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kiltro · 6 months

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Kiltro Q&A Session (28/07/2023)

"This event was made possible by Jack Trueax, their sound technician and tour manager, who facilitated our communication with the band and assisted in compiling their answers; and Trevor, aka CATZ, a member of our server who kindly shared the server with Jack in the first place. We'd also like to express our immense gratitude to their sound engineer Kyle Smith and the rest of the band for generously taking the time to answer our questions, as well as for their continuous involvement with, acknowledgment, and support of the community. We seriously can't thank y'all enough, it was a dream come true." Written, compiled and formatted by @starfunkbonnibel over on rateyourmusic.com! All credit goes to her - this post is simply meant to facilitate reading and sharing.

Join the Kiltro server here: https://discord.gg/M67HjF9C9V The following is a transcript of a Q&A session with the band hosted on our Discord server, around July 28th, 2023. With the exception of certain typos and emojis, the questions and answers remain intact. Enjoy!

Introduction

Kiltro is an indie latin folk rock project created by Chilean-American musician Chris Bowers Castillo while working as a walking tour guide in Valparaíso, a formerly prosperous port city northwest of Santiago, Chile. After the opening of the Panama Canal, the city transformed into an elusive haven of bohemians and stray dogs - or "quiltros", Chilean slang for "mutt". Inspired by the liminal nature of Valparaíso, Chris wrote a series of short stories that would later evolve into the material of the band, using the symbol of the stray dog as both a metaphorical vehicle and an empowering term for his mixed identity and music, ultimately naming the band after them. Subsequently, he would reunite with an old college friend, Will Parkhill, who would go on to join as the band's bassist, alongside Michael Devincenzi as their drummer. Together, they would shape the sound of Kiltro, reanimating Chris's stories into the mysterious characters, melodic allure, and intangible soundscapes that comprise and lurk beneath their debut album Creatures of Habit. Later on, affected by the quarantine, the band took a more introspective approach, deciding to use cats as a motif for their sophomore record, Underbelly, inspired by their solitary and contemplative nature. Around this time, Fez García joined the band as a second percussionist for concerts, completing the lineup as we know it today. (Carroll, 2019) (Mitchell, 2023) Info sourced from: Carroll, E. (2019, 13th November). Here, There and Everywhere: Kiltro’s Mutt Rock. Westword. https://www.westword.com/music/kiltro-frontman-chris-bowers-castillo-talks-mutt-rock-11494843 Mitchell, M. (2023, 1st June). Kiltro Go Behind the Scenes on Underbelly Track By Track. Paste Magazine. https://www.pastemagazine.com/music/kiltro/underbelly-track-by-track

Q (regulus_di): What's the best show the band has ever had, or alternatively the most special?

WILL: the last run of tour had the most special shows in a while, especially the navy pier in Chicago, Vienna, and Brooklyn. The growth and excitement has been extremely exciting to see.

CHRIS: The show on the staircase outside of a friend’s restaurant, in Valparaiso, Chile.

MICHAEL: the shows in which there are zero expectations about the city have been the best. Every time we arrive in a town that we know nothing about, we are blown away by the hospitality that we receive. Towns like Columbus, Phoenix, Richmond, Vienna, and Detroit come to mind.

FEZ: can’t decide. He says it’s like asking him what his favorite meal of all time is, “they all filled my tum tum” 😂

SOUND CREW: the Hollywood theater in Vancouver, BC, and Baby’s Alright in NY have sounded the absolute best From Chris's favorite show 😱

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Q (goodman873): Chris solo album?

A: Currently the focus is Kiltro, if a song is written that seems out of place for the current state of the project, it’s often left on the shelf to return to at another time. There are a handful of songs that were planned for Underbelly that ultimately didn’t make it onto the final version for one reason or another, the possibility of them being included on a future album always exists. If a song appears that categorically falls outside of the vision of the band, then a solo project might be considered, but the ultimate goal is to experiment and push musical boundaries.

Q (evantheblank): Favorite unreleased / scrapped song, and is it planned to be available at some point?

A: There are tons of demos that have silly working titles, some of the songs that make it into the final version often don’t have a legitimate name until close to the end of the writing process.

CHRIS: the song Alpaca that was written as the same time as Guanaco, different energy but in the same vein and style. Never played live

WILL: Sin Salida that was included in an Instagram reel with a bunch of Super 8 footage

MICHAEL AND FEZ: Tambach

Q (allisawr): Any plans to record a live album?

THE BAND: we try to capture every show 😉

SOUND CREW: We are currently multitrack recording every live show for reference purposes and our personal archives. If a particular recording stands out, then it will be heavily considered for a live release.

Q (syd1288): What's with the cover art of Creatures of Habit?

A: The cover was a collaborative piece done by Markus Puskar and Julian Brier, heavily inspired by the work of M.C. Escher

The songs on CoH have a lot to do with the monotonous liminal spaces in our everyday lives, and the lyrics are very character driven. The art is meant to invoke the illusion of a society that feels like it is going in loops and circles, in which we are becoming “creatures of habit.”

Q (regulus_di): What games are the guys into atm/pre-tour?

A: We love to play giant jenga and a card game called “Hanabi,” we also invented a pool game called “twenty ball” in which Will is the (heavily disputed) champion.

Chris is currently working through another play through of Dark Souls, he’s been tearing through it on the switch in the van. We’ve also played The Legend of Zelda: Tears of the Kingdom, Mario Kart 8 Deluxe, Super Smash Bros. Ultimate, and a lot of Super Mario 3D World + Bowser's Fury. Stardew Valley and Roller Coaster Tycoon Classic are also big hits on the iPad.

Q (kalamaroe): What inspired the visuals in the If I Lead music video? I've always found it very hypnotising

A: Generally the band doesn’t like to be too specific with the meaning of the artistic content and likes to leave it more to interpretation from the audience. At the time that the video was shot, the band was interested in experimenting with old school classroom projectors, spinning images, double exposures in Will’s photography, and super 8 film footage. The goal was to add visual content to live shows, and a lot of the footage came from that effort.

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Here’s some behind the scenes footage from that video courtesy of Will 😱

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Q (happidragon): What are the band members' favorite songs to perform?

WILL: it’s hard to pin down and is always changing based upon each performance, but Guanaco is always up there

CHRIS: it really depends on the show, Softy has been a favorite recently because of how dynamic it is, and Lovers of death is another that has been a longtime standard in the sets for that same reason.

MICHAEL: Underbelly, Softy and Lovers of death are all favorites. The dynamics and drum progression allows for a lot of exploration in each performance.

FEZ: Crazy because of the shaker and wood blocks, there are a lot of fun little percussion parts

SOUND CREW: Errasuriz is the most fun to mix, and is always right in the middle of the set when we really have things dialed in.

Q (gumibearheart): How do you guys approach music and the moving parts of it?

A: The writing process is slightly different for each song but tends to coalesce in a similar way, with lyrics typically coming later on in the process. Many songs that start as musical loops get jammed on in rehearsal and recorded as practice demos, the most exciting material eventually evolves into something worth returning to.

Q (starfunkbonnibel): What has been your approach in connecting all these sounds with the themes and stories of your songs? And are there any plans to do one continuous narrative in an album?

CHRIS: I think the soundscapes and by extension the “story” comes from whatever I’m interested in or experiencing at the time of writing. I start in one place, whether it’s a chords progression or an interesting ambient loop, and move in whatever direction feels most compelling and true. I find that a lot of ideas begin to link together because I tend to cycle back on ideas multiple times throughout the process. Because I’m working it out for myself. That goes for sounds, samples and progressions too. Overarching themes or the recurring “character” of the sounds and the places they evoke emerge as the process goes on, and in that is often a kind of story. Or many stories in a similar setting. I visualize things a lot when I’m writing.

In a sense, I think we already work “narratively,” it’s just that there’s not necessarily a script or a series of events. I’d like to make albums that exist in a specific space and create the context for meanings and patterns to emerge. Not a narrative per se. There are bands that do that well but I like to keep things more abstract.

Q (goldengoldstar): Although we know of the influence artists like Víctor Jara, Violeta Parra and Atahualpa Yupanqui have had on the music of Kiltro, are there any other artists or bands you might mention as big influences or inspirations?

A: Thanks to everyone who listens to and shares the Kiltro playlist! This is a stream of consciousness list from all the guys in the band in no particular order: Manu Chao, Deerhunter, Devendra Banhart, Ween, Talking Heads, Jorge Ben, Radiohead, Damon Albarn, Thelonious Monk, Damu the Fudgemunk, Moses Sumney, Animal Collective, John Coltrane, Boards of Canada, Chico Trujillo, OutKast, Teke Teke, Travel Kit, New Order, Kraftwerk, Stereolab, Broadcast, Jack Canaan, Charles Mingus, Sonic Youth, Polo y Pan, Andrew Bird, Marvin Gaye, Metronomy, Sade, YĪN YĪN, Fela Kuti, Tortoise, Cocteau Twins, Air, and Erlend Øye.

Q (goldengoldstar): Are there any plans to play in Latin America?

A: No plans currently, but it’s definitely a long-term goal

Q (starfunkbonnibel): What are your favorite moments of experimentation during the making of Underbelly?

KYLE: During the production/recording process of Curicó (being one of the first songs Chris, Will, and I dove into, if I remember correctly) I was in the studio with Chris focusing on the song’s momentum. I believe this may have been before real drums were put down? Idk, can’t completely remember… but my goal in that session was to add excitement and some kind of uplifting drive to the song. In one moment, I was trying to think of a way to show Chris how we “could” add a particular energy to the song to see if he liked the idea/direction. I decided to give Chris an example by grabbing a shitty/lofi mic and shouting “HEY! HEY! HEY!.. etc” into the mic along with what we had recorded so far. And I was like, “that’s the kinda of energy I’m thinking we can add,” and then Chris was basically like… we should just keep that hahahaha. In that moment I personally felt like we or I at least had figured out a key to the energy of that song, and also my creative flow with Chris, Will, and so forth going forward. Not to mention the beginning of a great friendship 🙂 this was fun to write about! Thanks to everyone here for being a part of their music ✨🐕 This wasn’t about Underbelly, but it’s what the question made me think of lol sorry But still fits a vibe of how I think we all have fun working together on all the music 🙂

Thank you for reading! Event managed by: Kamsthetics , MartixArtist, GoldenGoldstar, and StarfunkBoogie / @starfunkbonnibel. Transcript revised by: plantboyfriend / @plumerii Format inspired by silvershr0ud_'s interview

#kiltro #kiltro band #kiltro music #kiltro underbelly #kiltro creatures of habit #nueva cancion chilena #chilean music #musica chilena #denver colorado #denver music #chris bowers castillo

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mywifeleftme · 11 months

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207: Atahualpa Yupanqui // El hombre, el paisaje y su canción

El hombre, el paisaje y su canción Atahualpa Yupanqui 1969, Odeon

Atahualpa Yupanqui was a titanic figure in Argentine music. As an ethnomusicologist who formed a bridge between various forms of Indigenous folk music and the younger artists of the nueva canción (new song) movement; a first-rate composer; and a political revolutionary imprisoned numerous times for his beliefs, Yupanqui is a fine representative of that era of Latin American creators whose artistic quality was equaled by the courage of their convictions. Due to his Communist Party affiliation, Yupanqui didn’t record much until he was already in his 40s, which robs us of the voice of his youth, but also enforces his image as a fatherly figure, a living link with the past.

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Once he started recording though, the torrent was overwhelming—between his remarkable productivity and the tendency of labels to constantly repackage his work, forging a semblance of a linear discography is beyond my skills. I’m not altogether sure of the provenance of El hombre, el paisaje y su canción (The Man, the Landscape and His Song), a 1969 record I picked up on a lark a few years back that became an instant favourite in the Wifeleft household. There was an album of the same name released the previous year that shares four tracks, suggesting my Hombre may be a compilation—on the other hand, he recorded many of his songs numerous times, so it’s possible these are from an entirely different session. The album certainly sounds as though it was recorded in one sitting.

No matter, this is my favourite of the handful of Yupanqui albums I’ve heard to date. He is presented solo, as usual, accompanied only by his own acoustic guitar, and over a scant 30 minutes or so draws the listener entirely into his world. I feel as though I am watching the master singing for a small audience gathered on his porch, his fingers translating the weariness of the day’s labours into something more somber and romantic, his voice that of a man who understands his role is to witness and recount. The lyrics often look directly at the travails of working people, as on “Trabajo, quiero trabajo” (“Work, I Want Work”) and “Campesino” (“Peasant”), but there is also that mystical element common in Spanish poetry, as on “Guitarra, dímelo tú” (“Guitar, Tell Me”):

Guitar, you tell me Men are dead gods Already long collapsed Not even his dreams were saved Only the shadow has remained

El hombre also includes a pair of instrumentals that show off the expressiveness of Yupanqui’s playing to great effect—“El llanto” (“Crying”) is as poignant as its title suggests, while “Malambo” (named for an Argentine folk dance) reminds me a bit of the American Primitive fingerstyle associated some distance north with John Fahey.

I doubt there is such a thing as a poor-quality Atahualpa Yupanqui album, and I think any collection would be enriched by his inclusion. He makes a great entry point to South American folk, some of the most timeless and impassioned music of the 20th century.

207/365

#atahualpa yupanqui #argentine folk #argentinia #andean folk #latin american music #nueva cancion #argentine music #'60s music #folk #vinyl album #music review

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sweetsweethate · 8 months

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me enteré de todo el bardo de ariana pequeña contra mi voluntad

#parece que la mina se garcho a uno casado y encima que estaba esperando un hijo?#todo porque mi hermana quiso escuchar la nueva cancion y el algortimo de twitter decidio tirarme todo el bardo encima

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ofiurudeleew · 4 months

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Yo pensé que eso de vroom x3 era broma

No lo es JAJAJ

#suzaku ga vroom vroom??🤨#muy graciosos los títulos de las nuevas canciones de Bae #bae paradox live #paradox live

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parasitic-saint · 1 year

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how can i be normal abt the relationship between a mother and a daughter when i was raised by my aunt and grandma who screamed at each other every afternoon and yet every evening they were gentle and caring because they knew they only had each other and at night they'd sleep next to each other but with their backs turned and i'd lay there in the middle not knowing who to hug during the night because i wanted them both to feel loved but i always ended up hugging no one. And how my aunt and my grandma had to see my great grandma wither away due to cancer and how my own grandma developed it as well, and my aunt after them. And how my aunt and mother asked me to pray to god to kill my grandma so she would stop suffering. And how my grandmother during her last moments asked to take my aunt with her so my aunt wouldn't be alone after she died and my aunt dying just months later. And my grandma in her last breaths said her mother's name and reached out to the air as if she was greeting her into the afterlife. And how my aunt's last words were "i want to go" and my mother couldn't bear the thought of letting her go so she only responded with "i'll get you home." And how i spent all the now silent afternoons just holding their hands not saying anything because "I love you's" never came naturally to us.And how my grandmother died surrounded by all those who loved her in her own bed but my aunt died only with my mother at her side in a hospital bed. And how my mother broke down asking god to kill her when her mother died and i only stood there watching her. And how i broke down in the hospital because they took the corpse of the woman who raised me before i could say goodbye to her and my mother only stood there watching me. How can i be normal when i am everything my mother has left. How can i be normal when i have my aunt's face and not my mother's. How can i be normal when i know my mother has always seen her sister in me and never seen me for what i am. How can i be normal when i am all i have left to remember my aunt. How can i be normal because only after this my mother and i have started to hug each other and i cry everytime she embraces me because i know this is a fate doomed to be repeated.

#the parasite talks #vent #long post #long text #long reads #family #mother #motherhood #death #cancer #idk ask to tag #experiencing stuff is weird #escuchar esa cancion nueva de mon laferte tampoco ayudo #ni ver la pelicula de porqué nací mujer?#good art but makes my brain too full #one day i'll turn this into poetry for now it's a wall of text

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