#can i marry your son.

[coral-and-reef]

"Oh what a cool oc with interesting story!" Damn it.

I'm normal. I totally have not think bout this idiot for the entire day and OF COURSE, I did not spend my precious time to draw *counts* 6 drawings consecutively. I'M NORMAL. I'M SANE. HAHAUSUHAUSDH

I. FORGOT. AGAIN. Wiktor belongs to @autoboros

[sforzesco]

TRY AGAIN LATER

it's like. well. its several things.

(Plutarch's Crassus, trans. Warner)

and also this

(ibid.)

that compliment sounds like an insult, baby.

anyway, there's a fun kind of eroticism in being given everything, in taking things that aren't yours without any real consequence, in climbing towards becoming a Roman Alexander, only for one man to deny you, over and over and over again, at every turn. Sulla tried, Crassus did it better. who would put a butcher in their place? who else knows you well enough to do it? who else can match you step for step like this? doesn't it feel like a kind of intimacy, a kind of—

it's also about the 'even sulla kissed my sword/so you want me on my knees too?' innuendo was too good to pass up. that was actually the first line I wrote, I figured out the rest of this to justify making a comic with it

and finally! the sword line is referencing/playing off of Lucan's Pharsalia a little bit because it fucks hard

(Lucan's Pharsalia, trans. Jane Wilson Joyce)

EDIT: oh, and that's a public domain anatomical illustration of a heart. you know how it is with love and hate.

[little-pondhead]

Oops.

While learning to control his powers under the guidance of Clockwork, Danny accidentally curses his own bloodline with the Curse of Sentient Food several centuries in the past. Originally, a witch was supposed to curse his family. Oops. Well, the Fentons were always adapting, and technically, either way, he'd end up battling dino nuggets at three am in his underwear, no matter who the curse came from. So he shrugged and continued on.

Unfortunately, this also means that out of nowhere, the timeline shifted, and some of his very distant relatives are now battling their food into submission at every meal because Danny is ultimately way more powerful than some mortal witch from the 1600s. His version of the curse reached literally everyone he could ever be related to for the last few centuries. Even if they were adopted into the family!

So, returning to the present time after training, Danny is a little startled to see some news clips of people's dinners coming to life and beginning revolutions. Wow, John Fentonightingale really got around, didn't he? He felt a little uncomfortable that now all these random people had to deal with their share of Fenton luck, but from some of the interviews, everyone seemed to be handling it pretty well!

Especially his so-distant-they're-on-another-tree cousins, the Kents, who contacted his family directly, asking how best to prepare a zombie turkey. Their son was coming for Thanksgiving with his new wife and some coworkers, and they just refused to make the guests fight for their lives on a holiday!

They invited the Fentons to join them, of course.

[moeblob]

They're soulmates in every single universe and I miss them at the most random times.

[kingkatsuki]

Mother Mitsuki, who despite Masaru’s pleas, is way too invested in Bakugou and your relationship.

[shannonsketches]

He said "Fuck this shit, I'm out" I'm crying. Toriyama's Vegeta was so top shelf 🤌

(From Neko Majin Z Chapter 5!)

[specialagentartemis]

Sarah Sisko’s whole deal is so horrifying and messed up and DS9 just kinda. Glosses over it

[deaththeyamikid]

Whatever you do, don't listen to Windows in Heaven by We Are The In Crowd and think about Miles and Gregory Edgeworth

[randomnameless]

Land 1 done!

Without crossing the bridge to get rekt'd by the final boss and trigger a bad ending, of course :p

I know the game puts more emphasis on gameplay than on characters, unlike, say, FE 8x2, but damn if every little situation you recruit random characters makes me think of past FE events in different titles and it just... fits? Somehow?

Like, evil empire has trouble conquering a party of Cornia, but behold! A mysterious plague pops up, that is totally not tied to the shady as fuck necromancer who works with the evil empire and says it'd be annoying if people find a cure.

So we have some guy and his army of cleric wearing plague doctor masks trying to find a cure by, uh, experimenting/working on people who already caught the plague, even accepting to work with the evil empire because curing the plague is more important, right?

Ends justify means yadda yadda... save for the part I earlier mentionned, that it is heavily implied the evil empire is the one who created that plague to begin with!

Now, imagine in a FE game if, in the background, we had to rescue people or hear about people being afflicted by a strange and unknown disease... and if that disease was engineered by people for a further motive...

8x2? Nah.

We also have quests where people are fighting for the evil empire who is occupying their land because they believe as long as they obey their people won't be put to the sword...

(I watched my bro play the final chapter, we know how it ends lol)

Not!Cyril fighting against bandits, finding and helping a witch fend off people who are trying to "catch her" - we even get a flimsy excuse for a bikini attire in the process and an answer to the "why do i use spells to rejuvenate myself in a sexy body? It's because I won't be able to move as fast as I can now if I was a crone" other flimsy excuse, etc etc.

Now it's time to enter the land of fucked up siblings relationship (sure Virginia is Alain's cousin - who looks like his mom - and can end up with him, but this is not the kind of Jugdralian stuff I had in mind) and let me tell you, all those plot bunnies I had in Jugdral about Lester believing he was going to become Lord of Jungby all of his life, only to have his role/throne snatched before his eyes by a bum who's apparently his cousin and can use the legendary shiny bow of legend is... basically Drakengard (Drakenhold in english?), but up to eleven.

Ah, and it wouldn't be a post from me if I don't find a way to rant about the localisation lol

Josef, upon meeting Virginia, basically goes in the audio "it's been a long time since I last saw you". In the english version?

Like what are you implying Josef, she wasn't a princess when you saw her last time or didn't have the "standing" fit for a princess?

Besides, I hope the release of the october book won't blow a hole in the Josef's "you were a teenager when we last met" by releasing character ages, but that's not really that important.

This however

Alain greets his long lost cousin, nothing wrong here right?

Well, in the JP audio, he calls her with the "hime" suffix, showing as much deference as Josef, who is a retainer of the royal family. Virginia doesn't use any suffix because that's her, but in Alain's various support convos, we learn that he had to learn and to behave like a proper noble after escaping from his castle 7 years ago, and all this noble/formal stuff is something he doesn't use with his commoner friends.

Ergo, this minor thing here is important, especially in the Drakengard themes : siblings/relatives used to be close, but reuniting after a long period of time or several life changing events, they are changed and even if they want and try to, cannot be as close as they once were.

[keepthetension]

still thinking about night

when they moved to bangkok, night (still a kid himself) would've been the one taking care of day until their mom came home (what is their age difference btw?). when he got older he became a party boy who went into the nightclub business; can't imagine their mom was thrilled about that. dude spends the bulk of the show being blamed for causing day's accident and just generally not being a good enough big brother (he does eventually get a "i forgive you", though sadly not a "sorry i was an asshole"). feels like such a third wheel at their family dinner that he straight up tries to leave, and then starts to cry because day remembered what food he likes. at his own pre-wedding blessing, his own mother doesn't say anything nice about him. and most of what we see of the wedding is night and his new wife running around to matchmake for day. but also like the entire raison d'être of this whole-ass relationship is to illustrate a Big Point for day's benefit

representation for the all parentified kids who can also never do anything right! but like, representation that's TOO FUCKING REAL, you know?

[slocumjoe]

This is a very old and tired complaint but Shaun really was the stupidest thing about fallout 4. The synths were pretty bad too but the synths weren't supposed to be the characters motivation for doing anything. Shaun was several jukes in a contrivance trench coat that clashed with...everything else, to be honest.

So anyway, some dumb ideas i came up with in ten minutes to replace the "Find your son" plot, still using the basic ideas

The SS is still pre-war, and still is the only survivor of Vault 111. This time, they're the ones taken by Kellogg, and after undergoing something (basically just being conscious in the Institute for a bit) before getting thrown back out into the Wasteland. The motivation is figuring out who those science guys were, what they wanted with you, and later, are you a synth?

The SS is not pre-war. Game starts with you traveling with some merc group (gunners maybe?) told to investigate Vault 111 and get out any survivors of the cryo chambers. You find the cryo'd people, but the Institute and Kellogg are right behind you. Kellogg kills everyone in your band, leaving only you, as you hide or play dead or whatever. The Institute takes all of the people you were supposed to save. Motivation is 1: avenging your team and killing Kellogg, 2: figuring out why you were sent to Vault 111 in the first place, and if this job was a set-up.

SS is a traveler who stumbles upon Garvey in Concord. You save him and his group, and can join the Minutemen as usual. If you accept, the Settlement radiant quests start to involve the Institute. Synths are constantly attacking your farms, you keep finding replacements in your settlements trying to kill the original people, and the Institute sends you letters requesting your cooperation or to disband the Minutemen, depending on your actions. Kellogg also keeps showing up and throwing wrenches in Minutemen business. Now, as the General, you're trying to find the Institute to make them stop fucking with your people. If you decline the Minutemen, the Institute starts attacking the major settlements, and now the Commonwealth is under invasion. The Brotherhood rolls in with no fake niceties, and you get roped into it by either the Railroad or BOS in a random encounter.

Back to Pre-war SS. The cryo chambers open after 200 years on their own, and all of the 'residents' stumble out to find the Vault staff dead. Someone has to go see what its like topside. You can volunteer, or everyone draws straws/flips a coin/etc and you lose, having to go up. You go find Codsworth, he tells you there are people in Concord. Find Garvey, etc etc. Vault 111 is now up and operational by Pre-war civilians, but you're tasking with getting supplies for them. Joining the Minutemen makes this easier, as you can send supply routes rather than do it yourself. The Vault interests the Institute, who send Kellogg to attack Sanctuary and the Vault after hitting a certain threshold of success. You go after the Institute once it looks like the Institute, before the war, had something to do with Vault 111, and are now trying to come collect those results. Motivation is figuring out what the Institute is actually planning for the Commonwealth, and why Vault 111 and its people seem to be their ticket to that future.

[thecomet-and-themeteor]

@montygatorguy

In which I draw Mercutio and Tybalt within the & Juliet universe based off of a mix of Alpharad's performance of and my school's performance of Romeo & Juliet

I couldn't tell who Mercutio was and who Tybalt was so I just went off of colors I associate them with, I'm sorry if I got them wrong

Reference images under the cut:

[ask-ozai]

What was iroh’s wife like

Too good for Iroh.

I was fourteen when Iroh got married. His wife was the perfect princess, strict, strong, loyal and intelligent. Not the kind of princess who tries to send secret intimate letters to stinky peasants behind her prince and husband's back, but Iroh never appreciated his privileges.

She was so strong and proper that she could afford to be kind. No one could resist her charm. Everyone wanted to please her, she had a curious effect on people. My father was very nice to her, too (because, of course, she never sneezed into the portrait of his dead wife, unlike his other daughter-in-law), and for a while he was in a better mood, even around me. She was even nice to me too, probably because she knew that even at such a young age I already held immense power and deserved the recognition of a proper prince. She used to ask me to show her my best firebending moves. Maybe that's what it feels like to have a mother.

When she died, Iroh, Lu Ten, and my father got through it together. Losing his wife made Iroh and my father even closer, and there was a new kind of understanding between them. And as before, the two forgot about me again. Of all the stupid things Iroh has done in his life, letting his wife die must have been the worst. I don't think I ever forgave him.

[i-kiss-clowns]

somebody said dio i have been summoned whomst demands discussion of my child

ANON HOW COULD YOU KEEP YOUR IDENTITY A SECRET WHEN YOU KNOW IM TRYING TO FIND DIO FRIENDS

[p2iimon]

drawing more furry fnaf art. yknow just to keep you posted. i love posting in the tags sorry these ones got away from me

[just-sp-in-inginthevoid]

"Takeomi is Sanzu&Senju's half-brother" headcanon, sure

But is the Akashi grandmother biologically related to him or not... Hm....