#can’t have a normal guy in this world

[stardust-falling]

Every SVSSS character is problematic except for Gongyi Xiao. That’s why he had to die.

[rystiel]

rewatching season 3 for the first time in forever rn and. the doctor and jack make me so sick dude. i feel sooooo unwell about them. like imagine you meet rose and the doctor, these amazing people that you find yourself traveling with and coming to care for, then one day you end up left behind by this man that you trusted, alone and fundamentally changed forever—back from the dead. you wait for over 100 years, searching for him, and when you finally find him you learn that he abandoned you on purpose. that he views you as something wrong, something that he can’t stand to look at. a fixed point, something not meant to exist. this guy that you loved and trusted, telling you all of this right to your face. like that’s crazy

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[kittykatninja321]

Is it possible for superheroes to be good parents (or lovers or friends or anything else)? If you’re truly going to martyr yourself for the pursuit of justice doesn’t that mean that at some point you’re going to have to choose the world over your relationships? Yes it’s for the greater good but what mean for the people you love? Did they agree to that sacrifice? (Sometimes they do. Sometimes they don’t)

[brittlebutch]

never going to get past matrix resurrections choosing to make neo someone with a distorted perception of reality being gaslit and manipulated into compliance by his therapist, i’m so normal about it

[purble-gaymer]

scugs (downpour TOMORROW!!!)

[starscelly]

[s-ccaam-era-crepe]

there are now two games I can mark down for irrevocably changing me

[fingertipsmp3]

Do you ever observe random people you went to high school with on your FB and you’re just like “you really went all around the world and still picked a boy from our hometown? Really?”

[sammygender]

if i was shiv roy my anger would be biblical

[badolmen]

Love me a character that at their core is selfish. Even when they do good things it’s selfish and personal but still genuine because they believe in what they’re doing even if they’re only doing it for themself.

Anyways I failed to make a charismatic and likable BBEG he’s a lower tier villain who gets semi-domesticated instead.

[makotonaegiunderstander]

thinking about my Tokyo Ghoul au I made for Danganronpa. It was meant to be kind of its own thing, not necessarily doing THH and not necessarily copying the plot beats of Tokyo Ghoul. Either way Makoto takes Kaneki’s place kind of, mainly bc when I read the opening I could not stop thinking about what supernaturally bad luck Kaneki had. And the way Kaneki ended up being the “bridge between two worlds” and represented justice and a means to an end for BOTH sides at different points gave me ‘Ultimate Hope’ vibes. At the same time Kaneki could EASILY be replaced with Hajime due to the conspiracy that Kaneki’s accident was done on purpose to basically experiment on someone to see if they could create the hope they needed. Only reason I didn’t jump to it is bc back then I was sticking Makoto in any scenario I wanted AND there’s another Tokyo Ghoul character that fits Hajime’s story. Anyway. I wanted to toy with the idea of someone who values life and helping others so deeply as Makoto being forced to do horrible things or else lose himself entirely. Becoming something you feared and only viewed as a monster until they revealed themselves to be people, but still horrified to find yourself in the middle. I think Makoto would have a unique reaction and I think he’d lean much more towards self sacrifice and helping try to get both sides to see each other’s humanity much faster than Kaneki did or Hajime would. But he’d also be ashamed and scared of what he’d become and desperate not to hurt anyone, which would be a disaster in the making as the longer a Ghoul goes without eating a person, the more beast like and unhinged they become. It’s not ALL that much different from a vampire au save the fact that there’s no option to just. get a little blood from a living person and leave them just slightly woozy or raid blood bags from donations. You HAVE to seriously injure someone or outright kill them to live, which is what separates the two.

[valeriehalla]

I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.

I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:

the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and

the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.

Okay. Point 1. The frog-boiling.

Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.

In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!

And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”

That did not happen. There is no ceiling. The frog is soup.

Point 2. The complete and utter mundanity of all of this.

It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.

The vibe with “Saki” is different.

It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.

There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.

So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.

The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.

Do you get??? why I’m so fascinated??? Are you not a little enraptured???

Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????

[extremelycaffeinatedbird]

Thinking about Odin and Loki again bc when am I not. A list of songs that make me want to wail about them in no particular order and with little to no explanation:

Allies or Enemies - the Crane Wives (Regret ™️)

Liar - the Arcadian Wild (let’s be real both of them)

Wander Wonder - the Arcadian Wild (Odin)

Tongues & Teeth - the Crane Wives (Loki)

King and Lionheart - Of Monsters and Men (what they both think Could Have Been)

Bad Blood - Bastille (yeah.)

Just One Yesterday - Fall Out Boy (yeag)

Icarus - the Crane Wives (listen the singer is calling to their brother cmon. Cmon.)

Francesca - Hozier (me, making romantic songs about platonic relationships again? Ahaha no *runs*)

[gottagobackintime]

I upset some I*zy stan with my previous post because I said in my tags that trash shows like Riverdale get season after season while shows like OFMD gets cancelled..

After all these years… am I… am I involved with fandom drama?? Do I get people who hate me and my opinions on my blog now?? Have I made it??

[sttoru]

‘and if i only could, i’d make a deal with god, and i’d get him to swap our places. .’ — kate bush

 𝝑𝑒 𝐓𝐀𝐆𝐒. gojo satoru x wife!reader. fluff to angst (no comfort). spoilers chapter 261. reader’s pregnant. major character death. mentions of blood, death. nicknames ‘pretty, sweets’. not proofread bcs i couldn't through the tears. i cried nine times writing this so.. good luck! wc: 3.6k

“he’s kicking again,” satoru chuckles excitedly. he’s been clinging onto you ever since you got back from your doctor’s appointment. your baby boy is growing up healthy and there don’t seem to be any complications.

you smile and rest back against the velvety pillows. you’re enjoying the affection you’re receiving, the kisses and nuzzles against your swollen tummy makes every bit of suffering worth it. your husband is going to be an amazing dad, that you can tell.

“hey, little guy—don’t give ya mommy a tough time,” satoru huffs and gently taps the side of your stomach that was last kicked by the unborn baby, “that’s my wife, y’know?” you giggle at the scene in front of you and close your eyes, relaxing your body.

a comfortable silence hangs in the room. satoru’s warm hands cupping and rubbing your round stomach add to the tranquil atmosphere. the weight of your husband’s head presses onto the front of your plump belly—ear pressed against the stretched skin as if expecting to hear your baby boy talk.

after a while, you open your eyes. you hear a sniff and then the usual silence follows. you look down at satoru settled between your legs, hugging your waist and resting his cheek on your tummy. he’s awfully quiet and you’re unable to see his eyes because of his bangs.

“toru, everything okay?” you carefully ask. your voice comforts him for the next couple seconds, before his muscles tense up once more. satoru tries his best to seem unaffected by the many thoughts scurrying through his head.

“mhm,” your husband nods and forces a small smile. though, he can’t keep the facade up any longer. the longer you’re pregnant, the more worried he gets about a certain something; something that’s been bothering him ever since.

it’s the reason why he doubted even having kids in the first place.

“i—well. i don’t know, sweets,” satoru sighs. a deep sigh that shatters the mask he’s had on for so long. his brows furrow and his eyes dart from one place to the other. his fingers stop their movements on your stomach. they curl around the material of your shirt instead; showing a clear sense of vulnerability.

satoru seems. . . afraid, yet also angry. perhaps at himself, perhaps at the world. you don’t utter a single word. if there’s anything you want, it’s for your husband to speak about his inner turmoil freely. you’re the only person who he can have such emotional conversations with—the only person he can be himself with.

the real gojo satoru.

not the strongest.

that’s why you’re not surprised when satoru opens his mouth to confess the inevitable to you. “i’m scared,” his voice cracks. it’s a faint change in tone, but it is noticeable to you. you’ve been his lover for long enough to notice every minuscule thing.

the white-haired man lets out another sigh. you brush his soft bangs out of his eyes and instantly notice the sudden weariness in them. normally, those beautiful blue eyes shine brightly, yet that light has now dimmed.

you pat his head and satoru immediately leans into your touch. you allow him to process his own emotions and words before speaking up.

“scared?” you ask quietly and carefully, giving your husband space to explain.

satoru nods. there are a thousand thoughts running through his mind. all those thoughts he’s tried to suppress since the day you’ve announced your pregnancy. maybe even before that—at the day of your wedding.

he’s sat down with you a few months into the marriage, to have the talk about kids. he seemed to be delighted to have children with you, however there have always been some dark and hidden thoughts lingering in the back of his mind.

the sorcerer has chosen to ignore them for the longest time. he’s been trying to convince himself that he has nothing to worry about. you’re going to be fantastic parents and your children are going to be extremely loved.

the day you surprised him with your pregnancy, was like a dream. satoru cried - which he rarely does - so it was an emotional night for both of you. neither of you could wait to meet your child—happy with whatever gender.

despite all of the optimism and enthusiasm, satoru’s struggles with his inner thoughts have not yet ended. he doesn’t want to bother you with it. you seem so content and he does not want to ruin that at all.

but even the strongest without limits has to reach a breaking point.

“yeah,” satoru speaks up, his voice hoarse. he kisses your belly button, hoping his child doesn’t pick up on his distress somehow. your husband closes his eyes as he places his forehead against your tummy, praying that the heavens above hear his pleas, “i don’t want our kid to inherit my cursed techniques. at all.”

your hand doesn’t stop stroking satoru’s hair. you don’t flinch at his words, nor do you immediately discard his worries. in all honestly, you’ve shared the same feelings before getting pregnant.

you know how satoru’s treated by the jujutsu society. it’s dehumanising how he’s seen as a weapon of some sorts. a weapon that could solve all problems—one that cannot rest until its duty is done.

you despise it. you’ve told satoru about your hatred for the toxic society, even going as far as asking him to move to a different country without telling anyone. you’re sick and tired. you can’t recall the amount of times that you’ve cried alone, in the bathroom, after you’ve seen the state your lover comes back home in.

the white-haired man always seems so tired. his eyes and head hurt because of them overusing his cursed techniques. there are even days where satoru doesn’t put his blindfold or sunglasses off at home.

and when you try to talk to him about it, satoru simply assures you that ‘he’ll be fine’. you believe him in the moment, but you don’t know for how long you’ll be able to keep that trust.

you’re letting him break, slowly yet surely, right in front of you. he’s working himself to his demise. it’s nothing out of the ordinary to not want the same for your child.

though, you’re sure that it’ll be fine even if your baby boy inherits satoru’s techniques. that’s because you two are going to protect him with all you have. no one is going to treat your child like a weapon—not while the both of you are still alive.

“i don’t want our child to take over the burden i carry,” satoru continues. his brows are furrowed and his lips are pressed into a thin line. he’s already thinking about all the possibilities that can follow with the birth of your son.

he can hide his child from the world, but wouldn’t that be too restrictive? he can keep an eye on him every second of the day, but wouldn’t that be overprotective?

you notice satoru’s internal state of panic increasing, so you quickly cup his face. you lean down and press a firm kiss against his lips, to which he instantly responds. his breath hitches and he sits up on the mattress, deepening the kiss as his hands hold you by the back of your head.

he needs this—you—more than anything else in the world. if it wasn’t for you, he’d have lost his sanity long ago.

you pull back after a good minute and pant. you chuckle as you notice the slight pout on satoru’s lips. he never seems satisfied with just one kiss, which is adorable. you coo and pepper his face with small pecks, “aww.”

it’s comforting to the sorcerer. he closes his eyes and his mouth forms a small smile. you’re doing an amazing job at calming him down. satoru’s muscles relax and he finds himself nestled between your legs soon enough.

you realise that he’s still somewhat afraid for the future of his child by the way he’s playing with your shirt. his head lays on your chest and his long fingers trace shapes on your exposed skin.

“i know, honey, i know,” you murmur against the top of his head. you massage satoru’s scalp gently, nearly making him purr because of how incredible that feels. you stare at the ceiling and continue your little talk.

“i’ve thought about all of it too,” your fingers find his undercut, playing with the little hairs. all you can hope for is that your partner stresses less about the outcome of your pregnancy.

if you can do one thing for him, it’d be that. reassuring him that you’ll both do your best for your child will surely put him at ease. your husband has enough to worry about anyway.

you want to share that burden. you don’t want him to carry the world on his shoulders alone—he’s got you for that now.

“but i think that our son will be fine. why? because he’s got you,” you smile and kiss satoru’s forehead. it’s his favorite type of kiss and it works wonders when you comfort him. his ocean eyes regain their sparkle, both because of your unconditional love and trust in his parenting skills, “our boy will grow up fine and protected because he’s got you as his amazing dad, yeah?”

satoru takes some time to let your words sink in. your trust in him is a beautiful thing. of course, he’ll protect his kid no matter what. both you and his kid will be safe for as long as he’s alive. you’re going to be a happy family—one that he’s always dreamed of having.

he isn’t going to raise his child to be the strongest. he isn’t going to raise his child as an heir to the throne. he isn’t going to raise his child as his legacy. he isn’t going to raise his child as a tool.

his son will have a normal childhood and he will guarantee that. satoru will give his kid what he didn’t have as a child himself;

unconditional love and support for whatever his son wishes to become.

satoru raises his head and leans in to kiss you, hugging you to himself. he adores you so much, you’re all he needs to feel like he can do anything and everything all at once.

carrying the world on his shoulders so you can live peacefully in it is all satoru does it for.

“heh, damn right. i’ll be the best husband and dad ever.”

. . .

but in the end, your dreams are just dreams, right?

an escape from reality, that’s all dreams really are. all those times you’ve sat together to pick the furniture you want to place in the nursery, to paint the room a baby blue, to buy clothes and toys, diapers and carriers, to giggle about the places you would love to visit as a family, to think about possible baby names, to joke about whether your son will say ‘dada’ or ‘mama’ first — all of it were naive, hopeful dreams.

perhaps you were too caught up in them to realise that reality will hit when least expected.

satoru and you have lived in your own bubble—your own little fantasy world where tragic fates does not exist. no one in this planet would suffer if life worked that way.

no one on this planet would have to pick up the phone and have their world shatter, their dream bubble pop. to have all hope lost in the span of a second.

grief is a scary thing. it’s devastating and it will consume you whole. you don’t realise that until you experience it firsthand. losing someone close to you will break you in half. it’s a punch to the gut.

especially if it’s your husband. someone you considered your partner—who’s promised you to be together forever. maybe those promises were also a part of your fantasy.

maybe they were also but a beautiful lie.

your footsteps feel heavy. you don’t have any energy left in you. every drop has been drained from you the moment you heard the news over the phone. your eyes and head hurt, both feeling like they’re going to burst. you don’t want to accept any of this.

the faces of the people around you are a blur. they’re all holding their head low, their hands gathered in front of them to show respect. no one speaks—all the room is filled with are your sobs. the loud cries you let out in hopes that they wake you up from this absolute nightmare.

you drag your feet to the examination table in the middle of the room. tears continue to blur your vision, though surely, you can confirm the outline of the body laying underneath the blanket.

how could you not recognise the person you thought you’d spend eternity with?

it’s unfair. it’s unfair. it’s unfair. it’s unfair. it’s unfair. it’s unfair. it’s unfair. it’s unfair. it’s unfair. it’s unfair. . .

“satoru.” your voice is barely audible. your hands are shaking and your face is stained with endless streams of tears. you stand at the side of the table and you instantly curl your fingers around the edge.

seeing that face from up close hits different. usually, it’d have your stomach fill with a feeling of delight, yet now all you feel when looking at it is unimaginable dread.

the blood on the corners of his mouth. the blanket that’s hiding whatever is left of him from below the waist. the dull eyes that once stared at you with hope and love. those dried lips that normally shone with a layer of gloss.

god, it’s awful. you don’t want this to be true. you’re still waiting to be woken up by your husband. so he can hold you close and hug you, whisper sweet nothings and reassure you that he’d never leave you alone in a savage world like this.

your shaky fingers reach out to his right hand. his skin feels cold and his hand doesn’t hold yours back. your breath hitches and you let out a long, devastating cry. it sounds like a scream for help as your body crumbles—falling to your knees whilst you tightly grip your lover’s limp hand.

“no, god no, please!” you cover your mouth with your free hand, nearly hyperventilating from pure pain. you feel like your heart is going to give up on you. it’s breaking into a million pieces, as does your future. you can’t live without him—you can't do it.

satoru is the sole reason you’ve held out for so long. you were each other’s support system. you can’t do any of this on your own. you can’t breathe properly—your body doesn’t let you.

not until you feel a hand on your back, rubbing it gently. you can guess that it’s shoko, but you’re too distraught to even pay attention to her. you lift yourself up by holding onto the edge of the table, your legs shaking. you sniffle and sob uncontrollably.

you reach out to touch satoru’s lifeless face, as gentle as you always do. you flinch when you feel just how cold his body is—the usual warmth that would comfort you gone, nowhere to be found. you don’t get a reaction from him when you touch his cheeks.

it only serves to remind you of the tragic events that unveiled. you’re still in denial, but the moment feels real. your brain is slowly yet surely processing the information. though, you don’t want it to. you want to live in a world where you grow old with your husband.

where your child is going to grow up with a father figure at home.

“satoru, come back to me.. to us, please,” you beg and beg, hoping he smiles and sits up, telling you that it’s just one of his silly pranks again. when none of that happens, you feel yourself become more hopeless. you hunch over him and cup his face. the same face that would light up whenever you’d touch it.

you hiccup and wail, unable to breathe. you rub his cheekbones with your thumbs, settling your forehead against his. your tears fall underneath his eyes and slide down his temples, making it seem like he’s crying with you.

you wait for satoru to respond, but he doesn’t. there’s an eerie silence on his part and you’re panicking. you need him to comfort you, but he isn’t there to do that anymore. you’re left alone, all alone.

“i can’t do this without you—we can’t do this without you,” you stammer between sobs. you can’t go through life, knowing satoru isn’t going to be there for you. he isn’t going to come home anymore. he isn’t going to cuddle you to sleep anymore. he isn’t going to experience what it’s like to have a family of his own. he isn't going to be able to hold his child and to play with him.

you blame life for being unfair—always taking away the people who don’t deserve it. satoru hasn’t done anything to deserve this. he just.. existed. his fate of becoming the strongest, decided at his birth, is what has lead to his death.

you continue to sob to yourself. you refuse to acknowledge anything or anyone else in the room. you’re solely focused on your husband. or rather, what’s left of him.

remembering how excited satoru was to spend the rest of his life with you and your future children pains you all the more. he’s been stripped from a normal life. you’ve tried your hardest to give him that said normal life, yet your hopeful dreams have gotten you nowhere.

you wipe your tears away for the first time in a while. your grief is making you delusional—disoriented to the point you try to make yourself feel better. you force a smile and hold tightly onto satoru’s limp hand, trying to speak through your quiet sniffles.

“o-our boy is gonna be born soon,” you chuckle bitterly and place satoru’s hand on your belly. it’s gotten bigger over the months and you’re already eight months along. he was so close to meeting your child—so close. yet his tragic destiny did not allow him to.

you hope he’s been happy with you for as long as he lived. you hope you’ve somewhat relieved him from his misery for as long as he lived. that burden he carried, the world he carried on his shoulders. . . it doesn’t seem to want to detach from him. even after death.

you press a deep kiss against his forehead. satoru’s favorite spot to be kissed at, you remember. you wish he feels it in the afterlife; wherever he may he. as long as he’s in a better place now, one that treats him well. this current world has been too cruel on him. it doesn’t deserve to home someone like your husband.

“i wish you were here to see your son. to see our baby grow up, you'd be so proud, honey,” you kiss satoru’s forehead again. it’s all you can do stop yourself from losing it completely. you know satoru would tell you to be strong, for his sake. for your unborn son.

“i’m going to tell him all about you, ‘kay? i'm going to tell him about how awesome his dad was,” your voice breaks for the nth time. you’re still in the first stage of grief, though you try to seem strong in case satoru is watching from somewhere.

that’s what he did when he was the one going through a tough time. he’d act brave and fine, putting on a mask to make you worry less, telling you all kinds of reassuring words while he was suffering internally.

now it’s your turn to safely send his soul off to the afterlife. to let satoru pass away in peace, with him knowing that you’re going to live on for him and for your child. it’s the least you can do at the moment.

you put on a brave face, staring into his lifeless eyes, smiling through the unbearable pain. you’re sure he’s still listening to you from somewhere. satoru’s always told you that your voice is soothing, so you do your best to calm his soul and reassure him that it’s fine for him to rest.

“i’ll do my best to raise him, yeah? so you.. you just rest.”

rest was a foreign word to the sorcerer. this world didn’t give him an ounce of peace. he’d either be overworked by his family or the jujutsu society, and if it isn’t work, his inherited techniques were slowly killing his brain and body.

you’re praying that satoru has none of that in the afterlife. you’re praying that he can live a normal life, eternally. so that when you join him one day, you both won’t have to suffer nor share the burden. you can live out your dreams without anyone interrupting.

not even fate.

“you deserve to rest. you really do,” you sigh.

soon enough, you feel yourself crumble again. you burst out in tears once you realise that he’s actually never coming back to you in this life. you bury your face in the crook of his neck and sob loudly, not holding back your emotions anymore. you just can’t—you can’t act brave when your second half has been taken away from you so suddenly.

you hope that you succeeded into sending him off without any worries. you can’t help but continue rambling to yourself, “i’m going to miss you s’much. oh, my baby.”

you lift your head back and stare into satoru’s eyes once more. did he think about you when he was on his deathbed? did he see his life flash before his eyes, including his many memories with you? did he see what could have been?

it’s unfair.

you give him one last bright smile and gently close his eyelids for him, hoping his lost soul saw your face before you did so. with one last kiss on his lips, you whisper your final words;

“please wait for me on the other side, my love.”