#can you tell i prefer digital art

[fragonreal]

shitty pen doodles from school today

[starburstdragon]

See my stomach chock full of roses Hear my heartbeat right where the scar is Let the phantom into your shrine Oh, we both know you left me to die...

oops i thought about it too hard

[ying-doodles]

story of my goddamn life,, (ㆆ ㆆ)

[ravene]

Travis in the city

[deva-arts]

I couldn't resist so here's more of Vince being the shithead he is

[frogfan985]

tried out watercolor today, was fun ^^

[thebentleyao3]

some mlm samguel for the soul (thank u @/river-ririri for supporting my cause)

[makshu]

I feel like I unlearned how to draw digitally...

[minakoainosupremacy]

I’m sure someone somewhere has at lest vaguely collected thus metric, but I’m curious which forms of the sailor senshi are most/least common for edits and fanart to depict? Like, Usagi alone has so many forms (standard, super, eternal, princess, neoqueen, and arguably cosmic and cosmos), and I’d be curious to see which ones ppl use for art of her the most. And then for everyone else, do ppl mostly make art using their sailor forms, their super forms, their princess forms, or their eternal forms (probably not as many ppl do the latter two cause theyre manga exclusive)? I’d love to see the data and see if there’s like, any correlation between like, popularity of certain seasons of the anime or saturation of certain official merch or something, and it would be cool to see if there were any notable changes over time, like not only to gain an understanding of which forms are most commonly depicted in art, but also potentially why. 

[rh3maji]

Lil rant abt Caine

Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.

The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked

The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!

Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.

This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.

Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.

My favorite Caine lines/line deliveries so far:

"You, my friend, stumbled into an incredible world of wonders, where anything can happen!…e-except for swearing."

"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"

"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"

"Kaufmo abstracted? Why didn't anybody tell me?"

"Bubble you can't say that"

"-ZOOBLE WAIT!"

"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]

"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."

That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~

"Who knows what could happen..."

Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.

Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]

but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!

[meanbossart]

Another much overdue ask compilation! Some short-ish lore asks (Gale, Gort, DU drow relationships and pet-companion preferences) and a couple of art/advice ones sprinkled in. THIS IS BY NO MEANS ALL OF MY ASKS so as usual I appreciate everyone's patience!

I actually think he'd give them a pass entirely as soon as he noticed. Correct me if I'm mistaken but half-drow get No love from underdark drow and are usually surface babies right? So that fruit is miles away from the tree lol. I think he generally has a bit of a soft spot for mixed kinds since he himself feels like an amalgamation of sorts.

Thank you! They're kind of a pain in the ass to draw at times for that very reason but man I do like the look 😩if other people like it too then that makes it all worth it!

THAT'S TRICKY TO ANSWER BECAUSE OFTEN TIMES I'M NOT... REALLY TRYING. I've draw a ton of horror comics for mine and my partner's series' SAD SACK and SORTIE, so I think it just comes naturally to me 😅 also I do genuinely find expressive and, uh, rugged faces more attractive? (I think they look rugged, again that's what people tell me at least.)

I think the secret might be adding bits of realism in there. I get a lot of comments about the wrinkles and eyelashes I add to my art, as well as the way I draw individual teeth (though I've lately been making an effort to simplify my style in favor of drawing faster, so I haven't done that as much or in as much detail.)

Both symmetry and the lack of it can also add to that effect. I have employed both facial unevenness and almost point-perfect symmetry to achieve something a little frightening or otherworldly in my work. [MORE UNDER THE CUT]

Thank you so much!!! The contrast is very much intentional, that's what DU drow's character is all about ;)

Hahah well I somewhat doubt Bhaal would care that his spawn gets named, but either way he stripped himself of his name as soon as he killed his foster parents and abandoned the Underdark. He had a drow name that I jotted down somewhere but it's completely irrelevant because nobody has used it since he was a child, and he doesn't remember it (even pre-tadpole/having his brain scrambled.) Here's a little write up about his origins that might shed some more light on that: https://meanbossart.tumblr.com/post/739688837431836672/did-drow-ever-have-a-childhood-before-the-temple

And about his original drow-given name and the reason behind it: https://meanbossart.tumblr.com/post/741350986692591616/drow-had-to-have-been-given-a-name-by-his-adoptive

Everyone just referred to him as his supposed race, or as Bhaalspawn or Bhaal's child, and any other similar titles. Orin called him "kin" and "brother" and Gortash likely called him his associate. Post-tadpole the camp grows entirely used to calling him "the drow" and he has no desire to change that or to choose a proper name.

THANK YOU BOTH SO MUCH😭 no reason to be intimidated, I'm just some rando drawing BG3 fan art LOL I've been drawing since I was a child, and started taking it semi-seriously when I was 16 years old, so twelve years ago! That's around the time where I got my first non-display tabled and used that well into my twenties, prior to that I only did stuff on paper and liked to do inks color with pencils. I never really ventured into traditional painting at all except for a little bit of water-coloring in college.

Traditional and Digital art are very much different beasts. Which one you want to start with is, in my opinion, just dependent on what you want to do. Digital art gives you a lot of tools that makes learning easier, but you might find yourself having much steeper of a learning curve if you ever decide to do traditional art instead. If you want to be good at both, you need to practice both, since the skill doesn't entirely translate from one medium to the other.

Naturally you will be able to draw well on either, it's just... Different. I will say though, that I think if you're still learning you should use whatever allows you to look directly at what your hand is doing, so either traditional or display tablet/Ipad. I have no idea what a non-display tablet would do to a beginner, but remembering my experience with it I feel like it might be a huge detriment to developing the skill (feel free to share your experiences in the replies if you disagree, as I would definitely be curious to read them!)

YOU KNOW ME BABY IT WAS MESSY AND COMPLICATED the tldr.: is that they were "buddies", absolutely no romance intended there on either mine or DU drow's part, but due to his nature the friendship was extremely weird.

Here's a couple of replies where I go into more detail about it: https://meanbossart.tumblr.com/post/739191190871818240/i-dont-have-a-particular-question-in-mind-sorry

https://meanbossart.tumblr.com/post/744952815768764416/so-not-sure-if-youve-covered-this-but-i-thought

That's definitely reserved for the vamp LOL DU drow very much enjoys when Astarion teases and fusses over him, and while Astarion probably got a kick out of acting that way around such a big and scary looking guy at first, I think by "now" (later and post-game) he's pretty much immune to DU drow's looks and just enjoys doing it in earnest.

He's not at all averse to being touched (even rather intimately) by close friends, but he wouldn't be quite THAT vulnerable with anyone else.

HE REALLY DISLIKED GALE... He irked him out by seemingly fostering a rather persistent romantic interest in him for at least half the time they spent together (very much based on my interpretation of their in-game interactions at the time, though my Gale might have been a little bugged.)

But also they had a... Fairly in depth relationship still? Gale was a staple in my party, and even though I antagonized him constantly by the end of the game it still felt like they had so much weight in each other's lives, if that makes sense. I might need to do a bit of an "update" on the DU Drow/Gale lore sometime, I feel like I've had some thoughts since that warrant more exploration of their dynamic (you can find a lot of old asks about it if you just search the Gale Dekarios tag in my blog though).

The gist of it is that DU drow found him arrogant and duplicitous, his constant optimist irritated him to no end and felt like it veiled a stream of self-pity (two things DU drow despises) Gale's attempts to get through to him only added insult to injury. By the end of the game he decided to pursue the crown of Karsus and this only lost him even more respect in Drow's eyes, seeing as he doesn't value godly power at all.

I was pretty overwhelmed by the game at the start so I actually missed a lot LOL including Scratch. I did get the owlbear cub though, which DU drow gladly welcomed into camp since it was injured - but I think he would have wished for it to remain a wild animal and to return back to it's home after it had grown up a bit. He didn't really make a "pet" out of it more than he just looked after the little guy in the way it's mother might have, probably with Shadowheart's help.

He wouldn't be opposed to proper pets though if one were to stumble into his life. He'd definitely be more of a cat guy because of their independence and strong little attitudes.

It is very hard to build proper rapport with him. He will be "friendly" to most people who have a good sense of humor about them, but friendSHIP is another thing entirely.

I think it's kind of circumstantial. He's very economical in his relationships and doesn't really seek them out at all - so a situation where he's forced to be in someone's company might be the only way to develop a bond with him, as he doesn't appreciate insistence either and that's more likely to push him away. He doesn't value status or titles either (kind of looks down on them really) so that won't help.

I think he just likes people who are true to themselves and their nature, sometimes even if the nature is one he disagrees with at it's core. This is why he liked Gortash, why he and Shadowheart got along so well, and why him and Astarion fit together so seamlessly despite seeming so different. Likewise I think it's why he didn't jive with people like Gale or Wyll, because they seemed to be rather... Dishonest with themselves and their own end-goals.

[etinceelle]

[𝙲𝙾𝙼𝙼𝙸𝚂𝚂𝙸𝙾𝙽𝚂]

Tiny post to say that I reopened my commissions ✨💜

All infos are on my Kofi (link below), but I'll explain more how I work in this thread !

𝙷𝙾𝚆 𝙸𝚃 𝚆𝙾𝚁𝙺𝚂

I use Kofi to take commissions, you don't need an account to buy there. It works like this :

1) Go on my commission page and select the slot you're interested in

2) You can contact me before or after taking a slot if you have questions/need infos :)

3) By paying you confirm the commission and the slot is taken. I usually ask for a full payment in once, but don't hesitate to tell me if you need to several payments so I can adapt to your budget.

4) While I work on the commission I give you updates regularly in dms (on Kofi or your socials if you prefer) and I show you the different steps. I ask for your review on them.

I only allow 3 changes on the sketch, every additional change requires an additional fee :)

5) I send you the final file with WeTransfer for digital artworks. I have never done international physical shipping before for watercolors, so thank you for being patient and indulgent on this !

𝚆𝙷𝙰𝚃 𝙸 𝙳𝙾

Everything is listed on the gif on the first post of this thread, but also on my Kofi and on my commission sheet (also on Kofi). I suggest you take a look ♥

NOTE : refer to Kofi for prices (the commission sheet might be incorrect ) ! Prices are in €.

If you're wondering, I can do original stuff and fanart :) RWBY is of course the main fanart I do but I also don't mind other universes (even if I don't know them). And original characters are of course welcome.

𝚆𝙷𝙰𝚃 𝙰𝙱𝙾𝚄𝚃 𝚃𝙷𝙴 𝚁𝙴𝚀𝚄𝙴𝚂𝚃𝚂 ?

I decided to reopen requests on Kofi after closing them for a long time. Except this time it doesn't work with tips anymore, but like a classic commission. The concept and prices are the same but I added some rules :)

Note about the requests : I'll probably reopen them more regularly than every other slot because they're pretty quick to do and it's a small budget. If you want to have a doodle and support me that way that's something that might be interesting ♥

𝙸 𝙳𝙾𝙽'𝚃 𝙺𝙽𝙾𝚆 𝙷𝙾𝚆 𝚃𝙾 𝚄𝚂𝙴 𝙺𝙾𝙵𝙸 :/

That's fine, it's easier for me but if you really don't want to use Kofi we can discuss things via email or dms on socials ! I can refuse a commission depending on how much work I have tho.

𝚆𝙰𝚃𝙴𝚁𝙲𝙾𝙻𝙾𝚁𝚂

I added something new : watercolors ! I used to do only traditional art for years and I thought it could be nice to do that again ♥

These are original watercolors, but with material and shipping the prices are higher than for digital.

𝙰𝙽𝙸𝙼𝙰𝚃𝙸𝙾𝙽𝚂, 𝙲𝙾𝙼𝙸𝙲 & 𝙲𝙷𝙰𝚁𝙰𝙲𝚃𝙴𝚁 𝚂𝙷𝙴𝙴𝚃

These are the 3 stuff I'm not opening for now because it requires a lot of work and I'm mostly looking for not too big commissions at the moment, something not too huge after graduating. Hope you understand !

I think that's all for now, you can contact me if you have questions ♥

Thank you in advance to those who will commission !

Have a cute photo of miss Citrouille 🎃

[dodgeballstuckonthegymceiling]

Okay I just watch digital circus because of your post and it was a blast and I love the character and the idea of a scenario came to me

Caine, Pomni, Jax, Ragatha, with an actor reader who loves to play into the adventures and play NPCs to set up the immersion maybe even write up some ideas for Adventures to make things more fun

Anyways have a great day night whatever and thanks for the fun writings

Thank you! Hope I did your ask justice!

Caine, Pomni, Jax and Ragatha x Reader who makes NPCs and writes

Caine

★ He really appreciates your help! It's hard work making up games for everyone to play while taking into account everyone's preferences. No matter how much you protest, he will use each and every idea you come up with.

★ Caine sets up a little studio for you to work in. It's filled with paper, multiple typewriterband all sorts of art supplies. Maybe some clay for you to build some models of a character you want to create?

★ You're NPCs are always great and often end up being a hit with the others. By that I mean the gang tolerates them more than his NPCs. You manage to give them more personally than he could have ever given.

★ If you somehow get Zooble to join in the fun he will congratulate you for doing a good job. His hat is off to you, you did something he thought was impossible. Now only if you could get Zooble to stop trying to swear...

★ I know the NPCs don't have any ai but Gooseworx confirmed that Bubble is a much simpler AI created by Caine. Therefore, he can theoretically make one of your characters come to life.

Pomni

★ At first she thought that the characters you make were real people. Once you told her that they were nothing but glorified puppets she had to question the sentience of everyone she's met so far.

★ You gotta make this girl a therapist. Aside from that it doesn't take her long to start asking questions about why you like to make different characters and stories.

★ She's not as creative as you, doesn't really understand the appeal of creating something like you do. The most she can do is come up with a few names.

★ Despite knowing that they aren't real people, Pomni still apologizes to the NPCs. It's force of habit. Maybe you could add some dialogue for if/when someone apologizes for something?

★ If we're being completely honest, she doesn't really like any of the NPCs. It just feels wrong when she needs to talk to them for something. It's like speaking to one of those robotic pre-recorded messages over the phone.

Jax

★ He's extra mean to the NPCs you make, just because he can. He knows that they can't get offended or upset but he doesn't care. They will be getting pushed into the mud.

★ When you decide to scrap an old character he gladly helps. The moment you say you need to get rid of it he's reaching for the nearest baseball bat. No need to worry about cleaning up 👍

Jax when the NPC starts to annoy him

★ Jax thinks it's funny when you get upset over him being mean to a NPC because you've grown attached to some of them.

★After that he asks you what you plan to make next. Can you blame him for being curious? Jax wants to know what you're planning before anyone else. Don't worry, he can keep a secret.

★ As a "joke" he told you to try and make a NPC that Caine would need to heavily censor. Just to see what the ringmaster would do. Whatever you made that day was thrown into the cellar.

Ragatha

★ She likes to watch you make different characters for certain situations. Caine wants to set up a fishing adventure? Best believe you are making an NPC who's a fisherman to set up the immersion.

★ You might overwork yourself while trying to come up with a game for everyone to play. Ragatha sometimes needs to step in to tell you to take a break. There's no use overworking yourself, go take a break!

★ She really wants everyone to have fun with the adventures you put together. There's no doubt that she loves them. Also she's the first person to yell at Jax for being mean to the NPCs.

[cacti-are-like-flamingos]

Wasted Oxygen...

Gojo Satoru x Reader x Geto Suguru

The Cursed Trio | Mr. Sandman

...

Despite being the ever energetic guy he was, Haibara loved to sit down and people-watch. Silently observing others go about their daily business, unaware of their audience as they freely express themselves through large and small mannerisms.

He'd always make sure to find a nice cozy spot, somewhere a bit hidden so no one could see his lingering eyes. If Kento was here, he'd been stating how inappropriately creepy he was being. He could already hear him hehe

Regardless of what his partner would think, the raven-haired boy could easily spend hours observing the world interact with itself. If he was lucky enough, he'd see an entire movie unfold right before his eyes.

Most of the time, though, he tried to call upon his inner Sherlock. Using the art of deduction to figure out the possible stories from every passer-goer.

Usually, it'd be more fun with you considering your extraordinary ability to deduce people to downright filth.

The two of you hanging out, making up stories for every person that caught either of your eyes had become a little routine of yours, one that started from his days of teaching you Japanese. He'd tell you certain words while discreetly pointing to people who embodied said words --- he hadn't expected for you to suddenly start rambling about the possible nuisances of each and every person you saw

And the fact that you had no filter made it worse! The amount of times he had to cover for you after you'd accidentally said something rather insulting about a person who stood close enough to hear --- double digits!

Regardless, it's the same reason as to why you're the most attuned person in terms of others emotions --- once you notice the patterns, you'll see them everywhere is what you'd often say to him

Although, it did leave him wondering. Just how were you so good at people-reading? Is that how you got along with those two so well? Because you knew instantly what they were about the moment you met them?

No, that can't be. On numerous occasions, you've complained about how Gojo and Suguru confused you. You claimed that they were like a whole new different breed of soul that you've never come across before.

Haibara blinked

Souls. The first time he heard about your Cursed Technique, he had to admit --- he'd never heard of a technique like yours.

Cursed Sight: Chains, a cursed technique that bestows its user with the ability to perceive the spiritual and see the souls of living beings as well as curses. The way it works is rather simple, or so, that's how you mentioned it to be.

As one knows, everything is made up of energy. So by simply channeling your own cursed energy, you can manipulate the strands into forming objects. By focusing well enough, you could bring said objects into the physical world: however, there was a catch.

You could never break eye contact.

The technique had great potential. Just visualize the item you need and Wala! It's there. (You had a preference for chains ghost rider type beat. You'd chain curses down to limit its movements prior to going for the kill. In times where the Curse proved too strong, you'd hold it down while continuously attacking it with an already cursed energy-imbued weapon)

To be honest, your fights were quite the spectacle. The way you expertly used your chains to capture curses, the way you used the ends of the chains to destroy them with such force --- ooh la la (aizawa x ghost rider's love child)

We're getting side tracked --- point is, your ability allowed you to see people's essence. You knew when they lied, you knew what they felt, their soul usually said everything you needed to know (you confessed that the soul only shows the most general of feelings so that's why you depended on deducting to truly understand people's intentions)

One major down side, you could never turn it off. I don't think you've ever really seen someone's face much less your own. Bodies are shaped around the soul, and the soul is always so blinding with its different hues. At least, the silhouettes had somewhat of expressions. (Further clarification, it's like cutting out human shape out of colored paper. Just three-dimensional. AH, THINK GOD FROM FULLMETAL ALCHEMIST but include the shape of hair and outfits) You could see the shapes of their eyes, the slope of their nose, and the curve of their lips.

(and now, you're probably asking -- but OP, what about clothes? How do we have a sense of style if we can't see the look when we look in the mirror? That is true. Wearing outfits will just accentuate your soul's shape. But the moment it's off and on a hangar, you can see it plain as day since it's soulless on its own. Also Ieiri helps you, sometimes even Yaga if you're that desperate)

"You're going to hurt yourself from thinking so hard, Haibara." There you are! You even brought, "Hiya!" "Senpai!" Gojo glared at you, "Meh, why aren't you ever this respectful? Hm? You have to respect our customs, foreigner!"

You scoff, "I do respect your customs, just not you."

"Bitch."

"Masochist."

"Masochist?! The hell is that for?"

"You like me insulting you, your soul lives for it. Got a degradation kink, old man?" "Who the fuck you calling old man for?! I'm just a year old-" "Haibara~! Let's go get something to eat!" "O-Oi! Don't run away, pussy!" You stick your tongue out at him as you pull Haibara by the arm, dragging him to some nearby tall selling takoyaki

You spent the entire day ignoring Gojo, who sulked behind you and Haibara as you dragged said male all around Roppongi where you were supposed to meet up with one other. Yep, you guessed it!

Mei Mei!

(don't you just love mixing friend groups and praying to whatever god is out there that it all works out? 😁)

Mei Mei couldn't care less about Haibara, though she did seem to acknowledge him as somewhat worth having around in regards to his 'service potential', but honestly, her indifference was palpable

Instead, Mei Mei focused on you, whose face held a dreamy look as the pretty woman spoke to you with that lovely sing-song voice of hers (she still HELLA sus iykyk but for the sake of this, she ain't. She's just greedy here)

Gojo was irked by how close Mei Mei got to you, his face unbelievably stoic as he watched you and Mei Mei interact (cue that anime angry mark and eyebrow twitch)— Mei Mei acting like a sugar mama to you as the white-haired woman walked you around pointing at shit she knew you'd like.

Ah, I can already hear some of you confused --- specifically the ones who are really into canon.

You see, Mei Mei does nothing out of the goodness of her heart. No, no. Greed is the very foundation of her character. And so, it would make sense that she wouldn't just spend her money on anyone just for the hell of it.

And so, the truth. You and Mei Mei had this secret arrangement --- in return for a few favors and pieces of key-information that she can't quite get from her watchful crows, Mei Mei would pay for your services. Usually, she'd just send the cash over but whenever the two of you are together, she'd provide you a little shopping spree. (No-one knows about this btw)

Despite the previous, it was evident that Mei Mei liked you. She saw you as her favorite little Kouhai, mainly because of how resourceful you could be, and the way your personalities seemed to mesh well together was exquisite in her opinion.

(Side Note: Your relationship with her is incredibly on-the-surface. The reason why you get along so well is because you adapt yourself to her personality. I wouldn't say you're a people-pleaser, although you are, but more of a subtle manipulating type of thing. Idk how to put it)

You weren't at all annoying like the others. Additionally, you had a higher chance of reaching your service potential than any other (i don't even know if that's a compliment or an insult and I wrote it 🤪)

Gojo wasn't a big fan of Mei Mei spoiling you, and it led to a whole day of the two of them kind of fighting to show off who could spoil you the most (though it may or may not have been your plan from the get-go).

The situation became more obvious to Haibara when you wrapped your arm around his, a wicked smile upon your lips as you quietly inquired from Haibara what he wanted. Not fully grasping the scheme, he answered, and then you'd claimed as your current desire, which Mei Mei and Gojo would then buy immediately.

Eventually, Kento joins after receiving a SOS text message from Haibara. At the sight of the two wordlessly seething cotton swabs with you smirking in front of them, Kento dragged him away (he only greeted you, he could care less about the other two)

While Mei Mei was preoccupied with a phone call, and Gojo was off buying something sweet for you and spicy for Suguru, to eat together later — you found yourself sitting at the same spot Haibara had been sitting earlier.

There was someone next to it, but that didn't stop you as you plopped yourself down, attention focused on the people walking by. Blissfully unaware of the minor curses that plagued them.

Sometimes, if you felt merciful, you would destroy the curse. Weaker curses didn't require you to physically manifest your chains; a small, invisible chain was all it took to loop around the curse and squeeze them to death.

"Never seen a technique like yours, foreigner."

At the stranger's words, you paused. You hadn't sensed any cursed energy from the person sitting next to you, so how could they have known? Glancing to your side, you tilted your head in slight confusion as you examined the man sitting next to you

"what happened to 'hello'? 'how are you'? To introductions, in general?" There was a slight tease to your words yet your fingers subtly twitched by your side

The raven-haired man snorted in amusement, a slight smirk on his lips as he leaned back against the wall of the bench. His hands were in his pockets as he didn't once look your way.

"How long have you been here with them?" Something in his voice had put you on edge, but at the same time, you didn't feel imminently in danger.

"Long enough, give or take."

He made a face, "Like it, so far?"

You shrugged your shoulders, your eyes still on his silhouette as you answered, "Neutral, so far."

"So you haven't been here long enough," he sassed back earning a short snort from you.

"Oh? Why's that?" "You'll see, soon enough." And with that, he stood up, walking away from you without another word. You stared at his soul, watching it get tinier with every step he took.

You had met many dark blues, but the edges of his were... fuzzy. Not clearly definable. That was new.

Surprisingly, you didn't feel shook or concerned. You actually felt a rush of excitement, the sort you got from trying to solve the mystery of some crime show before the narrator could even reveal the truth.

Suddenly, Gojo appeared in the corner of your eye, his sunglasses pulled down his nose as his iridescent eyes gazed down at you.

His eyes were the only ones you had ever truly seen. You thought it was because of his Six-Eyes.

"Yo! Got the drugs," he said, to which you replied with a casual "Hm."

He narrowed his eyes, "What happened?"

So observant

You perked up, "What?"

He repeated, a small frown on his lips, "What happened?"

You shrugged, "Just an... interesting encounter, that's all."

Gojo knew better. But he also knew you.

"Alright, let's go. Mei Mei already left, and she wanted me to give you this," he said with displeasure in his voice as he threw a bag into your lap—a luxury brand bag. But not before handing you yet another bag, another luxury brand.

With a sense of curiosity, you gently untied the bag's ribbon and opened it, revealing a small box inside. Your fingers carefully lifted the lid, revealing the gift within as you opened the box

A single earring, a crescent moon hanging from it. It's metal glimmering under the setting sun (wow, time passed fast today)

"Now we can match!" Gojo said. Showing off his wrist, a silver bracelet with a sun hanging from it.

You snorted, "What about Suguru, hm?" (While you asked, you put the earring on without another moment's notice)

He rolled his eyes, revealing another bag matching your own, "His is here...ya like it, tho?"

Having stood up from where you sat, you smiled softly as you affectionately bumped your head onto his shoulder before motioning for him to walk with you. (You didn't get to see his grin, but you could feel it.)

"Let's go home, Gojo," you said, with Mei Mei's gift loosely wrapped around your wrist, knowing it could wait.

...

(A/N): Ugh, I keep having to come back to fix certain things so it can better fit my narrative. I keep writing these shits while being tired af, and when I wake up --- I forget my own canon 🙄

Anyways

Who do you think the rando guy is?

Also did you notice how you immediately checked Gojo's gift rather than Mei Mei's? In fact, you completely ignored her gift to you.

Moreover, have any of you noticed that whenever you get to know someone --- their name alters? I wonder what that implies for certain people.

And what does a fuzzy outline mean?

This was also supposed to take another turn but then the characters charactered and here we are now.

Drop a comment

Feel free to buy me a 🦩

Hope you enjoyed!

[sirfrogsworth]

A Scam... Tutorial?

I was watching Photoshop tutorials and YouTube recommended this video to me.

And I was already skeptical. Clarity is an extremely powerful and useful adjustment in Lightroom and Photoshop and I could not think of a reason why anyone would recommend *not* using it to the extent they were using ALL CAPS.

But I was curious if there was a new technique I was unaware of. It's impossible to know everything regarding Photoshop and I learn new stuff all the time.

So I gave the video a chance.

To quote my late father... what a crock of shit.

I have seen a few scam videos in my time, but I cannot think of ever seeing a digital art tutorial scam. I found myself angry and a strongly worded comment just flew out of my brain.

I continued...

"First, no one should use clarity and texture at 100%. And I think showing the effects at 100%, as if that is a normal workflow, is highly misleading. You are creating a problem that does not exist and then offering a solution to it. And then you are using a provocative title to attract clicks. Not to mention you may be convincing beginners to abandon clarity and texture altogether when it is one of Camera Raw/Lightroom's most powerful tools. People should absolutely use clarity and texture. That is a crazy thing to tell people.

Second, high pass sharpening is… old school. It works but it can create a lot of nasty artifacts if overdone. (Personally I find it too crunchy and prefer smart sharpen on a smart object so it is non destructive). Clarity and texture are much more modern approaches to help bring out detail and I find they actually produce *fewer* artifacts than typical sharpening filters/techniques. And if you have trouble with clarity or texture adjustments in the bokeh areas, then use a local adjustment that doesn't affect those areas. You can even do a separate clarity and texture layer and use the opacity slider and the blend if and masking just like you did with the high pass. Why are you acting like you can only make a global clarity adjustment?

Essentially you are giving a worst case scenario of a clarity/texture adjustment just so you can make your technique seem like it is orders of magnitude better.

And what is even more infuriating is that you can do clarity/texture AND you can do high pass sharpening *together*. Why are you acting like it is one or the other?

I'm so confused by your motivations. Did you invent this clarity problem just so you could make a click bait-y title so you can then sell your little panel thing? And then you used an old school sharpening technique that many have abandoned so it seems like you have secret knowledge that was lost? And I could argue it isn't even a better solution. It's just a different way to achieve similar, if not worse results.

This is like if you put a pound of sugar in lemonade and then said, "Wow, this is way too sweet! You should try my superior lemonade that has a normal amount of high fructose corn syrup."

Lastly, if clarity and texture (set at a reasonable amount) aren't enough to produce sharp, detailed results, then it might be worth considering your actual photography techniques. Modern photography with modern sensors and lenses should be able to produce extremely sharp results without having to juice the hell out of sharpening filters in software. 20% clarity and texture (if that) plus a little bit of smart sharpen is usually more than enough to bring out detail in almost all of my photos and I have never been accused of having soft images.

So, if you are getting soft results, you might need to adjust how you are capturing your images. Are you using a very small aperture like f/22 on that macro image? That could be a diffraction issue. Perhaps it would be better to use a larger aperture at the lens's sweet spot and then do a focus stack.

I mean, I can't think of any other reason a person would need to do 100% clarity and texture unless they completely bungled the actual photography or were still using a kit lens.

I'm sorry but this video is a mess."

Let's look a little closer at what he did to his example.

He started with this.

Then he applied clarity & texture to MAXIMUM. Which, again, is like adding a pound of sugar to lemonade.

And by golly, it looks pretty bad!

Then he used his secret ancient high pass technique to get this.

Which looks a hell of a lot like the unsharpened image to me. And the high pass sharpening is probably only visible when zoomed in to 100% on the full resolution image.

Which is one of the issues with this technique. It isn't even noticeable on social media—the place where the majority of photos are viewed these days.

And then after showing you this groundbreaking effect that does almost nothing, he tries to sell you his Photoshop panel.

Yes, that' looks intuitive. Just hit the blue checkmark to do... something?

And what is this green eyeball with a crescent moon inside?

Only $50!

And if you want to know what the purple X button does, you need to pay another $15 for the tutorial on how to use it.

Neat.

Just to prove this is all a scam I'd like to show you an example of my own.

Here is a picture of Otis with no clarity, texture, or sharpening applied.

And here is a reasonable amount of sugar. I set the clarity and texture to where I felt they looked best.

Wow, that looks better. Not only that, you can actually see the difference at social media resolutions!

Now let's add a pound of sugar. MAXIMUM CLARITY GO!

Yep, that looks a bit rough. Because no one does this ever.

And now let's see his high pass sharpening technique.

Barely a difference on social media.

Okay, let's try zooming in 200%. Maybe that will give the high pass sharpening the victory.

Normal...

Reasonable clarity & texture...

FULL BEANS CLARITY & TEXTURE!

High pass...

Just as I said, the high pass introduces crunchy sharpening artifacts.

I can't speak for anyone else, but I much prefer the subtle clarity and texture. Perhaps the details in the eyeballs aren't quite as crispy, but in the version that isn't zoomed in, I don't think you feel like the image is soft and the normal clarity and texture adjustment added contrast and actually noticeable detail to the image.

In the end, except for the pound of sugar, these are all subtle adjustments and other photographers might be the only ones who would ever notice. The original Otis picture was probably fine to most people. So disparaging the clarity slider was even more unnecessary.

Why does this matter?

Being a beginner at photography is frustrating. There are so many resources to choose from and it's very difficult to know who is competent and who you can trust. If someone just starting out was recommended this video they could be easily be convinced it is legit. And it could set them back in their progress because they think useful tools will actually make their photos worse. They will waste a lot of time doing a time consuming old school technique in Photoshop when they probably never needed to even leave Lightroom in the first place. They could move two sliders to get similar or better results and it would only take literal seconds.

Time is valuable to a lot of people. And he seems intent on wasting everyone's time. And what sucks is that I have no real way of exposing this dude on a scale that would do anything.

I also just really hate the idea that educational content is being used to scam people.

This is some PragerU shit right here.

[bloobydabloob]

Any tips on getting better at realism? I've been drawing very cartoony works forever but I really want to branch out and draw more realistically and hone that style but Everytime I try it never feels human 😔

Suuuure. Sorry it’s fairly long, answer under the split thing.

I’d say mainly just practice drawing from reference first. Before I started doing any sort of more abstractive or non referential realism, I spent time practicing with maybe 20 or 30 paintings from reference.

Here are just some that I made during that time. I think they really really helped me to learn the principles of painting appealing realism, different kinds of people, color, skin, lighting, and anatomy.

In terms of actually drawing realism (whether from reference or not) I think the most important tip I can give, as well as the most overlooked ironally, is stylisation. Most realism that I see doesn’t connect at all with me which I think is maybe what you’re talking about when you say your portraiture doesn’t “feel human”.

Learning to draw realism in my eyes is largely about learning how to shortcut every single thing you can. So instead of drawing everything exactly how it is using an image, learn how to stylise realism in your own way. I find that if you don’t find a way to simplify the process, it can end up being A : Busy and B : hard for you to create more realistic images from imagination or from real life instead of photographs.

Here is a 40 minute drawing I just drew from a random photo I pulled off Pinterest + small explanation on what helps me to break down an image. I simplify realistic portraiture by adopting somewhat of an angular style, but the best realism / semi realism artists I know of draw realism using their own stylisation methods.

I also personally find that it helps to start by blocking in instead of sketching with lines, but I understand that this is a personal preference and might not work for you.

I also say this for everything but there is no “cheating” in art and anyone who tells you there is fundamentally doesn’t know anything about drawing, especially in the learning process. Cheat if you want. Use grids to plot where things will be, colorpick, trace, liquify, transform, whatever. Although I do also recommend that you only use this as a way to learn and don’t rely on it as a crutch, it helps a lot to be able to draw independently of all of these factors. But I learned to draw partially *by* being a kid who traced and colorpicked and fucked around. Who cares

This applies to everything too but just practice a lot. I’m too embarrassed to show but when I first starting drawing semi realistic art without reference it fucking sucked. Like *really* fucking sucked because I am extremely extremely faceblind and I mean that. It takes me 3 seasons of a show to recognise an actor’s face. But because I’ve drawn hundreds of faces now I know what I’m doing kind of. I also never post any realism art immediately because oftentimes if I don’t look at it for a day or two, I’ll come back to it and notice that something doesn’t look quite right. I would say that definitely helps.

ALSO very important but look at it from far away or a little version. I always look at my drawing in the digital navigator on FA and it helps me to notice when something looks dumb.

Anyways hope this helped at all… lalala. I don’t know man. Don’t take my words as bible I’m just some guy and I am also not a professional and realism is definitely not my strong suit. Tutorials are bullshit and if you think any of this advice sucks for you then don’t take it and forge your own path. Bless