#c;faustian

[brknmnds]

@qceensofkings asked:

❝ i don't like most people, but you're an exception. ❞ ((for Faustian, from Isa))

"I would hope so." Faustian said looking up from his work, his quill still in his hand as he looked at her with amusement. "You are my wife and we have a daughter together."

[realmofthegods]

Faustian and Hestia (GoT/HoTD verse)

Their family was always powerful, they hailed from Asshai in Essos. The family had a large knowledge of different Arcane power mostly dark magic that the rest of the world could not even imagine.

The twins father wanted more power and manage to usurp the throne, raising to control the going on in the trading town.

Faustian deals with bloodmagic. He may have been the only blood mage around after the Doom if Valyria. He also studies dark magic use to curse and kill those that wrong him.

Hestia deals with dark magic, Necromancy being one of her go to as well as crafting different type of poisons that she sells at a high price.

The twins would travel around Essos, to plant seeds to cause destruction, allowing them to slowly rule all of Esso and next was the great Westeros.

[faustiandevil]

Decided to finish up some pieces that I started last year, but put on hold as I got distracted. Silhouette drawings are good, because I can turn off my brain for the most part. I’m still not feeling too well, so this was the best I could do for now.

Still turned out pretty cool~

[faithcorrupted-a]

Names: Faustian and Hestia Wolfe

Age: 26

Gender: Male/Female

Sexuality: Bisexual/Aromantic and Pansexual

Family:

Father - Antony Wolfe

Mother - Ava Wolfe

Brother - Eston Wolfe

History:

The Wolfe's were powerful both in life and in death. They came from old money and politics and had a dark secret in life. They were killers and cannibals. The manor that they lived in had a torture dungeon and often used it for the victims that they had captured.

They were well known in life, they were charming and everyone loved them, not knowing of their dark secret.

The Family all died together, in a house fire. One of their staff members decided to save the prisoners and in doing that set the house alight after making sure the family couldn't escape their rooms.

In Hell, the Wolfe family ran their own district in the pride ring. They were well known and powerful. A family of Overlord, though that title tended to go to the elder of the family.

Due to the nature of their deaths they have power to control fire and often if their emotions get out of hand they burst into flame though they have learnt to control it over time.

Personality:

Faustian is cruel and sadistic. He has a cool and calm temperament and can be rather charming but few are on his good side. He doesn't care for romance finding it a waste of time.

Hestia is flirtatious, using her looks to get what she wants. She loves having power and like her twin she is also very sadistic. She is quite bitchy and hates most people but loves to use them and can often manipulate people in doing her bidding

[writing-fanics]

| happiest I’ve ever been | Sebastian michaelis x f!reader

| summary: love between butler and his mistress and where they are now |

warning: implied smut : child birth :

She giggled quietly, as her lover planted kisses on her neck. Gently, leaving behind love bites in the process. “My…darling..you..tasted..absolutely..exquisite,” Sebastian said between each kiss he planted on her neck. She smiled placing her hand on his bare chest.

He stared down at with a dastardly grin on his lips. His eyes almost seemed to pierce into her soul. “Admiring the view?” She asked, and he smiled leaning down to kiss her on the lips again.

She wrapped her arms around the back of his neck, “My darling, sad to say but I must be returning to my duties,” He said, and she looked at him and pursed her lips.

She frowned, he leaned down planting a kiss on her forehead before kissing her on the lips again. “But, I would love to continue this later,” He said, and she smirked at him seductively before kissing him.

“Very well,” she said, she watched as he swiftly got out of bed and got dressed she smiled watching him get dressed. She’d never been this happy in her life since not before that fateful day. Then, Sebastian came along and as time went by she slowly developed feelings for the mysterious butler.

She didn’t know that it was fake, when she say Sebastian’s “dead” body on the ground. She couldn’t stop crying and seeing his dead body to help solve the mystery didn’t help at all. She took it upon herself to take care of the cats, inside the wardrobe.

She was an absolute wreck at the “funeral” but tried to stay strong for Ciel. But when the bell was rung she dropped whatever she was holding and immediately lunged at him as he emerged from the coffin. Sobbing and crying along with the other servants.

She was the one to take care of him once he along with Ciel and Snake, returned from the ship. Seeing that her aunt Angelina thought her how to suture up wounds she helped take care of Sebastian even though it wasn’t her job to do so.

She confessed her feelings to him, as she was bringing him back to health. She wasn’t bothered at all by the difference in their status, she cared for him and loved him and wanted to be by his side.

Sebastian at first found it highly inappropriate especially, with the fact her little brother is his master. As well on his mind the terms of the Faustian Contract, inevitably he’d consume her brothers soul and would presumably return to the demon realm.

He rejected her feelings saying that a butler and a master. Pursing a relationship would be highly inappropriate.

He watched as her smile faltered and she looked down, “V-Very, well I understand it would be inappropriate but that’s the thing I don’t really care.” She frowned, and then left his room so that he could rest.it was awhile before he eventually realized he too had feelings for her and they secretly pursued a relationship.

Our!Ciel quickly found out but was happy to see his older sister so happy for once.

( present )

“Why now?!” She screamed, in pain sweat running down her forehead as she pushed. Of all times for her to being going into labor why now?

When, the Real!Ciel revealed himself along with the Undertaker. And took his place as the rightful earl of Phantomhive. And when, Our!Ciel,Sebastian, Mey-Rin, Bard, Finny, and Snake. Are fugitives on the run.

Cries echoed throughout the room. Sebastian smiled, looking down at his wailing child. “Love, we have a beautiful baby girl.” He said, cradling the infant.

[Y/n] cried tears of joy seeing her newborn baby, her lovers arms. He placed the infant on her chest and she cooed over the baby.

“Lilith Angelina-Rachel Phantomhive,” She whispered, looking at her child. She had jet-black hair and (e/c) eyes and her fathers nose and ears she looked absolutely precious.

Sebastian and [Y/n], looked up hearing the commotion coming from outside the door. “Knock it off!” She heard, Our!Ciel shout at the servant wanting them to be quiet to let the two lovers quietly enjoy the birth of their newborn.

“I think they’ve waited long enough,” She said, gently rubbing her babies back. “Are you sure?” He asked, and she nodded looking at him.

She watched, as he walked towards the door opening. Everyone rushing into the room excitedly seeing the baby on [Y/n]’s chest. “Aw, look at her she’s so cute!” Finny cooed, looking at the baby.

“She looks just like Sebastian yes she does!” Mey-Rin cooed, and the baby slowly opened her eyes and admired the world around her.

“Would you like to hold her?” She asked, looking over at her little brother. He looked at her confused, “Why, would I want to hold your child?” He asked, and she smiled at him.

Eventually, he gave in and gently took the baby into his arms. She cooed and squirmed and he couldn’t help but stare down at his niece in awe. “What’s her name?” He asked, and she looked up at Sebastian and smiled.

“Lilith Angelina-Rachel Phantomhive,” She said, and he stared at her in absolute disbelief and then looked back down at his niece. She could’ve sworn she saw a single tear roll down the side of his cheek.

[the-fallen-stones]

I am bad at hiding. If you are my friend, you might recognize me. For that, I apologize.

You may call me anything you like. I enjoy and encourage nicknames. But if you need a name, Mica works.

If you would like me to write something for you, you can request it, and I will if I can. It may not be immediately. But I will try.

A warning, my descriptions can sometimes be graphic, or a little violent. It is usually metaphorical, though, don't worry.

I like both storm and calm. Chaos and comfort. I enjoy things that invoke thought, or creativity. I love hugs, snuggles, animals (especially dragons and cats), tea, fiction, and poetry.

Please do not bring up politics here. It's not that I don't care. But I've anguished myself enough over them and honestly, I need a break.

Never assume hostility! It was probably an accident. My tone comes across weird sometimes.

Tags:

#storm's eye - things that strike me, and I'd like to come back to.

#mica speaks - anything original, by me.

#mica reblogs - empty reblogs.

#mica elaborates - reblogs that are not empty.

#mica rambles - I have rambled.

#mica rhymes - my poetry.

#mika doodles - my art.

#mika's music - my favorite songs.

#mica recites - my favorite poems or stories.

#mika inquires - I ask questions.

#mika responds - I answer questions.

Credit for the image goes to @poetryforall.

My wonderful mutuals:

@kimu-dem - Keeper of comfort.

@thatrando13 - The wanderer.

@carrotsinnovember - A gentle friend.

@hersurvival - Blanket fort against thunder and snowstorms.

@caustic-splines - Writer of old love letters.

@abiethewizardduck

@randomshowerpoems - The wise wordsmith.

@poemsofanentomologist

@galaxys-universe

@literaryvein - The bright storm outside.

@same-skies

These titles can always change, as I know you better. If you'd like me to use a different one I certainly can.

Some of my favorite songs are;

One Day You Will Fly Too, by Aimee Carty,

Come Along, Does the Swallow Dream of Flying?, Egg and Soldiers, Pelicans We, Half Past Three, Run, and Linger Longer, by Cosmo Sheldrake,

Glow in the Dark by Vian Izak,

Rush of Life, My Neighbor's Car Alarm, Desire, and Rain, by Tony Ann. (Classical.)

Experience, Fly, and Eros, by Ludovico Einaudi. (Classical.)

Ilomilo by Billie Eilish,

Two, Sun, Eight, and Light by Sleeping at Last,

Big Black Car and San Luis by Gregory Alan Isakov,

Passing Through by Kaden MacKay,

The Mountain Song, Be Nobody, and Better is the End, by TopHouse,

Changing Days, Irish Eyes, I Can Never Give my Heart, and Rocket, by Rose Betts,

The Sound of Silence, by Simon and Garfunkel,

Walking in the Air, Time, Orinoco Flow, and Carol of the Bells, by Libera,

And many more.

Some of my favorite poems are;

Tug'o'War of Heartstrings, The Night Sky, Together, With a Window Between, A Heavy Wait/Weight, A Veil Not Yet There, Sharks in a Zoo, A Faustian Deal, Denial, The Voice of a Loved One, Explosions, Tribute to the Ocean, The Vast Expanse of the Ocean, Nurturing, Stalagmites in my Brain, and How Can I Put Those Boxes Away? by The Shower Poet,

Fire and Ice, and Walking by Woods on a Snowy Evening, by Robert Frost,

The Sunshine Kid, Paper People, and 59, by Harry Baker,

The Spider, by Robert P. Tristam Coffin,

Run With You, by Atlas,

A Litany, by Gregory Orr,

Landscape with a Blur of Conquerors, and Details of the Woods, by Richard Silken.

And many more.

Some of my favorite books are;

The Chronicles of Narnia, by C. S. Lewis,

Breadcrumbs, by Anne Ursu,

Ella Minnow Pea, by Mark Dunn,

Holes, Wayside School, Small Steps, and There's a Boy in the Girl's Bathroom, by Lois Sachar.

Hoot, Scat, Flush, and Chomp, by Carl Hiaasen.

Where the Mountain Meets the Moon, Starry River of the Sky, and When the Sea Turned to Silver, by Grace Lin.

And oh, so very many more.

Poems I have written;

Teach Me, Silent Serenade, Space Can Die, Weak Resolve, Boundaries Drawn, The Candle, Vacuum, One Pace, Adventure With Me, Stagnant, Workaholic, Sirens Can Cry, Dreamt of Loss, The Chalkboard, Shush, and many more to come.

Once was a girl, who would talk to herself. Stories, tales, thoughts in passing, of the past, future, of the sky and leaves, wind and breeze, of storm and calm. She longed to speak in a cadence. One to soothe. To heal. Doesn't everyone want that, to heal? To be somebody to someone, to have a voice like an anchor, eyes like a vice, that soften, that go warm like a bird's shelter?

Storm seeks calm. Calm seeks storm. They find a balance. But never, never do they stay still. She couldn't stay still. Her mind was a hurricane. And sometimes a breeze, sometimes a song to put you at ease, and sometimes, tight, coiled like a spring.

The calm wasn't who she was. Nor was she as much of the storm as she thought she was. Dear, she was a fire. She'd dim, and grow brighter. Her voice would get high when excited, she'd smile. Her embers couldn't rest. She'd smoulder. Then big stewing pots would bubble over. She'd speak in paragraphs, eyes like beacons, stumbling over words and not always making sense...

But it was beautiful. She loved, she loved deeply. She wanted to be loved, too. And she was. But when the smoke gets high, water and frost meeting that bright smile all too many times, it blurs out the hands, hearts, the words reaching, seeking...

She was silenced. Of course, the embers still burned. But the very things she stifled were the things she was beloved for. And she couldn't hear them.

But slowly, wet wood dries, my dear. You can't always cry. Time passes by. Wounds heal, scars fade, even when clouds pass over the stars. She was stronger than that.

She learned again to love. And though she had times she couldn't muster the songs, the words, the strength to hold on so tight, she began to heal.

Please, my dear, have patience. She is still healing.

Burnout is a dangerous thing. If you are stuck it never eases, never ceases. And things that brought you peace are no less, then, but grievous. It feels like Sisyphus himself is in charge of pulling you out of that rut. My dear, he can't.

The world moves so fast... I can't help but be dizzy. The facts and the future, like stones, whizzing, past my head, I bustle, I catch them, I'm busy...

The earth turns fast but not as fast as my head. Live, die. Fireflies. On my deathbed. I crave a rest, but I get anger instead. For injustice, for fury, the memories I shed...

Give my hands to the stars, fire for every digit. They fall from the sky when in darkness I fidget. Tear through the clouds, but then cry when I can't fix it. My brain is a void and...

I just.

Can't.

Bridge it.

[drconstellation]

When Crowley met Jesus, and the other demon at Golgotha

You know the scene. 33AD. Aziraphale is watching the crucifixion take place and certain fem-presenting demon sidles up to him.

Aziraphale greets them, and finds out they have changed their name.

"What is it now?" he asks them. " Mephistopheles? Asmodeus?"

I know most you have learnt by now that Asmodeus is the demon of lust, and this is obviously Aziraphale's idea of a flirty little joke (perhaps the first we see? because he's the one who's really as "mad as bag of frogs" after all and that's why Crowley's made an appearance, because he was probably just in the area, you know...), but I haven't seen or come across much meta about the first suggested name, which is a GO "lead balloon" moment.

Mephistopheles, Aziraphale? That's the name you thought of here? Of all places? jfc...you bad, bad angel! lmoa! This is a serious, sombre situation you are witnessing!

Mephistopheles is the name of the fictional demon sent to do a deal with the character Faust in a story that dates back to Germany in the early 1500s. Faust was a like a scientist in his day, well educated in things like alchemy and astrology and other mystical arts, maybe even having wizard powers (why not?) But he was hungry for more power so he did a deal with the devil for 24 years of assistance to achieve and gain anything he desired, and at the end of that time he would be claimed by Hell. Needless to say, despite starting off well it didn't have a happy ending. (I wont go into details as there are lots of variants, and its not that short, and they aren't all that relevant to the point of the post.)

It has been a hugely influential story ever since, appearing in many forms over the years; in opera, theater, movies, novels, adaptations such as Oscar Wilde's The Portrait of Dorian Grey, and Queen's famous song Bohemian Rhapsody. Terry Pratchett also did a parody of it in his 1990 book Eric, and readers have often noted the similarity to the Hell depicted there to the Hell in GO.

Its the origin of the idiom "to do a deal with the devil" and a Faustian bargain. The mortals that enter into the deal with a powerful supernatural entity are usually set up to fail, and we go along with it because we are so used to the trope, its one we've come to expect the bargainer to fail in some spectacular fashion. It's one that keeps being repeated again and again because it so interesting to explore - often the protagonist is looking for some form of happiness, sometimes revenge, and hopes the deal will deliver, but find out the hard way that they should be careful what they wish for because the delivery is a two-edged sword. They may find out that they don't actually want what they thought they wanted, or they get what they want in an very unexpected way.

Back to Golgotha, and our demon and angel. We learn the demon has merely modified their name to Crowley. And yes, they met Jesus.

C: "Seemed a very bright young man. I showed him all the kingdoms of the world."

A: "Why?"

C: "He's a carpenter from Galilee, his travel opportunities are limited."

This is a reference to one of the the tests of faith Jesus was put through before his crucifixion, from the Book of Matthew.

I like this modern version I found:

For the third test, the Devil took him to the peak of a huge mountain. He gestured expansively, pointing out all the earth’s kingdoms, how glorious they all were. Then he said, “They’re yours—lock, stock, and barrel. Just go down on your knees and worship me, and they’re yours.” Jesus’ refusal was curt: “Beat it, Satan!” He backed his rebuke with a third quotation from Deuteronomy: “Worship the Lord your God, and only him. Serve him with absolute single-heartedness.” The Test was over. The Devil left. And in his place, angels! Angels came and took care of Jesus’ needs. Matthew 4:8-11 The Message

Or, you could say: Crowley showed Jesus all the kingdoms of the world, and offered the bargain that he could rule them all if he would renounce God and worship Satan instead, but Jesus just turned to the demonic messenger and simply told him to "fuck off!"

And there we have it, folks. Mephistopheles, and Asmodeus. Touche, Aziraphale, you sly little shit stirrer.

[mysebacielblog]

The Sebaciel playlist

A Tasteful but Sultry mix of Rock and Classical with a Faustian Twist.

{Dm Me for Spotify Playlist!}

I’m ALIVE!

Becca

Back to Black

Amy Winehouse

Back in Black

AC/DC

Ladies and Gentlemen

Saliva

Enter the Circus

Christina Aguilera

Mary on a Cross

Ghost

Good Days Bad Days

Kaiser Chiefs

Tainted Love

Soft Cell

Strange Doings in the Night

Sarah and the Safe Word

Disobedient

Steven Universe

Paint it Black

The Rolling Stones

No. 13 Dance of the Knights

Sergei Prokofiev, Orchestra of the Royal Opera House

Dirty Deeds Done Dirt Cheap

AC/DC

Obsession

OK Go

I Come With Knives

IAMX

Far too Young to Die

Panic! At The Disco

Voices of Spring Op. 410

Johann Strauss II, Waltzes and Arias

White Rabbit

Jefferson Airplaine

Friends in Low Places

Worthikids

Do I Wanna Know?

Arctic Monkeys

Second Waltz

André Rieu, Johann Strauss Orchestra

Violin Partita No. 2 in D Minor

Hillary Hahn Plays Bach

Put it On Me

Matt Maeson

Serenade for Strings in E Major Op 22

Antonín Dvrorák Serenades

Ocean Eyes

Billie Eilish

Run Boy Run

Woodkid

Get Over it

OK Go

Broken Boy

Cage the Elephant

Social Cues

Cage the Elephant

Sympathy For the Devil

The Rolling Stones

Phantom

Natewantstobattle

Me And The Devil

Soap & Skin

Goodnight Socialite

The Brobecks

Call Out My Name

The Weekend

Do it For Me

Rosenfield

Control

Halsey

Piano Sonata No.14 in C Sharp Minor

Beethoven

Danke Shoen

Wayne Newton

Requiem K. 625 Lacrymosa

Mozart

Pulling Mussels

Squeeze

I Wanna Be Your Dog

John McCrea

Kill of the Night

Gin Wigmore

Bloody Mary

Lady Gaga

The Dark

Beth Crowley

Skyfall

Adele

Monocro No Kiss

SID

The Devil is a Gentleman

Merci Raines

Sweet Dreams (are made of these)

Eurythmics

You Can’t Always Get What You Want

The Rolling Stones

Kiss From a Rose

Seal

Labour

Paris Paloma

Death Waltz

Adam S Hurst

Doll on a Music Box

Chitty Chitty Bang Bang

Right, Master Bruce

Alfred Pennyworth

Danse Macarbe OP 40

Camille Saint-Saens Orchestra

Ballade No.1 in G Minor

Chopin

Bossa Nova Tails

fazathecat

Eternal Flame

The Bangles

It’s My Life

Bon Jovi

Let’s Never Stop Falling in Love

Pink Martini

Game of Survival

Ruelle

[see-arcane]

Renfield (2023) Thoughts fresh from the theater

Spoilers and so on below

If I had to summarize the whole movie, it would be, “First fanfiction ever written by a middle schooler who just finished watching Dracula (1931), fell in love with its version of Renfield, and made a clumsy attempt at updating and rescuing him with an AU that gives him a massive century-long body count and a happy ending at the cost of giving only him and Dracula any real effort in character while leaving the rest of the cast to be filler.”

Which is to say, C+.

Count Cageula and Houltfield were fun and you could tell they were putting energy and joy into their roles. Everything else? Oof.

Oof.

The supporting cast’s only highlights were the support group’s members and the actress playing the mob boss Bellafrancesca—big bonus points to her for so easily selling a camp villain counterpart to Cageula; instant evil MILF4DILF chemistry in their one scene together, 11/10.

Meanwhile, the majority of the characters delivered their lines like high schoolers stumbling through their first play. Awkwafina was already wince-inducing for making her play Token Good Cop with Quincey’s name tagged on, but she acted this whole thing like she was counting down until payday. There’s one scene towards the climax where she’s tricking Cageula to get close for an attack, and her delivery has less character to it than an Alexa response.

But then, there wasn’t exactly a ton of great dialogue to work with. The few plum lines were reserved for Hoult and Cage. Everyone else got raisins.

Other practical nitpicks would be the very odd choice to go 100% on some great monster and gore prosthetics, but then revert back to early 2000s-grade CGI blood spurts. These victims were goddamn gushers. Oh, sorry, not victims—the cannon fodder baddies in the action sequences.

The victims got some good classic bloodshed! Thankfully, the only murdered innocents on screen were killed by Cageula. But, like the trailers hinted, Cageula wanted Houltfield to fetch him some innocents himself. An order we’re led to believe was some ‘new’ order that Houltfield couldn’t bring himself to follow, which would’ve been a great callback to Original Renfield who hit the brakes on obeying Dracula when it threatened Mina. And maybe this really was the first time Cageula made that an explicit order! We do get a scene where Houltfield drags in some villain corpses for Cageula to snack on with him assuming this will satisfy.

But Cageula spits the blood out, declaring it trash. He wants blood from good people.

Which, as certain reveals show, Houltfield should already know, considering he’s spent the better part of a century getting Cageula’s meals. The fact that Houltfield seems surprised at this demand for innocent victims is either him being disappointed that his plan to reduce his own secondhand villainy has been thwarted, or else it’s just a flub in the writing.

And this comes on top of a reveal that Houltfield apparently left his wife and baby daughter behind for ‘greed and power’ offered by Cageula. It’s acknowledged in-dialogue that this wasn’t Cageula’s will, just an opportunity that Houltfield went for.

(An addition that makes me a little gladder that they didn’t try to swap Jonathan Harker (or, to nod back to the 1931 version, ‘John’ Harker) for this spot. Because any version where he would leave behind Mina and their child for Dracula’s sake, no matter the interplay of manipulation or Faustian nonsense, would have been a nail too many in the coffin.)

All that said, it’s very much a mixed bag. So much so that I feel I should give the caveat that I may be being too harsh, as I am a sour little gremlin who’s spent the last year with their head in a vat of Dracula fixation juice. And it also deserves saying that there were good bits worth seeing, Houltfield was very endearing, and the gleefully evil Cageula was a laugh and a half. Watch the movie for that if nothing else. It could be there’s some gold there I missed by being too prickly.

One major silver lining? I am doubly looking forward to having Hoult portray Thomas Hutter in Robert Eggers’ upcoming Nosferatu remake. Thomas Hutter and Renfield ala 1931 are already 90% harvested Jonathan Harker parts, and this movie proves how well Hoult can play the ‘sweetheart manipulated into a bad situation’ character. I’ll take it as a good sign for that role if nothing else.

[300iqprower]

On Jekyll/Hyde 1. I HC that the reason he is young is b/c when he dies in the story he is basically Hyde full time so that could affect it, and 2. How would Alter Ego Jekyll/Hyde be different in terms of appearance/abilities in your idea (or should I wait)? I had the idea of him having some ability/nature to draw out people's negative/evil traits, since Hyde was Jekyll's negative traits not an evil alter ego like popular media would suggest.

Hmmm….ya know what i think that actually sounds perfect. I’m already imagining a faustian take on Moriarty’s Evil Charisma, and i love the idea of him representing universal hedonism and ability to fall into evil, as opposed to his younger self embodying a much more personal struggle.

It’s also very befitting an alter eho to be mire conceptual in nature like that. So basically, Berserker Hyde is the tale of j&H, Alter Ego Jekyll is the story of humanity’s inclination towards evil?

[realmofthegods]

@all-is-fair-in-love-and-war

The twin stood on the boat that look to the western world. Their father has sent them to see what the world was like and if they could easily take it over.

The pair wore black half-mask over their face. Being from Asshai they were very secretive with outsider, they didn't want to give to much away.

"This land is weak." Hestia spoke to her brother as step foot on the west land for the first time. "There is no magic, no power that runs through the land."

"There has to be something for father to want this land." Faustian replied but agreed, there was little if any power in the earth.

"Maybe futher inland, we will need horses."

Faustian just nodded agreeing with his sister as they moved futher into Kings Landing.

[butch-muppet]

AN ARTICLE ON FAUSTIAN MYTH WITH A FOCUS ON MARLOWE’S FAUST GRAAHHHHH YESSSSS

[pagebypagereviews]

In "The Invisible Life of Addie LaRue," V.E. Schwab crafts an extraordinary tale of a young woman tethered between the ephemeral and the eternal, thrust upon the precipice of oblivion. Addie LaRue makes a desperate pact to live forever but is cursed to be forgotten by everyone she meets the moment she leaves their sight. Schwab's narrative is an intricate tapestry of time, memory, and the human desire to leave a mark upon the world. The novel delves deeply into the affliction of invisibility, not in the literal sense, but in the profound existential dread of being eternally inconsequential. It offers an unfurling, multi-layered exploration of the human condition, immersing the reader into the poignant struggle for identity and meaning in a life without legacy. Adding a unique voice to the conversation about what it means to truly live, this book transcends the boundaries of genre, weaving elements of fantasy, historical fiction, and romance into a single, cohesive narrative. Schwab addresses the profound loneliness that accompanies immortality and the human yearning for remembrance, problems as old as time itself. "The Invisible Life of Addie LaRue" confronts these age-old dilemmas with a new urgency and perspective by inviting readers to question the worth of eternal life in exchange for perpetual anonymity. It challenges us to consider the cost of our deepest desires and the weight of our choices, unraveling the notion that to be truly seen is to be known. Plot The narrative of "The Invisible Life of Addie LaRue" unfolds across centuries, following the life of Adeline "Addie" LaRue, a young woman from 18th-century France who makes a Faustian bargain for immortality, with the curse of being forgotten by everyone she meets. As time passes, Addie learns to navigate her unique existence, leaving subtle influences in art and history while yearning for enduring connections and meaning. The plot intricately weaves her past and present, detailing her struggles and triumphs, survival tactics, and the intricacies of her relationship with Luc, the enigmatic being who granted her wish. In present-day New York City, everything changes when Addie meets Henry Strauss, a young man who, in a twist of fate, remembers her. Their growing bond is at the heart of the plot, challenging the very foundations of Addie's immortality and bringing forward the prospect of true connection that defies the bounds of her cursed existence. Characters The primary characters of "The Invisible Life of Addie LaRue" are as rich and complex as the plot they navigate. Addie LaRue herself is a character of depth and resilience, displaying an unyielding desire for freedom and an individualistic streak that persists throughout her long life. Carving her influence in the shadows, Addie becomes adept in the art of leaving impressions without a personal legacy. Luc, the dark and charismatic god-like figure who answers Addie's desperate plea for freedom, is both her adversary and companion, with tangled intentions and an inscrutable nature. Henry Strauss introduces a profound dynamic to the story as the one person who remembers Addie. He is a disenchanted dreamer whose own complexities mesh with Addie's in poignant and unexpected ways. The supporting cast, although impermanent by the nature of Addie's curse, are just as pivotal, providing glimpses into the human condition and the changing fabric of society over the centuries. Writing Style V.E. Schwab's writing style in "The Invisible Life of Addie LaRue" is notable for its lyrical and atmospheric qualities, weaving a story that feels both intimate and epic in scope. Schwab's prose often lingers on sensory details and emotional nuance, grounding the reader in the moment even as the narrative spans decades and centuries. The structure of the book alternates between Addie's past and present, a narrative choice that reveals her story in layers and mirrors the fragmented way in which she experiences her endless life. Schwab employs

a style that is rich with metaphor and symbolism, creating thematic depth and connection between the characters' internal landscapes and their external worlds. There's a rhythmic ebb and flow to her storytelling, which pulls the reader into the depths of Addie's thoughts and feelings, and the dialogue is crafted to reveal character motives and changes over time. Setting "The Invisible Life of Addie LaRue" is set over numerous settings, shifting from 18th-century small-town France to the myriad locations that Addie traverses over her 300 years. The settings include the bustling streets of Paris in the 1700s, the dazzling art scene of early 20th-century New York, and the varied, ever-changing landscapes that Addie experiences as she travels across continents, absorbing cultures and languages. The author meticulously paints each scene, touching on elements of historical fiction while breathing life into the world Addie inhabits. Present-day New York City serves as the principal setting for the novel's contemporary storyline, offering a stark contrast to the historical flashbacks and symbolizing both the pinnacle of modernity and the crushing loneliness of anonymity amidst the dense population. Unique Aspects Unique aspects of "The Invisible Life of Addie LaRue" include its exploration of immortality and memory. The concept of a person being eternally forgotten by others the moment they are out of sight is a profoundly original curse. It examines the human desire for legacy and remembrance in a fresh, poignant manner. Additionally, Schwab addresses themes of identity, artistic expression, and the impact of subtle influences culminating over centuries, suggesting that one's existence is meaningful even in seeming obscurity. The interplay between light and darkness, both in the storyline and in Schwab's thematic exploration, adds another layer to the novel’s uniqueness, with Luc's character embodying this duality. The book also deftly weaves in art and history, showing how a single, invisible life can touch and alter the world in invisible yet significant ways. This inclusion of historical figures and events enhances the narrative's authenticity and depth, offering a compelling speculative take on the unseen forces that shape human history. Similar to The Invisible Life of Addie LaRue Certainly! Below is an example of an HTML table setup with inline CSS for styling that presents a thorough analysis of the pros and cons of "The Invisible Life of Addie LaRue" with emphasis on how these factors impact the user experience: ```html Analysis of The Invisible Life of Addie LaRue table width: 100%; border-collapse: collapse; th, td padding: 10px; border: 1px solid black; text-align: left; th background-color: #f2f2f2; Aspect Pros Cons Character Development Addie LaRue’s character evolution is meticulously crafted, allowing readers to form a deep connection with her. Some may find the secondary characters to be less thoroughly developed in comparison to Addie. Plot Complexity The non-linear narrative adds a layer of sophistication and keeps readers engaged in pieoppin g the storyline together. Readers who prefer a straightforward plot may find the alternating timelines confusing. Writing Style The lyrical and poetic prose contributes to a beautiful reading experience. The descriptive writing and slower pace might not appeal to those seeking a more action-driven book. Themes Explores deep themes of memory, identity, and the human desire to be remembered. Some existential themes might feel overly heavy or depressing for some readers. Originality The novel's concept is unique and presents an original take on immortality and invisibility. Some elements may remind readers of other stories about deals with the supernatural, reducing the sense of novelty for them. ``` This HTML table layout effectively separates the positive and negative aspects of "The Invisible Life of Addie LaRue" into

distinct sections with visually clear borders, making each point stand out and easier to digest for the readers. By doing so, the layout enhances the user experience by providing a structured and organized presentation of the analysis without clutter. Understanding the Genre and Themes When contemplating the purchase of "The Invisible Life of Addie LaRue," it's crucial to consider the book's genre and underlying themes. This novel blends historical fiction with fantasy and poses philosophical questions about life, love, and legacy. Potential readers should have an affinity for stories that weave through time, as the narrative spans centuries, and for those that involve supernatural elements, like Addie's curse of being forgotten by anyone she meets. Moreover, the book delves into the deeper meaning of human existence and the intrinsic desire to be remembered, making it a poignant read for those intrigued by such existential themes. Evaluating Author's Style and Previous Works Understanding the author's background can provide valuable insight into what to expect from the novel. V.E. Schwab, the author of "The Invisible Life of Addie LaRue," is known for her fluid prose and intricate character development. Prospective buyers already familiar with her work in "A Darker Shade of Magic" or "Vicious" may find similar narrative craftsmanship here. For new readers, it's advisable to explore excerpts or reviews of her previous works to gauge compatibility with her storytelling approach. Schwab's style is characterized by its emotional depth and the ability to create a strong connection between the reader and the fictional characters. Book Editions and Formats Buyers should consider which format of the book suits their reading preferences. "The Invisible Life of Addie LaRue" is available in hardcover, paperback, e-book, and audiobook versions. The hardcover edition might appeal to collectors or those who enjoy the tactile experience of a physical book, while the paperback offers a lighter, more affordable option. E-books provide convenience for readers who prefer digital devices and often contain interactive elements such as highlighting and note-taking. Audiobooks are ideal for those who enjoy listening to stories during commutes or while multitasking. The choice of format will affect price and accessibility, so take this into account when making a decision. Comparing Prices and Retailers Pricing can vary widely across different retailers, and it's wise to shop around for the best deal. Online retailers often offer competitive pricing and convenient delivery options. However, purchasing from local bookstores supports smaller businesses and may provide a more personalized buying experience. Check for discounts or signed editions, which can add to the book's value. Some retailers also offer bundled deals where you can purchase "The Invisible. Life of Addie LaRue" together with other books by V.E. Schwab or within the same genre at a reduced price. Assessing Review and Community Feedback Reading reviews from both critics and everyday readers can offer a multifaceted perspective on the book's potential impact. Look for recurring themes in reviews to understand common praises or criticisms of the book. Reader communities on platforms like Goodreads or book clubs can also be a rich source of insight. Engaging with these communities may provide a sense of how engaging and thought-provoking the book is for a diverse audience. Be mindful of personal taste when it comes to interpreting reviews—what may be a drawback for one might be an appealing factor for another. Considering Personal Reading Goals Ultimately, your reading goals should dictate the decision to purchase "The Invisible Life of Addie LaRue." Whether you're looking to be swept away by a compelling narrative, seeking to explore deep philosophical questions, or desiring to immerse yourself in a unique blend of genres, ensure that this book aligns with those aspirations. Evaluate how

well the story's themes resonate with your interests and whether the author's storytelling style is likely to keep you engaged. The novel's long-term appeal and its potential as a catalyst for reflection should align with what you aim to achieve through your reading experiences. ```html FAQ for The Invisible Life of Addie LaRue What is the book ‘The Invisible Life of Addie LaRue’ about? The book follows the story of Addie LaRue, a young woman who makes a Faustian bargain to live forever and to be forgotten by everyone she meets. This mesmerizing tale weaves through centuries as Addie learns how to survive her unique curse, until one day, she meets a man who remembers her name. Who is the author of ‘The Invisible Life of Addie LaRue’? The book is written by V.E. Schwab, who is also known for her other works such as the "Shades of Magic" series, "Vicious", and "Vengeful. V.E. Schwab is a well-renowned author in the fantasy and science fiction genres. Is ‘The Invisible Life of Addie LaRue’ part of a series? No, ‘The Invisible Life of Addie LaRue’ is a standalone novel and is not part of a series. Can ‘The Invisible Life of Addie LaRue’ be classified as a romance novel? While ‘The Invisible Life of Addie LaRue’ does contain romantic elements, it is more accurately described as a combination of historical fiction, contemporary fiction, and fantasy. The novel encompasses various themes including love, but it extends beyond a typical romance genre. Is there any age restriction for readers of ‘The Invisible Life of Addie LaRue’? ‘The Invisible Life of Addie LaRue’ is generally considered suitable for young adults and older. However, it does include some mature themes and scenes that may be more appropriate for mature readers. How is the theme of immortality explored in this book? The theme of immortality in ‘The Invisible Life of Addie LaRue’ is explored through Addie's experiences over several centuries, showing both the wonders and the burden of living forever without being able to form lasting relationships or leaving a mark on the world. Does ‘The Invisible Life of Addie LaRue’ have a film adaptation? As of the knowledge cutoff date in 2023, ‘The Invisible Life of Addie LaRue’ does not have a film adaptation. However, the rights for a movie have been purchased, so there may be plans for an adaptation in the future. How long does the story of Addie LaRue span? The story of Addie LaRue spans over 300 years, beginning in the early 1700s and continuing into the present day. What genre is ‘The Invisible Life of Addie LaRue’? ‘The Invisible Life of Addie LaRue’ is a blend of genres, primarily falling under historical fantasy, contemporary fiction, and magical realism. Where does the novel take place? The novel takes place in various locations across the globe, as Addie LaRue moves through different periods in history. However, key parts of the story are set in France and New York City. ``` In conclusion, "The Invisible Life of Addie LaRue" by V.E. Schwab presents readers with a compelling tale of love, memory, and the human desire to leave a mark on the world. Through Schwab's exquisite prose and masterful storytelling, the novel offers a unique blend of historical fiction, fantasy, and romance that enthralls from the first page to the last. Addie LaRue's journey through the centuries, her bargains with darkness, and her quest for identity and recognition are beautifully woven into a narrative that speaks to the very essence of what it means to be human. For readers looking for a story that combines rich character development with immersive world-building, this book is an excellent choice. It engages with deep themes such as time's passage and the importance of art and stories in our lives. The profound insights and benefits gleaned from Addie's experiences make the novel not just a pleasure to read but also a thought-provoking adventure that stays with you long after the final chapter. "The Invisible Life of Addie LaRue" is more than just a novel—it's a meditation on life's fleeting nature and the power of our choices.

V.E. Schwab has crafted a story that is sure to resonate with anyone who has ever yearned to be remembered, and it is undoubtedly a valuable addition to any reader's collection. Whether you're a fan of speculative fiction or simply enjoy a well-told tale, this book offers a unique and enriching experience that is not to be missed. Other The Invisible Life of Addie LaRue buying options

[collymore]

It's patently obvious to me that many Brits do urgently need a lobotomy!

By Stanley Collymore

The British monarchy has successfully exploited the mass media to convince the very gullible and easily manipulated members of the public that actually its own members are somehow special as well as quite superior to everyone else, when in reality these very unremarkable Windsor family members  undoubtedly represent nothing of the sort, and quite clearly are in essence virtually nothing more than the obscene continuity really of gross inequality, unquestionably also unaccountable power, and distinctively biased influence entrenchedly linked to and intricately combined with rampant societal injustice, discernibly pervasive, immoral behaviour and as well a clearly amoral and simply grotesque penchant for greed!

Significantly, it would obviously be truly, personally and beneficially illuminating for some Windsor fans, although really and most clearly not obviously the vast majority of these distinctly puerile 21st Century serfs, to distinctively know that 30% of British children live in irrefutably stark poverty, which basically accounts in literal numbers for some four million of them: statistics clearly substantiated by undeniably, creditable organizations like the Child Action Poverty Group and also in tandem likewise with others like Save the Children while very essentially at the same time and in clearly marked contrast, the multi-billionaire monarchy have 23 enormous palaces, castles and grand estates which alone stand clearly on over 800,000 acres of exclusive land plus in unquestionable attendance well over 700 servants at these monarchical family members evidently, puerile back and call. A state of affairs coupled also with their bona vacantia entitlement, as well as the rather exclusive rights to all the riches, whatever these are - oil, gas, sunken treasures, for example - off the seabed obviously around the coasts of Britain; and  rather expectantly for them no such unquestionably nasty things as inheritance taxes to pay!

Essentially, this very discernibly Middle Ages mindset institution with its clearly faustian, highly pretentious titles risibly awarded to each other is the irrefutably absolute in all respects, epitome of very gross inequality; and quite obviously for those of you who don't have a medieval mindset or ludicrously also on this sick bargain a Disney Princess fantasy will, I am quite sure, most heartily agree that not just our British one but undoubtedly and literally so, all such monarchies are very discernibly archaic in this a simply supposedly modern and self- evidently technologically 21st Century; and also that similarly all such things as literally hereditary overlords need to be simply and crucially, instantly and essentially permanently abolished!

(C) Stanley V. Collymore 28 April 2024.

Author's Remarks: The ball is distinctly in your court, but in all honesty how many of you do literally actually have the real balls to obviously play the life game, as it simply ought to be? Or do you basically love being serfs and have others you delusionally regard as you societal betters really determine the course, and obviously the nature of your pathetic lives and how they simply turn out, for you?