#c: the beginning or the end?

[vrailaru]

is th;is thing still on

(normal version below)

[spaciebabie]

I was terrified Hard as I tried, I couldn't see the signs Worlds fuse and collide But I know, yes I know what's deep inside.

[dedalvs]

When will humankind learn the lesson of its hubris and begin to heal itself? Also can you recommend any undergraduate or graduate level resources (textbooks etc.) for learning about fiction? I already read Writing Fiction by Burroway. Thanks in advance

January 14, 3182. Make a note of the date and return to this post when it comes.

To your second question, I've never read anything on writing fiction, only writing in general. I've found something valuable in every book on writing, even if there were things in the book I found less valuable. For example, I read Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg, and while there was much of it I didn't care for, there are some passags that have stuck with me 22 years later. When it comes to writing guides, I think the best thing to do is read what interests you while understand that what you are really doing is building your own writing guide inside you. You're absorbing what you find personally meaningful and using it to create your own personal styleguide that, like it or not, you'll be following for the rest of your life. Rather than rejecting that, and trying to decide which text will be the text that tells you how to write, embrace it, realize that you are going to do what you're going to do, and then try to work within that framework. That is, if that's what's happening, how will you approach a styleguide? What will it mean to you to read a very didactic text (i.e. "All serious writers must do x; no serious writer every does y") vs. a loosey-goosey one (e.g. "Dance naked in the garden of your creativity and allow your flowers to bloom!")? What are you looking for in these texts and what will you do with information or strategies that you find valuable?

Returning to Writing Down the Bones, I have to say I found the book to be mostly woo. It was more a kind of self-help/empowerment book than a book on writing, in my opinion. But there is something in there that I'm sure I'd heard before but which finally resonated with me. Specifically, it was the way she articulated that it really, truly doesn't matter what you put on the page when you're drafting. Drafting is not the time to reject. Even some idea comes to you that you find absurd, illogical, thematically inappropriate—whatever. It's not the time to push it away. Indeed, it's wasted effort. Editing and revising is the time to question. If you're writing, you shouldn't let anything stop you—even your own brain.

Why it took till then for this idea to take root, I don't know. It could be how she worded it. It could be that it came at the right time. Perhaps I was more open to new ideas when I was reading this book. It may also have something to do with a transition that had taken place for me in writing. After all, when I started high school, I was not regularly using a computer (we'd only just gotten a computer that stayed at home). When I started writing, I wrote by hand—on paper. It's a much, much different thing to edit and revise when you're writing on paper than it is on when you're working on a computer! I mean, digital real estate is cheap. When you're writing by hand, it can literally hurt to write seven or eight pages—and then to discard them in editing! Right now I'm working on a novel draft where I've decided an entire section needs to come out. If I'd written that by hand?! I can't even imagine.

I guess the tl;dr of it is I don't have a specific text to recommend. Rather, I encourage you to look around and grab anything that interests you. In doing so, though, I encourage you to approach it differently, focusing on what in it you find valuable, without either wholly rejecting it or feeling you have to follow it to the letter like an Ikea manual. I even found something valuable in C. S. Lewis's The Abolition of Man, which I honestly can't believe I read.

If you'd like some fiction advice that may be generally useful no matter what you're writing, this is what I can offer:

A valuable skill to hone is being able to read your work as if you have no other knowledge of it. In other words, you need to be able to read your work like a reader. One of the most difficult things to do with fiction is to cut. You usually have a lot more characterization, a lot more plot points, a lot more detail, etc. than end up on the page. The important question is if you cut something, will the reader notice? Will it actually feel like something's miss it, or will a reader never notice? Mind, I'm not saying that as a writer you can't tell if something is superfluous, or that anything you cut will be superfluous. I'm saying sometimes even if you cut something important a reader will still get the impression that what they are reading is whole and unedited. That isn't a good thing or a bad thing: it's a neutral thing. The question you'll have to answer is what is this whole that the reader is getting, and is that whole something you're satisfied with?

Get multiple rounds of feedback from many different readers. I say this not because it's vital, because beta readers are important, because you have to have multiple perspectives on your work, etc. None of that. Getting feedback from many different readers is a form of self-care on the part of the writer. I was deathly afraid of feedback as a young writer. I welcomed praise, sure, but anything else felt too painful to bear. This changed when I took a short fiction class at Berkeley. Suddenly a short story of mine wasn't getting one round of feedback: it was getting fourteen. And not just from the professor, but from fellow students. This was a minor revolution for me in terms of accepting feedback. If I were to take, say, one round of feedback, certainly there would be some praise, but there would also be notes like "awkward phrasing", "why did x character do y?", "this is unclear", "too much description", etc. These things would burn me. I would seethe reading them, and it would hurt so deeply. But! Imagine that one of them circles a paragraph and writes "too much description" and then the other thirteen readers say absolutely nothing at all about that paragraph—maybe one even puts a smiley face next to it. THAT puts the criticism in its proper context. Maybe your writing isn't too bad! Maybe there isn't too much description. Maybe that particular reader just wasn't vibing with it, and maybe that's okay. And then let's look at it from the other perspective. Say thirteen out of fourteen papers have a sentence marked and all of them say things like "huh?", "what's this mean?", "confusing", etc. Guess what? The sentence is probably confusing. And for some reason if everyone's saying the same thing it hurts a lot less. It means, yeah, you probably made a little mistake, and that's okay. It's not one person singling you out, and it's not the case that they don't know what they're talking about. I can't emphasize enough how freeing it is to look at reviews of your work if you have a handful or more to draw from rather than just a single good friend.

It's okay to write the fun part first. You may have a plot device you're really excited about, but to get there, you have to introduce your characters, have them get together, have them go to a place, meet someone else, etc. And it may take time and energy to write all that. You may feel pressured to get through that before you get to the part you really want to write. You certainly can, but you do not have to. I don't know if younger writers can appreciate exactly what it means to have a computer. You can write a little bit now and literally copy and paste it into some other document later. Try doing that with a typewriter! You can write something like "Insert paragraphs later of characters traveling to x location". You can even drop a variable in there so it's easy to find with the search function later (e.g. "ZZZZZ insert scene description here"—now you just need to search for "ZZZZZ"). You can put it in a different color on the screen so it's easy to find when scrolling. You can paste a freaking photo into your document! It's extraordinary what you can do with a computer that you couldn't do in years past. You've got a ton of options. But most importanly, when your work is done, no one will know what order you wrote it in.

In fiction, nothing has to happen. Villains don't have to be punished; heroes don't have to win; characters don't have to have a specific arc that comes to some conclusion. Honestly, one of the tropes (if you can even call it a trope) that I find most frustrating in sequels for movie franchises is after the characters are introduced, they take a few character and assign to them the major story conflict, and then for the rest, they give them a mini arc. It's like, "Mondo 2: Exploding the Mondoverse sees our hero Larjo Biggins take on new villain the Krunge as the very core of the Mondoverse is threatened with destruction! Also, Siddles Nuli learns its okay to be left out sometimes and she shouldn't get her feelings hurt, and Old Mucko learns that even though technology is advancing, sometimes good old fashioned common sense is just what the doctor ordered!" If you get to the end of your story, and you feel it's done, you don't have to panic if you suddenly realize we don't know whether Hupsi ever made it to Bumbus 7. It's okay if Story A is resolved but Story B is not.

I don't care if you used Trope A in your new story even though you used Trope A in your past seven stories and neither should you. Seriously, you think anyone was complaining when Agatha Christie put out another mystery novel? "Oh. Mystery again, huh? Gee, we were all hoping you'd write a book about the struggles traditional fishing villages are facing in the wake of industrial modernization." No we fucking weren't!

I hope you find some of this useful. Whether you did or not, though, be sure you enjoy what you're doing. If you are, you're doing the right thing.

[leclercskiesahead]

The C2 boys go shopping for the fashion show

[fakemichaelsheen]

-give me coffee-

crowley: *examining his reflection in a teaspoon*

nina: *clearing tables*

crowley, gestures: ah, you, nina. gonna need your strongest coffee ASAP

nina, signals to a colleague: sure *notices crowley yawning and looking over his shoulder frequently* someone keeping you up or something?

crowley, shrugs: something like that

nina: *raises an eyebrow*

crowley, sighs: ok so I kissed him-

nina, smirking: alright. about time

crowley, ruffling his hair: yeah well now he won't stop kissing me. at all. ever. he's insatiable. he thinks I'm in the bathroom at the bookshop. I mean, yeah, it's great, I love it but I need a break, you know

nina: okay well can't you just tell him that?

crowley, scoffs: hngh yeah sure

nina, sits opposite him: well you could always...distract him...with something else

crowley: ...

crowley: eeeh, chess isn't really his thing

nina: ...

aziraphale, enters: ah, there you are. um *glances at nina* I need your help...in the bookshop *winks exaggeratedly*

crowley, hesitates: can't jim help you out?

aziraphale, thinking: hmm. I suppose he could. I don;t think it'll be nearly as enjoyable but it's worth a try *turns to leave*

crowley, frowns: hey, hey!

aziraphale, frustrated: what?

crowley, pointing: well, you can't just go around kissing jim!

aziraphale, through gritted teeth: well, then you'd better hurry up *leaves*

nina: *staring*

crowley, sighs: I've created a monster *downs his coffee; leaves*

nina: ...

[stopper-my-heart]

If you had to choose one gif for S1 and one for S2 as your favourites, which would you choose?

First, let me just say,

which I mean just as jokingly as Tao does here. Asking me to choose though!

Second, choosing gifs is such an interesting question because it's not favourite moment or favourite face or favourite scene or favourite...anything else, and I haven't really thought about favourite gifs.

Third, my favourites for any of the things related to Heartstopper shift very frequently, so I'll give the ones that are coming to mind in this instance and it can serve as a snapshot of this particular point in time (because 5 minutes from now it might be different).

So to finally answer the question..

Season 1 gif (from episode 1):

Look at Charlie's sigh and melt at the end there. So adorable.

Season 2 gif (from episode 8):

I continue to wish this were Nick hiding behind the couch instead of Darcy because it would be even funnier, but this gif still brings me joy.

Thanks for asking, Anon!

[cdroloisms]

honestly, there's probably a lot you can say abt c!dream in terms of losing even when he wins. because, tbh, this is...consistent.

c!dream is very intelligent and very good at PVP and these are well-established traits from the beginning of the server. he is skilled at thinking strategically and therefore is often able to navigate unfavorable situations to him in order to successfully achieve some goal of his. in terms of achieving goals, c!Dream isn't half bad in the slightest! but how do these goals actually work out for him?

in the revolution, c!dream successfully leads his side to victory while minimizing damage to his own people (and, sometimes, minimizing damage across the board: see him telling his men to hold fire to allow lmanburgians to retrieve their items.) the most amount of risk to anyone on his side is during the duel, where he ended up on half a heart to determine the end result of the war. and it's quite undeniable that c!dream wins the war--he gets to set the terms of the peace, gives them "technical" independence as he planned to from the start but says that he and the rest of the Dream SMP will view them as constituents of the greater server and gets both discs after c!tommy offers them willingly. by all means, on paper, a glowing success.

only time passes and as others treat l'manburg as independent, he is forced to do the same. "suck it green boy" becomes one of the most common catchphrases of the server when the independence that was granted them in the book that this statement was written was. literally given to them out of c!dream's mercy? and not out of their victory? he loses both discs AND significant leverage against himself due to various conflicts that involved people stealing from him and/or blackmailing him when he literally wasn't doing anything. l'manburg's ranks have swelled and the story established by it and its independence has long since drowned out any other perspective on the war.

then, in manberg/pogtopia, c!dream enters into the conflict from the perspective of wanting c!schlatt out of power. later on, remaining loyal to c!wilbur, he helps him to successfully pull off the plot to blow up L'manburg and also manages to obtain the revive book through a brief alliance with c!Schlatt. once again, his goals were successfully pulled off in no small part due to his strategizing.

and yet, in the long run, what does c!dream really gain? the revive book is something he evidently didn't know about until the trade with c!Schlatt, and the knowledge of it fucking destroys him. with both c!Schlatt and c!Wilbur dead, he immediately ends up as enemy number one, something c!Wilbur himself states later on. c!Dream, who had never really had any particularly stable alliances pre-manberg anyway, comes out the other side of November 16th even more alone than he had been before, publicly distrusted (not that he was ever really trusted, even by Pogtopia before he officially starts working against them because of the revive book, something that the content creator himself has stated was created purely to explain why c!Dream would switch sides.) the destruction of L'manburg is merely temporary. the plan to blow up L'manburg was c!wilbur's in creation, and considering how open c!Dream is about disliking c!Schlatt, I really hesitate to think that he was going out of his way to ally with guy unless he himself intentionally revealed the revive book to this end (like. c!schlatt is a smart guy, bro.)

c!dream is "secretive" about just about nothing at this time, besides I guess his actually helping Pogtopia (if you can call this guy telling the fucking Manberg cabinet that it's L'manburg, not Manberg, being secretive el em ay oh)--he's open about helping c!Wilbur with the TNT (and c!Wilbur you know, makes a point of doing it in front of an audience both times he asks c!Dream for TNT as well) in Vassal and then on November 6th, and that exact stream is also where he literally walks in the middle of Pogtopia to say hey guys. I'm Betraying You Now. like ???

everything he gains at this time culminates to 1) he helps c!Wilbur successfully pull off a plan that c!Wilbur himself came up with and wanted to pull off and does, to some degree, pressure c!Dream into agreeing with him about--even if c!Dream was going to give him the TNT no matter what, he does display a measure of resistance during Vassal Speech (whether or not you believe this resistance was genuine) and c!Wilbur responds to that by kinda threatening him. So. and 2) he gets the revive book by acting in service to a guy that was clearly established as someone he disliked and feared, and that book is also something that we KNOW scared the shit out of him and like ended up prompting a paranoid spiral that ends with him creating a whole goddamn prison to put himself inside. soooooooo. you know. and all of this is happening at the same time that his losses end up turning into "by the time november 16th rolls around and is over and done with most people either want him dead or are very very close to wanting him dead, cheers!"

then obviously, there's everything from november 16th to the staged disc finale. again, we see c!Dream pulling strategic plays left and right and achieving the goals he has--at this point, often through, uh, less than savory means. through political bullshit with NLM and well, exile, he manages to get the disc during green festival; through helping c!Techno against the butcher army, he manages to obtain a favor; through stuff involving the enderwalk and some kinda deal that im p sure has remained unspecified, he manages to get Cat from c!Skeppy; through experiments with c!Punz, he gets information on the revive book; through green festival, obtaining both discs (and therefore no longer needing to act in terms of political interests with NLM), and establishing common ground with c!Techno, he's able to destroy L'manburg through Doomsday; through having the discs + everyone hating his guts because of Green Festival, Doomsday, and to be fair everyone literally just hating his guts from the outset, he is able to ensure the security of c!Punz, the revive book, and himself by locking himself in prison. A lot of different moving parts, a lot of different goals, a lot of running around the server to get what he needs to get done done at the right times in the right ways, and he manages to con the server and put himself exactly where he wanted to be.

and yet?? and yet??? sure, he pulls off what he wants to pull off, sure he achieves his goals, but in terms of actually winning? he's paranoid and the paranoia just keeps getting worse. the threats to his life and the amount of enemies that want him dead just keep growing in numbers. he finally gets lmanburg blown up for good but you know there's going to be like 4 more factions on this server by the time he gets imprisoned. his friends ditch him and then try to kill him when he clumsily tries to communicate that he's trying to protect them because of the paranoia he has about everyone hating his guts, he explicitly identifies the reasons for people's hatred as having a lot to do with manberg/pogtopia arc where he ends up helping two dead men that aren't around for people to hate anymore, he pulls off staged finale and puts himself in a prison that ends up shattering himself.

like he achieves his goals--even if we're talking about the prison, even if we're talking about the time where things most thoroughly go awry for him because of c!sam's betrayal, you can't say that he didn't achieve what he intended. c!sam kept him alive, and would do anything to keep him alive--he might've been wrong about a lot, but he wasn't wrong about that. and yet. AND YET.

c!dream achieves his goals but where does he end up? miserable and afraid of literally damn near everything and losing his whole mind in the exact prison that he constructed to keep himself safe when in a paranoid spiral about a hostile world that suddenly made so much less sense than he was used to--alone.

like. wdym doesn't lose all he does is lose literally everything he ever had like ����😭😭😭😭

[the-woman-upstairs]

Just thinking about, in Fallout, how frightened for his life Benji is when they learn that Ilsa’s after Lane and how nothing will stop her from killing him, but Ethan promises to protect him. And then you get to the final showdown against Lane and it’s actually Ilsa that fights to save Benji’s life!

[kujakumai]

Really unironically love Rishid's tiny but strong undercurrent of selfishness. Everything he does is always in service of everyone else but what he really wants is always there, and very evident, in a way it just isn't for a lot of other characters in the undyingly-devoted-servant archetypes he operates in. His loyalty isn't pure or blind but constantly fraught by mixed-motives. He does actually want something for himself (to be a real tombkeeper, to be part of a family, to get his dad to love him, to take back something of the position Marik stole from him) (all of these are different but to him they are the same) and he's willing to do some pretty terrible things for it, and a lot of what he does that looks like obedience or loyalty at first glance are firmly in service of it.

[boilingdreamland]

guys. Guys. GUYS.

You do get that this wasn't the end of the Adventure Time Multiverse? Right?

Like, this wasn't meant to be some grand franchise wrap up that answered all the questions and gave everyone a perfectly happy ending.

You know that. Right?

It's just the end of this particular installment.

There may even be a Fionna and Cake Season 2 or Distant Lands style Fionnaworld Specials we don't know yet.

They left loose ends and unanswered questions For a Reason.

This story isnt over, but this chapter is.

[haveyoureadthisfantasybook]

vote yes if you have finished the entire book.

vote no if you have not finished the entire book.

(faq · submit a book)

[koushirouizumi]

Digimon Adventure+02/tri./Kizuna/(+Adventure:) {2020 Reboot} + Digimon Adventure 02: The Beginning (+minimal Kizuna) A.M.V x “Apologize” {David Archuleta} Live Concert Version Featuring Characters/Duos/Ships: + {+2020!}/{Kizuna!}KOUTAI, {02!}KENSUKE, (Implied/Former?/Un-requited??) YamaSoraTai/Yamachi, {briefly/+also from Yamato's end); Adventures Chosen; (Overall 02 Chosen-Leaning +Side KouxTai)

“I’m hearing 'what' you say…”

“Take a Fall {?}”–

“I Need you like a heart 'needs' a BEAT– … BUT that’s Nothing {N E W…}”

“{’XXXXX’} like the A N G E L…"

“IT’S TOO– (???)”

"...Ten feet..."

Comment: If you think I'M not in this CROWD somewhere, {despite the fact my voice is really soft 'irl'} you might just be Mistaken,,,,, (Also - This is my overall personal 'final thesis' on The Beginning.) {If you watch, please genuinely try to FOLLOW the themes presented.}

{Note: Tri Pt. #6 Bokura no Mirai/"Our Future" Spoilers, Major The Beginning Spoilers, (select scenes from opening, final battle, FINAL Post-credits scene at very end clip) + middle part Big spoiler (Rui’s eye & Ukkomon) {Notes: Eye Trauma/Injury; Blood}

Original Song © O.n.e.R.e.p.u.b.l.i.c Archuleta cover from AUGUST 1st 2009’s Sunrise, Florida Concert {“Hey O.P., can you explain that GAP in your blogs' hISTORY of this fANDOM—???”} [Do you hear 'THEM' here???]

*Edited in about 5 hrs 10~ min overall (Preparing for this however took at least four days of off-and-on out-lining) {Any final fix's will come in the future...!!}

{*Slightly LOUD/Low quality audio at points!!} (*Contains cheering, as its LIVE Ver.)

by Me/Hikari M. Productions @hikari-m/@koushirouizumi/@izzyizumi {DO NOT Repost} {DO NOT Copy} {DO NOT Reproduce my Work/Video Edits Without my Permission Under any Circumstances}

[hanzajesthanza]

crossbow bolts & goodbyes

i love it when ciri steps into geralt's role in the endings to the story :')

from the lesser evil, one of the original short stories and before ciri had even been concieved of as a character:

to the very end on the stairs in lady of the lake:

asides from "geralt quickly covered ciri with his body" and "very good, but if you ever do that again, i'll tan your hide"—that ciri successfully pulls off the same move, deflects the crossbow bolt with her sword, like geralt has :') oh, witcher and witcher girl...

and in this same vein, it should also be mentioned, geralt and nenneke's parting at the end of the voice of reason:

to ciri and geralt's parting in something ends, something begins:

[cherrymoonvol6]

.

[ancientmacaromi]

Both Superhorrorbro and Matpat have done a playthrough on The Bunny Graveyard(althought Matpat's still only halfway through)

I have hopes for a theory are a story explained video

I need content

[cdroloisms]

"to the point where he completely fucked up his own plan in exile by acting THAT strangely to c!Tommy when they literally had a decent-ish relationship mere weeks before"

Why did he even act like that though where did it come from

well there was the mental breakdown innit