#can someone tell me how and why i wrote

[yourgamemasterthewhiterabbit]

Both my parents actually suffer from HORRID emotional dysregulation and are prone to snapping and going into rages. My sister is the same way tbh. I am now realizing this is why they are constantly baffled by the question of whether or not I am mad at them.

I don't have external meltdowns.

I could. I don't let it happen.

I keep my rage on the inside and stay pretty quiet about it. It's just as strong as theirs [physically shaking nose bleed from high blood pressure kind of bad], but like as a kid I saw how terrifying it was to be around [dad breaking dishes, mom putting our lawn chairs into walls] and I just internalized that I wasn't going to wear that anger on the outside.

So my mother genuinely cannot tell if I am just being quiet or if I am silently hearing the dial-up noises of pure rage. This has lead her to both making strong and confident statements like "You are a pacifist who would never hurt a fly U.U" but also acting like I am secretly dangerous maybe... It's because she has never seen me snap.

She knows what her temper is like [throwing chairs through walls], she knows what my father's temper is like [pick up child and toss out door], and she can tell I am being tested, but she doesn't know what happens when I snap or where that breaking point is.

Her -perhaps unhinged- solution to this, my whole life, has been to do things that should obviously enrage me or shut me down completely, like ignoring important boundaries, repeatedly, punishing me for expressing emotions or needs at all, etc... And then to constantly ask me if I am angry with her when I get too quiet [right after near directly telling me to shut up].

It has occurred to me now, they have never once seen me lose my temper, so they literally just can't tell if I am angry at them. My sister is easy, my mother fights and screams with my sister constantly, my mother understands this. My mother doesn't have any grasp of feelings or boundaries that are not screamed at her [apparently, and I fear my sister is the same way]. Her and my sister are close despite constant fucking fighting because they understand each other.

They are trying to get me to engage the same way and it is not working. I realize now that this has been hard for them.

I was so successfully taught to suppress my emotions, by being punished for any outburst, that rage quiet looks the same as any other kind of quiet from the outside. To them anyway.

I did tell her. For the record. I used my words. I did tell her very calmly that my response to rage, in order to avoid doing the things that terrified me as a child, was to simply leave [the autistic urge to GTFO]. When a situation or person causes too much of the dial-up rage noise, I simply extract myself from that situation, up to and including never speaking to a person again. I explained this calmly. I explained it calmly 100 times and I explained that I explain myself calmly as my rage response 1-5 [also pretty much every other negative emotion tbh], and I told her that what came next was me simply opting out and fucking off. I told her this. I couldn't understand why she never took me seriously, or why she never fucking understood.

I couldn't understand what made her like this.

But it's the same problem I have with everyone else multiplied by a factor of 10.

If I am explaining myself calmly, they can't understand that it's actually serious or that I am actually upset. ESPECIALLY because they read me as "female" and women "aren't that rational" so if I am not screaming and crying about something, which I never do, people assume I can't be upset and it isn't serious.

And then after having my boundaries ignored too many times despite having calmly explained how and why it's a problem [shaking inside or not]... I leave. I leave and everyone gets upset like this is unexpected behaviour, even though I told them 50 times that is how I would respond if they kept doing *the thing.*

And for neurotypical people especially, they are expecting there to be a disconnect between what someone says they need or feel and what their actually boundaries and feelings are, and they expect the latter to be demonstrated with emotions. Telling them bluntly you do not function that way somehow never helps?

My mother isn't just looking for normal yelling or a few tears to know I am serious, whether or not I do those either [I don't], she's looking for an explosion to know there's a problem at all.

Fucked if I know how she proceeds through life this way in general or if this is just her expectation of her own kids???

And I couldn't get why my mother couldn't read my emotions and didn't seem to think I have any. It's because she's testing for the rage limit to see where my 'actual' limit is instead of taking my word for it. Never the fuck mind that she could simply *not* test at my boundaries instead of letting me have them. Separate issue.

I couldn't figure out what made her *like this*

She's expecting me to throw a giant meltdown violent tantrum at people when I have 'actually' had enough. Maybe she got away with those being like 5'4" in another time, but I am the size of the average man, I do not get to have giant screaming rages, whether or not people perceive me consciously as a woman, and least of all because a lot of people -at least unconsciously- read me as 'masculine' or at least always "they guy" of the situation compared to all other women and some men [bigger stronger and more rational, more able to just absorb the damage and let it go so the less rational screaming/crying one doesn't have to be dealt with]. Even if it was in me to be willing to terrify people [usually never], there are such limited instances where it wouldn't just blow back on me. Potentially very dangerously.

I am going to be the quiet calm one. You are going to have to let me use my words, bitch.

So she kept ignoring my boundaries until I had to cut her out of my life, and she probably doesn't understand and probably thinks it feels sudden -after 36 long years of bullshit- abrupt and unfair.

But I told her hundreds of times.

I probably should have just screamed at her.

[sisterdivinium]

Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.

Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.

Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.

And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.

An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.

Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.

The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".

Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.

But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.

Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.

However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.

What's more is that this lurking "optimism" matches really well with our own protagonist's personality.

And it makes perfect sense that Ava would do the best she could with whatever she is given.

Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.

Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.

Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?

True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.

And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.

Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.

Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.

It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.

[pulchrasilva]

I think being cannibalised would be kinda therapeutic

[messy-nyks]

The Fernweh Saga by @lacunafiction - Agnes edition

Who would have thought? 🤭

Agnes "Nes" Sigrún 🌑RO: James Corvin

Personality: sincerity // cautious // friendly // merciful Traits: heart // compliance // believer Past affinity: writing [horror stories] Primary ability: empathetic impressions Past susceptibility: receptive

☀️Fernweh: She never really thought about leaving Fernweh… It was her place, near her family and friend(s). She felt good there and assumed she’s gonna spend her whole life happily in this little town. Even if Fernweh brings back devastating memories, she’s curious about what’s happening in Fernweh now, in her true home. It’s always been her dream to work in Turn The Page, and during her ‘short’ stay in Fernweh, she started thinking about it again. Why not stay for longer…? She would love to carry on her grandfather’s work and bring his legacy justice. 

☀️Grandpa Jóhann: When she was young, she had an amazing relationship with her grandpa. They were completely honest with each other, and she loved him wholeheartedly. Some people thought that making her grandpa proud was her main hobby. She used to tell him all about her dreams that she had, which were always wild... and also about the nightmares… It took her by surprise when her grandpa, one of the most important people in her life, started being less involved. She was hurt and began to wonder if she had done something to cause the distance between them. His decision to move her out of Fernweh so quickly after this tragic event made a huge impact on her mental state. She needed time to cope and be with her closest ones, especially her grandpa...but after all she didn't blame him. She often heard that she looked exactly like her mother…like her grandpa's daughter... She assumed he could not look at her, without thinking about her... And she could not blame him for wanting to escape that pain. Agnes knew it was the best thing that her grandpa could do for him, and she accepted it, too eagerly. She always too eagerly took the blame for everything.

☀️Beckett Warrick: After what happened in Fernweh after James she had even more trouble interacting with other people and making new friends… However, Beckett was an exception. He was the first person who got to truly know her after the events in Fernweh. When she got the letter about her Grandpa, she considered hiding the truth from him, because she knew deep down that he would be there for her if she needed him… even if he would not particularly enjoy it. It's a good thing she’s such a bad liar… Her main concern is about Beckett’s well-being. She noticed that this 'little' trip made a huge impact on him. He wasn’t supposed to be here, and it’s because of her that he–... She needs to make sure that nothing happens to her friend. And she will somehow manage to bring him back to his home.

☀️Reese Verner: They had an unconventional relationship. Reese saw her as a rival, while Agnes thought of him as a friend. She was confused about why Verner, someone of great importance, would even look at her see her as a rival. She knew there were better candidates for his games. She had only one question on her mind - “why?”. Despite Verner's playful teasing, Agnes always remained polite and friendly towards him, even when he attempted to push her boundaries. Girl knew how to keep her true feelings behind a warm smile she still does. If I can be completely honest… Agnes was rather shocked that Reese still remembered her… and was actually looking for her, which sounded so unbelievably. His concern for Milton's well-being made her see him in a slightly different light. Of course, she already knew Reese had a good heart, but his behaviour really touched her. Additionally, Agnes noticed that Reese and James’ relationship became stronger and deeper… It’s for the best. James deserves someone as dependable as Reese. He will always be there for James. 

☀️Sofia Dorran: Their bond was formed over a shared admiration for books and... the color blue. It may sound funny now, but these things became central to their lives and deepened their friendship. Sofia was the first person Agnes entrusted with her writing, and valued her honest feedback, knowing that Sofia would not make her feel bad if something needed improvement. They frequently borrowed books from each other's collections. Agnes yearned for the days when she and Sofia had reading sessions together, sipping on their favorite beverage. The only issue back then was when the book ended poorly or their library didn't have any new positions for them to read. She's willing to know how Sofia's taste toward books shifted (if shifted) and how she changed as a person. She's also extremely grateful because her grandfather received constant care from Sofia and her mother.

🌑James Corvin: …Do I really need to tell you that James was her first crush? And that she never found the courage to tell him so? maybe now will be the time? Agnes and James were always together, wherever one went the other followed. They were inseparable. Agnes even used to bake oatmeal cookies for James with her mother's help. They dreamed of their idyllic life together. As friends, obviously. Seeing him again after all those years was much harder than she anticipated. Agnes felt overwhelmed with stress from the moment she stepped out of her car. Every time she heard his surname, she unknowingly flinched. Her mind was full of questions about his well-being, life, and changes. She couldn't help but wonder if he would be happy to see her. …she did manage to hold his hand for a moment, I can consider it as a success

☀️Alex Corvin: Agnes has always looked up to Alex for their adventurous spirit and their willingness to embrace life to the fullest. She has always wanted to adopt a bit of Alex' wild side. Whenever they are around, boredom and dullness seem to disappear. They both share similar values and support each other's life goals. If I would say which person Agnes was the most willing to meet during her stay in Fernweh that would be Alex. She was confident in their friendliness towards everybody and was sure that their kindness had not wavered. Agnes was touched when she heard that Alex was looking after her grandfather's bookstore… It appears that Beckett has a new admirer, which Agnes wholeheartedly approves of.

☀️Mal: Agnes has a sense that Mal might be suspicious, but she is quite naive and doesn't believe that he could mean trouble. Although she is wary of him and finds him a little untrustworthy, Agnes believes in being kind to everyone, and she is willing to give Mal a chance, not judging him by her own impressions of him.

☀️Goldie: Agnes is grateful that her grandfather had a furry companion like Goldie, who probably managed to brighten his spirits. She fondly recalls how her grandfather would tell her stories when he once had a dog, when he was younger and how his eyes would light up with joy as he shared his story. Agnes is committed to taking excellent care of Goldie and ensuring her safety.

[rosalind-hawkins]

What Do I Ship?

Don't mistake this for a tolerance or tier list. I will read and write ships that aren't even on this list, or write ships from the secondary list sometimes, this is just to give you a general sense of the stuff I mainly support/think about and in what capacity. Might be updated periodically. Ranting and comments in the tags.

Re: the Mokuba ships, I only ship them in non-problematic ways, where either the Kaiba brothers are ageswapped, making Mokuba the same age as the rest of the main cast, or where they only get together far post-canon where Mokuba's an adult. We cool? Cool.

Primary Ships

(things I can/want to create content for; this does not include every ship I've ever written, just the ones I care about/are currently engaged in writing/plan to write multiple fics for, or ships I just stan in a way that I know it'll never end)

Euroshipping (Kaiba x Ryou)

Puppyshipping (Joey x Kaiba)

Mumbleshipping (Kaiba x Ryou x Duke)

Teaseshipping (Joey x Ryou x Kaiba)

Snareshipping (Joey x Duke)

Trustshipping (Kaiba x Ishizu)

Polarshipping (Joey x Mai)

Blueshipping (Kisara x Kaiba)

Mizushipping (Kisara x Priest Seto)

Minorshipping (Ryou x Duke)

Mastershipping (Duke x Kaiba)

Puffshipping (Joey x Ryou)

Sweetshipping (Ryou x Mokuba)

Wintershipping (Mokuba x Amane)

Rollshipping (Duke x Ryou x Joey)

Secondary Ships

(things I will read but I don't write {much, or anymore, in some cases} for one reason or other)

Wishshipping (Joey x Yugi)

Powershipping (Kaiba x Marik)

Graceshipping (Ishizu x Ryou)

Doubtshipping (Kaiba x Ryou x Marik)

Petshipping (Duke x Kaiba x Joey)

Axisshipping (Kaiba x Siegfried)

Angstshipping (Ryou x Marik)

Irateshipping (Marik x Joey)

Buddyshipping (Joey x Tristan)

Heartshipping (Yugi x Ryou)

Fragileshipping (Yami Yugi x Ryou)

Changeshipping (Duke x Marik)

Logicshipping (Priest Seto x Priestess Isis)

Gemshipping (Ryou x Thief King Bakura)

Thiefshipping (Yami Bakura x Marik)

Candleshipping (Kaiba x Ryou x Yami Bakura)

Antagoshipping (Kaiba x Yami Bakura)

Corruptshipping (Priest Seto x Thief King Bakura)

Stoicshipping (Kaiba x Priest Seto)

Shimmershipping (Duke x Mokuba)

Guardshipping (Kaiba x Roland)

Senetshipping (Ishizu x Duke)

Angelicshipping (Ryou x Rafael)

Mercuryshipping (Kisara x Kaiba x Ishizu)

Entrepreneurshipping (Duke x Kaiba x Siegfried)

Unnamed (Aigami x Marik x Yami Bakura)

Scholarshipping (Kaiba x Ishizu x Ryou)

There's also plenty of random unnamed poly ships that I want to play around with in one-shots, usually a combo of my top six fave characters.

[tenrose]

So the critics were right about the secret history... It was good.

[driftingballoons]

Mom: “God why do you give up so easily you can’t expect to be perfect immediately”

well you see mother when I’m not perfect immediately you burst into flames and bite my head off

[longagoitwastuesday]

Gushing about Gojo and Megumi and how they are or could have been everything to me I forgot to mention that I really really really love Yuuji. Like, a lot

[drifloonz]

The multiple miki thing might be because Miki could've been based on Charizard M and that thing is known for cloning itself.

Tbh i cant fault shadowmalerenamon for completely changing doors open when rewriting it. Having missingno be the main antagonist was miles better than how Steve was in the original.

( mention of suicide ig )

i respectfully disagree . i see where you're coming from but i think all of the rewritten strangled... duology i guess bc strangled red itself never got one

( thank fucking god to be honest. it needs No change. although at the same time its kind of funny it never got one bc its the most popular one and going more into him as a Person if smr didnt fuck it up would be nice ... but im too attached to my own interp based off of his canon implications to care about what smr kind of has to give. and he already did that in og strangled red, to a degree, although it focuses on the tragedy there is character stuff to be extrapolated from the implications of the story if youre very deeply ill. like me. )

- is a lot less character-focused, at least on steven specifically, and is focused on explaining or rewriting shit that never needed to be explained or rewritten. it is a revisit and reinterpretation of the story, that to me, is just purely kind of . Not good or fun to read. and the new shit it introduces is fucking stupid imo. steven being banished by the town instead of... fucking. killing himself ( especially specifically by cop. that's lame and way more boring + FUCK THE POLICE !!! + It feels out of character for steven he would just do it himself like actually. Also yk. hanging yourself is narratively thematic and ironic. ) or whatever goes so much harder .

guy who loves his town and home region and wanting to be a role model and wanting to be cool so badly being driven mad and then the entirety of kanto, his homeland, forsaking him and walling him off goes crazy . Also because it implies they're scared of him to some degree which also makes me go crazy as an implication.

[ more put below bc i love to fucking yap about strangled red and how much i dont like the rewrites ]

i Will not step down from 'the rewrites arent good' . Doors open is mostly bad because stevens characterization is garbage. even though its random and from left field ( why the fuck is he in sprout tower ) it couldve been handled well if it was written better characterization-wise.

also i supposed the 'M charizard makes sense. not. not really i don't actually think smr thought that through. if he did, which he couldve because she is named #'M# in Strangled Red, cool, but i still think it's just to make the "miki" name thing with 4 party members he has. which is cool admittedly. it's just that i hope it is never explained why he has 4. and it never has since, doors open rewrite didnt do anything with that thank god.

and bc he wouldnt have any other mon other than miki post-incident and afaik that thing only replaces existing partymembers, and steven canonically releases all his team in SR + pokemon avoid him. but yea. Doors open i treat as a 'spinoff' in a sense bc nothing from it really makes sense when properly thought through, and its basically there to make the lost silver crossover i feel. also, yk, he literally says "Never." in strangled red when you press switch on 'M / missingno/revived/whatever you want to call miki post revival. its kind of out of character for canon-compliant steven to have anything other than miki post-incident for these 3 reasons - i only made a team for him post incident bc im autistic about pokemon and pokemon teams so that was for fun.

basically it makes more plotholes and questions than not the more strangled reds plot stuff tries to be explained or added upon esp in the remakes which i think are not fun reads if you like steven as a character anyways. and also bc strangled and doors open in the ogs are easter eggs. trying to explain what is supposed to be an in universe easter egg in pokemon would obviously be kind of a lesson in futility. not. not exactly but at least in the way smr does it.

strangled makes sense, you just go to his fucking house and hes there. yea. doors open is like. Yea hes in johto now. dont ask. but its also easily explainable as... He just fucked off to johto. For what reason? idk. hates kanto bc theyve forsaken him and banished him to the Woods, just wanted fresh air i guess, or just for fun. these are all more plausible reasons.

iirc the rewrite doesnt even say why hes there and if it does the reason is convoluted and not needed. i think its just 'hes a ghost hallucination... thing??? following the mc which is the most boring route to go for with steven and the most uninspired thing ever, and missingno was not the antagonist just a plot device in the og story Why are we focusing on it so much.' and its still a plot device in the rewrites! it isnt explained ( good the explanation would be kind of awful ) and i cant see any good way to explain missingno other than the way i do as a fun idea. which is biased but the 'failed clone of mew number 3' is a fun idea.

this is an insane ramble from a deranged person. if you can't tell i fucking love steven as a character and smr does him dirty except in strangled red, really. strangled... is fine but bc he barely talks in that one and when he does its like. yea. that checks out.

no hate to you btw none of it was directed at you specifically just smr and strangled reds various canons. you just gave me an excuse to ramble about how much i dislike the remakes tbh. I fucking LOVE analyzing why i hate things esp involving steven bc hes not greatly written by his og creator and not often greatly written by the fandom either .

[blackfemmejeanvaljean]

I'm just spending this fine Thursday evening thinking about how I always see childfree memes about how nice it is to have extra money to yourself to travel and pursue hobbies and have nice things and how I live paycheck to paycheck often not having enough to cover my bills on time but at least I'm not paying for child related expenses on my paycheck which led to me thinking about how my sister told me my mom and dad got married because my mom wanted kids despite the fact they didn't love each other and apparently planned to have kids on purpose despite the fact they were poor and had only recently gotten sober (they met in aa lmao) and you know those families that can't provide financially for their children but love them to death and are emotionally there we weren't one of them so they just emotionally and physically abused me and my sister to the point we haven't talked in 3 months and I've only seen them 3 times in 9 years and what was the reason you wanted kids and couldn't provide anything for them I remember watching a tyler perry movie with my mom once and a character was talking about how how she was molested by her mom's boyfriend and my mom turned to us and said see some mom's are a lot worse like not allowing your children to be raped is not a flex I know it sounds like I'm coming down hard on my mom but long term followers also know I have smoke for my father this just isn't a post about him for once

[goldentigerfestival]

Using this as an audio reference for the posts I'm making, but to summarize:

Yuri starts out mad.

Yuri tries to calm himself down with a deep breath to ask for details instead of going through it angry.

Flynn doesn't say "like a good knight" in the sense of putting himself down. He simply says "as a knight" (the tl here doesn't use that, but with that included it's basically along the lines of "even though I had doubts, as a knight, I was determined to follow my orders").

Once Yuri has answers he calms down significantly.

Yuri uses " 'ttaku", which is a shortened down version of "mattaku" (Yuri often shortens words and speaks very casually), which in this particular situation basically would mean "geez", or "good grief". In this manner, it's expressive of exasperation/frustration/etc.

Yuri never mentions that "Flynn told him what to do" like the dub does (because in fact Flynn did not ever tell Yuri what to do. He only gave Sodia and his other knights orders. He expressed his own desire to take responsibility, but never told Yuri and his friends what to do).

At this point you can tell the anger has gone out of him and that he's calmed down, now that Flynn is approaching this with admission and responsibility.

Sodia is asking that Flynn returns as soon as possible (I believe this was a general translation error).

Flynn's thank you to Yuri is tonally much more heartfelt.

Yuri's response and gratefulness at Flynn coming back to himself is tonally much more heartfelt, relieved and sincere.

[infizero]

came to the startling realization just now that there are people who actually think light was totally fine and all his evilness came from the death note. ermmm. loud incorrect buzzer

[yikes077]

Idk about y’all, but throughout my schooling from second grade to present day in college, I have been taught the idea of “show dont tell”. So I would LOVE to know where other writers and authors missed that lesson.

[birdhousemp3]

i love to find a nice spot at the library and take out all my books and load up my laptop and open all my tabs and assignments and then pack up and leave immediately

[paimonial-rage]

My most interacted with fics:

Cocky Bastard Vibes (Zhongli)

Tipsy Tales (Anemo boys)

Why He Rejected You (pt 1)

Telling Them Off (Ayato, Venti, Xiao)

A Sight to Behold (Yae Miko)

Obvious (Neuvillette)

Simple (Alhaitham)

What Destiny Has Brought (Fischl)

Why He Rejected You (pt 2)

Blasphemous Assumptions (Zhongli)

[timeisacephalopod]

I've kinda seen some pushback to the idea of representation in media and I don't necessarily think it's bad to point out actual rights are more important than Disney's thousandth first gay character that's fine, but I've had a LOT of people comment on my works about asexual characters and tell me what I wrote changed their life-and it's always that phrase- because they now have the language to describe what they feel. I've had people who ARENT ace or aro comment that what I wrote finally made a concept they didn't understand make sense, or that the way I explained things was interesting and enlightening and I'm kind of a mediocre writer who hasn't written anything in ages.

Like idk, if reading something from a writer who is fucking around and only somewhat talented can genuinely impact someone because they've not seen anything like them reflected back at them in life or media I don't think pushing for representation in media is as "needless" as some people seem to think and caring about that doesn't mean you don't care about more "important" (although if you think seeing people like you in media ISNT important it's because you already have that representation or are privileged enough to not care if you do, in which case maybe pipe down) stuff. Hell, I even got a Facebook message ages ago from someone who found a comment I left in an ace group about QPR's and what they meant to me and how I perceived them and the person no joke said what I wrote two years before they even found it changed their life forever because they finally knew what kind of relationship they actually wanted.

So like sure, of course there's always bigger fish to fry them diversity in media (you know, like diversity in real life lol) but I don't think it's as frivolous as some people are beginning to act like it is. At least not if you're an aspec person it's not, I STILL don't see ace characters almost ever and I'll bet my whole everything if I asked a writer of a show why they'd tell me that EVERYONE has to be in a sexual relationship and characters that aren't won't sell and are boring- I say this because in film school I had a teacher TELL ME every character needed to basically be sex obsessed and when I pointed out a GREAT MANY CHARACTERS are not revolved around sex (Supernatural stars two brothers, I pointed out) and when she asked if I had love interests I was like ??? That doesn't matter- using my aforementioned supernatural example almost all their love interests die or get mind wiped because at the end of the day that's not what the story was about. So actually I think writers who act like that teacher need like 50 reality checks, and representation in stories isn't unimportant and also support indie writers you'll probably find more funky shit there then Disney anyway lmao.

And also even the asexual characters I DO see in media don't remind me at all of myself even if I appreciate the effort, but they never feel real or genuine and their sexuality doesn't get a lot of exploration so 🤷🏻‍♀️ I actually could use more media focused on characters that I can genuinely see my sexuality reflected in in a meaningful and narratively impactful way because I've got nothing.