#c-avenged

[xmenuniverse]

Disco Dazzler Variant Covers

[thestarlightforge]

Edit: Tone Tag 😭 I am not yelling at y’all, I’m just exploding in my little gay disabled wandavision young avengers bubble. It’s all excitement/relief/love over here. 😊💙

JAC REPURPOSED WANDA’S CRAPPY RITUALISTIC AMNESIAC STORYLINE FOR GOOD

“JUST PRETEND I’M NOT HERE” JAC SCHAEFFER— 🫠

IT’S NOT TWO KIDS IN ONE BODY, THE HEX INDIRECTLY KILLED WILLIAM KAPLAN, BILLY MAXIMOFF IS REALLY BILLY WITH A REAL SOUL THAT HAD NO HOME—HE’S REALLY WANDA’S SON, TOMMY’S BROTHER

SOME OF HIS MEMORIES GOT MUDDLED AND HE LEARNED TO REPRESS SOME OF HIS MAGIC, BUT HE COULD BARELY EVEN GET OUT CALLING REBECCA “MOM” IN THE KAPLANS’ LIVING ROOM AND HE NEVER REMEMBERED WILLIAM KAPLAN’S LIFE—BECAUSE WANDA’S KIDS WERE REAL AND HERS, WHETHER 45 YEARS OF MISOGYNISTIC COMICS WRITERS LIKE IT OR NOT

“WHO ARE YOU?” “WILLIAM KAPLAN.” “SAY AGAIN?”

“I’M BILLY MAXIMOFF” AND

“I’M NOT THAT NICE” 😭

BILLY MAXIMOFF FELL IN LOVE WITH A BOY, HE DIDN’T JUST TAKE WILLIAM KAPLAN’S BOYFRIEND TO BLEND IN

JAC DIDN’T FORGET ABOUT TOMMY, NO ONE DID—THIS WHOLE THING IS FOR HIM AND HE’S EVERYWHERE

WILLIAM KAPLAN’S LAST WORDS WERE “MOM, LOOK OUT” AND

BILLY MAXIMOFF’S FIRST WORD OUTSIDE THE HEX

WAS “TOMMY” 😭

[howtheavengerswould]

how would the avengers react when avenger! reader is able to lift thor’s hammer?

requests open!

how the avengers would react...

𝙄𝙁 𝙔𝙊𝙐 𝙇𝙄𝙁𝙏𝙀𝘿 𝙏𝙃𝙊𝙍'𝙎 𝙃𝘼𝙈𝙈𝙀𝙍? (IM TRYING TO INSERT PICTURES BUT IT WONT WORK)

Thor was most likely the most confused. What started with training ended in deafened silence as you had simply caught his hammer from midair. He would try to call the hammer back, but it simply stayed in your grip, your own shocked eyes meeting his. He would laugh, clapping his hands together and staring pointedly at your grip on the hammer, before striding up to you and plucking it from your hands. His ego was definitely bruised, not that he'd let anyone know.

Steve always knew you had the capacity to do it, you simply never tried. It was something he was curious of--who exactly would be deemed as worthy, but he had a guess, that if anyone was, it'd be you. You were definitely the nicest of the group, and he wasn't very shocked when you had lifted it from the table at one of Tony's parties. He noticed, however, how you'd stared at your hands like you'd just made a miracle, and patted you on the back, letting you know that it wasn't that surprising, and that you were indeed worthy of holding the legendary hammer.

Tony had been there when Steve had seen you lift the hammer, and his first instinct was to play a prank on the rest of the team. He'd drunkenly invite you over to his side of the couch, brazenly whispering in your ear his idea: "You should put the hammer on top of..." he'd cut himself off with laughter, but would finish his sentence, nearly doubled over, "their stuff." It would take a hot second for you to figure out quite what he meant, but when you realised, it was enough to send the two of you into a fit of giggles.

Natasha was the first victim of you and Tony's antics. The spy always woke up earlier than anyone else for training, and walking into the training room the next morning, she'd find her catsuit stuck under the hammer. Of course, no one was awake to hear the frustrated pleas of the Black Widow--other than you and Tony, of course, hiding away in his workshop, and watching from a camera. Natasha, ever the attentive woman, would spot the new camera, and march herself down into Tony's workshop... and kindly 'ask' for you to move it. She half expected Thor to be with Tony, but when she'd seen you, she managed to put two and two together. She was proud of you, of course... after the frustration and mild silent treatment ended.

Clint was next, and shortly following Natasha, he would find his bow trapped under the hilt of Mjolnir. He nearly had a fit, stomping with mild annoyance towards an innocent Thor's room, who had been so preoccupied with his findings of 'video games' that he hadn't even noticed his hammer's dissapearance. Thor, now the victim of Clint's morning annoyance, would try to eagerly rope the archer into playing with him. The pair would only be found later that night, passed out over chips and a few broken controllers. (...when Clint did find out who exactly had trapped his bow, he would laugh outwardly, and then whisper a good-natured warning in your ear, "Don't do it again, or I'm putting you in one of those holding cells until the next person finds you.")

Bruce was, of course, the unfortunate last member of Tony's incredible prank ideas. He would find the door to his lab jammed shut by Mjolnir, but of course, the culprit hadn't exactly left the scene of the crime. You'd been setting it up when he had stumbled upon you, five minutes earlier to his usual arrival time, and simply stared in shock at the sight of you holding the hammer. "So... have you been able to do that the whole time, or is that new?" You'd laugh it off together, and the hammer would definitely be used as a party trick in the future.

[drakaripykiros130ac]

Ryan Condal literally stating that he expects people to switch sides after they see B&C (as if the murder of Lucerys Velaryon and Queen Rhaenyra’s terrible miscarriage mean nothing).

Those many, many, many viewers like me who actually read the book (unlike the showrunners):

[ladystoneboobs]

anyways, speaking of cannibalism, wrt frey pies in particular, it just hit me that the rat cook song is not just a way for wyman to slyly telegraph what he did w/o any of his in-world foes noticing, it could also be his justification just as much as inspiration. let's look back at how we learned of the legend through bran:

"It was not for murder that the gods cursed him," Old Nan said, "nor for serving the Andal king his son in a pie. A man has a right to vengeance. But he slew a guest beneath his roof, and that the gods cannot forgive." -Bran IV, aSoS

so, in other words: 1) violating guest right is the most heinous of crimes and 2) if guest right is not violated then murder and even cannibalizing the murdered to feed to their own kin is a-ok so long as the motive is personal revenge. by giving guest gifts to the 3 frey envoys to end any guest rite bond asap and get to the killings, wyman not only gets just a feeling of moral superiority by at least not committing the same type of crime as the enemies he killed, he also ensured that his vengeance could be divinely sanctioned as a natural right correctly exercised, unlike how the rat cook did his. he learned his lessons from this northern legend and improved upon the actions of this nightfort cook accordingly. thing is, the justified right to vengeance has to be just an old gods thing, not fitting in with the seven (which house manderly had converted to 1000s of years ago back in the reach) as the christainity stand-in, which is just evidence of the depth of manderly northern assimilation and/or that old dark ways never entirely disappear, no matter the religion. wyman manderly can still worship the "new" gods with just as much urge toward old-fashioned bloody revenge as any old gods worshipping northman, not so different from his vassal ser bartimus in the wolf's den who bragged to davos that his ancestors were likely among those who once hung slavers' entrails in a heart tree as a bloody offering to the old gods.

[cannondiesel00]

This was my visit on 6/1/24, the studio C bot, was on random movements, they still had all the art, I don't know when they are going to remodel if they are, but it was a pretty cool visit due to this location being one of the only ones with the stain glass mural from the PTT days left, besides the corporate offices

--------------------------------------------

My first post on here, I've been into animatronics for awhile now, and been into chuck e cheese for the same amount of time, and finally got to visit one with a animatronic, due to the one in my area getting the 2.0 remodel years ago

[torinlm]

I ABSOLUTELY HATE THE FACT STEVE LEFT BUCKY IN ENDGAME

you would never make me into thinking steve rogers who started the fucking civil war to protect his "till the end of the line" best friend just left him alone for some woman who he barely knew ALSO KNOWING that in the new timeline bucky would be being tortured for decades

NEVER EVER WOULD I BELIEVE IT

[jiyascepter]

LOKI | S2E1 'Ouroboros'

Lockscreens

Reblog if you save | do not repost

[korzuan]

Marvel What If: After the Mission

Peggy and Natasha recuperating in the Avengers Tower, after fighting the Hydra Stomper (Steve) and Melina Vostokoff.

Marvel What if (C) Marvel / Disney Art (c) Korzuan

[immortalmuses]

Avengers: The Children's Crusade

Steven Grant Rogers, you did not just call these two boys Friends...

[squids-comics]

Let me introduce you to the Avengers of Spider-Ham's world: the Scavengers!! Here we have Iron Mouse, Pigeon, Captain Americat, Ant Ant, Squakeye, Quacksilver, and Thrr!

[thestarlightforge]

Who would’ve thought the end of the Michael Waldron/Sam Raimi Multiverse of Madness saga/debacle/reign of terror would be a gaggle of lesbians spending 3 years crafting THE most elaborate “go f*** yourselves 😌✨” the comic book industry has seen in Two Decades 😭

[howtheavengerswould]

how the avengers + peter would react...

𝙄𝙁 𝙔𝙊𝙐 𝙁𝘼𝙄𝙇𝙀𝘿 𝘼 𝙈𝙄𝙎𝙎𝙄𝙊𝙉.

Peter always wanted to go an a real, official mission. He doesn't even care if you've failed, he looks up to you anyways. Screw everyone else if they think differently; you're cool for having gone on one in the first place!

Tony would have been dissapointed, but maybe it's just the way he saw how dissapointed you already were in yourself. Instead, he has you sitting beside him in his workshop, letting you watch him design some fancy new technology he's had in the works ...(it's really just a new suit, but Pepper would kill him if anyone found out.) Building stuff is his way of forgetting his problems, and some part of his mind thinks that letting you watch him will let you forget the dissapointment of today.

If Steve was dissapointed, he certainly didn't say it. Instead, he does his best to cheer you up--he had been in your place many years ago, after all. He knows what it's like to fail, and how it can crush a person. His first thought was to offer you ice cream... he's not really sure what the 'kids' like these days. You seem to like the ice cream, so he considers it a job well done.

Natasha was dissapointed, to say the least. Good thing she has a soft spot for you, or you'd be running laps for the mistake you'd made. Most agents usually get that treatment with her, but seeing the pure dissapointment on your face made her change tactics. Natasha isn't one to sugarcoat, and of course, she tells you all of the ways you could have done better, but above all, she tells you everything you'd done well. Constructive criticism is necessary for success, after all. (Afterwards, Natasha totally accompanies you on another mission and does everything in her power to help you complete it... without doing it herself, of course.)

Clint had been on backup when he'd seen you mess up, and was quick to save you from the tough spot you'd put yourself in. He was quick to reassure you that the mission could always be redone another time, and he was glad you were safe and unharmed. He was stressed, of course, but having you safe was his priority.

Bruce was the fastest of all the Avengers to get to you once you'd gotten home. He was quick, checking you over for injuries and shushing you as you tried to provide excuses for what you'd done. He is the first to tell you not to worry, and that everyone screws up. To his embarrassment, he decides to tell you a story about himself, a few years after the Avengers' formation.

Thor laughed it off when you told him you had failed. He, of course, started laughing boisterously. He might've thought you were being sarcastic, but when he realised that you were serious, he was quick to jump to condolences...and the offering of mead, of course. Because alcohol makes everything better. Sort of. The rest of the Avengers would find the two of you slumped over a couch, giggling incoherently.

requests open.

[dookielarue]

this guy again !!!

[ahousefullofmuses]

"Well, that went lovely." Felix sighed, watching his partner walk away after a heated argument with a witness.

[c-is-for-circinate]

MCU Rewatch #3: THOR (2011)

General Impressions: I'm allowed to like this one for reasons unrelated to objective quality! I'm also allowed to dislike it for same!

Thor does a good job at a bunch of things. It manages to really succinctly outline what Asgard's deal is, who the major players are, and how this complete fantasy world works, while remaining in the context of a two-hour movie that mostly doesn't even take place there. It's very funny in places! It's not at all a deep movie, but it's entertaining and fantastical and that's fun. This is -- and was! -- the perfect movie to watch in a cold movie theater during a hot summer, munching popcorn and explosions, and that's a perfectly valid thing to be.

Anyway, for me the best parts and the worst parts of this movie were the same, ie Loki. We'll get there -- he was by far the most complex part of this really quite simple film, and that has its plusses and minuses!

All in all, there's nothing wrong with a simple film, and for the most part that's what I'll say about Thor: it was a simple film with good fight scenes, and nothing much was wrong with it.

OH. Except the sound balancing/editing. That was absolutely criminal and whoever was in charge of sound design for this movie should be shot, not just for their crimes here but for the many years of emulation to come.

The Hero: Like the movie, simple but endearing, with a genuine heart.

Thor is definitely not as compelling as Tony Stark, but he's likeable, and his emotional arc is definitely both present and the most genuine part of this movie. In a lot of ways, what we see here is that Thor is a big kid. He makes decisions without thinking about consequences. He does not bother to try and read a room. He's arrogant in a way that reflects his position, but he's also arrogant in a way that suggests he hasn't considered his position -- having his powers, hammer, and home taken away from him is a shock because he's never thought about the fact that he had them in the first place. Getting sent to Earth is more or less a boy being grounded by his father to try and teach him responsibility. Thor is almost a coming-of-age movie, except that it never quite feels like Thor actually gets there -- he's better, by the end, but not quite a man standing on his own two feet just yet. Breaking the Bifrost is a sacrifice on his part, not a decision carrying the weight of the responsibilities Thor will have as an adult and future king.

That said, I really enjoyed the sincerity of his confusion and grief over being told Odin was dead. He's a hurt little kid, asking his brother if please, can I go home. The scene with Selvig in the bar is one of the best in the movie, with Thor admitting vulnerability and doubt and regret over how he left things with his father. (And again, telling that all of these are feelings about his dad, with a man old enough to be a dad/granddad, and that's the energy Thor needs to lean on right now -- Selvig, not Jane, gets Thor's emotional breakthrough moments, because Thor is a tall handsome child who hasn't grown past needing a parent.)

Also, I vaguely remember some fan back-and-forth about whether Thor is kind of dumb, or very smart but trolling, or very smart and just ignorant of local customs. Upon rewatch, Thor may or may not be smart, but he doesn't particularly care. He does shit on Earth because he doesn't care enough to pay attention to whether it's appropriate. Nobody else is smashing coffee mugs, and the diner is totally lacking in raucous celebratory energy, but Thor wants to be raucous and celebrate, so he's going to do so whether it's appropriate or not. Doesn't matter that he's been driven around in cars his whole time on Earth, he doesn't spend thirty seconds to think about what might be appropriate travel, he's going to make assumptions. This is more of that self-centered teenager logic, where he doesn't bother to try and think about the existence of points of view outside his own.

The Villain: If I end up having Loki Feels by the end of this marathon I'm going to stab something. I refuse.

Anyway, Loki was the most complex part of this really quite simple film, which has good and bad sides! I can and will be objective about how well/poorly that complexity was rendered, but sitting here thirteen years after this movie came out, I can admit it: I really fucking hate the Evil Adopted Kid trope. It's a shitty trope and I don't like it, for personal reasons, and that is always going to color my experience with Loki in any movie where he shows up

That aside, Loki's actual motivations and plans in this movie were baffling and kind of a mess. The problem is that Loki is a complex character, with a lot of doubts, full of love and jealousy and insecurity and pride, but we very rarely get to see him from the inside. It feels like the movie was really invested in surprising people with the end twist of Loki killing Laufey in front of Odin, revealing that actually he was on Asgard's side all along! and does not hate his family! So therefore, for the movie before that, we had to be witness to everyone else's doubts about him and only seeing his actions from the outside, to keep that a surprise. I can see how it'd be effective on a first watch, when the suspense of 'what is this guy going to do and what side is he on?' can pull a viewer through the movie. On a rewatch, knowing what Loki's ultimate deal is, it just feels confusing and inconsistent. What exactly was your plan for when your dad woke up, Loki? Did you actually intend to leave Thor on Earth forever? Were you or were you not actually hoping to kill your brother? What the fuck was your endgame here?

I think there is probably a very interesting story here where Loki's plans seem muddled because he's muddled, awash with emotions and doubts and the inner conflict between love of his brother, twisting jealousy, the objective truth that Thor would be a terrible king, and the fact that Loki, like Thor, is also still very much a grown-up kid. He's making dumb decisions by the seat of his pants and his motivations are contradictory and messy. That tracks, with what we see, but we don't get to see that because this movie is too invested in its twist and its simplicity. Allowing Loki the time and space to be this complicated would steal the entire show from his simpler, genuine brother, and because the movie itself wanted to be simple and straightforward, there wasn't room to hold the layers of its complicated villain. No wonder the Tumblr girlies went wild for him.

The Ensemble: Weak romantic lead with an A+ comic sidekick, hobbled by needing to run two casts at once.

I think this is where we really see Thor suffer from the problem of having to establish two casts at the same time. The New Mexico side of the equation, Jane and Selvig and Darcy, simply doesn't get time for character development. We know next to nothing about Jane, except that she cares about her research and once dated a doctor. Why this research? How did she get into it? How long has she been in New Mexico? What university does she even work for??? It's true that we don't get a lot of details about, say, Pepper's backstory, but it doesn't matter because we understand from the very beginning how she fits into her life and also Tony's life. Jane is a brief three-day whirlwind in Thor's existence, and that's not enough time for him or us to understand who she is or why we should love her. It feels like the movie went through the motions of having a Lady Love Interest, and it doesn't work out great.

Darcy and Selvig actually fare better, simply because there's less need for them to be more than they are. All we know about Darcy is that she's a polisci major who's working a summer internship way outside of her field, but we don't need to know more -- she's there to be fucking hilarious and indeed she is. Selvig is there to help facilitate Jane's choices and Thor's emotional development, and he does his job well.

The Asgardians have a similar problem. Thor's four friends are basically interchangeable (Sif's only notable distinction being that she's a girl). Thor's mom...shows up? We get the impression that there's more going on with Odin than we've seen, but I wonder if some of that is just me remembering Ragnarok -- either way, given that Odin is literally in a coma for 3/4 of this movie, it doesn't mean much. Heimdall probably has more characterization than anyone else in Asgard other than Loki, and that is...not a lot.

It's a lot of just not very much, across the board.

The Franchise: We're already seeing the formula start to get built and tested in the moviemaking labs.

It's fascinating watching Thor on screen directly after two back-to-back movies of Tony Stark, because Thor has some of Tony's same growth arc with none of his fascinating complexity. On the surface they've got the same vague sketched outline: careless, self-involved privileged prettyboy must learn to think outside himself and care for others to become a hero. Thor takes that plotline in a very different direction, which means the movie doesn't feel same-y, but a more cynical viewer might wish to speculate about what boardroom or producer's office suggested that the writing team follow that.

I think Thor actually does better about wasting time trying to set up the future of the franchise. We don't spend a ton of time on Coulson and Hawkeye here -- if we watched this movie with no idea who they were or that they were here to set up anything at all, they'd function fine as Generic Government People (with an inexplicable thing for archery). I think the place where the setting-up hits worst, actually, might be with Loki: he needs to be complex and sympathetic enough to be interesting as the main villain of Avengers, but we can't resolve anything about him before that. (Not sure how far they'd planned the plot of Avengers at this point in the production run, but I wouldn't be surprised if they'd already called him as their bad guy.)

Thinking about the big thematic MCU premise of a superhero world without secret identities -- the choice of Thor as our next hero in the franchise, somebody who neither has nor needed a secret identity to begin with, is clever there. They're not going back on the freedom from overworked secret identity bullshit that they've promised, but they're also not stuck making a second movie about the lack of them, which would just end up looking like a retread of IM2. The secrets we do find here are all kept by SHIELD, which is clearly trying to keep superhero stuff in, and just as clearly is not managing it. (Loki also has a secret identity, with his discovery of his Jotunn heritage...hmm, much to think about there for the future.)

We pretty much lose all themes around the military-industrial complex here, and the movie is probably the better for it, considering what a hash IM2 made of the subject.

VERDICT: A breezy, light 6/10

Thor is in every respect a perfectly fine movie. It's simple, it's straightforward, it manages to do a bunch of things and establish a brand new fantasy setting without actually putting much depth into any of them.

I suspect that, as I get further on in this franchise, 'perfectly fine and no great flaws' is going to be the verdict on a lot of these movies, and I'm going to start dropping my number rating lower and lower every time something shows up that's simply fine. For now, with the context of only IM1 and 2, 'does light summer adventure flick competently with some sincerity and doesn't fuck it up' feels like an improvement over IM2's messiness, so that's where I'm rating it.

Except for the sound design. Anyone who thinks their battle sequences need sound effects roughly 800% of a standard dialogue scene should be forced to watch their own movies with the sound on a pair of unremovable headphones set to a flat however-loud-it-needs-to-be-to-hear-people-talking. Perhaps, after the deafness ensues, they will change fucking careers.