#by god i hate that show sometimes

[a-chaotic-dumbass]

i hate the idea of sansa ending up as this cold ice queen when through out the books one of her defining characteristics has been kindness. kindness to dontos when joffrey wanted him executed, kindness to the woman with the baby during the riot, kindness to an injured lancel despite cersei's words, kindness through warning margaery of the type of person joffrey is, kindness to sandor clegane and sweetrobin in the vale. sansa even says that once she was queen, she'd wish to rule with kindness when cersei encourages her to rule with fear during the battle of the blackwater. i cant imagine a world where grrm would genuinely go with the idea that only once you refuse love and warmth can you rule

[alienfailboy]

what the fuck are these gay doctors doing on my screen

WHY ARE THEY DOOMED I CANT

[scintillyyy]

i do feel like. to understand why jordanna was written Like That in bg09 (as an evil strawman sorority-type girl who exists to be the worse reflection of steph--she's the unnecessarily catty to steph's justifiably snarky, the artificial slutty to steph's effortless, natural, and authentic sexiness, the fundamental unlikeable to steph's likeability, nothing but an antagonist of bad qualities to steph's good qualities) you do need to understand that in the year of our lord 2009 they were taking inspiration for a female led comic book about a girl in college from gossip girl.

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[stealingyourbones]

Gotta love when folks write Superman incredibly anti-clone even though he had good reason in the beginning to Not Like Superboy (HES A WINDOW INTO WHAT CLARK WOULD HAVE BEEN WITHOUT THE KENTS) and decide that forever on he’ll be spiteful towards clones even though he literally Does Not Care if you’re a clone unless you’re Superboy.

[usertoxicyaoi]

"If you were in a better mood, it might have sounded sweeter."

MY PERSONAL WEATHERMAN (2023). Episode 5 -> Episode 6.

[hardkookiecookie]

"I like this character a lot I've seen them all over tiktok, no i haven't watched the source material and I don't know what this character is like outside of the tiktoks and fanart/fics I've seen/read about them, but I don't need the source material at all I'm basically the expert about this character" you're so wrong and ignorant I think reading a book would kill you in an instant

[spiderziege]

sometimes i look for 'bad' tv shows to watch while crocheting (aka stuff that doesnt really require full attention) and i thought dead boy detectives would be perfect for that, but after a few episodes i think. actually this show is like a train wreck i cant look away from. im hatewatching with full attention. im fascinated

[thedepthsofhell]

yk you can ship bucktommy or buddie, both or neither without being a total asshole, right? because i think some people need to hear that. idk maybe just enjoy what you enjoy and let other people do the same? not everyone has the same opinion as you and i'll be dammed if this keeps me from enjoying the little wee woo show.

[lylahammar]

I've been rewatching the first two seasons of The Bear so I can watch the third season that just came out and man the character writing in this show makes me froth at the mouth it's like some of the best arcs I've ever seen in a TV series

[black-queen-rising]

The people taking this dialogue as a legitimate “character flaw” or literally just at face value at all and not as a continuation of the blatant disrespect the writers have not just towards Rhaenyra as the heir of twenty years, but towards anything that could even vaguely be construed as “women’s work”, is the most perfect encapsulation of just how entrenched misogyny is into the very heart of our pop culture and how the popularization of fantasy has managed to worsen our societal view of soft power by painting it as not only weak, but frivolously feminine, unimportant, and a waste of time.

Since the beginning of the show the writers have almost exclusively portrayed Rhaenyra as disinterested if not opposed to her role as heir, as a politician, and a woman in power broadly all against the original canon and all glaringly, not to make her look worse or better or likable or incompetent (they do all those things, almost every episode, with however they need her to affect the plot in that given moment because they’re incapable of having the characters drive it organically) because it’s not truly about her at all. It’s simply because they cannot fathom a story where a woman is politically adept and as a result either 1. evil or 2. boring, and that is fundamentally because once again they are so biased and against portraying anything that could even vaguely be construed as women’s work or at all “feminine-coded” in an even neutral-but-interesting way they do for (stereotypically) masculine-coded activities like sword fighting, horse back riding, dragon riding, hunting, archery, not to mention just the concept of the political conversations that drive these stories, let alone an actually positive way.

They have taken a story that at its core was always an indictment of structural misogyny and how it will literally cause societies to tear themselves apart over nothing. But because they decided at the outset they wouldn’t and couldn’t portray the structural part of said misogyny without scaring away their intended audience, and decided instead to base this all around ultimately meaningless ~team discourse~ (because literally everyone meeting their downfall as a result of the consequences of systemic misogyny is the point) their alternate path has been to over-exaggerate and ultimately turn to spectacle every single woman involved’s individual suffering at the expense of everything else about their characters. It doesn’t matter if that was the intent or not the principle result of this adaptation has been the continual disempowerment and degradation of women and their agency combined with an almost impressively voyeuristic portrayal of their suffering.

The women in this show are not allowed to have interests or hobbies unless it’s to serve to make them seem “bad” in someway, whether that be the discomfort around Helaena’s bugs, the total lack of any positive representation of Alicent’s religiosity, or how the women dragon riders are broadly painted as aggressive, violent, and unnatural. I don’t even have specific examples to list from the other “team” because in order to be portrayed as “likable” to the general audience the women of Team Black are barely allowed to have personalities, let alone distinguishing interests or characterizing hobbies. The agency and autonomy they have been stripped of, collectively, from both historical precedent and actual ASoIaF, is almost entirely in their refusal to allow women’s work to be portrayed positively. There are no balls, no sewing circles, no garden parties, no trappings of power and contests of will in the jewels and gowns Rhaenyra must now loathe to be (their deeply narrow and biased view of) “likable”, there are no female mentorships, and no female friendships, and at every chance they have had to portray these things at both a societal and personal level they have chosen to veer away and instead reinforce their suffering. They have removed women’s avenues and halls of power from this story, while making it very clear there are no others that exist in this world, and they cannot participate in the men’s; if they could this story wouldn’t exist. So we are left with a group of people who are supposedly driving this story, who this story is supposedly about, but they are internally and externally isolated, largely removed from the public eye, angry or distressed to be there on the rare occasions they’re present, disempowered, stripped of personal agency and will, and we’re still told they have power. But if we search for it the only logical conclusion is that any power which does not center on how much suffering they have been through, or how much more they may be dealt, is not only gone, it was never there in the first place.

I don’t enjoy Rhaenyra’s quasi domestic abuse any more than Alicent’s visceral sexual shame and I don’t enjoy the infantilization of Helaena’s character any more than the erasure of Rhaena’s and it is deeply concerning how many people look at these decisions, and nod their heads and say “yes, this is realistic, and not only is it realistic it’s, GOOD, because without horrific psychological and physical abuse and ultimately a complete reduction to every female character as peace loving victims of powerful men’s cruel machinations we could never even SEE how misogyny is so damaging.” And the mindset that drives people to claim that those of us who call out how this is, the definition of benevolent misogyny and say we’re crazy, that we can’t see the complexity, that actually we’re the ones somehow falling back into sexist tropes, or asking for a black and white story when instead the black and white has simply become an insultingly reductive view of evil men versus helpless women and when all else fails, accusing us of wanting a boring story because it’s either not focused on gratuitous individual female suffering, or is focused on the kind of political power every single featured female character on both sides of this conflict wielded in the original book instead of evil man conversations and eviler man dragon-battles, is at its heart why we have come to a place in pop culture where one of its most marquee properties displays and embodies these problems so glaringly in the fucking first place.

[sciderman]

How was the movie?

I LOVE SPIDER-MAN

I LOVE BEING A SPIDER-MAN FAN

I LOVE BEING REWARDED FOR BEING A SPIDER-MAN FAN

[my-thoughts-and-junk]

hate when i see a youtube video that's like 'analyzing why [thing] is bad!' and you watch the video and they just say nothing for twenty minutes

[chatxkilluaxnoir]

I have Gravity Falls and Etc. fic(s) idea(s)

Which, I am going to write now while I am having this fic idea (probably going to be a short one, but in the future I might make a revised expanded version or something. Who knows).

I actually have multiple Gravity Falls and GF TAU and Reverse Falls and etc. stuff that stems from this specific The Book of Bill thing.

Specifically stuff exploring Dipper's nightmares.

(I have some other ideas for the other dreams and/or nightmares too. Sometimes even in relation to Dipper's in some way).

I love my boy, and his nightmares hurt my heart.

But also because I love him, I want to explore even more of issues/trauma/suffering and/or to do Dipper angst. And etc.

Because I want both happiness and/or suffering for my faves/the characters I love very much.

Like Dipper.

So he is going to be getting even more of that from me, probably.

Because he is great and I love him.

[mbirnsings-71]

My dear friends on tumblr dot com are concocting Angst again meanwhile I'm about to rewatch miraculous again- wonderful 2am activities

[hemorrhoidbabe69]

Pokemon ive heard of em