#but yes he will kill for you and protect you and take care of you... he'll just undermine your authority

[rootspiral]

Agatha All Along deep dive: episode 4 part 4

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7])

agatha once again protecting billy with her whole body.

"I didn't think it was real! I thought it was me, that it's my fault that I can't keep a job, that everything I touch turns to shit! That I couldn't save her!"

The poison drips through (yes I love Succession). Generational curse, generational trauma. The pain of who knows how many centuries of parents and grandparents and great-grandparents times a thousand. It's like a boulder that you're carrying around on your shoulders, and you can't see it and you can't put a name to it, how could you? How can you possibly know why your mother drank herself stupid, why your grandmother abused her children? You were born yesterday and drank all that poison without knowing what it was, you let it take it over and you walk around spreading it to the world.

And amidst all the pain, alice only ever chose to blame and hurt herself and she was always gentle to others. her biggest regret is not having been able to save her mom! you know why alice never turned into a villain like agatha? because her mom loved her. as simple and as that. lorna was so ill-equipped to save alice, she didn't know what she was up against, she was in a world of pain herself. and she went above and beyond to show her child how infinitely precious and loved she was.

oh wow, I usually say I'm crying as a figure of speech, but I am crying for real thinking about this.

lilia who has lived so long and experienced her big share of suffering, knowing all too well what alice is going through. there's so much compassion in her voice

jen stubbornly refusing to care about anything but her own pain, which is actually a very human way to respond to trauma? it's like she's at a crossroads and it's up to her to choose whether she goes back to being the force of good she used to be, or whether she goes down agatha's same path. I say it's up to her because it ultimately is, but she was so lucky finding this coven and community at such a crucial moment. agatha didn't have any of it.

no! don't apologize, you beautiful, generous soul! the sense of guilt and inferiority complex is real

agatha's face when billy is attacked

she starts running toward him even before alice

but when she gets there she freezes and lets alice go check on him

when she sees he's fine, she sighs and collapses against the door, clutching her chest.

lilia is really starting to get attached to everyone, and throughout her life love and loss have always been inherently linked. she already knows she's going to lose them.

okay jen refusing to leave the circle is still funny, I'll give her that

through all this rio has been watching and studying agatha, she always does. she knows that her diabolically smart wife loves to be in charge and come up with plans. she's being encouraging!

look at how small alice is! she's been helping and consoling billy just a moment ago, despite being miserable herself.

first of all, that's hilarious, so jot that down. second of all, you know agatha is so relieved she has to put on a show instead of doing something icky like, idk, sitting in a circle and talking about their feelings. and look at rio at the drums, she's already put all the clues together as well

oooh, she's doing the thing! she's detectiving! agatha harkness ladies and gentlemen, her hobbies are women, murder and puzzles.

and who gives her the solution? who has had millennia to study and commiserate human love and grief? she says it and she looks at agatha so pointedly.

The song that's so irrevocably linked to Nicky's memory, the song that she's been desecrating and using as a means to kill. A mother took it and poured all her love into it and made it pure again. Agatha has to live with that now, and you know that's going to take root inside her and affect her no matter what

this whole performance is patti going I might be singing backup again but watch me be a total diva about it

I LOVE YOU PATTI LUPONE

you'd think that alice should sing lead vocals here, seeing as it's her trial and her mom's song and all. WELL THINK AGAIN

the massive ego agatha has, honestly. you gotta respect that.

the feeling when you are the only normal person in a group of total hooligans. did I already say how gorgeous sasheer looks in that outfit? no I didn't. you are an apparition, sasheer.

but I want the song to have its own separate entry so hold on tight, brb

go to episode 4 part 5

[izukumidoriyanumber1]

Alastor With Soul Owner Overlord S/O

-He loved the fact that you were in control of him at all times

-he was such a sadistic asshole that he would purposefully piss you off so youd pull that chain you had clasped to his neck. 

-he has and will get down on his knees for you

-hes actually fucking nuts

-Alastor loved pain, if only inflicted by you

-the two of you weren’t even technically together, he was just your lap dog

-but he loved it either way

-he loved when you called him ‘my little bitch’

-it really got him going

-alastor had pitched the idea of ‘helping’ out Charlie’s hotel, and you reluctantly agreed. 

-but you genuinely cared about him, truly. 

-take, for example, his with with Adam. 

-you were set to protect Charlie and help fight off the other exorcists, but you were worried about Alastor and his soon to be fight with the first man.

-Once Adam arrived byt the roof, you saw flashes of green and yellows and white as he fought. 

-but Adam sent a long, bright strike towards Alastor, and you felt yourself get weaker.

-once you reached the top of the hotel, you saw Alastor on his hands and knees, clutching his stomach with his broken staff in one hand.

-you gasped and sent a blow to adam that had him staggering for a minute. 

-you took alastor to his radio tower and gave him a stern talking to.

Your face was serious as you looked down at the panting deer demon. 

“Alastor, why didn’t you use your angelic weapon?”

He almost flinched at how stern your voice was.

“My dear, I-”

“You're too reckless, Alastor! You- you were almost killed!” your voice wavered a little, tears threatening to spill from your eyes.

He was shocked. You beckoned him to you and retrieved the first aid from the wall. You wrapped his wound carefully in the thick gauze and gingerly buttoned his coat afterwards. Your hand lingered on his heaving chest before coming up to gently cup his face.

His breathing hitched and his eyes visibly softened. Alastor’s gaze held yours and you slowly crept closer, your eyes closing at the closeness. 

You rest your forehead against his, taking in his warmth. 

“I…I was worried about you, Alastor.”

His hand weakly came up to brush away a stray tear. 

“Don’t worry, my love. It won’t happen again.”

-after that, the two of you were closer. 

-closer, as in, like emotionally. I mean, you owned his soul, how much closer could you get?

-You were more affectionate to each other, more loving.

-Eventually, Alastor came up to you and got down on one knee, asking to take your hand in marriage. 

-I mean, the two of you had known each other for decades, you had practically spent a lifetime together.

-He had gotten a ring and all.

-It was done randomly in the newly built hotel, when everyone was conversing and hanging out in the lobby.

Alastor took your hand and lowered to the ground, looking up into your eyes with his glowing red ones. 

You gasped, both in shock and confusion. “Al…”

The rest of the staff turned and watched silently. 

“My love, I feel as though I’ve known you for my entire life. I’m aware this is awfully sudden but I fear you’ve taken my heart within your beautiful hands. I want to hold you, kiss you, and tell you everything will be alright as your husband. Will you marry me, my dear Y/n?”

“Yes, Alastor. Of course I’ll marry you!” 

He leapt forward and placed his lips on yours in a tender, loving kiss. The staff erupted in applause and cheers. 

“Get some, smiles!” Angel cheered, whistling.

Alastor pulled back and rested his forehead against yours. 

Tears escaped your eyes and you summoned his golden contract, adorned with his very own signature, and handed it to him.

He looked at it with shock. 

“Really?” 

You nodded. 

He rolled it up and put it in his back pocket, before setting his microphone aside and playing fast paced swing jazz. Alastor took hold of your waist and dipped you low, kissing your lips.

-and then you danced. Everyone else in the hotel paired up and joined in.

-husker with angel, charlie with vaggie, lucifer (begrudgingly) with cherri, and Niffty with a stray egg boi.

-it was sweet, really.

-now, back to the headcanons.

-sex life!

-alastor would make you wait until after your wedding, but after that, it was free reign.

-he preferred missionary so he could see your face and kiss you while he fucked you, and also

-hes an old soul.

-his voice grows about 2 octaves deeper and the static grows but it only makes the experience more enjoyable.

-you’d always loved his voice, but this was your favorite version of alastor.

-his smile was more sultry and lazy than usual.

-if you read the pure hearted s/o hc, i said this as well.

-he looooves to see the bump made in the bottom of your stomach made by his thick lengthy cock. 

-he loves to fill you up with his cum especially if hes in a rut

-even though he cant, he loves to breed you and tell you how badly he wants to give you his children.

-but overall, his soul still remains yours but you gave him the freedom to be able to break that deal anytime he pleased.

-which he couldnt help but admire.

[hexlenx]

I'D PICK HER OVER ME — james fleamont potter

note: I do not own any of the characters in harry Potter except for the plot in this small fic. This is purely made for entertainment purposes as well as cuz I am craving for some angst.

warnings!: mentions of death, angst

__________________

James was tired, he really was.

Being a single father was hard, plus being an auror for the ministry. His schedule from his work as well as being a father at the same time was harder than the war that had just ended four years ago.

James sighed in exhaustion as he covered his eyes with his arm while laying on his bed. He had just came back from a meeting in the ministry that ended two hours ago. The meeting ended very late and he hadn't had the time to rest until earlier before waking up in cold sweat.

James had nightmares. It was always the same.

Getting paralyzed by a spell, watching his wife get killed by a dark curse, his son almost dying but some miracle happened and the curse thrown at him was rebounded towards the killer, and repeat. All the same thing, every night.

So James did the only thing that helped him everytime it happened. Sitting up as he groaned, he began to stand up to walk towards downstairs and to the kitchen. Arriving at the location, he began to brew tea. Normally when he was still in his adolescence, he would drink firewhiskey to cope with the war, but now he settled for tea that he added a teaspoon of honey to cope with his loss.

It was what his wife always had whenever she was stressed, tea with a bit of honey. Something he never understood why that preference until now.

"Papa?" A timid voice of a young boy called out to James making him snap out of his daze.

"Yes, Harry?" James said to his son. Harry was a four year old boy, unruly brown hair like his father, circular black glasses on his face because of the poor eyesight he gained from his father. He was practically the carbon copy of James Potter but the only thing different is his son's eyes. It was his mother's, the only woman James had ever loved.

"Where's Mama?" Harry questioned. The air stilled but the small child was oblivious of it. It was a very sensitive topic but it is not a taboo. With sharp intake of breath, James knelt down to his son's height, putting his hand on his shoulder as he fixed his gaze on Harry's.

"Your mother." James started as he paused for a moment to think of a sentence to explain why his mother is gone. "Is in a far away land, at the moment."

"But why so far?"

"Because, Harry, she is trying to protect us from something and she needs to go away for a while." That's it, James. The father encouraged himself. He's still young, tell him when he is old enough. He continued these thoughts as he looked at his son's thoughtful expression.

"Will she come back?"

Silence. There was no answer to that question as James embraced his son in his arms, brows furrowed as tears were threatening to fall from its sockets. The truth was, his mother was not gonna come back but how could he tell that to his four year old son?

Finally having set his son to bed, James took one last glance to Harry before going downstairs to sit on the couch of the living room. The honey-tea has long gone cold as he sat in front of the fire that was slowly dwindling. James stared blankly at it as his thoughts were loud but at the same time quiet.

If only you were here.

"If I could pick on who would survive that day, I would've picked you." James muttered to himself out loud, quietly sniffling his tears that slowly fell on his cheeks to his hands.

"Because you would've known what to do.."

The crying of a baby echoed through the house in Godric's Hollow. The scene showed a master bedroom, two bumps could be seen under sheets of the bed. As the cry continued, one of the figures moved.

"Fuck.."

A deep male's voice cursed out as he sat up, not being able to fall asleep now because of the noise. Another voice moaned out from being awaken from the movement of the man.

"I'll take care of him, love. Just continue sleeping." The man coaxed to his wife beside him who blinked at him to ask if he's sure.

"You sure?"

"Yea, you sleep and I'll tend, yea?" With that, the woman went back to her dreams as the man carefully unravels himself from the sheets before walking out the bedroom to the nursery.

"Shh, it's okay, Harry. I got you, bud." He said the moment he took Harry from the crib and coaxed him in his arms. The man was James Potter, the leader of the band of misfits, Marauders is now a father. The one thing he never knew he would be with the war going on.

Harry, the baby, now stopped his fussing and opened his eyes that he got from his mother to stare at his father. Smiling widely, he giggled and tried to reach for James' hair.

"Hey now, not the hair you little twit."

"Do not curse at our child, James Fleamont Potter." A stern melodic voice spoke out from behind the father who flinched as James chuckled sheepishly.

"I'm not...." James trailed off as he looked everywhere but his wife, who rolled her eyes.

"I swear, I can't leave you alone for one second with Harry." You scolded your husband with a slight slap on his arm making him grin at you.

"You love me!" James teased to which you rolled your eyes again.

"Unfortunately." You said while grabbing Harry out of his hands and propping him up on your hip.

"What is that supposed to mean?!"

James leaned against the door frame of the kitchen as he wore a pink apron with a giant cute teddy bear printed on its front, courtesy of Sirius saying it was to look husband material and James agreeing to it because he was told it was husband material, he was listening to you humming a small song to Harry as you kept him occupied by holding up a toy on your son's face.

James was cooking up lunch because he wanted you to rest and let him handle household chores while you occupy your son. It was the least he could do for you as the war lead both of you into hiding your son from the Dark Lord because of a prophecy. He knew you wanted to spend more time with Harry before the worse happens, so he did all the chores while you spend your time with your child, even after so many of your refusals.

James smiled in content as well as fondness as he watched the both of you. How could he have such a wonderful family with how arrogant and stupid he was when he was a teen. He didn't think he deserved such thing after being such a prejudice prick towards Slytherins.

"Take Harry and run!" James yelled out to you as he tried to push the Dark Lord back even if it was just for a delay. He couldn't let him get to both of you, you're all that he had left.

Successfully stunning the Dark Lord, James then ran upstairs to be with you and Harry. It was the only thing he could do to help you run away before the Dark Lord catches up. Unfortunately, James underestimated the Dark Lord's recovery from a stunning hex. The moment James arrived at the doorframe of the nursery of where you were, he fell paralyzed by the spell the Dark Lord had thrown at him.

"No.." James mumbled as his eyes went wide in horror. He kept chanting the word like a mantra as he helplessly watched the scene in front of him. His mumbles becoming screams as he sobbed heavily. Sweat dripped from his forehead as his face turned red, eyes squinting, brows furrowing hard as tears kept flowing down like a waterfall from his reddening eyes.

No...not my family..

Not the one I just built..

Please don't do this to me..

A green light blinded the whole room as a loud thump echoed the room. Silence overlapped as the Dark Lord grinned viciously. James' brown eyes stilled as he watched the limped lifeless body of the woman he was proud to say was his, the love of his life, the mother of his son, his wife, you.

James was not spared from tragedy as he now watched his son getting cursed by the Dark Lord before he stared in disbelief as the curse rebounded and hit the one who casted it. Watching as a lightning bolt of a cut appeared on his son's forehead.

But the moment he was free from his trap, he screamed in agony, not from his wounds, but from the death of his love.

"Now, Harry. If I could choose on who would've lived between me and your mother." James said to his son who was now in his teen, sixteen, as they stood in front of a gravestone. A familiar name etched in the stone.

[ Your Name ] Potter

[ Birthdate ] — October 31st, 1981

"In loving memory of a great friend, sister, mother, and wife."

"I'd pick her over me."

"Why?"

"Because, she would've known what to do."

[scribescrawls]

Thinking about Transformers One Liege Maximo and how he never went bad in TFOne. In the wiki in other versions I saw he had the moniker of “The Prime of Lies” and I like to think he still was in TFOne, but instead of using those skills for evil he used them to protect his fellow Primes and Cybertron. Liege Maximo using his skills in manipulation, scheming, and lying to create strategies that help them get the upper hand in the war with the Quintessons that might be underhanded but ultimately saves more lives. But also sometimes lying to motivate others or cheer them up as well in terms of keeping up morale (for example imagine him lying to someone that he asked Primus himself to give a person luck to succeed in a task that they are too scared to do that helps them succeed in doing it even though he never asked Primus anything. But he does it because he knows the person had the ability to do the task already just that their fears and self doubt were holding them back so he lies to give them the confidence they need. Liege Maximo going ‘I told them Primus has given them for this specific task his blessing of luck’ and his fellow Primes side eye him like ‘Bro you know that’s not how that works’ and he responds ‘I know that, but it worked look how much more confident the bot is!’). And yes sometimes these plans he makes toe the line of what is morally right, but that’s what he has his fellow Primes for. I imagine he and Prima sometimes get into arguments about what is going too far or if certain strategies cross a line ethically, but I like to think that in this version instead of it tearing them apart it makes the team stronger as they find compromises that combine both their ideals until they find a plan that they both agree to with everyone.

I’m also so fascinated by the different possibilities of the High Guard personally knowing the Thirteen Primes. I like the idea of TFOne Liege Maximo being a mentor figure for Starscream in the past before Sentinel’s betrayal and kind of took Starscream on as his personal student in a way because he saw himself in the other. Liege Maximo going “oh he just like me for real” seeing a younger Starscream who is not yet leader of the High Guard lie to an enemy to get them to lower their guard and when they hesitate to kill him he stabs the enemy in the back. Him observing Starscream use cunning in battle to win his fights that keeps himself and those under his command alive and thinks this one reminds me of me and he has potential to be great. Liege Maximo becoming his mentor and over the years they also become good friends. I like to headcanon that Liege Maximo loves to cause problems on purpose for his own amusement and likes to pull pranks on his fellow Primes with Amalgamous who is also a known prankster. I imagine the other Primes are exasperatedly fond of their antics. I like to think once Liege Maximo takes Starscream as his protégé he ropes him into helping them pull pranks with them.

I’m fascinated by the potential of TFOne Starscream before Sentinel’s betrayal still being a manipulator, liar, and schemer but at the same time someone who was loyal to the Thirteen Primes and believed in the cause they were fighting for of defending Cybertron. Like I still think he’s someone who would put himself first in terms of saving his own life, but I think he also does care for those under him and does his best to keep them alive too. I think he’s always been strong on self preservation, but I also think he lives by a certain honor code and has certain principles he stubbornly abides by even if most people would at first glance think he’d sell you out for one corn chip. I think this is most telling if we look at how not once did Starscream try to join Sentinel or the Quintessons by pledging his loyalty to them to save his own skin even if it might of been easier and instead chooses to live 50 cycles in hiding/on the run being hunted down on the dangerous surface with a planet whose flow of energon has stopped and still tries to sabotage Sentinel from the shadows and hates his guts for the betrayal. He did fail in attacking/killing Sentinel, but I think it’s important to note that he successfully kept everyone alive at the same time too.

After Sentinal’s betrayal and watching the Primes be killed in front of him in addition to being hunted down on the surface together with the rest of the High Guard for 50 cycles I think he slowly becomes disillusioned with the world and more cruel and ruthless as he does whatever is needed for their survival.

I headcanon that Megatronus Prime was usually the one commanding the High Guard and directing them in battle and that Starscream did really look up to him too and admired his strength. But I headcanon that Megatronus Prime was so strong that his approach to battle is very charge head on and brutally beat your opponent into the ground as a way to protect everyone else. A warrior who charges straight at the enemy and gets things done brutally and efficiently, very similar to D-16/Megatron’s fighting style. However, I think Megatronus was also way more experienced and was also able to direct the High Guard in a way that worked with multiple differing fighting styles that meshed different approaches to maximize the strength of their fighting force. (Which is partially why I think Starscream followed Megatron in the end, one he did manage to rip Sentinel in half, but also he might have thought D-16/Megatron had the potential to be a leader worth following and associated any similarities with a sense of hope that Megatron might become someone like his past leader Megatronus). Meanwhile, I think Starscream is more of an ‘analyze your opponent and then strike using your wits to best take them down’ kind of fighter especially if you can’t beat them in straightforward combat. I like to think Liege Maximo also fights like that and might have been the one to give Starscream extra fighting lessons when he notes the similarities of how Starscream likes to fight. And if you ever saw them fight side by side you could probably see Liege Maximo’s fighting style reflected in the way Starscream moves.

I also think with this headcanon it potentially adds a bit of tragic irony that this version of Megatronus and Liege Maximo never turned bad becoming “The Fallen” etc, but those who greatly admired them and tried to embody their legacy sort of become the fallen ones down the line.

[timkontheunsure]

A CBT look at Blitz's core beliefs

Boring explanationy bit

Ok first off a core belief is this how the world works sort of thought. It has a ton of evidence on it side, or some big life altering event. Acting within is designed to kept you safe. And everyone has good and bad ones.

Think of it as of a short bit of base code running in the background, helping you go with your gut. A quick a short cut, but one that's got a lot of logic and past facts behind it.

They're mostly set up in childhood. So if you have an abusive parent, or trauma, you can get ones that become unhelpful for you in other situations. Like with people that really care about you.

A distortion is a little different. They affect how you look at the wold based off your mood, and are always negative. They specifically don't have a lot of evidence on their side. Like a prism that makes things a little different than what's really there.

They are an action to do based on your mood: catastrophizing (when everybody I love leaves me next year)

Black & white thinking (yes there's all this evidence showing Stolas cares, but that doesn't count as it just sex).

Thought spiraling (this one goes to Moxxie heh)

Or snap judgments based only only how your mood is (Ghostfuckers is fun and sexy, so we should take the case when I know they don't exist).

Blitz's core beliefs

So 'all royals are assholes' and 'no royal will care about an imp' are a core beliefs. Because this is definitely true, the 1% don't give a fig. (Stolas and Ozzie are basically round errors from what we've seen).

"I'm going to die alone" is also one.

So is "I make everyone's lives worse"

But his good ones are: "we don't get rid of family",

Ok with these two good ones we're going to have to go into rules for life. Blitz core belief is about family sticks together and protects each other. That's his code that always wants to run.

But he's also got evidence that family will kick you out for not being good enough, and hurting/killing people on accident. When you get code clashing you get cognitive dissidence, which physically hurts.

So you do a patch to reduce that pain. A rule to live by. 'If X is right and Y is right, then the variable that off is me.'

'We don't get rid of family, but we do get rid of me = I'm the only one who we can get rid of'.

With Loona it's we get orphanage lady saying words that could have come straight out of Cash's mouth. (I want Blitz to get a song telling that git off so hard).

Those hit Blitz hard, so hard he changed his mind on adopting a small little child, to a older teenage. CBT says that when something hits that hard it's because it hit at least 1 core belief. He sees himself in Loona in that moment, and never want another kid to be gotten rid of.

And other one could be bad or good depending on what's around it. 'I will be of use to family/people I love'. Blitz needs to feel useful to the people he loves, especially with growing in a family business working from being a kid.

And the rule Blitz has made for himself between the "I'm going to die alone" + 'I will be of use to family' = 'But maybe if I'm useful they won't abandoned of me yet'

(Also how sad it is that Blitz feels he's only allowed help, and support if it's a tit for tat, favours for favours exchange).

So everyone has a mixed bag of these good and bad. The problem happened when trauma responses give you ones that don't help you in a new situation. Like say a demon prince falling head over heels for him.

The idea of CBT is that if your struggling to look at what's changed since the core beliefs were set up. And if it isn't keeping you safe anymore, then you try to replace the old one with a new one; that has new evidence that backs it up. A update.

Like how Millie shows Blitz concrete examples of him improving her life. Just telling him he hasn't wrecked her life wouldn't work.

(This is one of reasons why Stolas' confection doesn't stick with Blitz. Blitz needs to know reasons why someone like Stolas loves him. It why he asks him in apology tour. Stolas tell your boy why he's so amazing for flips' sake).

Millie shows how joining IMP positively improved her live. "He gave me so much...A career, a husband, a future. And now...He's my best friend."

And Blitz helping Millie through alot of her own negative self talk she had. That 'she's not good enough', 'she's only the muscle', 'that Pride's too fancy for imps', and 'no imp works for them selves'.

These we're all Millie's core beliefs before joining IMP, if she still had these Rolando's words would have hurt her. But through having the support and example of Blitz she's removed those old bits of code.

When see her mum it obvious where and why she has these ideas about herself. Lynn describes her full time job, being employed direct by a company; as "Freelance". Because Imps can't work for themselves. (Even if she is impressed by Blitz). It's like different between working for Uber, instead of taxi firm. No protections, and an unsafe unstable job.

She pulls up her daughter's valid explanation why she lost the fight as "Excuses!", because Millie was "'raised better than that' as the muscle of the team.

She's very against Moxxie for being too week, and not having the same melee skills as Millie.

It obvious that she wants her daughter to have a similar life as her, where she keeps her head down, and has a partner that is able to defend Millie. This because there's a level of safety in this crab bucket attitude. She'd very unlikely to come to the notice of higher-ups. Like how Stolas being very involved in IMP and with Blitz.

But Blitz talked Millie round, and also showed her that she doesn't have to pigeon hole herself like that. She has years of evidence that Blitz could do it, and him pointing out how good she is when she fell back into thinking of herself as just the muscle.

Rolando's trying to exploit vulnerability that she's updated against. (It's super ineffective).

Ok after that sight side tangent of with Millie's head, back to Blitz's.

The "your going to die alone" has become a self-fulfilling prophecy, tripping Blitz up alot. Because it comes twofold for his fear of hurting his loved ones, making their life worse, and his fear of abandonment. Because he was abandoned, that did happen.

Making him feel like he has it to push away the people he love for there own, and that they'll leave him eventually so might as well push them away now. He's got a lot of previous evidence tied to this.

It's going to take more then Fizz and Millie telling him he didn't ruin theirs, for him to start to be able to unpick this. Because he's still certain it's true. Even if he's improved the lives of most of the people he knows.

And even Fizz who were directly effected by the mistake Blitz still punishing himself for, has told him that being made disabled didn't ruin his life.

There's a whole debate in my head whether Barbie would have had such trouble with addiction; if she wasn't assuming/told that her brother started the fire on purpose, that killed their mum. I'm honestly not sure. But it does seem like her resentment over it has made it harder on her. And that all seems to stem from Cash abuse. (I'm sure Cash is the one to tell Blitz Fizz said he'd die alone).

Ok on to how the these are interacting/fucking up his relationship to Stolas. Blitz is definitely is afraid to love Stolas for a number of reasons. (You knew I'd get there at somepoint right 😛).

Cus a whole load are clashes together for him, making it really difficult for him because about see things from the outside. with the "royal demons don't give a shit about guys like us" one.

Making Blitz rationalize that it's gotta be about the sex, and being of use. Anything that shows this assumption is wrong has to be disregarded with distortion.

But when Stolas takes sex off the table, and still talking about feeling, and relationships; it makes Blitz's fear of abandonment go turbo. It's not rational but it's the only rule Blitz has that might make Stolas keep him.

He feels like that sex is all he has to give to a prince after all. And he wanted Stolas to stay for a long while now. It's not a grimoire his hallucinations put on a golden pedestal after all. And there a a lot of similarity to how Stolas and his Mama vanish.

(Debøra pør favør pointed out this emotion damage so now you have to suffer too 😭https://x.com/_Choco_torta/status/1859028103772955135)

"I'm going to die alone" and 'I must be of use' Blitz freaks out badly in queen Bee after Ozzie's. Blitz believed that he's be rejected by Stolas, he's been shoved back into the box of it just being about lust.

Because he wants more, but feels he's unworthy, it's got him hurt coming and going. He's got to shut down any attempt by Stolas to have something real. But he was also hurt constantly feeling sex is all that he's got to offer, and all Stolas would want.

"I make everyone's lives worse" and "We don't get get rid of family". Ok this is into theory level but think Master Mind and Sinsmas are going hit these last two harddddd. (We're one week from mastermind).

It looks likely that Stolas is going to lose Via, face punishment for the illegal deal, and be dragged for the affair. With Via swallowing a lot gaslighting about not being loved by Stolas (lines from the trailer).

Blitz will probably going assume it's another another life he's made worse, where he's caused them to lose their own family. Don't think this will play well with last guy he fell in love with he blow up.

It's going to make it much harder for him to remove the idea; that that him loving some will only hurt them.

Alot of the reasons Blitz thought it was ok to get close to Stolas are tied up in these beliefs. He assumes Stolas was powerful and immortal, so couldn't be hurt physically like Fizz or Mumma.

He assumed that a prince would never fall for an imp, so only he could get hurt emotionally. It couldn't end the same way as Verosika. Blitz thinking he's the only one to be able to be hurt, and get to be useful not just to Stolas, but provide a better life for his whole family. It would seem like a bargain. (And the self punishment aspect probably wasn't going be a off for him, cus Blitz thinks he deserves it).

This season seems slow be eroding that pedestal Blitz put Stolas on (and vice versa). It's hurts, and it's knocking the stuffing out of both of them; but it's bring Stolas to earth for Blitz. Making his more of a real person in his eyes.

Eh probably a lot way to go, but I'm here for it.

(was very loosely based on this post, because it got me thinking about distortions vs core beliefs. But then I went off on a whole thing, so thought it would be weird to put it as a reblog. Still loved @akirathedramaqueen analysis and would recommend giving it a read 😀)

[bi-writes]

anatomy of us | alpha!ghost x f!omega!reader

we cannot change who we are at our core.

type: limited series, part 1 (6.4k)in an attempt to tame an unruly alpha, you are given. he did not come with warning labels. but neither did you.

series cw: reader described as plus-sized/curvier, alpha/beta/omega dynamics + universe, dark!simon, mature language and content, suggestive language and content, graphic depictions of murder + violence, military criticism, protective!simon, possessiveness, dom/sub dynamics, size kink, praise kink, unprotected piv, cumplay, oral (fem!receiving) 18+

Whenever she woke up marked the last day of the rest of your life. One moment, the world inside of your head was unnervingly quiet. The next, someone else was there, whispering in the dark, taking over.

You aren't proud of her. No, you hate her. There is no one you hate more, you don't think, because she lets the direction of the fucking wind distract her from what really matters. She paints her environment in a soft, glazed picture, and she tries to hold up her canvas and convince you that her reality is real. But then you blink, and you get flashes of how dull the sky really is and the dirt that stains your shoes, and you know that she's just a liar.

A controlling, desperate thief.

When you heard her voice for the first time, you begged your reflection in the mirror to just kill you already.

If you were an alpha, maybe you could've just drawn away into yourself and lived a quiet life in the middle of nowhere. If you were a beta, perhaps the weight of nothing would've given you a little more freedom to do the things you wanted to do.

But no. You're an omega. Nature's servant. A natural follower. Destined for nothing except to open your legs and say, "yes, alpha, all for you," because if you are anything but complacent, you're unwanted and a waste of your very being.

Your eyes stung when you took your first little pill. They rattled in different colors in a little orange bottle, and it felt like sand as it dissolved under your tongue. Even though it makes you sick, you take them anyways. Even though the pills change colors and shape and efficacy because you buy them from someone different every time, you take them because it makes your omega shut the fuck up finally.

You bury her. And you won't let her out.

The truth of it is that you're only fighting yourself. Your omega, she is you, isn't she? She's a part of you, she makes up your very genetic makeup, and to hate her is to hate yourself. But nature is cruel–it gave you years of freedom. Years to know what life was like without her, when she was dormant, asleep, just waiting for you to finally wake up.

Then your very self locked the cage. Your fingers claw at the bars, but it's no use. It's your very own punishment. So in turn, you bury her, too, silencing her cries, quieting what she wants most in the world, because it isn't fair, fuck you, you whiny bitch.

She's a pathetic puppy; and you are more than happy to step on her fucking neck.

Your aim is off today. The sound is muffled through the earphones you wear, but they've never thrown off your balance before. When you lean over the railing and squint at the target papers towards the back, you can see the bullet holes just a few inches off center.

You're never off-center.

"Getting rusty on me, Kit?"

You turn around, setting the gun down, and you smile wide when you see a familiar face. You pull the headphones off, putting them aside before making your way towards her.

Kate Laswell is surprised when you throw your arms around her and hug her tight. She smells good; she smells like chocolate, dark chocolate, something bittersweet. She's got that edge to it that they all do, something a little heady and all-encompassing, but she's the only alpha that you've ever found comfort being near. You see her nose scrunch a little when she embraces you back.

You must stink like synthetics. You care, only because you hate to make her nose sting this way. It's never been meant for her. At times, you thought maybe you could do a little convincing; maybe if you batted your lashes enough, she’d take pity on you, hide you away in some CIA shack with her deep on a Montana farm and play house. You’d cook, and she’d protect, and you’d be perfect little alpha and omega until the end of your days.

But Kate doesn’t like baggage. Not even the sweet kind, and especially not the kind that makes it even more difficult to make the hard decisions.

Kate isn’t a soldier. She makes choices based on the greater good, the lesser evil. She doesn’t get to be selfish. She doesn’t have that luxury.

When you pull away, she looks down at you strangely. She looks tired. Her dark hair is in a mess of a braid tucked under a cap, and she looks like she hasn't slept in days. Her attempt of a smile emphasizes the lines around her eyes. You open your mouth to tell her something, but she shakes her head.

"I'm not here as a friend," she says softly, and you frown a little.

"Aren't...haven't we always been friends?" You ask, and Kate lets out a shaky sigh, nodding her head behind her.

"We need to talk. C'mon."

You retrieve the gun and holster it, fastening it into your thigh holster before you follow her. She has a car waiting outside, a big, black SUV with the door already open for her. When you get inside, she knocks on the divider, and the car immediately starts moving. You brace yourself against the side of the car as it speeds off, reaching for a seatbelt.

"Jesus, Kate, what's going on? I-I have training later, I can't–"

"You're not...going back to base," she says evenly. You frown a little, leaning back in your seat, and you put your hands in your lap as you try and get a read on her. Even exhausted, Kate is hard to decipher. She has a stone-cold expression, calm and unbothered, and you curse her CIA training for making her impossible to understand, to even get a glimpse of what she might say next. Her face makes you anxious, and the scent in the car that changes puts you on edge.

"Okay," you scoff a little. "Then where am I going?"

Kate sniffs a little, crossing her arms over her chest. She doesn't break eye contact with you when she says, "Wheels up in 30. I have an assignment for you." She reaches under the seat, pulling out a manila folder, setting it down beside you. When you pick it up and flip it open, you narrow your eyes.

"I'm..." You shrug your shoulders, "I'm not really CIA. You don't give me orders."

"As of one hour ago, you're mine. And this...this is your duty."

Your eyes blur as you skim the text on the pages. You flip through the papers flimsily, getting more and more irritated until you throw it at her, your chest rising and falling fast as you pant, barely able to see her through your tears.

Program. UK. Field assignment. Mate. All the keywords to make your stomach curl and your autonomy shrink in front of your very eyes.

"Kate, don't do this," you beg her softly. You soften your voice, and you let your omega drip syrup into it. You want to see her eyes dilate–you want to make her protectiveness kick in just enough that she might just appease you. It’s desperate, and you know it’s wrong, but you do it anyways, you have to. "Please don't do this. Please. You fucking promised me, you promised–"

"You need to understand that I don't have a lot of fucking choices," she says sharply. She pities you, that much you can tell. She looks pained, but it doesn’t matter how pained she might feel because it isn’t happening to her. It’s happening to you, and she put you on that base so that it wouldn’t happen to you, and she tricked you into getting into this car, and now it’s her–

"Kate, I'll do anything, please," you gasp. You reach over and grab her hands, tugging her towards you. "You know. You know what...w-what I've been through, what this all is, you know...please. Please..."

You promised me. You gave me your word.

"I can't–"

But the CIA can’t be trusted for shit.

"I'll be yours," you try, squeezing her palms. Appease. Beg. Bare your neck. Give her what she really craves. "Just claim me yourself, a-and...and we don't have to do this, w-we can...I-I can go back to–"

Her face contorts, offended, disgusted. You try and swallow down the sting of her rejection, but you cannot help yourself. You would do anything to not be subjected to this fate, to the fate she promised she'd save you from. The only alpha you have ever trusted, and she's pulling away from you, bit by bit.

"I could never do that to you," she interrupts, shaking her head. "I couldn't."

"But you'll do this instead?"

"It's the lesser evil," she says finally, pushing your hands back. It aches. Despite you never leaning towards her, it is still an alpha turning their nose up at you, and the thing inside of you cries at the feeling; she begs you to do more, but you swallow her down, fingers itching for another pill just so you can really squash her singing. "And in my world, that is the best I can hope for."

"It's punishment!" You cry, and she reaches over, cupping your cheeks, pulling you close. You scrunch your face at her touch. Her hands are cold, and they do not welcome you. "A-And for what? For being something that I can't change?!"

"It's mercy," she whispers. Her thumbs stroke your cheeks in soft circles. "I can't protect you anymore, do you understand? They don't want you there, and I can’t take you with me. Even taking meds, even spraying yourself to shit, they don't want you, and I can't protect you if they send you away, do you understand me?" You start to cry, closing your eyes, and you hear the familiar voice in your head preening. She's desperate, slipping through the cracks, and you squeeze your eyes shut as you try and force her backwards. You’re panicking, and maybe she’s trying to help, but you hate her. "I have to get you out of there, and this is the only way."

"Please..."

"I can't protect you," she says gently. "But he can. And he'll be good to you. I promise, this...this I can promise."

You rip yourself away from her, curling into yourself as you scoot away from her as far as possible. You press yourself against the door, tucking your knees into your chest. Whatever passes by outside is a blur, and your brain doesn’t register any of it. The only thing in your head is betrayal, traitor, those sick, stupid bastard alphas, all of them–

"Fuck your promises," you whimper, and when she reaches out for you again, you flinch, burying your face into your hands.

Kate is a liar. She never keeps her promises; that’s her job, it is what she does. The CIA is nothing if they aren’t incredible liars–it’s what they’re known for, and Kate takes to it like a fish to water. As far as you are concerned, she lured you in with bait, and now she's shut the door on a trap. It is lined with padding, soft, delicate, but it still holds you back, it still keeps you still and stagnant and forever chained to an existence that you detest more than anything. She used you; it was in her best interest to keep an omega under her thumb, to do with you as she pleased when she needed one, and you suppose once you are taken, she will find another to do the same with. She will give another desperate one like you false hope, and when she needs another omega to keep someone else complacent and willing, she will offer them up with her signature on paper–just like that.

She tries to touch your hand before you board the plane. She tries to meet your eyes, get your attention, anything. You cower when she reaches out, and when she steps backwards, you walk on.

You never look behind yourself. Not even when you sit, and not even as the ramp closes shut.

Fighting is futile when you are who you are. It's unexpected. It's frowned upon. You are made up of something that is intended to be docile, to be big-eyed and soft. If you were a dog, they would want you to roll over and bare your belly and forget how to do anything but obey, but that is not the kind of thing that you ever wanted to be, even when you were small, even before you knew what you really were.

You hate what you are. You medicate yourself to the point of being incoherent, you bare your teeth and aggravate the submissive nature you inherit to deter any kind of match. You make yourself undesirable, not just in your physical nature but in the very essence of yourself.

You want to start over, as something else, or you want to never have been at all. You hate this place, you want them to cast you out, you want to be left to your own devices because dying alone and unwanted is better than submission; it;s better than the imprisonment that your kind subjects themselves to, willing or not.

It sickens you. You watch your own kind fall to their knees, close their mouths, and allow their very being to disappear just to make another satiated. Happy. Their entire lives, reduced to being someone else's waiting hand, someone else's property. It's sad, it's pathetic, it rocks you to the very center of yourself, and you demand more of it, you reject this life and the voice in your head that fights with you every single day of it.

She hates you, too, your omega. She claws at your insides and begs for something to drink, but you dry her out. You don't allow her to even breach the surface of the wasteland you've suffocated her with. She is naïve; she doesn't know what is good for her, she doesn't know that you are saving her from a life of constant torture. She screams for you to let her out, but you take another pill and force her back into the dark.

Or at least you did. You haven't taken a pill in days. They won't let you, even when you asked, even when you began to beg. You promised to be good if they just appeased you. You promised to be quiet if they just slipped it under your tongue, even if they injected it into your very veins, anything, just please, please, I don't want to–

Everything is surreal. You feel like you're seeing everything in color. What used to be dull and uninteresting now sparkles in your very eyes, it glows under the sun. Everything is sharper and less blurry. Sounds are clearer. You can hear the wind more loudly in your ears and feel it under the soles of your shoes. But what dizzies you the most is your sense of smell.

Everything before had been so bland. You have been under the effects of suppressors for so long that you don't think food has ever smelled so bad and so good (eggs make you gag now, and the crisps they give you make your mouth water).

They keep you confined in a small room. You are not allowed in the presence of any alphas; you can smell them passing by the door, but whenever the stink of one of them lingers, there's loud voices, lots of heavy boots. A beta comes to collect you to do a daily workout and to shower, and then you are back in your room, your meals delivered on a tight schedule (and the food, after a few days of your tray being barely picked at, gets so much better–it's better quality than you've seen on any military base, and when you asked, all they said was "lieutenant's orders").

Today is different. Today, along with your breakfast, a large black hoodie is folded underneath the tray that they leave on the end of your bed. You set the food aside, picking up the hoodie, and when you unravel it, you spread it out, gawking at the size of it. Whoever this hoodie belongs to is more bear, more beast, than human. An enormous thing, but when you pick it up, you immediately pick up on its strong scent.

You press the front of it to your nose. Your eyes flutter shut, and you sink into the bed a little as you take a deep breath of it. Warm, but gritty, like charcoal. Cigarettes. Military-issue soap. Clean. Eucalyptus. Fire. Something with depth, something with teeth. You don't realize what's happening to you until it's too late.

Alpha. It smells undoubtedly like alpha, and you're certain by the size of it that it belongs to one. You nuzzle your face into it a little, instinctively, and you don't even register your omega knocking, peering through the door that's been cracked open for her.

She squeals with delight. She's getting dizzy, drunk, and you feel a soft noise in your chest bubble as she pets the back of your mind, keening at the introduction of it. She’s giggling. You can feel her tugging at your insides, whispering in your ear–See? I told you. I told you that you’d like it.

They smell strong. They smell capable. They smell pure.

When you put the hoodie down, your legs are pressed together, shaking from how hard your thighs are squeezed. When you relax, you refrain from the need to touch yourself, but you failed before you even started. You can feel how wet you are; your panties must be soaked, and you feel yourself pulsing with some sort of distinct urge to give in, give in, give in.

It's unnerving, the lack of control you have. Your omega has always been a few feet underwater, but she's breaching the surface now, her lips gasping for air.

You try to push her back.

Stay down.

When the clock strikes for dinner, you aren't surprised by the knock. But you are surprised that when the door opens, there isn't a beta in uniform holding your tray. Instead, you cover your nose a little, blinking harshly as a large man comes into the room. He's got a strange beard and a floppy hat, and when he smiles, he reminds you of a teddy bear. You can tell just by his physique what he is, but his eyes are kinder than you're used to.

You will yourself not to trust them. You trusted kind eyes before, and now you’re locked in a prison of your own making.

"'ello," he introduces himself, holding out his hand. "'m Captain John Price. 's nice to meet you."

You glare at him, not saying a word. When he figures you won't shake his hand, he just nods. He lets his hand drop, hooking his thumbs into his tact vest, and he rests at ease.

"I've come to collect you," he says lowly. "It's time."

You pick up your tray of food from behind you and hurl it towards him. He ducks just in time, moving one shoulder backwards as the metal hits the wall behind him and clatters to the floor in a splattered mess. John shakes his head a little, scratching the back of his neck, and he clicks his tongue. You’re unnerved and a little pissed off when a hint of a grin flickers over his face.

"Fuckin' hell," he breathes. "Yeah...you'll do."

"The fuck is that supposed to mean?"

"Let's go," John snaps. "Won't ask again."

When he reaches for you, you swipe the fork from the bed, stepping close and sticking the little prongs up against his chin. You aren’t satisfied until you can feel his scratchy beard against it, piercing the skin just enough.

"If you touch me, I'll shove this right up your chin through your goddamn nose," you threaten, and John’s nostrils flare, his hands going up flat beside his head.

"Easy," he murmurs, and you feel like he’s talking to a skittish mare. "Just need to guide you, that's all."

"Well, I don't want to go anywhere."

"If you don't do this, I have to send you back," John explains. "And Kate made it very clear that is supposed to be my last resort. And you don't want to go back."

"Anything is better than this," you hiss, and he narrows his eyes.

"Not this. What they do to unruly omegas..." He leans forward, snarling a little. "Ones like you. Ones that bite. And scratch. They don't deal with them. They'll sedate you and use you as training practice. And while Kate might have a heart big enough to keep you outta that place, I don't have it. So get your arse moving. Now."

You put your hand down, dropping the fork, letting it clatter to the floor. He grips you by the collar of your shirt, urging you forward, and all the hairs stand up on the back of your neck as he gets dangerously close to scruffing you. It's enough of a threat that you immediately relax, your own body betraying your emotions as it tries to make itself smaller. To appease. To submit.

"This can't wait any longer," John mutters. "Has to happen today."

Your lip trembles.

"What has to happen today?" You ask.

"You're meeting your mate," he says. You know that was the answer, but you had to ask it anyways. You think of the hoodie you received all those hours ago. The smell of him, complete intoxication. "Simon."

Simon.

"Sounds like an asshole," you snap, irritated, and John chuckles a little.

"Mmm. He is. You'll adore 'im."

You flinch at the flickering fluorescent lights as he leads you down a narrow hallway. When you pass other soldiers, John puts you in front of him, glaring and baring his teeth a little. You're confused by this sudden display of aggression on your behalf, but when you spot the looks in others’ eyes, you're grateful for it nonetheless.

You know your scent is strong; piercing the walls around you, displaying your displeasure, discomfort, fear so plainly. It's an awful thing to not be able to hide how you feel, to not feel like you have any control over how you present to others, but you have no practice masking any of it. You have been drowning your omega for so long that you didn't realize the strength of her building up behind the synthetic walls you had built. She's livid, angry, permeating the spaces in your mind that you thought were solid and now are broken and hollow inside.

You stop in front of an unmarked door. John looks over you, eyeing the jacket you wear.

"Take tha' off," he says lowly. You frown, stepping back, but he nods again. "Take it off. You'll get it back, just give it to me."

You shrug your jacket off gently, handing it to him. John holds out his hand for yours, and when you cautiously give it to him, he rubs the fabric against your wrists to soak it in your scent before disappearing behind the door. You wait outside, pressing your ear to the metal, but you hear nothing but low mumbles. You do hear a heavy gait, big feet moving around that don't belong to Captain Price, and you close your eyes as you try and see if you can hear his voice.

You don't.

The door is opened just slightly, John cocking his head to the side.

"He wants to see you."

You raise a brow.

"Your mutt?" You ask smartly, and John scoffs a little, kicking the door open wide finally. Behind it, you can see a small little office situated. Dozens of file cabinets, a stained wooden desk, a peeling leather chair. There are papers everywhere, a disorganized mess and walls filled with medals, plaques, letters, pictures of faceless men. And standing beside the desk, towering over it with his head nearly hitting the ceiling is a bear.

A fucking bear.

He's so tall. Over six feet of hulking man, big shoulders taking up too much space. You can tell just by looking at him that he has to duck his head and move his body sideways to get through the doorway you're standing in. He has big hands and thick thighs, and your lips part when you realize his thigh holster has been released as much as possible just to still fit snugly around him. He's wearing dark jeans and a thick black hoodie, and he looks even bigger with a strapped tact vest that holds numerous little gadgets, weapons (fuck, he looks like he can kill you with the pencil laying haphazard beside him).

You can't see his face. He covers it with a mask, a snug covering tucked under his hoodie with the plastic front plate of a skull sewn to its front. He's holding your jacket in one hand, the other clenched in a tight fist as you step through the door.

"Is this your dog, Captain?" You ask finally. Simon doesn't speak. He tilts his head to the side, eyeing you, taking in the way you look from the tips of your combat boots all the way up over your head. His gaze lingers on your middle, the wideness of your hips and the curve of your body.

John crosses his arms over his chest.

"Suppose so," John shrugs, rolling his eyes a little. You blink, finally making eye contact with Simon. His eyes are dark and beady. He's intense, just as his scent had been. Your omega warms your throat and screams in your ear.

Grab him. Latch onto him. Don’t let him go. Do you see him? Look at him–

"Does it bark?" You wonder, glaring. Simon unclenches his fist, rolling his fingers out a little. They twitch beside his leg. His face twitches a little, too, you can see the mask move just slightly.

"When he wants to."

"Does it bite?"

John snorts. "Mmm. Afraid so." He opens the door behind him. "Don't kill each other. If I don't see her for supper, Simon, I'll hold you to it."

When you are alone, Simon still remains silent. He hasn't moved from his spot by the desk, still in a strange staring contest with you as you stand there trying to read him. Like Kate, he's impossible; this time, you don't even have the luxury of looking over his face, although you suspect even without the mask, he must have mastered some kind of expression of nothingness. He seems like the kind of brute to give nothing away. Not even his displeasure.

"Hope you're good on a leash," you say finally, crossing your arms over your chest. "I like to go on walks."

His face moves under the mask again. Finally, he moves. He unravels your jacket in his hand, holding it open for you to put on again. You eye him strangely before coming closer to fit your arms into it.

When you turn your back to him, you realize how much of his shadow you're tucked under. When he drops the fabric back on your shoulders, you still as he leans over one side of you, bending. Without thinking, your head tilts to the side, giving him more space into the side of your neck. You do it without even thinking. Your omega bleeds through you, and you feel her warmth everywhere now, making you move, but you let her this time.

Your scent gland pulses there under your ear. He can see it, hear it practically, rushing like the blood in his ears. You close your eyes when you feel him come closer, the cotton of his mask just barely grazing your neck as he takes a deep breath.

The growl he lets out shakes you to your core. Your pupils get blown wide at the sound, and your head flops back slow, exposing more of your neck. He uses the opportunity to bend just that much more, until the front of his mask is pressed against the gland, and he can breathe you in, right at the source.

He's snarling under the mask. You can hear his teeth knock together, his tongue wetting his lips. You shiver, leaning into him, your hand raising up to caress the back of his neck as he nuzzles his nose there, taking another deep breath. You step back enough that he presses up against you from behind. You can feel his pelvis right against your ass, and you arch your back just enough to fit him right where he belongs. A gloved hand catches you at your waist, and you put your free hand on the desk in front of you until his cock is right there between your ass.

Your omega is panting. She's clawing, right there at the edge, fighting against quicksand as she's desperate to meet him. The feeling of him, the scent of him so close, it's an aphrodisiac, potent, suffocating. Something warm is wrapping around you, sliding along your skin, tickling your toes. It's between your thighs, in your mouth, wetting your tongue. You're not sure what this feeling is, but it's thrilling.

He's purring. Big, rumbling sounds coming from deep in his chest. More animal than man as his tongue comes out under the mask, and you can feel him lick a nice stripe over the raised, warm skin under your ear. Your omega is being pulled to the forefront. She’s like a magnet to him. The closer he gets, the stronger she bites into you. Your mouth drops open when his hand falls between your thighs, gripping onto you and pulling you up against him in one, slow grind. You can feel the length of him, fucking enormous, and you’re leaking into your cargos as his fingers squeeze the fat of your thigh.

"Fuck–okay!" You pull away abruptly, turning to face him. You put your hands on his chest and push him back a little. He doesn’t move at your touch, but your voice startles him enough that he moves his hands up and away from you. He straightens up, blinking away the haze in his eyes, and you swallow hard. "T-Too much..."

He huffs, moving forward to bury his face into your neck again, but you step back, putting a hand on his chest firmer this time. You have stepped out of the cloud that surrounds him, but you can still taste it, and it’s pulling you back, and you’re losing control.

"Simon," you say his name gently, and he stops, his face scrunching a little under the mask before he stands back up again. "If I have to be your mate...we need to set some boundaries." He blinks, saying nothing. "Like...a-asking for permission."

You can tell by the way his mask twitches that he doesn't usually ask for permission. He wants, and he receives.

Typical.

“What?” You ask, scoffing. “You don’t talk?”

He doesn’t move. You crane your neck to look up at him a little better, and you smooth your hands lower on his chest. You can’t help but appreciate what you feel. He’s wearing a tactical vest, but you can still feel the deep breaths he’s taking, the strong, fatty muscle under your palms. He is the epitome of sheer strength and undeniable ability. Your omega draws your hands back up his chest, over his pecs that pull taut, and they wind up around his neck as you stand up on your toes and lean into the curve of his jaw. You put your nose to it, barely. Simon moves his hands down, cupping you under your ass and picking up your weight with not even a grunt until you can press your face deep into him.

Fuck, it’s like a drug. It’s addictive. His scent impales you. He smells like war. Like chaos and smoke, and your mouth starts to water as you keep breathing him in. You pull back just enough, blinking up at him. You look a little dizzy and intoxicated, and he squeezes your ass to hold you steady as he puts you back onto your feet.

“Uhm…” You sniffle a little, holding onto him. Your hands curl around his shoulders, and you keep yourself upright like this. “I didn’t wanna be here. I don’t…I don’t want this. I never did.” You blink away tears, but he sees them when you draw your eyes back up to his. “T-They made me. It hurts.”

“Wot hurts?”

His voice scares you when you finally hear it. Your lip shakes, and when you blink again, your tears fall down your face. Simon snarls when he sees them, reaching up with hands too rough and wiping them off your face, but they keep coming.

“I’ve never been o-off my meds–” You gasp, and your breaths start to come in panicked and too fast. “Everything hurts. T-The lights are too bright, everything hurts my nose, the sheets are too itchy, and I-I can’t breathe–”

Simon moves away from you immediately. He closes a fist and pounds the lightswitch, and only the yellow glow of the lamp on his desk illuminates the room. You curl into yourself, hugging your own arms, and Simon comes back to stand in front of you, narrowing his eyes.

“I did not want you either.”

“That’s just grand, this is perfect,” you hiccup, and Simon grunts.

“But I have orders.”

“You act like your Captain is just debriefing you for a fucking mission,” You snap, glaring at him. “I’m a fucking person. I know your kind may not see us that way, but I am. I’m not a mission. I’m not something for you to win or to conquer, you fucking asshole!”

When you raise a hand to hit him, he catches your wrist before it lands. He squeezes just enough to hold you at arm’s length, and you lean forward and spit on him instead. It wets the mouth of his mask, and he nearly loses himself as his eyes flash with something dark. He looks away from you for a moment to collect himself. When he turns back, he uses his other hand to cup the back of your head, silencing you.

“You listen ‘ere, omega–” The way he says your title makes the fight in you shrink. Your omega squeaks, ducking her head, that bubble of submission pilling in your throat as he holds you so close to your naked scent gland. “Dunno wot anyone told you, but I don’t have to win you when y’r already mine.” He ducks his head, pulling you closer, and you freeze when he presses his masked mouth at the base of your pulsing scent gland. It wafts into his nose, dilating his pupils, and he snarls. “And when you inevitably lose control of yourself–you already fuckin’ are, you reek of it–I’m goin’ to sink my teeth right ‘ere, and then it won’t fuckin’ matter ‘ow you feel.”

Your eyes blur with angry tears. You gasp, your breaths hitching, and Simon seems to feed off of your fear, your misery. If he wasn’t wearing a mask, you imagine he’d be licking your tears for a chance to taste your sadness. The worst part of it all is that your omega adores it. She’s been aching for so long for this kind of authority. For that edge to tickle her right under her chin where she likes it. The whiff of alpha that she’s getting is driving her out of control, and you don’t know how make her quiet down. She’s so loud in your head, banging against the walls–give it to him, give it to him, give it to him.

“You’re a fucking monster,” you whisper, glaring up at him. It’s no use–you will never scare him. Simon is what scares other alphas into submission. In one paw, he could crush your windpipe if he wanted to, with just a squeeze. Simon hums, and you imagine him smiling under that mask, some kind of vicious grin that you would love to smack off of him.

“Tha’s right, swee’eart,” Simon mutters. “I am. ‘n now you belong t’me. Everything that you are–” He smooths his hand down your neck. You seize when his hand slides over the curve of your waist until it cups under your ass and forces you up against him. “‘s mine. Your omega–’s mine. Your mouth–mine. Your arse–mine. That cunt that’s going to take my knot like a good little omega should–mine. So y’r gonna get y’r things, and y’r gonna move them into my quarters, and then we’re gonna go get supper, and y’r gonna shut y’r fuckin’ mouth.”

“I hate you. You’re the biggest son of a bitch I have ever met in my entire life, you are exactly the kind of asshole I knew you would be, you are no different than I thought. You’re a terrible, awful, horrible–”

“I can smell you,” Simon snaps. “Don’t try to be fuckin’ smart with me, I can smell how wet your cunt is, so why don’t you just be a good girl and do as I say?”

You bare your teeth a little, and Simon sticks a gloved thumb into your mouth. Without thinking, you relax. You suck it into your mouth and sigh, and Simon rubs his thumb against your tongue, shutting you up nice and well. He traces your teeth with it, and you start to cry. You cry because you don’t know why you can’t fight. Your grip his forearm, but your nails won’t dig. Your feet are planted to the ground, and you can’t move. Your mouth sucks, and he pushes, and you’re frozen here.

He knows what to do. Doesn’t he taste so good?

He seems to like your teary eyes. The big, fat tears. His eyes crinkle, and you know he’s smiling, and you wish you could rip that expression off his face, but all that stares back at you is death. Simon growls, and every bit of resistance in you fails. Slow, like molasses, your knees buckle, and he catches you. He pets your mouth, and when he leans in and presses his mouth to your ear, all you can do is cry.

“That’s it. Good kitty.”

NEXT

[fancyfeathers]

Okay I have been watching a lot of detective movies or like those 80s movies with a badass female protagonist and just…

Yandere!Hal Jordan (Green Lantern) with a Detective!Darling. Cause space cop and real cop, see where I’m going with this?

Like maybe in an AU where all the Justice League has darlings of their own and one of them is kidnapped taken for their own protection and she begins looking into it…

And then there is an another disappearance…

Another missing person….

And another…

And another…

And clues begin to pop up…

Skid marks near the scene that no car could ever make…

Slight dents as if made by a knife or an arrow…

A knocked over flower box on a open window of a an apartment that was on the tenth floor, the apartment was locked making so this was the only place the missing person could have been taken out of…

It is at a press conference after a mass indecent that Hal finally meets his darling. He is getting slightly jealous that most of the League has a darling and he is alone and…

“Excuse me, I have a question…”

A beautiful woman stands up, not seeming as eggar as most of the reporters there and as soon as she gets the go ahead to ask she straight up walks to them and slams down a folder of photographic evidence from the crime scenes, including photos the Justice League recognizes as their darlings…

“…Well I have a few questions.”

The press conference ends rather abruptly and obviously the League has to have a talk about her, because she is a problem and could potentially…

Everything that is said goes in one ear and out the other, Hal is just staring at these images of his women who made half the Justice League go pale faced when she revealed that she was onto them in less than ten words and a handful of photographs.

God she was beautiful, and he was completely smitten.

The next time they meet is when she is leaving the police headquarters and she just happens to run into a man wearing an Air Force jacket. He helps her pick up the stuff she dropped and apologizes for running into her and introduces himself as Hal Jordan and maybe hitting on her a bit. She had to go so she can make it in time for a meeting she has with the state commissioner and some old partners she has worked with on cases before investigating the disappearances, but hey Hal gave her his number so she can call sometime when she free, but she tells him that won’t be for awhile cause of these damn disappearance cases.

But of course sometimes people do somethings they should not…

She calls, they talk, talking turns into a date, which turns into multiple dates, then cuddling up in her apartment while she reviews evidence for her cases while holds her from behind and nuzzles against her…

“Babe… cmon and take a break every once in a while.”

“I can’t right now, Hal. I have to finish this report tonight, I have a flight tomorrow to DC for a meeting about another incident, and don’t worry it’s not about the disappearances, it’s a murder, they thought I could use a break… but in all honesty it just makes me want to focus on my other cases more.”

“Maybe don’t kill the mood tonight, take a break and we could have a little fun before you leave, what about it?”

“When I get back… I just need to focus now, Hal. People need me, just another part of this job. I promise I’ll make time for us when I get back.”

“Just take care of yourself, I don’t want you dying on me now.”

“I will.”

She lied…

It’s late a few nights later when Hal gets a call from an unknown number, it is when he is at a Justice League meeting as Green Lantern and sure he does get scolded for having his phone but…

“Am I speaking to Hal Jordan? You were marked as an emergency contact.”

“Yes, who for?”

“Your girlfriend we think, she was brought in unconscious, stab wound in her lower back and severe damage to her spine.”

“What does that mean?”

“She will be paralyzed when she wakes up… her boss said she will be laid off when she wakes up, at least from field work.”

When the phone call ends Hal has to sit down and Clark is the first to speak up to him, which is fitting in a way because Clark was certainly one of the first to protect his darling because he could not help but see her as vulnerable to the threats of the world and almost the entire Justice League agrees with him when he tells him…

“Take care of her, she needs you right now.”

Hal is at the hospital not even an hour after he got the call, sitting by her bedside until she wakes up and it is time for him to take her back home, but things cannot go back to normal again, it is the mental pain she has to live with that she struggles with most.

Those disappearances, it was her job to find them and she failed them.

Hal tries to take her mind off of things, spending time off of his civilian work to look after her. He takes her into his place and sure he has to lie to her because he has work as a Green Lantern to do but he is so caught up what is happening in the moment that he forgets she was once a detective…

It is late one night when he returns home, mildly injured and…

“You lied to me, Hal…”

She is there in there apartment in her wheelchair, looking angry beyond compare, she looks up to him and then down to his ring…

“…I should have noticed sooner, the way you just conveniently showed up after that press conference with the Justice League… giving me your number for what? Did you seriously just do this all to get me distracted or what?”

“What?! No! Never… I…”

“I called my old partner from the force, I’ll be moving in with her for a while until I’m ready to take a job teaching at… well at the FBI Academy… don’t bother trying to contact me again, Green Lantern.”

She is about to roll past him, but he grabs her wheelchair and stops her. He brings her back into their apartment, and he kneels down onto her level, taking his hands in his own.

“I can’t let you back out there, you nearly got yourself killed… I love you… I am going to protect you no matter what, even if you don’t want me to.”

“…I was right… wasn’t I?”

“Babe-“

“Answer me, Hal!”

“…You were right, but it was for the best-“

“Those were people’s lives! It was not for the best, they all were scared to let go of something that was not even theirs to begin with-“

“They were in danger, it’s to protect them.”

“Then where was the Green Lantern when I was in danger? Where were you, Hal?”

“I can’t change the past, but I’m going to keep you safe now and I’m not gonna let to get hurt again.”

[arcane-ish]

You sound like you should be writing some Timebomb, if you feel like you've already written everything there's to say about Vander and Silco ;)

That said, I didn't see it as rabid dog. For one I read the ending as open, but as Jinx finally saying goodbye to Vi. And it seemed to me like the universe around Jinx (in the form of the main characters) was already indifferent to her doing "bad deeds". Vi was coming around and even gave her the official invitation to use her violence for good. Vanwick doesn't know or care. Isha did not care. Sevika does not care. Cait gave her the "yeah, whatever, we all do bad shit".

And Ekko, one of the people who criticized her, was given a whole episode to see a good version of her and IMO alt universe Jinx's line about how he never gives up on her to me implies that he would feel positively about main!universe Jinx as well.

I mean that whole scene is basically Ekko apologizing about being too judgemental of Jinx. That his mind got clouded by negativity and he should have kept being optimistic about her.

So in a narrative sense, all the main characters who had an axe to grin with her, grave her a free pass. That's why I don't read it as the narrative punishing her for doing violence.

The only thing that is remaining is Jinx's guilt, her conviction that she's a Jinx, that she hurts the people who come close to her.

IMO I choose to read the ending as Jinx running off and being free, because we have Silco telling her about cycles of violence, Jinx proclaiming she wants to break the cycle, attempting to achieve that with her own death, but is stopped.

I read the scene with Vi as being clearly about Jinx being worried that she will hurt Vi. The mind!Silco seems to say that the cycles of violence mean that Jinx and Vi will keep hurting each other.

But that you should break the cycle. So Jinx before running off to her suicide gives Vi her blessing and essentially talks about being a burden to Vi.

That's what she tries to do with her suicide. Jinx herself is convinced that she is bad, but the other characters think differently. Jinx is worried that she isn't good, but Ekko likely assures her that in another universe she is.

So she joins the fight. To me the message of her falling down with Vander is more about her letting Vi go, but while also assuring us that it doesn't matter if the sisters are apart.

That's why Jinx leaving, just works.

Her suicide is about trying to protect Vi. Because she is the last person left Jinx cares about and she feels like she has killed all the family she's had (that's what she said to Isha). Killed Mylo, Clag and Vander, killed Silco, got Isha killed and Vander a second time.

But she already tried suiciding. So her to just suicide again, though in a slightly more heroic context, just feels kind of redundant, I guess? So to me her leaving Vi behind by traveling to other continents for example (or even other universes) just feels like a more novel iteration.

And it's certainly a better message than "Jinx still can't get over her own guilt even though everybody else has already forgiven her" (remember, Zaundads already set the scene of "naw, it's good actually to forgive the person who tried to kill you" and it's continued with Jayce and Viktor). If we get all of these other examples of characters forgiving each other scary shit, why should Jinx's sins of all be narrative punishment, when for all the others the narrative doesn't just accidentally but fully deliberately and statedly not care?

So I read this ending more as Jinx freeing the sisters from their co-dependence, of freeing Vi of the responsibility guilt she's been feeling. Vi has been feeling guilty over Powder since years (probably even longer than the monkey bomb incident) and this is basically the big "no seriously, fuck off and bang your girlfriend". Even if it takes Jinx to fake her own death to make it happen.

Yes it can also be read as "Jinx accepts her fate as daddy killer number 1, by getting Vander killed a third time and that is her official, I kill so many family members, so I should die", but the scene just didn't feel emotional enough to me.

So I read it just, Jinx is killing Vander as big fat hero moment (again, hopefully sparing Vi some grief, who she witnesses sobbing) and then she runs off into the world. Like in the end, she was the stronger sister.

ETA: Ekko's line about leaping forward and leaving something behind could also be foreshadowing. Jinx is leaping forward, but she's leaving Vi/Ekko/Zaun behind.

A true off my chest bit about Jinx

It's a little critical of the show, but not hate posting. Just my feelings regarding the handling of Jinx.

I just feel like Jinx's death shows the writers hand in a bad way.

To me act 1 sucks because it felt the most rushed and like it needed to pad and set some things in motions, and most importantly they needed to delay Jinx's suicidality.

By all accounts Jinx should have broken after Silco's death. She should have buried him in the Pilt, walked home, set the place on fire and killed herself.

Instead she needs to be delayed, and she needs to have a reason to be in Stillwater with a lot of Zaunites, so that Singed can do his hiring bid demo with Warwick and score a new employer in Embessa.

It's convoluted, but basically Jinx needs two things :

temporary sanity

a reason to completely blow up later on

And they do both via Isha, the worst character in the whole show as far as I'm concerned.

She's introduced in a bad music video that does a weird job of introducing "sane Jinx". Then she seems to immediately be part of the team, and her attachment to Jinx, with zero set up, made it super out of left field.

It was blatant that she was being set up as a mini Powder to calm Jinx down, and when she blows herself up it's not gratifying if you know she's just a crank/lever being used to flip Jinx into dark and depressed mode.

IMO this could have been handled better (and I'd change a lot of the Zaun situation in Act 1 alongside), but then could have still led to Jinx being "saved" by Ekko.

Instead, I feel like the writers, maybe pressed for time, maybe unwilling to keep the "loose canon" as she was in the new state of the world, chose to kill her off.

Her death is Vi's fault, and I can't help but feel it's manufactured.

I feel like the writers broke Jinx an extra time just to tilt her over the edge and have that emotional scene with Ekko, but then couldn't see how to "excuse her".

Like what she's done is too fucked up, too dark (even if Cait served the city to Noxus on a silver platter, gased zaun, and faced no consequences lol) and she can't be made to move on from the horrors of it all.

It feels like they didn't have the time or will to break the cycle for Jinx. But it feels bad. It feels like it was an "attempt at redemption" death.

WW was an arcane creature by then and they all fucked off with Viktor and Jayce. They could have chosen to keep him innactive. They could have had Vi going with Ekko and relying on him.

The one person who can truly believe in the good in her, because he's literally experienced it in another version of herself. The one guy who could tell her again and again that it's not HER, it's the way the world made things, and that this can change.

I don't see why shy away from that, even implied, especially after Ekko managed to pull her from the brink.

It feels like Jinx is a "too far gone" rabid dog better put down than left loose in their setting.

And I don't really vibe with that. I thought true redemption would be her living. Leading. Her and Ekko could work to better Zaun while Sevika safeguards their interests in the Council.

And Vi could have still cried over WW's body.

[starcurtain]

Just caught up with Natlan's archon quest and lord help me, I have a burning need to see Alhaitham and Ororon interact.

I truly feel that they would vibe perfectly. Not in a ship way, but like, in the way of Kaveh quietly wailing: "For archons' sake, he's brought another tacky thing into the house. Traveler, please do something; they've been staring eye to eye over the coffee table for like an hour now but haven't said a single word. I don't know what to do. Send help."

[dykedvonte]

Honestly I see Jimmy's refusal to put Curly out of his misery less about his weird feelings of envy or his delusions but the fact Curly is all but stated to be a shield to Jimmy from his actions and people seeing the worst in him.

The only characters that Jimmy really interacts with one on one before the crash are Curly and Anya, two individuals he has wildly different relationships with. It's likely that Curly really did most of the talking between them as the pilots and the rest of the crew as staff. They didn't know of Jimmy's more reprehensible behaviors cause they never really had the chance to and Jimmy is subconsciously aware. If they had disliked him more than Anya would have told Swansea earlier or even Daisuke when things got really bad.

It's why he takes the immediate opportunity to blame Curly; He's the shield. He's saved Jimmy's ass more times than he can count and more times than Jimmy would ever admit. Even when he can't really do it anymore, he mentally shields himself from his own faults by putting Curly between them. Letting Curly die puts too much on him because he doesn't know how to function without a safety net.

In the end Curly only lives because Jimmy needs the idea that Curly will inevitably make things better to stay alive, meaning Curly has to live, no matter how much it pains him to do so.

[hauntingblue]

Franky saving nami and her calling him big brother..... the connotations of this... big day for me especifically

[desultory-novice]

In my head, I read that as Blanc punching post-revival Noir, who of course has no idea what his stupid older self has against him! XD

(Oh, don't you worry about it, Noir. It's just the fate of having to watch various versions of your teenage self make slight variations on similarly dumb mistakes over and over again.)

...And yes, the poor Fontaine family. I will try to be careful not to put them through -too- much more random grief in the future! (T-There's gotta be an AU where everything goes right right??)

Though this idea really was too tempting for my angst-powered hands not to draw. Seriously. Poor Rim... Falls in love with humanity, flawed as they are, enough to want to make two little humans of his own with the woman he loves; tearfully happens to outlive her tragic and utterly malicious murder only to have his more-precious-than-life-itself son tell him, "...I wish you'd died instead." ; - ;

(Not pictured, but I think Noir would realize almost -immediately- what an awful thing he'd said. Rim himself would not be mad but, ahh... without Neichel here to inform him that Noir is just showing grief in a reckless and -human- way and that he doesn't really want him dead, it pains Rim to think that it may indeed be true...)

PS: I said I wouldn't spin this off into it's own AU but I can't help but think Noir would be even more susceptible to Dark Matter corruption in a reality like this. Maybe even earlier than normal? He really became strong and stalwart because he had to carry on for Adeleine without their parents... But I'd like to think that Rim -might- notice in time to save his son, and the two could reconnect in the aftermath...?)

...That's a distinct "maybe" on the survival though.

...

P-PS: Over the course of the day, I naturally began to think, "But what about Neichel living while Rim dies?" and I think there's some interesting elements to explore in that as well! Particularly, it feels like the trope is that single-fathers-with-dead-wives tend to become cold and detached. I think that Rim would choose to overcompensate, being as tender as he could to the kids while Neichel would be the one to experience that growing emotional detachment, eventually turning full on misanthrope.

I mean, the beautiful fae alien who was kinder than anyone she'd ever met, who believed in humanity's goodness till the end, is killed by that same humanity...

It would probably make her just as defensively paranoid as her son grew up to be, and I expect she would be even more obsessive about protecting her ("his") children.

...A bit like Wolf Children but with a sawed-off shotgun? (Oops, Noir really does take after his mother? XD)

"I know it's hard to see from the inside, but... humanity is so beautiful Neichel..."

-

And yet... ...why does my heart hurt so...?

-

@sortanonymous made the mistake (/j) of mentioning, "What if only ONE of the shiver sibling's parents survived?" in my hearing so... XD

Only my second time drawing Papa Rim and I'm already putting him through the Dess Trauma Machine (tm) Nooooo! >w>

(Also, posting this immediately after a big ramble on Rim and Neichel just to induce even more suffering in my readers)

[wygolvillage]

i will not get in pointless arguments over my favorite video game guy online. i will not get in pointless arguments over my favorite video game guy online. i will not get in pointless arguments over my favorite video game guy online. i will n

[orcboxer]

Sure there's zombies killing and eating people on the street but those people are not dying from the virus they're dying from comorbidities. For instance, that guy we saw getting eaten on the way into work today clearly died from blood loss, not infection, plus he already had a heart condition. People with preexisting conditions are just going to have to take care of themselves. Say it with me, "They're all already dead to me." See, that feels a lot better now doesn't it?

Good because you still have to go to work. No we're not paying you extra. Yes we're doubling grocery prices. No you don't qualify for disability. Or healthcare. Or a home.

Look, if you get bitten, you can stay home for one day, I guess 😒, but then you need to come in early. We're really short staffed at the moment, despite our company's profits being higher than ever. In fact we may be laying some of you off next month. You don't mind working off the clock right?

Also you look silly with that protective gear. We're gonna harass you for it, not like institutionally but just socially. Who cares if a zombie attacks you? Who cares if we invite them into the building? You don't need to defend yourself, you're just overreacting. If you get bitten just tell everyone the festering bite mark is from a different animal, that's what we all do.

And hey, don't worry so much. It's endemic, which means we don't have to keep track of how many people are dying from it anymore. Just look at those numbers! It's only killed 2,000 people in America this week! That's basically nobody! We're back to normal!

If everything starts tasting like rotting meat for the rest of your life, it's probably something else. If you experience brain fog or you forget things constantly or you're tired all the time after even minor physical activity, it's just because you're lazy. Yes every other virus you ever get will also be increasingly worse but that's just a coincidence. Those viruses just happen to be exponentially worse now.

Plus, those few weeks during the lockdown were terrible for my mental health. I just can't keep living like that, so we have to go back to normal life, which now involves people biting each other and twitching uncontrollably and rotting visibly.

You can't expect the world to wait for you. "Already dead to me," remember?

[nunyabznsbabes]

Katniss is like Lucy Gray this, Katniss is like Sejanus that, and yes fine that's all good and true and lovely but Katniss Everdeen is also a direct parallel to Coriolanus Snow and people NEED to start talking about this because it's driving me crazy.

Think about it: they both grew up poor and deeply vulnerable, losing parents at a very young age, with a matriarchal adult (Katniss' mother and Coriolanus' Grandma'am) who fails to provide for them emotionally and physically. They intimately understand the threat of starvation, even developing with stunted growth because of it, and their narrations in the books share a fixation on food. Throughout their childhoods, both experienced constant fear and suffered a fundamental lack of control over their circumstances. Because of this, they're inherently suspicious of the people around them. They resent feeling indebted to others, especially those who have saved their lives. They're motivated almost entirely by family and deeply connected to their communities. Both are used and manipulated by the Capitol, both are forced to perform to survive and despise every inch of it, both are thrown into the Arena and made to kill. Both have a self-sacrificial, genuinely sweet sister figure acting as their conscience. Peeta and Lucy Gray - performers and love interests with a fundamental kindness and sense of hope about them - fulfill markedly similar roles in their narrative. Both contribute to the development of the future Hunger Games, Snow throughout tbosas and Katniss towards the end of Mockingjay.

It's easy to ignore these similarities because, as mirrors of each other, they are exact opposites. Katniss is from District 12, viewed and treated as less than human; Snow is the cream of the Capitol crop, given the privilege of a name with social weight, an ancestral home, and the opportunity of the Academy despite having no more money than a miner from 12. Katniss has no agency over her life, and responds by being kind whenever she's able, while Snow justifies horrendous evils in order to continue his quest for complete control. Katniss does everything she can to protect her family; Snow does everything he can to protect his family's image as an extension of his own ego. Katniss loves her District and connects with its inhabitants on a meaningful level, but Snow is indifferent at best to his peers - the apparent "superior people" - and only engages with his community for personal gain. Katniss emerges from the Arena horrified at herself and the system, but Snow takes his trauma and turns it into an excuse to perpetuate the violence with himself at the top. Katniss cares for Prim until her death and then snaps at the loss of her little sister, while Snow survives on Tigris' blood, sweat, and tears and then torments and abandons her, presumably because she calls him out on his insanity. Snow actively adds to and popularizes the Hunger Games because of his vendetta against the Districts following his childhood wartime trauma - Katniss briefly agrees to a new Hunger Games in the pursuit of vengeance, but later stops them from happening by killing Coin and choosing a life of peace and privacy. Snow is obsessed with revenge, but Katniss empathizes with the Capitolites and does what she can to keep them from suffering. He exists in a cruel system and selfishly upholds it; she exists in a cruel system and works to dismantle it for the good of her family and community, at great personal cost. And Peeta and Lucy Gray are incredibly similar, but Katniss and Peeta forge a relationship of genuine love and understanding that shines in comparison to Coriolanus' obsessive projection onto Lucy Gray.

So, yeah, Katniss is Lucy Gray haunting Coriolanus. But I bet you anything that eighty-something year old President Snow looks at her, the girl on fire, bright and young and brilliant, emerging from a childhood of starvation with a relentless hunger for success, a talented and charming performer helping her win the Games, and he sees the ghost of his own past. And that's why he's so afraid of her! Because if he sees himself in her, then he's up against his own cunning, his own talent for manipulation, his own charisma, his own genius. He's up against the version of himself that he once wished to be, with the nightmare army of his childhood at her back and her star-crossed lover at her side, spewing Sejanus' truths in his own voice. This isn't to say that Katniss ever achieved the level of power and agency that Coriolanus did during her time with the rebellion, but it is to say that Snow was taken down by what truly terrified him - his own morality, come to finish the job.

[theroundbartable]

Arthur is used to the comments about him taking a servant along wherever he goes, he really is, but usually people talk about how he's needlessly risking Merlin's life. About how dependened he is, how smitten. And really, he's used to it, patially because it's true.

This is different. These new knights are taunting Merlin.

Knight A: Wow, the King must care very little for you

Merlin: *raises brow*

Knight A: Risking your life like that just for a little comfort. Do you even know how to wield a sword?

Merlin: I manage just fine, thanks

Knight B: Now, why so moody? We're just concerned for your wellbeing.

Merlin: ... I have work to do

Knight A: Are you afraid you may not have enough underwear with you, in case we run into bandits?

Needless to say, Arthur is fuming. But he decides not to interfere. Merlin can take care of himself. In fact, during the next patrol, they'll see. They'll fucking see.

I takes more than one hunting trip and loads of patience, but eventually it pays off.

Merlin: *raises hand*

Arthur, alarmed, does the same. The knights halt.

Arthur: Merlin?

Merlin: There is something in the forest

Knight A: aw, is our dear little servant scared?

Arthur: *about to snap, despite the fact that he usually says the same things-*

Suddenly, an arrow flies past Knight A's face and is stuck in the bark behind him.

Knight A, young, inexperienced, swallows hard.

Merlin: *louder* Bandits!!!

A fight errupts in which Merlin grabs a sword, but not to the confusion of the Knights, but as their sign to defend themselves. They seem awfully lost and unsure what to do. Hesitant, as they have the chance to kill a bandit, Merlin steps in and does it for them. Arthur will never forget the look in their eyes.

Much later

Knight A:...

Knight B: I feel sick

Merlin: *quietly hands them some stew*

Arthur: The first kill is always the hardest. Give it some time and you'll be ready to face sorcerers with us.

Merlin: *twitches*

Arthur: Merlin, stop being such a worryward. You've faced dragons with me, you can handle little sorcerers.

Merlin: Sometimes I wonder if you're doing this on purpose.

Arthur: if you don't like it, you can always stay home in Camelot

Knight A & B: *surprised*

Merlin: and who, pray tell, is supposed to protect your royal arse? If you stayed home, I wouldn't be in half these situations!!!

Arthur: *rolling his eyes fondly* Will I ever be rid of you?

Merlin: no, don't think so. Stew? *Hands Arthur the plate*

Arthur: yes, thanks.

Merlin: prat

Later

Knight A: did... Did Arthur teach you how to fight with a sword?

Merlin: he tried, but I'm stoically allergic to improvement

Knight B: but... You killed that bandit

Merlin: ... He would have killed you. Bandits don't exactly hesitate the way you did

Knight A: we're... Sorry

Merlin: no, it's fine. That you hesitated means that you have some morals. Also, because of your irritating insults, Arthur listened to me for once

Knight A: what?

Merlin: yeah, he wanted to prove something to you. I don't exactly know what tho.

Knight A: you mean... When you made us halt... You always do that?

Merlin: and I'm usually right

Knight A: ... Is the King a fool?

Ah yes, Arthur thinks. That's more like it.