#ca. 1835

[acrosscenturiesandgenerations]

▪︎ Album of Cut-Paper Flowers.

Creator: W. Ellen

Place of origin: Great Britain

Date: ca. 1835

[arinewman7]

Landscape with Grave, Coffin, and Owl

Caspar David Friedrich

brown sepia over pencil on paper, ca. 1835

[catsofyore]

The cat is obviously the most important thing here, but I love that the painter included the boy refusing to keep his shoe and sock on. Ca. 1835. Source.

[metmuseum]

Collar. ca. 1835. Credit line: Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009 https://www.metmuseum.org/art/collection/search/170227

[clove-pinks]

The Magic Lantern by Auguste Edouart ca. 1835, made with cut paper and ink wash.

Description by the Met Museum:

One of the most proficient silhouette artists of the nineteenth century, Auguste Edouart discovered his skill at paper cutting only after resigning his post in Napoleon's defeated army and moving to England. He delighted in showing off his abilities by representing a range of ages and social types, as in this complex composition featuring three generations of one family, together with their servants and pet dog. A "Galantee" showman performs a magic lantern show-in which images painted on glass are projected onto a screen through an illuminated lens-while an old man with a wooden leg provides musical accompaniment on a barrel organ. The cut figures are set within an elaborate curtained interior painted in sepia.

Although the figures are silhouettes, they are unmistakably Romantic.

[artthatgivesmefeelings]

William Etty (English, 1787-1849) The Deluge, ca.1835-45 Victoria and Albert Museum, London The title suggests that this oil sketch was intended for a larger painting on the subject of the biblical Flood. Etty was known for his studies of the female nude and his work was sometimes censored for indecency.

[yama-bato]

Utagawa Hiroshige

Act 11, Gathering before the Night Attack (Juichidamme ichi youchi oshiyose), from the series The Treasury of Loyal Retainers (Chushingura), ca. 1835-1836

Original Hiroshige II (1826 - 1869) The 47 Ronin Returning at Daybreak, 1847 - 1852

Utagawa Kuniyoshi

Title: Act XI of The Storehouse of Loyal Retainers: The Rônin Assemble at Ryôgoku Bridge (Chûshingura jûichidanme Ryôgoku-bashi sei-soroi zu)

[japaneseaesthetics]

Shono, Kameyama, Seki, Sakanoshita, and Tsuchiyama, by Utagawa Hiroshige, ca. 1830-1835, Japan

[bubu0h]

Unknown / Nth by HeyJude19

Cupid; Study after ‘Cupid and Psyche’ (ca. 1873) by John La Farge (American, 1835-1910)

[madeineurope]

🎨 Knud Andreassen Baade - The Wreck, ca. 1835

[lameslutz]

VENICE, FROM THE PORCH OF MADONNA DELLA SALUTE ca. 1835.

JOSEPH MALLORD WILLIAM TURNER.

Metropolitan Museum of Art.

[acrosscenturiesandgenerations]

▪︎ Footed millefiori bowl.

Artist: Vincenzo Moretti (Italian, 1835–1901); Maker: Venezia-Murano Company (Italian 1872–1909)

Date: ca. 1880

Culture: Italian, Venice (Murano)

Medium: Glass

[jewellery-box]

Dress with gigot sleeves, jacquard woven silk, ca. 1835 Fashion Museum Bath

Via the Dreamstress

[art-portraits]

Hon. Emma (Crewe) Cunliffe, later Emma Cunliffe-Offley

Artist: Thomas Lawrence (British, 1769-1830)

Date: c. 1809-1830

Medium: Oil on canvas

Collection: The Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA, United States

Hon. Emma (Crewe) Cunliffe, later Emma Cunliffe-Offley British, 1780 - 1850

Elizabeth Emma Crewe was born February 15, 1780, the only surviving daughter of John Crewe (1742-1829) of Crewe Hall, Cheshire, and his wife Frances Anne Greville Crewe (1744-1818). Her father was created 1st Baron Crewe in 1806 in recognition of loyal service to the Whig party during forty-eight years as a member of parliament. But it was her mother's legendary beauty, intelligence, and political zeal that attracted a galaxy of political and cultural luminaries to the family circle.

As a young girl, Emma Crewe garnered high praise from Fanny Burney, who found her "extremely well bred, sensible, attentive, & intelligent" and "promising to resemble mentally her charming Mother." She delighted in music and often performed as a singer at social gatherings. Numerous contemporary accounts attest to her considerable ability.

On March 16, 1809 the painter Thomas Lawrence reported to a friend that Emma Crewe had refused a marriage proposal from Sir W.W. Wynne. One month later, on April 21, 1809, she married Foster Cunliffe (1782-1832) of Acton Park, Wrexham, elder son of Sir Foster Cunliffe (1755-1834), 3rd Baronet, and his wife Harriet. Having no children of their own, she and her husband later assumed responsibility for raising their young niece, the Hon. Annabella Crewe (1814-1874), daughter of Emma's elder brother John, 2nd Baron Crewe (1772-1835).

1829, on inheriting the property of Madeley, Staffordshire, her husband adopted the surname Offley, by which her own family had been known prior to the early eighteenth century. Following her husband's death on April 19, 1832, Emma Cunliffe-Offley spent several years traveling with her niece in Germany, Austria, and Italy. She returned briefly to England on the death of her mother in December 1835, when it was observed that she would have perished from grief, had it not been for the affectionate support of her niece. It was to Annabella that Emma Cunliffe-Offley left the present painting (together with furnishings at Madeley and at her house in Upper Brook Street) when she died on February 15, 1850.

[metmuseum]

Pheasant with Chrysanthemums. ca. 1835. Credit line: Bequest of Ellis G. Seymour, 1949 https://www.metmuseum.org/art/collection/search/56699

[gogmstuff]

More pre-Victorian 1830s (from top to bottom) -

ca. 1830 Evening or wedding dress (location ?). From tumblr.com/andrayblue 1080X1350.

1831 Marquise Chasseloup-Laubat (probably Marie Augustine Antoinette Le Boucher des Fontaines) by Joseph-Désiré Court (Musée des Beaux-Arts de Rouen - Rouen, Normandie, France). From their Web site' enlarged by half 845X1181.

1830-1832 María Cristina de Borbón, Queen of Spain by José de Madrazo y Aguado (Prado). From their Web site 1280X1745.

1832 Marie Franziska von Freytag by ? (Salzburg Museum  - Salzburg, Salzburgland, Austria). From tumblr.com/history-of-fashion 766X963.

1832 Amalie Klein by Friedrich von Amerling (Österreichische Galerie Belvedere - Wien, Austria). From tumblr.com/history-of-fashion; fixed spots & cracks throughout w Pshop 2893X3508.

1835 Illustration from La Mode by Paul Gavarni. From tumblr.com/clove-pinks 1650X2048.

1836 Marriage Portrait of Charlotte de Rothschild by Moritz Daniel Oppenheim (Israel Museum - Jerusalem, Jerusalem District, Israel). From Google Art Project.

Lady with Pink Sash by Camille Joseph Etienne Roqueplan (Sotheby's - 29Jan22 auction Lot 703) 1583X2000.