#can this even be considered??? I guess

[kiruyeen]

hey chat wanna see me wreck your heart?

inspired vaguely by the sans' delirious dialogue with "papyrus" at the end of genocide (plus near the end of avm ep 30 but I felt that one was obv). I was gonna draw a lil something too but I didnt like any of the around 4 doodles I tried for a sketch.

[lesbworth]

i feel like the tumblr perverts need to be aware of the forcefem novel written in 1901 by a trans woman patient of magnus hirschfeld, wherein:

a lesbian hypnotises her girly stepson into believing he is a woman

then she hypnotises his father her husband into shooting himself when he tries to stop her

then she proceeds to live as a man and convince her stepson that he is HER WIFE

AND THEN WHEN THE COUPLE WANT KIDS (AS SHE HYPNOTISED HIM TO) SHE HAS HIS CHILD AND CONVINCES HIM THAT HE GAVE BIRTH TO IT

AND DECIDES TO RAISE THE BABY AS A GIRL EVEN THOUGH IT WAS BORN MALE

AND THEN FINALLY ON HER DEATHBED CONFESSES EVERYTHING TO HER WIFE

WHO REFUSES TO BELIEVE ANY OF IT

the author's pen name is luz fraumann (yes she actually named herself "woman-man") and i wish i could tell her she's literally insane for this bestie and also how hard she would do numbers on tumblr dot com

(link to hirschfeld's profile of fraumann and extract from her novel, in german)

[umblrspectrum]

updated some ref sheets and also actually made jcj one

[puppppppppy]

oooh wait so the plot hole of “why doesnt a spirit medium just channel the victims spirit” is literally bc the DL-6 spirit channeling cant be repeated huh

[kaontic]

Came up with this AU (subplot?) where Megs and Star struggle to care for their earth pets, the “Battle Dog” (really Megs? 😑) and, um…

*Checks TFwiki*

Sure, we’ll call ‘em Meowgatron—

While still tryin’ to survive on/take over earth ‘n stuff.

Or in other words, if Megs was just a little less of a douchebag, towards the dog that he tried to weaponize and end all of humanity with.👌

*Realizes how that sounds* (ﾟ ヘﾟ)

Listen, this is the same episodic manga that has an entire underground highway system that spans worldwide, an island full of predators and prey that live together in peace, and Rumble and Frenzy disguising themselves as hooded figures to hate on Autobots (seriously guys…wtf?).

Make of that increasing ludicrousness/questionableness AND the tonal whiplash case that is the final chapter as you will.

[marieaqua]

Fuckass Ginger Lesbian Chart: The Remaster

A character design trope I've noticed

(I included Vi only because I've seen multiple people describe her hair as red even if I don't agree with that description)

(I know that Bo doesn't have a canon sexuality. I hc her as a lesbian and its my chart)

(I still need a fuckass butch and the Ultimate fuckass ginger lesbian)

(I called this the remaster because I had an original chart that I made years ago and have since lost. Also fuckass is used lovingly here <3)

[jackass-jones]

Akihiko becoming a cop is something that simply doesn’t happen in the coma route cuz Shinji would see that shit and be like Aki what the actual hell is wrong with you

[beneathsilverstars]

if i failed to protect my kid during the apocalypse and they almost died wandering on their own but got rescued by a team of four competent, battle-experienced adults who cared about them very much and made them feel less scared and useless but refused to let them fight, i think that would be a pretty decent outcome and i'd be pretty okay with it. sure i could dream up a better situation but there's a hell of a lot of worse ones too.

[ilikestuffthatsparkles]

Theon leaving

[robertwaltons]

behold: the doomed unrequited waltonstein manifesto courtesy of twitter user ustfile

[rmbunnie]

I'm reading A Lonely Place of Dying and Alfred latching immediately onto Tim is NASTY work. Tim shows up and is like "I never aimed to be Robin! I mean I did karate my whole life to emulate Robin and just so happen to have sought you out and grabbed this costume in my size out from that case and really you should be calling me Robin just for now and let me come with you as Robin but I never dreamed it would specifically be ME being Robin. You have a lovely house and home btw :) Now go back to being 10." And Dick's understandably like "No I am a grown man now who are you" and Bruce is not here for this one, but later on is like "You aren't Robin, you're some kid dressed up like my dead son." But Alfred?

IMMEDIATELY Alfred is implying Dick was trying to subtly ask Tim to be Robin (simply not true in in NTT 61, when the implication is made, although he changes his mind in Batman 442) and that Bruce should be grateful for this young man's profound bravery and immense natural skill and maybe show him a few pointers or something idk we'll see :) Like let's be clear, the idea that Tim didn't want to be Robin is simply not part of this story outside of like two lines of dialogue where he's like "oh I didn't consider it could be me!" after which he immediately goes "Wow so you ARE gonna let me be Robin right?" the second he sees the opportunity. The guy essentially makes himself Robin once Dick makes it clear he isn't gonna be. Dick tells Tim nobody should be at first (until he changes his mind) but is ignored because Tim doesn't get why and goes with what he understands, his own stance.

I'm of the opinion that the whole "Tim understands that being Robin is an arduous task full of suffering from the start and chooses to bravely yet sadly martyr himself for the cause" thing I see sometimes is strongly disproven, at least in the beginning of his Robin career, by his "Batman NEEDS a Robin (to love and care for and to watch out for him in return :) )" line of reasoning, his subsequent willingness for Anybody to be Robin whether or not it was him (unless he was consciously okay with other children suffering for his benefit which I find really hard to believe,) and his active glee at anything involving being Robin and persistent smiling pursuit of Doing So against Batman's strong disapproval, because he hasn't officially said no (he did several times, but you can't blame a kid for being excited.) Like, I think he said he never dreamed of being Robin just because having a kid come in begging to replace Batman's dead son because it was a personal aspiration would be extraordinarily rude and arrogant and they wanted people to like this one. He was NOT in any way adverse they just couldn't make him THAT presumptuous, and he is by nature of what he's doing already moderately so.

But say it was true, that Tim was actively opposed to being Robin? Alfred would be pushing this shit HARD onto this thirteen year old kid like what the fuck bro. And "From what Master Richard said, he follows your orders." is HEINOUS but let's not get into that.

[burning-sol]

You know what? I realise why the Sinsmas episode is pissing me off so much, it's because it's juggling so many different ideas that it doesn't spend enough time committed to a single one. Let me just break it down the way I see it...

The first idea we're introduced to is one about Stolas' depression but then when he sits down with Blitz we're introduced to the idea of Stolas' poverty.

The previous ideas are what you think that the episode might focus on until you get hit with the Octavia B-Plot. Okay! A-Plot is about depression and poverty, B-Plot is about Stolas not being able to contact Octavia... (I might be using those terms incorrectly, but you get the idea,)

But THEN you get Sinsmas introduced which is about the idea of indulging in your sins, which is shown to be important to the audience because it's expressed in dialogue, right? Wait, no, it's about Stolas's depression/poverty, okay then....

But THEN you cut to the office and we get a Millie and Moxxie bonding scene, so you think, "wait, is there going to be another DIFFERENT plotline introduced into this episode about their relationship??" AND YOU GET MORE ABOUT SINSMAS, multiple shots about the holiday and the idea of indulging in your sins!! So wait, the idea of Sinsmas IS an individual idea from the depression/poverty point? Or isn't it??

Stolas sobs on the phone, there's a very obvious depression/poverty breakdown, but then we get MORE NEW SHIT introduced because it's about Stolas' cheating. And I understand that that's meant to tie into Octavia's B-plot, but there's a subtle difference between that and THIS that adds another layer of shit on top (elaborated on later).

Which, BTW, I just wanna point out how this idea is contradictory to the Sinsmas idea since CHEATING is about INDULGING in LUST - as is established in your PREVIOUS. IMPORTANT. SEASON ONE FINALE... So WHY would you make a character shame a sin that's meant to be in the process of being celebrated which confuses the Sinsmas idea and was also the CORE of the Stolitz will-they-won't-they before now?? If it was to trigger Stolas' breakdown you already HAD the poverty story beat, this is just needless and confusing redundancy??

So then we actually get to Octavia and we get a scene about the idea of Stolas and Octavia not being able to get in contact with each other - the B-Plot - and followed by her introspective song and the discovery of Stolas' pills. And now we suddenly feel like we're back to where we were MEANT to be, with the Octavia B-Plot taking a pause to cut back to the Depression A-Plot. This builds up tension as we naturally feel the two characters drawn together.

And theeeen it cuts to the I.M.Ps and I'm banging my head against the wall because you're like, "Oh! The Millie and Moxxie relationship idea! This is going to be about them!"

But then OH MY GOD a NEW idea is introduced about Blitz wanting a FAMILY WITH STOLAS. I want to shoot someone because the cheating was a set up for Blitz to fantasise about wanting a family??? Is this meant to be a parallel to episode 1??? Am I meant to feel like Blitz has developed as a character?? In an episode that has been about every character OTHER than Blitz???

And then it's meant to be likeee like about Millie's pregnancy because she wants to kill the family instead of leaving them be, but it's also about Moxxie's relationship with her, but it's ALSO about being "demon enough" (WHATEVER THAT IS, IT'S NEVER ELABORATED ON), but it's also ALSO about Sinsmas.

Okay! Okay, back to the REAL plot except- Wait, Octavia walked in??? Wait, so this plot is now about Blitz wanting a family and he's going to bond with Octavia?? No! NO because they don't have any emotional connection and so there is no reason for this scene to exist if either way Blitz was going to know where Stolas went and Octavia was going to end up there as well anyways.

And can you tell I'm tired of writing at this point? Cus I'm losing my mind. FINALLY the A-plot and B-plot that should have been the center of the episode all along gets a fuck ton of screentime and it's beautiful and it's the peak of the episode.

And theeen it's back to Millie and you think, "Okay, so a big part of the pregnancy plot is clearly meant to be about Millie and Moxxie's relationship based on all the scenes we've gotten between them! That means that Millie and Moxxie are going to have some sort of important dialogue-" And then she WALKS OUT on him and she has her emotional moment with her sister! Which isn't a bad thing but need I remind you she isn't even in the center a FULL LENGTH episode, she's from a SHORT... WHY would you NOT integrate Sallie into a proper episode if she's going to be key to a future INCREDIBLY important plotline??

The episode ends with Blitz and Stolas and the credits roll blah blah blah...

This post is basically expands on some of the points of my post about my first impressions, because I just wanted to give a run down of the structure properly so you can understand why this episode is making me feel like I'm losing it. And I get it, if you put in the effort you can get an idea of how all the ideas were meant to tie together... But it doesn't! It's badly written! It makes me want to rip my hair out!

Ideas are established and then sit there uncomfortably without resolutions to them! Like even the shit. That was meant to be the main shit. The poverty and depression stuff? NO conclusion. Stolas says, "you don't have to refer to me as your highness" I guess?? But like, nothing to show him settling in with everyone else in the celebration to show he's like. Poor? And okay with it? By partaking in the holiday of those that are meant to be "beneath" him? No mention of his medication???

Just!! Okay. To understand the way shit in the writing could have been better, let me list some ways you could change the episode to be more coherent or cut down on redundancy if my points have so far not landed.

Establish Sallie towards the BEGINNING of the episode and her dynamic with Millie, and show how that compares to her relationship with Moxxie, and show WHY she would call Sally instead of talking with Moxxie first. If you're going to make the episode about family btw, this would be the point where Millie could bring up HER family and how much she values them or something in order to establish that as being important. Also, use this to explore what Millie and Moxxie's feelings on having a baby WOULD be, so that if there's conflict there then you have more understanding of why Millie made the decision she did.

Use the actual environment in the background of the montage to show the passage of time instead of it suddenly being Sinsmas. Have demons setting up holiday decorations, in the stores put up discount signs about a "Sinsmas sale!" This makes the story flow more naturally, as well as adds characterisation and makes Stolas' depression more real as he's shown to be so absorbed in his own world he doesn't even realise it's the holiday until Blitz brings it up.

Octavia's phone and the device she listens to music on is the same (I checked S1E2 to confirm it), which causes a sloppy writing issue. Like. If the episode is meant to show Stella is controlling and it's not Octavia's choice not to get in contact with Stolas, then you need to explain why she hasn't called him despite having access to her phone when Stella isn't around. If it were me, I would have had Stella lock it in a drawer that Octavia picks the lock on so she can listen to her music. THEN you can keep the original scene, OR (this is what I would have done) have her check her phone logs so you can see not only how many times Stolas has called but how much time has passed. Maybe this could also be used as another reason to drive her towards the closet as she hides from Stella and Andrealphus. Maybe this could be used as an interesting metaphor about her desire to leave but she doesn't know what she's going to do once she picks the lock on the door... Like how she could call her Dad now that she has her phone but she doesn't know what she'll do when she does... Something like that.

DON'T have Blitz and Via meet up if they're not going to interact. That entire scene is fucking pointless as is and I hate it. Either dedicate a PROPER amount of time and dialogue into making Blitz want to and try to connect with Via, or have them not talk at all. Cut out the whole thing about Blitz wanting a family with Stolas honestly, it's just not well explored enough.

Again with the sloppy writing, the gang did NOT need to stumble into a room of weapons to have weapons. That's pointless. They're assassins, they've been established to bring a stash of weapons with them to fights before. I can think of something much funnier where Moxxie is surprised by Loona's transformation and there's a joke made about her being a noble steed and Moxxie pulls out a sword only for Millie to be like, "Why did you bring that?" And Moxxie says something about how it's a posh weapon cus that's his thing. OR you could have some badass impromptu weapons the gang makes from the ice or they use Sinsmas decorations scattered around. IDK.

Already made my point about Stolas and the poverty idea. Show him settling in with the others during the celebration and him opening up to the idea that he's no longer rich or well respected. The "you don't have to refer to me as your highness" would work if the text bothered to show his mental state properly, instead of him just looking depressed and like he kind of hates everyone there.

Have Blitz PLEASE react to Stolas' depression. Like. Acknowledge it. And share his feelings about it. AND GIVE STOLAS HIS MEDICATION FFS he clearly has clinical depression!! Blitz is sooo head empty in this episode, PLEASE give him more internal thoughts other than :) I'm holding my head in my hands.

And I'm so tired of writing at this point I'm going to stop it there but I hope that was thorough enough to get across my points. And if not then I guess that speaks to how loopy this episode made me that I can't even articulate myself 100% because dear god.

[kaiserouo]

(prev)

redid the shadow again because i kinda didn't know what i was doing...? it's a little bit better i guess

[pivsketch]

some samsons.

ngl ive had trouble nailing down what his whole deal is but i think ive finally figured it out

[3liza]

I think it must be for the lack of going outside of your room on this website that debates about personal presentation and appearance literally never have any material analysis. sorry it's counterrevolutionary to shave my legs or wear makeup or a bra or style my hair in certain ways or "worry" about visible signs of aging but have some of you just never encountered real world situations where those things caused measurable problems dealing with other people, jobs, money, respectability, access to resources, or the ability to influence important situations? this starts happening when you go outside a lot. there's a debate on my dash rn about balding and finasteride in which not a single person has mentioned the potential negative social outcomes of losing your hair and how that can affect socioeconomic status and personal risk. maybe someone doesn't need to be "vain" to care about keeping their hair and consider the risks of medication for it. maybe they've seen how bald people get treated and referred to and made a cost benefit calculation that they can't afford, sometimes literally, to eat that cost, with everything else they've got going on. maybe I wear makeup when I have to go talk to doctors and other gatekeepers because people make assumptions about your class and mental status when you have "bad skin" and "eye bags". maybe a lot of women who wear uncomfortable restrictive bras and shave whatever and buy skin products and do gua sha have already been sharply punished when someone saw leg hair or a mustache or puffy greasy skin or god forbid their nipple through their shirt. not everyone can just say "fuck it, I can afford to eat one more social cost that will measurably impact my ability to get medical treatment or pay rent". sorry this sounds like an economics lecture, that's because it is

if you are about to tell me a long story about how you personally have not been affected by perceptions of your appearance actually so you can conclude it never happens at all, please don't. sometimes you get lucky, that's it. and on this website I think it's less likely that you're lucky and more likely that you're oblivious