#but yeah idk either way its interesting

[quicktimeeventfull]

People always characterize Light as neurotic, do you think that they are ignoring L's neuroses or is he just normal?

this is such a good question and also it gives me a chance to talk about my favourite subject on earth: L being neurotic.

SO the short answer is: no, he’s not normal. (or, well, it’s hard to say how many neuroses are normal to have when your life is constantly being threatened by a faceless god, but probably fewer than these.)

my personal read on L is that he tries very, very hard to pretend he’s deeply unaffected by everything that’s going on around him, but he fairly clearly is not. case in point: we can see him calmly discussing his own death after he’s just collapsed off his chair. his eyes are hidden, which is death note’s main signal that someone is hiding their true feelings. 

to me, his desperation to hide that he’s got any sort of feelings about anything speaks to an underlying terror of being perceived and/or taking up other people’s emotional space. he doesn’t want to be seen as human. he doesn’t want to be dealt with as anything but this faceless creature. he wants to be a tool and a resource before he’s a person. 

he is in a unique situation, but i do feel it goes above and beyond what is necessary and also is not strategically useful, since it infuriates literally everyone in the task force apart from soichiro. even watari tells him off for it. it’s not even a trait he values — after aizawa has his outburst, L tells him he likes people like him. i think it’s something he feels he has to do for nebulous reasons. maybe he knows why! maybe he doesn’t! 

i also (& possibly this is a hot take) think L is a chronic people-pleaser. he’s always extremely polite-verging-on-deferent. with a few exceptions that derive from high emotion and danger, he’s polite to people regardless of how rudely they speak to him. there are several points in death note where people are outright yelling at him, and he always responds quietly and politely.

he also folds to the task force at a few crucial points, most notably when they demands he remove the handcuffs and let light walk free.

it’s clear from both his expression and the fact that he does not in any way give up on light being kira that he thinks this is a terrible idea, but he lets him go anyway and apologizes as he signs his own death warrant.

ALSO ok sorry this is already long but i think i would be remiss to talk about L’s neuroticism without also talking about his ✨trauma.✨ it’s never really clear what happened to L prior to the events of death note, but i think we can logically surmise that it wasn’t ideal. he grew up in an orphanage, which is traumatic in and of itself, and clearly something happened to create a situation where this was possible — either his guardians died, or were in some way incapacitated, or he was removed from them.

then there’s the fact of his job. L’s age is ambiguous in the main canon & 24 if you choose to incorporate htr13 — either way, he’s quite young, and he’s already been solving cases for years. we don’t know what exactly the cases were, but i think it’s fairly safe to say that they weren’t pleasant. i feel very strongly that this would impact the way you see people and what sort of behaviour you expect from them. even people who enter similar fields as adults, with proper support systems and the inculcation of years of seeing people behave compassionately towards one another, often end up jaded and distrustful. it burns you out and wrecks havoc on your empathy. 

also during the course of death note he’s been inside for nearly a year, speaking to a grand total of eleven people, one of whom wants to murder him, which is maybe not like the ideal scenario for one’s mental health. imo this & the constant stress of being murdered do contribute to his increasingly erratic behaviour as the series progresses. which is to say: PROVIDE ENRICHMENT FOR YOUR DETECTIVES if you don't want them to develop codependent relationships with their serial killer bffs.

[itslilacokay]

oh would you look at that

part 1!

[ganondoodle]

you know im unable to shut up when i have any opinion on zelda (though i try and have thus far succeeded at not commenting on any other concept from the darn book)- i find most totk ganondorf concept art worse than what we got to insulting even (of those i have seen) ..... this one though

much more the one in the background than the one up front, still at least he has the collar and the weapon we saw in the first trailer of things that never happen in the end (like so much else)

[scootatwoni]

The strongest warriors are those that love botw but don't ship zelink (me its me I'm the strongest warrior)

[hauntingblue]

Jayce telling vi she won't make it on her own.... okay mr. projector...

[hecksupremechips]

Honestly though I think it’s really a bad sign when I look at Shin Tsukimi and literally feel like he’s a self insert 😩

[waywardsalt]

thoughts on totk now that i’ve beaten it

under the cut bc of length and bc there is honestly a fair bit of negative stuff

i don’t really think i can say that i liked totk.

it’s fine, it’s genuinely fucking incredible from a technical standpoint with ultrahand, recall, the three map layers and with how smoothly it ran for me. as a game it’s fine.

i’ll start with the things i dislike and end with what i actually liked

i honestly didn’t really like ultrahand? i disliked how much the game leaned on it, since so many puzzles and whatever just boiled down to ‘make something that’ll work’ and it just... it was far too clunky for me to really enjoy using it, outside of using some of the same few designs for traversal. there were a few times when i could see what the game wanted me to do with ultrahand and the given zonai parts and sometimes it just... didn’t work at all. more often than not ultrahand was frustrating for me to use so the game’s reliance on it just made it into a chore sometimes.

in a similar vein the dungeons were serious letdowns. i mean, don’t get me wrong, they’re fine, they had good themes and (mostly) had good aesthetics and general looks and identities to them, but the fact that they were just... basically twenty-ish minute little things was kind of disappointing. i hate that they all had the exact same ‘go hit x number of switches’ gimmick. it really limited what you could do and fucked with the dungeon design, too. the only one where that really worked for me was the fire temple, which was my favorite overall. the water temple was especially dismal, with the least inspired look and just being an astoundingly easy experience. the puzzles in those dungeons were so awfully easy, too, especially since half of the time they just hand you what you need so you barely need to really assess the situation and put a plan together

i hated the water dungeon’s little mini-areas where you do a single piss-easy puzzle to automatically get your prize, i hated the wind temple’s god damn ‘pull a lever and get your prize’ kind of puzzles, i hated how soul-crushingly disappointed i felt when i took a look at the lightning temple’s map and realized that every fucking floor had a singular room just for the switch puzzle. god forbid it’s as fun as the lowest level of that temple. i really miss stuff like mini-bosses or rooms where you have to do a puzzle in order to just... progress, i miss dungeons that i could get lost in or spend a while in or just had... something more interesting or some more substance so that i can’t just breeze through like it’s a glorified shrine. most of the puzzles in those dungeons were simpler than some shrines i did.

i didn’t care to do much exploration since there honestly isn’t much motivation to explore the surface map if you’ve already played botw, and the scarcity of materials this time really got to me, it took me a while to have a half-decent stock of materials, and i still had trouble not running out of stuff even though i was using amiibos to stock up on some things. the money situation was rough, too... a lot of things are cheaper to sell, but some armor is still really expensive plus you have to pay the great fairies to upgrade your equipment in addition to having the correct materials. that especially felt odd- having to grab a handful of (goddamn hard to get) lynel guts is hard enough to upgrade the soldier’s armor, but you want me to cough up 500 rupees, too??

(the scarcity of monster guts also got on my nerves, but i’ll just chalk that up to just some kind of really weird difficulty thing. it was annoying until i tracked down the stronger monsters.)

the story is probably the weakest part of the game to me. it’s really hard to have a baseline investment when you don’t care about these characters, anyway, and what i saw in this game’s story still failed to endear me to hardly any of them. link’s role frustrated me; he just comes off like a tool rather than a character this time through, he barely has any actual relevancy to the story segments beyond being the guy who can use the master sword and being the player’s vehicle to get from point a to b in the story. the blank stare and limited emoting worked in botw because... there’s a given reason for his lack of outward emotion in the past, plus he has no memory in the present. it makes sense. but this time around, he’s gotten memories in the years between this and the last game, but he just feels like a background character in most of the story beats. 

he has no role in the memories and in the present just exists to gather some stuff for other people, he gets the master sword from zelda and then helps the other sages get their secret stones, but he’s barely addressed as his own character in the grand scheme of things unless he’s being directly spoken to. he’s just the swordsman capable of wielding the master sword and zelda’s chosen protector as far as the story is concerned. he has no opinions outside of doing what he’s told and looking for zelda. at least not as far as i could really tell. at least in botw, the story directly concerns him, and it’s his story we’re following. this time around zelda and the sages seem like the most important characters, link’s just... there, doing what he’s been told to.

the new sages are fine, none of them really endeared themselves to me, and i will say that making the player watch essentially the exact same cutscene each time you finish a dungeon was BAFFLING. they were long and you learned almost nothing new after the first one, and there was nothing done to make them very distinct to each individual pair of sages or their respective regions; at the very least, it could have been interesting to meet the ancient sages not in the exact same stone garden, but perhaps at the top of a snowy mountain for the rito, near a volcano or something for the goron, maybe in a shallow pool of water for the zora, and in the desert for the gerudo- but no, they’re all effectively the same thing just with the speaking character swapped out with some minor changes.

(the sages themselves are a pain in the ass to use, having to chase them down to activate their power or accidentally activating a power when you don’t want it; yunobo was honestly my favorite, but because i generally defaulted to having them all activated at all times, i had a lot of trouble with tulin blowing shit away from me when i was trying to grab it while midair. they’re half-decent for combat)

i didn’t really care for rauru or sonia, either. rauru in the present as a ghost was fine, he was kind of interesting and seemed to have changed from his time in the past, but he never managed to be a character i particularly liked. i wasn’t really a fan of his... arrogance? or something in the past scenes, and he never really came off as very interesting. sonia was nearly completely uninteresting which is a shame since she has an interesting design, she just felt delegated to the role of supporting rauru and zelda and then dying to motivate them.

ganondorf is a character i was really looking forward to seeing, and it really fucking sucks that he’s so god damn one-dimensional this time! the story can’t be fucked to delve into him beyond just giving us scenes that just tell us that he’s evil and wants to rule hyrule and get the secret stones and nothing else because fuck having complex villains, i guess. especially frustrating because within the game itself you can draw more interesting motivations up for him, but the game really just doubles-down on him being evil for the fuck of it and wanting to end the world because uhhhh... he’s evil don’t fucking worry about it

the ignoring of the triforce in this game sucks in that way, too, because the way the triforce works and how it can grant wishes made it a much more interesting goal for ganondorf to attain, rather than some poorly-named ‘secret stones’ that do nothing more than just amplify power or something. it sucks how black-and-white this damn story is and how it seems like it just wants to do away with any possible nuance or gray area. no one but the bad guys or side characters are flawed in any actually interesting or significant way.

at least ganondorf was still the most interesting character in the flashbacks.

and then zelda, oh god ZELDA. i honestly really liked her in botw. i liked how you saw her as a flawed, insecure, pressured teen, and how you saw her struggles to relate to link and how she eventually warmed up to him. you saw her as a flawed person who develops and as someone who cares deeply about her friends and her duties and gets frustrated by her failings.

and then in totk a lot of her more interesting traits- her interest in sheikah tech, her excitement over field study and research, her more defining traits as this incarnation of zelda- are basically sanded down and she’s just this perfect flawless princess with great power and an insanely passive role in the past beyond finally taking some kind of action after one of her friends dies and she’s pushed to the brink. cool. great.

she has practically no flaw in totk. if anyone in the present talks about her, they have nothing bad to say and just want to please her and follow her orders, she is right in telling the gerudo how to train their troops she is right even when misheard to tell people to put themselves in danger and she is hardly meaningfully questioned when her imposter is doing very clearly suspicious shit. neither the story nor any of the characters wants to let her be flawed. she’s just perfect in damn near every way and barely retains any interesting characterization she got in botw. there are some interesting snippets in her being a teacher and setting up memorials to those who died in the calamity, but there’s hardly any more than that, and it makes it really hard for me to give a damn about her. she’s not interesting this time.

the whole thing with zelda becoming a dragon too, is... it’s fine. it’s ok. but the fact that she turns back at the end with no problem whatsoever is one hell of a fucking misstep. why talk about draconification being forbidden for a good reason anyways if it doesn’t actually matter anyways??? if you never actually see any of those fucking repercussions why even bring them up??? i really feel like it would have been more effective for there to have been actual consequences for zelda beyond just fucking flying around half-conscious for a millennium or whatever- have her lose her memory when she’s brought back! there you go! there’s the reason why draconification is forbidden! there’s the thing about losing yourself! plus, zelda losing her memories as a result would mirror link having lost his memories in botw! that has so much more weight and significance then ‘oh uh ignore the warnings from a while back she’s completely fine dw abt it’ i hate that she’s back just like that without any of the consequences that the game suggests.

the dragon’s tears in general kinda just felt weaker than botw’s memories anyways bc you’re more just. watching stuff happen then actually learning anything. it has less characters and yet i feel like you only get to know like half of the important ones. like three of them are all about the same event. a few times they just replay parts of old memories in new ones. if they ever reference a past memory they just show you what they’re referencing instead of leaving you to piece it together. just play the voices or something don’t break the flow of things to play a clip of something i’ve already seen.

plus the fact that totk... barely acknowledges that it’s a sequel to botw really rubs me the wrong way. i understand that loz is extremely loose with its lore, but totk is a direct sequel set in the same world a few years later, and yet the events and characters of botw have might as well been forgotten and its all either ignored, brushed aside, or straight up replaced by something else for no good reason. the continuity between these games is absolutely dismal and to see the different ways in which the events and concepts or botw are just... disregarded really just left a bad taste in my mouth.

just- i love good stories and worlds in video games, and while some games can coast by for me by feeling good to play, having a good and engaging story and characters is usually essential to my enjoyment of a game, and when i don’t care about to the point of disliking the story and characters, and when none of the important areas are fascinating or distinct enough from each other, and when the game even fails to really reel me in with the gameplay...

i wanted to like totk, but it really just did not work for me. i just ended up feeling frustrated and disappointed and even sometimes bored with all of the major stuff and man. totk is really, REALLY, not for me, and it just left me wanting to play older zelda games instead.

...

HOWEVER! there were actually some things i really loved about totk! it’s not all doom and gloom! (well, not all doom, at least)

so! the music was great! not all of it really fit or made a lot of sense with the context in which they played or failed to evoke the feeling they were meant to, but the new tracks in this game were great! i especially love the first two phases of the fire temple’s theme, the depths music, and most of the new battle and boss themes. zelda games almost never fail when it comes to the music.

i did genuinely like the fire temple- yunobo’s ability was used the best in this dungeon, and it had the best five switches gimmick, i loved how you had to hit the gongs (sometimes having to construct a path to account for the weaknesses of yunobo’s ability) and how it then ‘scared’ each of the five statues holding a part of the gate- it was very cute and fit in very well with the general feel of that part of the story. it was the best in terms of difficulty and complexity, but it didn’t have the best boss- the lightning temple had the best boss, and i will admit that even if most of them were easy, i really enjoyed the mirror puzzles, as well as the process to unlocking the dungeon. the wind temple had my favorite visual identity and aesthetic, though, i liked it being a part of this old rito song, and how it was the most distinct in looks from the other dungeons.

the sky islands were honestly fun, even if they weren’t all that interesting. getting to some of the harder-to-reach islands were some of my favorite times i had to use ultrahand, and stuff like the zonai forge island and the one orblike island with the mirror puzzle, and pretty much all of the more complicated parts of the sky islands were a lot of fun to explore and figure out.

being able to ride on the dragons was just really cool, and the fact that they come out of the chasms was fun.

the new horns for the monsters were cool, it helps differentiate the different monster strengths and i just thought they were really neat.

the quest with lurelin village was fun, even if the pirates just being monsters was a real let-down.

the stable trotters were also a fun bunch of characters, that was a good, new way to open up fairy fountains.

all of the new stuff with the yiga was really fun, like getting their outfit and being able to pretend to be one of them and learning the blademaster attack- so much fun it was so cute.

most of the new outfits are really good and useful, and while a bit janky and not that great, the house-building bit near tarrey was endearing.

while none of the main characters interested me, i really, especially liked tauro and yona and penn. for some reason they just appealed to me and i really wish they had bigger parts in the game because they’re interesting and they have good designs and i’d really like to know more about them.

the underground gerudo shelter was pretty cool, to be honest, and the look of the caves was really cool.

i adored the proving grounds shrines- easily my favorite shrines in the entire game, i had no problem spending a decent amount of time in those kinds of shrines, they were fantastic.

the new ingredients and recipes and new weapons were cool.

the way you basically return to the area you started at on your way to ganondorf is pretty cool, that whole path is really neat.

ganondorf in general was a pretty cool boss, even if he ended up being kind of easy for me. the whole final boss sequence was neat.

by FAR, though, my absolute favorite part of this game was 100% the depths. the fact that there was just an entire second layer to the map that was the same size as the surface, just inverted and dark and filled with new bosses and locations... i spent hours down there without going back up to the surface and absolutely had a BLAST screwing around in the dark, lighting up my path with brightblooms and tossing together little vehicles with lights so that i could get to the next lightroot off in the distance. the depths was probably where i ended up using zonai vehicles the most, and it was honestly pretty fun to go around spotting and reaching every lightroot, coming across different mines and weird little landforms and coliseums and yiga camps. the music and plantlife and look of the depths were so good, and it really felt distinct from the rest of the game in a very good way. doing all of the lightroots and getting enough zonaite to max out link’s energy cells was definitely a good move since it made finding shrines and dealing with later zonai machine stuff easier.

overall, tears of the kingdom was a severely mixed bag for me, and while there was stuff i did like, i don’t think it’s enough to really get me to say that i really liked this game overall- after all most of the stuff i disliked was unavoidable parts of the games, and it definitely put a hamper on my interest in the rest of the time. totk is fine, but it’s really not my thing. 

[dexaroth]

im still grilling myself over worldbuilding.. in many ways its quite arrogant to think i could come up with interesting concepts that are not closely related to pre-existent biological or physical rules.. i can only think in the vein of either 'if more skilled and knowledgeable authors have not come up with a way to explain how a non-quadruped or non-organic/carbon-based macro lifeform could work, how could i possibly do it?' or 'my worldview is incredibly narrow and theres still a chance some or many people did actually make some plausible creatures that i dont/will never know of because of the narrow view' and its like ok man. you figured part of the problem. awesome. i still feel bad about it though and none the wiser :/

[padfootastic]

Its tragic that Regulus died but it's more tragic that he didn't have to. Kreacher could Apparate him from the cave. And if Regulus wanted to protect his family, his secret death achieves this how? He just disappears and Vold isn't looking for him or punishing deserter' family? Isn't worried that the boy whose house-elf he borrowed to test horcrux protection vanished? But the again, Vold wasn't shook when Kreacher showed up at Bella's in 5th book though elf supposedly died in that damn cave. XD

everything about regulus feels like an exercise in didn’t have to tbh

like yeah i know heroic teenager sacrificing himself blah blah but,,,,after reading a lot of fics that actually focus on worldbuilding/plot/side characters--im not entirely convinced that'sd what it was. like. if harry & co hadn't found the locket by sheer luck, then there's a v good chance things wouldnt have ended the way they had. reg ended up making things harder in his quest to vanquish the dark lord or wtv.

and like, im not even trying to bash here, but when i look at regulus the top character traits i see are arrogance, ambition, inflated sense of self worth, recklessness, and single mindedness (if thats valid). i mean,,,our boy could've easily asked sirius for help, he knew for a fact that his brother was on the other side, but he didnt. why? i cant see anything but ego there. he didnt even try. he was nowhere close to putting the cause above his own self.

but also,,,the fact that he actually went in the cave, presumably knowing he would die,,,that kinda indicates something much sadder for me. like, why else would he be so ok w the fact if he wasnt, say, unbearably suffocated and hopelessly over his head? if there wasnt latent suicidal ideation or, at the very least, a desire to get out, get away, not be here.

like, idk. i cant think of why he wouldnt ask kreacher to apparate him back/help him escape when he knew house elves could bypass the magic until he'd just fully accepted (perhaps even wished for) his death ykno?

[13eyond13]

.

[joskippy]

Simon petrikov they could never make me hate you

[kohakhearts]

yeah im thinking about the full version of 1・2・3 again yeah its making my brain a little mushy about The Characters

[moe-broey]

Man it truly sucks that like. The dude who did Planet of the Bass is a piece of shit LMFAO cause like. I feel like the DJ Crazy Times outfits PERFECTLY captured Moe's fashion sense and doodling those outfits spurred on A Bunch of ideas and I was having a lot of fun and even like an epiphany that spurred on a separate deeply self-indulgent project/concept (complete opposite end of the spectrum of indulgence) and then I find out ohhhhh. You weren't Just making fun of the fashion of the times and like, how it feels when you can't process shit so everything sounds a bit funny, and also just like how early 2000s music Is Sometimes (DEEPLY feel the song itself is SO DDR core ESP like... how it's just a bunch of vague jumbled concepts that's catchy AS FUCK) -- you're also a grown ass man still weirdly fixated on your autistic classmate you had in 3rd grade or some shit (have not looked at the vids myself and don't wish to, but from what I've heard it's essentially that).

(Further clarification -- he's making fun of autistic kids who had like, very typical and understandable Needs to accommodate being autistic in a classroom. As a grown adult. Like why are you even still thinking about this LMFAOOO move on, grow up LMFAOOO)

[handfulofmuses]

I like how he is just .... constantly pulling Xever aside to discuss this. It clearly bothers him and he is constantly the one who instigates it too.

It's just interesting because even though Xever is bothered by it as well, he is more subtle about it. But Bradford makes what he is feeling obvious and tells it Xever each time.

The only time when Xever did it was:

When the whole cult started.

[shivapvoid]

i think im gonna stay until this mmo dies for good

[imabiscuitinthousandworlds]

not in love not besties not codependent exactly but a secret fourth thing (whatever the fuck rosencrantz and guildenstern have going on)