#can you tell which ones I actually played?

[slurmpinheimer]

from @cyber-harpie !! spit that shit homie!! I thought this deserved to be seen because it brings up a lot interesting points—and I do agree with this, though it got me thinking again. I would like to add a few things to my initial statement because analysis and talking about Kim is fun;

(WARNING: MAJOR KIM-RELATED YAPPAGE BELOW)

I’ve watched several play throughs where (especially at the beginning of the game/if they have low psyche) people aren’t sure of Kim, or even go so far as to call him annoying, a buzzkill, or an asshole. At first I found myself getting really defensive about this. Obviously not to the point that I made any hate comments or anything, that would be silly— But just in my head, automatically dismissing it because I love him and didn’t want to hear it. I couldn’t imagine anyone disliking him, instead of thinking deeper and considering *why* people might come to these conclusions.

I believe the bits we get from Esprit and Empathy support my initial point that Harry is the perfect narrative device to meet Kim through. If I remember correctly, Kim was written specifically to find Harry funny, and Harry’s skills let us see that. and that’s IF you succeed the checks, or if you’re dedicated enough to save scum to see other possibilities/go through Fayde to see what other options might have held.

Like, before I learned about the end of the Homosexual Underground thought line, I certainly had my suspicions. I definitely thought Kim was at least queer-coded and headcanoned him as gay, but that thought trail is behind a legendary Composure check that I spent like 10 full minutes save-scumming. I had low motorics on my first run, and I only tried so hard because I had been spoiled and knew that it gave a thought called “Homosexual Underground” and needed to see where that led with my own eyes.

That’s just one example too—There’s several times that Kim Lore is behind hard checks (Ace’s High/Low, that tidbit about him smoking weed lol) or things he just refuses to elaborate on without specific circumstances. Plus there’s all the stuff that you can learn when you play a different quest line. I’ve had several people tell me that going through a fascist ends up with Kim actually being pretty open about things you don’t learn about in other questlines. I don’t even know all the details of that yet because I’ve been so busy doing the other quests and achievements that I haven’t finished a fascist run yet.

My thought process with all this is that without seeing Kim through the lens Harry, who works with him almost constantly for a week straight in a situation where deep and meaningful conversation is not just encouraged but *needed* to build a repertoire and ultimately solve the case—Not to mention the patience and care Kim treats Harry’s situation with—I can see how someone would look at Kim from the outside and find him to be… (anguish at typing out this word) …mid.

So yeah. On the surface level; Kim is a cop. He can be condescending and uptight, sometimes leading into lecturing people (something he himself admits). He plays his cards close to his chest, with both his moralist beliefs and even more so his sympathies for the rebellion—Which can make him look a bit like a fence sitter. He can be emotionally unavailable towards himself and others, making him hard to read and sometimes appear cold.

But past that, he is a beautifully crafted, deep character, and the perfect foil to the chaos that is Harry. He is the man that reaches out to shake your hand even though you ghosted him two days prior. He will pat you and give you a handkerchief when you throw up. He can be the man that sticks up for you time and time again, not just because he needs to in order to solve the case, but because if you really try, he believes you’re a good detective at heart. Past suicidal rants and nervous breakdowns, he encourages you to keep going.

He has been beaten down, ground and polished to a smooth finish by mutiple facets of oppression—from his glasses, to his race, his sexuality, all fundamental parts of himself that he cannot change. From years of working in a high-pressure, volatile work environment with low pay and little benefits other than the small satisfaction of completing a case, only to dive headfirst into the next one.

He pushed aside his lofty dreams of the skies to be down with the rest of us in the dirt and mud, trudging, struggling through life until we all inevitably burn away the fuel reserves and are nothing but smoke, a memory in the mind of fire.

Beyond that carefully constructed exterior, past his wall of professionalism (and habit of using his notebook as a shield) hides a goofy nerd, a lover of crosswords and cars, of silly radio stations, and a deep appreciation for beautifully bearded muscular men. He is an expert user of sarcasm and master of cryptic jokes, some even philosophical or political in nature. At his core, he wants to make things better for the people around him. He wants to believe he can make a difference, no matter how long it takes or how small the change is. Even if working for the RCM destroys him before he can see it come to fruition.

He is wonderful. He is amazing. He’s probably my favorite character all of fiction, and I don’t think there will ever be a day in my life that I stop loving him. That’s pookie you’re talking about. I’ll always have space in my heart for him.

He will live on as long as we do, as real as The Man From Hjemdall is to Roy because Disco Elysium *made* him real, handcrafting him, giving him life between margins and pixels. And that is worth everything.

Kim Kitsuragi is a fascinating character because there's not that much fun or interesting or compelling about him. And yet somehow over the course of playing Disco Elysium the game rewires your fucking brain around him. He's the middest man you've ever seen in both appearance and personality but at some point he says something kind to you or something critical of you and you feel like you just got hit by a truck and you need his approval like you need oxygen and like how tf did this happen. what are you

[valdevia]

Very funny that tumblr is having discourse about whether my art is misinformation or not, after I've been posting it all over the internet for years without any controversy. So let's talk about it!

I know people arguing are a vocal minority, but I'm not going to dismiss anyone's concerns. It's an actually interesting topic that I really consider, and it touches some important issues in society. So here's my (rambly) two cents.

My art is meant to misdirect, in some way. Photomanipulation and the tone I typically use are meant to briefly confuse the person reading it into thinking they're hearing a real story, at least for a few seconds.

The Intended Experience™

In this sense, I feel like my art can be misinformation! And it's not only people who don't think critically about things like "how come I never heard about mermaids being real before?".

So, no disrespect to anyone that fell for one of my pieces! My work plays with reality, so if you fell for it for more than a minute, it just means my tone and style worked a little too well for you! And there are legitimate reasons to be confused when you see something online, too. For example, there are people who can have trouble telling real and fictional things apart. When you post something that goes out to a million people, you'll get one million different reactions.

That's why I always take care to make it really clear, outside the main piece and snippet of text, that my art is no more than fiction. There are tags, the tone of my account, even my profile picture is meant to reinforce this. I also have a website which, in part, is meant to capture the clicks of people to wonder if my stuff is real and google it, so they can find a real source that's clearly an art website. You can try googling "mycelium infection 1806" or "pupillosarcoma" to see how my website tends to appear first.

If I get this comment I know I've done something believable!

But let's say, for the sake of argument, that my art wholly constitutes misinformation. What we need to understand is that misinformation is not the same as disinformation. Misinformation is just incorrect information. It's your grandma seeing a little bit of a found footage movie on TV and thinking it really happened. She might be spooked, but nobody is harmed. Disinformation is false information that's purposefully crafted and spread in order to cause harm, division, or further a political view.

Now I ask you: what real world harm does my art create? The worst that can happen is that a tiny percentage of those that see it get a little scared thinking a weird bug is real, or that mushrooms really grow on faces, or that scientists have released millions of trilobites into the oceans. Is that really that bad?

Anyway, that's my take on the topic! I'm obviously biased, but this being my style, I do put a lot of thought into it and I'm always open to people's opinions! (Just don't scream at random people on the replies or you'll get blocked!)

[borathae]

Rainy Mornings | Yoongi x f.Reader

"Relax, my love, this morning is all about you."

Pairing: Yoongi x f.Reader

Genre: established relationship!AU, soft Smut

Warnings: subbish & sleepy!Yoongi, switch!Reader, neck kisses & bites, lots of touches, handjob, cuddly penetrative sex in cowgirl position, he cums very quickly <3, creampies, hints of breeding kink, this is just a sweet lil smut hehe <3

Wordcount: 1.7k

a/n: it rained the morning i wrote this and this is where my thoughts drifted off to. it's short and sweet and cozy <3 because this is what yoongi deserves <3

Yoongi wakes to gentle kisses on his neck and fingers dancing over his tummy. The relaxed little sighs of you as you kiss him, mix with the distant sound of morning rain. 

Yesterday you and he went on a date. You took a drive and went for a movie, then you ate and talked until the restaurant had to close. Yesterday was such a good day. Today is going to be a good day as well. This is the first thought which runs through his mind, followed by how much he loves waking up with you close to him.

Yoongi purrs, rolling his head to the side to stub you with his nose. He steals a kiss, smiling into it. You do as well, cradling his cheek and caressing his skin with your thumb.

“Mornin”, his voice is raspy from sleep and incredibly warm. 

“Morning”, your voice is a little deep still and filled with happiness.

“Up for long?”

“No, just a few minutes. Wanted to enjoy you”, you say and nudge his head back into its previous position so you can kiss his neck again.

Yoongi tingles, shivers running down his spine. 

“This feels good”, he sighs, keeping his eyes closed. 

“Mhm, enjoy. Wanna make you feel good.”

You dance your hand back to his tummy and let it disappear under his shirt. The blanket covers you as well, keeping your bodies warm as you share this intimate moment.

“It’s raining”, he talks quietly.

“I know. It’s nice, means we can stay in all day”, you talk quietly as well.

“So no rainy walks?” 

You smile against his neck. He knows you so well. You love rainy walks. 

“Maybe later. For now, I want to cherish you.” You nibble on his favourite spot. “And make you feel good.”

You dance your fingertips along his lower tummy, tracing the little dents his hip bones naturally create when he lies down and his tummy sinks in a little. He is incredibly soft there and also very sensitive. He can’t take your touches for long before he has to squirm and let out a shy chuckle. 

You give him a break, drawing hearts on his waist. 

“Ticklish?” 

“Yeah.”

“You’re so soft there. Couldn’t help myself.”

“Liked it. Just…sensitive.”

“Mhm, you’re perfect.”

Yoongi blushes, having to exhale shakily. He is perfect. He thinks that he is a lot of things, but perfect is definitely not one of them. To think that you see him like this makes him feel really good. And giddy. And shy. And loved. 

Yoongi feels really loved when he is with you.

“This is so nice”, he sighs, chasing your touch.

“Mhm, so nice”, you agree, swirling your fingers back to hip bones to trace them. Your lips explore his neck in the meantime, turning his sleepy brain a little foggy.  

If this is actually a dream, Yoongi hopes never to wake up. 

He was weird about being touched in the past, but when your fingers are on his body he doesn’t want it to stop. It is paradise. 

A warm, tingly paradise, which feels especially cozy this morning.

You kiss the shell of his ear, whispering in your sweetest voice. Yoongi shivers as an effect of it.

“Just tell me to stop, okay?” 

“Okay.” 

He knows what will happen, holding his breath for it. He wants this. So much so that heat shoots between his legs within seconds, surprising your fingers with a hard and needy length to play with. Yoongi normally sleeps in boxer shorts. Tonight’s pair is black with dark grey stripes and an elastic band at the hem. You don’t slip your hand under said hem, but slip it inside the slit in the front.

“Oh? Already?” your surprise excites him, making him throb.

“Yeah is…is nice.”

“Shit, that’s sexy”, you whisper and pull out his cock through the slit. You let go of it for a second so you can lick your fingers to wet them. You connect your tongue with his neck afterwards, tracing the sensitive spots while your wet fingers wrap around his cock. 

Yoongi furrows his brows at the touch. Electricity courses through him. 

You pick up a slow rhythm, lingering on his tip and upper inches most. The position and tranquillity of the morning asks for such a rhythm. You don’t want to jerk him, pump him or milk him dry. No, you want to explore him, make him fall so deep into pleasure that he doesn’t want to leave. This is meant to build up, to be something you can savour and later think back on with a tingly stomach. 

“Does this do something for you?” you ask him.

“Yeah, like, a lot”, he gets out, squirming his hips in a very slow rhythm. They flinch for a little moment whenever you linger on his tip and slow down again when you move to another spot. Your lips are soft on his neck and your tongue is really warm. Yoongi swears that it couldn’t get any better than this and then you bite him.

You goddamn bite his neck. 

And Yoongi is a goner. 

He gasps your name, arching his back and curling his toes. He is yours. He is entirely yours. 

You kiss the tender spot afterwards, playing with the droplets of precum on his flushed tip. 

“Was this good for you?” you ask him.

“Yeah…more”, he begs, rolling his head to the side. 

You fulfill his wish, biting him where it feels the best. And so it happens that Yoongi breaks the cozy morning silence with his first moan. Of course it makes your stomach tingle like crazy. His voice is made for sounds of pleasure. 

“God Yoongi, I love being with you”, you say, biting him again just so can hear him moan. You twist your fingers around his tip at the same time, applying pressure. You need him to moan again. It is all you crave. 

Yoongi gives it to you gladly and a little shakily. His cock leaks all over your fingers and his legs are like puddy. He feels a deep warmth radiate from his cock up to his stomach and down his legs.

“___ a-ah”, he chokes out, tensing his stomach. You are a little quicker in your movements and keep lingering on his tip. This is a lot to handle for his sleepy, droopy body.

“Yoongi, my love, god I just”, you trail off. You have no words, letting your body do the talking. 

You climb his lap and bush your shorts aside, sinking him into you while you swallow his surprised gasp. 

Your fingers bury themselves in his morning hair, ruffling it even more and tugging just enough to make him shiver. 

Your press your chest against his’, rocking back and forth on his cock.

“___.”

“Yoongi, my Yoongi. You feel so good inside me.”

“Good. You- ah- good. You feel good, ah. Too. Good too a-ah.”

Big hands come to grasp you, fingers dimpling your butt because they are desperate enough to do so. He doesn’t guide you, as a matter of fact, he doesn’t even meet your movements. He just lies there, taking the slow ride and thinking to himself that he is going to climax any second now. 

He feels so good. You are warm and perfectly heavy on top of him, you kiss him so well and play with his and your heart races and he gets hugged by your warm walls and, and, and. There are a million different reasons why Yoongi feels good and why he is close. 

He has to break the kiss and tell you.

“I’m close.” 

“Yeah?”

“Yeah. It’s…it’s fucking amazing, not gonna lie.”

You smile, dancing his lips to his ear.

“You’re a delight, my love”, you whisper and give him a glimpse of heaven by biting him right under his ear. 

“Ah!” Yoongi yelps and tries desperately to stop your hips. 

He is successful, but it comes too late. Yoongi is too far gone. It is already enough for him to simply be nestled in your soft walls. He paints your insides with his warm orgasm, clasping your butt for it while his mouth is agape in a soundless moan. 

You mewl his name, resting your lips against his neck as he pumps you full. You swear that you can feel each load he releases. It fills your tummy with so much warmth and makes you so wet. You don’t want it to stop, but of course it has to. Yoongi’s poor balls can only produce this much in the morning. They are still a little sleepy, forcing him to experience the last wave of ecstasy dry. 

Yoongi comes down with a shudder, pressing out your name before he has to gulp repeatedly. 

You lift your head, resting on your elbows and tracing his features. His eyes are closed, his cheeks are slightly flushed. You outline his forehead, his brows and closed lids. You trace his nose and his lips and caress his cheeks and chin. You end it by tugging strands of his black hair behind his ears and massaging his lobes. 

“I love you”, you whisper.

“I…love you…too. Ahmg”, he gulps again and exhales, finally opening his eyes.

You smile at him, cradling his cheeks.

“Sorry”, he mumbles.

“For what?”

“I tried to hold it, but-”

You silence him with a thumb against his lips. Yoongi makes puppy eyes at you, mouthing at your finger.

“Don’t apologise. This was perfect. I wanted this morning to be about you and it was.” You kiss his lips. next his nose. Lastly his forehead. “You deserved this after the amazing date yesterday.”

You meet his eyes and smile. Yoongi retorts it.

“Besides, I have a wish for today.”

"What  wish? Tell me, I’ll do anything.”

You snicker, “really? Anything?”

“Anything. After what you just did.”

“You’re cute. I think you’re gonna like my wish then.”

“Tell me.” 

“Wanna spend today slowly getting me more filled with you? You know, cum inside me and plug me and then at night you take it out and fuck me properly.”

“Woah princess, what the fuck? My cock just twitched.”

“I felt it.” You boop his nose. “Soo are you down?”

“Of course I am, fucking hell, you don’t gotta ask.”

“Awesome”, you lean in for a smiley kiss, one Yoongi eagerly retorts.

Truly, there is nothing better than rainy mornings with you.

[f1cflcfic]

The Prophecy (SMAU ft. Lando Norris) Part II

pairing: lando norris x singer!reader (y/n)

summary: what happens after the break-up that noone saw coming? as Y/N L/N gears up to release her next album, each song reveals a little bit of the past, present and future of her relationship with Lando Norris. Inspired by a curated playlist built around "The Prophecy".

note: this is RPF and is obviously in no way, shape, or form reflective of real persons.

genre: social media au, angst, exes to lovers, happy ending

part i

♥･*:.｡ ｡.:*･ﾟ♡･*:.｡ ｡.:*･ﾟ♥

September, 2026

[Excerpt from Kelly Clarkson interview with Y/N]

“We’re so excited to have y/n l/n with us today, I can’t get your latest song out of my head. It’s really such a great revival of the sultry pop ballads,” Kelly says joyously, and y/n can’t help but smile.

“Thank you! That means a lot coming from you – I grew up watching you on American Idol, I can’t believe I’m even sitting across from you now.”

“Oh my god, stop! You’re gonna make me feel real old. Congratulations again on your Grammy for your sophomore album, All I Ever Needed. How did it feel going into your new project with that in the back of your mind?”

Y/N shuffles uncomfortably on the couch. “Hmm thank you. I – well, it was really different. The songs I wrote on there were coming from this feeling of bliss which was fading fast by the time the Grammy’s rolled around. I had to figure out what kind of artist I am if I’m not in love, or writing about happiness. It felt embarrassing. I don’t like being vulnerable, but I love sharing love. So it was hard for me, not gonna lie. But I’m happy that we got there in the end.”

“Wow, well I was able to listen to a few other songs on this record. I gotta say, I think it’s by far your best record yet. And did you write on all of the songs this time around again?”

Y/N nods her head, a small smile creeping back up on her face. “Yeah, I did. It turns out that writing about sad things can be really cathartic. But I really want people to know that it doesn’t mean this isn’t an album about love. At the end of the day, each of these songs are love letters to every single moment or person that made me feel something – for better or worse.”

early October, 2026

[Transcription of Capital FM segment with Y/N]

“We’ve got Y/N L/N with us here on Capital FM, and we’re about to play a quick round of Never Have I Ever! Are you ready?”

Y/N smiles, holding a paddle with “I Have” and “I Have Never”. “Sure, as ready as I’ll ever be.”

“Great! Now first one: Never have I ever… regifted a gift someone bought me.”

“Ooooh, not a gift someone bought me. But things I have been sent or given in goodie bags I’ve definitely regifted,” Y/N says, and raises the “I Have Never” paddle.  

“That’s alright! I think that’s not too bad. In fact, I’d volunteer to get something regifted from you,” the host laughs. “I usually donate it, but next time I’ll keep you in mind!”

“Perfect. Next one: Never have I ever slid into someone’s DMs”

Y/N rolls her eyes and raises the “I Have” paddle. “Who hasn’t? If people say they haven’t, they’re just lying to you.”

“Who’s the most famous person who’s ever been in your DMs?” The host asks, and Y/N laughs. “Hmm Taylor Swift, maybe?”

“You’re good friends, aren’t you?” Y/N nods. “Yeah, I actually wrote ‘how did it end?’ during a studio session with her.”

“Hmm that brings me to the next question – never have I ever written a song about an ex.”

Again, Y/N raises the “I Have” paddle, but then twists it so it’s halfway. “I think sometimes, no scratch that, I think almost always songs work way better when they’re open for interpretation. Isn’t it nice how everyone can take something else from it, that way?”

“Have you ever gotten back together with an ex?” The host asks, and Y/N makes a ‘tsk’ noise. “Never! First rule in the book, or so my friends tell me all the time.”

"Even when the heart wants what it wants?"

"Even then."

mid October, 2026

[Excerpt from Call Her Daddy episode with Y/N]

“I think in many ways this album is the most naked I’ve ever felt in my emotions. But maybe that’s actually a good thing,” Y/N grins.

“They do say that sex sells,” Alex (Cooper) responds, and Y/N chuckles. “You’ll find hardly any of that on this album.”

“That’s not entirely true, there’s a song on there with some explicit lyrics,” she adds.

“Undrunk? Funnily enough, that one was probably one of the easier ones to write because it actually felt the furthest removed from myself? It’s inspired by, but not based on my own experiences. I’d say it’s my unlived life,” Y/N tries to explain.

“Talk to me about that. People are always quite eager to pinpoint all experiences of a celebrity. They know who you’ve dated, look for clues and dissect every lyric. How do you decide what to share and what not to share?”

“I think it’s sort of why I wanted to share ‘how did it end?’. Even the title track is me addressing the fact that everyone feels entitled to determine my love story. Including me, I think everyone tries to engineer or hack happiness at one point in their life. But it doesn’t work like that. And at the same time, it’s important for me to try and have some semblance of control over my own narrative, my feelings, my sense of self. And that also goes for the people whose presence in my life inspired me to write these songs. For better or worse, I’m grateful for it.”

Alex smirks. “Look, we can’t avoid the topic here. We all know that one of those people is Formula One driver Lando Norris. He’s also got a lot of very dedicated fans, who’ve been clamoring under every post of yours to leave him alone ever since you started dating. How did, and do you deal with that? It would have been easy to erase him from your social media, once the relationship ended, but you chose not to do that. Was that a conscious decision on your end, or something you ever discussed?”

Y/N takes a sip of water, and purses her lips. “I kinda feel like it’s just not really my place to expand on that – it’s between Lando and his fans. Like, it actually has nothing to do with me, I feel. If people are surprised I didn’t delete like three photos, it’s just because I like them – it’s not that deep. I can still cherish good moments, even when they’re in the past. I’m not embarrassed or ashamed of the fact that my ex was part of my life. But it’s not for me to comment on it beyond that. He’s well within his rights to want to delete them, and he doesn’t need to explain to anyone – not to me, not to his fans, anyone why he did it.”

“But it’s more than that. It does seem to imply he doesn’t like the association. And yet you referenced him in the video for “Jaded”. It’s caused some controversy,” she prods a little more.

Y/N snorts. “I was just paying homage to my co-writer, and her iconic 7 Things video. But it’s also partly me taking that ownership. A video is one of the few spaces where you can set the scene. If I wanted to expand on it, I’d have done it through art. People will be mad either way, and the props don’t add anything you can’t already infer from the lyrics.”

“Has he listened to it?”

“Have you?” Y/N counters. Alex smiles, then moves on.

end of October, 2026

[The Independent excerpt]

Y/N L/N reveals tracklist to her third album as anticipation grows!

An obvious contender for the BRITs, is what the first reviews are saying about L/N's latest record “Jaded”. The LP will arrive in just two weeks, but up until today we did not know the exact runtime of the highly anticipated album. After posting to her Instagram, Y/N L/N revealed that the regular version of The Prophecy will count 12 tracks, with the deluxe edition raising that to a comfortable 16. Fans will surely be delighted to know that they can purchase various versions, all contributing to what is looking to be a very easy chart victory.

Talking to Jimmy Fallon earlier this week, L/N stated that she hopes her fans will listen to the album in its running order. “I know it’s really tempting to skip straight to your favourite, but I spent ages ruminating over how to tell my story in the best way – so I hope that translates.”

So far, all official singles of “The Prophecy” have charted both in the Official Top 20 as well as the Billboard Top 40, with The Heart Want What It Wants peaking on top, and Jaded just outside the top 10 at #11.

♥･*:.｡ ｡.:*･ﾟ♡･*:.｡ ｡.:*･ﾟ♥ I was soooooo happily surprised by the response to the previous part that I hurried up to post this :) Any comments, likes, reblogs, asks are super appreciated. ♥ Part III will follow shortly, it'll be four parts in total. for those interested, official tracklist songs

how did it end? - Taylor Swift / The Heart Wants What It Wants - Selena Gomez / Jaded - Miley Cyrus / Lie to Girls - Sabrina Carpenter / Breakeven - The Script / The Prophecy - Taylor Swift / Stay - Gracie Abrams / Science + Faith - The Script / Moral of the Story ft. Niall Horan - Ashe / Undrunk - Fletcher / Vertigo - Griff / No More Sad Songs - Little Mix / Paper Hearts - Tori Kelly / Into You - Julia Michaels / Supercut - Lorde / Genesis - Dua Lipa

[jadeharleyinc]

you can run free and open source AI art programs on your personal computer, with no internet connection. this doesn't require much more electricity than running a resource-intensive video game on that same computer. does your insistence on consuming less apply to video games too? do you tell Fortnite players to play board games and go to museums instead?

speaking of museums: if you drive 3 miles total to a museum and back home, you have consumed more energy and created more pollution than generating AI images for 24 hours straight (this comes out to roughly 1400 AI images). "being in nature" also involves at least this much driving, usually. i don't think these are more environmentally-conscious alternatives.

obviously, an AI image model costs energy to train in the first place, but take Stable Diffusion v2 as an example: it took 40,000 to 60,000 kWh to train. let's go with the upper bound. if you assume ~125g of CO2 per kWh, that's ~7.5 tons of CO2. to put this into perspective, a single person driving a single car for 12 months emits 4.6 tons of CO2. meanwhile, for example, the creation of a high-budget movie emits 2840 tons of CO2.

is the carbon cost of a single car being driven for 20 month, or 1/378th of a Marvel movie, worth letting anyone with a mid-end computer, anywhere, run free offline software that consumes a gaming session's worth of electricity to produce hundreds of images? i would say yes. in a heartbeat.

even if you see creating AI images as "less soulful" than consuming Marvel/Fortnite content, it's undeniably "more useful" to humanity as a tool. not to mention this usefulness includes reducing the footprint of creating media. AI is more environment-friendly than human labor on digital creative tasks, since it can get a task done with much less computer usage, doesn't commute to work, and doesn't eat.

and speaking of eating, another comparison: if you made an AI image program generate images non-stop for every second of every day for an entire year, you could offset your carbon footprint by… eating 30% less beef and lamb. not pork. not even meat in general. just beef and lamb.

when it comes to the individual impact of AI (this is what OP's post is about, after all), saying "i don’t actually think you’re entitled to consume those resources. do you need this? is this making you thrive?" to an individual running an AI program for 45 minutes a day per month is equivalent to questioning whether we're entitled to a single 3 mile car drive once per month or a single meatball's worth of beef once per month. because all of these have the same CO2 footprint.

so yeah. i agree, i think we should drive less, eat less beef, stream less video, consume less. but i don't think we should tell people "stop using AI programs, just watch a TV show, go to a museum, go hiking, etc", for the same reason i wouldn't tell someone "stop playing video games and play board games instead". i don't think this is a productive angle.

(sources and number-crunching under the cut.)

good general resource: GiovanH's article "Is AI eating all the energy?", which highlights the negligible costs of running an AI program, the moderate costs of creating an AI model, and the actual indefensible energy waste coming from specific companies deploying AI irresponsibly.

CO2 emissions from running AI art programs: a) one AI image takes 3 Wh of electricity. b) one AI image takes 1mn in, for example, Midjourney. c) so if you create 1 AI image per minute for 24 hours straight, or for 45 minutes per day for a month, you've consumed 4.3 kWh. d) using the UK electric grid through 2024 as an example, the production of 1 kWh releases 124g of CO2. therefore the production of 4.3 kWh releases 533g (~0.5 kg) of CO2.

CO2 emissions from driving your car: cars in the EU emit 106.4g of CO2 per km. that's 171.19g for 1 mile, or 513g (~0.5 kg) for 3 miles.

costs of training the Stable Diffusion v2 model: quoting GiovanH's article linked in 1. "Generative models go through the same process of training. The Stable Diffusion v2 model was trained on A100 PCIe 40 GB cards running for a combined 200,000 hours, which is a specialized AI GPU that can pull a maximum of 300 W. 300 W for 200,000 hours gives a total energy consumption of 60,000 kWh. This is a high bound that assumes full usage of every chip for the entire period; SD2’s own carbon emission report indicates it likely used significantly less power than this, and other research has shown it can be done for less." at 124g of CO2 per kWh, this comes out to 7440 kg.

CO2 emissions from red meat: a) carbon footprint of eating plenty of red meat, some red meat, only white meat, no meat, and no animal products the difference between a beef/lamb diet and a no-beef-or-lamb diet comes down to 600 kg of CO2 per year. b) Americans consume 42g of beef per day. this doesn't really account for lamb (egads! my math is ruined!) but that's about 1.2 kg per month or 15 kg per year. that single piece of 42g has a 1.65kg CO2 footprint. so our 3 mile drive/4.3 kWh of AI usage have the same carbon footprint as a 12g piece of beef. roughly the size of a meatball [citation needed].

(for anyone who'd like to reblog this for the data, and doesn't want to put anyone on blast or bore followers with the whole reblog chain, you can find a standalone version of this post here.)

i love how many AI art haters will with no self awareness whatsoever ask "ummm why don't you just underpay and exploit someone (probably in the global south) instead of using the evil words machine :/"

[wtfaniii]

Can you pleaseeee do a Namgyu x reader story where he’s your mean ex boyfriend that secretly still wants you 🙏

Of course! That man has something and you know it girl

From love to hate

Nam-Gyu (player 124) x reader // you

Fem reader!

Summary: You were so miserable that out of 456 people in this game you met again with the man who made your love life miserable a year ago.

Warning: Some emotional abuse, unstable relationship on both sides.

Note: I understand you girl, that boy has something that makes him attractive, I hope this is to your liking and meets your expectations!

The second game was over, the girl just wanted to calm her nerves sitting silently on her bed but she was startled a little when Thanos appeared next to one leap.

—Get lost —she said, rolling her eyes and continuing to play with his fingers.

—How pretty —he said sarcastically.

—You were nicer before —Gyu said, coming to her left side.

She sighed and got out of bed ready to move out of there, she wanted to have zero contact with him after having found in bed with her best friend.

—Fuck you

—¿You kiss with that vocabulary? —Nam-gyu hurried to stop her from escaping and stood in front of her.

—¡Move! ¡I don't want anything to do with you!

Yes, the guy was an idiot, he acted like an idiot throughout their entire relationship and he would always be an idiot.

She thought could tolerate him, she loved him enough to do it but there was a limit she wasn't going to cross, infidelity was something she was never going to get over.

Nam-gyu wasn't going to give up now that he had her so close, she was the only one who loved him just the way he was and even though he had made a mistake by getting between the legs of her slut friend he still couldn't stop thinking about her.

He took her arm with a little more force than he should have, it was inevitable, he wanted to tell her to please stay but instead he said something more hurtful.

—Stop being such a bitch and listen to me.

In his mind he wanted to regret it but the laughter deep inside Thanos made his ego as a man grow.

That was one of his many problems, the influence that third parties managed to have on him.

However, he couldn't think of anything else when he felt the girl's hand crash into his cheek, both becoming the center of attention of the other players.

—If you call me a bitch again, I'll kick you where it hurts the most —she warned him, pointing a finger at him in a threatening manner, to which Nam-gyu raised his hands in a sign of peace while backing away.

—She's a real sweetheart —Thanos said for the second time, amused and sarcastic.

—You have no idea....

[...]

It was time for the third game, the girl managed to overcome each and every one until it was time to pair up and take a cubicle before the rest.

She was alone, she thought that this time it would be the end for her.

Meanwhile Nam-gyu and Thanos had already managed to get an empty cubicle but just before closing the door 124 stopped at the entrance and looked in all directions.

—¡¿What the hell are you doing?! ¡Come in already!

But he ignored it completely, the drug in his system raised his adrenaline and clouded his judgment but the only thing he was quite clear about was that he had to make sure his damn ex-girlfriend was still alive after this.

Seeing her disoriented in the crowd, he didn't think twice and ran towards her, hearing Thanos shouting at him but he kept his eyes on the girl.

As soon as he got close to her, he took her by the shoulders and led her to a cubicle where, after having beaten the players out, he managed to close the door with her.

She was just about to thank him when Nam-gyu waved his hand at her to shut up.

—Not a word —he said, taking deep breaths.

—I was going to tell you that you are an idiot.

He gave her an annoyed look, but she was actually grateful even though she wasn't going to say it out loud.

Despite hearing the screams and gunshots through the door, the tension between them was also palpable.

They had so many things to say to each other but it was neither the time nor the place, Nam-gyu only needed to be so close to death to know that among so much shit in his life she was the only one he needed.

Their relationship had been so close and strong that all it took to end it was a one-night stand with another woman, and now he regretted it.

—I was drugged when I slept with her —he said without turning to look at her and watching through the small crack in the door as the pink soldiers collected the corpses of the eliminated players.

—That doesn't make it better —she replied without much enthusiasm.

Just by hearing her voice he knew that she had not let go of the past either, he knew her well enough to realize that the feeling of wanting to return was mutual.

But neither of them took the step that was required.

Once the doors opened, they both silently left there, Nam-gyu was the first to go towards Thanos who looked at him with his eyes half closed.

[...]

During the voting, the players looked at each other with hatred and other mixed emotions, Nam-gyu's gaze remained on the girl who was on the side of those who had chosen the tag, it was curious how now he too was questioning whether he should choose the circle again or this time make the decision to end the games.

—¡Press the circle! —Thanos shouted euphorically, bringing him out of his thoughts.

Min-su was slightly startled by the sudden shout, "Pathetic" Nam-gyu thought but he also felt somewhat pressured to make a decision.

After Thanos went to vote, he approached the poor trembling boy and spoke into his ear.

—If you don't press the circle you will be left alone without anyone to defend you.

It seems that this was enough to keep the 125 votes in his favor, with that they would win and continue participating, but when it was his turn his hand deviated towards the huge check mark.

He clearly heard Thanos' frustrated groan.

He took the red badge that the guard gave him and stood next to those his companion so hated.

—I honestly thought you would vote to keep playing —the girl murmured, standing next to him —¿What made you change your mind?

—Shut the fuck up —he mumbled angrily.

She still smiled softly at him and took his hand, a simple but meaningful sign that she was still by him side. Just as she had promised him since they met

The votes ended in a tie and now Nam-gyu had to continue playing and tolerating the irritable Thanos, he did not consider him his friend but his partner, he only hoped that this decision making would not influence their bond of trust too much.

Unfortunately, that was not the case and the tension between both sides of players increased with every second in the men's room.

—I'm not mad at you —230 said, approaching him while splashing some cold water on his face —I would also bend over backwards for a hottie like her.

He wanted to avoid fights but 333 butted into his conversation.

—Stop bothering others, you must understand that not all of us want to die in here.

Thanos laughed amused. —Oh look! The two lovebirds want to get out of here just because their girlfriends asked them to!

—I think we've collected enough money —Nam-gyu interrupted with a stern expression and a defensive posture. —Friend, we can still get out of here.

Maybe if 230 hadn't been under the influence of drugs he would have listened to him and they would have had a formal conversation where everyone would have come out a winner.

But that wasn't the case, instead he blurted out the following words.

—¿Why don't I just let you two die in the next game? You two can relax, I'll take care of your girlfriends so they won't be alone, if you know what i mean...

He barely finished the sentence with an arrogant smile when 333 threw a punch that Thanos managed to dodge.

He was going to make fun of it if it hadn't been for Nam-gyu punching him in the face, leaving him stunned and unleashing a fight between the Circle team and the X team.

Nam-gyu may have been a jerk to her, but she was still his girl and even if he had to kill other contestants, he would make sure they both came out alive and with a good amount of money.

Yeah... he did love her.

[mono-dot-jpeg]

stupid e-couple - s. nagi

summary; convincing nagi to be your e-boy is surprisingly hard. how does one be so stubborn and so lazy at the same time?

genre/extra tags; one shot, based off of my other fic with kenma about league, fluff, comedy, nagi being nagi, league player ew (/j), i can say that bc im a league player, league terms and champ names are being thrown and no i will not elaborate on any of them, one (1) sexual joke literally at the start

word count; 567

[gender neutral reader]

"sei, you're a shit boyfriend."

"what about last night?"

you send him a withering glare. "seriously?" he looks at you with those stupid beady eyes that he always has. that slightly feigned innocence, he knows what's he's doing. he's a grown ass teenager. a stubborn one. but you were stubborn, too. "how are you so damn stubborn?!" you whip a pillow at his face, to which he doesn't even bother dodging. like the good boyfriend he was, he takes the pillow to the face and flops over on the bed pathetically.

"is this really that serious?"

"is it really that serious?" you mock him sarcastically. "god forbid i try to be cute with you."

"but you're so bad at xayah... why can't you just play support instead? you're so much better." he grumbled.

"but they're like the duo to play in the bot lane. plus, they're hot, just like us."

"but you're still bad at xayah."

"not the point, nagi!"

"why don't we just play like.. what we're good at?" he asked the obvious question that you were expecting. "like, you're good at lux.."

"what about playing lux ezreal?"

"i hate ezreal."

"but you're so good at him." you started filing through the mental list in your mind of bot support lane duos that couples would play to be insufferable fucks to their team.

"why do you want to do this anyways? we just match skins anyways.." he muttered tiredly as he flipped around on the bed, stomach down. his face buried into the pillows, listening to your antics. "are matching skins not enough for you?" he turned his head to rest his cheek on the pillow as he gives you that annoyingly endearing pout you've come to know and love.

"it is but, what if i just want to be cute with my boyfriend?"

he looks at your own pout on your lips. he has half a mind to kiss you so hard that you just ignore this issue until next time, but he's far too lazy right now.

"what about jinx ekko?" he asked.

"ekko is a jungler, baby."

"okay.. and? anyone can be a support if you try hard enough."

"people are going to report you."

he shrugged, "not the first time that's happened." it was clear that you both were at a standstill. neither of you were budging. but it's not like nagi wasn't denying your idea. he was simply telling you a possible solution and the issues with your idea. god, you hate when he's actually sensible.

"let's just go and check what matching skins we can get."

"yay.." he said dryly, shifting on the bed to let you lay next to him. the moment you take your spot, his arms snake around your waist, and his stark white hair invades your vision and lips.

"sei! your hair!" you spit out the tufts that get into your mouth. "move your big head." you tell him.

he grumbles but complies and moves to bury his head into your chest. your arms wrap around him as you hold your phone. he cuddles you with a gentle sigh on contentment. a comforting silence blankets you both, the sounds of soft breathing and tapping fingers can only be heard.

"you know it shouldn't matter if we're matching skins or champions, i think we're still cute." he mutters before you can hear him start to doze off.

[theartofwoompwoomp]

I love your sweet comfort Jazz fic. He just fits that perfectly.

I’m wondering about a moment where he goes protective mode. I love sweet fic where the bots goes switch mode on demeanor. Could be platonic or romantic. Something like they’re out and about being goofy then something happens he goes almost feral in protection mode. Does that frighten or impress?

Im their Guardian.

Jazz x reader

a/n : Thanks im glad you enjoyed the fics, personally im never sure if i get the characters personality well, so im glad ya like it. Also thanks for the ask i loved this idea <3

———————————————————————

Now, Jazz is an amazing guardian. His love for human culture and chill personality definitely made it easier for you to get along with him.

And in all the time you have known him, he’s always been the same. Usually when describing him your go to words were “hard worker” and “cool dude”. 

Never once had you truly seen any serious sides of him, unless he was fighting in the war. 

Which is why your image of him never changed.

But that’s the thing with personalities. They can be so complex to the point certain sides only are seen in special circumstances.

Which is why today shouldn’t have been any different.

Jazz knew how much you wanted to go (an event of something you like). You had gotten dressed up and everything. How could he not take you himself? Especially when you’re so excited about it as well.

Once there, he didn’t mind if he had to wait in a parking lot or be in a garage. You both prepared a bunch of things he could do while being in aft-mode.

And time definitely went a lot faster when you called him and stayed on call the rest of the time. 

He felt as he were there with you. 

Both of you continued talking about the surroundings and stuff you got from giftshops. Even buying a shirt that says “I ❤️ Robots”

The whole time his spark was warm at the smile on your face. He loved seeing you light up as you continued talking with him about your interests, and how you got stuff for him and yourself.

But, his first suspicion of something being wrong was from your movement on the screen. You seemed to have speed up your pace. But when the call got cut off he was long gone from the parking spot.

Speeding towards the entrance hoping to pick you up.

When he arrived he saw you not far ahead, but you were worried… and, scared? 

Getting closer he saw someone older than you following behind. … too closely 

Observing a bit more, he saw they had your phone in hand, and were taking you somewhere and trying to not make it obvious. 

His motor went full power as he rushed in alt-mode. And when you turned around with a tear stained face, all of his sense was lost. 

Revving his engine as he not so subtlety headed straight for the person, he stuck out his arm and pulled you in. Tucking you safely inside him and bumping pretty hard into the person hurting you. 

He was pissed.

No one should dare think they could get away with hurting the person most dear to him.

You are everything he has. And no one was going to take that away. Only calming down when you do.

And you were definitely shaken up by the whole thing.

Honestly, it was a bit of a roller coaster. First, you felt extremely relieved you’re big guy had found you. Next, feeling terrified at the thought he might actually put someone down with the fishies. Finally, calmed down cause he didn’t, and the whole time after he treated you with extra care. 

Still inside him as he drove back to base, you place a small kiss on the dashboard and thank him. Feeling him chuckle as the car vibrates. He’d tell ya to rest and start playing a playlist he created for you.

——————————————————————

Masterlist 

[buckydeservesthebest]

I happened to watch this scene frame by frame (or at least what the editing apps allow you to) and I just realized an interesting detail: Bucky never knocked the cop out with the intention of knocking him over the railing, all he did was block the gun the cop was aiming at him with, deflecting the barrel to the side, which caused the cop to lose his balance and accidentally fall over the railing.

Here we can see the sequence:

The cop points the gun at him.

Bucky moves to block it.

Bucky clearly deflects the gun to the side.

Bucky moves and focuses on stopping the other cop who also attacks him.

Here we can see that the cop briefly stays positioned on the railings.

So Bucky's intention was never to deliberately throw him over the railings, and that's why when he realized this, he reached out his hand to try to catch him.

Because in fact, a few moments earlier, he had already neutralized one of the agents by throwing him across the aisle and landing behind the railings, i.e., in a safe place:

Bucky was really going out of his way to not have to kill anyone, because it's precisely ending up hurting someone that scares him the most.

I think the arguable slight excess of violence he used in the fight (well, considering he was acting in self-defense because he was literally fighting for his life in the face of a large tactical team that was sent to kill him without mercy), can be excused on things that were out of his control:

a) By that time, the amount of Bucky's memories and emotions (what makes him himself) were still very small, and the fuzzy state with memory gaps and flashes in his brain makes it difficult for him to control his responses and behaviors to outside stimuli, especially those that are considered dangerous and a threat to him.

**The Marvel Studios' The Marvel Cinematic Universe An Official Timeline book, clears up the doubt present in fandom for years as to whether it was true that Bucky didn't quite remember Steve. Bucky was telling the truth, for their meeting in Bucharest he could recognize Steve, but he didn't quite remember their friendship or their time together. It wasn't until after the blow to the head and his blackout that more memories began to flow.**

b) extensive brain damage affecting his limbic system, amygdala (which plays a key role in identifying potential threats and triggering appropriate reactions, such as the 'fight or flight' response), frontal lobe, etc. Aggression is one of the most common consequences of brain injury.

And even with all of this going against him, with issues that were out of his control, Bucky struggled and managed to actually not end up killing anyone (the very people who were sent to kill him).

I couldn't imagine how difficult this was for him, and I think it just emphasizes his great moral quality, as well as what a good man he is and always has been.

Bucharest details

Not sure if this had been pointed out previously, but during the apartment fight scene in Bucharest, there's a nice little detail hidden in the shadows.

Bucky knocks a man over the railing, who Steve Rogers catches just in time. What was really hard to see in the shadows is that Bucky actually realises this in the middle of his fight with another man and makes a motion to try and catch the guy.

Hard to get a good resolution picture of this, but his head whips around and his body moves away from his new enemy when he hears the guy scream. His metal arm reaches towards the falling guy and his fist opens (rather than closing if he was actually intending to elbow the guy he pushed onto the wall).

Because it's hard to see his head in that scene, it's clearer in the next cut that Bucky definitely turned around to face the stairwell.

Bucky was really trying to stick to his no-kill promise he gave Steve. He didn't even stop to take any of the discarded guns to defend himself (even though guns are his forte).

That said, he still didn't trust that Steve would be on his side, because in his mind while Steve blocked bullets for him, Steve also seemed to be protecting the police from him. He thought that when push came to shove, Steve was more likely to side with law enforcement than him.

He was completely taken by surprise when Steve knocked the shooter out for him. I wonder if it was the first moment he thought that maybe Steve was on his side.

(edit: sorry guys, had a mind spaz and confused Bucharest with Budapest. Need more sleep/caffeine)

[corviiids]

hello thank you for asking i am very flattered. i would be most honoured to give some advice that i am most certainly unqualified to give!!

ok advice 1: hey why does everyone keep telling me to read and write a lot

i think this is the most commonly given advice. i have always found it true but incomplete, because on the face of it this kind of focuses a little too much on volume. which by itself just isn't going to do that much for you, or it will, but it'll do it very slowly and ineffectively, because the second part of this advice i don't see nearly as much (and the part that makes it work for me) is that after you read or write something you need to do The Why Interrogation. what are you looking for?

when you like something, why do you like it? not just in terms of copying and learning an author's stylistic quirks or techniques, but in a more abstract way:

is it the narrative? that the premise is novel, that the progression of the story is unexpected and thrilling, that the stakes are high?

is it the characters? what is it about them? do they have compelling backgrounds? does the author spend a lot of time in their heads? is the pov internal in a way that lets you experience the story from their shoes? does their biased narration tell you more about them? or is it a detached narration that lets you see the characters in a way they don't see themselves, so the gap is intriguing?

is it the telling? maybe the prose is beautiful - what makes it so? sentence structure? unconventional use of grammar and punctuation? elegant, sophisticated vocabulary? or maybe the dialogue is sharp and human so conversation flows naturally. is the story paced carefully? does the author linger more in certain moments?

the same exercise is useful for what ISN'T working.

if your attention is drifting, what's making it drift?

purple prose? clumsy prose?

does the narration drag?

do the characters feel stagnant, and why?

plot doesn't make any sense?

maybe this sounds obvious, but imo it's a crucial piece of the advice that i just don't see as much because people tend to focus on volume of works consumed/created. the reflection and analysis is what makes that volume useful, otherwise you're just churning through content. the question should always be why, why, why. why did that work, why didn't it work, why did i like this, why does it suck. then proceed to: if i were doing this, how could i make it work?

advice 2: don't forget that all the words you need already exist.

this is more subjective advice. this is something that works for me personally. so ymmv. have you ever tried magnet poetry? you should try magnet poetry.

i always see writing as kind of a puzzle. if i have an idea in my head, the idea exists. the job is actually a translation exercise: how do i express the thing in my head as a thing other people can see? in this way it's like visual art, but it's also not like visual art at all. in visual art you choose where all the lines and colours go, completely freely. any line you draw is a brand new line.

in language, all your parts already exist. all the words already exist. (you can make new ones if you want but that's a whole different thing.) you are plucking symbols out of a collective understanding. it is like lego. all you are doing is selecting the most effective pieces and placing them in order. so for me, i am simply trying to find the 'right' words to fit each context as best as possible. it becomes a game of arrangement, which determines your expression.

then syntax and punctuation become your rhythm, which is how you determine flow. sentence length, word length, whether you omit words or use more, whether you want to be a bit unconventional. character also plays into this - i am not writing an advice 3 because i am getting self conscious but advice 3 would have been consistency of voice.

so i would prioritise vocabulary and timing. what are you trying to say (which words do you pick) and how do you want the reader to experience your words, how do you want the words to feel and sound (how will you pace your sentences)? remembering that all the parts are already there. it is the world's biggest game of magnet poetry.

advice 3 which doesn't exist: keep your voice consistent.

this advice doesn't exist. im not writing this i got embarrassed and stopped at 2. but if i did write this it would say, remember who you are. (remember who is writing your story. are you a character or are you god? remember how much you know. remember which feelings you have access to.)

[drdemonprince]

Can u talk about the process of replacing your desire for unhealthy relationship dynamics that were sexually exciting with desire for explicitly negotiated kinky sex? or do I just need to wait for the essay lol

It's not actually in the piece but now that you mention it, it could make for a really strong narrative turning point.

It started by me cheating on my abusive partner with kinky people! I realized at some point during a two-year relationship in graduate school that was extremely toxic that I was so addicted to my partner because I was getting off on the control he exerted over my body and life. I wanted to get away from him, but I felt utterly dependent on how he made me feel, and he was already cheating on me...so I hopped onto OK Cupid and started flirting with some people.

It made me feel good, it made me feel like I could live on without him and build a new life for myself. I had a few fairly vanilla hookups with people at first, and it didn't do much for me, but one of those casual partners became a lifelong friend. Then a sexy, bombastic stand-up comedian who was just coming up in the local scene slid into my inbox, allured by the fact I described myself as shy. He was pushy and hyperconfident, which I liked. And when he asked me what kinks turned me on in bed, the truth came spilling out: Dom-sub.

(I wish I'd had the gall to tell him hypnosis, which had been a lifelong fetish of mine. This guy would prove to be fascinated by rare and niche kinks, but I was too ashamed of my hypnosis thing to tell anyone at that point).

The stand up comedian started domming me after that. He'd make me pay for his cab, throw me over a chair, finger me, and fuck me in the ass hard while biting my back and leaving massive welts. The sex was incredible. But he was also an egotistical 21-year-old with an active heroin addiction (he swore up and down to me that the drug 'wasn't a big deal'), and he started fucking me without a condom without my consent, which was traumatic and to this day is the reason I rarely receive anal sex. Ultimately he became controlling and jealous of my other (abusive) primary partner, and he left me, and then died of a heroin overdose after sending me a few more stray messages recounting good old times.

It was a mess. But I learned a lot about myself through this encounter, and practiced articulating what I wanted for the very first time. I was mistreated, but I also had incredibly hot sex that I still revisit in my mind's eye. I know for a fact that this stand-up comedian reviewed our own chat messages shortly before he died, and that he remembered those times fondly too. I feel bad that he died so young, and was so lost and confused, and I wish that he could have survived long enough to get better and make amends.

After that experience (and after escaping my primary abusive relationship), I got into a very safe, vanilla relationship for many years. I was too traumatized for anything else, and the gentle, passive boyfriend that I found was very healing to be with. But eventually I did get bored with the sex, and his lack of emotional availability, and became profoundly depressed. It was around this time that I started taking Sam-E , an over-the-counter anti-depressant supplement whose side effects include increased libido and a kind of dreamy headspace. On impulse, I started searching for erotic hypnosis play websites one day.

I met several hypo-kinky partners on the site I found, a now-defunct chat site called Sleepychat that would pair hypnotists with hypno-bottoms. One of them was a truly skillful, communicative, and caring partner who built a whole complex hypnotic architecture and series of safeties and triggers in my mind. We are still friends. I had lots of play with lots of people, and started attending a hypno kink convention that just so happens to occur in the Chicago suburbs. I became gradually more comfortable acknowledging my kinks to people, and made lots of hypno-kinky audio files and stories. I had other Doms and owners, and had lots of wild sex here and there. Still, my serious, long-term vanilla relationship limited me.

I only really started searching out formally kinky relationships in earnest in 2021, after ending that vanilla relationship. I've been pretty firmly embedded within a variety of kink scenes since. My taste for hypnosis led me to regular D/s, and to leather and bondage, and to pup play and furry stuff. I've really come alive in the last handful of years. I've learned so much about myself and the many scenes, met so many people, had so much great sex and so much mid sex and been in all kinds of wonderful and toxic and off putting and funny dynamics. This aspect of my life only keeps getting better, and I'm excited for lots of new experiences this year!

damn i just about gave you a full essay right here

[cybershock24601]

More post canon Rookanis thoughts today as I contemplate how weird their inclusion of Spite in their relationship would be to everyone. Even if Spite isn’t involved romantically they still try to make the guy feel included like they did when they ordered that extra cup of coffee on their little date in game.

Personally I feel like the Crows (especially Caterina and Illario for similar yet different reasons) would do their best to ignore the fact that Lucanis is an abomination now and has a little guy riding around shotgun at all times and that fiction works right up until Rook moves in with Lucanis and suddenly it’s a lot harder to ignore Spite.

Especially since I headcanon my watcher Rook has always been able to tell when Spite is talking even if she can’t hear what he’s saying. She’s sensitive enough to freaky fade stuff to hear something, though it took her a bit to figure out that something was Spite as his words sounds like muffled whispers from a room over where you can tell someone is talking but can’t at all make the words. So in the time between the games end and Rook moving in with Lucanis while she’s settling Watcher responsibilities and helping with the aftermath of everything that happened, she’s also working with Emmrich to hone her magical senses enough to hear Spite. It’s a good skill for a Watcher to have and it would probably be nice for Spite to be able to talk to someone else without having to highjack Lucanis’ vocal cords, also Rook’s a nosy bitch and doesn’t like not being able to hear what the third person in the room is saying because she knows Spite talks about her.

Anyways, now everyone can’t ignore Spite’s existence as rookanis set up a third place setting when sitting down for some afternoon tea and coffee and occasionally pause before replying to something no one else can hear. Or Rook suddenly giggling out of nowhere at something Spite says because she’s not nearly as good at not reacting to Spite’s unheard commentary. Creepiest of all is when someone walks into the room when Lucanis is taking the nap to find Rook and Spite playing card games together and it’s so unsettling for the people who have known Lucanis their whole life to see him with his eyes glowing and his face twisted into foreign expressions, not to mention how strange it is to hear another voice coming out of Lucanis’ mouth.

Caterina nominally ignores the whole thing but is probably looking into how to get Spite exorcised. Illario ends up in learning things about Lucanis that he never knew as Spite is more willing to air Lucanis’ grievances in their relationship which ends up giving Illario a new perspective on a lot of things in their past and possibly leads to Lucanis and Illario having a truly honest and emotionally open talk for the first time in their entire lives. Teia treats Spite cautiously at first but ends up viewing him like some sort carnival side show where yes Spite unnerves her but the little guys actually really funny, and unlike everyone else, it’s Spite that ignores Viago because his protectiveness over Lucanis has manifested in snubbing Viago in return for hurting Lucanis’ feelings all those years ago when he ignored Lucanis’ affections. Very funny if this is how Viago realizes the knife was actually Lucanis’ way of flirting and not some sort of indirect threat. Teia and Rook are absolutely cracking up while this happens due to the absurdity of the situation.

[artist-issues]

This is the point. It does clearly say homosexuality is a sin in the Bible. You’re just applying your own ludicrous definition of what “clear” means to the Bible, in a way you wouldn’t any other missive.

I told you I’m not doing this with you. Because for all your intellectual frills and “saying it doesn’t make it so, it’s possible to misinterpret,” you’re still just saying, bottom line, “did God really say?”

…I mean, your points are correct insofar as the Bible can be interpreted incorrectly, and has been in certain times throughout history, and we have to be aware of the cultural context. Yeah. All that is correct.

…But then in your reblog you go and say things like, “arsenokoitai is a made-up word.” Or things like “in Deuteronomy 22:25 What is the sin here, is it meeting a young woman, is it meeting a young woman pledged to be married, is it meeting a young woman pledged to be married in the countryside, or is it rape?”

As if arsenokoitai isn’t a compound word. Easily seen and translatable in Greek as such. Sure, it’s “made up.” If words like, you know, icecream, bedroom, and pineapple are made up and nobody can tell what they mean. What lexicon are you using?

As if Deuteronomy 22:26-27, the literal very next verse, doesn’t clearly say what the sin is: “And you are not to do anything to the girl; there is no sin in the girl worthy of death, for just as a man rises against his neighbor and murders him, so is this case. When he found her in the field, the betrothed girl cried out, but there was no one to save her.” Especially when taken in the context of the previous verses as well. The sin is rape. Easily seen. It’s not hard to see. Because the Bible is clear and He does make Himself clear, when you read the whole thing and accept it all as His Word, instead of picking and choosing what you like and dislike, and where to get literal and where not to based on your own likes and dislikes.

If I went into why, and explaining it, and interpreting Deuteronomy 22 for you…it would be me, doing this with you. Which I refuse to do, because it’s so obvious it proves why I’m not doing this with someone who could nitpick at something so obvious in order to make the other obvious parts of Scripture, which they don’t like, look similarly nitpick-able by comparison, and then pretend that it’s somehow “being careful” to do so.

Next, tell me God didn’t mean “die�� when He said “you shall surely die” eating from the fruit of the tree of knowledge of good and evil in the Garden. Tell me that wasn’t clear. Tell me what He meant was “you shall be like God, knowing good and evil.” Because otherwise He would’ve “clearly said so.”

See, your actual standards of reasoning are correct, taken by themselves. “We must search for correct interpretation, because it’s possible to incorrectly interpret. We must use context in order to do this. We must be careful.” That’s all absolutely a set of correct interpretive principals.

But then you go and try to give me examples of how to apply those principals and those examples are ridiculous. Just oft-repeated, already-disproven, intellectually dishonest, face-value-nonsensical talking points from the general homosexual-affirming culture who are playing intellectual Twister to try and hold God’s Word and What He Forbids in the same hand.

So I’m not doing this with you. “Arsenokoitai is a made up word.” Give me a break.

You know what I will do? I’ll have this conversation with you privately, if you want to have it. Because then at least I’ll have some indication that you’re looking for truth, not just jumping at the chance to repeat culturally-accepted “interpretation” mantras on any public post that’s non-LGBTQ+-affirming. So if you really want to study the Bible, and you’re most interested in understanding God’s Word, or helping me understand it, let’s do it in the DMs. But if you’d rather debate by nonsensical standards so that you look correct in front of a world that already wants to believe your sin-affirming stance is true, go do it somewhere else.

Not on a post that specifically warns against everything you’re saying.

You thought when people painted the "someday you're going to have to choose, for real, between the World and God, you won't be able to walk the line between both" picture that they were talking about martyrdom.

Some extreme. "Trample this picture of Jesus." "Say you don't believe!" "Convert to a different religion!"

You didn't realize that it wouldn't look like that. You didn't realize that when the line gets drawn in the sand, and Jesus is on one side, the other side would look like crying people wailing out, "why can't you just accept me for who I am? Why aren't I enough for you?"

You didn't realize that the choice would be between Jesus the Truth...or a majority of people in the culture making movies, making t-shirt slogans, changing their names, gently telling you that maybe this word in the Bible doesn't mean what you think it means, maybe love just means love, maybe you can have Jesus and whatever sexuality you want.

"Did God really say...?"

You thought it would be something overt. But the bad guys never said, "hey, choose the dark side over the light." They always said, "hey, maybe you don't even know what Jesus said."

The choice is: "It is the Lord. Let Him do what seems good to Him." OR "Did God really say...?"

That's the choice. This is where the rubber meets the road. This is our "choose this day who you will serve." As for me, I'm serving the Lord, and He's holding on to me. He never changes, and yes He did really say.

Hold fast to the truth. It doesn't change. People and cultures do.

[loredrinker]

Inflection, Context, and Elven: Lavellan’s Veilguard Ending (romance state)

Lately, I’ve seen quite a bit of criticism directed at a romanced Lavellan on my dash - particularly in the Veilguard ending, interpreting her as needy, egotistical, or entitled.

And I am wondering: Did we watch the same ending? (I find it fascinating how differently people interpret the same moments - such a reflection of the human experience.) And I couldn't help myself! I felt compelled to share my interpretations so I punched this out the last few days.

The sticking point seems to be Lavellan’s words, especially the ones spoken in Elven.

It seems like a common interpretation of Lavellan’s words here are: 

“It won’t be terrible if you’re with me.” (Implying possessiveness or entitlement - and that she alone will make it better.)

The game’s delivery offers no inflection on any word though. For me, it’s always been: 

“It won’t be terrible if you’re with me.” 

It’s subtle, but very different. This is just one micro-example of how much nuance is packed into the dialogue in the Veilguard ending. These lines shouldn’t be taken in isolation - especially not the Elven ones. They should be understood in the context of what Solas says to Lavellan in Elven just before, and beyond that, within the history established in Inquisition and Trespasser.

Indulgent Solas x Lavellan post ahead.

Note: I respect and appreciate all Solas ships and I will never post negativity towards other interpretations in this space. Everyone deserves to enjoy their creativity and find joy in their community. There’s more than enough Solas to go around. As for Lavellan’s portrayal in VG, it's not perfect. I understand the devs had the impossible task of balancing every interpretation of her. Some dialogue between Rook and Lavellan took me out of gameplay a bit. But I recognized then they had to condense countless versions of her into one, and perfection wasn’t possible. In general I have honest criticisms about the game but try to keep my posts positive overall.

Still here? Excellent. (And sorry, it's another long post.)

"Elven is often a game of intents, not direct mapping of phonetic meaning." The language doesn’t rely on straightforward translations of sounds or words into specific meanings. Instead, it operates on a deeper level, where intent and context carry as much weight.

Earlier in the game, when Solas confronts Elgar’nan, he says: “I must speak to you in this tongue. It seems Elven is beyond your grasp.” This insult implies that Elgar’nan has lost the ability to understand the nuanced, metaphorical nature of the language. Elven relies on shared understanding, rhythm, intent, to convey its full meaning. By Lavellan and Solas choosing to speak Elven to each other it's an acknowledgement of their shared understanding - a connection rooted in their history going back to Inquisition.

Which is why I embrace it in my interpretations.

I disliked that Veilguard kept out the Elven words and left only the English translations in. They can be found here: (Elven Language - Dragon Age Wiki)  But for funsies, let's take Lavellan’s actual Elven dialogue and translate it literally: Banal nadas. Ar lath ma, vhenan. We already know from Inquisition that Banal nadas translates roughly to "Nothing is inevitable" - the same phrase Solas uses when confronting the Nightmare Demon. So Lavellan is saying: "Nothing is inevitable. I love you, my heart."  The gall of this woman! 

Since I do my best to keep my posts playing in the game’s sandbox, I’m going to just look at what the game tells us the translations are and not get into actual translations (others have done that far better than I ever could). There are some great fandom language resources linked at the end of this post. 

Let's start where Lavellan enters and speaks in the common tongue: 

This is personal and expansive. On one level, she’s speaking as someone Solas has wronged, reminding him of the pain he’s caused her directly. But on another, she’s channeling the voices of countless others whose lives were affected by him and who will be shattered by his actions. It’s a challenge that blends her role as both an individual and the Inquisitor.

It’s also not a condemnation. Lavellan doesn’t lash out or accuse him of being irredeemable. Instead, she questions him, cutting through to reach the man beneath. She’s speaking to Solas (wisdom).

"Vhenan" is acknowledging his love for her but it’s also symbolic of his heart, the part of himself he’s buried and tried to ignore, suddenly reappearing. Solas has spent much of his journey detached and isolated, removing his heart metaphorically to push forward with his plans without the weight of emotional ties. Lavellan’s presence makes it impossible for him to keep it hidden. His heart is right there, exposed and speaking. And the ellipsis - so many words unsaid.

Immediately Solas looks down (I read it as shame). It’s a reaction back to what he said in Trespasser: that he would not have her see what he becomes. And yet, here she is. She sees him, the terrible path he has chosen, the blood on his hands, the awful things he has done, and what he’s about to do. In that moment, his shame is palpable - because Lavellan is one person he couldn’t bear to face in this state. 

And Lavellan doesn’t hesitate. Her next words are as much about holding him accountable as they are about reminding him that there is still another path. 

This isn’t some starry-eyed, naïve Inquisitor we’re dealing with (at least mine isn’t). Lavellan is fully aware at this point. But her stance is clear: no one is beyond redemption, not even the Dread Wolf himself. And she wasn’t the only one – this message is repeated throughout the game by others. 

Her words challenge the belief that has kept Solas shackled to his path. He’s convinced himself that his guilt and mistakes are too great, that there’s no turning back, and that the only option is to see his destructive plans through to the bitter end.

She doesn’t beg or demand or frame it in a way that’s grand and sweeping – she simply says “you’re wrong.”  

She’s not trying to erase his mistakes or pretend they don’t exist. She's saying, Yes, you’ve done terrible things, but that doesn’t mean you’re beyond the reach of change.

Lavellan’s journey as Inquisitor began with the Anchor - a mark born of Solas’s mistakes and choices. From the moment she touched his orb (yes, it sounds dirty), her path became entwined with his. This isn’t Lavellan selfishly claiming Solas’s path; it’s an acknowledgment that their journeys have run parallel.

Their connection was forged long before either fully understood its implications. Lavellan’s work to stabilize Southern Thedas mirrors Solas’s aim to restore a broken world, including the burdens of being forced to take on titles and labels. She is revealing her own struggles with devastating, blood-soaked choices - choices that, like his, have carried profound consequences.

Solas believes he’s been walking this path alone, but Lavellan shows him she's been walking alongside him this whole time. Now, as their paths converge again, this is a reminder of the power of connection and the burdens they’ve both borne. He's actually not alone.

Her words also carry an unspoken promise: she is ready to continue to bear the consequences with him. She knows the road ahead is painful and fraught with difficulty, but she is steadfast.

Why do I feel that people sometimes forget Lavellan’s role as Inquisitor? She wasn’t defined by Solas; she was the leader of a powerful military and political organization, forced to make horrible decisions. Whether you choose the mages or templars in Inquisition, you doom thousands to torment and death. The Empress of Orlais can live or die based on the Inquisitor’s choices. And if you’re like me and made the wrong calls on the Dalish clan war table operation, her own clan can be murdered and wiped out.  (Yes, I’m still haunted by that moment.) Her hands have blood on them too. This makes me wonder: does some criticism of the Solas/Lavellan romance stem from failing to see Lavellan as her own person? I love Lavellan for who she is as the Inquisitor - not because of Solas. Likewise, Solas is fascinating on his own. Their romance is one layer of the story, not the foundation of either character. Sometimes it feels like there are even some Solas/Lavellan lovers who have a tendency to overlook the depth and individuality of both characters outside of their romance.

Solas’s statement is a raw admission of all the guilt he carries for his deceptions and the pain he has caused her - lying to her about his identity, betraying her trust - not just as the Inquisitor, but as a person he loves.

His words are not an attempt to seek forgiveness but an acknowledgment of the truth - no matter how painful it is for them both. He knows his choices have caused devastation to the world and to her specifically. He's exposing the full weight of his dual burden: the grand, world-altering consequences of his plans and the personal betrayal of the woman he loves, who trusted him. 

Perhaps, on some level, he hopes that reminding Lavellan of his lies and treachery will convince her to abandon him, sparing her further pain. His guilt and self-loathing are so entrenched that the idea of being forgiven - or even supported – either confounds him or terrifies him.

But Solas’s confession is not just a shield to push her away. It’s also an invitation for her to see him - not the wise, compassionate companion she knew, but the flawed, broken man beneath.

This moment to me shows that Solas still values Lavellan’s understanding (we also saw it in his letter to her). He doesn’t diminish the weight of his actions but wants her to see the cost of his deception - not just for her, but for himself. To Solas, his betrayal is unforgivable. 

And yet - this "selfish" woman dares to forgive him anyway. 

Forgiveness is an act of wisdom because it requires understanding - and she reflects that wisdom right back at him.

"All you have to do is stop" is heavy with meaning. Yes, on the surface, it’s a plea to stop tearing down the Veil, to reconsider the destruction. But it’s also a plea for him to stop running, to stop isolating himself, and to stop punishing himself for his failures. She’s asking him to step out of the shadow of his self-loathing and see that there’s another way forward, not by demanding or commanding, but by offering him compassion (forgiveness). (Cole, I miss you.) 

But Solas’s guilt and self-loathing run deep.

With these words, Solas apologizes to his heart - hardening it once more. For a moment, it had softened, cracked open. But he shuts the door.

The bow that accompanies his words is loaded. A bow carries layers of meaning depending on context - reverence, respect, gratitude, apology, greeting or farewell, a spiritual act, acknowledgment, loyalty, mourning, or even a romantic gesture. Solas’s bow can mean all of these. 

He is physically reinforcing the gravity of his apology. It’s a solemn moment. He is bowing to her strength, to all she has endured because of him. And when he calls her "vhenan," it is personal. It's an apology to her and to his own heart for not choosing the life he wanted to have with her.  “...to stay by your side as Solas...as I wanted.”  

The bow also carries guilt. He is acknowledging the pain he’s caused and humbling himself before her. And his eyes in the animation during this moment – I saw haunted, tormented, tired eyes – the eyes of a man grappling with the weight of his choices and the thought that he cannot accept redemption, even if it’s offered freely.

Time for a an indulgent moment - a bow can also symbolize acceptance. What if, in that moment, it’s not just an apology? What if it’s Solas saying, “You’re right. You have walked this path with me. I acknowledge that.” The bow could be a tacit agreement - a recognition of a future with her. What if he’s asking: I’m sorry, but I can’t stop, are you still coming with me? And Lavellan’s eyes right after? She looks down, like she’s contemplating this - what if he tears the Veil down? What happens next? What do I do? Anyway, maybe I indulged with this thought a little too much.  

But, as I’ve said before, it takes a village to stop a Solas. Cue Morrigan and Mythal - but I’m not diving into that dialogue rabbit hole in this post.  

But this scene with Mythal is important. Lavellan has just watched the man she loves completely crumble in front of Mythal. He’s bent over in grief/pain, utterly vulnerable. She hears him say, in anguish, “The things that I have done.” She sees him lift the dagger - perhaps to surrender it, to shield himself from Mythal, or even as a plea to Mythal to end his torment. Whatever the intent, Lavellan is witnessing the rawest, most broken Solas. His guilt is overwhelming, and this is the first time she’s truly seeing the full weight of it laid bare (as is Rook). It’s a moment of heavy sadness for her – and for us as players. 

This scene seems to have created a universal understanding among players who love Solas, regardless of who you ship Solas with. We are all witnessing Solas in this moment of pure vulnerability. Let’s honor that shared empathy. 

Solas is bent over with the emotional collapse of centuries of obligation and guilt coming to the surface. Mythal’s departure leaves Solas vulnerable, stripped of the purpose that has guided him for so long. He is alone in his pain.

For Lavellan, can you imagine the helplessness? All she can do is offer her presence, understanding, and faith in him afterward. That might feel like so little in the face of such immense pain, but it’s all she has to give. 

Where Mythal’s words, spoken in the common tongue, are authoritative and final, Lavellan’s are intimate and personal. Her choice to speak Elven reflects her desire to meet Solas where he is - connecting with him on an intimate level.

Only after Mythal has left him exposed - that Lavellan uses the Elven language. In this moment, stripped of his defenses, he is finally open to hearing and feeling the full significance of the words and their intent.

Lavellan’s words challenge the notion that fate is immutable or inevitable. When she says, “there is no fate...,” she isn’t diminishing everything else in favor of her love; she’s rejecting the tyranny of inevitability. Her words assert that choices - rooted in love, connection, and shared purpose - have the power to shape their path forward. She reframes love as a force just as powerful as fate, capable of creating meaning and direction where there once seemed to be none.

Atonement

And at this point? Lavellan has no idea what Solas will do next. None of them do. But the combined efforts of Rook, Lavellan and Morrigan get through to him. Because Solas makes a choice - a monumental choice. He binds himself to the veil, committing to atonement. Atonement is a powerful, active word. It evokes the gravity of recognizing wrongdoing and the courage to address it. His decision to seek restoration with the Titans, to deal with the Blight, to return to where it all began, reflects the depth of his remorse and his willingness to rebuild the balance he disrupted – from the beginning. 

Solas equates atonement with isolation, believing that his punishment must be borne alone. To him, atonement requires severing ties, including the possibility of love. He doesn’t ask Lavellan to join him because he cannot conceive of burdening her with the weight of his choices and the path he must walk.

But Lavellan’s words - once again - challenge that. She offers him the possibility that his actions, no matter how devastating, do not erase the love and faith others still have in him. This is an invitation.

She's also being vulnerable here. She’s offering herself to him, knowing full well that he still might say no. A risk she’s willing to take. 

He doesn’t try to shut her out or push her away this time. Instead, he shifts the focus - he needs her to understand the gravity of the path they are about to walk. His response reflects his own vulnerability as well, he wants her to know what she’s choosing, but he can’t bring himself to reject her offer outright. 

Solas responds in Elven - his acknowledgment of their shared understanding and their entire relationship and journey that has shaped them.

His words also mark a turning point: for the first time, Solas allows Lavellan her agency. Throughout their relationship, he has taken her choices away. He broke off their relationship in Inquisition. He vanished after Corypheus’s defeat, leaving her no say in it all.

And he knows this! During their confrontation in Trespasser, when Lavellan demands answers, he justifies his deception with, “And what would you have had me say? That I was the great adversary in your people’s mythology?” Her cutting reply, “I would have had you trust me!” lands with devastating clarity. His face falls, struck by the hard truth: the man who values freedom has stripped hers away. And he's going to do it again.

This moment in Veilguard feels like a callback to that. Lavellan is asserting her choice. And this time, Solas doesn’t take it from her.

By framing his destination in such stark, "terrible" terms, Solas isn’t pushing her away out of cruelty. He’s laying bare the enormity of what lies ahead, warning her of the peril while giving her the freedom to choose for herself. It’s his way of ensuring she understands the stakes.

Solas is doing what she requested long ago - trusting her - and what a choice to place that trust in. He’s entrusting her to make an informed decision about stepping onto a path that could shape the future of Thedas. He is trusting Lavellan’s strength and resiliency. And in trusting her, Solas reveals a quiet, unspoken truth: he doesn’t want to face this journey alone. By even presenting the choice, he reveals a quiet hope that she might go with him, despite everything.

To me, what makes this moment so achingly beautiful is the duality in his expression. His eyes seem to plead two things at once: “I don’t want to put you in harm’s way,” and “I can’t deny wanting to be with you.” There’s a raw vulnerability in the way he looks at her.

“It won’t be terrible if you’re with me.” 

Lavellan’s response is a direct challenge to Solas’s warning. He tells her the path ahead will be awful - because of him. But she counters, saying that it’s because of him that it won’t be. This isn’t her forcing herself into his journey or suggesting that she alone will make it better. Instead, it’s her way of expressing that his presence will give her the strength to face whatever lies ahead. She’s trying to ease his mind, while also signaling her willingness to trust him again.

At the same time, her words acknowledge the weight of Solas’s suffering, offering herself as a partner to bear that burden together. She isn’t dismissing the risks or downplaying the severity of what’s to come - she’s choosing to stand beside him, fully aware of the challenges ahead.

It’s not about personal gain; it’s about shared resilience. Lavellan’s focus is on what they can endure together, not on what she might receive from the journey.

And since the Fade reflects emotions, as many have pointed out, their combined trust and love could manifest in ways neither of them can predict. Their bond has the power to shape not just their path but the very world around them.

This declaration is past, present and future; it’s a reaffirmation of their bond, a recognition that they’ve been walking the path of the dinan’shiral together all along. It’s future focused - she is offering to shoulder the burden with him going forward.  

She’s also telling him that she won't abandon him, no matter how hard the road ahead may be. 

And at the end of the day, she's a woman who still loves him. What does Prince Lir say in The Last Unicorn? "I love whom I love."

I've never interpreted Lavellan as someone sitting by a window for ten years, writing sad poetry and sighing into the wind, longing for Solas. She’s been busy - rebuilding a fractured world, navigating political fallout, and seeking understanding. Lavellan’s love for Solas isn’t blind devotion; she’s holding onto the possibility of redemption and the deep impact he had on her life. In my world state, Lavellan’s clan is wiped out. The people of the Inquisition have become her family, the ones she fights for and protects. And indirectly, Solas gave her that family. Despite the pain he’s caused, her love for him reflects the complexity of her journey - one defined not by a single relationship, but by hope, resilience, and the connections she’s forged along the way.

Lavellan then leans in to kiss him, and Solas allows himself to be drawn in. This moment is acceptance - a silent vow, a promise sealed in their shared vulnerability. It’s an intimate connection forged in front of those who have just witnessed the emotional storm that brought them to this point, as if to say, “This is where we stand, together.”

While I won’t dive into fly-cam images (you can find some here), there are some tender subtle details: the way he caresses her hands with his thumbs, the way he holds onto her one hand as she pulls away, as if he’s not ready to let go. But I promised to stay within game constraints.

And then Solas turns to Rook and says, “Thank you.”

Solas doesn’t thank Rook when he hands them the dagger, nor when he’s preparing to walk into the Fade. He says it after the kiss. Make of that what you will but Rook’s is symbolic for me, especially after thinking about this ending a bit.

In thanking Rook, Solas acknowledges not only their actions but also their understanding of the connection he shares with Lavellan. Rook, transformed by their own relationships and the bonds they’ve formed throughout their journey, embodies the themes that have always defined Dragon Age to me: connection, fellowship, community, love, and redemption. These games (again, for me) have always been about how people, despite their flaws and struggles, can come together to make the impossible possible.

Rook’s symbolism in the redemption ending feels like the culmination of this ethos. They represent how even those who begin on the periphery of great events can become central to forging bonds and creating change. Solas’s gratitude is for Rook's empathy, their recognition of the importance of connection, and their role in bringing these threads of love and redemption together. I'll go cry now.

And off they go into the Fade.

The Final Translation 

"With Elgar'nan and Ghilan'nain dead, and the Inquisitor finally reunited with her true love, it looked like one of the biggest stories the world had ever seen was finally drawing to a close."  

Varric’s narration ties the ending image back to the connection between Inquisition and Veilguard. Inquisition is the Inquisitor’s story; Veilguard is Rook’s. Solas serves as the thread linking them. Varric frames this moment through Lavellan’s perspective, narrating the story like one of his novels - not to diminish Solas, but to highlight the Inquisitor’s journey. After all, Veilguard wouldn’t exist without Inquisition. Rook wouldn’t be working with Varric or searching for Solas if not for the Inquisitor.

As much as I would have loved a deeper focus on Solas, Veilguard wasn’t his story. If Inquisition is the Inquisitor’s story and Veilguard is Rook’s, this ending is a shared culmination: for a romanced Lavellan, it’s the personal resolution of her journey; for Rook, it’s recognition of their critical role in saving Thedas.

Okay, indulgence over - whew, that was long! I really need to practice shorter posts.

In the end, those who dislike this romance or this ending probably always will. That’s fine; I just wanted to share my interpretations because I genuinely love this story for all its complexity.

To everyone who made it to the end of this post - thank you for joining me in my indulgence. May your own Solas ships continue to bring you joy and inspiration.

Elven language resources: 

Project Elvehn on AO3 

Elven Translator 

World Anvil Elvhen Resource 

Reddit on Elvhen Poetry 

[hederasgarden]

Hiya! David!clark with prompt 2 from your list pretty please w the juiciest cherry on top! SMOOCHES TO YOUUU

Smooches to you as well, anon!! This was such a cute drabble request!

Pairing: David!Clark Kent x F!Reader Word Count: 532 Rating: Gen. This is pure fluff with the prompt, Wait a minute. Are you jealous? A/N: Thank you to @ryebecca for looking this over! Please comment or reblog if you enjoyed this and want to see more. Or scream at me in my inbox. That always makes my day.

Masterlist ♡ David Corenswet Characters Masterlist

“And, anyway,” Clark continues, fumbling with the stack of papers in his hands. “I really don’t think it’s a good idea to meet him alone. Someone should come with you. Just for safety, you know? You can never be too careful.”

You raise an eyebrow. “It’s a date, Clark. Not some shady source for a story. You’re acting like I’m meeting a criminal kingpin.”

He frowns, pushing his glasses back up his nose in a familiar gesture you’ve seen him do a hundred times. “That’s not what I meant at all. I’m just saying, you don’t know this guy. He could be anyone. He could be an axe murderer, for all we know.”

It’s only the worried crease between his brow and the genuine concern you see in his eyes that keep you from laughing at how seriously he’s taking this.

“He’s friends with Jimmy,” you remind him, giving his very firm, muscly shoulder a reassuring squeeze. 

“How well does Jimmy actually know this guy?” Clark questions. “Are they actual friends, or more like ‘a friend of a friend’ kind of situation?”

“I think they play pickleball together?” you say, though you can’t fully remember. Jimmy tended to ramble a lot and well, truth be told, sometimes you tuned him out. “Or maybe it was D&D? I’m not sure which one it is, but he’s definitely not some random weirdo. Just a nerd.”

“I should talk to Jimmy,” Clark says with a nod like he hasn’t even heard you. 

Before he can walk past, you stop him with a firm hand on his chest, your fingertips grazing the crisp, starchy white shirt he’s wearing. 

“Wait a minute. What’s going on?” You question. 

Clark may have had the reputation of the office big brother, always looking out for everyone, but this was something else. It felt different. It felt like he liked you.

No.

That couldn’t be right. He was so wildly out of your league and that thought sounded insane, even to your own ears. But as you study his face, you catch the way his eyes flick away from yours for just a beat too long, the briefest hesitation, and how his hand tightens around the stack of papers, his knuckles whitening.

“Are you jealous?” The words slip out before you can stop them. You wince, wishing you could swallow them back up when you see the tips of Clark’s ears turn red. He opens his mouth, then closes it, before tugging on his collar. 

“Oh,” you whisper. 

“Is that a good oh?” Clark asks you, looking almost nervous. 

“Oh,” you say again like an idiot as your brain tries to catch up with the sharp left turn this conversation has taken. Clark Kent liked you. Like actually liked you. 

"I do," Clark murmurs, and it takes a second to realize you must have said that last part out loud.

“Well, I should probably cancel that date then,” you tell him.

“And I should probably ask you out,” he replies, glancing around the bullpen before stepping closer. 

“Yeah,” you agree, getting a little lost in how blue his eyes are. 

“Will you -”

“Yes,” you interrupt.

He laughs and you grin.

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[thehelltingvilleclub]

Jerry Stokes - Champion Card Player and Professional Goober

Jerome “Jerry” Titus Stokes Jr. [10/02/80] [6'0. Yes, Bill is mad about this.] Secretary of Fantasy and Role-Playing Games AOL / Online Users: [XxLordxXxAtrocityxX] Theme Songs: Chronically Cautious - Braden Bales | Undone - The Sweater Song - Weezer | Polygon Dust - Porter Robinson Favorite Shit: Middle-Earth, Magic Cards, Percentile Dice, He-Man, Final Fantasy, Dragons, Tabletop Gaming, Conan, Studio Ghibli, Discworld, LARPs, Legend of Zelda, Earthsea, Yawgmoth’s Will, Gen-con, Xena, Aerith Gainsborough, Elfquest, White Magic

Therapy, check. Meds, check. Keys, check. Godsend Card Wars deck, check. EXTRA Card Wars deck in case some fucker tries to one up him, check... shit what is he forgetting *now*? It took him growing a backbone and his parents to finally get his ass to the doctor, but hey, at least he's here now, right??? right????? He's still trying to get Bill to come with him to the office to deal with his anger issues but it's like trying to climb Mordor bro; not gonna happen any time soon.

He's managed to make some new friends in the process, who knew?! Actually going to tournaments is so much more fun than just following Bill around all day--

I have the Power!

Jerry used to take Piano, as his parents tried to get him into as many extra curriculars when he was in elementary as they could to get him out of their hair (And.. hey, at least he learned something..?)

Because of this, he occasionally plays by himself on the practice piano he got as a kid, though usually it's just him learning soundtracks or transcribing the entirety the Ocarina of Time by ear.

y'know. normal everyday shit.

He has a habit of forgetting to trim his nails, however he keeps them relatively neat-- filed down and this dude actually showers and washes his hands like a maniac if he gets dirty, so it's not that bad. Plus, he's convinced it helps him pick up cards better without folding them.

Let's be honest, Jerry forgets a lot of things sometimes in his anxious scramble to get places. Including meals on occasion, which usually results in Josh jumping him as an excuse to get another snack for them both.

Would be willing to have his nails painted, absolutely, but will probably pick it off within the day as a fidget. Sorry guys.

Jerry met Matt at a Card tournament and they became rather quick friends-- and Matt whooped his ass when they played so he had to give the guy some props.

This dude gets the WORST bedhead and he barely does anything about it, just don't make fun of him if his hair is flat in the back please please please--

Jerry. Likes. Stripes. I feel like his mom dressed him up as the Girl who got sick with the Stripes once when he was a toddler cause he got covered in paint and it just *stuck*.

Jerry has also worn the same style of shoe and brand for the past 15 years he's not gonna start changing it now, fuckers

Can you tell he has a separation issue? no? then open your EYES.

This man absolutely gets ass his phone and aol are blowing UP like ALL THE FUCKIN TIME and he's so overwhelmed that he just ignores them all most of the time. most.

He ends up mostly subsisting off of tournament winnings and doing random odd jobs around the neighborhood, but at least it's enough to get him more cards and a bus ticket into Manhattan when he needs it.

Jerry still goes Bee-dee Bee-dee, he doesn't drop it entirely until post 2005-ish, when he meets Mandi. He DOES however, still use Buck as a nickname, cope. it's my world now.

cough uh he hates the feeling of underwear. those are basketball shorts. OOPS

god I love Jerry he's such a little dork

OKAY JOSHYBEAR IS NEXT Im gonna sob I also still have to draw May and Matt's cards...

fyuck