - Bradley Bradshaw

Tinkerbell - Javy Machado

Merman of the Lagoon - Jake Seresin

John Darling - Robert Floyd

Mr. Smee - Reuben Fitch

#jake seresin #top gun maverick #bradley rooster bradshaw #peter pan #bob floyd #monica barbaro #reuben fitch #javy machado #mickey garcia #tgm

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elfqueen006 · 3 months ago

Text

Darling

Captain Hook x Reader

Tw: canon-typical violence, canon compliant, mention of drawn blood, angst, jealousy

---

Currently, Hook's renewed Jolly Roger was being faced off by the Unraveler yet again, who came with his own new and improved ship, that he likely acquired in a manner of minutes rather than with the hours of care Hook's crew had put into his own vessel.

Ever the valiant one, Hook wasted no time throwing himself back into a captain's role and commanded a spyglass from a member of his faithful crew.

"Let's see what tricks the lubber has now-"

The captain stiffened upon looking through his spyglass and his throat bobbed a great lump.

Your brows drew together in concern, immediately picking up on his faltered state. "Hook? Is something wrong?"

"No. No, it's nothing." He replied flippantly, "Nothing to be unnerved about."

Hisame's pale hand swiped the device from him, sneering. "Fool. If you're rattled it's obviously something we need to know." He looked through the spyglass for a moment, but his face became perplexed. "They have a girl."

"Like, a hostage?" you asked.

"Doesn't seem to be. She's consorting with the Unraveler in the open."

"Let me see." Hisame handed the spyglass off to you and you began scanning the ship. The first thing you noticed of course, was the Unraveler with his stark white features against the crew of black clothes. It made sense with what you knew of him, he'd want to stand out amongst the world he deemed himself a god over.

He seemed to notice you too, smirking before he called to someone yet unseen. When they came up you mentally flinched. It was a girl. And something about her appearance was so distinct from even the Unraveler that it prompted you to get a closer look. Adjusting the spyglass you focused more on her face and dress.

She couldn't have been much older than you, a young woman probably entering college or just leaving it. A fair complexion with a few stray freckles on her face. Pink and full lips, very womanly. Dark hair falling to her shoulders in ringlets. She wore a bright blue dress but no shoes.

"Wendy Darling..." you said, lowering the spyglass. Flowing through your mind were countless memories of the heroine portrayed in the pages of your old books and in the faces of the movies adapting them. And then the more recent ones of the faceless and yet presumably cold woman who had broken Hook's heart. You knew she existed and yet you never thought you'd be able to meet her. Especially like this.

You looked over to Hook, who was paler than usual. His face flushed as he used his hat to fan himself.

"...Captain?" Your call made him look up with wide eyes. You hated to see him so... vulnerable. Well, against his will. A million thoughts must have been running through his head right now. A million memories. But now was the time to act, and act fast. "What should we do?"

He shifted his gaze elsewhere, "We...we persist. But be ready for anything. This is still the Unraveler we're dealing with; a familiar face may very well be another opponent."

He’s obviously still very shaken up. But what else can you do but follow him? If there’s anything Hook excels at, it’s leadership under pressure. He’d walk this blind if he had to. At least, you hope so.

It isn’t long before the Unraveler deploys his men to overtake your ship. They come in swinging, clashing their swords with Hook’s men. Many try to overpower Hook himself, but he’d knocked the swords from their hands with his skilled parries and thrusts. One man had come up and grabbed hold of Hook’s sword arm, cocking his own arm back to deliver a punch before Grimm had come in from the other side to knock him down with a swipe of his heavy claws. Hook grinned and slapped his back, to which the wolfman gave a scoff but assumed a smirk full of pride when he went off to ward off more attackers.

You felt yourself smile. It was nice to see Hook be himself again, especially after such a rattling development. But that didn’t mean your foes would be deterred. Few men came after you, approaching more methodically than they did your comrades. It was likely the Unraveler still had use for you and ordered that they take care not to damage a possible asset. You weren't as skilled as Hook with your sword, but you made use of your size by dodging and slipping under the bigger men and redistributing your weight along with the direction of your sword to fend them off with swift and heavy strikes. And they just kept coming! As if you were a capoeira champion, you made sure to keep light on your feet, no matter how weary you felt yourself getting.

Hook glances over at you in the middle of his own fight. He feels his heart race in an unpleasant way at seeing you grow sluggish. He cursed himself for not teaching you more in melee combat. It also didn’t seem like you were doing a very good job at handling them permanently. Almost like it was a second instinct not to hurt or maim but to defend. No matter how dire the situation, he supposed he couldn’t fault you for being an inherently caring person. It isn’t just something you could unlearn… at least not so fast.

As the man in front of him lifts his arms up with his sword, foolishly giving Hook an opening, the pirate ran his own sword through his stomach. He kicked the wounded man down and ran over to you. He was halfway there when suddenly–

Clang!

Whether it be luck or pure instinct, Hook had blocked the Unraveler’s sword in time. “Going somewhere, old friend?”

His cerulean eyes widened before going cold with a sneer. “We’re friends now, are we?” Hook twisted his sword and shoved him backward. The Unraveler slid back but stood his ground before going in once more to parry him.

“Of, course! There’s an unspoken bond between a hero and his villain. Maybe even more than their damsels, wouldn’t you say?” the Unraveler said.

Hook only growled in response as he delivered a particularly harsh blow against his sword.

The Unraveler snickered, “Struck a nerve, did I? What’s the matter? I thought you’d be happy to see Wendy again-”

“Wendy is dead to me!” This time, he actually managed to cut the white-haired man, who made a surprised yelp when his cheek was grazed by his opponents’ sword. His hold loosened on his swords’ grip and Hook quickly knocked it from his hands, catching his collar by his hook and raising his sword to run him through.

Clang! His arm jerks back at a sudden force and his gaze is drawn to the swift passing of a blue gown. He takes notice his own sword has been flung across the ship deck. The scraping of metal on wood draws everyone’s attention to the fight in the middle of the deck; it’s so quiet you could hear a pin drop.

You look agape at the shocking scene before you: James Hook has the end of a sword to his throat. Your gaze travels down the blade and the woman behind the guard. Wendy holds her weapon assuredly as she assumes an almost pouty expression. Her dark blue eyes stun him in place as his throat bobs with the contact of her blade. That familiar flushed look is on his face. The Unraveler is down, clutching his sore wrist as he smirks up at them.

“Thank you for making this easy for me.” She remarks coldly. But there’s a hint of something else in her tone you can’t place. Either way, the image before you is sobering and your eyes dart to the closest man in front of you. Your blade is still placed over his, and a small pull and thrust to his neck has him gushing and gasping, grasping at his neck while you turn away, taking a running start at Wendy.

You hear Grimm and Hisame call out to you but your blood rushes to your ears as you harshly bump your shoulder against Wendy’s and away from Hook.

“Y/N!” He took a step forward after you but once again was cut off by a punch from the Unraveler.

“We’re not done!” The Unraveler hissed.

As the two fought, both you and Wendy had managed to get yourselves up to the deck stairs. Wendy regains her footing quickly and shoves you back down. You clumsily stumble down but place one foot atop a stair and one back on deck.

Wendy stands above you at the very top. The sun halos her hair, the light giving it a distinct shine. She frowns, sticking her chin out while looking down at you. She is authoritative in a very British noblewoman sort of way, even with the trace of dirt and wetness at the ends of her dress. Still, she’s more than antagonistic, especially with the way she apprehended Hook earlier. You wouldn’t put it past her to be poised to kill.

So you would have to…

You would have to kill Wendy…

“You’re wearing one of my gowns.” She suddenly announces. Somehow, her voice is louder than the chaos occurring behind you both, which sounds almost muted when you focus on her and her alone.

You look down at your nightgown. It’s a satiny red that’s sheer near the bottom. You never took much notice of it, but now blowing in the wind against your legs, you do feel a bit exposed.

You clear your throat awkwardly, “I never took you for a 'red’ type of girl.”

“Neither did I…” Her eyes dart briefly over to where you assume Hook is. But you don’t take your eyes off her for a moment. She was definitely more skilled than you. Any slip up could mean certain doom.

Her lips then pull up in a sneer, “So did you have fun in it?”

“Excuse me?”

“Was he…able to provide you a swell time without cutting you up.”

You feel your cheeks burn at the implications, but your mouth runs before you can think. “You’d be surprised. Hook is very skilled with his hands.”

Now it’s her turn to blush. In fact her face almost glows pink. It nearly matches Hooks own expression toward her. And for some reason that sickens you.

“Ha! That’s putting it heavily. I much prefer the light touch of a gentleman.”

“I bet you would, darling.”

Her lips tighten up with an ugly scrunch of her nose. She flicks her wrist to flash her sword in the light. The gleam of it draws your gaze to the blade. A warning. You hold your own blade assuredly, bringing it in front of you.

You advance up the stairs and thrust your sword against hers.

Swinging your sword around, you chase her over the upper deck, likely breaking and scraping little fixtures in the ship with your assault. When it seems like you have her, you bring your sword down again. She jumps back as she parries you, and when she leans in close, she thrusts again. Your body moves before your sword, flinching away from her swift strikes. At some points your weapon drags across the floor. You can feel the adrenaline rush from earlier wearing off. The tilt of the floor below you, along with the sun’s beating heat, is making you loopy.

Wendy takes notice of this, smirking. “You don’t even have what it takes to be a pirate.” She turns her left arm and strikes down at your leg. You cry out rather loudly, the stinging pain of being cut way harsher than expected. You hop back as she advances and you’re both going down the other flight of stairs.

The crowd behind you makes way subconsciously. Hook looks over with worry as he fends off the Unraveler. “Two women fighting over you – exciting isn’t it?” His opponent’s taunts fall on deaf ears.

You continue to backup, swinging wildly at Wendy. But she’s too confident. Too bold. She’s sure she will win. And for a moment, you think she might too.

The heel of your foot then catches on something big and you fall on your back. You turn your head, nearly lurching at the sight. Slumped over is the newly dead body of the man who’s throat you slit a moment before. His eyes are rolled upward, mouth slack and open. His chin and neck are coated in his own blood. You turn away just in time to see Wendy raising her sword overhead.

“Don’t worry.” she coos, her voice rising in glee. “Leave Hook to me.”

You hear him scream out of earshot, “Wendy!!!”

Without thinking you lunge for her middle, tackling her down with a newfound fierceness. Her sword flies from her hands. You make a grab for her neck, effectively throttling her and banging her head against the hardwood. She flips you over, about to do the same but you reel your knee back and send her flying off with a harsh kick.

She scrambles for purchase but you’re not finished, grabbing her by her hair and wrenching her up to her feet so you could cock your fist back and slug her across the face.

“You brute!” Wendy shrieked. Her eyes squinted in anger with her jaw tightened and teeth clenched. She slaps you roughly before pulling at your hair as well. Her actions are that of a young angry woman, flailing and jerking about as she attacks you. Her blows still hurt, but she isn’t as methodical as before. And that’s your in.

“Y/N!” When Hook calls your name, your arm sticks out almost on instinct. You feel something cold and ribbed land in your palm. You curl your hand around the grip and jam the dagger into Wendy’s stomach. Her hands still in your hair, clench harshly, making you wince. You look into her wide blue eyes that trailed down to the blooming red in her dress. Her mouth hung open, taking in sharp little gasps at the sight. Her hands fell from your head, and after a beat, she went slack on your dagger.

You ripped it from her body, letting her fall with a heavy thud.

Her death marks a gradual hush of the deck. Hook looks on, his eyes upon the body with an unreadable expression. Grimm and Hisame stand speechless as well. And finally, The Unraveler makes an expression that portrays genuine befuddlement at the scene before him: his heroine laid to death by the presumably meek and passive fledgling Reader he kidnapped just days before.

“I can fix this…” he mutters, backing up from Hook. “...I can always just … write her back to life later.”

Immediately he pulls out a book and reads him and all his men away and to their ship. Even Wendy’s body is nowhere to be found.

The pirates of the Jolly Roger cheer but it’s white noise in your ears. You feel yourself give in to the fatigue from the fight, stumbling backward and into a mast. The boys rush to your aid, coming at you from all sides. In your waning vision, you see Hook reach out to you before it all goes black.

—

When you wake up, you’re in his bed. Not the private room he gave you, but his own quarters. There’s maps lined up on the wall, and jewels and treasures placed around miscellaneously.

You barely have time to process anything else before two sturdy arms envelope you in a tight hug. You feel yourself grin at the sudden greeting, but begin to groan when he presses kisses all along your face.

You lighty shove him back, “Augh, Hook… lemme go!”

His grin is unmistakable to place, even in his voice.

“Never, darling, never!”

===

It's five ammmm and I'm finished with storyyy :33

So sleepy gn - Elf queen

#a villains twisted heart #a villains twisted heart x reader #a villains twisted heart hook #james hook x reader #captain hook x reader #peter pan #sort of #fairytale #fantasy #angst #female reader #x reader #reader insert #otome #visual novel #my fics

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