#butch walker imagines

[audreyscribes]

Ω PJO DEMIGOD HEADCANONS:

🌈IRIS: Goddess of Rainbows, Messenger of the gods☮

Author's note: Hello everyone! In lieu of posting the major gods demigod headcanons, here is the minor gods version! As usual these headcanons will contain what it's like being claimed and what it's like for the respective god and cabin, followed by a small story between you, the reader, and the respective demigod of that god. Thank you for reading and please like and reblog! [PJO MINOR GODS DEMIGOD HEADCANONS MASTERLIST] Disclaimer: To new fans or strictly TV watchers of the PJO series, future spoilers for the entire PJO series books will be referenced. Read at your own risk.

When you get claimed, rainbows appear over you and cast you like the faint rainbow light you see when the sun hits the window pane. If it’s outdoors, it doesn’t matter what the weather is like, there’s a rainbow overhead that follows you.

If you were around before the Titan war and are there as you hear a cabin will be constructed, Iris doesn’t wait as she immediately claims all of her children. All of them. All at once. There’s a massive explosion of rainbows that flash everyone and you get hit with even confetti and sprinkles for extra touch. There’s even glitter. Your skin is covered with a thin sheen of glitter…or its Iris claim effect. Your skin is absolutely glowing.  If you were indoors with other children of Iris, well…oh gods, those unfortunate poor souls. If you’re outside, the light and rainbows are more spread out and there’s a double rainbow above in the sky. 

You’re colourful one way or another. Inside, outside, outward, inward, it’s genetic.

Have you seen those weapons that have that rainbow-like colour on the metal? Yeah, it’s a signature of a child of Iris to wield one. It’s not only representative of who they are but also the rainbow scheming has a use that only applies to a child of Iris. What is it you ask? Well, you’re going to have to find that yourself. There won’t be an enemy or foe that faces a child of Iris that will be able to tell you.

“Beware the anger of a patient man” except more like “never make an enemy of a peaceful person”? Yeah, never get a child of Iris mad. Much like a child of Demeter, you really don’t want to break the straw over the camel’s back. 

You and your other half-siblings all have a favourite colour, but now imagine having a favourite hue, tint, shade- It’s not uncommon for each colour group to debate that their favourite colour is superior, for then to only debate within that colour group which shade/tint of that colour is superior. Even monochrome colour isn’t off the table either.

There’s a good chance you or your other siblings will have Synesthesia: where stimulation of one sensory or cognitive pathway leads to involuntary experiences in a second sensory or cognitive pathway, specifically Projective Synesthesia that have a connection with colour.  Like experience colour when when listening to music, assigning colours to the days of the calendar, tasting or smelling colour, etc-

All except for one universal thing though. You know Skittles and their “Taste the Rainbow”? Yeah. That. There’s a reason for that. An Iris child coined that. You all get free, lifetime skittles. 

You just know what photoshop colour code, pantone, and every other official colour assignment on the spot. Very handy at times.

Tye-dyeing is a very common activity at the Iris cabin. You guys regularly hold workshops with the other campers like a normal camp. In fact, dyeing and altering colours is a child of Iris’ speciality. Heck, they can even dye their own hair and eyes at will (within reason tho. Consequences of such things may apply or not. I.e. you may give yourself red or purple eyes but you also might be affected with the downfalls of being albino).

There have been times where such colouring effects have disastrous moments though. It’s no secret that a child of Iris can take away colour as much as they can give colour. One time, a child of Iris got so depressed and angry they made everything and everyone monochrome. It was…a thing. Children of Hypnos were not happy being affected by the lack of colours in theirs and everyone’s dreams, letting everyone experience what dreams were like before colour television was a thing. 

You have great communication skills, one way or another. Whether it’s vocal communication, literary communication, or whatever, you communicate well, and there’s no miscommunication. Miscommunication is the bane of an Iris child and they will not stand for it.

You all get a toll free call with the Iris messages, which is always a perk. But you do have to at least call Iris every so often, or visit/help her at her stores. Call it parent and child bonding time. That and also giving feedback on her organic products. The organic cookies were fine though.

Speaking of Iris, she’s probably one of the most chill, accepting, and free form parents out there. Of course she’s still a parent and you are subjected to the usual parent behaviour, but like dialled back. You can talk to her about anything, and it is usually done with anything. Sure, she may need some time to come around but it's less wrapping her mind around it, it's just her going, “Okay. Okay. Well as long you’re happy and safe” kind of deal. Coming out to her about anything is still nerve wracking but you know she has your support. Given it’s very ethical, not dangerous, and all that. Cause you know, parents. 

Your flag is the rainbow flag. Interpret that how you want and however you will. 

Every so often, you and your siblings will gather together and travel together to the end of the rainbow, to find a pot of golden drachmas. You all came to the consensus that it’s Iris giving you allowances. Though, be prepared just in case there are leprechauns at the end of the rainbow.

You blinked at all the technicolour happening all around you. There was a mini rainbow over you and it shimmered down what looked like glitter. You moved your hands and you caught a faint shimmer on it that was noticeable but not an eyesore. If you didn’t know better you thought you had put on dusting of powder. 

Your ears faintly heard murmuring, some yelling going “I can’t see!”, among the congrats on your claim by Iris. It was slight but you could hear the slight mocking tone that your mother was Iris, the goddess of Rainbows. You made a frown as the feeling in your gut became uncomfortable. 

You went to yell at the person mocking you until you saw this large boy who had a buzz cut haircut step forward through the crowd. He watched him give a scowl at the gossiper who let out a squeaky “eep!” cowering away as they shut up. 

He glared at them a bit longer before his head whipped to look at your direction. The sudden movement made you flinch and tense up, and when you thought he was simply looking in your direction, he looked at the floating claim above your head before looking down from it and landed his eyes on you. 

You felt sweat bullet out of you as he made his way over to you. You wondered who this guys was as he stepped right in front of you. You stood there, waiting for what was going to happen next as he inspected you; you looked at his appearance, taking in his muscular stature and the almost shaved head. Then you wondered: was he a child of Ares or one of the obnoxious demigods? A small flame of rage began to kindle as you remembered something; how people undermine Iris as a weaker goddess because she was the goddess of rainbows. Then you had the thought that he may be a bully demigod, here to assess you and reaffirm that every child of Iris was weak.

You hardened your resolve and it showed in your eyes. You stared at the person in front of you, your spine straightening as you did. You weren’t going to let anyone think you or your godly parent were any lesser because of their perceptions. You would show them. The two of you stared each other down before he let out a smirk. For a moment, you immediately tensed your muscles for a beatdown but then he gave a satisfying nod. 

“Good, you have resolve,” he praised which threw you in a loop and made you confused. He thumbed towards the onlookers and looked back at them with a disapproving look, making them flinch in embarrassment. “Look, don’t let anyone put you down and make you feel any lesser because of our mother being the Goddess of Rainbows. Iris is just as important as the other gods and is responsible for the Iris communication, which everyone uses. Keep your head up proud.” 

You blinked at him as his words seemed to settle the nasty feeling in you. It was still there but…

“I’ll try” you admitted as he nodded, “Um, not to be rude, but who may you be?” you asked. 

“I’m Butch Walker, son of Iris and cabin leader of the Iris cabin” he introduced and stuck out his hand. You took it numbly as you realised what he was saying. 

“Wait, so that means you’re my…?-”

“Yup. I’m also your half-sibling. So if someone has a problem with you, don’t worry about it cause I got your back.” He also leaned closer and gave a sneaky grin, “And Chiron is good terms with our mom too, so if people try something, they won’t just suffer one’s wrath.”

You smiled as you put more strength in your shake. He grinned with more teeth, before he patted your shoulder, a bit strongly I might add, and guided you away from the crowd. They parted before you as rainbows shimmered in your wake. “Let me help you get settled in the cabin, and when we have time, I’ll show you the pegasus.” 

“Pegasus?” you said a bit excitedly.

“Oh yeah,” he nodded, “Pegasus riding lessons aren’t usually allowed for most but since I’m a pegasus rider, I’m allowed to recommend those who have the talent or interest in it” he said. 

“That’s so cool…I’m willing to give it a try though” you admitted. 

Butch looped an arm around your shoulder and shook it, “Don’t worry, I’ll show you the reins.” 

You nodded and you took a few steps before you realised his puns. 

“Hey-”  

Butch let out a laugh as you couldn’t help smiling a little bit at it.in

[dykekarkat]

sigh thinking about butch lesbian andreil again i miss them so bad (they only exist in my head). like 2 buff short asshole women basically being bodyguards for 6'2 pathetic repressed bisexual kevin day. neil pulling a mulan but finding way more joy in being butch/masc while on the run. andrew renee situationship allegations becoming true + neil (and allison) getting jealous about it. the twinyards being identical except aaron is a guy and andrew is a girl so one of them HAS to be transgender. also stone top andrew eventually trusting neil enough to reciprocate...need i say more...

[theamazingmaddyas]

Riordanverse characters who never interact in canon, yet I'm convinced they'd be best friends: A compiled list with explanations because I think about this way to often.

1) Georgina (Trials of Apollo) & Harley (Heroes of Olympus & Trials of Apollo)

There are four works in the Georgina & Harley tag on ao3, and all four have been written by me, that's how series I am about this friendship.

Firstly, I headcanon that the reason there's no year rounders during The Sun and The Star is because most of them decided to go to Waystation to attend school. Harley's eight in The Hidden Oracle and has already been at camp for at least a year and a half, minimum (as he's in the Hephaestus Cabin in The Lost Hero, and it's stated that no Hephaestus kid as come to camp in months before Leo), so why else would he all of a sudden not be a year rounder? He's certainly not staying to fight in the wars like some other demigods.

Now, back to Georgie and Harley. They're only a year apart, if that, and the other is probably the first person they've ever met close to their age, which would definitely spark friendship. Secondly, both of them have a sibling-like relationship with Leo (I almost started sobbing when Leo told Harley about how he was the one who helped him find his way back home in The Hidden Oracle, Leo and Harley are such an underrated sibling pair), which will bond them. And three, both are incredibly artistic and love building things. Just imagine Georgie and Harley drawing plans for the Waystation together? Adorable.

2) Kayla Knowles (Percy Jackson & Trials of Apollo) & Sadie Kane (Kane Chronicles)

They'd dye their hair together, chew bubblegum and eat lollypops, complain about their nerdy older brothers, and show off their skills to each other. They'd be an unstoppable duo.

3) Alex Fierro (Magnus Chase) & Lavinia Asimov (Trials of Apollo)

Queer kid with a designated color pallet, a non-common weapon, whom is incredibly artistic? You can't tell whether I'm talking about Alex or Lavinia (hint, it's both)

Match made in Elysium (or Valhalla in Alex's case). Lavinia would show Alex some simple tap steps, and Alex would show off her pottery skills, and teach some to Lavinia. Lavinia thinks Alex's garrote is the coolest thing ever, and Alex keeps petitioning for a manuballista fight in Valhalla. (Odin has not agreed yet, but Alex is not deterred in the slightest).

4) Kayla Knowles, Sadie Kane, Alex Fierro, & Lavinia Asimov

You're not surprised in the slightest, are you? These four make a deadly quartet of died hair, weapons, and bubblegum, and I adore them for it. As for why I did Kayla & Sadie and Lavinia & Alex seperately, it's because I think they'd be closest with their respectively friend pairing, but also they'd make a great friend group. I'm already in love.

5) Hazel Levesque (Heroes of Olympus & Trials of Apollo) & Butch Walker (Heroes of Olympus)

Intimidating son of a non-intimidating goddess and a non-intimidating daughter of an intimidating god. Also, they both adore horses, and I could totally see them hanging out in the Pegasus stables when Hazel's visiting Camp Half-Blood.

6) Nico di Angelo (Percy Jackson, Heroes of Olympus, Trials of Apollo, & The Sun and the Star) & Blanche (Chalice of the Gods)

The second Child of Hades/Pluto & Child of Iris friendship??? But seriously, these two would be besties. Both only ever dress in monochromatic clothing, and Blanche is literally known for her ghost stories at camp and Nico is the Ghost King? Blanche would beg Nico to help her out with her photography—the Hades Cabin is literally her aesthetic to the tee, and she loves photographing dead things. Nico would summon a skeleton so she could photograph it on dead grass Nico accidently killed.

And if they did joint ghost stories? All I'm saying is they could charge an admission fee and the amphitheatre would still be full. (The effects they can do with Blanche's, well blanching, power, and Nico's shadow manipulating would go insane)

7) Piper McLean (Heroes of Olympus & Trials of Apollo) and Silena Beauregard (Percy Jackson)

They would be that sibling pair at camp, and it's such a horror that we never got to experience it.

Silena would help Piper tap into her more feminine side, and show her that not all femininity is bad—which Piper has a lot of trauma revolving—and I think would help Piper come to terms with her feelings for Jason and her queerness a lot faster than it actually happened, because Silena would help her talk through it instead of bottling it up. (Besides, Silena knows all about crushing on boys and girls *cough* Beckendorf and Clarisse *cough*).

In turn, I think Piper would help Silena with her fighting skills and strength. Yes, Silena has Clarisse, but Clarisse is a hit hard and don't back down fighter, while Piper would be more patient, which is what Silena would need. Also, they both know what it's like to be manipulated and have to make choices about whether or not their friends and family will live or die, and that's a common ground for them both.

8) Nico di Angelo & Mitchell (Heroes of Olympus)

This is solely because of the fic, Gurrlfriend by Erikthonius on ao3. Honestly, if you've read that, you'd understand where I'm coming from. I don't have any other evidence besides that.

There will probably be more where this came from!

[soleminisanction]

There are very few ""headcanons"" out there that get a bigger side-eye from me than people who try to make Stephanie Brown into a Black girl.

Firstly because that is not a headcanon. That's just a whole-ass retcon created out of thin air. A headcanon would be saying she's a natural redhead like how Morgan Kohan played her on Batwoman, or that she's mixed-race because of the curly way some artist draw her hair. There's definitely flexibility in race interpretations for comics but looking at the blue-eyed blonde-hair white girl and declaring her "actually Black" is not one of them.

Secondly, because I have seen (and sometimes gotten) a lot of harassment from Steph fans aimed specifically at Tim's actual, canon Black love interests and teammates. I still seethe at the memory of this one CBR interview I read back when YJ2019 was running, where Brian Michael Bendis and David F. Walker were clearly there to talk up Naomi and Teen Lantern, and in the middle of their heart-felt conversation about the importance of representation for young Black girls, the interviewer butted in to interject, "But you know who I want to see more of?? Stephanie!!!" This going on while Steph fans on Twitter were going on racist tirades because the book dared to highlight the history of Teen Lantern, a character who was actually advertised to be a part of the book and a new member of the team, instead of giving them more of their white-blonde fav who had never been affiliated with YJ and was never part of the advertising.

Thirdly, she was created and so often written by Chuck Dixon, a blatant racist, and as a result there are so many little scenes of her that have uncomfortable racial elements to them. Like the one where he created a pair of Black girls just so Stephanie could call them "raging morons" to their faces and then later talk about how stupid and immature they are compared to her. (Which I am still convinced was Dixon directly criticizing the much better teen pregnancy subplot from Icon & Rocket). Or the borderline-blackface white savior ""demon"" where she wears a dead gnu and maybe accidentally calls herself a bitch in Swahili. (Disclaimer: I do not speak Swahili, and thus do not know how a sentence structure that should read "I am thorn" turns into "I'm a bitch" or "I'm crazy," but I checked that translation with three different robo-translators and got the same results so, shrug.)

And finally -- god, Steph is just, such a walking avatar of white women's privilege. Her entire thing is demanding that she get her way, never letting anyone tell her no, and still being treated by the narrative as a pure-hearted ""beacon of hope"" that everybody needs to protect and nurture at all times.

The inciting incident of War Games can be boiled down to, "A white girl got told no, and made it everybody else's problem." The first attempted Black member of the Batfamly fucking died during that event and got almost entirely forgotten because people only went to bat for the white girl who caused the whole mess and the white woman who got character assassinated to kill her off.

If Stephanie were Black, she wouldn't exist anymore. Fuck, if she were a brunette or just as butch as Carrie Kelly, she probably wouldn't exist anymore. She certainly wouldn't be Batgirl, I can't imagine Dan Didio replacing Cass with another woman of color.

And it's not even just her? Her father is also a very white character. It is incredibly easy to summarize Arthur Brown as a mediocre white man lashing out at the world for not handing him the success he felt entitled to. Take that petulant entitlement away from him and you lose his entire character.

I'm ranting about it on my own blog instead of picking a fight because everybody's entitled to their own fandom experience and blah blah, but this is just. Yeah. Ugh.

[quixoticrobotic]

i love marcie walker so much because from her initial description you imagine this crude rude with attitude mean/angry character who’d rest her feet on a coffee table with her muddy boots still on and while shes still a badass butch who canonically could break a man’s kneecaps by age 10, shes her actual personality is much closer to

[pezboisworld]

(this is your same Warden anon from before, hello!) Love ALL those thoughts. I agree that she probably didn't do too much prison time - there's so much in the thematic exploration of justice and I think it would've unfortunately been true to life for something extremely messed up like that to happen. I saw a recent interview from the 20th anniversary where apparently, both Louis Sachar and Sigourney Weaver didn't want the evil trio arrested, whereas Andy Davis and Jon Voight did.

THANK YOU for reminding me of the existence of the Survival Guide! Man, I scoured that thing during my first Holes hyperfixation approximately uhhhh 13 years ago lol. Such a delightful quick read between the OG book and Small Steps.

Just about died laughing at the thought of the Warden essentially becoming Miss Hannigan - talk about another formative milf lmao. And while I do agree very much with your thoughts on her possible queerness, I'm too on board with Jon Voight's very obvious playing Mr. Sir as hopelessly in love with Lou to commit to it haha. I'd love to know how Sachar intended their relationship. In my head, they're That Pair of Exes who can't stand each other and also maybe had great sex when they were 20, and mayyyyyybe they just kept running into each other over the years and weren't entirely mad about it, and mayyyyyyyyyyybe if they are both somehow out of prison in the future and he lost the beer gut, lou would *consider* it. no promises tho.

maybe one of these days i'll come off anon lmao but for now, enjoy my stupid brain musings!!

Can definitely see Mr. Sir and Miss. Walker having a former fling, but I find the Warden to be too toxic for Mr. Sir.

They bring out the worst in each other.

And it is my personal headcannon that Mr. Sir is a trans man. And some old school transmen don't completely seperate themselves from their past lives as lesbians (not to say that all trans men start as lesbians, but a decent amount do). And so wouldn't mind dating lesbian women.

The too may have met decades before the events of Holes. Before the camp even started. Imagine Mr. Sir as a he/him butch lesbian motorcyclist passing through the desert. Finding an oasis in a younger less jaded Miss. Walker. She was there for his entire transition.

They stayed in each other's lives even after their romance went sour.

Only for Mr. Sir to get thrown in a woman's prison cause he didn't believe in giving the government that much information and so never looked into updating his paperwork.

I like to think he gets the support he needs there from an arts program. Something music or theater related to put the man's dramatics to good use.

[mayday396]

Y'know as a Kid, when I read Heroes of Olympus 'The Lost Hero' for the first time, I thought Butch Walker was Black, like the whole time I was just imagining him as a Tall, Rugby-player Physique, African American man with Natural Blonde hair and have a chaotic 'Looks like they can kill you but is actually a cinnamon roll' aura around him.

Like Idk 14 year old me was weird

[aikoiya]

Exactly! My preferred avenue!

Even better if you treat Maddie & Jack as individuals with their own personal experiences, traumas, & biases regarding ghosts & their reasoning behind their views.

For me, I tend to hc Jack as being the one who would be quickest to change his beliefs & that Maddie would take longer.

Yes, Jack's egotistical, but I see him as being he's egotistical in a very similar way to how Papyrus from Undertale is also egotistical. In that, he holds himself in high regard & sees himself as great, but he also sees those he loves & cares for in the same way.

Meanwhile, I see Maddie as much more stubborn & biased in her beliefs, but this is partially due to the Flynn Walker thing.

Flynn Walker being a reimagining of Flynn Fenton from the Butch Hartman pictures where Jack & Maddie had another son named Flynn, who was kidnapped by ghosts as a kid. In this re-imagining, Flynn is instead Jack & Maddie's nephew & son of Alicia Walker & her now ex-husband. They'd been visiting the Fentons at the time & Jack was supposed to be watching the kids while Maddie, Alicia, & her husband were out getting something.

But, when Jack wasn't paying attention, Flynn was stolen away by ghosts who took him into the Ghost Zone through the still unfinished portal.

Naturally, Alicia blamed Jack, which is why she hates him in the show. This was also the event that would put strain on Alicia & her husband's relationship until they divorced.

I tend to hc that this plus other traumatizing experiences as a child would cause Maddie to have a bigger grudge against ghosts than Jack. In other words, I see her as a tragic bigot. A bigot as a result of past trauma regarding the subject in question.

I think that she'd initially be very resistant & stubborn about this, but if given imperical proof that Danny Phantom was Danny Fenton, that they were not separate entities, that he wasn't possessed... then she would reluctantly believe it, but it would also cause her world to sort of go topsy-tervy inside her own head until she could rationalize her own mental dissonance.

In my mind, one way to go about such would be for her to use the Fenton Ghost Catcher on him, then immediately uses the Thermos on Phantom.

Now, obviously, Fenton would want Phantom back, but Maddie would essentially say that it was for his own good before hiding the Thermos away.

... But I honestly don't think that this is something sustainable. Because, as we see in the show, they aren't just separated physically. It also affects both halves' personalities.

Also, keep in mind that we don't ever see them at 2 separate individuals for longer than that one episode.

So, it's entirely possible that their health might begin to deteriorate the longer they are 2. And, eventually, both may even die completely without the other.

Think the end of Steven Universe where his Gem is removed from him.

Something like that, but slower.

And, because of this, I also think that Fenton would likely be missing a bunch of biologically necessary components or that they would be unstable now due to how very integrated ectoplasm was into his DNA. Remember, "hiw molecules got all rearranged."

So, I imagine that everything else in him all the way down to his molecular makeup was likely altered, too.

And, it would likely get to the point where Maddie & Jack had to examine him to understand just... why? Possibly even thinking that maybe there was still ectoplasm left that, without Phantom there to control it, was poisoning their boy.

But they would find that he was back down to normal levels of ectocontamination for an Amity Parker which shouldn't have any affect on him at all.

So why was he deteriorating?

And the pressure & worry & fear for his life would begin to mount until Jazz & Danny's friends put on a heist to free Phantom.

Like, maybe they get one of Danny's ghost allies to distract the Fentons by making them think that they were going to hurt Danny & while they were distracted with protecting their son, the Team would actually save him.

Only to find that Phantom... wasn't doing okay...

Like... imagine Dani & the other clones. He's destabilizing, but... like... it's more like he's fading & evaporating & falling apart at once... Like he's losing cohesion...

Almost seeming to dissolve into mist before reconstituting himself. They can barely touch him & he's so very quiet. He looks like a gaunt Victorian child stricken with the plague. Not to mention his hollow cheeks making him look like he hasn't eaten in years & the dark circles under his exhausted eyes.

So, Sam, in a fit of brilliance, gets the Fenton Fishing Pole & ties the line around Phantom's waist to pull him towards Fenton.

But as they get close, Jack & Maddie return to see... They've never really seen anything like this before.

There are angry questions & fearful attempts to protect, but then Danny... he whispers, "Mom..." & then Phantom looks up, his eyes beginning to lose their glow, fading like to reveal a hauntingly familiar, but now clouded over, empty & faded blue. And he finishes, "...I'm scared..." The echo in his voice, now gone, leaving him to sound exactly like their son. And at that moment, the Danny in the bed let out one final sigh & goes completely still...

And, that was when the ghostly glow that Phantom normally had also began to blink out of existence to show raven hair & a now horrifyingly familiar white hazmat suit with black accents, the left arm fried to a crisp. The... phantom? Lifts the arm tiredly to look at his hand in confusion. Revealing a burning circle in the center of his palm with the word 'ON' underneath it as though seared into his flesh. As though only mildly surprised, he gives a quiet, breathy, "Oh..." before starting to fall forward slowly as his form faded away like a puff of smoke dissipating in the wind to leave a glowing orb to tink against the ground with a sound not unlike that of a glass wind chime.

It's glow seemed to flicker & fade.

Shaking with wide-eyes, they all turn to look at the Danny in the bed, Maddie surging forward to try & shake him awake, before reaching up shakily to feel for a pulse...

...

..

.

... "Nothing..." She whispered in shock & horror, quiet tears coming to her stricken eyes.

That was when Jack gently, but insistently pushed Maddie out of the way & began to perform CPR on his son. "Come on..." He pushed down on his chest, eyes shiny with tears.

The kids were... they were panicking! Sam was hyperventilating as she clutched the orb in her hands, holding it to her chest protectively as she mumbled, desperately that it was still flickering so he had to still be there while Tucker was frantically searching his PDA on how to restart a person's heart without a defibrillator & Jazz seemed to be going over ways to get the "his Core" back inside him at a frenzied pace, her eyes darting around wildly as though literally seeing the options in front of her before dismissing one after the other.

The world around her began to darken & close in around Maddie as her reality narrowed down to this singular point in time.

What did they do? What did they DO!?

She trembled, frozen as she too began to hyperventilate.

Jack's voice was getting frantic. "Come one! You're a Fenton, Dann-o! You're... You're a hero! You can do anything!"

Tucker began chattering about how if they could restart his heart within the next 10 minutes, they might be able to push Danny & his Core through the Merge side of the Ghost Catcher to put them back together!

That was when Jack stood up straight, looked at Maddie, & realizing what was happening, something shifted in him as he grabbed her upper arms & got up close to look her dead in the eye. "Mads, look at me. Dann-o needs us. I'm gonna go juryrig a pair of d-fibs, but I need you to keep doing CPR or we might lose him for good." He was strangely calm & gentle, but firm & insistent.

At his words, Maddie's eyes seemed to focus again, shifting to look at him & take in his words before, with a shaky breath, she nodded, brows furrowed as those steal nerves of hers snapped back into place.

With that, Jack gave a slightly cracked thousand watt smile before telling the kids to get a few things as he rand to get his tools.

In the end, they manage to get Danny's heart started & his lungs pumping again, but it was weak & halting.

And, almost in response to his renewed life, the orb's glow became stronger, but was still weak & flickered like a candle close to going out.

The kids began to urge them to have put Danny & the "Core" through the Ghost Catcher, but she was still resistant. So, Sam snapped, telling the Fenton woman to look for herself as she marched up to Danny with the orb & held it close to him.

Maddie & Jack jerked forward to try & stop her, but Jazz yelled at them to look at Danny.

... And they did... & he suddenly... looked so much healthier & the orb was glowing brighter & more steady in it's rhythm. More like, "A heartbeat?" Maddie asked in slight awe at how it seemed to pulse in perfect sync with the beeping of Danny's heart on the monitor.

"They're 2 pieces of the same whole. They can't survive without the other."

So, Jack picked his son up & yelled to get to the Ghost Catcher as he booked it. They all rushed down, Maddie looking to Jazz & asking if she was sure that this would work, who responded with, "what else can we do?"

Anyway, they turn on the Ghost Catcher & Sam places the orb in the fold of Danny's arms. Then, with a hesitant look at his wife who just wanted her baby back, Jack pushed his son through the Merge side where Danny was caught by Maddie.

The orb gone & Danny with a much healthier color to him & his breathing now deeper, though still unconscious & very weak & sickly looking.

...

Sorry, when I see a really good idea, sometimes I just can't stop myself.

But yeah, I definitely think there'd be a degree of "you're the exception because you're half human & not dead" to Maddie's behavior afterwards if not both.

Though, I also think that once he knew that Danny was alright, Jack would go back to his old self & would very excitedly begin to brainstorm inventions to help his son to fight & catch ghost better.

Though, I also think that it'd take a lot of adjusting as I see Jack tending to start talking about experimenting on ghosts only to then add Danny & go, "Oooh... sorry Dann-o..."

i get why so many fics have either good reveal or bad reveal for the fenton parents, but consider: the infinite expanse of "its complicated"

they see danny as an exception (because he isnt really a ghost!)

they believe him but disregard what that means for him, supportive in theory but not in practice (sure he is a half-ghost, but why does he have to [insert ghostly thing here]?)

they dont believe that he is a ghost but do believe that something happened and want to help, however the way they try to help is questionable. (if danny was suffering from delusions [he isnt], they would be playing into them. they [think] they know it isnt real, but believe that indulging him is better than any other option)

they believe him and support him, but that doesnt change that they are bad parents regardless and therefore neglect their children. if asked they have completly changed their view on ghosts, but now they have so much more to study and are around even less as a result. maybe they only interact with their children for research purposes.

or they dont belive or support him, but do their best to be attentive and loving parents. maybe they have convinced themselves of a different explanation (the fanon liminal lore perhaps). while they protect and love danny, they disregard what he says and undermine his experiences.

thats just some situations i could think of right now.

[hervey-gervey-chip]

the color purple: alice walker (1982)

⭐️⭐️⭐️⭐️⭐️

oh god… i read this one right after i finished stone butch blues. and i mean, like RIGHT after. so i continued to think about life and love and fate very deeply ,this time with the addition of god. i cried a lot, but i think sad books are the ones at have the ability to reveal a very uncompromising sense of hope, as this book in particular does. Celie writes her life from age 14 to… i think 60 or 70 ish? i can’t quite remember. I think it’s interesting the sheer expanse of life that both the color purple and stone butch blues go through. used to think of time as a line, straight and persisting with the occasional fork of personal choice, but for the most part carrying my forward with the unceasing pressure of a train cutting through the thick of night. now i imagine it more like a spiral; people and memories coming and going, overlapping at the most pertinent times that (i think) can only be explained by some sort of god. this book that goes through a woman’s journey of love, love lost, and love returned over such a grand stretch of time- when condensed, reveals synonymy throughout. i, a mere 24 years here on earth, have had no way of conceptualizing life in this way before this book. i’ve always felt connection to elders in my life because of the stories they hold within them, but snippets told over a dinner table don’t show the whole fabric of a person’s life in the way a written account can. it’s so much easier to overlook the stitches that connect the patchwork of a person’s life when the bits you get are spread over weeks, months, or years; but with a book you see the whole quilt laid out before you. the color purple does this exceptionally well.

as far as the rest of the meat of the story, the letters between celie and her sister between the states and africa contextualize the black american and african experience in the first half of the 20th century in a way that i hadn’t spent much brain space thinking about before. watching celie’s sister have physical experiences of colonialism in africa as celie herself experiences the time-lapse of american events that i have been, at the very least, minutely aware of made a connection in my mind in a similar way that learning that MLK jr and anne frank were born in the same year. it’s the connection of the persistence of colonialism in the way i learned about in school, but honestly that idea of colonialism as plowing down indigenous and POC settlements was taught as if it ended in like the 1800s or something. Then, for me, the awareness of the fact that it still happens didn’t really happen until i went to college. i didn’t realize that there was still such a vast gap in my mind of, honestly, a century or so; simply because i’ve never been in a space where i had to fill that gap.

another book that initiated a change in my understanding of my own mind, the world around me, and the space i take up as a result of the relationship between those two things.

[yeetlegay]

Hey! Any wlw recs? Fics movies shows anything

ANON WHERE TO BEGIN

Some personal favorites off the top of my head:

Movies:

Carol (2015) - Cate Blanchett, period (1950s), absolutely stunning and iconic lesbian cinema

The Handmaiden (2016) - reimagining of Fingersmith by Sarah Waters, set in Japanese-occupied Korea during the 1930s, brilliant and imaginative and lush

Imagine Me and You (2005) - Lena Headey (Cersei from GoT) being a hot florist, love at first sight, cheesy romcom deliciousness, big warning for cheating tho it’s handled very well imo

Rafiki (2018) - coming of age love story, beautiful and ends on a good note but there’s a LOT of homophobia and some violence so be careful, was the first Kenyan film screened at Cannes which is amazing

Vita and Virginia (2018) - based on the real life romance between Virginia Woolf and Vita Sackville-West, the 1920s fashion + delicious sexual tension 🤌🏻🤌🏻 cw for depiction of depression and suicidal ideation

Tv shows:

First Kill (2022) - SUPPORT THIS SHOW, vampire and vampire hunter fall in love, set in one of my fave cities (Savannah), very camp Romeo & Juliet high school romance just with more blood and fangs

Fingersmith (2005) - British miniseries based on the same novel as The Handmaiden but much closer to the source material, Victorian lesbians ft the most magnificently crafted plot and sexual tension galore, holy shit watch it

Killing Eve - okay this one is a little controversial bc of the ending (which I pretend doesn’t exist) but holy fuck if you like VegasPete, Villanelle and Eve are their even more murderous and batshit crazy cousins. Cat and mouse games between a psychopath assassin and a British intelligence officer (altho she’s actually American but whatever) that I was sure would be queerbaiting, but nope they’re in love. Consider looking up how it ends tho if you need HEAs in your stories

Gap the Series - not out yet but when it is, WATCH IT. Currently in production I think, probably out later this year. It’s Thai and will be available on YouTube with subtitles. Office romance, so many lesbians I’ve lost count and like one (1) man total in the cast.

Gentleman Jack - just dropped season 2 unffff. Period British show based on the life of lesbian Anne Lister, who is one half of the first known gay marriage in England. She’s so fucking hot and butch if you’re not in love with her the second she jumps off that carriage in episode 1…and her love story with shy, repressed wallflower Ann Walker is tender and sexy and complex. Cw for depiction of anxiety and suicide attempt in season 1 (lmk if you’d like the exact ep and time stamp)

Portrait of a Marriage (1990) - a little hard to find but worth the hunt. Based on the romance between novelist Vita Sackville-West (yes, who also had an affair with Virginia Woolf) and her socialite lover Violet. I cannot believe more people don’t talk about this miniseries bc holy shit. Vita and Violet are so fucking in love and their chemistry and love scenes had me gripping the edge of my seat despite the abysmal quality of the version I watched on Dailymotion. Cw for a shitload of cheating, some toxic vibes, and an ending that while mostly historically accurate was still a bummer.

Fics:

Obv I will shamelessly plug my Kinnporsche f/f smut bc I love her and also am desperate for more f/f fic in the ao3 tag so I’m not over here by myself anymore lol

I don’t know what fandoms you’re in but if you’ve watched Word of Honor or read 2ha, holy shit is there some good f/f fic in those tags. Sort by kudos and godspeed friend

Books:

You didn’t ask about books lol but here are some faves of mine anyway

Delilah Green Doesn’t Care by Ashley Herring Blake - hot tatted bi protagonist, very gender, falls in love with cute single mom in her hometown when she comes back for her stepsister’s wedding

One Last Stop by Casey McQuiston - Kate and Leopold but gay and good, butch lesbian from the 1970s gets stuck in time on the subway, grumpy bisexual falls in love with her, makes me reconsider my stance on subway sex bc holy shit.

Dowry of Blood by S. T. Gibson - okay this one is sapphic but in a polyamorous context so if you want, like, zero men then skip this rec. Inspired by the lore around Dracula’s brides, very gothic and queer, Constanta (narrator) is the first bride who’s in love with Dracula but also her fellow brides Magdalena and Alexei. Cw for depictions of emotional abuse and gaslighting, Dracula is a manipulative piece of shit (who would’ve guessed lol)

Hope this helps anon!

[obligatorilypretentious]

queer classic book recs!!

Image description under the cut! Please tell me if I did something wrong and I will gladly change it!

The other recs will be in the reblog!

[Each slide excluding the title screen includes 3 photos relating to the book, largely alternative covers of each in a small grid format.]

Slide One: In the center is a box with interior text reading "13 lgbtq classics and 1 “modern” classic. Recs in the comments welcome!" The top left corner includes an image of a calligraphy quill. Underneath this is text that reads "Disclaimer! The beginning of this list is.. Very White, but don't worry it gets more diverse as the books get more recent!!" In the top right corner is a text box reading "Look up trigger warnings or I’ll steal your gender! … or give it back!!" under this is a picture of an open book displayed in the foreground and another stack of books in the background.

Slide Two: Carmilla by J. Sheridan Le Fanu.

1872

Lesbian/wlw but written by a man

vampires!

“Following a near-fatal carriage collision, the beautiful young Carmilla is taken in by the narrator Laura and her father.”

While this book plays into the stereotype of the “monteress, seductive lesbian,” it is one of the oldest and most famous classical texts depicting a lesbian relationship. Toxic AF.

Slide Three: The Picture of Dorian Gray by Oscar Wilde

1890

not explicitly queer (subtext)

but gay (mlm) tho

“Enthralled by his own exquisite portrait, Dorian Gray exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his decadence.”

This book contains Anti-semitism, Racism, Sexism and is honestly a product of its time. Oscar Wilde is certainly a character.

Slide Four: Orlando by Virginia Woolf

1928

sapphic/gender exploration

“The novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost.”

Main Character is racist and anti-Semitic. While her writing is incredibly important and impactful as a queer figure, she will always be white before she is queer.

Slide Five: The Well of Loneliness by Radclyffe Hall

1928

lesbian/wlw

originally banned

“Stephen is an ideal child of aristocratic parents—a fencer, a horse rider, and a keen scholar. Stephen grows to be a war hero, a bestselling writer, and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions.”

This book contains racism, use of the N-word, sexism, homophobia & lots of outdated ideas in general.

Slide Six: Giovanni's Room by James Baldwin

1956

gay/mlm

“In a 1950s Paris swarming with expatriates and characterized by dangerous liaisons and hidden violence, an American finds himself unable to repress his impulses, despite his determination to live the conventional life he envisions for himself. After meeting and proposing to a young woman, he falls into a lengthy affair with an Italian bartender and is confounded and tortured by his sexual identity as he oscillates between the two.”

OMG! A classic on this list in which I can't find any evidence of racism or antisemitism! /srs. Imagine that- it's almost like POC classical authors are important to teach about! /hj

Slide Seven: Maurice by E.M. Forster

1971

gay/mlm

fluffy, but homophobia exists in the story as well.

“Maurice is heartbroken over unrequited love, which opened his heart and mind to his own sexual identity. In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.”

This book contains the use of the g slur. Please tell me if I missed something!

Slide Eight: HERmione by H.D.

1981

queer/sapphic woman author

poetry

so mf sad bro I mean look at that blurb

“An interior self-portrait of the poet H.D. (1886-1961) is what can best be described as a 'find', a posthumous treasure. ‘I am Hermione Gart, a failure' -she cried in her dementia, 'I am Her, Her, Her.”

To my knowledge, this book isn't problematic- please tell me if it is though!!

Slide Nine: Zami: A New Spelling of My Name by Audre Lorde

1982

lesbian/wlw

A staple of lesbian lit from before the peak of an activist’s career. Great read.

“From the author's vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde's work is cyclical. It especially relates the linkage of women who have shaped her.”

Once again to my knowledge, this book isn't problematic

Slide Ten: The Color Purple by Alice Walker

1982

features queer women

has a movie adaptation!

“Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance, and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery, and Sofia and their experience.”

Once again to my knowledge, this book isn't problematic

Slide Eleven: Oranges Are Not the Only Fruit by Jeanette Winterson

1985

lesbian/wlw

“This is the story of Jeanette, adopted and brought up by her mother as one of God's elect. Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts. At sixteen, Jeanette decides to leave the church, her home, and her family, for the young woman she loves. Innovative, punchy, and tender.”

Once again to my knowledge, this book isn't problematic- but warning, there are quite heavy themes!

Slide Twelve: Dykes to Watch Out For by Alison Bechdel

1986

lesbian/wlw

a classic comedy comic + a really good insight & look into lesbian culture

“Grin, giggle, and guffaw your way through this celebrated cartoonist's graphic commentary of contemporary lesbian life.”

Once again to my knowledge, this book isn't problematic*

*contains d-slur used by lesbians in a non-offensive way

Slide Thirteen: Stone Butch Blues by Leslie Feinberg

1993

lesbian/gender identity around lesbianism

“Woman or man? This internationally acclaimed novel looks at the world through the eyes of Jess Goldberg, a masculine girl growing up in the "Ozzie and Harriet" McCarthy era and coming out as a young butch lesbian in the pre-Stonewall gay drag bars of a blue-collar town. Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit.”

Once again to my knowledge, this book isn't problematic

Slide Fourteen: Tipping the Velvet by Sarah Waters

1998

lesbian/wlw

historical romance

“Nan King, an oyster girl, is captivated by the music hall phenomenon Kitty Butler, a male impersonator extraordinaire treading the boards in Canterbury. Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser, and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins.”

Once again to my knowledge, this book isn't problematic

Slide Fifteen: Under the Udala Trees By Chinelo Okparanta

2015

lesbian/wlw

modern classic imo, look into the coexistence of native Nigerian culture & queerness

“Ijeoma comes of age as her nation does; born before independence, she is eleven when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child, and they, star-crossed, fall in love. They are from different ethnic communities. They are also both girls. When their love is discovered, Ijeoma learns that she will have to hide this part of herself. But there is a cost to living inside a lie.”

Once again to my knowledge, this book isn't problematic

[bipbopdepmop]

B - Bug Like An Angel (Mitski)

I - I/Me/Myself (Will Wood)

P - Pale White Horse (The Oh Hellos)

B - Bruno is Orange (Hop Along)

O - Orange Juice (Noah Kahan)

P - Paul Revere (Noah Kahan)

D - Dream (Imagine Dragons)

E - Every Single Body Else (Butch Walker)

P - Peace (Taylor Swift)

M - Mt Washington (Local Natives)

O - One For The Money (Escape the Fate)

P - Perfume (Lovejoy)

Taglist: uhhhh. @kbmrjmd :D I don't know you all that well but you seem like a music person. hope you don't mind the tag

Tag game by @genxrocker! Pick a song for each letter of your URL, and then tag that many people!

tag game! hell yeah! Thanks @schlauhonk

A- A pizza the action by The Stupendium

X- Exorcism by Creep-P

S- Shocking Plot Twist by Bug Hunter

O- Once and for All from Newsies

L- Lady Like by KIRA

O- One Step Ahead from Spies are Forever

T- The Faulty Feline Philosophy by Ferry

L- Like the Zombies do from Z-O-M-B-I-E-S 2

E- Everybody Loves Me by OneRepublic

@lamarckianenterprises @ghost-takes-the-scene  @nervousflowerwombat @gigigiaru uhhhhhh idk

[silkhy-john]

I’m still so amazed Chiron has seen upwards of 2000 years of heroes and has not found a way to implement some form of therapy for his campers.

Like excuse me, imagine Butch Walker watching Jake Mason get shot off a chariot during the Titan War but then NO, everything is fine afterwards cause the gods are happy and shrouds were burnt???

Yes that last bit was a head canon. I’m constantly hurt by canon-verse rn so,,,

[joementa]

What’s In A Name?

Yes I stole the title of this playlist from one of the greatest writers ever.  Speaking of greatest ever (and yes, they probably count as greatest writers ever too), have you seen the Get Back documentary yet?!  I still need to watch the last episode.  But damn.  I can’t help but feel lucky that not only was something like this recorded, but also that I was alive when it was released.  Just being able to watch this is a treat.  I’m finding it tough to wrap my head around the fact that I have the privilege of watching one of the most influential artists in human history create their work. That’s really what this documentary is. It’s not a “look back” documentary with people from today discussing the past.  You literally get to watch them record and write and create.  Imagine watching Shakespeare create a play.  Or Michaelangelo making a sculpture.  That’s what this is like.  If you haven’t watched it yet, stop what you’re doing and get started!

Apple Music: https://music.apple.com/us/playlist/whats-in-a-name/pl.u-jV89B9DIba3DJY

Spotify: https://open.spotify.com/playlist/4b2nKuOIVDx9hzDEwEuSQP?si=tNF-MPgcTTCTL70MlIy6ew

The Beach Boys – “Barbara Ann”

Bruce Springsteen – “Cynthia” (Tracks)

Steve Forbert – “Romeo’s Tune” (Jack Rabbit Slim)

Elvis Presley – “(Marie’s The Name Of) His Latest Flame”

The Beatles – “Lovely Rita” (Sgt. Pepper’s Lonely Hearts Club Band)

Them – “Gloria” (The “Angry” Young Them!)

Ryn Weaver – “Pierre” (The Fool)

Lady Gaga – “Alejandro” (The Fame Monster)

New Order – “Mr. Disco” (Technique)

Toni Basil – “Hey Mickey!”

Leonard Cohen – “So Long, Marianne” (Songs Of Leonard Cohen)

Ashley Monroe – “Rita” (Sparrow)

Bob Dylan – “Absolutely Sweet Marie” (Blonde On Blonde)

Ryan Adams – “Kim” (Ryan Adams)

Butch Walker – “Chrissie Hynde” (Afraid Of Ghosts)

The Jimi Hendrix Experience – “The Wind Cries Mary” (Are You Experienced)

Pearl Jam – “Jeremy” (Ten)

John Mellencamp – “Jack & Diane” (American Fool)

Dexys Midnight Runners – “Come On Eileen”

Warren Zevon – “Carmelita” (Warren Zevon)

The Goo Goo Dolls – “Name” (A Boy Named Goo)

[dinagothsdress]

Metal Gear LGBTQ Headcanons: Updated

OK so I made one of these when I just got back into MGS after several years away from it. It wasn't very well written though as I did most of it at like 3am and falling asleep, but also I hadn't fully reacquainted myself with everyone yet. So, here's a new and improved LGBTQ headcanons post! (with a lot of canon influence tbf)

This heavily focuses on sexuality over gender because to be honest my gender headcanons for many characters fluctuates so often that it would be redundant to put them all down as "variable based on the whims of Armel's genderfluid ass". Basically though quite a lot of characters can be transgender when I feel like it, or remain their AGAB (or at least aligned with such) when I feel like it. Anyone who I have a more solid (heh) gender headcanon for will get mentioned, but if it's not just assume I could see them as either cis or trans depending on my mood at that moment.

Characters are listed by the game they debuted in (release order), then alphabetically. Also it's under the cut bc it gets LONG

side note: wow this series is bisexual af and so am i

Metal Gear 1

Big Boss is bisexual. He's also polyamorous.

Fox is bisexual.

Snake is bisexual with a preference for men, as well as agender/demiboy (any pronouns). Also headcanon him as trans (i.e. AFAB) more often than not. To elobarate: he doesn't really identify with gender as a concept, it's just never been that important to him. He likes having a masculine body, but otherwise is completely indifferent to things like clothing, gender roles, and pronouns.

Metal Gear 2

Campbell is cishet.

Kaz Miller is bisexual and polyamorous.

Metal Gear Solid

Liquid is gay.

Mantis is asexual, demiromantic, queerplatonic, and agender (they preferred, he accepted). AGAB varies.

Mei Ling is bisexual and AFAB demigirl (she/they).

Meryl is biromantic, greysexual, and cis.

Ocelot is gay. Home of sexual. Whopping huge fruity man. The fact that some people insist he's not is hilarious to me, because even in a series absolutely full of queer coding he really stands out. He is not straight/bi/pan and I will die on this hill. Also he's not polyamorous by default, but he'll make an exception for BB+Kaz.

Otacon is bisexual. I lean heavily towards cis for him too, but not always.

Raven is the token cishet of FOXHOUND.

Wolf is bisexual.

Sons of Liberty

Emma is cishet.

Fortune is queer.

Olga is bisexual and a demigirl (she/her).

Raiden is transmasculine, non-binary, and bisexual with a preference for women (he/they). If you're wondering how he got Rose pregnant, this is a series that features advanced medical/scientific methods, genetic engineering and asexual reproduction. [EVA voice] Figure it out~

Solidus is gay and cisgender, though in the public eye he's straight (America wasn't/isn't ready for an out gay president hfghf;dg)

Vamp is bisexual, obviously.

Snake Eater

EVA is bisexual and cis.

Paramedic is cishet.

Raikov is gay.

Sigint is cishet.

The Boss is bisexual and cisgender.

The Sorrow is cishet.

Volgin is bisexual and cis.

Zero is ace-spec, biromantic and cis.

Guns of the Patriots

Sunny is too young for me to comfortably headcanon as she is, but I imagine her growing up to be some form of m-spec like her dads. Probably pan tbh.

Peace Walker

Amanda is a butch lesbian.

Cecile is bisexual, cisgender, and polyamorous.

H*ey is cishet (derogatory).

Paz is bisexual, but very closeted/in denial. Also cis.

Strangelove is lesbian. She is not bisexual in my eyes; she canonically only married H*ey so he could be a sperm donor for her and The Boss's genius child.

Metal Gear Rising

(I'm not as familiar w MGR's lore as the main series so these are based on vibes more than actual character analysis, be forewarned)

Armstrong is cishet.

Courtney is bisexual and cis.

Mistral is a lesbian.

Monsoon is gay.

Sam is pansexual and nonbinary (he/they).

Sundowner is cishet.

The Phantom Pain (+GZ)

Skull Face is cishet.

Quiet is bi with a preference for women, as well as asexual and genderqueer (she/they). Or, as I said in my original LGBT headcanons post: she's straight for Venom and Venom only.

Venom Snake is demisexual and biromantic. Also headcanon him as trans (FTM) more often than not tbh.

Finally, you have reached the end! As a reward here are my main MGS ships just so you can see how some of these headcanons play out.

BONUS: My Main MGS Ships

Otasune

Bosselhira polycule :3 (also Bosselot/BBKaz/Ocelhira)

Liquidmantis QPR

VKaz (+MKaz but they never acted on it at the time)

Strangeboss

Boss/Sorrow

Meryl/Mei Ling

Raiden/Rose

VQuiet

[chiseler]

The House of D

As one of his final acts in office, Mayor Jimmy Walker broke ground in 1932 for the New York City House of Detention for Women, built on the site of the old Jefferson Market jail in Greenwich Village and colloquially known as the House of D. According to sociologist Sara Harris’ Hellhole (on John Waters’ list of recommended reading), It was intended as a model of prison reform. Opened in 1934, the twelve-story monolith of brownish brick with art deco flourishes loomed behind the old Jefferson Market courthouse on Sixth Avenue, looking more like a stylish if somewhat cheerless apartment building than a prison. Windows were meshed instead of barred, and the one sign on its exterior merely gave the address, “Number Ten Greenwich Avenue.” There were toilets and hot and cold running water in all four hundred cells, and it was going to focus on rehabilitating its inmates – prostitutes, vagrants, alcoholics and/or drug addicts – rather than merely punishing them. From the start the reality was at variance with the intentions, and the facility quickly became infamous as a combination of Bedlam and Bastille. Within a decade it was chronically overcrowded with a volatile mix of inmates: women who couldn’t make bail awaiting trials that were sometimes months off, women already convicted and serving time, alcoholics and addicts, the mentally ill, violent lesbian tops, street gang girls, hookers and other lifelong multiple offenders, and teenagers spending their first nights behind bars. Tougher, more experienced prisoners brutalized and sexually assaulted the weak and inexperienced. So, of course, did the staff. The halls rang with the howls of inmates suffering the agonies of drug or alcohol withdrawal. There were cockroaches and mice in the cells and worms in the food. Village lesbians called it the Country Club and the Snake Pit. The IWW organizer Elizabeth Gurley Flynn did time in the House of D, as did accused spy Ethel Rosenberg and Warhol shooter Valerie Solanas. In 1957, Dorothy Day, founder of the Catholic Worker movement, spent thirty days there for staying on the street during a civil defense air raid drill. Her ban-the-bomb supporters picketed outside every day from noon to two; the Times called them “possibly the most peaceful pickets in the city.”

Despite its bland exterior, the House of D made its presence very known in the neighborhood through the daily ritual of inmates yelling out the windows or down from the exercise area on the roof to the boyfriends, girlfriends, dealers and pimps perpetually loitering on the Greenwich Avenue sidewalk – a carnivalesque Village tradition for almost forty years. Waters first caught the spectacle in the early 1960s. “It was amazing. No one can ever imagine what that was like. All the hookers would be screaming out the windows, ‘Hey Jimbo!’ And all the pimps would be down on the sidewalk yelling stuff.” Writer and film producer Jeremiah Newton initially encountered it at around the same time. “It was this huge, monolithic building, looking like the building the Morlocks dragged the Time Machine into, and the girls were always yelling down, screaming obscenities and throwing things out the window. It was the biggest building there. I sat on a stoop watching the people walk by. I’d never seen anything quite like it before.” The Village writer Grace Paley lived near the facility in the 1950s and 1960s, and walked her kids past it regularly. She wrote that “we would often have to thread our way through whole families calling up – bellowing, screaming up to the third, seventh, tenth floor, to figures, shadows behind bars and screened windows, How you feeling? Here’s Glena. She got big. Mami mami, you like my dress? We gettin you out baby. New lawyer come by.”

Women arrested at antiwar rallies during the Vietnam era found themselves locked up in the House of D with the hookers, junkies, crazies and butch lesbians. On Saturday, February 20 1965, two eighteen-year-old college students, Lisa Goldrosen of Bard and Andrea Dworkin of Bennington, were arrested during an antiwar protest at the UN and sent to the House of D. There, they later testified, they were brutally mistreated and humiliated by male doctors “examining” them for venereal diseases, and forced constantly to fend off the rough advances of other inmates. They were not allowed to use a telephone until Monday. That March, the New York Post ran an exposé based on their testimony. They didn’t experience anything other women hadn’t for thirty years by then, but in the 1960s those other inmates were overwhelmingly poor black and Hispanic women. Dworkin and Goldrosen were white, middle-class college coeds. As so often happens, that’s what it took to generate public outrage.

When Grace Paley herself was arrested at another war protest some months later, she was detained in the facility. Conditions had slightly improved in light of the outcry the Post had stirred up. Paley had been arrested before at antiwar protests, but it had always resulted in at worst overnight stays. This time a judge threw the book at her and gave her six days. “He thought I was old enough to know better,” she later wrote, “a forty-five year old woman, a mother and teacher. I ought to be too busy to waste time on causes I couldn’t possibly understand.” At least she could look out her cell window and watch her kids walking to school.

In October 1970, Angela Davis was arrested in the Howard Johnson Motor Lodge at Eighth Avenue and Fifty-First Street and taken to the House of D. It was not her first time in Greenwich Village. She was born in 1944 in Birmingham, Alabama, where her father was a car mechanic and her mother was a teacher and a civil rights activist. They lived in a black neighborhood called Dynamite Hill because the Klan had firebombed so many homes there. With help from the American Friends, she and her mother moved to New York, where her mother studied for her Masters at NYU while Angela attended Elisabeth Irwin High School in the Village. She went on to study philosophy at Brandeis, the Sorbonne, and at the University of California, earning her Ph.D. One of her teachers was Herbert Marcuse. By the late 1960s she was an avowed Communist, a member of the Student Nonviolent Coordinating Committee and affiliated with the Black Panthers. She lectured in philosophy at UCLA until 1969, when her Communist and radical affiliations got her fired.

In August of 1970 a black teen named Jonathan Jackson took over a Marin County courtroom and demanded the release of his older brother, Panther member George Jackson, from nearby Soledad prison. He took the judge, the district attorney and three jurors hostage. In the attempted getaway, Jackson, the judge and one other person were shot and killed. When police discovered that Davis, who knew George Jackson, was the registered owner of Jonathan’s weapon, she was charged as an accomplice to murder, a capital crime in California. She fled the state, which put her on the FBI’s most wanted list. A beautiful twenty-six-year-old with a huge and magnificent Afro, she became a global pop star of the revolution a la Che Guevara. When the FBI arrested her she’d spent a few days walking openly in Times Square, unrecognized because she’d slicked down the Afro and dressed like an office worker.

Within thirty minutes of her being locked up in the House of D a crowd of protesters began to gather outside the monolith, chanting; prisoners stood in their windows and chanted along, their fists raised. The NYPD sent a Tactical Defense Force unit – riot police – and House of D officials turned off all the lights inside, hoping to quiet things down. Instead, women set small fires in their cells, and demonstrators cheered the flickerings in the windows. They dispersed without major incident. Placed in isolation, Davis went on a ten-day hunger strike. She spent nine weeks in the facility while fighting extradition to California, where, she was quite convinced, she’d be convicted and put to death. In fact she would be acquitted of all charges in a San Francisco courtroom in 1972, after spending eighteen months behind bars.

Davis was the facility’s last celebrity tenant. Through the 1950s and 1960s, Greenwich Village civic and neighborhood groups had constantly called for the facility to be removed to some location more appropriate, which is to say far away from where they lived and walked their children to school. More liberal souls in the neighborhood thought it should stay, fearing that if the women were shifted to some more isolated location they might be all the more easily mistreated. Before he wrote the hit Broadway musicals Hello, Dolly! and La Cage aux Folles, Villager Jerry Herman wrote a satirical revue called Parade, which included a song about the House of D controversy:

Don’t tear down the House of Detention

Keep her and shield her from all who wish her harm

Don’t tear down the House of Detention

Cornerstone of Greenwich Village charm…

So I say fie, fie to the cynic

Know that there’s love in these hallowed walls of brown

There’s love in the laundry, there’s love in the showers,

There’s love in the clinic

'Twas built with love, my lovely house in town

Save the tramp, the pusher and the souse

Would you trade love for an apartment house?

Dworkin and Goldrosen’s testimony before a commission studying conditions at the House of D helped lead to its being shut down in 1971. Inmates were moved to a new facility on Rikers Island. After some debate about possible new uses for the Village monolith, it was simply torn down in 1973. The site is now a small, fenced-in garden. In 1974 Tom Eyen’s spoofy play Women Behind Bars, set in the House of D in the 1950s, premiered. John Waters’ star Divine performed in a later production.

by John Strausbaugh