#can i call this a meta?

[bumblebeehug]

Btw Natsu didn’t “snap” last chapter. He called out to Lucy, it’s different. Snapping implies that he was mad or upset over Lucy’s actions, but I truly don’t think he was: he just noticed that she wasn’t fighting, and he knew she was needed in this fight, so he cried out for her.

I’m upset over people calling him angry, that he snapped and got mad and yelled at her. That’s literally not what happened: Natsu saying “Just shut your mouth for once!” With a dark, clearly very angry face, when she unknowingly talked about Lisanna before she returned from Edolas - that is him snapping.

(I could only find the scene on TikTok lol, credits go to @dailydragneel even if I edited it a bit)

Maybe it’s not that deep, but I feel like the nuances matter. There was nothing that indicated that Natsu was angry with Lucy, the “Lucy, please…” panel showed more that he felt helpless, knowing that their efforts didn’t seem to make a difference in the fight. So he called out for Lucy. (Here’s the panels so you can compare with the actual angry Natsu)

In the hyq he looks upset and stressed, but I don’t think those emotions were aimed at her. Maybe I’m choosing to see it differently, but I think he’s upset and desperate in the situation, and that he’s raising his voice and straining himself because he’s in the middle of a fight.

Anyways that’s my two cents.

(Nice addition in the tags by @fleuve-des-etoiles )

[feelo-fick]

i thought the reason was obvious..??

but you dont seem to get the implication so i guess ill just keep talking and you can listen if you want to

—

that one meme but its them :] sort of a sequel to this

[medusaesque]

enough about 'he'll keep calling you officer when he's angry and detective when he isn't'. Kim calls you lieutenant-yefreitor when he wants to say I love you

[pinkd3mon]

Dealing with Trauma while being King Dedede

Bonus:

Dealing with Trauma while being Taranza

[bloodsbane]

what i love about laios is that he's actually very good at putting puzzle pieces together BUT HERE'S THE THING 1) he needs to HAVE the information, and 2) (this is important) he needs to KNOW it is information he should care about

and i think this could be said of anyone but the thing with laios is that people tend to view his lack of awareness wrt social etiquette and memory problems as pure indifference and/or obliviousness; sometimes they misinterpret his motives based on their inaccurate expectations of him and therefore don't give his thoughts on a subject the credit he deserves

one of the most obvious examples of this happens at least twice in the manga as i remember it, but the most recent incident was when they were trying to resurrect falin. there's a moment where laios mentions reconstructing both of the warg skeletons, as their bones are mixed in with hers. both chilchuck and senshi balk at this, with chilchuck complaining aloud, questioning laios' priorities,

and laios quickly, angrily retorts. his reason for making the suggestion is perfectly logical and practical, but because his friends are used to his interest in monsters influencing his judgement, often in ways they see as frivolous or dangerous, they don't come to the same conclusion. one which i'd argue is kind of obvious considering the situation

we see it again during his fight with toshiro, where toshiro demands to know what laios plans to do to save falin. laios takes a minute to answer, but he DOES answer, following the logic that if falin is a chimera because of (and controlled by) the mad mage, then the logical next step is to confront/defeat/usurp them

then in the following episode, when chilchuck brings it up again, laios explains what he (now) knows about thistle, mentioning that he's the same elf that laios saw in the living paintings, which is why he knows thistle's connection to delgal. the party reacts like this:

i'd say this is an example of them feeling frustration over laios' habit of having 'bad timing', not knowing when or how to speak at appropriate moments. theyre judging him for not saying something earlier, as if he already knew all this but didn't think to mention it when it was relevant, when the reality is that laios only just now had all the pieces he needed to understand the full picture

and i mention this bit specifically because i think it's a great way to explain what i mean by point 2: laios needs to know when information is important and worth considering

which, again, feels fucking obvious. but as someone who ALSO has debilitating issues with remembering important shit, i find this particular element of it pretty relatable and critical to my overall point. it's not laios' fault that he didn't know who thistle was or his significance - why the hell would he assume that a person he met in a living painting, presumably long since dead in reality, should be someone who's face, name, or motives he keeps in mind?

ultimately, i guess what i'm trying to say with all this is that the way others treat laios' intelligence is not congruent to how actually smart he is. one of the things i love most about laios, what is possibly his biggest strength and the reason he is such a great protagonist, is that laios is willing to think things through and find the most logical conclusion to a problem, no matter how outlandish or dangerous or seemingly impossible that conclusion may be. sister got eaten? race back down to go get her. can't afford food? fight, defeat, and eat dangerous monsters. sister's fully digested? use black magic to bring her back. now she's a chimera? defeat the mage controlling her and use that power to fix it.

anyways. what was even my point with this post? i guess it is that laios is smart, at least as smart as anyone else in the cast, arguably smarter than some. he is intelligent and utilizes that intelligence in many ways, not JUST when it comes to monster info (though that is his best and sexiest brand of knowledge)

and also please be nice to your friends with memory problems. it's rough out here for forgetful bitches

[ranna-alga]

"Do the Evolution" - Pearl Jam

[currymanganese]

GUYS, I CAN'T ACTUALLY BELIEVE I'M SAYING THIS, BUT WHAT IF THEY ACTUALLY HAD A GOOD REASON FOR JOHN CENA BEING CAST AS SAMMY FAK?

please bear with me (pun intended) and let me know what you think of my speculation under the cut~

In a mind-boggling case of a seemingly big-lipped alligator moment in season 3 - John Cena appears in a bizarrely over the top (even by the tonal comedic standards set previously by The Bear e.g. Ecto Cooler punch at a kid's birthday party getting spiked with Xanax in Season One) and jarring scene that stretches on and on as he obnoxiously squabbles, blathers and exchanges nonsensical rapid-fire quips with his brothers Neil and Ted Fak as they buff polish The Bear's dining area before a food photographer from The Chicago Tribune arrives to take a photo for a review of The Bear.

In this scene, he also intimidates and threatens to 'haunt' (in a Fak family tradition ( that even the Faks find annoying) - that involves pranking and being an unrestrained nuisance to their loved ones especially when they least expect it) his brother Ted for, "stealing his SD cards"......

This scene and the increased screen presence of the seemingly plot-irrelevant Faks this season is currently being eviscerated by plenty of fans and critics alike.

Edit:

I now strongly suspect that John Cena's role was always in the works ever since S1

..................................

But what if there's a (debatable, but) really good reason for this scene and the increased involvement in Seasons 2 and 3 of the massive numbered siblings family of Carmy's pseudo cousins, the Faks?

See Exhibit A:

In season 2, episode 3, Sundae - after Carmy has already asked Sydney out to Kasama, a husband and wife owned restaurant run by Tim Flores, and Genie Kwon*, ostensibly just to brainstorm and gain inspiration for planning for the new menu, and after Sydney has already gone home and freshened up and changed her clothes, then arrived to Kasama early, despite the meeting only being scheduled for an hour after she last spoke to Carmy at his apartment, Claire calls and interrupts the whole hypothetical shebang with Syd and Carmy at Kasama (the Tagalog WORD FOR TOGETHER) with the words,

"Did you mean to give me a fake number? You do know that I know your entire family [translation: she must know Donna too and Claire assumes that Carmy's folks approve of her - and she's proven to be technically right throughout Seasons 2 and 3 ], right? And I know ALL the Faks! [translation: tee hee! they're bigger than you - to quote Neil and Ted with their Uncle, "We Faks do have a particular shape, don't we?😇" - and they outnumber you, you scrawny punk, slay!😉✨]"

Claire then proceeds to playfully threaten to have said "massive numbered siblings" Faks, which includes Sammy Fak, played by John Cena (a professional wrestler, from an industry that is mixes both bawdy over the top theatre, a performance art that values Kayfabe (legerdemain/slight of hand anyone?) and comedy, and an athletic discipline) that is TALL. BUILT. HENCH. AND BUFF AF.....Claire 'playfully' threatens to have THESE FAKS, beat up Carmy, who is short in stature and cannot fight well from all the previous physical confrontations we've seen him be involved in, despite supposedly being a former high-school wrestler, and who has already been seriously physically abused thrice in the series run thus far (not counting him play fighting or trying to fight with Richie) after being JUMPED by a GROUP of assailants, not once, but TWICE in season one, by the Ballbreaker nerds in the pilot, and the Bachelor Party attendees in the season finale (the first season started and ended with Carmy being beaten tf up, Holy Shit! 🤯); AND AFTER BEING SLAPPED IN THE FACE IN SEASON 2 BY HIS OWN MOTHER, DONNA.

Notice the way Carmy goes from being lost in his thoughts but being completely relaxed after his menu planning session with Sydney, and in anticipation of seeing her on their would be inspiration seeking meet-up (definitely not a date, no Sir! 👀) at Kasama, to being tense and jittery and apprehensive when Claire calls him (after going behind his back and getting his number from Fak).

Notice the way Carmy's voice shakes when he asks Claire if she really knows all of the Faks.....

Notice Carmy's defeated and annoyed reaction after he hangs up the phone.

No wonder Carmy is being so avoidant and conflict averse in his handling of Claire in both Season Two and Three, he has absolutely no faith in himself or his loved ones at present to defend himself should he assert the type of boundaries he may have been desiring to have with them for these past two seasons, after all - who can he count on to fully have his back even to the point of physically intervening for him if he gets into a scrape or is genuinely attacked, by the Faks on account of Claire taking offense at or misrepresenting his words and actions to them, e.g. Claire apparently twisting Carmy's self loathing stream of consciousness confession (that she eavesdropped on) and telling Tiff that they broke up because Carmy said that "Claire will ruin everything good for him?" while he was trapped in the fridge?

What if Carmy knows he has to rip the band-aid and call Claire and apologize for his part in the superficiality and disintegration of their dalliance, but is afraid to do so because he knows in so doing, if he is being fully honest with himself and with Claire, he never truly wanted to be with her in the first place?

And who knows how Claire will take that revelation - it probably won't be pretty will it?

And.....

to quote Neil Fak,

"Claire's the best."

"We love Claire."

"I did that." [setting Carmy and Claire up in Pop)

And.....

Claire. knows. all. the. Faks.....

TL;DR

They cast John Cena as Sammy Fak, and the Faks had a lot of screen-time this season because they are the physical manifestation of being haunted in their family's sense of the word:

and a satirical visualization of Carmy's desire for Syd being cock-blocked ; plus Claire is a Love-able Alpha Bitch, and Carmy is ambivalent towards her, and even a little scared to face her, because her henchmen are the Faks!

If you enjoyed this post, then thank you for reading and I'd recommend that you check out the following meta on the way Christopher Storer and Company have seemingly (and controversially) committed to sticking to the bit of lying to the audience and breaking the fourth wall throughout this entire season:

Richie and the viewer - by @whenmemorydies with my add-on in the reblogs about Richie, not Carmy, potentially being Christopher Storer's author avatar in this series (from a post originally written before season 3 premiered.

Fourth Wall being broken - by @brokenwinebox and @thoughtfulchaos773

Claire being a possible representation of addiction, being a habit that is hard to kick - by @thoughtfulchaos773 and my and @devisrina 's add-on speculating that Claire may also be meant to be interpreted or revealed as a bit of a mean girl, to reference TVTropes, she (and by extension Season 3) may be a deconstruction/ mashup /send-up / subversion of the: Girl Next Door, the Cute Bookworm, Nerds Are Sexy, MPDG, Yandere, Alpha Bitch, Loveable Apha Bitch, Childhood Friend Romance, High-School Sweethearts, Sickeningly Sweethearts, Getting Crap Past The Radar, Freeze Frame Bonus, Parental Bonus, Viewers Are Geniuses, Give Geeks A Chance, Even Nerds Have Standards, Beauty Equals Goodness, Face-Heel Turn, Cerebus Syndrome tropes etc.....and a subtler mirror version of Donna Berzatto.

Edit: See my reblog add on to @espumado 's thread on the recurrent 'haunting' theme this season and the possibility of the Claire x Carmy x Sydney love triangle being a Lilith x Adam x Eve allegory, and my webweaving about Syd x Carmy's Adam and Eve parallels. sidenote: Lilith is Adam's first wife apocryphally and in Jewish mysticism that left him, and became a she-demon / mother of demons after being impregnated by the archangel Samael - wait is 'Sammy' Fak a Samael allegory?!!

and another reblog add-on of mine to the thread linked above - on The Faks as the living embodiment of all that is fake in Carmy's life, C Storer's handy dandy tools for slight of hand,

you can't spell fake without FAK.

and please see

Clairecarmy as Ann Veal x GOB from Arrested Development

and with Richie's frustrated refrain of, "Who cares?!" whenever Claire and Claire and Carmy's breakup is brought up in 3 -

see the running gag of George Michael Bluth's (from Arrested Development) family's disdain for Ann and his relationship with her.

5. The parallels between The Bear and Burnt by @ambeauty - a post Season 2 post which was proven to be prescient and insightful given the Easter Egg inclusion of Bradley Cooper's character from Burnt on the photo wall of chefs at Ever in the Funeral dinner in the finale.

6. The parallels between The Bear and Boiling Point - a gritty film and mini-series set in a restaurant which features several plot elements and characters reminiscent of certain character archetypes and subplots present in The Bear - seriously think of this IP as The Bear's cynical, dramatic, older British cousin.

Decision to leave by @anderwater

This anon that recommended Boiling Point to me and wrote about its connections to The Bear.

The difference between The Bear and Boiling Point by @theblvckvenus

The similarities between The Bear and Boiling Point in this reblog add-on to @happylikeasadsong et. al's thread.

7. Claire/Carmy and the Walk In - my old post on the parallels between Strange Days (1995), Can't Hardly Wait (1998, and The Bear.

and @ambeauty 's meta on Claire as a representation of the fridge

8. My post on the possible connection between The Bear Season 3 and Andrei Tarkovsky's experimental, semi-autobiographical, psychological Oedipal drama film The Mirror (1975) - a film which was incredibly divisive upon its initial release, but has since gained wide acclaim and re-evaluation as a masterpiece, and that has had a legacy of subsequently inspiring multiple renowned filmmakers.

9. The Bear series' lead actress, and the director of Napkins, one of the only episodes of The Bear Season 3 to receive almost universal acclaim - Ayo Edebiri's trollish sense of humour and assertion that lying is the pinnacle of comedy.

10. And last but certainly not least with the inclusion of a Genie Kwon*'s, of Kasama fame, cameo in the season finale and the prominence of Kasama being key to Syd and Carmy's stymied relationship progression, courtesy Claire, see

The Kasama of it all by @gingerylangylang1979

@mod-doodles @lunasink @vacationship @chansoooo1-blog

@bioloyg @msmoiraine @nerdyblerd @ripley-stark @uncriticalbunny @prowitchazel @msmoiraine @mswyrr @anxietycroissant @turbulenthandholding @tvfantic87 @laryssamedeirss @tejidaepoque @angelica4equity @inalltheirgorgeouscolors @houseofevangelista @glitterslag

@uncriticalbunny @imliterallyjustablackgirl

@bioloyg and @ambeauty please don't say I told you so or welcome back, I'm flabbergasted that I wrote this, but I want to believe! 😭

P.S. If you're still reading this, do yourself a favour and read @brokenwinebox 's post

New Paradigm

and this follow up

Mocktail is a dirty word

and check out her #the magic trick tag!

and also check out these Sydcarmy and Rosalind x Orlando from Shakespeare's As You Like It parallels:

The Bear as a pastoral comedy

First Meetings

Fumbling with your crush

Separation, keepsakes and lovesickness

and also C Storer really did tell us in the music that this season would inspire

Mixed Emotions 🥴

[veinsfullofstars]

💋 MetaDede Week 2024 Day 2: First Kiss 💋

(ID: Kirby series fanart of King Dedede and Meta Knight standing on a balcony - the latter on the railing - overlooking a late-evening sky, painted in the gold-pink-purple tones of sunset and speckled with stars high above. Turned to face his knight, DDD boldly takes his hand and plants a small kiss on the back of it, eyes shut and cheeks dusted in pink. MK looks up at his king with soft fondness, a hand over his heart, a blush of his own glowing through his mask. Above them against the starry sky, a low-opacity, sepia-toned memory can be seen. Meta - teenaged and maskless with nearly-grown wings, wearing plain steel pauldrons and white gloves; and DDD - teenaged and acne-plagued, wearing an oversized red-and-orange hoodie and a maroon beanie. In a fit of last-second courage, Meta grabs his friend by the front of his hoodie and yanks him down, shutting his eyes and blushing fiercely as he plants a hasty kiss - their first! - on his cheek. DDD leans over unsteadily on one foot, an arm thrown back for balance, his pimply face bright red, his eyes wide with surprise and touched with heart-shaped shines. END ID.)

Previous Day | Next Day | Prompt List (made by @/mtddweek)

Started 08/05/24, finished 08/10/24. | Childhood Friends AU Masterpost

[kacievvbbbb]

Honestly with the workload these kids be getting, what they are studying in school and just generally how they are treated. You really forget these kids are like 6 years old.

Anya is the only one that consistently acts her age and so she sometimes comes off as immature which is insane when you think about it they are all literally 6. This also works cause we can assume she is a year or 2 younger than the rest of her grade, still, even then it’s insane.

Which is why when the other kids actually start to show their age usually in situations of great emotion, the bus hijacking for one. Or even when the kids think one of them is going to have to leave because his family is now poor and they all rally around this kid they never even really spoke to, or when they literally think that some macaroons will make them smarter and help them pass the test. Or when they simply want to play outside.

it’s so jarring and you’re left being like oh right they're six, this isn’t normal. Six-year-olds shouldn't be put under this kind of pressure.

It's another neat little insight into just what kind of society these kids are living in. And a little bit of irony that Loid who wants to create a society where little kids don't have to cry anymore is on a mission that requires the infiltration of a school where little kids can't even be ones.

[skywalkr-nberrie]

Throughout her career as Queen and later as a Republic Senator, Padmé became desensitized to romantic advances. Her life's work was surrounded by people who were fake, two-faced, manipulative, and full of loud bravado. Nobody was sincere, and anyone who approached her always had ulterior motives, whether seeking to benefit from her high status or gain importance by association.

What's often overlooked, however, is that Padmé also harbored similar reservations about the Jedi. While she deeply respected and admired the Jedi, she found their mannerisms, etiquette, and stoicism unsettling at times:

Padmé's discomfort with the Jedi endures, unaffected by her numerous encounters. This lingering unease is consistently reflected in her thoughts, as recorded in the Queen Amidala Journal and other Star Wars novels.

Padmé admits they’re brave, wise, and respected beings but she can’t fathom them the way they are in nature. She finds them rather irritating 😂

As we see here^^ Padmé also finds their lack of emotional repression quite obnoxious as well. So much that she’d made a vow that if she were to ever become Chancellor, she’d have every Jedi demonstrate at least “one emotion” a year.

{When the topic comes to companionship, trust, and seeking aid, Padmé has enough professionalism to know that the Jedi are people she can always rely on. She heavily respects them and trusts them no matter what. But outside the professionalism, she doesn’t mesh well at all with them because her ideals, values, and beliefs are like night and day with theirs.}

This understanding of Padmé's perspective sheds light on why she fell deeply in love with Anakin. She famously declares him the only Jedi she could ever love, and it's clear why. Despite the odds against them – his Jedi vows, her senatorial duties – Anakin proves his devotion, showing Padmé the depth of his love and desire. Passionate and hopeless romantics, Padmé and Anakin share a profound connection. Much like kindred spirits. Anakin's all-consuming passion resonates deeply with Padmé. His patience, vulnerability, and unwavering commitment ultimately capture Padmé's heart, making him her soulmate.

[artbyblastweave]

ask game; Victoria Dallon, aka Glory Girl aka Antares

I've always thought that Victoria's first appearance is quite the bit of deft needle-threading.

The thing about Interlude 2 is that Vicky is our first example of one of this setting's established heroes actively fighting crime- not just swooping in to vulture up the accomplishments of an up-and-comer- and a therefore a major goal of the sequence is to ensure that the audience comes away structurally unnerved by what counts as business as usual for the heroes, set the stage for the hurricane of ass-covering to come. So we have a sequence where she lords her power over a baseline criminal who has no realistic chance to fight back or get away, where she cripples and nearly kills him in a display of excessive force, where she uses her connections to other capes to duck out on the consequences of her excess once she realizes that she's crossed certain moral and optical Rubicons. All of this is gross, all of this speaks to an alarmingly cavalier attitude amongst even the most ostensibly accountable heroes. And from a protagonistic perspective, all of this serves to soften the blow of Taylor's actions at the bank in act three, because we're predisposed to see Vicky as an arrogant, overprivileged loose cannon who'd actually have a significantly higher body count than all of the Undersiders put together if not for the cushion afforded to her by her status as a superhero. A golden child up against the already put-upon underdog.

But. She also does all of that to a Neo-Nazi, who was fresh off committing a hate crime. I mean, if this was violence against a purse-snatcher, a drug-dealer- It would be very, very easy to block this sequence in a way that would set her up as a villain and nothing else for the rest of the work. In The Boys, for example, Homelander debuts by incinerating one bank robber's hand and throwing another a thousand feet into the air to land hard on a parked car, and the dissonance between that casual brutality and his chumminess with the onlookers is the thematic backbone for... basically the entire show, because he was in such total control of the situation that the only reason to do it that way is that he fundamentally doesn't care. In Super Crooks, it's made abundantly clear that the superheroes trying to arrest the titular supervillains are significantly more destructive to the city than the villains are, because their institutional backing removes any incentive to do anything but pursue the flashiest arrests possible for the sake of ratings. But Glory Girl? She's a sixteen year old putting her money where her mouth is on the unconsidered-dilettante suburban-left-ish tumblrite rallying cry of punching a Nazi. She's living out a near-boilerplate superheroic fantasy of righteous violence against an uncomplicatedly righteous target- likely a fantasy entertained at least once by the median cape fan, if we're being honest- and then, in the aftermath, blood on her hands and on the pavement, staring down the full weight of the prospect of actually having killed a person in an unconsidered spate of rage, is very much a panicked teenager about it, scrambling for a way to walk it back.

Which, independent of the specifics of whether this particular asshole had it coming, is the problematic element of this that generalizes- that superheroism in this world is a system that puts the social license to use concrete-shattering power in the hands of a kid with the judgement and attitude of someone scheming up ways to dodge curfew. She's done this before, she's gonna keep doing this, she's gonna keep being two-faced about it with her public-facing golden-girl image. But she wasn't wrong to be angry. And the fact that this is the kind of thing she gets angry about is hard to separate from later beats where she tries to do right by people, hard to separate from her willingness to put herself on the line against Endbringers and the Slaughterhouse 9. It's a bad situation, a horrible system that's guaranteed to incentivize bad behavior, they shouldn't be assigning any of this shit to a 17-year-old. But later on, when things go south for her, the seeds are planted so that she can retain audience sympathy in a way that she likely wouldn't be able to if this story was a banal hatswap, with unfairly maligned "villains" who do no real wrong against supervillains who happen to call themselves superheroes.

[bumblebeehug]

as much as i’d like to see mashima work harder on the 100 yq (as in actually try to make the relationship between natsu and lucy progress) i’m actually concerned for his well-being. it’s already well known that manga artists work themselves to death, and with everything mashima has to do it wouldn’t surprise me if he just went on total hiatus. he’s been working on the 100yq, writing and drawing the storyboard, while fully writing and drawing eden’s zero, and now he has to finish up EZ in order to begin a new series (that he has been told to make by some producers or something).

i can only speak for myself but i don’t want a million different stories from mashima. i love his way of completely devoting himself to the one he’s currently making, because when he does that he writes absolute masterpieces. the thing with all of these stories is that he risks writing them in poorer quality - which he refuses, so instead he overworks himself. i’ve always been a great fan of mashima, no matter what other people say about him, because his stories are full of meaningful messages that bring hope and comfort to the people reading them. i know fairy tail is one of the biggest influencers on how most of us grew up - and for me it has been no different. the impact these stories have on people’s lives is wonderful and amazing, and that’s thanks to his great investment in his work.

to criticise his writing at times isn’t saying that we don’t like mashima. we criticise because he managed to make a story so great that we want to call it our own - that’s how amazing they are.

i just wanted to spread some light to his amazing work, and how he’s also sadly likely to be working too hard. he’s great, i’m so thankful for everything he’s doing, and i want the best for him (one day i will pinch him for not making nalu canon sooner lol)

[cutesilyo]

you know how there was a running theme with the NPC encounters in hades? that sisyphus, eurydice, and patroclus were all involved in stories about being unable to escape death?

and its something thats explicitly discussed within hades itself, at least for sisyphus and eurydice. sisyphus had attempted to cheat death three times, one of the most notable being when he bound thanatos in chains. orpheus had found a way to bring eurydice back to life, but couldn't follow through with completing hades' challenge. achilles had a prophecy hanging over him during the war; die in glory at troy or live long unremembered. he chose the war and patroclus followed. they didn't survive. they are all different manifestations of the axiom zagreus is fighting against: that in hades, there is no escape.

so i was thinking. in the hades 2 playtest, we get dialogue from nemesis about how mortals had it better during kronos' time. we get dialogue from arachne too, about being distrustful toward the gods because of her curse.

i wonder if the running theme for the npcs in hades 2 will be people maligned by the gods in some shape or form.

arachne is already confirmed as the npc encounter for erebus. proud athena cursed her into being a spider. will we see victims of a love gone wrong in the next biome, like daphne perhaps? will we see those offered up for sacrifice just to appease the gods, such as andromeda or iphigenia? maybe those who were killed, perhaps unjustly so, because they dared fly too close to the heavens, like bellerophon or icarus? demigods that were cursed because of their birth, ala heracles? its long been a joke that the greek myths are just full of people suffering because of the incomprehensible acts of the gods. if hades 2 goes down this route, theres a lot of material to draw inspiration from.

and its an especially interesting direction because we know that its kronos waiting for us down the line. kronos, who ruled the golden age. when it comes to those wronged by the gods, you cant get much worse than being waged war against, your mountain stronghold so damaged from the attack that it loses height, and then being cut up into tiny pieces.

kronos, the crooked one. i bet he'd have a hell of a time trying to convince melinoe that the gods cant be trusted. and melinoe would be surrounded by all these narratives that would just prove his point.

just like how zagreus was in hades, who was surrounded by all these narratives about how death had no escape. and yet, his story is about how life and love bloom despite it. i cant wait to see what melinoe is fighting against now.

[vraisetzen]

have you ever hated someone so much that you would pour your heart, soul, and very life — the life he gave you — into killing him?

a hatred that runs deeper than disgust, and darker than passion...

this hatred, your hatred — that lingers in his ears as whispers even after you are dead and gone —

(and love and hate aren't exactly opposites but complementary shades that sit side by side, clasping hands with that sickening dread that sits in his scars as a reminder of his disdain for change and entropy and death)

and it goes back centuries, right up till that fateful night, when he still had you by his side, when you dared not even look him in the eye;

forever — until it wasn't.

[hopeswriting]

was thinking about takeshi and how he's my favorite brand of unconditional devotion btw. the utter and absolute and all-consuming kind that runs so deep to the very core and is so intrinsic and fundamental to it, it can only express itself in the most casual and natural and certain way. without second thoughts, without any room for doubts or for any moral dilemma to be had over it, because of course he ought to always be breathing and living for his chosen person first and foremost. of course he ought to hang on their every word and make them true no matter what, no matter what he has to do to make it happen, no matter what he has to do to other people to make it happen, and no matter what it might turn him into in the process. because it's obviously the way the world should be for his chosen person. at their feet, ready to bend over backwards and break and build itself again to better answer to all their needs even if they don't ask it for it. it's the only right way it should be for them, and of course takeshi's going to do his utmost at all times to make it a reality as much as possible.

and his devotion comes out as naturally as breathing, comes out lighthearted and nonchalant like he might as well be talking about the weather, but it's not unaware of itself. it's not that takeshi doesn't know it's unhealthy and wrong and that he's willing to go entirely too far in its name for anyone's good. it's not that he wouldn't hear you out if you were to sit him down and explain to him just why he needs to tone it down a little (a lot). logically, he'd agree with you and know you're right. and then he'd tell you he's still not going to do anything whatsoever about it. that he's not bothered by it and doesn't feel the need to change anything to his attitude. makes it a point to never let anyone or anything sway him even an inch in the stand he took when it comes to that, no matter how many thousand of times you might go over the subject with him.

because the morality of his devotion isn't the point at all. is entirely irrelevant to it and doesn't affect the way he expresses it all. it's not the metric with which he draws a line in the sand to hold it accountable to. because the thing is, takeshi's entire world revolves around tsuna--tsuna is his entire world altogether, and it's just a matter of fact, that simple. to him it's a truth as unchanging as the sky being blue, and so being the way he is according to that truth is the only way he can imagine being that'd feel right to him. and so the actual and only metric that matters here is "would tsuna be happier if i were to do this?" and/or "is this something tsuna needs me to do?"

and like. i don't think takeshi ever stops being a kind person capable of compassion and understanding and mercy and forgiveness even ten years later once they became mafia through and through. and i don't think either he grows up to be feared and called a monster per se despite the things they inevitably had to do during those ten years (and the things they'll inevitably keep having to do as long as they keep being mafia), at least not in the way, for example, they'll never stop fearing and calling mukuro one. but i do think that among the tenth gen, he ends up being the one with the most ruthless, merciless and horrific blood on his hands of that particular and distinct loving kind. you know the one i mean, right? he comes to be the one most expected and the one first expected to be willing and to take it upon himself to go through with it when the need arises. and to think little of it after, if anything at all. all in the name of making tsuna's reign as easy on him as possible.

and it's to the point where it's the kind of blood that makes even mukuro pause at times. or, when takeshi is the one coming up with solutions himself during meetings, makes even reborn blink. not because it's unjustified or wouldn't be safe or efficient or anything of the sort, but because it is unwarrantedly thorough in its retaliation. and sometimes, at times like this, he's the one tsuna needs to step in for the most, because he's the only one who can reason with him that "yes, this would work in getting rid of our problem" but "no, please, don't do that takeshi". because if tsuna is the only thing that infers on just how much and in what ways he'll let himself be devoted to him, then of course, he's also the only one takeshi's willing to reign himself in for without second thoughts. because he'd hate to ever do something tsuna would disapprove of or wouldn't want him to do. or do something that'd make tsuna see him differently or love him back less even in the slightest.

and it's also like. his devotion isn't an undisciplined one. it's not one he doesn't have control over, the very opposite. it's a very purposeful and conscious choice he chooses to keep making over and over again every step of the way, and he taught himself to have control over it, to know when it's needed and/or wanted, and how much and in which ways it is when it happens, and to keep it down otherwise. and, yes, to also reign it back in at tsuna's request at times when it still slips past his control. because it's all about making tsuna's happiness easier and secure and long-lasting, and never about burdening him with just how committed he is to do that.

so it comes down to this: takeshi willing to go above and beyond and more for tsuna unless tsuna explicitly asks him not to. and to tsuna needing to ask him not to every now and then. and to other people pointing out to him how too many times tsuna's already needed to stop him, and that maybe there's a hint for him to take there. and to takeshi seeing the hint, looking it straight in the eye and recognizing it for what it is and just. deciding it doesn't apply to him because it's all perfectly normal behavior to him. because it's the only kind of behavior that makes sense to him and feels right.

and so—to circle back to my first point—he can only express his devotion as naturally as breathing, so casually, almost like it's something inconsequential and not worth talking about despite how unmistakably it couldn't be further away from being the truth. it's the only way he could have always known how to express it, because, after all, who has ever taken time to ponder about the details and the hows of the way they breathe?

and i, for one, absolutely eat that shit up every time, thanks for coming to my ted talk <3

[snowmenatwork]

Edwin's Hell

The Spider - This is the S+E page from Simon's papercut book. You have to pause to see it (31:49, Episode 7).

The Dolls - Mary Ann