#can only change where to go

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[shamballalin]

Each Heart is a Pilgrim ~ Have You Found Out Who You are in Your Life's Journey?

All days come from one day … Choose diamonds or gold? Pilgrim, the answer, the Light, is WITHIN you. Do you know who you really are? You are awesome. Believe in yourself. You are worthy. You are a beautiful Soul. Love, peace, empathy, compassion, forgiveness and joy for yourself and others will grace you when you discover this. It is the road less traveled. It is also a short-cut to…

[muirmarie]

jim being canonically the shortest one of the triumvirate is genuinely so important to me lmao, like yesssssss, let that beefy babe be shorter than both his boyfriends!!!!

[natade-art]

[pretending i don't wish i'd drawn them all on one canvas for better cohesion] finished redesigning my zelda trio again and i think i'm actually confident in them this time overall

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[bean-spring]

"Ekko is in love with Powder, not Jinx, so it wouldn't have worked out either way" is such a dumb argument against Timebomb.

Because yes, Ekko had a crush on Powder when they were kids. Yes, he tried to save Powder from her fate and ended up as rivals instead. Yes, he fell in love with Powder in another universe.

But that doesn't mean he was not willing to fall for Jinx too or that he didn't care about her. He continuously shows, despite not agreeing with her, full respect and acceptance for her decision. He agrees on Powder being dead but still cares enough to refuse to kill Jinx. He cares enough to go back and make amends with her and fight next to her. He cares enough to see her instead of Powder when he comes back from the alternate universe.

"But he still sees her as Powder and that's why he does this. He's driven by melancholy" aren't we all? Isn't Vi, too? And her love couldn't be questioned in any way, either.

Upon seeing the life they could've had together, Ekko goes back to team up with Jinx. Not the way he tried to do in season 1, seeking to save her and then becoming "savior boy". No. This time he goes to see Jinx and Jinx only.

People keep bringing the whole "he loves her past self" argument to fight this but it doesn't really mean anything when he was clearly willing to fall for the girl she is now. We keep forgetting that despite Powder and Jinx being different, they're two sides of the same coin and entity. Jinx is not Powder and viceversa, but Ekko knows that. People act as if he didn't but he's probably the one character respecting that the most while struggling with the change.

He ends up dressing with Jinx's colors. Mourning both Powder and Jinx.

To say he only loves Powder is to ignore his efforts to learn about Jinx because, if he only cared for her past self, he wouldn't have tried to help Jinx instead.

[nite-puff]

this was what their dr:s interaction was originally gonna be. trust me. i’m mr. danganronpa

(no cuz seriously. how are you gonna have them interact and then forget that hiroko canonically has a bit of a thing for takaaki?) (i say this like the dr:s writers even knew who the other captives were)

[nicollekidman]

realizing that people who equate cynicism with intellectual rigor are often just being lazy and pathetic has been so helpful tbh

[thebramblewood]

Exciting news: I now have a story page and a characters page! They're pretty basic at the moment, but I'm hoping to think of some fun stuff to add later. For now, you might find a few new nuggets of insight in the character bios! I just wanted a cute little hub for readers new and old to find everything they need in one place. Let me know if you think anything (or anyone) major is missing or if you notice any errors. Here are all the character portraits. Aren't they cute? And thanks to @buglaur for the incredibly easy to modify template!

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[maybe-a-dinosaur]

seijoh 4 as summer camp employees

hanamaki takahiro is BUILT for this he has fun hair he’s weird he’s engaging his he’s colorful his water bottle is covered in stickers he has sandals on toes Out he is shameless he’s kinda unhinged it so works. he’s a counselor but almost never has a cabin to himself he’s more like a sub if someone else has gets sick or whatever but when he shows up it’s like a celebrity sighting a monumentous occasion. if he’s not needed anywhere else he’s helping out with arts and crafts his favorite artworks are the ones where you can’t tell what the fuck it’s supposed to be. he has lots of string friendship bracelets he knows how to make them but lies whenever someone asks he just gives them one he gatekeeps cuz he thinks it’s funny and teaching is too much work. he tells the most Outrageous ghost stories and is the reason only half of the kids will go in the lake he talks about bigfoot and campers who went missing and the town’s curse he is carrying on legacies he is SO fun.

iwaizumi hajime is the Coolest fucking counselor ever. bandana around his head sleeves cut off of the uniform tshirt (muscle tee now) he has friendship bracelets a beat up watch one anklet his water bottle is on its last leg he has a dinosaur keychain on his backpack he like epitomizes cool guy the kids idolize him. his cabin wins every single camp-wide competition every time like he’s peak athleticism and he’s just like so awesome or whatever it’s contagious. he picks kids up and throws them in the lake and pool if a frisbee gets stuck in a tree he gets it every time he caught a snake once and took it back to the woods everyone wants to sit next to him in the mess hall he can’t build a fire and is mad about it he sleeps like a fucking Rock and snores like a lawnmower and eats enough for 3 people at every meal.

oikawa tooru is a lifeguard. at the pool at the lake he’s always around the water somehow and Everyone has a crush on him. up on his lifeguard chair sunglasses on his skin is all golden whistle around his neck or spinning on his finger his hair somehow always looks good he wears a headband one day and someone literally faints. he teaches swimming and canoeing lessons and is really good at it he almost Never has to save anyone for someone who works by the water you’d think they’d swim a little more. he’s pretty quiet when he’s on duty he takes the job seriously but he’s a fucking motormouth when he’s off that chair he will Not shut up. he sits w the boys at meals running that fucking mouth pisses them off So Bad he blatantly flirts/fights with iwaizumi when the kids aren’t around and Refuses to get into a canoe with him bc it always ends up getting flipped. he’s really good with the younger kids they’re his favorite to work with but he is generally well liked throughout the camp he’s like everyone’s counselor crush and he always eats raisin bran for breakfast.

matsukawa issei is the camp cryptid he works with the older kids who like go backpacking and spend all their time in the woods he emerges looking like he’s been there all his life. he kinda just appears sometimes doing odd jobs taking things to the lost and found feeding the chickens fishing things out of the lake general camp maintenance he materializes out of the trees with a fire extinguisher a neon yellow backpack and a missing camper. he’s often accompanied by the camp dog so there are theories (encouraged by takahiro) that he’s actually a werewolf and that’s why he’s everywhere some people think he is the camp dog issei thinks this is very funny. the only place he’s consistently found is the mess hall at meals otherwise when not wandering or in the forest he can be found hanging out with hiro coming up with new ghost stories playing some sort of sport with hajime or pouring water on tooru’s head wherever he happens to be. issei is the best campfire builder on the property and some of the kids are scared of him he never has his phone can only be contacted by walkie-talkie he is the jack of all trades.

[turtleblogatlast]

Don’t think I ever quite said what my LGBTQ+ headcanons are for the boys, so these are my current thoughts! Always changing of course but this is what I feel most strongly right now.

[ryssbelle]

Poppy for N2 au, it took me so long to make her design cuz I didn't really know what I wanted to do only because I feel like her design is pretty perfect.

But then I just thought about fun outfits to give her or outfits that I would find comfortable if I was wearing them and it all came together.

Poppy here is pretty much the same as here movie counterpart, as nothing really changes on her end of things other than having more insight on Branch through his brothers, and through Lief. Shes also a bit more understanding a bit earlier on because of it but it doesnt do much to change her own character arc I would say.

Bonus

Part of Poppys design was based off a design I had made for previous rulers of Troll Village/Tree

Namely Queen Protea who I designed as Poppys grandmother

Named after the Protea flower which part of her design is based off :D

In the context of this Au Protea was the one who conceptualized the tunnels while her son, King Peppy, was the one to follow through after her death

[scribefindegil]

2024 Recap: It was bad! 👍

[daisybell-on-a-carousel]

When Superboy Prime accidentally resurrected Jason Todd, it was described something like the universe righting itself. And, from a purely physical point of view, Jason never died. It brought his body back to it's state before his death, his injuries there but with just enough he could still survive

So, now I'm imagining like. What if there was an au where it was more than Jason just physically "never dying," but it affected memories of those around as well

Joker not remembering killing him, Dick not remembering hearing the news, Batman and Gotham not remembering the 6 months between Jason's death and resurrection, but not thinking much if it

Its all as if Jason never died

[dykedvonte]

So I've been turning over this detail of the game over and over and I think I've found a good reason and wanted to share. During the guilt sequence, when Jimmy enters the ID hallway his ID covers up both Anya's and Curly's.

And for a long time I've always wondered why those two in particular. And I think the reason why is because even at this point of the game he's still dehumanizing them and ignoring who they really are as people.

During the entire guilt sequence he never acknowledges Anya and the pain he caused her by the rape and forceful impregnation to her, instead only focusing on the fetus and how it would ruin HIM. And even his subconscious that's calling him out for Anya has to take on the form of Polle, and he still refuses to even reference her.

And even though he apologizes to Curly, it's really only for taking away his role as captain. He's not sorry for causing the crash that made Curly in perpetual horrific pain, for abusing him before the crash, or for even the cannibalism. And as you pointed out, throughout the entire guilt sequences he's had of Curly it's only in his post-crash state. Also throughout each guilt sequence with Curly he still imagines Curly as his perfect victim friend who would gladly take on the role of a villain for Jimmy to be a hero.

The ID hallway shows the players that even when he feels guilty he still refuses to see who they really are. Throughout the game he steals from both Anya and Curly their bodies and their voices, and this scene is symbolic of that. Even when he's feeling guilty, Jimmy is still doing just that to them.

ITS LITERALLY ALL THIS.

My biggest gripe with any interpretation of Jimmy and his abuse of Anya and Curly is that he actually respected Curly more. He didn’t even care enough to see the person he was before the crash in his moment of penitence. He couldn’t even give him a name in the end. Curly was always a space for him to take, to project his worst qualities onto. Anya became that space due to the position of power Curly specifically had, he’s his boss and he can’t just do whatever, hence why his actions were always behind Curly’s back. The tragedy of this is that he realized how much power he had over Anya, his subordinate, practically the same in the societal pecking order outside of this one instance. An opportunistic chance for him, similar to how he exerts physical power over a post-crash Curly.

He sees Anya as a nuisance, a thing he can’t get out of the recesses of his mind but he still sees her, in a fucked up way, she’s his dead pixel. Something that slowly destroys the perception of his screen the longer he ignores it until it goes black. But Curly? He’s an escape, he’s not anything real because the Curly in Jimmy’s head is also not a person but a place holder for him specifically. He wants to be that man and his only true regret is the destroying the thing he wanted to be and thus making that role inaccessible to him.