#c; ingrid
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Milestone Monday
Poetry in Punk
On this day, December 30th, 1946, Patti Smith, a singer, songwriter, author, poet, photographer, and painter, was born in Chicago, Illinois. Often referred to as the "Godmother of Punk," Smith is known for her influential music that blends rock and poetry. Her debut album, Horses, released in 1975, is considered a landmark work in the punk rock genre. Beyond her music career, Patti Smith has written several books, including the acclaimed memoir Just Kids, which explores her relationship with photographer Robert Mapplethorpe and their experiences within the New York City artistic scene. Throughout her life, she has been a prominent cultural figure, advocating for artistic freedom and social change.
Images featured come from:
Our first edition of A Useless Death, a poem by Patti Smith that was published as a chapbook and distributed by Gotham Book Mart and Gallery in New York in 1972.
Ha! Ha! Houdini!, a poem written by Patti Smith and published as a chapbook. It was distributed by Gotham Book Mart and Gallery in New York in 1977.
Robert Mapplethorpe, released by Peter Weiermair and published by Robert Wilk in 1981. The contexts come from a catalogue of an exhibition sponsored by the Frankfurter Kunstverein, April 10-May 17, 1981, and features an introduction by Sam Wagstaff, the artistic mentor and benefactor to Robert Mapplethorpe and Patti Smith.
Some Women by Robert Mapplethorpe that features an introduction by one of the pioneers of New Journalism, Joan Didion. Our first edition was published in Boston by Bulfinch Press in 1989.
Robert Mapplethorpe by Richard Marshall with essays by American poet, literary critic essayist, teacher, and translator Richard Howard, and South African-born American writer and editor Ingrid Sischy. Our copy is the first cloth edition, published in New York: Whitney Museum of American Art; Boston: in association with Bulfinch Press: Little, Brown and Company in 1988.
Mapplethorpe prepared in collaboration with the Robert Mapplethorpe Foundation with an essay by American art critic, philosopher, and Professor Arthur C. Danto. This first edition was published in 1992 by Random House in New York.
-View more Milestone Monday posts
-Melissa, Special Collections Graduate Intern
#milestone monday#patti smith#milestones#Arthur C. Danto#robert mapplethorpe#photograhy#birthdays#punk#poetry#music#singers#songwriter#poet#author#punk rock#A Useless Death#ha ha houdini#Some women#Bulfinch Press#Gotham Book Mart and Gallery#Peter Weiermair#Robert Wilk#Frankfurter Kunstverein#Sam Wagstaff#joan didion#Richard Marshall#Richard Howard#Ingrid Sischy#Whitney Museum of American Art#Little Brown and Company
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dee's inability to let go of the past vs. dennis' refusal to accept the things that have happened to him
#exhibit a: ingrid nelson#dee being unable to fathom that ingrid has become successful because in high school ingrid was one of the few she could look down on#exhibit b: mrs klinsky#dennis' continuous denial of the fact that he was raped#exhibit c: dee going back to her high school seeking her old drama teacher#she attempts to relive her previous achievements in an attempt to feel better about where her life is now#exhibit d: dee forcing justine to enter the child beauty pageant with her#same as above#exhibit e: dennis' delusion that he was popular in high school + college#i could go on and on#txt#i don't really know if the way i worded this was 100% correct#a lot of the points i wanted to make for dee (ingrid nelson brad fisher etc) could be argued that they instead show how shallow she is#but yeah#dee reynolds#dennis reynolds#trash twins#always sunny#iasip
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Dr. Jekyll and Mr. Hyde (1941)
One of the weirdest films of the Classic Hollywood studio era, this surprisingly dark (and refreshingly lurid) take on Robert Louis Stevenson's iconic horror / science fiction novel about a man split between good and evil got a surprising amount of psychosexual imagery past era censors (including a particularly infamous "whipping" scene that must be seen to be believed).
Director: Victor Fleming
Cinematographer: Joseph Ruttenberg
Starring: Spencer Tracy, Ingrid Bergman, Lana Turner, Donald Crisp, C. Aubrey Smith.
#dr jekyll and mr hyde#1941#victor fleming#spencer tracy#gothic horror#robert louis stevenson#ingrid bergman#lana turner#literary adaptation#science fiction film#scream queens#donald crisp#c. aubrey smith#classic hollywood#classic film#classic cinema#40s film#golden age hollywood#40s movies#classic horror#40s horror#old hollywood
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serena laidir (datv) | saffron ingellvar (datv)
victoria thorne (datv) | hectar de riva (datv)
ingrid einarsdóttir (tlk) | wynflæd of dorobrevis (tlk)
TAGGED by @lilywatt & @shadowglens to use this picrew (a million and one years ago 😪), thank you!
TAGGING —
@queennymeria , @risingsh0t , @thedeadthree , @pavus , @loriane-elmuerto ,
@shellibisshe , @florbelles , @simonxriley , @leviiackrman , @rhetoricalrogue ,
@arborstone , @arthrmorgann , @faerune , @frankwoods , @josephzeppeli ,
@roberthouse69 , @lucky-107 , @countessrooster, @auricfog + anyone else who wants to do it!
#t: picrews#srry if you’ve been tagged in this a million times !#now that i’m back from vacation and vacation prep has passed i’m playing catch up#c: serena#c: saffron#c: victoria#c: hectar#c: ingrid#c: wynflæd
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they are planning a Hiway Robbery
(inspired by @reeama-the-mage 's cowboy au)
#a-c art#a c art#find us alive#scp fua#find us alive podcast#fuapod#nari love#ingrid raddagher#dw guys theres more art coming soon
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more werewolves on the toyhouse now . Don't you wanna learn a little bit about Rosarian's fucked up ex husband? Don't you?
#original characters#werewolves#toyhouse#artists on tumblr#s: consumptionverse#c: duane rivers#c: ingrid hall#c: langley smith#c: miguel
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#having fun with polls again :)#dumdum hours#chris redfield#piers nivans#sherry birkin#leon s kennedy#helena harper#carla radames#derek c simmons#jake muller#finn macauley#ingrid hunnigan#resident evil 6#re 6#leon kennedy#derek simmons
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Ingrid Thulin in The Damned (Luchino Visconti, 1969)
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Notorious (1946, Alfred Hitchcock)
05/09/2024
#notorious#1946#alfred hitchcock#2001#American Film Institute#AFI's 100 Years 100 Thrills#2002#AFI's 100 Years 100 Passions#2006#national film registry#library of congress#united states#miami#florida#brazil#rio de janeiro#uranium#spain#David O Selznick#spellbound#John Taintor Foote#convoy#Joseph C Boyle#Lothar Mendes#ben hecht#ingrid bergman#Under Capricorn#cary grant#suspicion#north by northwest
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THE HAUNTED CAROUSEL FANCAST
ND #8
Harlan Bishop - Michael Cera


Ingrid Corey - Arsema Thomas


Elliot Chen - William Gao


Joy Trent - Aubrey Plaza


even bad memories have a place in a good life
MHM, TRT, FIN, SSH, DOG
#nd fancasts#remember n i a c i n#clue crew#car#the haunted carousel#Elliot Chen#Ingrid Corey#Harlen Bishop#Joy Trent#the absolute elite quality of the cast against michael cera's silly little guy is beautiful#also aubrey as joy takes my soul out my chest#nancy drew games#nd characters
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Closed for @devouredxmuses - ingrid
Miyuri was spending her day getting a coffee. She was probably one for innocous reason, her stunt scenes weren't to start for another week. Miyuri noticed a gleam of red hair looking for a spot. There was an eyebrow quirk. Miyuri looked before lifting her motorcycle helmet. She gestured to the red head.
"Hey Little Red, I got a chair you." She said making sure she got Ingrids attention.
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youtube
A sequence from Alfred Hitchcock's Spellbound showcasing Miklós Rózsa's score
#cinema#alfred hitchcock#ben hecht#john palmer#hilary st george saunders#ingrid bergman#gregory peck#miklós rózsa#miklos rozsa#george barnes#james basevi#hal c. kern#Youtube
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@someotherdog // soap x ingrid // original ( x )
It could be our destruction too, though.
And it very well could be.
We could still back out.
And they very well could.
But the expanse behind him was emptying, and it would be empty soon. The little food supply they had in their quadrant wouldn't last them more than a week, maybe two, if they rationed to the extreme. The power was practically limitless when put in the context of the duration of their survival. In other words, the lights and the bits and the electronic hums would definitely outlive them. If he could only tell her what he saw when he woke up and surveyed the area—the emptied, not empty cot—then maybe she would want to move forward, move away, as much as he did.
Soap decided to only nod, eyes flitting to the panel. Its interface of lines thrummed delicately, anticipating Ingrid's next movement.
When she did place her hand on it, the interface faded to white, now reading 'AUTHORIZING...' and blinking every so often. He half-wondered what would have happened if he did this when he first woke up. Would the entrance bot even recognize the map of his palm?
There was a hiss.
Then, that same artificial voice: "Access granted. Have a nice day, Ms. Sergeant."
The gargantuan white doors leading into the main bay groaned, as if they were a giant waking up after a long slumber. After a moment, they slid to one side, unveiling a dark chasm. There was no telling yet whether the main bay was empty, or emptied.
In a regular instance the main bay would be teeming with life, ship crew members moving about each quadrant checking on sleeping passengers. In the past there wouldn't be many members up, but that was before space travel was perfected and big wigs found out a way to bend time. To no longer need to put everyone in cryosleep for the length of the trip because they'd be there in a couple of weeks' time. Passengers were only under because for them, it was less about the journey and more about the destination. Ingrid and Soap didn't need to be awake, so they had the luxury of sleeping.
In his line of sight there was, first, a source of light coming from the left. He wasn't sure what it was, but it reflected on the dark steel interiors of the main bay, from the grates to the panels to the hard seating closer to the center of the bay. They must have opted for the opposite of the quadrants' stark white appearance because of the second source of light coming from above. Soap didn't stick his head in yet, but he just knew: There was a large, round window overhead that gave the main bay a glimpse of the space that surrounded them.
From experience, Soap also knew: When they were near a star, it felt like daytime. When they were traveling in nothingness, it felt like nighttime, and that's when the entire ship went to sleep. When they were near a moon, it was an in-between; a transitory part of day when all was quiet on the ship but no one was resting, except for the passengers.
Stepping out into nothing, Soap held his rifle firmly. It was the same thing as moving out with the squad on any other mission, except this time he was alone and he was the leader, not lingering behind. The weight of being at the front felt like a rock in his throat, but he wasn't scared. He just bore the responsibility.
He tried to map out, in his mind, just how big the main bay was. After days of sleep that memory of his was cloudy. It frustrated him. They had crossed enough of the bay, Soap silent, to see the source of light he'd noticed earlier on the left. It was a large, thick, snake-like cord dangling from the ceiling. Maybe at one point it was wiggling with life and electricity but now, it hung lifeless. It was cut in half, its fraying ends drooping onto the floor, a puddle of grease forming underneath it. Its ends dripped, perhaps once every five seconds like a leaky faucet, into the puddle. Every now and then it zapped with light as if a moth or fly had flown into it and became its prey.
"Don't touch it."
Suddenly a gurgling sound—as if someone was choking on something—came from behind them, interrupting the silence. Soap snapped around, holding his rifle up to the sound, which grew louder and louder as the seconds passed. And eventually, it sounded as if this something was choking on something thick, maybe their own blood, a material that could elicit a warbled gurgling. It wasn't hollow like the sound of someone choking on water or maybe being choked by an arm.
Its footsteps were equally wet. Slow and yet, purposeful. Walking towards them. Soap's grip on his gun and finger on the trigger were ready. The light from the sagging cord flashed. Then darkness. A flash. Then darkness.
A moment later the light gave way to a horrific vision: a human-like body with bones that seemed to outgrow its own shape. Mangled toes stuck out of its legs where its shins would be and in place of its feet were talon-shaped branches of bloated flesh. Then darkness. A flash. Its arms were no longer arms but instead resembled scythes, pointed right at Soap and Ingrid. They were covered in blood. Then darkness. A flash. Its face, was shifted where its right shoulder should be, leaving a headless neck bone fragmented and sprouting out of a 7-foot torso.
It seemed to have seen them. That was when its footsteps grew faster and, in place of its gurgling, it let out a shriek. A wretched screech that, at the same time, felt strained. At once it sounded like someone calling for help and someone wanting to rip them to pieces. Soap didn't want to wait to find out.
"Stay behind me!" he hollered to Ingrid as he fired a round into the creature's torso. When that didn't seem to stop it or even make it stumble in the slightest, Soap started walking backwards, not daring to take his eyes off it. He shot at the creature's feet, and there, the mutated tissue and weak cartilage blew off. The creature fell on its stomach on the floor and crawled at them, slowing down. They were almost backed into a corner now, but at this distance Soap had a clear view of the creature's head. He shot at its face, its blood splattering all over the floor. It slowed down almost completely, and from it came this rancid smell of rotten, rotting flesh.
Not wanting to waste another bullet, Soap dared to take a step closer. If only to see this thing up close. He brought his boot down roughly on the creature's skull and it squished under his sole. Its spine, exposed where its head was supposed to be, twitched ever so slightly.
Then it died.
#someotherdog#c. soap#soap x ingrid#v. in space no one can hear you scream#this got long your honor#please don't feel obligated to match length!!!
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Garden Secrets - ao3
Summary:
After being dragged out of his apartment by Sylvain, Felix wanders to a local garden where he meets Annette for the first time. (Modern AU retelling of their C Support conversation.) Now with a podfic! Right here!
note before we begin: i am chickenKatsu on ao3. I do not give anyone the right to repost my work to another platform unless I’m asked then properly credited. Please support me on ao3 and ko-fi if you like it!
“Hey Felix, which flowers should I get Mercedes?” asked Sylvain, peering at some pink delilahs in the store window of Knightly Flowers.
“Like I’d know,” Felix scoffed. Sylvain didn't stay to hear, rushing inside to ask the employees before Felix could say anything.
Felix sighed and followed him in. He would never admit it to Sylvain, but he knew the answer to his question. Flowers were one of Felix’s favorite things; he even had a small, hidden garden at home. His roommate, Ashe, who thankfully kept his secret, helped Felix tend to the flowers and taught him everything he knew. If Sylvain knew, the torment would never end.
“Excuse me,” Sylvain tittered. “Could I get some help with picking out flowers for my girlfriend?”
The shop owner, Ingrid, rounded the corner. “Welcome to Knightly Flowers,” she said cheerily. Then she spotted the customer and her face dropped. “Again,” she added dully. “Sylvain, this is the fifth time this week.”
“I know, I know.” Sylvain leaned on the counter, resting his chin in his hands. “But she’s too perfect. I just have to give her flowers every day, you know?”
“No, I don’t.” Ingrid said unenthusiastically. She waved over to Felix, who had been meandering around the shop. “Hey, Felix. Did Sylvain drag you in here to listen to him blabber about Mercedes?”
Felix nodded and opened his mouth to say something, but Sylvain cut him off. “Yes, but that’s not the point, Ingrid. What flowers should I give her today? Last time I gave her tulips.”
“Yeah, I remember. Leonie,” Ingrid yelled to the backroom. “Grab some red and pink roses for Lover Boy over here.”
“Sure, but it will be a minute,” called Leonie. “I’m still working on Byleth’s order. I’ve got two more bouquets to go!”
Spotting a familiar name and an opportunity to be annoying, Sylvain asked, “Oh, Professor Byleth from Garegg Mach University? What did he order?”
“Too much,” sighed Ingrid. “Three flower arrangements, five bouquets, and two flower crowns. All to be packaged as a gift.”
Felix snorted, unnoticed by the two up front. Although he was close to the age of his students, Professor Byleth had managed to graduate highschool and college early. Principal Rhea of Garegg Mach University had taken a liking to him, and offered him a job at her school. The class president, Dimitri, had immediately and obviously fallen for their young teacher. And so had Byleth. Felix wasn't surprised that Byleth had bought so many flowers as a gift to Dimitri.
“Anyway, Ingridddd,” Felix heard Sylvain whine. “Let me tell you how perfect Mercedes is. Her hair is so soft and silky like sand sifting through your fingers at the beach. And her puppy eyes…”
Felix shot Ingrid a sorry look before quietly slipping out of the shop before he was forced to listen to more of Sylvain’s lovestruck babbling. He was happy that his best friend was in love, but his constant rambling could get overwhelming and tiresome. Felix didn't know how Mercedes dealt with all of it. However, she must love that part about Sylvain, too. How nice it must be, thought Felix, to be so happy every day just because you love someone. To be so overjoyed by her mere existence and to think of her all the time, never getting bored of her.
Lost in thought, Felix found himself wandering over to the local botanical garden. It was one of his favorite places to go. He didn't visit often because it reminded him of everything he lost. Lately, however, Felix discovered that surrounding himself in flowers and memories wasn’t so bad. If he did that, Glenn wouldn’t be forgotten.
Brushing his hands gingerly over the tops of bushes and across the bark of trees, Felix allowed himself to be engulfed in the past and the plants. He reminisced about when he and Glenn had caught six butterflies in one afternoon. His parents had laughed and praised the both of them for their nimble and gentle touch.
A far-off song, so contrary to the memories that flooded his mind, snapped Felix out of his little trance.
“ Today's dinner is steak and then cake that's yummy yum… ” sang the voice, gentle as butterflies and as lighthearted as a child. “ Now it's time to fill my tummy tummy tum! ”
Enthralled, Felix followed the voice, weaving through a maze of flower patches and looming exotic trees. He found himself in front of the greenhouse. Peeking around a magnolia tree, Felix spotted the singer. In the midday sunlight, her orange hair gleamed like the warmth of fire, strung up in two little loops. She stood under a blossoming orange tree, watering the flowers beneath. Felix took a step forward. “Excuse me,” he called softly.
“ Oh, this mountain of sweets, and treats I long to eats… ” she continued, swinging her hips in one direction and watering flowers in another. She flitted around primroses like a hummingbird, gentle yet purposeful. “O h, snacks of steaks and cakes and crumbs and yums… ”
She didn't seem to hear him. Her tender voice, warm like sheep's wool and bright as the glowing sun, beckoned Felix. He had to know her name. Before he recognized what he was doing. Felix stepped out, speaking a little harsher, “I hope I'm not interrupting.”
She flinched and spun around, hiding her watering can behind her back. “Ah, um, hi. You weren’t listening, were you?”
Her rosy cheeks flushed with embarrassment as she spoke. Her eyes were as blue as hydrangeas and as wide as the cloudless sky. It took Felix a little too long to register that she was talking to him. “I, uh,” he stuttered, “heard enough to know that you're hungry.”
“No! I mean… Well, yes.” She fidgeted with her watering can. “At least tell me you didn't see the dance?”
“You have nice footwork,” Felix commented matter-of-factly. He saw this mystery girl’s face flush a shade brighter. “Get something to eat,” he continued hurriedly. “I can take over watering the plants.”
She didn't look up at Felix, mumbling, “What’s your name?”
“Uh, Felix. And yours?”
An awkwardly long silence passed between them. Felix could see her brain working and turning. Suddenly, Felix realized what he had said. Great job, Felix, he belatedly chidded himself. You don't even know this girl and you're offering to take over her job. Wait, is that her job? Does she even work here?
She was the first to break the silence. “YOU'RE EVIL, FELIX!”
“And you’re shouting,” Felix retorted.
“You can't just.. spy on people while they're singing without even saying anything! It’s not right!” she yelled, obviously flustered.
“I actually did call out when I was coming in,” Felix admitted. Still a little irritated at her uncalled-for insult, he added, “It's not my fault you didn't hear.”
“Well.. you need to speak louder, then!” She put her hands on her hips, pulling herself up a little taller and puffing up her cheeks a bit. Immediately, she deflated. “Ugh, this is so embarrassing…” she mumbled to herself. “And of course I was just singing some silly song I made up. Oh, come on, Annette! I should have been singing about… bears! Or swamp beasties!”
Ah, so her name is Annette , mused Felix. Fitting. Wait, what's a swamp beastie? “I didn't realize there were songs about bears and swamp beasties. But that food song seemed really close to your heart. Your stomach isn't far from your heart, after all.”
“Ugh, you are the worst !” Annette sped out of the greenhouse before Felix even had the chance to defend himself.
Huh. What was that about? Felix wondered. He picked up the watering can Annette had dropped . I guess I should give this back to her next time. He studied the colorful assortment of primroses, alstroemerias, and chrysanthemums Annette had been watering. Well, I’d better water these plants. Wouldn’t want them to get thirsty, or they might start singing, too.
#writing#ao3#fanfic#m!byleth#dimitri x male byleth#fe3h#fe 3 houses#three houses#fire emblem three houses#fe3h sylvain#fe3h ingrid#sylvain jose gautier#sylvain gautier#sylvain fire emblem#blue lions#felix fraldarius#fe3h felix#fe3h feliz fraldarius#fe3h annette#annette fire emblem#felix fire emblem#felix x annette#felix and annette c support#fe3h support conversation#fe3h support#fe3h c support#netteflix#fe3h leonie#fe3h mercedes#mercedes von martritz
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— OC ANIMAL FAMILIARS
TAGGED BY @lilywatt & @simonxriley to do this quiz, thank you! 🤍
TAGGING —
@queennymeria @risingsh0t @thedeadthree @loriane-elmuerto @shellibisshe
@frankwoods @cptcassian @shadowglens @imogenkol @leviiackrman
@arborstone @arthrmorgann, @florbelles
CROW.
The Crow is a very interesting, complex familiar to have, and seems to have a lot of personality to its behavior. Though it is seen by some as representing evil, it is in fact a sign of luck as well, either good or bad, and is strongly tied with magic as well. Despite its worse side of its reputation, it is not a trickster, but in fact very wise and adaptable. In the same way, you are a very intelligent and creative individual, though you may be misunderstood by your peers. The Crow familiar brings good luck to their master, acts as a mentor or guidance to them, and inspires them with bright and creative ideas. this familiar represents — creativity, closeness to magic, luck, intelligence, wisdom, adaptability, being misunderstood.
POLAR BEAR.
The Polar Bear is a very mysterious, powerful, yet strikingly graceful Arctic predator, and its power is often told of in many Inuit legends and myths. It is said to be strongly in-tune with spiritual matters. Its snow white fur is used to blend into the ice, then strike prey without warning. Similar to the Polar Bear, you have a tendency to keep to the shadows, staying quiet and secluded. However, inside you have an impressive personality, that can greatly surprise others when you get the chance to just be yourself. A Polar Bear familiar encourages their master to follow their heart, protects their soul, and are a great companion for protection or combat. this familiar represents — adaptability, independence, magic, skill, isolation, strength (both physical and mental)
EAGLE.
Like the Eagle, an animal well known for its symbolism of a brave soul, you are not afraid to step outside your comfort zone and face the unknown. You follow your heart, and let your fiery spirit lead the way through life's adventures. This familiar is said to be a symbol of light, and will encourage you to follow your passions in life and dare to complete goals that no one has been bold enough to try before! An Eagle familiar will help their master in battle, protect them from enemies, and lead them towards adventures in life. this familiar represents — bravery, strong spirit, adventurousness, responsibility, strength, dignity
BUTTERFLY.
Though often overlooked, the Butterfly familiar is a major symbol of one who has had a major change or transformation in their life. Very likely, you have gone through many struggles in life, many of them within yourself, as you tried to find who you were and what your purpose was. Maybe you are still going through that, or maybe you have had a breakthrough and discovered who you truly are inside. Butterflies represent a lively, inspired individual, and understanding life's deepest secrets. A Butterfly familiar helps their master stay sure of themselves and remain themselves, as well as inspire them throughout life. this familiar represents — transformation, breakthrough in character, understanding, secrets, liveliness, inspiration, uniqueness
DOMESTIC CAT.
Being a very curious and clever familiar, the Cat is well-known for its personality and tendency to get into trouble. However, it rarely has any bad intentions, being an adventurous and ever-curious animal. Along with its spirit of adventure, the Cat also represents knowing one's limits and being sure of themselves, and never question who they truly are. Similar also to the cat, though you are friendly to others, you would much prefer to be independent and in a quiet place instead of in a group. The Cat familiar has a tendency to pull their master into adventures or exploring. They are also somewhat tied to magic. this familiar represents — curiosity, adventurous spirit, unique personality, independence, playfulness, knowing who you are, magic
SHEEP.
The Sheep familiar has long been known for its symbolism of innocence, and you are no different. You are a person who is pure of heart and kind to others with every fiber of your being. Violence you cannot stand at all, always searching for a solution to a problem that will benefit everyone. Sometimes others may ridicule you for that, and see it as you being weak or cowardly. However, you don't allow yourself to give into that, are accepting of who you are, and know your strengths and limits. A Sheep familiar helps their master and the others around them remain calm, and brings positive emotions to others. this familiar represents — innocence, a kind heart, friendliness, vulnerability, knowing who you truly are, peacefulness.
TIGER.
The Tiger, though very, very powerful, is a dangerous, mysterious, and unpredictable familiar. They are often the companion of one who has strong feelings of vengeance or hate to another person. However, you are most likely very independent and sure of who you are, and strive to be yourself and not conform to others. You are pushed through even the toughest of situations through willpower and wise decisions, if you are able to keep your feelings of anger in check. A Tiger familiar is a very strong, vicious partner in battle, helps their master through mental stress, and gives them the will to continue on. this familiar represents — shadows, willpower, anger, unpredictability, mystery, wisdom
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hello, its me, posting again.
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