#but yeah... thinking of making this a comic? OR an illustrated fic...

[essenceofarda]

question:

i'm hankering to start (!!!) a Post-War-of-the-Ring fancomic that can basically be summed up as: Faramir and Eowyn are newlyweds and Eowyn has gotten to know her new husband's favorite cousin and is convinced said cousin (Lothiriel) would make the perfect bride for her brother (Eomer). Matchmaking shenanigans ensue haha 😆😏

Is that something y'all would read??

Note: i am Not a historian and while I might try to do my research re: anglo saxon stuff or making things look legitimately anglo saxon/viking-ish and/or convincingly Gondorian I'm not,,, the best at at this kind of thing so this comic probably wouldn't be for die-hardened canon/history-stickler readers... but more for farawyn and eothiriel shippers who just want a fun read 😳😬

But anyway... I'm also kinda slow with making fancomics but now that I've kinda given up trying to make art as a career i do have a bit more time to devote to fandom stuff,,

so... yeah. Let me know if that's something that might have potential readers bc i'm kinda digging the idea of turning this "fic" idea into a fancomic 😅

[reds-skull]

CW FLASHING IN THE VIDEO (3rd from the bottom)

This is it. 3 months in the works, the comic (and video) are finally done.

A little over a year ago, I uploaded the first work in Revenant AU, Ghost's origin comic. I never thought I'd write a whole series for this, but I'm so glad I did. I got a whole new hobby out of it, haha.

I already began working on part 2, but this for me marks the start of it. I'm really excited to get back into this world!

Under the cut there are some comments on the comic I thought some people might be interested in (don't wanna make this post longer than it already is lol). I will upload the frames from the video separately, with comments on it there.

Bottom line is, thank you for letting me just go wild with this :)

Okay, I'm mostly gonna talk about the part where Fate shows Makarov the 141+Farah. Makarov doesn't see the Fate of people as literal images, he often has to interpret odd symbolism in the flashes he gets from the Weave of Fate.

I decided to go for a style I saw in a collection of calling cards in MW3, mainly from this one:

You can really see it in the faces and pitch-black cel shading.

I'll be going in order of appearance, starting with Farah.

Obviously, each of the "flashes" shows the Reaping of each person, Farah being crushed under rubble. Behind her is a helo of green gas, which symbolizes the Russian experimental gas. The motifs around her are more interesting imo - they're taken from the Urzik flag (and yeah apparently it's "Urzik" and not "Urzikstani"... according to the wiki at least). Wings, plants (feels to me like a pomegranate and some sort of crop, but I couldn't find what it is specifically), and a moon, upside down.

I'm skipping ahead a bit, but I've had the idea to make a drawing of Gaz in the Hanged Man pose since I started the AU basically. I tried sketching it once, and it went bad so I gave up lol. But I decided to come back to that here, and add some sort of tarot connection to all of them. I know practically nothing about tarot, googled the meanings of each, they fit well enough, I called it a day lol.

So Farah is the Moon, upside down.

Price is next, showing him taking control of the brain of someone. I didn't use the flag of the UK for the 141 (it'd be kinda boring...), instead I took the Taskforce 141 logo, and broke it down to different elements.

I took the laurels for Price, both framing his illustration and sitting above his head like a crown. I decided he will be the Emperor.

Next up is Gaz, the Hanged Man of course. Gaz gets both the wings and the stars (I changed mine to 4-pointed because... I like them better). Pretty clear why, both symbols relate to the sky. The illustrations kinda follow a rough day cycle, if that makes sense. Farah being night, with the moon. Price with his golden and purple color palette, twilight. Gaz being sunrise, and Ghost and Soap, day. This is why Gaz has a sun behind him.

Ghost was fun because he's the only inhuman one out of the group. I'll let you think what that implies, that even in Fate's Weave, Ghost is an outlier... Ghost gets the skull, and the card "Death". That one was easy, but what I did add is blood flowing down the skulls, like tear tracks...

Soap, the problem child, gave me the most issues as always. For once, it wasn't his fucking face, it was the flames behind him, and overall contrast and readability issues. Soap's illustration is probably packed with the most "hidden" details, though they're obvious if you've read the fic and Konchar's side story. The headless man behind Soap is Konchar himself, holding 4 chains with dog tags on them. The 4 soldiers from Soap's squad, who he killed before Soap was Reaped. Soap's pose is from the moment he came to his senses, after getting shot in the head and destroying a large part of Verdansk. He has 4 swords, pointing at him and downwards, so his card is 4 of Swords, upside down.

Between Soap and Ghost is a circle and a triangle. I'll explain that in the post concerning the video, since that's where I got that from.

If you read all of this, thank you so much! There will be another post for you to read in a moment lol

[about-faces]

Last night, I was once again struggling to actually write smut for a Harvey/Bruce/Gilda fic, when I noticed a very timely new guest comment on my Gilda fic, Bust. It was the first truly critical response I’ve gotten so far, and while that sort of thing would normally send me into a depressive tizzy, I actually found it really interesting!

So instead of actually writing the ship, as I should have been, I wanted to take this opportunity to think about just why the heck I shipped them in the first place.

Here’s how I responded, with added scans to hopefully better illustrate my point, plus some additions that occurred to me upon drafting this post:

I’m actually glad you raised this point, because I would have felt the exact same as you just a few years ago!

I’m gray-asexual, and I used to be a bit bothered by the rise of Bruce/Harvey shippers, because it was their canonical platonic FRIENDSHIP that mattered so much to me. I gradually warmed up to the shippers, because 1.) I realized I was ace and they probably weren’t, and 2.) they at least understood the importance of Bruce and Harvey’s bond, which is more than I can say for LOTS of official DC media.

Still, something bugged me about the ship, and I realized what it was: the lack of Gilda from the equation. She’s always been deeply important to me, especially her scant older appearances, and erasing her for a Bruce/Harvey ship (even one I’d come to appreciate) didn’t sit right with me.

But like you said, it’s not canon, and I’ve always been deeply invested in canon, even the stuff that’s frustrating and contradictory. So yeah, the throuple would have bugged me too.

Except! It all depends on WHICH canon you’re talking about!

So over the past 15 years, I’ve been obsessed with tracking down the entirety of the obscure, forgotten Batman newspaper comic strip from 1989-1991. I’ve posted the entire thing at @batman-daily, and I strongly encourage you to check it out. A couple years ago, I reread it and noticed something really interesting: the remarkable relationship between Bruce, Harvey, and the latter’s wife, Alice, who is Gilda in every way but name. They are all mutual friends, with Alice even going to visit Bruce alone to help/bully him to take care of himself.

It all reads like a perfect long-game setup for a love triangle, or for Harvey—having become Two-Face—to go after his loved ones in a jealous rage, like he did in Paul Dini’s “Two-Timer,” a story which notably showed that Grace had feelings for Bruce.

With that in mind, consider the final story arc of the newspaper strip, wherein Bruce acknowledges his OWN feelings for Alice and PASSIONATELY KISSES HER, all in a hilariously roundabout way to save her marriage to Harvey! It makes sense in context and is frankly hilarious.

And it works! Because Harvey isn’t jealous! The love triangle conflict you expect NEVER HAPPENS! Because they all love one another! And that love saves Harvey in the very end!

Was it explicitly a throuple? No, but nor have Bruce and Harvey ever canonically touched dicks. And yet the love between Bruce and Harvey in canon is true and real enough that shippers who want to make it sexual are perfectly allowed to do so, because it’s the love that matters. At least, for those of us who aren’t afraid to acknowledge the love between men, platonic or otherwise. And that love is rooted in canon.

So consider this: the mutual three-way-love between Bruce, Harvey, and Alice/Gilda is ALSO canon. That comic strip has been officially accepted as DC multiverse canon in the “Crisis on Infinite Earths: Absolute Edition,” which designated it as Earth-1289.

Furthermore, there’s something else you need to consider: the fact that Harvey HAS been used in love triangles against Bruce in several stories in recent decades. I already mentioned “Two-Timer,” but there’s also Nolan’s “The Dark Knight,” the animated “Gotham By Gaslight” film, and the Telltale game. In various ways, these stories serve to throw a wedge in the friendship between Bruce (the protagonist, whose story serves him) and Harvey (the guy who is going to lose it all, the woman included). I hate that shit. I hate the contrived drama that’s meant to stir up needless added conflict between two men who love each other.

And then, on the other hand, you have Mariko Tamaki’s Gilda story from “Batman: Black and White.” Tamaki depicted Harvey and Gilda being in a distant, loveless marriage, where even on their wedding day, he was constantly ignoring her in favor of work. The only person who could actually get his attention was Bruce.

At the time, this felt an awful lot like that problem I was talking about with the Bruce/Harvey shippers: raising up the gay ship while throwing the woman under the bus. In this case, for the purpose of doing an avenging girlboss take on Gilda. I hated that too, especially when Tamaki didn’t even follow through with the gay subtext in her next, miserable Two-Face comic.

You know that meme of a bride, groom, and best man all kissing one another, while the bride flips off the cameraman in the end? @whipbogard redrew the Tamaki wedding scene as that meme, right around the time I reread the comic strip. And suddenly, everything clicked into place for me.

After a lifetime of never, ever having any serious fandom ships, I fell in love with the idea of Bruce/Harvey/Gilda. Take what the comic strip did and bring it into the mainstream canon I love to spite the canon I hate.

In those great old Gilda stories, she saw through Harvey’s bullshit and knew how to reach him, however temporarily. She could do the same with Bruce. She’d be a valuable third voice for the ongoing toxic relationship between Bruce and Harvey, the one who could love them both while also getting to be frustrated with how fucking stupid and fucked-up both these men are.

Before she was reduced to a ride-or-die killer housewife in "The Long Halloween" (which, I'll grant you, has its own appeal), classic Gilda would actually stand up to Harvey and tell him to cut out his shit or else. I love the idea that she can also see right through Bruce, understanding how very alike he and Harvey are, even if they don't want to admit it.

Writing Gilda this way speaks to me as a longtime fan of both men, while also wanting to try to develop her place, as a woman stuck in the middle of their decades' worth of conflict and angst. She sees these men at their best, worst, and most pathetic/ridiculous, and while she's got the nerve to stand up for herself and call them out as needed, she still loves them nonetheless. For me, Gilda has become the voice for fans just like me, who are helpless to stop Batman and Two-Face from continuing the cycle of violent, toxic friendship, but still loving them nonetheless, and always hoping for the best.

So, at this point, let’s say I’ve at least managed to make you grudgingly accept my reasoning for the relationship. Even if that’s true, I’m gonna guess that the mention of a threesome felt like it came out of left field. I can’t argue with that. I wanted to actually write that as its own smutfic but, being ace, I struggle with that. But I really liked the idea, and as I was writing this, it just really wanted to be mentioned, so I included it.

The response has been positive (until now), which indicated to me that I had been successful in introducing Gilda as a viable third into a slice of fandom which had only shipped Bruce and Harvey. This is fanfic, after all, such things are expected, even encouraged, so I leaned into it.

Now, if I were ever (un?)fortunate enough to write for DC, officially? I doubt I’d have the nerve to go that far. But I’d still want to at least embrace the polycule-coded relationship between those three that we saw in the newspaper comic strip. I think it adds a whole new, refreshing spin on their ongoing dynamics, while being rooted in relationships that were established all the way back in 1942 by Bill Finger.

Finger’s story, at its heart, was all about how love can save a life. How love is the only way to defeat the villain. For Harvey Kent’s part, Gilda’s love was every bit as important as Batman’s unwillingness to give up on his friend. So I’m just taking it one step further within the freedom allowed me by fanfic.

Sorry for the length of the reply, but as you can see, I only came to this shit after several decades of thinking about 80+ years of official material. I hope I have at least been able to lessen your feelings of being jarred out of a story you otherwise seemed to appreciate. For my part, I hope to further develop the potential of this fucked-up polycule in future stories, and maybe—just maybe—I’ll be able to get you on board too. Hope to see you then!

(art by ofossart)

[cartoon-brainrot]

Could you please describe the Dad Donald AU? I’m interested in this.

WHEN I TELL YOU I JUMPED OFF MY SEAT,,

No one usually asks about my AUs so this was a surprise!

Now, at first I was a bit confused because,, “Dad Donald AU” is very generic, so my first reaction was “WHICH ONE” because I have around,, 10? AUs? I think? So yeah!

But then I thought that maybe you meant the “Dad Donald AU” Series from AO3 because my fic is in that series! So to explain really quickly, that series will just be a sort of collection of all the fics where Donald is a dad, to either the triplets or Lena or both! Or even April, May and June! My usual theory about Donald being Lena’s dad is either her being adopted by him or her being his actual, biological child!

I have a couple of AUs (by a couple I mean dozen) and I will make art and/or fics about all of them, so do not worry about that!

Now, the main theme is Magica using Donald’s DNA to create Lena, because let’s be real here, no way she could create Lena from her shadow for one simple reason!

Here is an illustrated guide :)

And also Lena is more similar to Donald than the triplets are, so I like to headcanon that Donald is her biological father most of the time!

BACK ON TRACK-

The Dad Donald AUs are many, and I would love to talk about them, but since that would take forever, I’ll just make you guys a list and you can ask me about the ones you find more interesting! I think I’ll start writing snippets of them as well!

The biological Dad ones are around,, 6? Or so? Then there’s just the ones where he takes care of Lena or straight up adopts her, and of course, takes care of the triplets! In special cases, also the girls and/or Gosalyn!

- The Ducks (fluffy AU where Donald lives at Quackmore institute, currently making fanart for it)

- Stuck on the Moon (Donald gets stuck instead of Della, except Lena is with him, so he raises her on the moon)

- In the Depths (Where Donald gets stuck into the ocean by saving Della from the Spear, and Lena is semi-raised by Gladstone while she tries to find her dad)

- Undercover PK (Donald raises Lena but has to disappear because of FOWL, Lena spends her time with Gladstone at McDuck manor- the others don’t know about Lena and Donald, it’s a long story)

- Singer AU (Of course, I had to do it. He’s a singer named Misfortune and adopts Lena, who, obviously, becomes his Number one fan)

- Magic AU! (Where the triplets have magic and Donald teaches them how to use their powers, Lena tags along from the very start because she’s also interested in magic)

- Adoption AU (Where Donald sees homeless Lena and after the third or fourth time meeting her, decides to adopt her. She becomes the triplets’ older sister!)

- His girls (Daughters au! Donald is Lena’s biological father, but he’s also adopted April, May and June! And a baby Shamrock he just rescued from FOWL!)

- Golden Luck (Where Louie inherits Gladstone’s luck, but he doesn’t let that stop him- Donald is their parent, so Louie uses his luck to help him out)

- College buddies (Drake and Donald are college buddies and when Drake decides to adopt a girl, Donald helps him out, since he already raised April May and June and has adopted Lena already!)

I think that’s most of them? Let me know which ones you find more interesting and I’ll do a in depth description! Maybe even add some concept art or snippets/comics! :D

(Shamrock’s a girl cus personal headcanons, tell me if you’re also interested in that and I’ll explain why!)

[thedragonagebigbang]

Bang Creator Interview: Tumblr: @blarrghe  |  [AO3: blarghe

The Collaboration period has begun! In these quiet months before works are due, we want to foster a sense of excitement, camaraderie, and celebration among our participants. To that end, all participants were given the option of a formal interview by our mod, Dema, or an informal “ask-game” survey. We hope you enjoy getting to know our phenomenal creators as much as we have!

Tortured Man More Tortured by Having To Endure the Best Week of His Life

Blarghe and Dema talk art imitating life writing, romantic foils, and the Platonic Ideal Dorianmance 

Dema: I'd love to begin in OC land with you. As someone who is both an artist and a writer, do you find that making art of your OCs informs your process? Or are those pretty separate for you?

Blarghe: Hmm. That's a good question.

Dema: Why, thank you!

Blarghe: My feeling has always been that I'm a better writer than I am an artist, so maybe the writing informs the art, more. I am always getting very visual ideas, like maybe some comic-panel type storyboards in the brain, and I can't really illustrate that to the degree that I want, so it can be like it is in my head. But I can more easily make words do that.

I'd very much like to do some illustrations for my own stuff, and I love drawing my OC and some things have helped in the other way, like designing his vallaslin on paper did give me something better to describe from in writing. I'd really love to reach the point of being able to do a few comics. There are a few scenes I really see that way. I try to be quite visual in my writing in the meantime I guess, haha.

Dema: That makes sense! I have the same dream. Comics are very intimidating. So it sounds like you write your OCs before you draw them?

Blarghe: Yeah, generally. I think since we're going from a video game and I already have seen the characters that way, there's that. Though I have OCs I have not made in the character creator. I haven't invented a ton of non-canon side characters but there are a few. I think I can picture them pretty well. I wind up drawing them after falling in love with them through writing them, rather than like, designing a character visually/on paper/in the cc before putting them in a story. Honestly, I put down DA:I for a looong time while still writing da:i-inspired fic with my OC and other canon characters. So I guess I don't have to look at him that often.

Dema: I have asked several of our writers if they make all their OCs in the CC, and if that's step 1. I'm curious, too, at what point you knew you were going to make fan content of your OC and participate in fandom. Did you finish the game first? Did you come in with a foot already in the fandom?

Blarghe: Ok long answer: I was into the games first. I started playing in maybe 2015, shortly after Inquisition came out. My partner already liked the games and was excited to play it, so I wound up watching some of that and being intrigued. But I started with Origins, loved it, and wound up loving and playing all three, all of them with more than one OC, to varying degrees of completion. When it comes to writing fic, I had ideas, like, little comics and some additional fill-in-the-gaps scenes written into notebooks and stuff for all three games. Mostly expanding on the personal relationships and romances, as you do. I'd done that kind of thing for other media I liked, but never really been in "fandom" about it for anything. I've always done creative writing and original fiction as a hobby and it was just a way of getting back into that on a personal level. I wrote the most after finishing DA:I for the second time... I kind of did a playthrough I wasn't super happy with, then made a new character specifically for a romance (Dorian's) then... wasn't super happy with that character either, THEN made Taren who is my current OC obsession, and wrote like 30K words of canon-divergence fic with a whole other OC companion inserted and just had fun with it. I forgot about that until 2020, when I found it in my docs and re-read it and decided it was actually pretty good and that I could maybe try to post online, find community, etc. I've since completely scrapped and deleted that fic from AO3, but getting out there got me into doing writing prompts and writing other stories, and now here I am. (I still haven't actually finished my Taren playthrough. I will before Veilguard lol) I was definitely motivated by COVID, thought I might go insane without community, so I picked a couple things I was already into (writing and dragon age) and went looking.

Dema: I'm guessing most of the art and writing you've done for DA has been DA:I?

Blarghe: Most, yeah. If only because my long fic is a DA:I inspired modern-au. Honestly it's fairly divorced from canon lol. Most of my canon writing is for DA:O actually. And I'm obsessed with Taren, I've drawn him more than anyone ever. He is very pretty, you see.

Dema: He is very, very pretty. Is DA:O your favorite game in the franchise? Everyone hates this question but I GOTTA KNOW hahaha!

Blarghe: Yeah it is! I love them all for different aspects, but it's got that first-game start of the obsession nostalgia. I also love a finicky, strategy-heavy RPG so to me the usual combat complaints aren't really a thing. I like the pause-every-two-seconds combat hahaha. I do really love running around through the scenery in Inquisition though, and I like the characters, and the fun flashy rogue stabbing too. But I have a soft spot for Origins for really gripping you into that story and world. It's a great balance of silly and funny and dark and difficult choices.

Dema: I haven't asked anyone else this yet, but are you finding the Veilguard announcements and previews are refreshing the inspiration? Or are you avoiding all spoilers and pretending it does not exist until the release? Or some secret, third thing…

Blarghe: Somewhere in between. I've been here the whole time lol, I don't know that it hyped me up any more, but it's nice to finally have news. And I'm excited that it will mean new people in the fandom and a resurgence that way. I am not totally avoiding spoilers but still kinda keeping my distance for my own sanity. I'll definitely lock down the spoiler tags once it's actually out.

Dema: So valid. I am feeling very inspired, myself, but I think it may be more the energy of the fandom around me reaching such a fever pitch. We're like a flock of ducks getting a whole loaf of bread after years of crumbs. 

Blarghe: So true haha. I am really excited about how it looks. Can't wait to play it!

Dema: Same! Returning to Taren a bit because, well, he's pretty: you said you went through a few iterations of OCs for a Dorian romance before him, and then were hooked. What is it about Taren that makes him a favorite? Was there a particular inspiration for him?

Blarghe: Oh boy. Not a specific inspiration. I played DA:I three times, counting the Taren one that I'm not technically finished, and the first I completely missed any romance (thought I could get Harding until it was too late) but I loved Dorian's character and his personal arc hit so hard that I immediately made a new character just for him. He was like a sassy Trevelyan who didn't really wanna be there, trying to pull kind of a rogueish charming sarcastic irresponsible pretty boy to hang with Dorian but I really didn't like how that clicked. I know it's a pretty common character archetype esp in a Dorian romance to do sassy x sassy so no hate but I found the Inquisition storyline and dialogue options just wouldn't let me be that irresponsible and funny, which makes sense. I really liked the themes of how the game pushes you into this impossible role where the only thing you can do is become a big responsible hero figure. I'm sure there's a compelling story there for the kind of character I'm talking about, but since mine fell so flat to me I decided to lean the complete opposite way. And Dorian inspired it too. The more I played and considered it the more I felt like I wanted him to have kind of a counterweight romance, you know. Opposites attract kind of thing. So Taren started as this very responsible, serious character who has always been prepared for leadership, being a First, and takes all that really seriously. He's also very Dalish and has reason to distrust and argue with him, which is great for Drama, but very very sweet and genuine and wholesome, which is so fun to contrast with all Dorian's trust issues. Dorian's quite emotional and idealistic, really, so they match in that way and it's very romantic. Taren's also a bit aspirational. Part of why I like Dorian so much is that I relate to him a lot, and I was struggling with trying to become less arrogant and more genuine, so Taren embodies a lot of that for me. Part of what makes him my favourite is probably the blank-slate of it all, too. Not having the Origin and getting to make stuff up. The whole romance plot is really compelling. I stuck him in some AUs and got carried away by worldbuilding, too. And after so much time spent with him he's just the fave now. But yeah, he's not my usual archetype. I think I've made a lot more sarcastic rogues than genuine sweethearts. He has like, anxiety and trust issues and I keep throwing him in situations to give him Trauma, but that sort of, happy, sweet, genuine, and healer-class character was all new ground to me and I wound up just loving the different-ness and challenge of it.

Dema: I did want to tell you that your "This is a story about trauma and relationships and socioeconomics and questioning belief and searching for balance. It's also about finding your soulmate on grindr" summary absolutely sent me.

Blarghe: Thank you, I'm very proud of that.

Dema: Speaking of which, can you come up with a clickbait title for your bang fic?

Blarghe: Something like Tortured Man More Tortured by Having To Endure the Best Week of His Life [[REDACTED]] you can cut that last part because it does make it obvious.

Dema: A+. Thank you for the lovely interview, it's been a treat chatting!

Blarghe: Thanks! It was very fun.

[lightandfellowship]

Are there any worlds or Disney stories that you would have liked to see in Dark Road? Or any headcanons for worlds Xehanort went to (after the main story)?

I think Castle of Dreams would have been a really great world for a Vor and Vidar side-story.

Why Castle of Dreams? For one, all the Disney worlds in KHDR are reused from KHUX. Realistically, that's the only pool you can draw from when thinking about Disney worlds that "could have been", because otherwise the artists on the game would've had to make completely new assets and, well, KHDR is pretty much KHUX Reused Assets: The Video Game. All the KHUX Disney worlds not featured in KHDR would work fine in the game apart from Wreck-it-Ralph since it's a special world.

Actually, I just realized Castle of Dreams is the only non-WiR Disney world from KHUX that didn't make it into KHDR. So I guess Castle of Dreams is the only reasonable choice, lol.

Two, I feel like Castle of Dreams would work well thematically with Vor and Vidar in a variety of ways. Though I don't know if I'll ever finish that fic with them I wanted to make (probably not), perhaps I'll try to create short comics of some small moments I had in mind for them instead. I can better talk about and illustrate my ideas for this world then.

As for Xehanort post-KHDR, I'd probably be more willing to draw from non-KHUX worlds since KHDR doesn't really cover that time period much, anyway. I can just imagine this theoretical KHDR sequel in my mind that doesn't rely so heavily on reused assets. Xehanort's conversation with the MoM suggests that he must've seen some pretty messed up stuff involving darkness on his "world tour", so I'd probably go for Disney properties that are like...a bit darker or more tragic than Disney's usual fare? Stuff that you'd look at and go, "Yeah, makes sense why Xehanort ended up like this."

The question then becomes, what properties? Maybe stuff like:

Bambi: Xehanort's relationship (or lack thereof) to his mother could make witnessing Bambi's mother die to hunters be pretty upsetting. Much like Xehanort, Bambi was also the descendant of a noble bloodline and was expected to do great things when he was older.

The Fox and the Hound: Involves two unlikely friends becoming each other's enemies because of who they are and what they're expected to be, so that could remind him of his relationship with Eraqus, and make him question what the future has in store for them (and Xehanort does call Eraqus a "sly fox" on multiple ocassions).

Hunchback of Notre Dame: We've only ever seen it as a Sleeping World, so we have no idea when exactly the movie's plot occurs during the course of the Kingdom Hearts series. There are plenty of comparisons to draw between Xehanort and Quasi: tragically separated from their mother, raised by someone else, forced to live in isolation away from people and the greater world, has "imaginary" friends, desires freedom, is made to feel like an outcast, etc. Quasi could make Xehanort reflect on his childhood in Destiny Islands and Scala, but in a far more negative light that ends up tainting his perception of it.

Thanks for the interesting question, Starlight!

[jichanxo]

sooooo... *twirls her hair* how many asks should i send until kuwagami art. jk as well. the real question will be: does it happen often that someone else’s art inspires you? in fandom spaces specifically

well you see it’s like a loyalty card program, every 10 asks or so you get a complimentary kuwagami

just kidding you can just breathe in my direction and I’ll be tempted to draw them. kuwagami blast! (you've caught me on a... just okay art day lol)

(people still like kabedons, right?)

anyway for my actual answer: in terms of direct inspiration, it doesn't really happen much? the last two times i did art directly based on someone else's work is probably this one from this fic, and also that time i drew art of someone else's judgment au. oh! and there's that moriohpsycho art based on this comic! (filthyguts' work is so very. hgngngghh. very good.) nothing else really comes to mind, and when i think of the other things i've been into recently there hasn't been as much opportunity for that to happen...

flex and herds = strong fixation but lmao. almost nobody else made stuff about them. nobody is surprised umineko = surprisingly i don't read much umineko fanfiction? and in terms of illustration, i certainly picked up imagery and indirect inspiration but nothing concrete enough for me to give an example... now that i think about it, i did once draw andromalius from redaction/sunny, but that was years ago, and also mostly because i was acquainted with the writer. ...i don't have that artwork on hand right now death note = didn't really get involved with the fandom + i enjoyed my own ideas well enough! ...i can't recall if i drew long-hair-L art before or after seeing other artists do it. and as for everything else the same kind of reasoning applies. didn't really get involved with the fandom or wasn't really compelled to make art in response to stuff i saw, or i just don't remember anymore.

buuuuuuut if we're opening this up to just... pulling ideas from other people? then yeah, all the time, though that kind of goes without saying when you have a creative hobby. ...it's probably going to be hard to come up with examples of this since it's more ambiguous.

there's uhhhhhh... kuwana listens to nickelback which was a @/four-white-trees invention, wasn't it? (EDIT: and @/overdevelopedglasses!) (not tagging in this post so he doesn't feel obligated to read my big ass ask responses 💀) as of writing this, it's not posted but i did end up making kuwagami art based on a nickelback song so. yknow. there's that LMAO

for sawashiro and arakawa, i do sometimes go reference @/todayisafridaynight 's art to help me with my own. ("how did he draw this part of the suit? oh, like that huh? hmm" <- this kind of thing)

and um. i'm not trying to pander to you (at least not this time), but genuinely it's one of the few examples that come to mind at this moment. but when i was writing my first kuwagami fic, i could feel the influence of the ever-changing on my brain... was turning over some of your ideas there...

you remember this? (you even pointed it out in your comment on my fic, and i should've said something then, but whatever i'm saying it now)

that was absolutely because of this

(obligatory poke at anybody else reading this post that you can read passthroughtime's fic here.)

so, um. yeah. not really sure what else to add to that. pretty self evident i think. (i'm always talking about the ever-changing but i don't think i can overstate the impression it left on me at the time)

anyhow there aren't really any other examples off the top of my head! these are all recent examples so they're not so difficult to recall, but there are probably others i've forgotten...

[tangledinink]

Hello. I just wanted to say, even if you don’t get enough likes or reposts on any of your comics, you should still be posting them for those people who enjoy them and DO want to read them whenever they can.

Hey bro, I understand what you're saying, and I think maybe your point is supposed to be, like, that I shouldn't worry about notes and stuff? But this is one of quite a few anons/messages of this ilk I've received lately, so here's the thing.

I've literally posted about seventeen different comics on tumblr for you guys over the past three weeks. In addition to multiple illustrated pieces, three fic updates, and two oneshots (that's over 36k words my guy!) in that same timeframe. Quite frankly, that's a lot of content.

I'm really, really glad you guys are enjoying the things I'm making! But please let me publish things at my own pace. When I say that I usually wait for the previous part of a comic to hit a certain number of notes before I publish the next, I mean, like I previously stated, that I'm using it as a way to time things/space things out and give each part a chance to breathe and do the rounds before adding more-- not that me continuing the project is dependant on the amount of attention I receive. But even if it was... it's my right to operate that way if I want to!

And. Like. Yeah, okay, I guess I'll go ahead and delete that other ask about the SepAU thing? 'Cause it's really just resulted in me being informed by people, anonymous or otherwise, that I'm totally screwed, they'll be voting against me, etc etc. and I'm? Not having that fun of a time?,,, Actually?,,, I'm already aware that I will likely lose and that's okay, it's just a game. I'm not going to stop making content because of it, so please don't worry about that. But all these anons and such are really not,,, helping. Nor encouraging me to publish anything else.

So I'd really, really appreciate you guys' patience. I'm not gonna answer any more asks like this. Thank you.

[bookoftheironfist]

Hi! I was thinking offhand about the IF Netflix show this morning and figured I ought to get the opinion of an expert — the fanon Danny characterization that I’ve seen in people’s fics (basically a goofy and oblivious golden retriever) seems a bit different from what I saw in the show, but I also know next to nothing about the personality of the character in the comics. Are the three of them distinct (comics, show, fanon) or would you say there’s similarities between them? Is there anywhere in particular that the fanon characterization seems to come from, in your opinion?

Hi, it's great to hear from you! I love this question.

First of all, I am contractually obligated to gesture in the direction of my big ol' Iron Fist reading guide, if you do happen to have an interest in checking out some comics...

I don't read fan fiction myself, so I can't really comment in an informed or specific way on how he tends to be written or conceptualized by the MCU fan community at large, but I have heard MCU Danny described as a "golden retriever" before and I think I have the general gist. I don't have any problems with that-- Danny is very sweet and endearing and kind, and this is true in the comics as well. There is also a whole lot more going on with him, though, at the heart of which is the fact that he has been shouldering massive amounts of trauma in most of his MCU appearances so far, some of it (if we look, for instance, at Danny in The Defenders) very recent. (In this regard, the treatment of his character in The Defenders drove me a bit nuts. Yeah, okay, let's repeatedly tease and belittle the guy who's just had his home destroyed and his people massacred by the villains and then physically prevent him from getting any closure. Aren't team-ups fun?)

Anyway, to answer your question, I don't see much of a difference in personality between comics Danny and MCU Danny. This is a situation in which context is key, and one of the things I've always found so compelling about Danny as a character is the fact that while he is capable of great kindness, positivity, generosity, and affection-- and is, to me, one of the least emotionally constipated male superheroes out there-- he is also capable of immense darkness, hatred, and violence. Danny has an exceptionally horrific origin story in the comics: at the age of nine, he gets dragged high into the mountains on his father's desperate bid to return to K'un-Lun, where his father is then murdered and his mother eaten alive by wolves. Having barely escaped with his own life, Danny finds a new home and family in K'un-Lun, but he has been transformed by his experiences and becomes razor-focused on the one goal that matters most to him now: killing Harold Meachum, the man responsible for his parents' deaths. When ten years pass and the portal to Earth reopens, Danny is faced with a painful choice: to remain in his beloved K'un-Lun and put aside his desire for vengeance, or to leave in pursuit of Meachum and be locked out of the city for a decade. As much as he wants to stay, and as much as his mentors insist that this revenge quest will destroy him, the rage and trauma that have been festering in him all this time are too much for him to ignore. Nineteen-year-old Danny storms back to New York City, haunted and out for blood.

His personality in these first issues is rigidly serious, emotionally locked off, driven, bitter, and quick to anger. Even when his revenge quest fails and he decides to let his parents' killer live, he comes out of it lost and broken, homesick for K'un-Lun and unsure of who he even is on Earth and what kind of life he could possibly build there. His answer comes through the friends he makes-- Colleen Wing and her father, Misty Knight, Rafael Scarfe, Luke Cage, the Sons of the Tiger, and so on-- who extend kindness and love to him and give him a place to belong. As this happens, Danny's personality softens. There's a key moment that I think beautifully illustrates the beginning of this shift. Danny gets invited to play some casual softball with Rafael Scarfe and his team, and ends up getting knocked on his butt. His first reaction is to feel angry and humiliated. But then he does something nobody expects. He laughs:

"You hear laughter as you hit the ground, and for a moment, it angers you...after all, you have been made to look the fool... So what? It won't kill a man to look foolish among friends. And you do look...funny." Scarfe: "I don't believe it. I just don't believe it. The great stone face finally cracks up. I dunno, Daniel Rand. After all Lee* told me about you, I didn't think you had a giggle in you. Nice to see I was wrong." Marvel Premiere #24 by Chris Claremont, Pat Broderick, Phil Rache, Vinnie Colletta, and Karen Mantlo *(Lee is Colleen Wing's father, who was employing and keeping an eye on Danny at this point.)

The reason I've been focusing specifically on early 616 Danny here is because this is largely the context in which we have seen MCU Danny so far. He is, relatively speaking, barely out of his origin story, and while many of the details differ, MCU Danny and 616 Danny still have similar origins and similar emotional responses to them. (In the years since the show first aired, I've seen people try to claim that MCU Danny was out-of-character in the first season, and while out-of-character-ness is, of course, up to interpretation, I tend to take this opinion as an indication that someone has only read modern Iron Fist comics. To me, season 1 was very obviously drawing from the original Marvel Premiere issues in its tone, themes, and approach to Danny's personality.) What's very neat to me about MCU Danny is that due to the changing of one small detail, the structure of his origin story was completely flipped. In the comics, he watches Harold Meachum kick his dad off a cliff and abandon him and his mother in the mountains. He knows exactly what happened to his parents, and he knows exactly who is responsible, and so his trauma response has drive and a target. For this reason, the very first version of Danny we meet in the comics is angry and serious, battle-hardened and focused on his mission to the exclusion of all else. It's only afterward that his character, over time, morphs into the lighter, more relaxed Danny with whom modern readers are most familiar. He still has that darkness and rage inside of him-- the 2014 Living Weapon series, for instance, was all about revisiting that aspect of his character-- but modern Danny is, on the whole, in a place that reflects the tremendous character arc he has traveled over the past 50 years.

The show, though, changes a key detail of the story: Danny's parents die in a plane crash, murdered by Harold from a distance. I wasn't too disappointed or even really surprised by this change (when that first teaser trailer dropped, my co-blogger and I went, "yeah, makes sense"). Live action tends to highlight concept weaknesses that are more readily allowed suspension of disbelief in the comics, and a plane crash feels a bit more rational than Wendell Rand taking his young child for a fun jaunt through some of the harshest terrain on the planet. Of course, all of the Netflix shows made all kinds of origin story changes, some of them for no apparent reason and to what I'd consider to be the detriment of the stories (here's my co-blogger and I griping about some of the strangest changes made to MCU Matt Murdock's origin, for instance, if you're interested). But what impressed me so much about this change to Danny's backstory is that they didn't then just carry on as if the change hadn't been made. The showrunner/writing team actually thought through what it would mean for the rest of the story, and what it meant was this: With Harold not obviously involved, Danny does not know that his parents were murdered. He is burdened with the same degree of grief and trauma, but without anyone to blame, with no outlet for his emotions, no goal to strive toward for closure. It means that he initially has no revenge quest. When we first meet MCU Danny, he is suppressing a lot of harmful emotions (I mean, a lot a lot), but he is also hopeful, because he comes to Earth not to murder a guy, but looking for healing and seeking to reconnect with the Meachums: beloved extended family that he has not seen in fifteen years, welcome remnants of a life he can barely remember. He is in an optimistic frame of mind, thus allowing us to see that trademark happy, dorky Danny who we don't meet until much later in the comics (that first link offers a direct contrast between Danny walking into the Meachum building in the comics versus the MCU, so it's worth checking out).

And then! Things immediately go horribly wrong. Danny is naive, out of his element, and easily manipulated. He gets psychologically brutalized by the Meachums, by Madame Gao and the Hand, eventually by Davos, he discovers more and more of the details surrounding the crash, he begins to spiral, his suppressed emotions break free, that darkness and rage come forth, and the story of Iron Fist season 1 climaxes with the realization of the revenge quest that was always bubbling beneath the surface. That glimpse of happy, well-adjusted Danny is gone, consumed by the grim, dangerous, extremely unhealthy Danny more familiar to Marvel Premiere readers. One major difference to note is that there's something uncontrolled, almost feral about MCU Danny at his absolute worst, symptomatic of the fact that he has been actively repressing these emotions, while 616 Danny spent ten years honing and focusing them. I find that distinction really interesting.

Having defeated Harold Meachum and found closure for his parents' deaths and peace for his identity struggles (I haven't talked much about those, but I've written a lot about them in my coverage of Iron Fist season 1, so feel free to go check that out), we see that default happier, hopeful, peaceful Danny return. This moment always brings me immense joy:

(I can't overstate my love for this tiny scene. Here's Danny at his most carefree, finally returning home, ready to plunge back into his training, accompanied by someone he loves. That's my guy: distilled.)

However, Danny barely has time to heal before he is shattered again by the...whatever the heck happened to K'un-Lun (this plot point was never, ever clarified, and I'm sad about it! Augh! Marvel!!). In the post about The Defenders that I linked waaay back at the beginning of this post, I point out that Danny's traumatic flashbacks to his parents' deaths get replaced by nightmares of K'un-Lun's destruction, a new source of trauma overlaying the old. In The Defenders, Danny's personality is perhaps closer to that of his Marvel Premiere counterpart. He is no longer out-of-control berserker raging; now, his grief and anger are focused. He knows his enemy. He knows what they did (maybe? Augh...). He knows what he must do to them to avenge his people and correct his perceived mistakes. But at the same time, he is still open to building friendships and connections, even longs for it (he has lost so many of the people in his life, he has been betrayed so many times...He and Colleen are alone at this point). He forms a bond with Luke (of course), once they are able to put aside their own demons enough to listen to each other. His interactions with Luke are very reminiscent of his first interactions with Colleen in IF season 1, in which he sees someone he thinks is cool and interesting and goes "Friend. Friend, yes? Friend?" (This isn't really a thing in the comics, but it's a cute feature of MCU Danny that also underlines how desperately he needs human connection. In the comics, his Found Family(ies) just kind of happens organically. In the MCU, Danny seeks out those bonds.) Something else that pops out strongly in Danny's personality in The Defenders is an admiration for his teammates, carrying on from his open admiration for Colleen's skills in his solo show. Danny in the comics is a kung fu mega nerd. He's a perfectionist when it comes to combat and will openly criticize his enemies for sloppiness or lack of skill, but the flip side of this is that he also has tremendous respect for and interest in the skills of others and is just as quick to offer complements. I love this about him and was delighted to see it show up in the MCU.

Luke Cage season 2 and Iron Fist season 2 see MCU Danny move toward that more modern sensibility for his character; they feel very much like the Iron Fist/Power Man and Iron Fist volume 1 era in the comics, in terms of both his personality and the direction of his life (apart from the end of IF season 2, which I don't feel I can cover properly here because it still just makes me go "???!?!"). With more stability, we get to see more sides of Danny that we haven't seen since the very beginning of his solo show, before his life went to hell-- the side that is open and friendly, that gifts Misty Knight her bionic arm, that is eager to spar with Luke, the side that is settled enough in himself to offer advice to others. We see Danny enjoying having a job-- not as a Hero for Hire in this universe, sadly, but working for a moving company, earning an honest living. We get to revel more in one of my favorite things about early Danny: his naïveté and unfamiliarity with Earth. This Danny is smiley, a little bit mischievous, open and caring to a fault. We see him reveling in what he does best: using his skills, kicking some butt, being the best there is at what he does (sorry, Wolverine). In Iron Fist season 2, we also see Danny connecting with his Iron Fist identity, really connecting with the chi of Shou-Lao for the first time in a way that makes him feel empowered. Danny's relationship with his role as Iron Fist, and with the city of K'un-Lun, is rocky and tumultuous in the show and even moreso in the comics, but it also means everything to him and brings him comfort and pride and a sense of grounding. With Iron Fist season 2 existing alongside the Luke Cage team-up episode, we also get a great example of something that is notable in the comics as well, which is a distinction between the way Danny is written in his solo series versus in team books, particularly in the modern era. In team-ups and cameo appearances, he tends to be comic relief, a bit more lighthearted, a bit goofier, while in his solo stories, faced with problems that are personal and strike deep, and where we are closer to his POV, he tends toward being more introspective, serious, troubled. This is to be expected, but is still worth noting in all discussions of Danny's personality. He exists on a spectrum, just like any other character.

This post is so long, and it feels like there are still a million more things to say. But I will, I think, end it by emphasizing that one of my favorite things about Danny is the breadth and depth of his personality, and one of my greatest joys regarding the Netflix shows was seeing a character I adore explored further, in a new medium and a different context, while still aligning with the same basic set of recognizable personality traits. Danny Rand is a hardcore, deadly martial artist who wields immense power and a soft, kind sweetheart who loves his friends and would do anything for them, or for anyone else for that matter. He killed a dragon with his bare hands, and he's so, so bad at business. He's straightforward and confident-- he's one of the best fighters in the entire Marvel Universe and he knows it, not as a boast but simply as a fact. He's a tangled, self-questioning mess, trying to find his way as an Immortal Weapon in the Capital Cities of Heaven and as a superhero on Earth and frequently failing. He's honest and sincere. He's a bit awkward. He's curious, a lifelong student (as all the best martial artists are). He's fearless. He's a huge dork. He transformed a skyscraper into a giant chi-powered mech to punch a god one time. He got his identity stolen by a sentient plant one time. He teaches little kids kung fu, and is an eager mentor to his protégé Pei and a kickass uncle to Luke and Jessica's daughter, who they named after him. He's a philanthropist and a Hero for Hire, and Rolling Stone named him the 77th Hottest Avenger. And while we were unfairly robbed of the time to explore every facet of MCU Danny's character, we were nevertheless gifted a wonderful range of stories and a powerful character arc (Shou-Lao willing, someday the MCU decision-makers will take their eyes off Charlie Cox long enough to remember that the other Netflix Marvel shows also exist and we'll get to see more of this version of Danny). And my hope for people writing Danny into their fan fics is just to remember his complexity, to keep in mind the forces that shaped him, and to have fun with how multifaceted and strange and unique a character he is. And if you or anyone else is ever looking for an Iron Fist nut to chat with, I'm always up for, um...writing extremely long posts about my guy.

Thank you for the question!

[dirtyoldmanhole]

i think i almost made myself legit cry with this gunter/corrin doujin arrangement now lmao, good job krad

ok so workshopping out loud:

it's not set in stone but b/c most existing art pieces are YRMR related i'm sort of loosely arranging this doujin in three "arcs" like revelation / the YRMR fic: (1) northern fortress, (2) the romance, and (3) all the shit that goes down in valla.

eventually i'm probably going to make other gunter doujins (conquest-verse? one that's only possession (sexi times) related? etc). generally by now i make myself a rule i have to have at least 20 pages of drawn junk before i even entertain the thought of a doujin.

but to go back a little; i want this (first?) doujin to be able to exist as a standalone piece of art where you don't have to know shit about YRMR. you can, and it'd enhance the experience if you go 'oh shit that's the first proposal scene!!!! :D', but you don't have to.

and like -- if 'what's the abuse of power' was my anchor-lodestone phrase for the fic, i think contrast is going to be the visual lodestone for the doujin.

cuz that's the cool thing visually with gunter/corrin, right? big/small, young/old, whip/ball, possessed/unpossessed, death/life, etc etc. i'm not good enough art wise to go super abstract yet theme-wise, and something as simple as "contrast" pairs really nicely with my general focus on body language. and i'm picking back up a few pieces where i was using an interesting inky/smoky watercolor look paired with the thin lines -- like uhh these three --

-- and it looked pretty good together. i think that's going to help balance the chunkier lineart of the comic pages.

hell even just squinting at it here minus the tones. yeah i think it does.

(i can finally show more of this comic considering it's yrmr's very last scene. ;D )

so with those pieces set, i can subtly lean into paired pieces like this where the rest of the doujin is more visually "noisy" with 2 page comics and filled doodle-boards, but then you get :

(first piece is gonna be in greyscale; this whole thing's gonna be in b/w)

you see what i mean? the emotional contrast + stitching is there, where the "silence" + "absence" of the page straight up accentuates the feeling. you don't have to know what goes down in YRMR to go 'ouughhhh hurt/comfort' (frankly imo the unusual rougher lineart of the last piece even accentuates that.)

contrast. contrast, contrast, it's gonna be about contrast.

now you might think 'krad this is seriously overkill thinking for a doujin' and like. if it were a simple indie artbook. where you just slap illustrations together. i'd agree 100%.

but. an artbook is not a story. comics are. and there's a continuum between really good comics <=> design <=> illustration pieces as a collection going bang-bang-BANG, rather than just 'pretty picture x10'

alternatively, picture this as krad (more accurate):

[jonathan-cranes-mistress-of-fear]

Hello, I hope this is okay for me to send. I'm one of the blogs you blocked. (First off, this is your good right, and I completely understand and I hope this isn't a breach or invasion of privacy to send this from a different blog)

I always made sure to only tag content of Nolanverse Crane when it's really him and not any other Cillian role because I understand the frustration. And like I said, I absolutely understand that he's not a proper Scarecrow in your eyes. But it kind of hurts to get lumped into a group where I don't feel like I belong (if that makes sense)

Scarecrow in general is my favorite character in any comic related media. Arkhamverse Crane and Audio Adventures are at the top for me, and I also have a deep love for Fear State and little fan interpretations where he's just a funky little freak. My blog is Nolanverse centric atm because I just haven't gotten around to writing fics for the others. (And I'm worried I won't write them well tbh)

But all of that aside, my reason for actually sending this was because I was genuinely missing your posts and opinions on my dash. I was honestly a little worried that I didn't see anything from you before I realized what happened.

This isn't me being angry or petty and please don't think I feel entitled to seeing your posts (I don't want to be THAT person)

I guess this is just me saying goodbye to a pillar of the Scarecrow fandom, and it makes me a little sad

From the bottom of my heart, I hope your mom's recovery goes well and you have a great rest of the day/week/month. And a happy early birthday, Moffy

(ALSO SORRY FOR THIS ESSAY OMG)

A couple of things </3

I THINK I knew who this is. I blocked one person after I made that post. Looking back, that was probably a stupid mistake. I'mma unblock to check when I post this, and you let me know? (I was thinking....oh god I'm gonna get hate from the fangirls and taht legit clouded my judgement. I still fear anon hate)

See, that post was mainly about people I blocked weeks/months ago. I often only block the fangirls, for lack of a better word. I actually made the Cillian post on a whim. I needed some content for the day. (you probably know I upload daily) And sometimes, a little anger is okay. it's a valid emotion. Again, the people I block are more fans of the actor than the character. My main complaint was seeing Cillian stuff, which was not from the movies, in the tag. It just sorta....clogs it up?

Anyway, I can clearly see you're not one of them. If some reason , within the next ten minutes, you're still blocked. Send me the url. I am human. I understand. Mistakes and stupid shit happens. (especially with all I am dealing with irl) (I've been so stressed I think it clouds my brain)

You clearly love the character behind the actor, and I respect that. I think you may have been following me, cus my count went down after I blocked ya. So yeah, I did think that was WEIRD.

I'm sorry if you felt lumped it, it was just an error on my part. I hope you can forgive that.

and ya know, just because I'm not a fan of nolancrane, doesn't mean it's bad. I should reiterate, it brought so many into the fandom. That's great! I still reblog fan content of him. I suppose, the truth of the matter is my autistic brain doesn't do "live action" -- I can't think of one human who could play Jonathan Crane to my expectations. Voice actors yes, Dino Andrade forever lmao

But I just...live of art/comic/animation/games

and anything else feels uncanny. Like now. I dont imagine Crane as a real person. I have no image inside my head unless it's a comic illustration or game render. I Hoooope that makes sense

[katkat030]

YOU HAVE A FANFIC????

GIMME GIMME GIMME

(a man after midnight--)

You are in for the ramble of all rambles >:D

Okay I am smiling from ear to ear right now prepare for me to talk (type?) your ears off

it’s. yeah it's Ethubs. (ding ding! you got it *finger guns*)

I'm writing a fic based on the DBHC au (Detroit Become Hermitcraft au) story/comics by Shepscapades here on Tumblr! If you're not familiar with it, I highly recommend you check it out! I have SUCH brainrot and the storyline and art are so compelling.

Here's the masterpost if you wanna check it out once I'm done rambling!

I also want to stress this isn't my au - only the explanation and snippets of my little story is my own work. :) All credit goes to Shepscapades for all that and the brainrot

- DBHC spans Hermitcraft (seasons 8 and onwards) and the Life Series (note that all androids were absent from Third Life due to not being created yet)

- It makes use of the android mechanics from the video game Detroit Become Human <- don't worry about that part just yet though :)

- Most major post-Season 7 events seem to still be canon here, and there's a lot of other things going on in each of the androids' - and hermits' - lives (and trauma. </3. yeah. Etho and so many others are Going Through It), often as a consequence of those events.

Anyone new to the au should probably have a look at this illustrated guide post You don't have to read all of it, but I strongly suggest at least checking out the "Guide to Androids", "Deviancy" and even the "Interfacing" sections for proper context!

rambles under the cut >:) I promise I'm keeping it to a minimum. and then some snippets!!

(edit: the cut isn’t cutting, I think)

BASICALLY At some point around Season 8, Xisuma designs androids (like Mumbo, Etho, Impulse and Doc) to assign to some of the hermits (Grian, Bdubs, Pearl and Ren to name a few) for help with everything from building to terraforming. Everything goes relatively smoothly, up until... the androids begin to deviate. <- hence why I linked this post earlier!

This isn't entirely necessary for anything other than understanding the characters and the overarching narrative a bit more, but if you do want further context + cool art + a small break from my rambles, here (1), here (2) and here (3) are really good comics that sorta explain how DBHC Ethubs' relationship starts, and here (4) is the first part of Etho's first deviancy! uh. So like things happened here. Don’t worry about that being labelled first. Or it not being at all normal for an android to deviate twice. Or what situation caused it. Uh. Yeah. :’)

Otherwise you're welcome to just read on!

I'm writing an incredibly fluffy (and there's angst now too hehe) oneshot on the two of them.

They've been planting saplings for Bdubs’ Season 10 forest (Etho was originally designed to help with terraforming and that, after all) and it's late afternoon, so, Bdubs being Bdubs, he's tired.

And tired people are clingy, they let their guard down a bit, they start giving in slightly to things they don't have enough energy to fight.

Like the urge to reach out and go hey, come back, I actually want you to play with my hair, I want you to lie with me in the sunshine, I want to listen to the sound of your android heart (thirium pump) because it's a reassurance that even though my eyes are closed you're still nearby, I want you here, and I'm going to hang on to you because I don't ever want you to leave again.

I half-wrote that little summary of my fic a little while back as a proof of concept but. Yeah.

This is Bdubs talking, if it isn’t clear:

>:) Not sure if you're familiar with how Bdubs' Last Life ended, and how it could have been avoided. Or how much I'm allowed to say on what happened afterwards until we cross over into spoilers territory. But uh. Yeah. Normal and fine and not at all insane over this. <- that's a blatant lie

Don't worry though!! I said fluff for a reason; I don't think this quite crosses over into "crack treated seriously" territory (only saying that because I'm sorta working on something Ethubs-related that 100% DOES hehe) but the second half is panning out to be incredibly silly. I just think they deserve it after everything they've been through (this post makes me all levels of insane.)

Aaaaaanyway, snippets :D

Something I want to add: he isn’t entirely human. Like as much as he acts and feels and functions like one… yeah.

Tired 👏people👏give👏into👏things👏they👏don’t👏have👏the👏energy👏to👏fight

Bonus: a friend tried grabbing my phone from my hand while typing a little while ago and… this happened

OH I nearly forgot! It has a title :)

“home, home again (i like to be here when i can)”

song lyrics from Time by Pink Floyd (beware loud bells until about 40 seconds in)

I’ll publish it on ao3 under katkit03 when it’s done! May cross post it to tumblr for convenience :)

please lmk what you think, this is my first time writing a fanfic!!!

[marimbles]

What are your favorite artworks you’ve ever created ? (Both on this account and in the days of old on carpisuns/chatnoirinette)

the days of old alsdjfasf i've had this blog for like a month but yeah. it does kind of feel like that lol

so far this is my favorite thing i've ever drawn! i was trying extra hard to make it feel magical and like "cinematic" haha. and my heart was just sooo full with the ending of the owl house and my fondness for huntlow so i think it will always be special to me<3 i put a lot of love into it! (x)

another favorite is the illustrated comic thing i did for anna-scribbles's fic golden (like daylight). it's old enough now that it sort of makes me cringe haha but i am still fond of it. it took me months to finish and I really pushed myself and put a lot of thought into it because it was a gift for a dear friend, for one of the best fics i've ever read in my life! and it was an interesting challenge to try to portray visually how it felt to read that beautiful passage. also it's too long so i'll just put my favorite panel lol (full comic here)

i don't have much on this blog but this was kind of my first big zelda piece (which i originally posted on carpisuns and then deleted it and moved it here which was probably dumb lol). i really tried to make it feel like magical and "cinematic" too, and i'm not sure how well i hit the mark, but i still like it and had fun making it! (x)

also i keep forgetting i even did this haha but my huntlow animatic is one of my proudest achievements as an artist<3 it took me forever and was so much work but i learned a ton! i still enjoy watching it now and then

ok im a little embarrassed to be rambling abt my own stuff and life patting myself on the back alkdjsfa but this was a very sweet ask! thanks for taking a walk down memory lane with me! :) i feel like im in sort of a creative low atm but i hope i can fill this blog up with fun things and expressions of all the stuff i love that hopefully u can enjoy too<3

[s10127470]

My Fanfics' Ideal Art-Styles

Recently, I've been feeling that I need to start using my Tumblr more to promote and share stuff about my fanfics (which admittedly I already do, but probably not to the extent that I should).

Essentially to help give you guys an idea on what to expect for each one.

And even share some important info that readers should know when going into the fic.

And to start this new phase of my Tumblr, I've decided to make a post going over something that I think is really cool.

I'm pretty sure it's safe to say that whenever we read, we always imagine what we're reading would look like right before our eyes.

And today, I wanted to share what the art-styles of my fics would be like if they were visualized.

Maximum Marvel: DeputyRustArt

This one pretty much a no-brainer.

Given that the series was based off the AU of the same name created DeputyRust himself.

Plus, his style just screams "Maximum".

X-Men: The Next Mutation: Jeff Matsuda

Jeff Matsuda is a legend in the field of character designing.

Best known for his sharp and angular style.

You'll best know him for his work with Marvel, Dark Horse Comics, and Awesome Comics.

And more notably, as the character designer for Jackie Chan Adventures, The Batman, TMNT (2007), and the 2021 He-Man and the Masters of the Universe reboot.

I believe his style would fit this fic like a glove, especially with how action-heavy it is.

Also, it would be funny to think about since Jeff was a prominent penciler/illustrator for the X-Men titles during the mid-to-late 90s.

Nicktoons Mysteries: Izbubbles

Yeah, I finally decided on what to do for my Nicktoons fanfic.

It's gonna be a mystery/comedy-horror series, which will be premiere next month.

But anyway, Izbubbles would be the person I want to do the art-style for this series.

As you see, their art-style was able to translate the Nicktoons into one, unified style, while still keeping traces of each of their respective original art-styles.

And given that my series is gonna be set in Nicktropolis, a city where the Nicktoons all co-exist with each other, it would make sense that they would look like they would exist in the same world.

Spider-Man: Family Values: Clyde Tanksley

As you can see here, this style is a little more....out there when compared to the other artists I choose.

The best way I could describe the style is that it feels like an animated adult sitcom made back in the 90s.

Ya know, back when adult animation was actually experimental and creative and didn't give us....

This.

And in all honesty, I really dig this style and feel like it would find this fic perfectly.

I mean, it is essentially a family sitcom, except with a superhero twist.

And best part about this style, he basically made everyone here (the men and the women)....

Anyway, that's all I have for now.

Let me know what you guys think about my choices in art-styles.

[thekuraning]

Fic ask

4, 13, 20!

HELLO MY FAVORITE PROFESSOR ELM STAN THANK U FOR THE MEMES!!! hey actually these are all ones i havent thought about so made me put on my THINKIN CAP. and hey actually actually this got really long really fast so im PUTTING IT UNDER A READ MORE!!!

4. a story idea you haven't written yet

Ok so like. I've got these two ideas kicking around in my head from time to time that I'm like. Still kind of workshopping. One is a fanfic and one is an original fic. But basically I've had in my head since forever (10 years of Big Thinking) about a big Digimon sort of odyssey that originally started as a Pokemon x Digimon crossover where I took the Rocket executives and shoved them into the digital world. I have a whole world built for it already and a central sort of issue/theme revolving around a power struggle between the Demon Lords and the Royal Knights. The Royal Knights control HUB City, which is the major settlement in the continent, the Demon Lords control the Dark Lands, and kind of like usual they all want to wipe each other out. There's eventually a viral sort of glitch that starts to deteriorate the digital world and jumps to the real world.

Part of my problem is I've wanted to make it a comic or at the very least an illustrated fic and part of the problem is I'm trying to decide if I want to keep it as a crossover or just slap some new names onto the execs bc i gotta be real, the pokemon world and other pokemon characters. do not feature. at all.

its really just an excuse for me to give petrel a digimon.

anyways they all have full evolution lines planned, i've got a few major story beats, plot points, and the major final twist decided on. i also have 5 amvs that i play in my head on a loop when i drive to and from work.

also in this fic some digimon are gay (stingmon and flamedramon makeout sessions when) and trans (crusadermon, trans queen) ive decided

i think ive posted old art before extending the au to some characters and for my perfworld mutuals if youve seen my sycamore + dukemon art before that specific dukemon is also from this au. ive also got a fic i did publish where i workshopped a little bit of HUB city & a few side characters

i am now realizing i meant to also talk about the original fic i have planned and that one is a short story about a serial killer who murders hitchhikers picking up a hitchhiking serial killer and that one is less planned out but i know they sloppy kiss in the end

13. a fandom you're thinking about writing for

so like besides pokemon and tiger & bunny & digimon there's none i actively have fic ideas for, but some fandoms I think I'd like to revisit are Sonic and Zelda. Actually I had a Zelda fic I abandoned back on FFNet that I'd like to take another crack at one day where the premise was it was a modern setting based on the OOT/TP Hyrule (mostly OOT) where magic and fairies and such are regarded as superstition sort of the same way they are now, and the wondrous races (Goron, Zora, Kokiri/Korok, etc. even the Sheika to some extent) had all died out, leaving pretty much just the human races like Hylian, Terminian, Gerudo, etc. (In this case Termina is legitimately a neighboring kingdom/country and not limbo/purgatory ok??) And the kicker was Link was like. a hardcore atheist. but i think i remember people getting mad at me bc i made his legal name "Mahas" which I MUST IMPLORE YOU. THIS IS CANONICALLY HIS NAME AS OF SKYWARD SWORD. BELIEVE IT OR NOT THERE WAS AN ATTEMPT TO BUILD A PSEUDO LANGUAGE IN SKYWARD SWORD. WE KNOW HIS NAME IS MAHAS BECAUSE IN THE BEGINNING WHEN FI IS JUST CALLING HIM LINK AND NOT MASTER LINK HER VOICE LINES ARE EVER ONLY MAHAS. ONCE SHE BEGINS CALLING HIM MASTER LINK ANY TIME IT APPEARS ON SCREEN SHE SAYS "MAARI MAHAS." SO IM RIGHT OK FUCK OFF IM RIGHT. DIE MAD FFNET. DIE. MAD.

ahem.

im normal now.

anyways yeah i'd like to write for elder scrolls again too i think but like. something more original than the supernatural/TESIV Oblivion retelling crossover i tried once.

You can find that one on my ao3 but im not linking it.

20. in what year did you publish your first fic?

In the year of our lord 2005 (pensive emoji)(raised fist emoji) I published a... fic of some kind to FFNet.

You won't find it anymore, I deleted it a long time ago! I'm not sure if it was 'Rocket Road Trip' or 'The Rebellion,' but it was one of those. I used to write a ton of OC team rocket fics, and this was back in the day when the Rocket Executives had no name so you either thought there was 1 guy exec and 1 girl exec or you thought each exec encounter in GSC was a different person, and that was me. So I gave them all names and threw them into a truck together and i think in the very first chapter they were leaving the Team Rocket HQ and they ran over and left to die the OC who would later go on to be repurposed into Proton except his name was Steve then and he was a special classification of trainer class that I called a "Random Rocket," and the thing about Random Rockets was they all had very generic names (Steve, Bob, Juan, I think there was a Nancy once but she never got to show up in a fic or rp?) but the OTHER thing about Random Rockets was no one knew what they looked like because canonically their faces were all censored with a big ass mosaic effect (this was written, not draw.)

anyways farla cussed me out on 3 or 4 different fics back when she used to cuss out literal children so I deleted all my fics from 2005 - 2008 and then I deleted more of them when I went to college.

don't be like farla.

edit: self-plugging my old FFNet account for the lulz. yes it is i, the original author of Slowpoke Tails and Koffing Fumes.

[promptsforyourwhumpfic]

Re: your recent post about not being able to get things into words... have you ever tried to express your idea *not* with words? Even if you don't consider yourself an artist, try illustrating a scene, or make a rough storyboard/comic about it. It can just be stick figures, but it may help you to think of the scene in a different way, and help you translate the scene into your preferred medium, words.

I appreciate this ask, Anon because it made me remember that I used to do this kind of thing back when I had more confidence in my art, but doing it at sixth form just made me hate it for a long time.

Took me a minute to work up the courage to post these, but I did take this advice and drew just a couple of things on my mind… as well as a Rat because I’m currently obsessed with the band Ghost:

So yeah. Left - right is

Rat.

A sick Copia for a fic I’m yet to finish.

Owen Becker / Oscar Marlowes scars.

Mitchell’s final ‘Cardinal’ outfit.

Cardinal outfit (loose sketch based on a pose drawing reference)

Might do some more in future, but I just wanted to show that I’ve taken this advice.

Thank you, Anon.