#can u tell i love em

[symeona]

Image description: it's an illustration of Mace Windu, Cyslin Myr and T'ra Saa from Star Wars. Mace is in the front with his purple lightsaber pointed sideways. He's frowning like he's concentrated. Cyslin is behind him with her green- yellow lightsaber right above his in a slightly more raised angle. Her expression is similar to Mace's. T'ra is standing behind both of them, a somber look on her face. She's holding her green lightsaber straight, pointed upward. There's a group of white sparkles whirling around her saber. End of description.

[bardicbird]

Working on my own Disco Elysium skills! Individual art pieces and descriptions (in the style of the game) below the cut :]

DIALECTICS

Examine verbal landscapes. Get to the truth of the matter.

Cool for: Logicians, Philosophers, Asshole Devil’s Advocates

Dialetics urges you to look beyond the basics of conversation. It encourages you to discuss theories, truths and falsehoods, until you exhaust everyone around you with your sheer affinity for taking the most convoluted routes to your deductions—but, hey, it works! Those people are only *really* annoyed because you very accurately psychoanalyzed them.

At high levels, Dialectics will help you reason with even the most convoluted of situations. You will be an unstoppable detective, who may occasionally suffer from some unintended side effects such as: your brain and mouth moving too fast, overcomplicating little things, becoming an insufferable jerk, and joining your local debate team. With low levels of Dialectics, you’re going to have a difficult time seeing through both worldly and interpersonal deceptions. You may find yourself being taken advantage of. 

EVOCATION

Recall emotions and imagery. Paint complete pictures of the past. 

Cool for: Visualizers, Chronic Observers, Witnesses Of Crimes

Evocation allows you to call forth memories that may otherwise be lost in the recesses of your mind. Previous instances of sound, touch, taste, feeling, sight—all of these are at your beck and call: able to be summoned within and around you in a great miasma of experience. You will be able to relive important events, even those that were only mere seconds, and examine them closer to reveal what you couldn’t comprehend in the moment. 

At high levels, Evocation will help you reimagine scenes that may have happened years ago, lasted the length of a blink—or, perhaps, even allow you to picture memories that you were not present for. You will find yourself constantly transported to the past: a single whiff of a familiar perfume enough to completely derail your senses. With low levels of Evocation, you’re going to have a hard time remembering simple conversations and potentially important visual details. You will have to rely on others in such scenarios. 

BODY OF LAWS

Know your rights. Remember fun courtroom trivia. 

Cool for: Lawyers, Law-Evaders, Stick-In-The-Muds

Body Of Laws is responsible for your ability to follow the law at any given time—or don’t! Just because you know the rules doesn’t mean you have to play by them. Regardless, it certainly allows you to recall a, frankly, embarrassing amount of your government’s regulations, and may encourage you to ‘stay in your lane’, so to speak, regarding them. Governments aren’t the only entities that enact rules, though: you will also find yourself privy to understanding unspoken boundaries set by people, nature, and even your subconscious self.

At high levels, Body Of Laws will either make you an *extremely* insufferable goody-two-shoes, or a *wildly* effective cheat-of-the-system. You may end up feeling suffocated by all these restrictions you can so clearly see, causing you to become complicit with the movings of the machine—or potentially apathetic to why we need some of these restrictions in the first place. With low levels of Body Of Laws, you may find yourself accidentally violating boundaries you didn’t know existed—whether they be legal, personal, or cultural. 

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[fluttytheflutt]

they’re goals like actually

[so-very-small]

the tiny, inside the walls, hyping themself up: It’s totally fine. Everything I’ve seen from this human shows that they’re kind, level headed, and normal. There’s utterly nothing wrong with this human, and I can totally befriend them! I shouldn’t be scared at all!

the tiny: *peeks out hole in the bathroom wall, looking up at the giant before them*

the giant, in front of the bathroom sink, obliviously doing their nightly routine: *removes their dentures*

the tiny, has no concept of what dentures are, who just saw this behemoth remove all the bones and flesh from its own mouth in one swift pull, without a flinch of pain: what the fuck what the fuck what the fuck

[sunlit-mess]

What do you do in a multimedia graphic design course? May I ask in which country you study? Just curious and ignorant here, no need to answer if you don't feel like it. Wish you well!

In the Philippines, universities are limited to categories in relation to art industry. And Art schools or avail courses are FAR from where I live. Considering I can't leave my fam, I couldn't afford to move out so I sniffed out the closest university I can find with a BMMA course instead.

MULTIMEDIA ARTS, as stated in the name‐ explores A LOT in the media from physical to digital but most likely digital! Its purpose? COMMUNICATION. Messing around the computer and stuff like comp courses but ofc for an audience. Since the school is specializing MMA with graphic design, we study Adobe programs (IND,AE,PS,AI,XD) as it is an industry standard for graphic designers. We learn to appreciate, practice, and make both good art and design ::)

We also learn other things ( although short & just the fundamentals ) such as 2D and 3D animation, 3D modelling, Motion graphics, product packaging, Printing, Web Designing, client management/advance communication, etc.

[catkettle]

here's a wip im never gonna finish

[benetnvsch]

[bsd warrior cat au] they got stuck in a snow storm mid patrol so are waiting it out under the shelter of a tree

[emmriches]

emmrich’s personal choice quest holds a weight to it that i really feel like the others didn’t or tried and couldn’t

[daily-ethoslab]

[394] my day will be so awful.. then boom etho upload

[seventh-district]

Could've left me just the way you found me, but you came and put your wings around me. You went out of your way, to fix what you didn't break.

This song is so incredibly Sam & Darlin' coded and no one can tell me otherwise.

[lots of lyrical analysis below the cut] [there's also a short little fanfic blurb of them stargazing down there too (this post got really out of hand lmao)]

For those not fully caught up, note that the following commentary contains various spoilers for Sam and Darlin's stories.

Note: Unfortunately this song is gendered, using the word 'girl' several times. Which sucks a little bit for immersion purposes, not only for keeping Darlin' gender-neutral, but also because I see this song as a duet between them, and Darlin' obviously wouldn't be addressing Sam with the word 'girl' either. So! As with most songs on their playlist, we're just gonna mentally omit any gendered terms we come across.

Side note: Frustratingly, this is one of those songs that didn't really even need to gender the subject in the first place. No part of the story or message is lost without it. But alas, many songs are like that, and so the playlist-makers of the world shall continue to suffer. [/lh]

Anyways, preamble's over. It's lyric time now yay!

Sam's Part

I was a ten-year train wreck

Technically for Sam I suppose it was 13 years, but ten is close enough (and 'ten' admittedly flows a lot better in the rhythm of the song than 'thirteen' would.) Anyways, we're not here to split hairs, (I have to remind myself), we're just here to point out similarities.

In Sam's Dec. '22 HBW, he says "For the last 13 years or so I haven't had to care too much about how I look. Seemed a little redundant after turnin', considerin' I didn't wanna be around much'a anybody anyway."

I think he's mentioned or alluded to that roughly 13 year period of time more than once, but that's the one I remember best so it's the example I'm using. There's still about 4 Sam audios I've yet to listen to as of making this post, so if I'm missing some Key Lore I'll edit this later. But for now, I don't think Sam has given many specifics on exactly how bad things got during that time. Luckily, 'train wreck' is a pretty broad and subjective term, so it easily covers any degree to which he may have fallen apart during those years.

It also feels like a very 'him' way of quickly brushing over the details of his past/his hurt, as he seems to tend to do with Darlin', (not all the time ofc but it's still something I've noticed) putting his own hurt on the backburner to prioritize and attend to theirs. Even outside of his dynamic with them, I think as a healer, it's something he learned to do. And now he does it with everyone. Put on a brave face, compartmentalize things and unpack them later, etc. I could go on and on but there'll be time for that in other posts I'm sure. For now, lets get back to the song at hand.

With a last-call longneck

Due to personal reasons, I've yet to decide if I want to HC him as having used alcohol as a coping mechanism during that time. I don't recall him having mentioned alcohol much, if at all, (maybe one mention of whiskey that I don't have time to find right now) so I don't think it's necessarily canon that he did, but it's certainly possible. My personal preferences aside, I'll admit it makes for some good additional angst. (And- self-indulgently- it makes some other songs on my playlist for them more fitting.) So, for the sake of this song, let's imagine that he did.

I was searchin', I'd been hurt real bad

This one feels pretty self-explanatory given what Alexis did, (and, if you wanna get even angstier with it, whatever his family did earlier on in his life) so there isn't much commentary to add on my end.

I HC that in spite of 'not wanting to be around anybody', he- like Darlin- still had a tiny part of himself buried deep down that was, in a way, 'searching' for someone to find solace in. (No this isn't me projecting onto them both haha what are you talking about-)

Movin' on, gettin' sidetracked One step forward and five back

This is generally applicable enough that I don't feel the need to give too much of a specific example. Anyone who's recovered or is recovering from trauma knows this non-linear, back-and-forth struggle well already, and I'm sure he was no stranger to it.

If I were to give some examples though, I could point to Darlin's (and subsequently, Sam's) encounter with Alexis at the summit, or the shit that Quinn dredged up about Fredrick and threw at Sam in the interrogation room. Those are both more recent examples and I imagine these lines of the song to be coming from a place of him prior to meeting Darlin', but still, they're some instances where I'm sure he felt like the past was pulling him back in. I'm sure that there's been many throughout those 13 years that we were never witness to.

Not your fault, I was scared to fall

This line reminds me of their 'Cuddles and Confessions' audio. I don't think he ever explicitly said he was 'scared' per se, so afaik there's no specific line I can quote, but in that and every audio prior, he was obviously hesitant to admit, perhaps even to himself, that he was gradually falling for them. Even after the initial confession, there's certain limits of his (e.g. biting) that he carries for far longer, and some that I (and others) HC that he'll carry forever. So this line feels to me like him reassuring Darlin' that his reluctance isn't the fault of them, but his past.

Darlin's Part

You were the star in the pitch black Shine the way on the way back

We don't have any canon instances of them comparing Sam to a star, but I can see it being something they'd say (perhaps less poetically, but the sentiment would be there) one night while laying up on their roof watching the stars with him. Maybe they're dead-tired, talking nonsense with lidded eyes at the end of a long day, fighting sleep in favor of more time spent with him.

"What- what're you pointin' at Darlin'?"

Their hazy focus is trained on the brightest star visible in their line of sight, arm stretched out to the sky above them. "That really bright one, to the... to the left."

Sam does his best to follow their less-than-specific directions of 'to the left', their pointed finger doing little to help given the difference in perspective. Luckily, after all these years, he knows this stretch of night sky like the back of his hand, so it isn't hard to locate the brightest one. Ghosting his fingers up along their arm, he takes their hand in his and brings it back down to earth. "Okay, yeah, I see it now. What about it though?"

"That's you." They say, matter-of-factly.

"That's me?" He questions, humor in his tone.

"Mhm." They nod with finality, blinking slow.

Sam considers the odd statement for a moment before gently correcting them. "I'm uh, I'm pretty sure that's Sirius, actually."

They scoff. "I am being serious."

Sam stifles a laugh into their hair. "No- no I mean- like... what's another name for it... Oh! It's also called the Dog Star."

"C'mon Sam, at least call it the Wolf Star if you're trying to turn this around on me..."

He shakes his head and readies himself to explain further, but they cut him off before he can start. "But no- no, this one isn't about me. That's you."

He decides to play along, finding something endearing in their overtired nonsense. "Okay... then would'ja be so kind as to explain to this confused old man just how, or why that star is me?"

Their frown is audible in their voice as they latch onto the wrong part of his sentence. "You're not old, Sam. ...Do I need to tell Asher to kick the jokes down a notch?"

He smiles at their over-protectivity. "There'll be no need for that, now. Was just a joke, darlin', I promise."

They huff, but thankfully shift focus back to the prior topic. "It's... I dunno. It's just you, Sam. It's... bright. Light. Something warm, out there in the cold dark. Standing out amongst all the rest. Calling to me, stealing my attention. I... I didn't come out here looking for it, but there it is. ...There you were. In the dark. The only bright thing I'd seen in... fuck, in years. Years of chasing fleeting warmth, tripping over myself in the pitch black, falling into... places 'n people I shouldn't have. You were the light in that darkness. Even there, surrounded by the ghost of him. You outshone it. Your warmth didn't hurt. I didn't have to squint when I looked at you. You weren't the blinding sun. You were the brightest star I'd ever seen. You guided me back home."

In the back of their mind, they recall something they once heard, something about light, and time, and distance. Space. Something about... how you can see a star that's already burnt out, because it's light hasn't reached earth yet. The ghost of a star that's already died. Only still perceptible thanks to time, and distance.

They remember Sam's words, once whispered to them on this very roof.

"Whatever your choice is... I'm not gonna live forever. I made that decision a long time ago."

They think about dead stars.

They think about time.

"...-lin'? Darlin'?" Sam's calloused hand slides up their forearm, pulling them out of their thoughts. "There you are. Think I lost ya' for a minute there... you good?"

They look up at Sam, concern creasing his features, shadows cast across his face from the light of the dying stars above him.

They reach out, pulling him down into them. Burying their face into his collar, Sam's concern grows when he feels it saturate with tears. A human might struggle to hear their words, muffled against the thick fabric, but his hearing catches it just fine.

"Don't burn out too quick. Please. I still need you here. I don't- I don't wanna be left in the dark again. Please, please Sam. Don't leave me here. I'm not selfish enough to ask you for forever, but please. Not yet. Not yet. Not yet."

.......Whoopsies! Really, genuinely didn't mean to improv an entire scene there, good god. Also didn't mean to swerve hard into angst at the end but uh. that's what came out! so I'm rolling with it lmao. Aaanyways let's move on, it's getting late and this is a song analysis post, not a fic.

Out of nowhere, answered all my prayers

'Out of nowhere' reminds me of Sam's words from the same HBW video I referenced earlier. "You came into my life like a damn wreckin' ball. There was no preparing for that, clothing or otherwise." While those were Sam's words, not Darlin's, I still feel like they feel similarly to how suddenly Sam came into their life as well. (Not in a bad way, mind you!)

[the significance of 'answered all my prayers' edges into my own personal more headcanon-y/personal/OC-ified Darlin' territory, so we can just gloss over this one for the sake of at least attempting to keep this more universally applicable]

Picked up the towel that I threw in Took in a heart that was ruined

Again, largely self-explanatory I feel. (*proceeds to explain anyways*) I imagine that Darlin' was at the point of throwing in the towel, hellbent on a solo-mission to find Quinn regardless of the danger it posed to them. I doubt they were looking toward the future anymore, (to reference Sam,) fully willing to throw themself at their problems until they really did break.

The specific use of 'ruined' hits hard here, because after everything they went through with Quinn, and especially after he recounted it all to Sam in that interrogation room, I imagine that they really, truly did feel ruined.

Showed me the past ain't a tattoo Loved me even when you didn't have to

These lines in particular make me sick with emotion every time I hear this song, because I feel like they hit the nail on the head for how Darlin' feels.

I'll be here citing various quotes all night that I feel showcase that sentiment, but we don't have time for that! So instead I'm just pointing to the entirety of 'Quinn's Aftermath' video, and leaving you with this single quote from it.

"Everything that he said reflects nothin' on you, and everything on him."

Equally Applicable Lines

And I don't know why Why you saw something in me, baby But you saw right through All the pain, and you came and saved me Yeah, I know you didn't leave me lonely Weren't the one that put the heartbreak on me Picked up the pieces It wasn't the mess that you made Could've left me just the way you found me But you came and put your wings around me You went out of your way To fix what you didn't break

Again, I think these lines are all pretty self-explanatory, and are just as accurate coming from either one of them. To me, at least, their entire dynamic is that they saved each other, in their own ways.

(But I will admit, the final verses about 'going out of your way to fix what you didn't break' are definitely conjuring up memories of Sam in the early days, literally going out of his way to visit and heal Darlin' after their fight with the two vamps. In general, his continued/repeated healing of them after they once again hurt themselves is the very literal definition of fixing what he didn't break.

But! While we may have more blatant examples of Sam being 'the fixer' so to speak, I think he'd argue that Darlin' has done plenty fixing of their own. Physical wounds aren't the only things that need healing, after all.)

-------

[shameless self-promo of my Sam & Darlin' playlist for those few of u interested enough to make it to the very end of this wall of text. if u liked this then u might like some of the other songs on there soooo maybe go check it out and maybe perhaps give it a follow so i can get a little serotonin boost or dopamine or whatever the chemical is that's released when Number Go Up. ...okay that's it i hope u enjoyed my fixation-induced ramblings! thank u and goodnight]

[chooh2]

ART CARS - Goldfield, Nevada

[bigglecakes]

some crows

[bonestrouslingbones]

chat what do we think.......................

patch notes + side-by-side with the old version:

fixed proportions to be less fucked up and also give him bigass hands. i honestly didnt even realize the original had fucked up proportions until i put them side by side and had to shrink it or else the head looked Enormous

used a couple values from that one color test i did a bit ago & winged the rest. did all of this with a screen filter on so if it looks like ass it's not my fault

made all of his clothes more obviously baggy, his jacket specifically was inspired by something i saw while looking for more sims mods like a week ago that i guess i imprinted in my brain

made the jeans have a more defined & tapered shape & replaced the rips with patches because that's less stupid

changed the ugly ass boots to doc martins because He Would

untucked his shirt because He Wouldn't (also made the shirt wrinkles look more like it's clinging to his ribs to make him look thinner, no damn clue if it actually worked it is 2am)

fuckin forgot about the spike bracelets which makes sense because they wouldn't work with the baggier jacket at all BUT i am very very sad to see them go to be completely honest

made his gloves lower contrast bc while i love the lil broken heart detail it ain't that important lmao

[spinecurlingmice]

okay more on hajime's underwear. . in a world where all the fte's are canon for everybody and not just a gameplay thing, do you think everybody on the island made it like. a bet or something. every single person he's became close with on this fucking island gave him their panties as a token of closeness, so like are they waiting for him to reciprocate?? the one person he gives his underwear to is like. the Chosen hajime person and they get to gloat ? do they ask.

[krynutsreal]

taka nation has been reminding me of previous (and new) drawing ideas I've had where the main focus that I want to put is horror or like. IDK HOW TO EXPLAIN IT TBH just hear me out oka

Not body horror or like gorey horror but just something that could be unsettling

One of the ideas is maybe him staring at something, which isn't that noticable at first because his reflection shows up more than the thing that he's looking at. And the thing that he is staring at with such intensity is a picture of a previous class that had graduated from hopes peak. More specifically, the class photo that his grandfather was in. It'd probably only him staring at it though, maybe when the halls are not as busy as they usually are (or even then it could be after school)

OHMGHKF ok actually Im just gonna doodle my ideas out but man. There is so much potential with this guy and the shit that he's been through

It's not even that it can be classified as horror even, I just think he'd be fitting to put into a horror piece if I ever considered trying that again (like that one piece where he holds the justice hammer while still bleeding out from his head)

tbh a lot of my inspiration besides takas backstory and well. Canonical story, is the illustrations by mokumokuren (mokmok_len on Twitter/X) because while the pieces aren't necessary very horror like they still just. Make you think of the implications there was with some of the pieces they make and I FEEL LIKE IF I COULD SOMEHOW. DO THAT WITH TAKA IT CPULD WORK. I just gotta try it out at some point