#but who knows. maybe tumblr understands him on this one

[lilislegacy]

aww, i’m getting war flashbacks 🥰

this is both my most successful post on tumblr and my least favorite post of all time. simply because of how much pure hatred i got for it. i received sooo many asks and messages insulting me and telling me to get off the app. someone literally sent me an ask and told me to shoot myself. (that was fun!) it was before i was an experienced poster, and therefore didn’t know how much i need to justify some statements

people were mad about two things:

1) that i implied that percy would drink. which i understand, because of gabe. and i can admit that yes, he probably does have an aversion to the smell of beer and might not drink it. but also i think it’s ignorant to think we can predict percy’s behavior—literally one of his defining traits is being unpredictable. and oftentimes, the assumption relies on him associating drinking with bad people, but sally drinks wine on a daily basis and he’s completely good with it, so that idea doesn’t really hold up. anyway, yeah, maybe percy wouldn’t drink. i can totally see that. but also percy deserves to be a normal college kid and not let his past trauma define his potential experiences. if he was with annabeth and his friends, i can totally see him having a drink or two and letting loose. i just want him to be allowed to be a normal irresponsible teenager/young adult for once. sue me 😭

2) i referred to him as a frat boy. and wow did that get taken out of context. which is definitely my fault, for not clarifying. i didn’t mean he’s actually a frat boy, because obviously new rome isn’t gonna have greek life lol. i also wasn’t implying that he’s stupid or superficial or an asshole. i just said that because in heroes of olympus, when percy is around jason, there’s a lot of sizing each other up, joking around, and heavy bromance going on. like i can’t even count how often percy says “bro” and “dude.” which is very frat boy. and i think if percy was in a college setting, not stressed or in near-death situations all the time, and around more people like jason, there’s a good chance he would be a more fun and easy going person than what we often see. when percy is actually comfortable in his environment (which isn’t often) he seems to be more extroverted. but idk maybe he would be shy? who knows. it was just a little thought

so anyway, definitely not my best-phrased post. i would do it differently, now. but its fun remembering how much pure anxiety this post filled me with as angry people rained down hell on me 😂

imagine being someone at new rome university and not knowing percy is the same guy as “percy jackson, son of poseidon, two-time hero of olympus, former praetor” because the thought doesn’t even cross your mind. like… he’s percy. he’s a total frat boy. on a normal night, he walks into a party, refers to everyone as bro or dude, socializes with every living (and not-living) person in the room, makes at least 50 sarcastic comments, plays 12 rounds of beer pong, drinks way too much, and then skates around campus on his skateboard yelling “I LOVE NEW YORK” (which makes no sense, because they’re in california) until someone calls his girlfriend to come get him.

and then one day there’s an attack, and frat boy percy is all of a sudden a fighting machine. he’s yelling battle cries alongside the praetors frank zhang and hazel levesque as they lead everyone into battle. (why is he with the praetors? and why…. why in the world do the praetors seem to be following his lead?) his sword slashes through armies of monsters faster than you’ve ever seen. he’s controlling the entire river surrounding the camp, creating huge waves as tall as skyscrapers that crash down all around him, wiping out monsters and causing mass destruction to his enemies’ ranks. the sky is suddenly dark above you, ice-cold water droplets are slashing through the air, and the wind is blowing so aggressively that it’s making it hard to stand up steadily. because he’s somehow created a hurricane.

and he looks terrifying. you can feel the power radiating off of him. he’s like a god. or maybe a monster. it’s hard to tell. you’re a little scared of him, to be honest. but also in total awe, because it’s extraordinary. he’s extraordinary.

frat boy percy is not who you thought he was.

[thatesqcrush]

Reel Temptation

Rafael Barba x f!reader. P*rn star! Barba AU.

WC: 2.6K

Summary: It’s the Golden Age of P*rn, circa 1970s. Reader accompanies roommate to a casting call for an adult film. Little does she know that her life is about to change when she meets the male lead.

NSFW for language, talk about sex work and adult films, smoking (cigarettes and recreational drug use).

AN: s/o to @beccabarba for being my soundboard and never wavering encouragement.

AN2: sex work is work. Sex work will always exist - we need to make it safer for sex workers to do their jobs. Continued criminalization of sex work and sex workers is a form of violence by governments and contributes to the high level of stigma and discrimination.

AN3: this is a repost of part one as Tumblr decided it was too explicit & hid it from public view.

The apartment in California was a relic of the 1970s, steeped in the bold, eclectic charm of the era. Low-slung, avocado-green sofas sprawled across the shag-carpeted living room, beneath the warm glow of a globe-shaped chandelier. Wood-paneled walls held abstract prints, while hanging plants in macramé holders swayed gently by the sliding glass doors. In the kitchen, harvest gold appliances hummed quietly, surrounded by dark wood cabinets and a linoleum floor with a dizzying geometric pattern. The bedroom, with its velvet curtains and paisley bedspread, whispered of cozy nights in a space reflecting the free spirited culture of the time.

“Come on!”

A pillow landed on your head. You groaned as you rolled over, facing your roommate, Sadie who was in process of flicking her hair into wings. “I don’t want to go. Three’s Company’s on and this is the episode where there is some kind of understanding.”

“So you’ve already seen it then. Please,” Sadie begged. “You can read lines with me.”

You sat up further and sat with your legs crossed. “Since when do pornos have a plot line?” you sneered.

“It’s not porn - it’s really classy. It’s legit,” your roommate continued. She turned from the vanity to look at you. “Please.”

You let out an irritated sigh as you rolled your eyes. “Fine, fine, fine,” you grumbled. “Where’s this place anyway?”

“In the Valley.”

You stretched your arms as you stood, your shirt lifting exposing your midriff as you did so. “You’re paying for the gas. And any snacks.”

***

The casting office was small and seedy, reeking of smoke and something else. There was a line of women of all shapes and sizes waiting to be called. There’s a desk where an older, bald man is flipping through photos. It’s hot and sticky, the humidity suffocating despite a ceiling fan and standing fan going off on high.

There’s another room adjacent and in there, another man stands a few paces back, fiddling with the view-finder on a film camera. You sit on a peeling linoleum chair next to Sadie as you peruse the so-called script.

“Sadie, are you sure about this?”

Sadie chewed on her bottom lip, thinking. She nodded after a bit. “Yes, totally sure.” The tone in her voice however, led you to believe she was maybe trying to convince herself.

“Look, we can just go,” you whispered. “No one’s gonna give a shit. Or notice for that matter.”

You stood and faced her, outstretching your arm. “Come on, you don’t even have to pay me for the gas.”

A man’s voice filled the room and you heard the gaggle of ladies giggle and swoon. When you turned around, your breath hitched.

“That’s him - that’s my co-star…,” Sadie replied, a large grin on her face. “Hopefully!”

“That’s your … who is he?” you questioned, dropping your arm as you drank him in. Dark hair, thick sideburns, and a full, bushy - but well groomed- mustache. He wore a collared shirt with a bold pattern and fitted flare jeans. His shirt was slightly unbuttoned, revealing a dark chest hair.

His overall appearance exuded confidence and a laid-back charm, embodying the free-spirited, adventurous spirit of the time.

He’s painfully handsome, good-looking in a way that disarms you, making you feel giddy, like a child waiting to meet Santa. He’s so handsome it is almost burning, as if you cannot look at him full on.

“His name is Rafael Barba, but on screen he goes by ‘The Judge.’

You whipped your head to the other voice, this time female and not Sadie’s.

This woman was tall and drop dead gorgeous with high cheekbones and chestnut hair. “Names Olivia. I help book the girls.”

Her gaze fell on you and Sadie and you had a feeling that she was mentally adding you both up.

“First timer?”

Olivia’s sharp gaze landed on you and you shook your head. “Not me. Her.” You jutted your thumb at Sadie.

Olivia narrowed her eyes. “Maybe,” she murmured to herself, dropping her gaze. She looked up at you once more. “Let me go speak to The Judge.”

Sadie squealed. “Oh my God, it’s happening!” She bounced in place.

You rolled your eyes and watched Olivia go over to “The Judge,” who was flirting with the gaggles of women. She tapped his shoulder and then whispered something in his ear. He gave a curt nod, before following her. The Judge is even more handsome up close and his body is thick, in a functionally fit kind of way. The way you knew the weight of him would feel oh so fucking good on top of you, crushing you. A jolt of pleasure coursed through you and as you felt your cheeks heat, but you chalked it up to the heat.

The Judge stroked his chin as was now his turn to assess. He turned to Olivia and pointed to you, whispering in hushed tones. Olivia nodded in response, and you’re only able to make out an ‘I agree.’

The Judge stalked off and Olivia turned around to face the line of still-swooning women. “Casting is over. We’ve got our girl. Come back tomorrow.”

The group of women begin to groan and complain about wasted time and it not being fair as they dispersed. Olivia made her way back to you and Sadie.

“So here’s the deal,” she began and pointed at you. “I know you’re not here for this, but The Judge wants you.”

“Me?” you exclaimed at the same time Sadie replied incredulously, “Her?”

“No no, you made a mistake. I have no interest…” your voice dies off as Olivia narrowed her eyes once more on you.

“He wants you. And he’s willing to double the pay at his cost.”

You shake your head incredulously. “This cannot be happening.”

“Wait, what about me?” Sadie chimed in.

“I didn’t forget about you sweetheart. You’ll be our fluff girl.”

“Fluff girl?” You questioned, puzzled.

“Basically your girl will give a handy or blow to keep his cock up on set. After setting up the desired angle, the director usually requests the actors to hold position, which can be a bit… deflating. The fluff makes sure the actors are fully inflated for the shot.”

“And how much does that pay?” Sadie questioned, her tone disappointed. The pay is a quarter of the original pay. Sadie huffed. “What if I don’t want to?”

“Then the door is right there,” Olivia replied sharply. She turned to you. “What do you think? You in?”

Your brain is swirling and your cunt is throbbing at the idea of being fucked by The Judge. Before you can allow for rationality to seep in, you nod. “No way, no thank you.”

Olivia cocked her head. “Shame. He thought you had it in you.”

“Me?” You squeaked. “It’s just that I— I’ve never—”

“We get it all the time. The good girls who wouldn’t ever dare, the ones who clutch their pearls. It’s just fucking. It’s not that serious. You’re telling me you’ve never fucked before?”

You shook your head. “Of course I have.”

“Okay, so how is this any different? In fact, it’s better. You get paid.”

Olivia switched her gaze from you to Sadie. She gave her a once over again. “You know what, I could use you for another film. I’ve got this other guy, Sonny - real nice on the eyes. Think you’d be perfect. What do you think? I’ll pay you to fluff and for a movie?”

Sadie brightened. “Yeah, perfect.”

Olivia grinned. “I’ll put you up at the motor lodge nearby. Be here tomorrow at noon.” She turned to you again. “What about you sweetheart? Am I wasting my time? Are you telling me that I have to call all of those women back?”

You sucked in air between your teeth and thought about how fucking sexy The Judge was. And so you decided there and then with what was in between your legs, than what was in between your ears.

“I’m in.”

***

You arrived the next afternoon with Sadie. Another assistant - a blonde woman named Amanda - was having you sign off various consent forms.

“Do you have any limits? The Judge wants to know.”

“Limits?” You questioned. “What do you—“

“Jesus Christ,” Amanda replied exasperated. “Olivia told me that you had sex before. Was that a lie?”

“No!” You replied sharply. Amanda raised a brow and you lowered your voice. “Never had any complaints from my boyfriends.”

Amanda smirked. “Limits are shit that you don’t want to do. For instance, anal, golden showers - being pissed on,” she clarified when she saw the confused look on your face. “So if you don’t want to do something, then you let us know.

You cocked a brow. “Um, I guess anything involving piss. And shit, if that’s a thing too.”

Amanda laughed before she lit a cigarette. “Believe me, there are lots of fucked up people out there who like to do all sorts of fucked up stuff - shit included. So you’re good with butt stuff?”

You nodded. “I haven’t done it much, but yeah. I’m good for it.”

Amanda gave you a lascivious, devious grin. “Perfect.”

***

You were shown to your changing room and told to get in a robe. Some test shots were needed to make sure lighting was good. There was another handsome man, with dark hair and dark eyes. He was behind the camera, adjusting the viewfinder.

“Hey,” you reply quietly. The man lifted his gaze and looked over at you. A shit-eating grin spread on his face.

“Hey princess. I’m Nick, I’m the videographer.” He snapped the gum he was chewing. “When you’re ready, just stand in front of the screen and undo your robe, just the top.”

You swallowed nervously, your heart hammering in your chest. “Okay.” You did as he said, your nipples instantly hardening due to the air.

Nick let out a whistle and nodded. “Those are some real nice tits. Real pretty.”

You blushed, feeling your cheeks heat. “Thanks.”

Before long you were doing a full nude shot. Mid-one shot where you where on all fours, looking back at the camera, Olivia walked in. She nodded. “Looking good honey. Got your friend Sadie already in a scene with Sonny. And The Judge is mid-scene.”

You blinked. “Really? Could I watch? Just to get a better idea of what it’ll be like for me?”

Nick snapped his gum and let out a little grunt. Olivia narrowed her eyes. “Nick, you’ve got enough shots, I am sure. Give her a break, she’s a newbie.”

Nick rolled his eyes. You donned your robe back on. Nick walked over your way and jutted his head. “Come on, I’ll take you.”

You followed Nick down a few hallways and soon enough, your ears picked up the sounds of someone clearly getting fucked. The room was small and tight, the crew basically taking up the entirety of the space. You squeezed your way in, the air thick with the scent of sex, lube and sweat. You watched the scene before you completely transfixed and enraptured. There before you was The Judge fucking some woman on a couch. Her legs were in the air as he gripped them tightly, fucking her without abandon.

You felt yourself grow wet as The Judge railed this woman thoroughly, dragging his cock through her slick pussy, over and over.

“Such a good slut, taking my cock so well,” The Judge grunted.

The woman wailed as she came, her tits bouncing in tandem with the pace of being fucked.

“Gonna come,” The Judge grunted. He slid his cock out and your pussy clenched in response. His cock was big and thick, an angry shade of red- almost purple, covered in the woman’s slick ready to bust. ‘Jesus Christ,’ you thought. ‘How am I going to fit that in me?’

He stroked himself over her stomach and then came with a long, low, almost guttural groan. The white ropes of his release coat her stomach, catching the obnoxious overhead lighting.

“Cut!”

The director’s voice snapped you out of your reverie.

The woman sat up and stood, before grabbing a robe to slip on, leaving it hanging open. She leaned over to grab a towel to wipe herself. The Judge slipped on his pants, foregoing underwear. He looked up and met your gaze.

"You think you can keep up, sunshine?"

You read the surprise in his eyes as you replied. "I can take anything you dish out, bub."

The Judge smirked. “Rafael Barba.” He extended his hand and you shook it in response. You relayed your name and he repeated it slowly, as if savoring it. And the way he said it was just delicious.

“Liv told me you have never done this before.”

You furrowed your brows. “Sex or porn?”

Rafael laughed and he reached into his back pocket to pull out a pack of Marlboros. He offered you one and you took it. He slid a lighter from his front pocket and flicked it open and offered it out. You take a step closer, leaning forward to dip the tip of your cigarette into the flame. It ignited and you step back, smoke mingling in the air.

“Porn. If you had been a virgin, I would be fucking your friend and not you in about an hour.”

You nodded before taking a drag. “Nope, definitely not a virgin. You blew out smoke before you continued, “So what is our scene or whatever?”

“Liv didn’t tell you?” Rafael seemed amused. “We have a whole courtroom set up. You’re gonna be the lawyer who gets called into chambers.”

Your eyes widened a little. “Oh.”

“I figure we’ll start with some oral, both of us and the I’ll fuck you from behind over the desk. I’ll finish on your ass. That work?”

You ran through it in your mind. “What about if I lay on my back on the desk and you can finish on my tits?”

Rafael ran a finger through his mustache as he eyed you. His voice was low and dark as he replied. “Yeah, that’d work sunshine. I’ll take the lead.” He was still shirtless and you eyed him appreciatively.

Rafael lifted your chin with his finger and your eyes met his. “Seriously. Don’t worry. I’ll take care of you.” He winked and you flushed in response, already sensing the charge in the air.

Rafael eyed your robe, not completely undone but a little loose. He traced a finger over the trim by the opening. “Do you mind if I get a peek?”

Butterflies fluttered in your stomach, suddenly feeling vulnerable. Part of you was excited, thrilled by the risquéness of it all. The other part was that he was a stranger - the men who had seen you naked were boyfriends who awkwardly groped you in the backseat of cars or movie theaters.

You swallowed and nodded before undoing your robe, letting it fall to your lower back. You felt hot as Rafael immediately licked his lips. “Fuck, those are some pretty tits.”

You felt yourself blush in response.

“May I?” Rafael asked and it took you a second to realize that he meant if he could touch you. You nodded.

His hands were large, with long dexterous fingers, well manicured and patterned with veins. You watched his hand flex and you knew instantly, every movement intentional. Patterned with veins, well manicured, with unexpected strength. His skin was warm and soft. Rafael’s touch began rather innocently, along your arm up to along your shoulder. He then brought it down your clavicle to your sternum. He cupped one breast with his hand, feeling the weight of it against his palm. When his finger brushed your nipple, a bolt of pleasure shot down to your core. You couldn’t help but let out a soft moan.

“Mmmm, so responsive,” Rafael said, his voice dark and low. “We really are going to have a lot of fun,” Rafael replied once more as he took a drag of his smoke.

TBC.

AN4: Lmk if you want to be tagged when I post part two!

[lemotmo]

I can't believe this is an actual discourse, well actually I can, but if you would like to choose your fighter, I'm curious where you stand on the issue as well. For what it's worth this makes sense to me. I'm good with this. And the Buck girlie thing feels accurate.

Q. Do you believe Eddie is gay? And where do you stand on his relationship with Shannon?

A. So I will start by saying the fact that you all think this needs to be an actual sticking point is asinine to me. He's demi sexual. If you want to headcanon him as gay, knock yourself out. But the show isn't going to be that deep about it. As far as the show is concerned Eddie is going to have been in love with Shannon and now he'll be in love with Buck. That's it. And it's fine. But I believe he's demi. The first thing he always tells people is that Shannon was his best friend. Eddie needs an emotional connection to someone. The emotional connection is what allows him to feel everything else. But the show is not going to spend multiple episodes having Eddie realize he's gay and then declare he never really loved Shannon. That's not what's going to happen, and I don't know why you all believe it would or should happen. There's nothing wrong with him having genuinely been in love with Shannon. And even if he does end up being gay he can still have genuinely loved her. Him being gay does not erase Shannon. And she doesn't need to be erased for him to be in love with Buck. I say this as a Buck girlie, but this entire discourse feels like a set up to declare that Eddie isn't worthy of Buck if he ever loved anyone else. And we're not doing that. These are men in their 30's. They both have a past, and they have both loved other people. That's life. Eddie loving Shannon won't make his love for Buck less than. I'm not saying the show won't or can't have Eddie say that he loved her differently than he loves Buck but they don't need to do that. Eddie is allowed to love them both. You're asking a show that can't be bothered to know the age of their characters to be nuanced enough to tell a full-fledged sexuality storyline and that's not this show. Buck apparently doesn't even know he's bisexual yet. Eddie loved Shannon and he will love Buck. That will be how the show handles it. And that's fine. As long as it ends with Buck and Eddie together the labels should not matter. I understand that representation matters but that's not what this discourse is about and we all know that. But as far as I personally am concerned, Eddie is demi. Ryan is not going to do any Cameo videos encouraging one headcanon over the other so if you want to headcanon him as gay that's your right. I just don't think anyone should be demanding the show give him a hard stop label. Because I don't see them doing that.

Thank you Nonny!

For me the answer is pretty simple. I've ALWAYS believed Eddie is demisexual. All the signs are there.

He loved Shannon after he was her friend for a while. They made a connection first and then he fell in love. He went straight into dating Ana and Marisol, didn't make that connection of friendship first and, while he liked them, he never loved them.

And now he loves Buck. He was his friend first, they made that connection and then he fell in love. Only this time I don't think he realises he's in love. I think his love for Buck will hit him like a sledgehammer somewhere in 8b and I'm so here for it. 😋

I agree with Ali that they probably won't label him. They haven't really labeled Buck either and I don't see them doing it with Eddie. He'll just realise, maybe struggle for a while and finally accept that Buck is the one.

IMPORTANT! Please don't repost this ask and/or a link that leads straight to my Tumblr account on Twitter or any other social media. Thank you!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[russeliarat]

So I've encountered some WILD vague posting about the CCCC fandom and it's arguments about gore fics. I haven't directly interacted with this fandom for over a year - not because of anything bad, I just moved on to other interests to be clear, however the fact that this issue that I encountered a full YEAR ago is still a prominent issue in the fandom is crazy. And according to my boyfriend, who still actively engages with the main section of the fandom and their fanfictions, it's apparently gotten a LOT worse.

So I'm gonna be clear, I still engage with CCCC and CJ's media. I still listen to his music, I still engage with art on tumblr, as well as headcanons, I still draw HMSW (plus two of my system's cohosts are directly sourced from the media). I just haven't read the fanfiction or gone on CJFS for a while. Hearing that this has been so bad, it's come to vague posting back and forth on tumblr makes me so fuckin fed up with this shit.

Read to the end of my post before you form an opinion on this, I have nuance, okay?

Hi people, maybe it doesn't take a genius to take a step back and figure out that saying that you should be allowed to make reasonless and intense gore, abuse, and torture fics about a REAL GUY'S personification of his own personal struggles with mental health and suicide is insanely entitled /neg.

Heart, Mind, Soul, and Whole are not just independent characters from Chonny Jash. They are his (self-admitted) personifications of his mental health struggles, thusly, they are him. CJ has said that Whole is just him.

Excusing making fanfiction about intense abuse and gore and torture and cannibalism and god knows what else about HMSW on 'they're AUs' or 'they're interpretations' is not okay. Usually, I'd agree that you should be allowed to make fanfiction freely without people telling you what to do. HOWEVER! This is a real man's struggle with his mental health so I think that there are certain lines and boundaries that should be placed out of respect for CJ. Reasonless gore isn't necessarily bad, but reasonless gore about a real person's struggles is above and beyond disgusting. I've seen someone argue that saying that is government state censorship...

Guys, there is a distinctive difference between 'reasonless fluff' and 'reasonless gore'. One is wanting them to get along and be nice. The other is wanting them to torture each other. I don't think it takes a genius to understand there's a huge difference between 'I want them to snuggle' and 'I want violence to be done upon them'.

I think over the past year, I've kept this idea to myself because I wasn't directly involved and I didn't want to face the backlash at the time. Then my boyfriend got slammed in dms by someone who had these views, so now I'm pissed. I have personal shit in the game now and I cannot hold myself at bay anymore because I'm at my wits fucking end.

I think a lot of writers who delve into these intense topics should keep in mind 'what would CJ think if he saw that I was making fics about gore/abuse/torture with characters that personify himself?' Not because all gore or abuse is bad, they can be used for some wonderful symbolism or tension when pulled off with meaning and though and tact - rather, it's because some people take it way too far, sometimes without realising. I've seen a lot of people I was close to get stuck in an echo-chamber and not realise they spiraled from the headcanon that The Juno Incident was a violent blinding to something as intense as frequent abuse or gore between HMS.

I want the people on the opposing side to realise that I'm not going after gore or violence or intense themes. Some of my favourite pieces of media contain very violent, gory, abusive, intensely triggering themes, and sometimes, they are reasonless and because the developer or writer wanted to explore different forms of horror and fear. I don't personally believe that those kinds of themes should carry over to CCCC because (for the fifth time I'm mentioning it but I feel like I really need to drill it into some people's heads) the album is about a real person's struggle with suicide and his own mental health.

I'm not trying to censor anyone's views, it's just that I think sometimes there's just general common sense boundaries surrounding fandoms that are about someone's mental health.

An additional point is how often these fics tend to be quite ableist and I do see these writers project their internalised ableism onto HMS, which is a much bigger issue in the fandom since about 90% of people headcanon Heart as being somewhere on the blind spectrum and Mind as having some sort of issue with his voice that means he needs to use a vocal implant/Mind being a robot (which can very quickly spiral into ableism depending on how it's used).

Frequently, I see people portray Heart's blindness as making him weak or helpless and the same with Mind and Soul if people headcanon them as having implants or prosthetics or some form of disability and use it in their gore fics. Due to a lot of gore/torture fics using helplessness from injury as horror, it can very easily become quite ableist. I've been in fandoms with a whole month dedicated to harming their faves, and this can be an issue with them as well, not just the CCCC fandom. It can be done without ableism, but more often than not (especially in the CCCC fandom) people aren't looking for it when they write and can create ableist fics about a helpless character because their new/old disabilities.

I also saw someone talking about mischaracterisation and how that ties into this whole thing, but that's for another time because it's partially a separate topic that I could do a full length thesis essay on, so I'll do it another time.

TLDR; Don't make gore/torture/abuse fics about a real person's personifications of himself and his mental health/suicide struggle. That's fucked???

[the-sky-the-stars-the-sea]

Yah dude 92sies Race is awesome with kids. He’s always playing around with the little ones. In Carrying the Banner right before the Delancey’s come in, at “and we’ll be out there, carrying the banner man to man” he’s playing with Tumbler, and when Les is claiming that Jack “is just fooling ‘em” when he becomes a scab, Race is the one who humors him, saying (albeit very flatly) “sure, kid. He’s just foolin’ ‘em”

And before David runs off after the carriage with Jack, he doesn’t say “guys, please watch [Les]”, nuh uh, he says “Racetrack, watch him.”

And we’ve seen David with Les. When he didn’t trust Jack at the beginning he wouldn’t Les come near him with a ten foot pole . He wouldn’t have just left Les with Race if he didn’t think Race could watch him.

And how does Race react? He pulls Les closer to him. He has a serious face. He understands that David is trusting him with someone very important to him. We usually see him as a guy who never stops joking and can’t take anything seriously. Well, here we can see that being the designated babysitter is something he takes very seriously.

And then there’s that part you mentioned, which is one of my favorite Race moments: The World Will Know Reprise.

I just-AHHHHHHHH MY HEART

No more words. È perfetto 🤌🤌

But here’s the thing. Why is Race so good with kids? He’s a gambler. He’s a loner. He’s the jokester. In theory it doesn’t sound like a good idea to leave a kid under Race’s supervision. So why, in practice, is he great with kids?

I think we have Max Casella to thank for making 92sies!Race good with kids. For one thing, he was in fact 24 during the making of the movie, and he was in fact around a lot of people younger than him. Maybe Max had a soft spot in real life for kids. Also here’s a picture of him with two of the extras:

(Screenshot of another tumblr post)

I have also heard that Max taught the young ones how to gamble he truly is Racetrack Higgins

Another thing: here’s a link to an article written during the time of the strike, one of my favorite ones:

I’m going to copy an excerpt of my favorite part of this article, partially because the writer wrote about him like a lot of fanfic authors do, but also another soft fact it reveals about Race’s life:

“A characteristic feature are his eyes. They are dark and handsome, but there is in them a curious combination of defiance and tenderness. The latter was exemplified by his care of the “mascot” referred to. This was a long-haired and delicate-looking boy of four or five. Evidently it was his brother, but the tenderness with which he put one arm around the little chap while he emphasized his talks was almost motherly. Very likely behind that care there is a bit of life history that an occasional sad look in Higgins’s eyes suggests, but in no way reveals.”

The real Racetrack Higgins had a younger brother.

I just-ahhhhhhhhhhhhgssgksgksgjsjsj

I literally go a little crazier every time I remember Racetrack had a younger brother. And I die every time I remember this article described him as being “almost motherly” 🥹🥹🥹

So how does this tie into 92sies? Well I do know that Max Casella was said to “have moved into the library” because he spent all his time in the public library researching his character, to try to learn all he could about him. How much he found I don’t know, and I don’t know if he ever came across this specific article, but we can’t entirely rule out that the two never crossed paths.

Sorry for overtaking your post op, in short, I love Racetrack, I love Max’s portrayal of him, happy early/belated/on time birthday, you are right he is good with kids 👍

Felt like posting because it’s almost my birthday

Race is somewhat mildly good with kids. LIKE FIGHT ME ON THIS ONE. LOOK AT HOW MOVIE RACE IS TREATING LES IN THE WORLD WILL KNOW REPRISE, YOU SEE?

[solar-halos]

okay guys i need to know

[cerealmonster15]

IM GOING TO TALK ABOUT ALHAITHAM AND KAVEH AGAIN!!!!!!!!!!!

i love this fuckin argument kaveh and alhaitham have on the port ormos bulletin board

it's one of those instances where kaveh and alhaitham are arguing and alhaitham is saying that like, while he disagrees with kaveh lol, he also doesnt deny theres truth to what kaveh says.

but i also think it's funny how alhaitham is like "end of conversation. ALSO-" like bitch you kept going IMMEDIATELY fkjsjfklds and then that stupid bit where theyre like "he said this" "he did not fucking say that" "he did" "no he didnt fuck you" "he did give me a month ill prove it!!!!" THEYRE FIGHTING LIKE CHILDREN ON A PUBLIC MESSAGE BOARD😭😭😭

also i have this one bit stuck forever in my mind from kavehs hang out

[video source i screenshot from]

MAYBE im reading into it way too much bc i have terminal haikaveh brain. maybe. BUT!!!! art is subjective i can do what i want :^) anyway i think a lot about this part because TO ME it sounds like kaveh keeps assuming the worst from alhaitham - makes sense, they argue all the time and they def have a turbulent relationship. HOWEVER!!!!! while alhaitham does like poking fun at kaveh and gets annoyed with him dskjfdsklf i FEEL LIKE theres an implication that he like, does not enjoy seeing kaveh suffer the way kaveh just assumes he does.

like here, kaveh is like oh, youre not hoping to see me make a fool of myself are you >:(?? just bc alhaitham was like. in a location unexpectedly. lol. and then alhaithams phrasing is just so specific where he like, doesnt say yes but doesnt say no either lol. hes like "oh so you think i get joy from seeing you in pain day in and day out? well if that were true id be entertained always because youre always in distress"

but like. I DUNNO MAYBE IM BEING STUPID BUT JKSDLFJDKL to ME it felt like he was deflecting the question. to be fair it was a silly question so maybe alhaitham didnt think it worth answering lololol but like "are you here to watch me struggle" "why do you assume i enjoy you struggling" is the vibe i get. but then with bullying also bc alhaitham is still poking at him and his distresses lol jdkslfdskl

and then like the moment the traveler is about to be like "kavehs feeling sad" and kaveh tries to deflect it, i personally think alhaitham managed to come up with a distraction to get kaveh to walk away for a minute so he could hear about kavehs troubles bc hes IMMEDIATELY LIKE

ok now that hes gone tell me about kaveh and his issues. and then goes on to explain kaveh and his behavior

and there are SEVERAL INSTANCES i mean this is an obvious thing lol but like, many such cases where kaveh and alhaitham will be like "yeah this guy is incredibly smart but his personality is fucking unbearable" i just enjoy that as much as they rag on each other theyre still like "no he is a genius though im not gonna deny that" AND ALSO [help]

alhaitham says stuff like this a few times, i think hes got a teapot line or so where he says similar things 🤔 but hes like "yeah people go about their lives doing different things and thats fine everyone should stay in their lane as long as theyre not disrupting the lives of others" AND YET!!!!!!!!!!!! he and kaveh endlessly fight with each other on how they go about their lives. trying to get the other to see their way of thinking even though i think they both acknowledge [or it says somewhere in the lore that they do] that it is a losing battle bc theyre both really set in how they see things and their methods of doing things. I JUST FIND IT REALLY INTERESTING that alhaitham is like, "mind your business and ill mind my business what ever bye" but when it comes to kaveh hes like. no actually i have to debate you. the way you feel isnt wrong however your actions make your life really hard for yourself and you could be living better if you changed" like he cannot stay in his lane when kaveh is involved!!!!! and like the whole reason he's even IN the parade of providence event at all was bc he was pursuing a thread of research that he figured out was connected to kavehs dad and his disappearance!!! mister "i dont want to get involved if it doesnt disrupt my life" got involved to give his boy some closure on the haunting of his dead father!!!!!!!!!! I am going to explode now goodbye!!!!

[vatelixx]

You are the knife (I turn inside myself),

S2!Post-addiction!Spencer Reid x afab!BAU!reader

SMUT!! (and copious amounts of angst, and like a small amount of fluff to just… balance it out), Workplace rivals, aka, enemies to lovers (who are still enemies and would rather die than tell each other they’re in love).

──── autistic spencer (as per usual), evil evil reader (im being dramatic, kinda), they hate each other so much that they have to find a new way to crawl into each others skin.

Warnings: sub spencer, brat!spencer (a man gets glasses and suddenly thinks he can be defiant) brat!tamer!reader, HUGE corruption kink (someone keeps putting that in there???? it’s not me, i swear), first time for Spencer (i love a virginal nerd), restraints (someone has to pin him down), crying— like lots of crying, degradation (and a little praise because they work hand in hand), Spencer eats reader out like rent is due, reader says thankyou by destroying him, they argue mid-sex. They actually just argue constantly.

— warning: mentions of past drug addiction.

w.c: 9k (mostly smut, holy shit how is it 9k??? their arguments hiked up my word count im positive)

a/n: i know tumblr hates to see me coming with my Spencer Reid one shots. I wrote this at 3am when I was supposed to be studying for my latin exam, it’s okay. Uni will understand I had greater things to do. I promise i’ll get around to my requests this week, i just got possessed by the holy ghost and wrote this.

────────────

Something, something, mindless torture. Spencer holds his brain, his intellect, in high regard. Proverbial accomplishments, Stanford Binet approved genius, he’s an outlier to most. And yet, the moment you start speaking, he has no thoughts beyond the domineering urge to throw himself off a cliff.

You’re late today. Chicago, you’ve both been sentenced, discarded to create a profile from the minimal information present. Forced proximity, the team have been trying to stifle this animosity shared between you for over a year now. It doesn’t work.

Here’s the thing, each member of the BAU has their own specialised feat: Penelope could be a cybercriminal, if she so wished, a tech-genius that has no qualms in tearing down firewalls. Morgan, adroit, an expert on the field, stereotypically strong, all running lines of muscle. Who wouldn’t want to be princess-carried away from danger by him? He’s also remarkably good at kicking down doors. Gideon has incalculable years of experience, a mentor.

The list stretches on.

But you and Spencer can’t both be the brains of the team. It’s unbalanced, skewed. A clash of intellect. Scales tipped in one direction, why does he always come up short? Why can’t he just—

Why, repeats as you push through the bureau, blanking the predictable, formulaic stares of various officers, trained officials, the usual mess. Why— why profiling? Why did you voluntarily choose to suffer your way through ceaseless cases of sanguinary?There has to be an element of masochism to your career; no one with a sane mind voluntarily decides to walk into an onslaught of serial killers and death.

The early mornings are always the worst; stumbling out of bed, deriving no sleep from the night, tangled sheets and restless limbs. “Don’t,” you push, padding into the office, met with Spencer’s hardened gaze. “Late night.”

“We haven’t been here for 48 hours yet, 36 and 22 minutes to be precise, and you’ve already—“

“Get your mind out of the gutter, boy genius. Late night as in I stared at the casefiles until my mind went numb.”

“Did you take a break?” he asks, and you both know it’s not born from care. “Maybe a self-reflection period to realise that torturing yourself isn’t the most effective form of work. Your reactive skills will be delayed now, let’s hope we don’t find the unsub today. In fact, maybe I should warn Hotch—“

“Have I ever warned Hotch about your breakdowns?” that shuts him up. It also makes him spiral, because you can’t know, it’s not statistically possible that you’d be aware of Hankel’s lasting impact on his body, dilaudid, hydromorphine, and not tell someone. He assumes you’d be desperate to eliminate him from the team, to claim your win.

“Right, um— the case,” he shifts in his seat. Professionalism, tolerance, it’s all a little too much work when it comes to the subject of you.

“The case.” you agree.

You’re attuned to each other, a psychological curse he’s forced to stomach. Offices and crime scenes, analysing, competing, hellbent on one upping the other. “Look at these markings—“ his hands rifle through the files that adorn the table, searching searching until they produce an autopsy report.

The markings on the body are intricate, latin symbols prominent against the victims pale skin. You lean further forward, following the path of his index finger as it traces the outline. Perhaps there’s an element of telepathy to your dynamic; you don’t need to state the obvious, too aware that his brain has already processed the information, that he’s moved onto the nuances now.

Human sacrifice, it’s not the first time you’ve caught yourselves in the midst of cult worship and indoctrination. But it’s certainly the first time of its kind.

“Traces of wine in her bloodstream. Found in a forest. Sounds like a bacchanal.” you state, shifting to pull yourself up on the desk.

Spencer looks. At your long, slender legs extending out from a pencil skirt. Effortless, natural, situating yourself on the oakwood, hair half covering your face, with loose strands pooling over your eyes to obstruct your sight.

It’s a strange analogy, the two of you; Spencer with his tired eyes, haphazard clothes and messy desk, and you, just as dishevelled in the morning light.

Metaphorically and literally you’re higher than him right now. He fixes his askew glasses. Clears his throat. “Regina Horthorne,” the victim, “Straight A student. Honour role. What are the chances she willing went to said… bacchanal?”

“Hm. I don’t know, maybe she’s like Laura Palmer. Double life. 4.0 cheerleader by day, crazed bacchante by night.” you retort.

Shamelessly, you take a moment to observe him, just as he did you. Shirt sleeves bunched up at his elbows, hair tousled, large hazel eyes, interminably darting across your face. You wonder for a moment if he’s analysed you the way you’ve analysed him. It’s a futile question, of course he has.

Anything to gain the upper hand.

You continue, “Maybe they’re sacrificing virgins. You could go undercover as a potential victim. Certainly fit the part.”

“I’m already too old to be counted as an appropriate victim. There’s a high probability ‘they’, the dominant unsub, wouldn’t even look at me, and—“ he pauses, pretty face marred by creased features, brows furrowed, a slight pout to his lips.

“There’s a homicidal cult preforming human sacrifice, and you’re wasting time by insulting me?” Spencer is….. a perpetual scholar, a social disaster, wearing his intellect like an ill-concealed secret, outcasted for the weight of his own brilliance. “The BAU clearly made a well-informed decision when they hired you.”

“Oh, you wound me boy genius.” you respond, pressing your hand against your heart.

Endless cases. The impenetrable presence of fall. It feels like you shift through cycles, bleary-eyed and tainted from the job, damaged goods— do you struggle to sleep like I do?

You lean forward, hands, adorned with cluttered rings, braced against the table, bodies closer now. There’s a burn, something fervent that lingers between you, rivalry, opposition. Some days you feel as hedonistic as the unsubs you track and chase.

Continuing, you let out a sharp laugh. “Are you still bitter because I realised it was a bacchanal before you? Don’t worry, i’ll let you take the credit for it. I’m sure Gideon will be so impressed.”

Gideon sees everything in him, and nothing in you. Predictable.

The distance between you has become almost null. It’s intimate, and he’s not sure how he feels about that. “I’m not bitter. And I don’t care about the credit.” A lie. “Unlike you, I don’t need to prove my worth to him.”

────────────

Spilt blood. Your hands are calloused from holding a gun. From firing a bullet straight through skull. The case closes, locked behind that inviolable wall, the one that’s installed into your mind the moment you’re employed, the moment you sign your fate over to the BAU. You’re not sure why anyone stays, overworked and undervalued, there’s no heroes in real life. Maybe it’s the sense of family, or maybe it’s just what everyone subconsciously fell into.

You can’t understand why you’re so angry at Spencer, why it extends to the next case, South Dakota— deaths of locals, but these days, all of the illogical, petty reasons just blur together. Create this tangled mess of overcompensation. ’I assumed you two would get along,’ Prentiss had stated— but what does she know? She’s been an active member of the BAU for a whole 10 minutes.

The hostility has mounted to new levels now.

It’s hard work, long hours, no gratitude and a pay cheque that can’t even begin to cover the trauma that comes with the job. The BAU is like self-sabotage: a long list of reasons to leave, and no real reasons to stay. But still you’re both stuck in this loop.

South Dakota, of course it’s South Dakota. Cold, desolate South Dakota where the wind and snow will not let up, and the team are forced to remain cooped up in a cheap motel, desperate for any sort of entertainment.

Here he is, coerced into your room to work on the case, overtime, his eyes are rimmed crimson.

You’re sprawled out across the bed while he sits at the other end, slender legs crossed. Spencer is tired with a weariness that seems to go soul-deep, shoulders slumped forward, glasses oblique.

The tension is near-palpable, stifling. “I can do this myself. No offence,” full offence, “but you’re unneeded right now. In general, really.”

You make him cruel. Or no, maybe this job does? He can’t remember himself unscathed now, fresh-faced to the BAU, unaware of what he’d endure. It’s still early days in recovery, two months since he was entirely, indomitably reliant on Dilaudid.

“No you can’t,” you retort. Maybe it’s unprofessional, disreputable to waste so much breath on insults, to dedicate specific moments to hostility— people are dead, people will keep dying. And yet, perhaps there’s justification for this; your mutual animosity is the only semblance of routine to this job, the only way either of you can seek control.

Control. All you do is reach for the blade.

“You’re just bitter that I know what I’m doing. You’re not infallible, Boy Wonder. You need my help, so shut up and read that autopsy report. The sooner this is over, the sooner I can go back to my apartment and forget you exist.”

Well that’s certainly unlikely.

“I think,” he says, and he knows this is going to be bad. He can feel the serrated edge to his forming words, his half-baked analysis too focused, too distracted, by his need to hurt. But he’s exhausted, and these days, he runs on a detrimentally short fuse. Maybe he finds a release in your dynamic, or maybe it makes everything worse. How can something be everything and nothing at the same time?

“I think you’re insecure” he continues, “because you know Gideon values me more. That, to him, you’re replaceable. It’s why you’re so fixated on one upping me. Why you feel the need to prove yourself superior. Textbook insecurity. You can’t stand the fact that he chooses me over you, that he thinks I’m better than you. That my input is more wanted, more necessary.”

This is uncharted territory now. It’s never been pushed to this extent. It’s never gotten so morbidly cruel that his words actually pierce. You’d consider yourself to be thick-skinned, bullet-proof, a mess of hardened edges and calloused flesh. But he regards you with such insignificance, in a way that’s different from your own personal view of him.

Obstinate, petty, a smart kid yet to meet his match. But never insignificant.

There’s silence, and then he’s dragging you down with him, forcing you to dig deeper, to smother wounds with salt. “Did he really choose you, though? No one on the team noticed. Not one person. After the Hankel case? When you came back different?”

Spencer falters.

It’s a vulnerable, raw spot, a laceration that never seems to heal; the worst part is that you’re right. He’d been in a spiralling decline for months, in plain sight, but everyone had been so absorbed in their own issues and god he needed a release. No one noticed. No one ever notices.

That he has no life, no prospects outside of the BAU. That his existence has been one comicotragic mess of inexperience, missing the mark, missing the joke, the punchline, the fact that everyone was always laughing at him, behind his back, to his face, present or gone. It didn’t matter? Why would it ever matter to a bunch of washed-out teenagers?

He was robbed of his adolescence. And these days, he barely gets by.

Spencer’s eyes drift back to the files, avoiding your perusing gaze, if only you had enough decency to soften your eyes. Just once.

“You don’t get to bring that into this.” He murmurs. “Shut up.”

“You started this—“

“Are you 5?” he bites back, “I was making an observation.”

When he abruptly stands up, files clattering to the floor, discarded despite the prevalent case, you’re quick to follow after him, to chase him into the cheap motel corridor. Because no, he doesn’t get to walk away from this. Not when he laid the first blow, when the first cut was drawn from his blade. Perhaps it’s perverse, to chase the hurt that comes from being around him. Maybe it’s all just an elaborate way to self-harm, to find release in the distorted relationship you both share.

“Where are you going? You can’t walk away from this one.” you state, gripping his arm. Nails pressing into skin, crescent marks that’ll stain and remind and then ache— it’s repetitive now.

“I covered for your ass.” you knew about the addiction, you knew, and even though omitting such information to the BAU could’ve lost your license, you still. Didn’t. Say. Anything.

It’s not like it took much effort to discern the truth.

“I also signed your email up to about 100 rehab centres and self-help blogs.” you’re not sure if you did that out of malice, or if it was your own, interpersonal way of minimising the damage, despite the circumstances.

You noticed. The rest of the BAU, who pressed false promises of friendship, loyalty into his shaking palms didn’t notice. Didn’t even think to humour what he became at his worst. But you did.

Furthermore, to add onto that jarring conclusion, you helped him. Admittedly in your own insufferable, (downright mocking) way. But it was help, and that’s more than he’s ever received before.

All he knows right now is that he hates you, hates the person he is, the person this job, and the intransigent presence of you, forced him into becoming.

All he knows is that he’s stumbling forward, cupping your face (taking your grip along with it), and kissing you. Kissing you hard. Like he’s Icarus and you’re the sun, worth the inevitable burn, even if the touch is only momentary, even if it’ll seal his fate as foolish.

It’s a mess of harsh, rough skin, tousled hair and sharp teeth against soft lips. It’s like trying to grasp at stardust, his hands fumbling for purchase along your body, trying to push you closer, as if the chasm of space between you is unbearable, a distance that’s impossible to endure.

He laughs when you respond instinctively, a sharp excuse of a noise, muffled by your swollen lips, and he’s just kissing you through it because he hates you, he hates you— he hates you so much that sometimes he can’t breathe when you’re around.

You crawled under his skin a long time ago, made yourself a home there.

“I think I’d rather be held hostage for a second time than kiss you again.” he says, and he might’ve elaborated further, but his lips abandon such a notion to chase your own.

The kiss becomes more languid, more desperate, like he’s trying to find an answer in response to it. There’s a brief, agonising break, foreheads pressed together, a harsh gasp of air, before the moment restarts.

God you taste good. Feel good, he thinks. He’s never been this intimate, not beyond Lila, that fleeting mess in the pool. The two events incomparable, he felt something then, small and minuscule, not enough to pursue. But right now? Oh, In contrast, he feels everything now.

“I wish you were being held hostage. It’d be quieter,” you retort. It’s muffled, and you’re moving, bodies stumbling into obstacles as you relocate, when did you get to your room? It feels like natural progression, evolution, diminutive changes that you don’t even realise are occurring.

You bite his bottom lip, draw it between your teeth, ruin him for anyone else. Because isn’t that what you’ve been doing for years now? Hurting each other so profoundly that only you can bare the scarred aftermath?

It’s sick. It’s sick, and you wonder how petty comments, trivial work-place rivalry distorted into this? How you’ve just ended up sick because of each other, and admittedly, for each other.

What is sickness without pleasure?

He whimpers. The noise almost imperceptible, but it’s there, and it’s pathetic, an unbecoming thing caught somewhere between a gasp and needy whine. He’s backed against the wall now, and he can’t find it in him to complain.

“Of course it would be you,” he says breathlessly. For all the knowledge he lacks here (physically; he’s well-versed in the hypotheticals of anatomy), he doesn’t feel pure.

People like him don’t get that.

He should feel guilty. He should recoil at the touch, at the knowledge you bear, at the reality of this. Except, for some unknown reason, he relishes in the idea of someone having him, even if the cost is his pride, his dignity, even if the cost is you.

He whimpers again as your teeth rake along the slope of his neck, shuddering at the sharp sensation, and he’s almost begging, words on the verge of being uttered.

But he can’t. Because that isn’t him when he’s with you. “Are you going to punish me? For uh, everything I said tonight? Because ah, god, I’d like to see you try.”

Admittedly, it’s not hard to break his resolve. A few more soul-crushing kisses and your wandering hand, dipping beneath his trousers, hard. Obscenely hard. Yes, he’s muttering as you unclasp buttons, as you loosen his trousers to the extent that you can palm him through his boxers. Half-choked gasps escape his bruised lips with every touch, and he’s crying now. Pretty tears streaming down his face, accentuating those doe-wide eyes of his, now glossy and warped.

“Only person who’s ever touched you, huh?” you state, and maybe you derive pleasure from that concept. That only your hands, drenched thick with staining blood, have ever scrutinised the warmth of his skin. The areas where his form curves, and the areas that make him come apart, undone at the seams. Grasping you, relying entirely on the wall, just to remain upright and somewhat conscious.

He makes another noise, another guttural, pathetic sound. Because, yeah, it’s just you. It’s only you, and the thought should be unbearable, but the pleasure of having, being touched is too much.

He has to grasp the back of your shirt, nails digging into fabric, as a distraction, a way to centre himself, while the rest of the world falls apart. His words are scattered, broken and messy, and he finds himself saying things he’ll inevitably regret. “Please, I can’t-“

He’s supposed to hate this, hate you.

“Cant— can’t take it. Oh,” he wants to bury his face into the crook of your neck, but you’re gripping his jaw, forcing him to look directly at you. Glasses discarded, the view was blurry without the added layers of tears.

“Eyes on me, boy genius.”

He complies. Gaze locked, unable to look away, entranced by the way your pupils dilate, staring at you, like you’re artwork, something to be studied and broken down and torn apart, only to be rebuilt again once he’s had his fill.

“Let’s look at you. Hm?” you state, removing his sweater, then his shirt, and there’s so many layers, and he’s acting coy now, as if he wasn’t whimpering moments prior.

Instinctively, by reflex, he tries to cover himself up. To hide planes of untouched skin from your gluttonous palms. You grip his wrists, pin them above his head, and oh isn’t this a sight: Spencer Reid, entirely bare, bound by you alone, tear track marks and swollen lips.

He always wanted to be seen.

He just didn’t expect, anticipate, being seen to this extent. He can’t fight your trailing gaze, and he doesn’t want to; it might make him flushed, a few irrational movements away from a cardiac arrest, but this it— raw uncut intimacy.

You’re softer now, as you run your hand along his dick, earning a variety of muffled noises, as your thumb brushes over his tip, taking care to touch every part of him. Everywhere he needs it. When you finally wrap your fingers around him, everything burns, fervent and collapsing, and he supposes this is what it felt like the moment Troy collapsed.

“Mhh,” he moans, hips bucking in time with your palm, steady movements.

He’s already so messy, and it should be embarrassing, but all he feels is the blunted edges of pleasure, the jagged cut of humiliation, warring against each other.

“You’re— oh.. you’re enjoying this far too much,” he manages, and it takes so much energy to get it out, his words slurring, interrupted by debauched gasps.

It feels good, so good that he can’t process the shame that’s bound to follow. He hates you, and he might be a little in love with you, and it’s not fair to process feelings, chemicals, he was never supposed to obtain.

“That it’s. There you go. That’s my good boy.”

Spencer sobs.

“Shh, shh, I know, I know, it’s a lot.” there’s always an element of condescension to your words. An undertone that rips through his defences. Destroys him in the process.

His body is receptive, ruined, because of the praise. He’s not sure how you can look at him, clearly, consciously, and dictate that he’s good. Most days he feels impure, debased. Burnt-out and wasted, the great always fall.

The same skin he pierced with needles is now reverently on show, and you should be cruel, it’s what you’re both good at, the only viable way to communicate, an undisclosed secret language. But you’re not. That confuses him to no extent.

“I can’t— cant, ‘m so close.” his arms are still bound above his head, and despite the ache, he keeps them there. It’s not the most conventional ‘first time’, but he takes it regardless.

“Yeah?” you mutter, pace picking up. The sound is obscene, his excessive pre-cum smeared across his length, wet noises with every stroke. “You wanna cum for me, hm?”

“Oh god,” he breaks, “Yes— yes, please—“

You have no interest in denying him, not when he’s this destroyed from a mere hand-job. “Go on then. Just because you asked so nicely.”

He falls apart. Dewy-eyed and blissed out, you force him to look at you as he reaches his orgasm. To keep looking as he squirms and writhes. So he does, because apparently his cognitive function has evaporated now.

Your tongue meets your palm, tasting him, pressing the excess into his mouth with an indecent kiss. Is this what sex entails? Complete submission, vulnerabilities bared wide? Dirty in that primal sense, the same one he always shied away from?

Finally, finally in the aftermath, he breaks his stare. His head falls back against the wall, eyes closed, neck exposed. Stifled gasps, it’s quiet, as if you’re both aware of your actions, the consequences of them.

“This is, uh— yeah.” he mumbles, reaching for his clothes; now the ecstasy has worn off, the shame overpowers. The sin of man, he’s starting to think you’re the personification of the serpent.

Or maybe it’s the other way around. He doesn’t hold his own body to such pure standards. He’s not sure any benevolence would look at him with acceptance. Not after everything he’s done to it.

“Hey wait,” you’re not good at this whole ‘nice’ thing, not when it comes to him. But there have been moments, in the past, small, fleeting seconds of…. you’re not entirely sure what to call them. Late hours spent scrutinising cases, your back-up points to his statements, mindless information dumps that the team can’t quite understand.

“Don’t make me chase you a second time, jesus.” You can’t just leave—“ you exhale, breathe, in and out, “Are you okay?”

He stops. He stops because you’ve never asked that question, never cared to ask that question, and maybe that hurts more than not being asked at all.

A part of him, the small part of him that’s not functional, wants to stay, wants to just stay in this bliss and pretend that it doesn’t matter, that the inevitable fallout won’t occur. But the larger, prominent part, reminds him that this isn’t right, that he needs to leave and collect his wits.

“I don’t know, im confused—“ he sighs, drags a shaky hand through his hair. “Yeah, im uh… i’m fine. “I just need to leave, I have to-“ he swallows. “I can’t. Not right now, I need to do— anything but this.”

He walks out on you and it’s fine.

────────────

Everything is fine, reality can return, and you can forget that you had his arms bound against the wall, that he fell apart from the weight of your dragging palm. You can pretend you never saw him naked, bare in every form of the word. Stripped raw, his lips burning against yours, skin on skin. It’s. Fine.

Life continues. Your dynamic remains the same, unrelenting, your biting words, just short of callous, his scathing remarks. Modus Operandi. You wonder how you’ve turned the most tender person into something sharp, and you wonder if it’s ever going to be reversible.

When the case closes, the BAU, in predictable, systematic fashion, celebrate (ease the weight) over drinks. You’re adorned in lace, a black dress that just catches your thighs. It’s late now, and by the time you arrive at the dive-bar, the majority of the team are intoxicated (you couldn’t go straight from work, there was still blood clinging to your skin).

Everything is fine. To reiterate.

It’s not.. It’s not. Because oh, Spencer finds himself staring. He’s fairly certain he doesn’t have any lingering interest. But then again, why is he fixated on the way fabric clings to your ruinous figure, the way your hair sits, slightly dishevelled, pooled over one shoulder? It’s exasperating and inebriating all at once. You shouldn’t be able to affect him to such an extent, and yet here he is, mindlessly staring at you with starry-eyes. He should look away. Leave even?

Of course, he fails. You end up squeezing in next to him, all leather seats and too little space.

And, okay, he knows he should feel guilty.

In reality, he’s not. Because, sure, he’s sat too close, and sure, he can just make out the scent of your perfume, faintly floral. But he’s intoxicated, just as everybody else is, and it’s making logic and reason seem far off, too distant to process. He looks at you once, then twice, like he can’t quite believe you’re tangible.

“You look nice, I guess,” he murmurs bluntly, looking away, feigning disinterest.

As if the ‘incident’ (as he’s taken to calling it) didn’t tilt his world on its axis.

“You also look nice, I guess.” you retort, and it’s the best you’re going to get out of each other. At least in this state (the surplus of praise that left your bruised, possessed lips cannot be justified, or repeated ever. again.)

You lean forward, watch as his face creases at the proximity. Are you thinking about the kisses? Plural, fuck, plural. Open-mouthed, desperate movements?You’re. not. Instead, you steal his glasses, slip them on. The prescription is strong, thick lenses that distort your perception.

“What do you think?” you ask, “I might go as you for halloween, it’ll definitely scare the kids.”

“They make you look intelligent. Considering you need all the help you can get, I’d take that as a compliment,”

It’s a domestic action, to put on his glasses. And the thoughts that burn through his mind stem from HR prohibited to domestic, which he argues is far worse. You, tangled in sheets, sporting nothing but his glasses. Resting against the tip of your nose, askew, as you ride him. As you tilt your head back, exposing— no.

He wants to say something about how ridiculous you look— but it’s hard to focus, you’re taking up all of his sanity, like a computer running multiple programs at once. You’re malware actually, destined to corrupt him (which you’ve already done to a painful extent).

“You can’t just touch my stuff.” he settles on, sounding more petulant than anticipated.

“Oh chill out, boy wonder. It’s a pair of glasses,” you mutter, removing them to blink blink blink, and there he is, the centre focus of your vision, now fully detailed again. It takes you a moment to render in his appearance: shirt sleeves rolled to his elbows, arms exposed, long, deft fingers. There’s heavy bags gathering beneath his eyes, dragging down those big, blown-out irises of his, wide and completely dirty (how is it that his natural resting face is so obscene?).

Focus.

You push the glasses back onto his face. Better, it’s a sight you’ve come to anticipate after he ran out of contact lenses. “There. Oh, were you just upset because you couldn’t see me properly? That’s sweet, Spence. Flattery will get you everywhere.”

He can see everything.

Every small detail of your face; strands of hair falling loose, dilated pupils, accentuated by heavy liner, obsidian that contrasts against your incisive eyes. Your lips, oh your lips, he could write a thesis on them. Stained crimson, if he were to kiss you right now, residue would catch against his own mouth, incriminate him.

He gets up. Excuses himself. Sometimes he wishes he could vanish.

But it’s not good enough.

“You,” he says between messy kisses, “Need to keep your hands to yourself.” — okay, he’s not sure how this happened. He left for the bathroom (to splash water on his face, gather his dignity, perhaps drown himself?) and you to humour the locals outside, gathering around with half-smoked cigarettes and slurring conversations.

But then, on his way back, padding through the long corridor (why is it always a corridor?), you were there, and yeah. He was screwed. Fatefully wrecked.

He had tried, in the moments leading up to his demise, to resist, but he was a man of logic and science and the science, when he was around you, simply did not apply. You’re bad for him, in every sense, he should avoid you, he should stay away.

But now, there’s no space between your bodies, no space for rationality or reasoning (god he’s tired of the thinking part. He just wants to feel).

The kiss is rough, sloppy, a desperate, messy thing. “This can’t keep happening,” he mumbles against your smeared lips.

“Do you remember last time?” you question. It’s taboo, to bring it up, to disclose the buried. But you’re fairly certain this compromising position wouldn’t exist without the lethal effects of that one night. The cheap motel and his body arching into your touch.

Rationality appears to be nonexistent now. A discarded concept.

Like last time, you guide him back against the wall, pin his hands above his head. Mirroring your actions. Well, to some ‘dignified’ extent. “Had you just like this,” you lean forward to press a series of kisses along the curvature of his jaw. “I bet you’d let me take you like this again, hm? Right here? In the middle of this shitty dive bar?”

And if he weren’t so far gone, he’d protest, he’d tell you that no, this is wrong, because you’re so wrong for him. He knows that if one good man has to fall, it shouldn’t be him.

But you don’t let good men rise, and there’s something so enticing about the depths of hell. He’s not sure he’s good anyway. It’s a complex situation. “You’re a sadist,” he murmurs, breathless, “I wouldn’t.”

Your grip instinctively tightens against his wrist, and he squirms. He’s nervous, “Could we, like… at least find a bathroom? I’d take a bathroom, even though there’s endless strains of bacteria there. Or, or split a cab. No, i’ll just pay— Anything. I’ll do anything. Just not here. This is a public space, and technically, public indecency, and—“

“Fuck,” he’s never been the type to swear, “I’ll do anything.” this time, he says it in self-defeat. Acknowledgment.

────────────

French exit. His wandering hands in the cab, and the electric pulse that burnt through his body as he kept a low profile, stumbling out of the bar, muttering thinly-veiled excuses for his abrupt departure.

The second you’re both inside your apartment, you’re clattering into things. “I love your eyes,” you state bluntly, forthcoming in every sense of the word, “Love it when you cry for me.”

You think of every harsh word that has ever escaped your lips, You think of the consequences they might’ve had. Did he ever cry over them? You know, in contrast, you never did over his. Though there was that sharp, sinking pain that felt like the embodiment of slow death. Something terminal, fated to linger, to eat and eat until nothing remained.

No big deal!

“It’s an involuntary bodily response. You’re a dacryphiliac.” he responds.

There’s not a lot he can compute right now, his brain too preoccupied with processing your touch alone. Which is so prominent, so harrowingly good that not even his genius mind can comprehend it.

He’s reasonable to believe he would kill whoever had the pleasure of experiencing you like this.

“It’s not a fetish if I only feel it for you—“

Spencer breaks.

“No-no-no,” he says, too loudly, “You can’t just- say those things. You can’t tell me you love when I cry, just because- I should be scared, of you. You’re volatile. Destructive,” he murmurs, head leaning against the crook of your shoulder. Against better judgement. But all reason has left him now. You’ve stolen it, taken it as a personal trophy to parade and boast about.

“Why am… Why am I not scared?” he asks, “It’s not like I make you cry…”

“Because there’s no reason to be scared.” you answer simply. And at surface level, it’s true. In spite of the hostility, the years of white-knuckled rivalry, you’ve always trusted him. It’s a coveted admission, considering you’re circumspect by nature.

You unbutton his shirt, let it fall to the floor, exposing his skin in the middle of your apartment. He’s standing there, and you’re not sure what to do with all of this want that perhaps you’ve misplaced as enmity for so long.

“You could make me cry,” you state, because if there’s one person out there capable of cracking you open, leaning behind fragmented pieces, it’s him. It’s always going to be him.

It’s a startling realisation. That he, Spencer Reid, of all people, can reach the centre of you in ways nobody has ever done before.

“Why would I want you to cry? That’s— i’m not even sure how I would go about it.”

You grip his hips, walk yourself backwards until you’re hitting a wall, there your body instinctively curves forward to meet his. “It doesn’t always have to be bad.” you explain, because he’s looking at it from a simplistic, textbook perspective. “Last time,” those words still feel like poison, “When I made you cry, there was no pain, right? You cried because it felt good.”

He’s staring at you clueless. Though, he might just be distracted. Either works.

Your hand catches his wrist, and then you’re hiking up your dress, guiding his touch beneath fabric. The lace panties that cover skin. He’s tentative, experimental, dragging his thumb over your clit, causing your hips to cant towards him. “Make me cry, boy genius.”

You act like this is the most indecent thing he’s capable of doing. From an unbiased standpoint, it’s up there on his list, but admittedly he hasn’t really done enough to constitute a list in the first place.

Spencer, in response, simply drops to his knees. Your panties are pulled down your legs in a disconcerting haze, and then he’s just groaning, cursing Gods he doesn’t believe in, spiting them with blasphemy, whilst also simultaneously thanking them, humouring false promises he won’t commit to.

It’s blasphemous, a prodigy on his knees, in front of you, for you. As if he’s worshiping something he can’t even comprehend, something beyond the expanse of his knowledge. And you just pull strands of his hair, pull at the strings of him.

His hands find the inside of your thighs, caressing the soft skin there and you make another noise, a noise that has him devouring you.

Face buried between your legs, he flattens his tongue against your clit, drags it upwards to catch wetness, to affirm that you’re just as affected as he. That since you touched him, all thoughts have consisted solely of you.

He doesn't think he's doing this correctly- but you're making noises, gasps that he didn’t even know you were capable of, and that's the thing about science or anatomy, whatever it may be, the brain is incredibly subjective, and the more knowledge you acquire, the less you really know.

And there's knowledge here, but it’s not utilised; no coordination, even when there should be, even when he’s got the human body memorised to perfection. Still, you seem to like him messy, desperate, drawing your clit into his mouth to pull, to tug, before shifting back to blow cold air against you.

The task was simple, at surface level: make you cry. And whilst, if you pick it apart, it becomes more complex, he seems to be efficient in following orders because right now, you’re ruined. It might not be the most meticulous head you’ve received (though you’re sure, under different circumstances he could probably surpass that standard), but it’s wanting, in a way that makes you ache.

“Oh oh, fuck— fuckfuckfuck.”

You grip his hair, twisting and pulling and using, and he lets you, he’d do anything, do this forever if he had to. His fingers, still gripping your thighs, dig into soft flesh, leaving visible marks. And he wants to see those marks, in the morning, an irrefutable fact that would force him to accept this as real.

But he can’t focus, can’t think about anything when you’re reacting like this, so undone. How can there be anything, at all, beyond this?

He lets you drape a leg over his shoulder, let’s you get off against his face, fingers sliding inside, one digit at a time, to feel warmth wrapped around him. To feel the way you clench when he curves them, when he grazes spots that he could explain to factual detail.

Your body shudders, and you’re making noises he hasn’t heard before, sounds that could only be described as obscene— and his name, you’re moaning his name, and god, he’s certain he would follow you to the ends of the earth right now. Without question.

It’s when he stops, when he leans back enough that he can breathe. That he can look at you, really look at you.

You’re messy, undone. The sight could be considered humiliating from an outside perspective, but you’re gorgeous, and he’d do this a thousand times over if it resulted in this exact reaction. A reaction that he’s given you. No one else.

“I love your face.” He says, a little bluntly. But it’s true, he does.

So he returns to the task. Practically situating you on his face now to suffocate him, to let him become some sort of extension to your pleasure. And inevitably when you fall apart, tears and writhing, boundless pleasure, he can only push you through it. Allow his existence to crumble, for the second time,

And as he draws back, face covered in you, he can only stare.

His knees are bruised. That’s the first thing you notice when you stumble to the bedroom, when you’ve taken a moment to wipe away evidence of the tears, to regather and compose yourself. It’s not in your nature to be soft, no to him, but you still find yourself kissing the mauve blemishes, working your way up his body after you’ve oh so unceremoniously undressed him. Reduced to his boxers, he’s an incriminating sight.

“Losing your virginity to me is like the biggest irony ever.” you say, kissing along his stomach, watching as his body reacts, arches, contorts in search of more pleasure. It’s a hypnotising sight, to see every nerve tuned to you solely.

“Ironic, demeaning, enough to send past versions of myself into an early grave. Yes, I get your point.” he mutters.

Your hands find their way to the waistband of his boxers, and he’s lifting his hips, because he wants you to undress him, because he’d let you do anything right now, but he also feels embarrassed, exposed. Vulnerable in a way he’s never felt before. You’re seeing him, seeing things he doesn’t even know himself. But there’s nowhere to hide, not while you’re slowly pulling off his underwear, with a care that he’s unaccustomed to.

“I won’t go easy on you,” you assure. Even though that’s technically a straight-faced lie. Of course it’ll be more tender than anything else you’ve endured; he has this devastating habit of softening those around him. It’s only taken this long to affect you out of pure, unbridled spite.

Oh, he wants. The evidence is his body alone. Laid out before you, like an offering, a hedonistic one. Dick hardened, dripping pre-cum onto his stomach.

“Hands above your head,” you watch as he blindly obeys, any defiance now crushed. Well, for the most part: at least in his actions. “That’s good— good boy. Tell me if they’re too tight,” you say, binding them with his discarded tie.

You stare, and it’s like you want to eat him alive, and against better judgement, he’d let you. Serve himself up, passive as you tear him limb for limb, taste all the bad parts of his existence, the ones he keeps hidden shamefully away.

“Too tight? I’ve been held hostage, I think I can handle a little bit of fabric.” he retorts before tugging at the restraints, “Tighter.”

“Didn’t realise you were so into this—“

“Neither did I,” he scoffs, “I’ve never done it before, obviously.”

“Now you have. Congrats, i’ll give you a sticker once we’re done. Gold star, huh?” and just for good measure, you tighten the restraints further. Just a few more pulls until you’re knotting it in place. Until he’s entirely defenceless, but realistically, what would you do? It’s hard to find fear when you’ve covered him on the field for over a year (he’s prone to being targeted, an unsubs wet dream).

“Yes, thank you. I’ll put the sticker on the wall next to my PhDs.” right now, right in this moment, countless people are getting what they want.

And Spencer is being manhandled by his pretty coworker.

Ironically, that’s exactly what he wants.

You’re the perfect dichotomy. Cruel, and caring. Harsh words to juxtapose gentle hands. Soft touches, but scathing remarks that linger, leaving behind a trail of scars, the ubiquity of your cruelty.

You’re lethal, and he’s smart enough to comprehend the danger. Except he’s never been smart when it comes to people.

Your hands are acquisitive, roaming, searching, blunt nails that scrape skin as you rake them down, down towards his abdomen. He shivers, bite into that pretty bottom lip of his until he’s spilling blood, and it’s a sight. Something sick that you both want to such an offensive extent.

“Sensitive.” you murmur, like the idea of him so reactive pleases you, in a way you’ve never considered before. Because the way his body strains, bucking forward to deepen the contact is maddening.

“Are you always like this?” you wonder aloud, leaning down to run a hand along the length of his inner thigh. “Poor baby, so touch-starved.”

“I don’t know if I’d use the word sensitive.” he replies, “More susceptible to the fact that you’re touching me, and that I haven’t felt another person touch me in a long time. And of course when people touch me, it’s usually professionals poking me with needles or stitching this weeks new wound.”

Touch-starved? He has sensory issues. The lightest graze can provoke, cause his skin to crawl. Of course he would like your touch, of course the universe would torture him by finding relief in the one person who nobody should stumble upon for relief.

“Oh you’re a soldier, you suffer so much.“ you state, and it’s condescending (naturally), but there is some truth to the serrated comment. You, the team, are all bruised, mentally and physically distorted from the consequences of the job. Only he could react so reverently to your calloused hands, blissed out to the extent that it looks like you’re witnessing ascension.

It’s pretty. Pretty, in a soft, domestic way. One that demeans his bound wrists and your sharp words.

You press a few tender kisses to his thighs, the inner sections, where you’re certain, assured, no one has ever touched before. Maybe there’s something possessive to that thought, the want to own, to know that no one will ever have him the way you have him.

Your touch is like a brand. He wants it, even if it’s bad, even if it’s cruel. Because the alternative to this is nothing. A lonely existence. A life of work, of chasing shadows, knowing he had so much to give, and no one to give to.

“Stop mocking me.” he replies, it’s through laboured breath. “Just because I don’t have your proclivity for taking hits doesn’t mean I don’t suffer.”

No one’s ever touched him like this. No one’s ever cared to try. You’re his first.

“I know you suffer,” you retort, are you arguing? Is this foreplay? If it is, then you have some serious self-reflecting to do on every single past conversation. Because maybe you should’ve taken him to your bed earlier, in that case.

Oh god was your hatred of each other built solely on sexual tension?

Finally, you move. Just like the first time, your hand runs across his length, taking him slowly, easing him into it, coercing him through the pleasure. It’s not similar to before: it won’t end after he’s found his release, and it’s not frenzied and ardent. Spurred on by shame.

“And you know i’m always going to take the hits for you, regardless.” he whines when you remove your hand, and whines again, for contrasting reasons, as you spit on your palm, generate lubricant to support each stroke.

“Oh—“ he breathes out. He’s fairly certain he’s supposed to be more contained. A huff escapes his lips and then he’s retorting, “You could try a tactic other than reckless self-sacrifice every once in a while.”

He’s overwhelmed, with you. All of you. The way you look, the way you talk, all the harsh lines and scathing remarks. The way you take the hits for him, an altruistic custodian, but he isn’t worthy of being saved. Isn’t worth the effort.

“Shut the fuck up, Spencer.” you say, promptly ending this discussion; you grip his dick tighter, tilting your movements to catch him at a better angle.

“Shit— okay, okay,” he moans because that feels really really good, and he wishes he could articulate it in a better way. Something complex and poetic, but it’s just so good.

He’s always been a little masochistic. Too smart for his own good, too analytical. He wants you to take him apart, piece by piece, and see the inner workings of his body laid out before you, raw and vulnerable. Because only you can see him like this.

He doesn’t even really touch himself. There’s been nights, body flushed and wanton, bucking up against sheets, muffled noises pressed into his pillow. But they’re rare, and they usually lead to an aftermath of ignominy.

He’s a prodigy, a genius in the field of criminal psychology. So why does it feel so good like this? To be humbled, to be demoted. As if all his degrees, his awards, his intellect, mean absolutely nothing.

He’s never felt so loved. Which is ironic. Because he’d always hoped love would be slow, gentle. Soft, like a caress. The kind of love you share over meals and pillow-talk.

He realises, with a jolt to his system, that if this is love to you, he’d accept it, in its most primal form.

“You get off on this,” he analyses as you draw back, mostly to stifle the begs that nearly escape his mouth. Come back, need you here.

“Well I’d be pretty concerned if I wasn’t getting off on this right now—“

“No,” he pushes, “You like that i’m, that yeah. I have no experience. You want to corrupt me, huh?” he looks up at you with pretty, innocent eyes. Holy shit. “Ruin me for anyone else? Go on, let me have it. I’ll only come back, i’ve already done it once. Statistically, it’s going to happen again. And again. Pavlovian responses, condition me. Make my body react to no one else.”

When you kiss him again, he can only take it. Can only moan, whimper, plead against your mouth until you’re lining him up, until you’re sitting on his dick, and everything is okay.

“You’re so—“ bottomed out, wrapped around him entirely, you sigh. “Fuck, Spence, who taught you to be so fucking dirty?”

“You.” he mutters, playing coy. “But you’re a bad teacher, I think I could do with a few more lessons..”

“I think you could do with learning to shut your mouth more often.”

“It is better suited for other purposes, I suppose..”

He gags when you slot two fingers, index and middle, into his mouth. No warning, no predetermined acknowledgment. They hit the back of his throat, and he can only suck, muffling protests around the digits until he goes blissfully silent.

“Better,” you retort. Drawing them out, you press your thumb against his bottom lip, keeping it parted so that you can lean forward, spit into his open mouth. When you first met, he promptly refused to shake your hand, too conscious of the dissemination of germs, now? He’s swallowing your saliva, unprompted, with little resistance.

You know him. The way you touch is like you’re searching for something. Anything about him. It’s like you’re a bloodhound, trying to unearth every single vulnerability. And you must’ve found them, because you’re suddenly here, bearing all your weight on him, moving, and it’s all his body can do to take it. All of it. All of you.

He tugs at his restraints, because he won’t go down without a susceptible fight. Even if he knows it’s fated that he will inevitably fall. “Please—please untie me, just wanna hold your hand.”

And, oh that shatters you. Like, mentally, physically, spiritually dismantles you until you’re breathless, staring at him with widened eyes and a loss of composure. It’s such a tender request, something domestic and raw, and mindlessly you’re fumbling with the knots of his tie. Freeing them to take one in yours.

It’s against your nature, but you can’t help, can’t refrain yourself from pressing a kiss against his knuckles. “You’re doing so good f’me. Such a good boy,”

Your free hand runs across his torso now, grazing skin, admiring the sight of him, flushed, debauched, sprawled out beneath you.

He grips your hip. That’s the first thing he does once he’s sufficiently sane, well… partially, the praise did knock him entirely off balance. Tip the scales, send him over the inexorable edge.

He watches as you take the incentive to slip off his body, and the loss of friction is okay, tolerable because he’s sitting up against the headboard, drawing you closer, whining for you until you’re on his lap, until you’re sat in your rightful place.

Here, he can kiss you. Which he admits has become a very vital aspect to his existence.

The kiss is like a bruise. Not rough, he’d never be rough with you, he’s all long, languid strokes and soft movements. But it’s overwhelming, and leaves discernible, lasting imprints.

And yeah, sure, kissing you is the closest thing to worship he has ever known. Something he would like to commit to memory, every single time your lips touch, it’s like he’s seeing god in the shape of your cupid’s bow.

“Please, I need—“ he stutters over his words, “If you don’t move, I swear—“ he pauses, his head falling against your shoulder— “I swear, I’m gonna die, this has to be against the Geneva Convention, you can’t leave me like this, please—”

“The Geneva convention? Really? Is this your form of dirty talk?” you retort, unable to muffle your laugh.

“No. I’m stating my rights,” he says, “Torture is prohibited.”

“I’m not torturing you—“

You tangle your hand through his hair, tug tug tug, and then pull, drawing his head back by tousled strands, forcing him to meet your gaze.

“Ohmyfuckinggod, yes. You are.” he whimpers.

It’s indefensible how good he feels, how he sinks into you, hitting crevices you’re certain no one else has ever grazed before. Feeling full, whole, it’s new. It’s your own first, and you can’t even begin to articulate how defenceless you are to the way it makes you disintegrate, fragment to pieces of pleasure. Spencer is warm, and soft, and it makes you want to cry. To just fall, give in, transcendence of self, Burke said, and right now, you feel that entirely.

His moan is unapologetic, unfiltered as you move. At this point, you could slice him open, leave him bleeding in your bed, and he’d thank you for it.

You hold his hand, and yet, simultaneously destroy him.

“Please,” he whimpers again— he’s too pretty to be asking so nicely. “I just— I want you closer. As close as possible, I want you so close to me that I’m not even sure if my body can handle it.”

It’s not dirty talk, it’s more like he’s begging you, tears staining his skin, pitiful eyes, wide and glassy, staring at you with some form of desperation. Brows furrowed, gaze soft.

And his gaze only grows worse when you do give him what he wants, when your pace fastens.

It’s a religious experience, like he’s about to be crucified, a martyr to his pleasure. He’s almost afraid to touch you— to stain something divine, like you’re too much for him. But you’re not.

“I like this. Like you. Like you here. You’re so good for me,” he murmurs, and it’s untruthful, but right now, he sincerely believes it. “so good, so perfect, all I need, please—”

“Stop it.” you bite, preferring him defiant over this— because this opens up wounds you weren’t even aware existed. “Oh fuck, stop it.”

“So good. You’re so good,” he cups your face, presses his forehead against yours, and you might as well just die right here.

“Says you.”

“Says me.”

You fuck him harder.

“Oh,” is all he can pronounce, little oh’s every time you rock against him, and he has to grip you hips, deepen the movements until you’re bouncing against him, up down up down, exploiting his sensitivity with a torturous pace.

And it’s not fair, he needs to balance the scales, so he runs his thumb over your clit, firm halos that have you keening. “If being nice got me this, I’d be so nice to you for the rest of my life—“

Another lie. But it’s worth it. If only for the way you kiss him. The way you silence his cutting words, forcing your way into his mouth, forcing him to just squirm and sob, until you’re clenching around him, and he’s there with you. Falling apart, bodies shifting until movement ceases, and there’s nothing but bliss.

“I hate you so much,” you say in the aftermath, and it’s closest you’ve ever gotten to a confession of love.

He laughs, wipes away tears, “Hate you more.”

“Don’t leave this time.” he just nods, bordering on nonverbal now. It takes you hours to coax actual words out of him, and by then, you’re both tangled in a foreign mess of warm limbs.

“Oh i’m going to be so mean tomorrow.” you mutter, playing loosely with his hair.

He can only sigh, stare at you dreamily. “God, is that a promise?”

[starcurtain]

A Look at Ratio and Aventurine... and Ratio/Aventurine

I was morally obligated to use this picture.

Anyway, I got an ask about my understanding of Ratio and Aventurine's relationship both in canon and as a ship that I have been holding on to for a while now because... phew, there's like... a lot to talk about there... But I felt I should at least give it a try, so here is my attempt to comment on the intersection of two of Star Rail's most complicated personalities. Long post is longgggg; you have been warned.

First, Aventurine's canon relationship to Ratio:

In the interest of not hitting tumblr's image limit, let's just throw out some of the information we have in one go:

It's pretty complimentary. (Yet somehow...)

The implication of the infamous "Keeping Up with Star Rail" video is that Ratio understands Aventurine better than anyone else, and Aventurine knows this. At the very least, putting all shipping aside, Ratio is the person who can explain Aventurine's behaviors best. He's the person Aventurine chooses do so. This suggests significantly more knowledge of each other's lives than the game first led us to believe.

Other people (read as: my GOAT Owlbert) perceive respect from Aventurine to Ratio, and although I read them as a bit sarcastic, the 2.1 mission logs not only repeatedly confirm that Aventurine views Ratio as smart and reliable, but that Ratio is reliable "as always," again indicating a longer and closer history of collaboration than we get to actively see in game. The devs were working hard to tell us "Penacony isn't Ratiorine's first rodeo," which is interesting--given Topaz's voiceline recommending the Trailblazer avoid working with Aventurine whenever possible, we're led to believe through 2.0 and 2.1 that not many people will willingly work with Aventurine more than once, let alone many times.

While going through psychological scrutiny from the Ghost of Christmas Yet to Come his Harmony-infused self, the "Future" Aventurine suggests that Ratio and Aventurine are quite similar, and that Aventurine puts a surprising amount of trust in Ratio, to be willing to hinge such a dangerous plan on something as untested as Ratio's ability to act. At the very least, Aventurine's own psyche is pondering on Ratio and whether or not their connection has any emotional meaning.

But despite all this evidence suggesting Ratio and Aventurine spend significantly more time with each other than we get to see in game, Aventurine's own thoughts cast strong doubt on whether he and Ratio are actually close.

Aventurine's "About Dr. Ratio" voice line suggests that Aventurine believes Ratio does not particularly like him. He seems to think that Ratio would prefer to stay away from IPC operations where possible, and it's "unfortunate" for Ratio to be stuck with Aventurine as a conversation partner. He's tolerated, rather than enjoyed. His overall impression seems to be that Ratio mostly views them as distant coworkers.

When the "Future" Aventurine suggests Ratio did not betray Aventurine willingly, actual Aventurine immediately pushes back:

(Personally I'm on the fence about whether this was real doubt or just a ploy to continue sussing out Sunday; see my other post about this scene for some more thoughts.)

But if we take this statement to be played straight, it implies that Aventurine doesn't fully believe Ratio will side with him, even (maybe especially) in dire circumstances. If this statement is real doubt, then despite considering Ratio the person who best understands him, despite building an entire life or death gamble around Ratio's loyalty... Aventurine still doesn't think Ratio even likes him.

Aventurine's not stupid or blind, so theoretically he should be able to read the situation better than that. But actually, there's plenty of evidence both in the game and outside it to suggest that Aventurine is not the most accurate judge of his own relationships to others and is a down-right terrible judge of his own worth as a person.

"Future" Aventurine suggests that one of Aventurine's deep inner flaws--the truths that he rejects about himself--is a massive inferiority complex. This is backed up well by the mission text, where Aventurine's thoughts about himself spiral into self-harm, and the scene in the maze, where "Future" Aventurine taunts our Aventurine with the unforgettable fact that his entire life was only worth pennies:

There's also pretty consistent self-deprecation, with both "Future" and real Aventurine noting several times that he's a pathetic mess of a person that other people don't trust or like.

The overall impression 2.0-2.1 left me with is that Aventurine is perfectly capable of respecting and caring for others, but virtually incapable of accepting other people genuinely respecting and caring for him.

Part of this seems to stem from the directly-stated sense that he's a failure whose only worth is in transactional exchanges, using and being used by others (there's so many layers to this--internalized racism even), but I also suspect that much of his inability to accept genuine connection from others is defensive behavior.

Aventurine's true self, Kakavasha, is deeply hidden away, like the ghost of the child that manifests from his Harmony delusion in the Dreamscape. Although Aventurine clings to that person, claiming that he has "never changed," he actively coats over his beliefs, his kindness, and his authenticity with the mask of a "cavalier gambler," with glitz and glamor and showy distractions. No one gets to see Kakavasha. No one gets to know him, because being buried deep in the dirt is the only way to remain untouchable, and fiercely keeping one's distance is the only safe bet. (For both Kakavasha and any fools who would doom themselves by daring to care for him.)

So: Canon is telling us that Ratio is one of, if not the, closest people in the world to Aventurine. But canon is also telling us that that still means absolutely nothing at all, because Aventurine won't let himself be close to anyone living.

Aventurine's senses of self-worth, trust, attachment, and safety have been warped so badly by ongoing and untreated trauma and mental health issues that, at least until the end of 2.1, I just don't think he was capable of even accepting genuine friendship from Ratio, let alone anything more.

(Interesting side note here: Ratio is actually one of the people Aventurine calls "my friend" the least. He only says it directly to Ratio a single time in all of their lines of dialogue across 2.0 and 2.1, and even then, does so only when right outside Sunday's door, while almost certainly being spied upon by the Family. Anyone who knows how often "my friend" is peppered into Aventurine's dialogue otherwise should know that the absence of the phrase is actually pretty telling. It almost feels like canon Aventurine's not even sure he can call Ratio his friend, at least to Ratio's face.)

Which makes Ratio's canon relationship to Aventurine quite sad and ironic:

From start to finish, Ratio canonically esteems Aventurine more highly than almost any other character in the game. I'm not even talking about shipping when I say that there is no character Ratio is closer to in the entire game.

At present, Ratio has only four voice lines about other characters, and of those four, Aventurine's is the only one that isn't someone from the Genius Society. The only one. Ratio's voice lines are also notably, uh, not very complimentary. Herta is "talented but not helpful to others" and "sees no one as her equal" (read as: she's self-absorbed). Screwllum is a "monarch, rather than a genius" (with the vague implications of being a tyrant), and Ruan Mei is overly ambitious and "fooling everyone."

Meanwhile, Aventurine is "our man" (who is "our" Ratio? who?) whose success "can't all be chalked up to luck," implying that part of Aventurine's success must come from skill. Ratio notes that Aventurine questions his own ability... but as far as Ratio's evaluation goes, he seems to doubt that Aventurine will ever experience a downfall. For someone who thinks 99% of the people he meets are mediocre failures scrambling around in the filth of existence, to be recognized as skilled and unlikely to fail is quite obviously glowing praise.

Then, of course, there are numerous moments that echo Aventurine's hints, implying that Ratio spends significantly more time with Aventurine than we see on-screen, that he knows Aventurine extremely well, and, although he tries (vainly) to pretend he isn't, he's clearly quite concerned with what Aventurine thinks of him.

Especially this last one. "No wonder that gambler likes you so much" is pretty intentional on the devs' part, confirming that Ratio and Aventurine are having off-screen conversations we players are not privy to, which obviously would indicate a closer relationship than the in-game cutscenes could cover.

Then, Trailblazer has the option to flat out ask Ratio to "rate" Aventurine. (Star Rail ship bait is not even subtle.)

At first, this line might read as all over the place:

"The bosses say we're partners but I wouldn't say that" -> Read as: Ratio wants people to know how their relationship is classified but doesn't want to admit to being actually invested.

"I see myself as the teacher to everyone I meet" -> Read as: Ratio at least pretends that he doesn't view anyone as his equal; everyone is either above him--geniuses--or below him--students.

"Aventurine is not that bad of a student" -> High praise; even Ratio can't pretend Aventurine's untalented.

"Actually, Aventurine's probably in metaphysical danger" -> Read as: Ratio is aware of the "void" Aventurine is experiencing and his mental struggles.

The ultimate takeaway of Ratio's "rating" actually says more about Ratio than Aventurine. When it comes down to it, Ratio's choice to answer this question for the Trailblazer instead of dismiss it tells us that Ratio has spent time quantifying and trying to define his relationship with Aventurine, is willing to at least discuss that relationship with other people (when we have no evidence he ever discusses any other personal/non-academic matters with anyone), and that Ratio pays attention to Aventurine's mental states.

Canon Ratio is not beating the allegations, I'm afraid.

But actually, I think the biggest tell about Ratio's canon relationship to Aventurine is that Ratio's behavior completely changes the moment Aventurine appears in the game.

In every single one of Ratio's other appearances, two facts are hammered home again and again:

First, Ratio hates interacting with fools and "noisy" people. He wears his plaster bust so that he doesn't even have to see them. Canonically, we're informed by both March 7th and Argenti that Ratio brought and was wearing his headpiece in Penacony. Curiously though...

The players never see it throughout 2.X--probably because 90% of Ratio's scenes are with Aventurine, and Ratio is never shown wearing his bust on screen with Aventurine--even in their very first meeting in the Final Victor lightcone. Aventurine clearly knows of the bust, but despite Ratio verbally going on and on about how Aventurine is the most "flashy" and "devoid of logic" person Ratio knows... the devs deliberately send their message: Ratio has chosen not to cut himself off from Aventurine.

Aventurine can be more "clamorous" than a screaming peacock, but Ratio will still not put up walls against him. This isn't accidental. The devs had every opportunity in the world to go the opposite route and make jokes about Ratio refusing to take the bust off in Aventurine's obnoxious presence; instead they decided that Ratio apparently has a glaring, Aventurine-shaped exception to his "I don't want to perceive you fools or be perceived by you" life rule.

This "willing to tolerate shenanigans only if Aventurine is involved" behavior continues basically throughout all of Penacony's plot. In 2.3 for example, if you turn around and talk to Ratio again on the Radiant Feldspar, he flat out says:

But there's no actual explanation for why he's there in the first place. He mentions he was assigned to watch over "the IPC's ambassadors," which theoretically should apply to Jade and Topaz, yet we never see him interacting with them in any capacity. He's never even shown in the same room as Jade or Topaz, and he's not shown doing any other form of business for the IPC on the Feldspar either. Theoretically, he could have been on the Feldspar to meet regarding the Divergent Universe... except Screwllum wasn't there yet, and Ratio doesn't mention a single word about the Divergent Universe to the Trailblazer.

The only person Ratio talks about in his dialogue on the Feldspar is Aventurine, and the only non-Trailblazer he talks to in 2.3 at all is also Aventurine, replying to him and only him in the group chat.

He looked like he might give it a shot to try to befriend Boothill and Argenti at the end of 2.3... but immediately changes his mind and leaves without saying a word to them.

It's not really a stretch to suggest that the only reasonable excuse for Ratio to attend the party on the Feldspar was if he was there for Aventurine, a behavior that he himself notes is out of character. ("A waste of time" he says, as he stands there anyway.)

But, second and even more importantly: Ratio's single most defining character trait is that he believes people need to pick themselves up. The entire point of his debut appearance in the game was to present his philosophy that if the powerful or privileged intervene to continually "save" the mediocre, ordinary people will never learn for themselves or get the chance to grow. It is in times of desperation, he says, that fools exceed their limits and reach greatness.

This is why, in 1.6, he insisted on Asta and the Trailblazer being the ones to solve the attacks happening on the space station, without relying on Screwllum or the other geniuses. Although Ratio did actively intervene a little (using the phase flame to save the researchers from death), he did so only from behind the scenes, where his actual help would not be noticed by those affected and where it had no impact on their decision-making or their struggles to solve the mystery.

He let Asta and the Trailblazer panic. He let them flounder. He even deliberately misled them at points, claiming that Duke Inferno must have kidnapped the researchers (when it was actually Ratio himself who re-routed them).

Ultimately, Ratio let Asta and the Trailblazer grow from their experiences.

This is also why he lets the Trailblazer go blazing in to fight Ruan Mei's faux emanator of the propagation, despite knowing that Trailblazer was not actually strong enough to win. Ratio watched and was ready to intervene... but in the end he did not, because it was the Trailblazer's fight to lose.

Ratio's most defining character trait is that he believes standing back and observing is the true kindness, rather than inserting oneself and denying people their autonomy or opportunities to grow.

Buttttt... then there's Aventurine, and suddenly the story is completely different.

Suddenly, Ratio isn't an observer but becomes essential to the plan. He's even walking around making big claims about being the manager of the task, flexing all of his C+ acting ability to actively carry out their mutual ploy.

In 2.3, he claims he was just there to watch, and his Penacony sticker asserts he's only "a supporting character"--yet we have never seen Ratio take a more active role in the entire game. Unlike with the Trailblazer in 1.6, he's not primarily watching events unfold from shadowy corners. He's in Penacony as Aventurine's active partner in crime.

And, even more telling--he later jeopardizes their entire mission just to ask if Aventurine needs help.

What? Huh? The character who is famous for the voice line "You look distressed. Is something troubling you? If so, you can figure it out for yourself" is suddenly offering his assistance entirely unprompted?

The guy whose motto might as well be:

Is suddenly out here throwing his own core philosophy out the window to solve Penacony's mystery for Aventurine and save him from himself in Aventurine's hour of greatest need?

A lot of people get hung up on the second half of Ratio's letter, the part about staying alive, which of course is very sweet. But I think the second half causes people to forget that the first part of Ratio's letter is, quite literally, the answer to Penacony's mystery.

Ratio gave Aventurine the answer.

This is like if your professor just gave you and you alone the score key to the final exam and then turned around to insist he "doesn't play favorites."

Of course, Aventurine is brilliant and didn't need Ratio's answer about dormancy, which makes the fact that Ratio went out of the way to give it to him even more odd. Ratio despises unnecessary repetition. If he wasn't dead worried, he would never have given Aventurine an answer that Aventurine had the power to find on his own.

And, as far as canon tells us, Ratio has never done this for anyone else.

The difference is night and day. It's literally the Gordon Ramsay meme, with everyone else in the entire game being the "fucking donkeys" to Aventurine's "Oh dear. Gorgeous."

So: Even if we entirely put aside shipping, if we look strictly at what we're given in canon:

Ratio treats Aventurine with more respect than he treats most other characters in the game.

He involves himself in Aventurine's struggles in a way that he flat out refuses to do for anyone else.

He compromises his own beliefs purely out of concern for Aventurine.

So, at least as far as we've been shown in canon, it is accurate to state that Aventurine is the closest character to Ratio--and unlike Aventurine (king of self-gaslighting), Ratio isn't even good at acting like he doesn't care.

Frankly, the whole thing is a little sad. Ratio's behavior is so blatantly out of character that a smart person like Aventurine should easily be able to determine it is genuine, but Aventurine's personal hang-ups and ongoing trauma make it difficult for him to even see that authenticity, let alone put faith in it. Even in canon, Ratio is mostly unable to help himself when it comes to Aventurine, which is especially unfortunate given how badly skewed Aventurine's perception of himself and others is by the start of Penacony's story.

PHEW! I finally made it through canon content!

Now there's just... everything else... 🫠

Well, to be honest, I don't think I could ever manage to put all my thoughts about this ship into one post. Probably not even fifty posts.

So rather than trying to say everything there is to say about Ratiorine, what I want to focus on is how fantastically these two characters just fit together. Like puzzle pieces that need to be mirror opposites in order to link, these two characters parallel each other while also perfectly filling in each other's voids. It's some of the best character pair writing I've seen in a long time (though I'm still sort of convinced it was at least 50% sheer luck on Hoyo's part), and my perspective on their ship can really be tied to my underlying perception of Ratio and Aventurine's characters as remarkably similar individuals:

It's obvious that Aventurine is not a healthy or well-adjusted adult man, but like... neither is Ratio.

Both of these characters are "not quite right" marginalized people who, at least in my interpretation, have essentially given up on even faking normality and are now just vaguely play acting their way through being functioning members of a universe that is entirely unequipped to accept them for who they are. In a world full of cyborg cowboys and people with wings growing from their heads, the game still manages to somehow convince us that Aventurine and Ratio are odd ones out.

Kakavasha can't even exist in the dystopian capitalist hellscape of the IPC's machinations. "Aventurine" isn't even a real person, just a never-ending performance, a slick, devil-may-care persona without a single ounce of substance.

Ratio, meanwhile, is a world of one, rejected from the only place he thought he could find validation and acceptance but unable to lower himself to fit in anywhere else.

Aventurine is so bad at making genuine connections that he turns everyday conversations into gambles because he doesn't believe people will care enough to keep talking to him without tangible incentive.

Ratio's insistence on treating everyone as students, not as equals, also means he has an excuse to never emotionally engage with anyone he meets. (This is not at all a textbook method of intentional avoidance to prevent any chance of social rejection. Not at all.)

At the end of the day, Aventurine and Ratio both come across as desperately lonely, and so caught up in their own situations that they really don't have the ability to climb out of that hole on their own.

Preventing them from even being able to maintain any form of relationship is also the fact that neither one of them can even find justification. Neither one of them has a reasonable answer to the question "Why am I alive?" anymore, because Aventurine's reason died on Sigonia and Ratio's reason died with an IPC invitation instead of a Genius Society letter. Though their differing perspectives have led them on opposite paths pursuing their own answers to that ultimate question of "Why should I keep living?" (Aventurine was headed toward giving up before the end of Penacony, while Ratio has invented an immeasurable, impossible goal to distract himself from feeling purposeless), both of them are pretty much miserably unfulfilled in their current lives.

They're also both violently allergic to emotional vulnerability and to having any of their flaws or true desires actually be perceived. Both of them put up insanely high walls. Aventurine pushes boundaries with everyone he meets to provoke their hatred in advance, before they can come to disdain him for his "real" flaws. He acts out harmful racist stereotypes to use others' preconceptions for advantage, manipulating every situation he's in--incidentally affirming the stereotypes against his people by doing so.

Ratio puts a physical wall of plaster between himself and others, but the plaster bust actually doesn't have anything on the mental and emotional gymnastics he's engaged in to justify his isolation from the world, doing everything in his power to convince himself that he's isolated by choice, that it's perfectly logical for Veritas Ratio to have nowhere to truly belong, no one to truly belong with. He's so mundane after all. Of course the geniuses don't want him, that's just commonsense. But everyone else is so... different, so foolish, so illogical... It just wouldn't be reasonable of him to try to become one of them either, to be their friend instead of their distant educator. (You know, if you never try to integrate with others, then they can't reject you. Ratio has learned his lesson.)

Somehow, Aventurine and Ratio are two of the most competent and successful people in Star Rail's entire universe and simultaneously also two of the most misfit, reject, dysfunctional messes in the game. Like... Blade has a better support network than Aventurine and Ratio combined. The 7000-pound murderous mech with a disabled, genetically-modified war veteran who never got to live a normal human life hiding inside it is more capable of making friends than Aventurine and Dr. Ratio.

Which is why I love that the devs decided to make their canon backstory: "Some absolute treasures in the IPC and the Intelligentsia Guild had the galaxy-brained idea of pairing Ratio and Aventurine as strategic partners." The game's writing really said: "These two characters are so socially stunted, they have to be assigned a relationship like it's homework."

They may not have it all figured out yet, but the fans see the design: Now that Ratio and Aventurine have each other, they're not alone anymore. I have never seen two characters better fit the "Is anyone going to match my freak?" meme only for the actual answer to be "Yes."

Ratio is "plays chess with himself" levels of loner weird? No problem--Aventurine is "Wanna take bets on who's going to die today?" weirder. Ratio wears a plaster bust to ward off idiots? Aventurine transforms into a monster on command, which is pretty much guaranteed to achieve the same effect.

Ratio wasn't chosen by Nous? That's fine, Aventurine's one job as a "chosen one" was to save his people and now they're all dead. Nobody can keep up with Ratio in conversation? Watch a single comment from Aventurine turn him into a fumbling mess on live television.

Ratio's inability to relate to the experiences and development of any peers his own age have left him extremely isolated and with a permanently scarred sense of self-worth? Wow, I wonder if Aventurine knows exactly what that feels like.

They just... fit.

And, changing focus a little here at the end: While I personally think that recovery from trauma requires internal motivation and self-kindness foremost, I also think that Ratio and Aventurine's relationship should be considered from the perspective of how they help to fill each other's gaps.

Unlike any connection at the Genius Society who will always evoke unpleasant memories of Nous's rejection, Aventurine isn't going to make Ratio feel intellectually inferior. Aventurine has nothing but good things to say about Ratio's intelligence, and it's even apparent that Ratio felt comfortable enough to at least mention his Genius Society woes to Aventurine, something he explicitly does not do with anyone else.

Even when it comes to social interactions, Aventurine isn't going to make Ratio feel inadequate, because honestly? Aventurine's almost as bad at them as Ratio. Aventurine is much better at faking it socially, but when it actually counts? When he's trying to be real with others? A solid 70% of the people who meet Aventurine still end up wanting to strangle him. The guy tried to apologize for threatening to detonate the Trailblazer like a bomb by buying them a model train...

Then there's this:

Aventurine is the only character explicitly called Ratio's equal in game, and more than just treating him respectfully as an equal, Aventurine also exhibits one extreme appeal that no one else in game has ever shown to Ratio: Aventurine makes Ratio feel needed. For Aventurine, Ratio is not a forgettable after-thought as he is to Herta and most of the other geniuses. He's not just "some weird guy who scolds me about school" like he is to the Trailblazer. Ratio's intellect and skill were integral to Aventurine's plan from step one to the very end. Ratio has a place in Aventurine's plots. For a character who directly assesses worth by how beneficial a person can be to others, the fact that Aventurine can make Ratio feel wanted and valued probably produced some of the strongest personal fulfillment Ratio has had in years.

On the opposite side, Ratio's in a unique position. Out of every relevant character in Aventurine's story, Ratio is the only one who has nothing to lose by choosing Kakavasha over "Aventurine." Ratio doesn't profit off Aventurine or take any expensive gifts from him, like the Trailblazer does. He doesn't need Aventurine's luck for anything at all. He'd be able to work for the IPC even if Aventurine wasn't in it. Ratio certainly doesn't want the glitz and glamour of a shallow gambling hustler persona. His work doesn't require Aventurine's continued involvement like Topaz's and Jade's does. He'd probably prefer not to know any Stonehearts at all, thank you for asking.

Outside of deliberate-acting insults about Sigonians for Sunday's sake, we're not told that Ratio has any connections to--and therefore has no preconceived biases against--Sigonians. Being a person who values self-determination and a refusal to live in mediocrity above all else, he would have nothing but esteem for how far Aventurine has managed to come despite the harsh circumstances of his life. Ratio probably wouldn't even think Aventurine's belief in Gaiathra is that strange; one of Ratio's doctorates is actually in theology.

Unlike literally everyone else in the universe who needs "Aventurine," we have every indication that Ratio's respect and admiration will only grow when he finally gets to meet "Kakavasha."

Loneliness, rejection, betrayal, a lack of understanding from others--all of these can leave wounds that only genuine, deep bonds with others can heal.

On death's doorway, in the darkest shadow, when Aventurine had to make the choice between passing on to be with the family that loved him and choosing to return to a reality without them... Ratio's letter was there, telling Aventurine the exact thing he needed to hear to choose life: Someone is waiting for you to come home.

If the resounding rejection of Star Rail's Nihility is belief in humanity's power to make meaning in our own lives through our connections to others, then the ultimate message of Ratio and Aventurine's arc in Penacony is that no one needs to be alone. The world is not as empty as you fear.

And that is a message that Ratio and Aventurine can learn best through each other.

(I just... love them so much...)

[paraphwrites]

i think it's interesting that edwin attracts lonely people.

-the cat king has seemingly never had a real substantial relationship. he lives his lives playing tricks and games, not actual connections

-monty literally only ever spoken to one (1) other person, and that's his fucked up mother familiar mommy situationship that he needs, like, so much therapy to unpack

-simon, maybe the only other gay kid in this boarding school, completely isolated from his peers by virtue of his identity and society and shame

-niko, who has been hiding in her room, avoiding other people for months out of grief and something larger (the inherent unavoidable devastation of growing up alone)

-and, of course, charles. charles, who died alone. charles, one of the only non white kids at that boarding school. charles, who's dad didn't love him and who's mom didn't say anything. charles, who flirts with every girl he meets. charles, who would follow him to the end of the earth but won't ever talk about his feelings because he's brills, mate, aces. charles, who spent his entire life alone and now won't spend a minute of his afterlife alone

i dunno. i think it's interesting. edwin, who we know is lonely, attracts other lonely people.

and, not to overstep my bounds as a silly little person on tumblr, but i think it's interesting that the show has attracted a lot of lonely people, too. and i think there's a lot of reasons for that. the target demographic is teenagers & young adults, a notoriously lonely group. the show features a lot of minority characters, which will attract minority audience members, and often people who are a part of a minority feel lonely and different from the people around them. the show is about friendship and found family, and i think that attracts a lot of lonely people. shit, i'm lonely, and i was drawn to this show. yes, for the incredible music and acting and cinematography, but also because the themes are so fundamentally resonant and raw.

and THAT is why dead boy detectives is an important show. because it is a show for the lonely and the grieving and the lost. AND it is a show for the hopeful and the learning and the coping. it is a show for people who have their shit together, and people with no shit together, and people who don't even know their shit is spilt all over the floor. this show MATTERS because it speaks to the fundamental devastation in human existence AND it finds the beauty to celebrate. it says, yes, loss is horrible and life altering, and you will be okay. yes this will be awful but you will carry on. and that is SO important. do you understand how important that is?? because everyone, everyone goes through loss and change and hardships. everyone. it is a show for lonely people! and we're all fucking lonely, aren't we? isn't part of the human condition just being lonely??

dead boy detectives is a show for people wronged by men. it is a show for people coated in grief. for people who are dealing with their sexuality late in life. for people with fucked up parental relationships. for people who date as a distraction. for people who are doing great and just like a silly little ghost show! for people not doing great but trying their best anyway. most of all, it is a show for lonely people.

just. FUCK! this show MATTERS! this show MEANS SOMETHING to SO many people!! including me!!! it matters to ME!!!! and i will continue yapping about it, even if it's just into the void!!!!!!!!!!!!

[roturo]

CRY FOR ME -dick grayson x f!reader

① NEW REQUEST FROM ANONYMOUS!: sex pollen, old lovers meet again.

→ summary: He loves you, he really does, but he left you. Months wondering why he did that had you crying for him, never ending the never-ending cycle of the abandoned by Dick Grayson wasn't in your to-do list. It's time to hit him with a smile, rather than a goodbye that would leave him wondering.

→ warnings: SMUT, angst, sex pollen, mating press, breeding kink, marking, fingering & oral (f receiving), mutlipes orgasms, overstimulation, mention of weight loss (but it's never specified how much or the weight of the reader exactly, neither a body type), hero into villain!reader, med student!reader, mentions of kory and dick being together but never in a relationship, reader is friends with harley quinn, reader was part of the og titans.

A/N: I'm really proud of this one, might even do pt2 if it gets support. -Words: 3.4k

TUMBLR IS BASED ON A REBLOG SYSTEM. PLEASE REBLOG MY WORK. THANK YOU. ENJOY. SMUT BELOW THE CUT.

¨And you know what I hate most of all that shit he put me through?, He-¨

¨Can you please stop talking about Dick Y/N? It's been MONTHS, damn it! almost a year! You're driving me nuts! I'm not even Dick's ex, or friend and I already hate him as much as you do. So let's move on.¨

¨You don't understand, I was a good girlfriend! Shit! I even became a hero for him! Now look where we are.¨

Harley laughs at your remark of how the tables have turned.

Both of you were sitting at the top of a building eating some ice-cream, which Harley insisted on steal from a random kid on the street, after robbing some random store she liked a collar from, you were now looking at how police officers where trying to look for a culpable of this crime.

It's been 11 months and 5 days since Dick broke up with you. You couldn't AND still don't understand why he did it, both of you were fine one day and the next one he decided, 'oh how could I destroy the woman of my dreams heart?, I know how! What if I tell her I don't need her anymore in my life and she's useless! then some months later fuck some fire princess and act like i'm a new person with this new suit and name! oh! also, re-do the titans! when my ex helped me do the og ones, helped when the fell apart but she's useless anyways!'

To say you weren't deep down for him, would be a lie. You don't know how he could keep laughing everyday knowing how his little trauma ass dumped you like trash. Well, if you're being honest he doesn't have a small ass, but that doesn't matter.

¨Aw, I want more ice-cream¨ Coming back to earth after some deep thoughts, Harley grabbed you by the wrists in order to change up and start looking some restaurant for dinner.

After changing clothes and Harley talking about how obsessed she´s with the Joker, you couldn't quite blame her, both of you were finally walking on the street, laughing at some random inside joke both of you had.

¨Huh.¨ Your phone started ringing and you could swear if it wasn't cold enough to freeze you up, the call was. ¨Who is it?¨ Harley asked, sneaking through your shoulder.

¨OH! Donna?, the cute girl you talked about?¨

¨Shhh, let me attend this call... Hello? Donna?¨

¨Y/N, um- hello! How are you? It's been what? one year since we don't talk?¨ ¨I'm... fine. How about you?¨

You were quite confused for this call, on the outside you're calm, but inside, you're freaking out.

¨I'm good, it's nice to hear you're doing fine!¨ ¨Thank you Donna, but I know you just don't call to ask how i'm doing, what's wrong?¨ ¨Oh well, you quite know me well Y/N, i'm sorry it seemed that way, but you're like the only person I know who could help us with some medical issues, you know? So I wanted to ask you if you could come and help us to deal with Conner, and maybe stay some days...? i'll explain you who he is and all of that later.¨ ¨Donna, you know i'm not longer on the me-¨

Harley pinched you in the arm, trying to talk but you were faster. ¨Ow Harley! Stop it!¨ You told your best friend in a whisper so Donna couldn't hear the both of you, also covering the microphone of your phone, for... extra precautions.

¨You don't understand! This is an awesome opportunity! You're going undercover in the titans tower! Imagine how crazy Jack (Jocker) would be! Say yes!¨

Thinking it for a few seconds, she was right, you could get some important information from them, it was indeed, an awesome plan.

¨Who knows, you might also see bird-boy again!¨ She said raising her eyebrows in a teasing way making you roll your eyes.

¨Y/N? Are you still there?¨

¨Yes, when do you need me to be there?¨

¨Erm... now if it's possible¨

You were now unpacking your suitcase, Donna told you to pack for at least a month, isn't that incredible?

You haven't come across any of the other titans, beside, Donna, Dawn, Gar, Rachel, Jason and Rose... Quite interesting team.

You didn't introduced well to the kids since you were in a hurry to enter your temporary room and not ran into someone else...

While you were unpacking your old tools Wayne gave you while you were their medical support 'hero' maybe also because you were a med student, you still helped with fights, bruises and hits.

You found the 'special' bandages you had for Dick, since the 'normal ones weren't soft enough for his bruises' a small smile appeared on your face at those old memories.

Now unpacking your clothes, you found three special lingerie underwear with a note from Harley:

'Just in case you have some fun ;)

xx Harley~'

The note made you roll your eyes but you couldn't deny it brighten your mood, throwing away the not and putting aside the 'Harley present', you continued unpacking your clothes, you brought in a separate case for your suit, just in case.

¨Y/N! Can you come here?¨

¨Coming!¨ maybe you could order the clothes other time.

When you entered the living room, the kids were no longer there, except Jason.

They started explaining you what happened between Deathstroke and what they know about Conner, you were paying attention to know what you're dealing with, you haven't even realize Dick came in sight until Dawn mentioned it.

But Dick didn't came alone, he was next fire princess which you couldn't care less to investigate her name when you found out about Dick meeting her.

¨Oh Dick! We brought Y/N so she could help us with Conner, since we don't have anyone else who knows about this weird medical stuff.¨ They know what happened between you two, and they still decided to ask for your help knowing he's going to be here.

You stood up from the sofa, eyes locking with his, you couldn't longer see the coldness in his eyes, but there wasn't warm either, you couldn't quite decipher what he's feeling.

¨Kory¨ She gave you her hand at which you responded with your name and doing the same. You locked eyes with her for a brief moment, a small smirk appeared in your face but disappeared once the greeting finished.

¨Y/N.¨ You locked eyes with him, a tension only the two of you could feel. You were different, much prettier, you lose some weight too, blame it on the break-up depression, but you were shining.

¨Grayson.¨ Hearing you say his last name instead of his name he could feel a small part of him getting shattered inside him, you changed.

After checking on Conner and taking some notes, it was finally night time, you were eating some cereal, knowing more about Gar and Rachel, Kory, Dawn, Donna and Robin were dressed up with their suits.

¨We have some issues to deal tonight with another troublemaker, nothing serious though, just a one night problem.¨ Dick announced while getting ready to go out.

¨Y/N, you should come! Maybe warm out a little like the old times." Dawn invited you, how nice of her, only if she knew you were also a troublemaker.

¨No thank you, i'm only here for medical support.¨ You gave her a small smile and said your goonights.

Some knocking in your door woke you up, it only passes one hour since you went asleep and they're already annoying you, first day!

¨Y/N? Are you awake?¨ You heard Dawn saying though the door.

¨Mmh¨ You replied.

¨We need you, it's Dick.¨

Even more annoying.

You walked next Dawn through the halls until you finally came into Dick´s room. Inside they were Donna and Kory, clearly concerned about his well being.

His behavior seemed, weird, there wasn’t any bruises or cuts, not even blood. He was just twisting in pain on his bed. You stepped closer to him, and got your hand on top of his forehead at which he only whined, that scared you, since it sounded more like a moan than a whine. He was hot, sweating and moving a lot.

You had your suspicions what this could be, but you needed to confirm it, this can't be real.

¨Can you please... tell me with which villain you fought with?¨

¨Ivy¨ Donna said.

Shit.

¨I need to make a call¨ you quickly said running out of the room.

¨Surprise, surprise!¨ Harley said in her taunting tone. ¨Oh my god Harley, I can't believe you.¨ ¨Well, you know a girl needs to help her best friend, so... I called another friend and voilà!¨ ¨What am I supposed to do? I don't have the fucking cure for sex pollen Harley! I owe you one, can't believe Ivy did this for me.¨ ¨You just said it, sex. C´mon Y/N!, it's your moment to play with him! He had you like a sad girl, why don't turn her into a mad girl? Make him cry for you. Break his heart like he did with you.

You ended the call, and just in time, Kory came. ¨Y/N, we need you Dick keeps talking about you and rambling about some stupid things.¨ You could sense a strange behavior from her, like if she just discovered something big.

Watching Dick twisting in pain and saying your name in just some black briefs felt good. You can't lie to yourself Harley was right.

¨It's sex pollen¨ You admitted.

¨And what's the cure? Do you have it? That's why you made the call?¨ Donna asked.

¨No, the only cure for it it's well... sex. The pollen might last for at-least 3 days or even a week, symptoms are well... extremely high sex-drive, dehydration, high temperatures, and... I think that's all.¨

Donna chuckled at what happened to Dick, ¨Let's go girls, let's leave this to Kory.¨ Dawn just laughed at a very shocked and blushed Kory, ¨Don't be like that Donna, Kory and Dick haven't confirmed anything yet.¨ You felt your jaw clenching, but decided to act calm, and when all of you were almost leaving, you were stopped.

¨No. I want her.¨ Dick said, pointing towards you. All of you stayed quiet at the sudden confession. You were shocked to say at least, blood rushing to your cheeks, you were about to leave that damn room until you remembered what Harley said.

Cry for me.

Donna grabbed your shoulder, looking at you. ¨You don't have to do this if you're uncomfortable.¨

¨No. It's okay, i'm in.¨

After mentally preparing yourself, bringing some water bottles into the room, they left you alone with him.

You sat next to him on his bed, memories came back flying around the both of you.

¨Look, I know that-¨ He completely cut you off when he started kissing you, making you lay down on the bed, you left a small moan when he broke the kiss for a moment.¨Oh my god, you don't know how much I wanted to kiss you again.¨

Did he missed you? Every question that came to your mind was easily erased when he started kissing and sucking your neck while unbuckling your jeans and taking them down with your underwear, he pulled apart to admire the bruises he left, he grabbed your panties and threw them to his nightstand.

He started kissing your thighs, making small pauses on each to make sure he's marking you as his again. Every time he went higher until he gave a small peck on your clit. ¨I can't wait to taste you sweetheart.¨ There it is... the nickname.

He got your legs over his shoulders and gave a testing long lick on your pussy, teasing your hole. At which he started sucking your clit once he heard the high pitched moan you did when he teases your hole.

His started spelling his name with his tongue on your pussy at which it only made you hornier, suddenly he inserted his index finger inside you. Dick sped up, fingers now flicking in and out of you at light speed, nose pressed into your clit, and before you knew it you were cumming, shuddering on his mouth, crying out his name.  Quickly he took all the remaining clothes from you and him, now both of you completely naked for each-other.

He was rock hard. No, scratch that, his cock looked like it was made of fucking ruby. Red and painful and already half-soaked with pre-cum.

He pressed your legs impossibly closer to your torso, moving down to meet your eyes, until you were folded in half beneath him, legs on his shoulders, putting you into a—

Oh. 

Oh. 

This was going to be a long night.

He fell on his forearms, and you wondered how much more you could take- He laced his fingers on top of your head, thumbs on your forehead, holding you still. He mumbled out another gonna make you feel s’ good before pounding you in earnest, practically bouncing you both on his mattress. His balls smacked against your ass, and the feeling was so damn satisfying that he just had to go harder. You would sport matching bruises tomorrow, his hips on your ass. You pushed out moans in time with his unforgiving pace, a metronome playing the beat to which his sanity danced away from him. 

“More?” He sounded fucking pathetic, like he was asking himself that, his voice octaves higher than it usually was, but he didn’t care. “More, you little slut? That what you want? You want more?”

“I’ll give you more,” he babbled, “More, baby, give you more give you everythin’ gonna fuck you so hard you won’t walk for weeks.”

He’s not too worried about hurting you—you’re already so wet—more that he’s afraid he’ll cum the second he starts moving again. Out of his previous partners, he doesn’t think any of them have felt this good around him.

“Please-” a strand of incomprehensible begs and pleads leaves his mouth when he starts thrusting into you again.

¨Shit- how are you even tighter huh? You've been keeping this tight pussy just for me?¨ He's a whiny mess, small kisses every time he cans, praises here and there.

“Mmm yes please yes please yesyesyesss—” was all you could manage. He laughed at you, breathless, and you wondered how he could keep up this pace and still rattle off incredibly filthy little comments, looking right in your eyes. 

“You’d like that? Yeah? Gon’ look so pretty, little baby, so pretty full of my child, yeah? All round and glowing and heavy with me. All of ’em will look at you and see me, all me, see that I did that. You want that? You want that you want that—”

He leans forward to coo praise into your ear, gently nipping at your earlobe. Goosebumps raise along your exposed flesh. The sound of skin slapping on skin echoes through the stairwell. Sometime during this his teeth find the soft muscle of your neck, leaving a crescent shape mark that’ll certainly bruise in the morning.

You're pretty sure everyone on this tower have heard the both of you fucking like rabbits by now, but knowing this was going to follow him his whole life, with the memories of him fucking you every way possible just so you could leave him, it's all you need to don't care about that.

The first time he cums, he doesn’t even realize he has. He shudders. It felt good—a bit too good—but nothing out of the ordinary. It makes him do a double take. His cock doesn’t even go soft. Drips of cum run down your thighs, pooling on the bed-sheets beneath you.

His thumb traces circles around your clit, moving in erratic, uneven motions. Dick leans back down for another kiss. You can taste yourself on him, though it’s not entirely unpleasant. Your arms wrap around his neck, holding him to your chest. The two of you can only fuck and cum until you’re too exhausted to continue. You’ve never felt so full. The thought of using protection crossed your mind once—and only for a moment—the pollen leaving you too desperate to care.

Second day and he wouldn't give you a break to nap for a minute.

His body curved and bowed, hips pressed hard against you, arms below your body and hands gripping your shoulders. “Mmm fuck baby,” Dick muttered into your mouth, your moans coming out of you almost breathless. “Yeah, yeahyeahyeah milk me fucking milk my cock gonna cum in you fuck a baby, my baby into you and you’re gonna fucking take it take it nnngh —”

He buried his face into your neck, teeth latching on to skin, biting down to draw blood, a choked groan as he came, really came, his balls squeezing painfully, a deep ache in his gut, indescribable tingles all along his cock, his spine, down to the soles of his feet.

Third day, and you started getting him where you wanted it.

“Sensitive,” you hissed, “Sensitive, Dick, you insatiable—”

“Insatiable is right,” he said to you, eyes wide, still looking like you just told him the Earth was flat. He towered over you, kneeling now, and with horror and a bit of something else you felt how hard he still was. 

¨I missed you so much, the biggest mistake of my life was leaving you.¨

Fourth day he started getting sensitive but that didn't stopped him, and he was a little more languid, strokes slow and smooth, his thighs shaking just a bit as exhaustion started to settle in. His cum was spreading in a pool on the sheets now, and you couldn’t bring yourselves to be even a little disgusted. He loved it. He loved so much how it felt that tears dropped from his eyes every-time he felt that electric shock come to him when he was about to come. He was crying for you.

Last day. Fifth day. Barely even thrusting anymore, just a slow grind of his hips, the friction and the pressure and the raw sensation squeezing out what could have been an orgasm if only both of you were awake enough to feel it.

When you both woke up the next day, he was staring at you, straddling your hair, and that's when you knew it.

¨Good morning sweetheart.¨

You just answered with a small ¨hey¨

¨I never through of seeing you laying next to me again, it felt like home. I'm sorry I did that to you, you don't know how much I regret it, please, give me a second chance.¨

Bingo.

Without saying a word, you grabbed some shirt of his, long enough to cover yourself and went back to your room, stumbling and shaking someway you made it. You changed yourself, taking a minute to observe how he marked you, it was time.

You went back to his room, already changed, you gave him a smile and sat on the bed with him, with no emotion behind your eyes, it was your time.

¨You were ready to leave me for her.¨ Confusion, first stage he made you go through.

¨I was doing fine, really, but then you walked again into my life again and fucked me up.¨ Sadness and lies. Second stage.

¨You think this will make me stay?¨ You signaled the both of you. ¨You think with just some stupid sex to heal you is enough of an apology?¨ A laugh escaped your mouth. ¨You thought this was real?¨

¨You know for a fucking fact this wasn't supposed to happen.¨ You got your hand on top of his, faking a caring smile looking at him.

¨When friends of yours make jokes about how you always leave them, you think it's funny, but it's not. That hurts a lot, actually.¨

You got up from the bed and stepped closer to the door, you paused for a second and turned around to see a hurt Dick naked on the bed with just some blanket covering him.

¨And Dick... Of course I still love you, if it wasn't for me, I would go crying and throwing myself into your arms again.¨

¨You still can.¨ He tried.

¨No.¨ You chuckled. ¨I won't let myself get hurt again. Our love isn't worth the fight. Goodbye Dick Grayson.¨

[l4mplight]

Miquella and Trina; A Tragedy

Hey Tumblr. I have a lot of thoughts about Shadow of the Erdtree, and these ones... let's just say I don't think they'd do well on Reddit. It's not often that I feel particularly impacted by a particular fictional character. Usually I connect more with narrative arcs and themes, which is why I think I'm so drawn to the ephemeral, vibes based storytelling of Fromsoft's games. Playing through SOTE, though, I found Miquella (and St Trina) to be extremely emotionally compelling and relatable, and I wasn't sure exactly why. I think I've put my finger on it now though. First of all, know that I am writing from the perspective that Miquella is a sympathetic character. I know that it's not uncommon to read him as a manipulative Machiavellian villain, but I think that's both a misreading of the text as well as just plain boring. Like, he's not a Griffith clone you guys, give From some credit. Anyway, here we go.

"You have no understanding. Of Miquella the Kind. Of St. Trina's Love.

Content Warning: I'll be discussing themes of depression, and the implication of suicidal ideation.

So, a classic Fromsoftware theme is despair, and the ways we cope with a world full of it. It shows up twice in Shadow of the Erdtree; with Midra and the Frenzied Flame, where despair leads to a selfish nihilism that asks us to burn everything down, and with Thiollier and St Trina, who offer sleep as a comfort to the weary. Running a small errand for Thiollier has him say the following.

"If you find yourself… weary of the weight of this life, then just give me the word. Sleep is a balm, and eternal sleep… is an elixir."

Drinking the elixir he offers will, of course, result in an instant death. This is our first encounter with the idea of "Eternal Sleep," a more potent form of the sleep status effect that only appears here in the Shadowlands, after St Trina has been abandoned. The Velvet Sword of St. Trina tells us as much: "Silver sword of St. Trina, now stained the color of velvet. Inflicts eternal sleep. When St. Trina was abandoned, the faint, light-purple mists coalesced into an intoxicating deep-purple cloud." In order to ascend to godhood, Miquella abandons first his physical body, and then the more abstract aspects of himself. As we begin to descend down the fissure where we'll find Trina, a cross marks the spot as the place where Miquella abandoned his love. This connects Trina, "the discarded half" as Thiollier puts it, with Miquella's love. Leda confirms this in her own dialogue:

"St. Trina's love for Kind Miquella is boundless. She is, after all, his other half. Or perhaps her feelings go beyond even that. Even if she was left behind, I doubt her heart would waver."

Keep that in mind, it'll be relevant later.

Near the cross, a spirit offers up some of the most heartbreaking dialogue I've come across so far. The spirit gives us a bigger picture of Miquella's goals:

"Kindly Miquella... I see you've thrown away... something you should not have. Under any circumstances. How will you salvation offer... to those who cannot be saved? When you could not even save your other self?"

I teared up at this. The emotional impacted was aided by the fact that I ran into the spirit right after telling Moore to put his past behind him, leading him to rededicate himself to Miquella. He says:

"Hm. Maybe that’s Kindly Miquella’s love. Love for all the unloved. Love, to banish the pain."

Note here that Moore suggest Miquella's love will "banish the pain." This is also essentially what Trina's sleep does. It's a comfort to those in need. Anyway, between these two instances, we end up with a pretty good picture of the sort of god Miquella wants to become. He was already sympathetic to the outcasts of The Lands Between in the basegame, where he built Elphael and the Haligtree as a haven for those rejected by the Golden Order, such as the Albinaurics and Misbegotten we find there. In the Shadowlands, he has gone a step further. Hornsent tells us that he has committed himself, in essence, to righting Marika's wrongs.

"Miquella has said as much himself – he wishes now to throw it all away. He says the act – though undoubtedly painful – will sear clean the Erdtree’s wanton sin. The truth of his claim can be found at each cross. 'Tis evidence enough to earn my belief."

Of all of Marika's children, Miquella is the only one to see the serious flaws in her empire. Ymir points this out to us as well.

"No matter our efforts, if the roots are rotten, then we have little recourse. Ever-Young Miquella saw things for what they were. He knew his bloodline was tainted, his roots mired in madness. A tragedy if there ever was one. That he would feel compelled to renounce everything when the blame lay squarely with the mother."

My thinking here is aligned with Mother Ymir. You really have to feel for Miquella; he has essentially taken on, alone, the responsibility of making up for centuries of Golden Order imperialism. That's a massive burden to bear, especially for Miquella, cursed with eternal childhood.

(It's easy to miss, but Miquella actually ages up significantly when we see him in god-form. Until he steps back through the Divine Gate, he would have looked and sounded like he does in the introductory art and in ending memory scene. Compare those with how he appears in the boss fight, and it's clear godhood at least helped him reach puberty lol) So we've established that Miquella is the child of Imperial Rome on Steroids, is cursed with eternal childhood, and is an empathetic prodigy with the weight of the world on his shoulders. Surely his mental state is perfectly healthy, right? Right??

Final warning, this is where things get quite sad. Here is where I will try to tie Miquella's arc together with Thiollier and St Trina, and the comforting oblivion and relief from despair that sleep represents for them.

As we search for St Trina, we descend down into the Stone Coffin Fissure. This is a place of death, with massive coffins built into the fissure walls, and Gravebirds, Bloodfiends and Putrescent enemies everywhere. St Trina is found at the deepest possible pit of this fissure, in a swamp of putrescence that has since blossomed into a garden of deep velvet lilies because of her influence. Trina offers us nectar of "eternal sleep," as Thiollier did previously, and as established then, "eternal sleep" is essentially nothing more than a peaceful death. Trina seems to fit in quite well in this place of ancient dead things, with some of the ancient remains even being compelled to fight for her in exchange for eternal rest, becoming the Putrescent Knight.

(Side note for levity because we're about to get sad again; I love this guy. It's a knight made out of the skeleton of a horse, riding on that same horse's decaying flesh goop body. Like, ugh. Beautiful. Plus, it may even have taken that shape because of Trina sharing Miquella's memories of Radahn, who was never far from his horse Leonard...)

We meet St Trina in her garden, and when we imbibe her nectar, we eventually begin to hear her voice in our death-dreams. She seems to pity him. Mourn for him, almost.

"Make Miquella stop... Don't turn the poor thing into a god..."

Trina appears to be in a bad state after her fall. She can only manage to get a few words across to us at once. Just as Leda predicted, her heart hasn't wavered. She is only concerned with Miquella's well-being.

"Godhood would be Miquella's prison. A caged divinity... is beyond saving."

Trina's most pressing concern is that godhood will be a prison for Miquella. Now, this could in theory be because gods are subject to manipulation from the Fingers and the Greater Will or a similar reason, but given that she calls him a "poor thing," I think there is likely a more emotional reason behind Trina's plea. I think that Trina is speaking as the embodiment of Miquella's love, but especially his ability to love and care for himself...

"You must kill Miquella... Grant him forgiveness."

...and she asks us to kill him.

In excising Trina from his being, I think Miquella also expelled the part of himself that was able to recognize how miserable divinity would be for him, and how miserable he was. The part of him that was tired of carrying the responsibilities that his compassion demanded of him. The part of him that was exhausted, despairing and desperate from having failed to cure Malenia, failed to save Godwyn, failed to perfect the Haligtree. St Trina is the part of Miquella that wanted to be stopped, to rest, to sleep, to die. In abandoning her as he does, Miquella is essentially repressing those thoughts and feelings, replacing them with more "selfless" ones; self-sacrifice, suffering on behalf of others, his martyrdom and apotheosis. I don't want to forget about "grant him forgiveness" either. She might mean forgiveness for failing to become a god, for not being good enough to succeed Marika and right her wrings. Maybe forgiveness for failing Malenia and Godwyn, or for leaving the Haligtree behind. Maybe even for abandoning her. But on the road to godhood, Miquella can't afford to indulge in this sort of self-pity. A child craves forgiveness and approval, a god must cast these things out.

"I'm feeling rather lost. Haunted by memories. Of St. Trina. Her visage. Her scent. The lure of velvety sleep. Would Kindly Miquella chasten me? For falling for St. Trina, while knowing that she was the discarded half? The problem is… I simply cannot help it. I would sacrifice everything, just to gaze upon her, one last time."

I want to mention Thiollier one more time here too. His primary visual motif is the long white braids that he wears on his clothes, reminiscent of Miquella and Trina's own signature braids (remember, she looked like an older feminine Miquella before her fall and injury). Thiollier is obsessed with Trina, pursuing her to hear her voice and fade into the comfort of her velvet sleep, though this doesn't kill him like it does us. I don't think Thiollier is connected to Miquella in any textual way, but I think he does serve as a reflection of the sorts of thoughts Miquella may have been surpressing. The self-pity, the need for approval and love, the feelings of weakness and uselessness. These are the things that lead Thiollier to pursue endless slumber.

Thiollier doesn't give in to that despair, however. Though he initially takes St. Trina's words... poorly, he eventually realizes what must be done, and dedicates himself to his new purpose: carrying out her final wish.

"I am here to serve St. Trina evermore. I am deeply sorry. For doubting you. I am here only to grant St. Trina's singular wish. I will stop Miquella the kind. He will never become a god."

This post is already quite long, but I also want to mention the obvious gender stuff going on here. There are a number of moments that make it seem as though St. Trina might actually be more than just "half" of Miquella. Firstly, as she is shown falling in the story trailer, Leda is describing how Miquella abandoned his fate, as if Trina had a vital role to play in Miquella's future. It also seems as though Trina isn't cursed in the same way that Miquella is; her voice and size indicate that she is at least more substantial than his "infant form," and she is depicted in "adult form, somewhat unnervingly" on the Torch of St. Trina. Furthermore, her "adult form" has a third eye in the middle of her forehead. The third eye is a symbol of enlightenment in both Hinduism and Buddhism; it seems that Trina has achieved some level of wholeness in this depiction. Meanwhile, when Miquella achieves godhood, his eyes remain permanently shut. He also appears to have only one physical arm. He holds Radahn with two incorporeal arms while casting with his real right arm, but his left arm appears to fade away to nothing before the elbow, as if unfinished. Miquella's blindness and asymmetry here, I think, reflect how unbalanced and incomplete his divinity is without Trina.

One more hint towards St Trina being a part of Miquella's future lies way back at the Haligtree. In Malenia's bossroom, just above where Miquella's cocoon was once embedded into the tree, the branches and roots appear to form a silhouette. This could be Miquella, Trina, or both, but I do see a certain resemblance to Trina's depiction on the torch in the way the "hair" covers the eyes. Given that Miquella's body appears to have grown a decent amount inside of the cocoon when we see in at Mohg's palace, it's possible that the cocoon situation was his original attempt to cure himself of his own curse, or perhaps become a part of the Haligtree itself. In the Shaman Village, Marika's home, there is a similar scene. A woman's body that resembles Marika seemingly mummified within the hollow of a tree. I honestly have no idea what to make of that just yet, but I thought it worth a mention.

So, with all that in mind, abandoning Trina seems to be even more significant. Not only has Miquella divested himself of his love and his fate, but maybe even his future, too. Being eternally nascent, he is always in a state of potential, after all. Am I suggesting that Miquella is a transfeminine character? That he was meant to grow up to become a goddess in the aspect of St. Trina, or maybe even more like Marika than he already is? Well, maybe. If you find it compelling, then absolutely. Fromsoftware's storytelling is always ambiguous, and is always design to leave us some room to read and interpret, to really play in the space we are given. Personally, I do find it compelling in a horribly tragic sort of way, fitting for the setting. It's also entirely possible that I have rather self-indulgently projected some of my own angst onto these character. I likely have, to be perfectly honest. It's rare that I really connect with a set of characters or a story like I have with this lot, and I hope that maybe some of you reading this will feel similarly. If you have read this far, thanks <3

[neroushalvaus]

Okay I am going to use the Somerton situation to talk about something that is very important to me. Following the discussion I have seen former Somerton fans being disappointed in themselves and questioning how they can ever trust another video essayist again. I have also seen some people being smug because to them Somerton was obviously unreliable from the start. As a person who also saw the "red flags" in Somerton, I would like to skip the smugness and talk a bit about what the red flags were to me.

Someone else has probably posted something similar and Hbomberguy's & Todd in the Shadows's videos touched a few of these points, but they didn't focus on them or how to spot these things. I think it is a good thing: I think it would have reinforced the idea that Somerton's fans were to blame for being lied to, and these youtubers didn't want to pin any blame on the fans. Also, some of the things I'm going to talk about were not by any means proof of him being unreliable, they were common tropes I personally associate with people who are bullshitting on internet. Think of it as something like spotting terfs: If you consider following a tumblr user and find out they have at some point posted "males will always be a danger to females no matter what they say", it is very possible that they are not a terf. Maybe they were having a bad day and were just wording their post badly – But you should probably search "trans" from their blog before following them, just to be sure.

So, the tropes in James Somerton's content that I consider red flags:

Lack of sources. This one may seem obvious and Hbomb talked about this in his video, but the lack of sources in his videos was outrageous. Video essays are called essays for a reason, they are not supposed to be just a guy talking about whatever comes to his mind, they should be well researched essays. Obviously video essays should contain one's own thoughts and interpretations and those do not need citations. But James Somerton didn't come out of the womb knowing everything about LGBT history, Disney and film theory, if he actually knew something about all this stuff, he should have learnt it from somewhere. There should be sources he could point to. It is very common that even when a video essayist doesn't tell you where they got all their information, they open their video by saying stuff like "when I prepared for this video I read the book Also sprach Zarathustra by Friedrich Nietzsche and this one thrilling blog post about lesbian cruising in 1960s Sweden". From what I've seen, James does not really do this. From watching his videos you could arrive to the conclusion that James Somerton does not read any books, he just knows everything. There are situations where people don't feel the need to add sources, like when the information is considered common knowledge or when the topic relates heavily to the essayist's actual academic field or profession. This is okay and very understandable, but can sometimes be dangerous, since if the video essayist markets himself as a marketing specialist, people are more likely to take his word for stuff that has to do with marketing, even without sources. It is understandable that in many situations an essayist may think "why should I cite a source? I know this thing!", but doing your research well is partly about checking if the information you are certain of is actually true. Also, as Hbomb pointed out, if you can cite a source, your audience can go learn more about the subject. It's not about anyone doubting you know your stuff, it's about learning. That's why well-respected video essayists usually cite their sources very clearly.

Lack of pictures and screenshots. This is about different kinds of sources again, many things on this list are kind of about sources. An example: When James Somerton made a video about JKR, he mentioned something about Rowling at one time saying that trans students in 30-50Feralhogs (or whatever the wizard school is called) could use magic to present as their gender. If this was any other video essayist, you'd expect a tweet to pop up, or something else confirming Rowling ever said this. Nothing pops up, obviously because Rowling didn't say this, but you can't see anything fishy in that because things rarely pop up in Somerton's videos. He doesn't show you court documents when speaking about a court case, he doesn't show you the comments apparently mad at him for implying the gay anime is gay when he is complaining about people being mad at him. There is a reason people show screenshots and tweets in video essays. When a good video essayist says JK Rowling has tweeted that all people who menstruate should be referred to as women, the video essayist shows the tweet so people know they are not making it up. If there were hoards of annoying bitc-- I mean, angry white women whining about gay sex in HuffPost articles or Somerton's youtube comments, he should have no trouble showing you those. Remember that you should not trust someone just because they show you pictures or screenshots. Pictures can be photoshopped, screenshots can be doctored. Many youtubers are aware that you listen to their videos while cleaning or while walking your dog and don't actually see the screen all the time, and some may take advantage of that by saying something like "and here she threatened to kill me" while showing a text message where someone said "die mad about it". A screenshot alone isn't much but you should demand to see the screenshot.

Passive voice. I am once again bitching about this. Somerton repeatedly says things like "it's been said that" or "it was common knowledge that" or "a legend says that" or "according to most interpretations". He doesn't say who says it, making it very hard to fact check and that seems to be his goal in some cases.

Relying heavily on anecdotes. Writing a dense, analytical video about film theory or history can be exhausting and you may want to pepper in little fun facts. However Somerton seemed to rely on these heavily; he can't just talk about how he has totally bought every lie told by The Pink Swastika, he also needs to tell a cute little anecdote about SS men forcing sexual favours out of men. He can't just tell a story about a court case, he needs to add in ridiculous stuff about the jury booing. This is what I mean by not all the things on this list being necessarily proof of someone being unreliable. Many people use anecdotes and little stories in their storytelling, it makes the videos flow better and it's hard to decide which anecdotes are valid and which are not. A source obviously makes an anecdote a bit more believable, but here are some things that instantly make me fact check an anecdote:

It's a bit too convenient, poetic or ironic. Sometimes real life is weirder than fiction but if an anecdote is "perfect" and has an amazing punchline and you could write twelve poems about it, there is a possibility it was invented by pop science books.

It assumes your political enemies are stupid. Dunking on conservatives, MRAs and transphobes is always fun and after you've seen a lot of this kind of content it's easy to believe anything about these people. You must resist the impulse to believe everything that may make your opponents look stupid.

The person telling the anecdote implies it is an example of a larger, systemic problem. You know what's worse than taking a random happenstance from human history or internet and basing an entire political theory on it? The said random happenstance being made up. You should in general be wary of people telling one story and explaining why it's an example of everything that's wrong in the world. We live in a huge world. You can always find a white woman who loves cute gays but hates the idea of Nick Heartstopper and Charlie Heartstopper getting nasty but that doesn't mean it's an indicator of a larger issue.

Simplifying complex issues. We all know that "only the boring gays survived the AIDS crisis, and that's why gays started to only care about marriage equality and military" is a horrible, insensitive thing to say, but you also have to think about it for like two seconds to realize that it can't be correct. It kind of reminds me of the "roe v wade caused the crime drop of 1990s" claim in Freakonomics. It sounds logical and simple, like a basic math calculation. Societal issues rarely are like that, though. You should never believe anyone who tells you about a huge societal shift and says it happened because of one thing and one thing only.

These were some of the things I noticed in Somerton's content that caused me to distrust him. I hope these were helpful to you and feel free to add your own "red flags" if you feel like it!

[serejae]

WE CANT BE FRIENDS (wait for your love) | MYUNG JAEHYUN SMAU

synopsis ; two exes who despite ending on “good terms” always avoid each other at all cost. its not until their mutual friend, woonhak, who just so happened to introduce them to one another has a film project to do. unfortunately woonhak is failing the course so he gets to pick his topic last and out of fate he gets

“how does ending a relationship on good terms effect the two individuals?”

genre ; crack, romance, second chance

warnings ; kissing, cursing, suggestive (no smut) , more to be added probably, many random idols from random groups are mentioned

a/n ; heavily based on our beloved summer and my love life (if ur my ex pls lets date again LMAOAOOO) 🤣🤣🤣🫤🤣i just found out how to make my words gradient yipeeee

taglist is open, just send a ask tumblr doesnt give me all the comments so i wont see if you comment :-)

@lilriswife4life @cherrytaesan @tubatu-lovie @woonsbot @guiltysungho @taylorluvation @kage-yaa @lionhanie @dearly-somber @nicholasluvbot @nujeskz @unhakki @lblossom21 @kirbyyluvs @seunghancore @nctrawberries @i03jae @icewons @miidorei @hanbinniesmango @dongminz @helpsplease @sol3chu @letwiiparkjay @woorcve

-

PROFILES -

•PROLOGUE

• I DIDNT THINK YOUD UNDERSTAND ME

• HOW COULD YOU EVEN TRY?

• I DONT WANNA TIPTOE BUT I DONT WANNA HIDE

• BUT I DONT WANNA FEED THIS MONSTEROUS FIRE

• JUST WANNA LET THIS STORY DIE, AND ILL BE ALRIGHT

• WE CANT BE FRIENDS, BUT ID LIKE TO JUST PRETEND

• YOU CLING TO YOUR PAPERS AND PENS

• WAIT UNTIL YOU LIKE ME AGAIN

• WAIT FOR YOUR LOVE. LOVE ILL WAIT FOR YOUR LOVE

• ME AND MY TRUTH WE SIT IN SILENCE

•BABY GIRL ITS JUST ME AND YOU

• CAUSE I DONT WANNA ARGUE BUT I DONT WANNA BITE

• MY TOUNGE YEAH I THINK ID RATHER DIE

• YOU GOT ME MISUNDERSTOOD BUT AT LEAST I LOOK THIS GOOD

• WE CANT BE FRIENDS (blame him !!)

• BUT ID LIKE TO JUST PRETEND

• YOU CLING TO YOUR PAPERS AND PENS, WAIT UNTIL YOU LIKE ME AGAIN

• LOVE, ILL WAIT FOR YOUR LOVE

• KNOW THAT YOU MADE ME

• I DONT LIKE HOW YOU PAINT ME, YET IM STILL HERE HANGING

• NOT WHAT YOU MADE ME

• SOMETHING LIKE A DAYDREAM

• BUT I FEEL SO SEEN IN THE NIGHT

• SO FOR NOW ITS ONLY ME

• AND MAYBE THATS ALL I NEED

• WE can BE FRIENDS

[unearthly-doting]

Heyyyy could you possibly do

Finding their soulmate: creepypasta edition

any creepypasta characters you want (including Jeff the killer & Homicidal Liu pls 🙏)

finding their soulmate: creepypasta edition.

notes: crying i miss my colored text :( i got another two soulmate posts coming ur way soon guys bc that's in high demand it seems so!! also im on my tablet writing all of this and tumblr mobile sucks so if there's any mistakes blame them not me. anyways send requests for things if u want. love u all !

includes: jeff the killer, homicidal liu, eyeless jack, nina the killer, the bloody painter, and ticci toby.

warnings: not proofread and written while i was super tired so, yandere content, mdni, inconsistent length, reader injury in jeff and toby's parts, stalking, mild poly content in liu's part bc he and sully r a package deal here, kidnapping, breaking and entering, murder, this is all actually pretty tame, obsessive behavior, possessive behavior, overprotective behavior. i think that's all??

JEFF THE KILLER — didn't have a soulmate. He didn't have any soulmark, there was no name on his wrist or a string around his finger. The universe had destined him to be alone, it seems. When he was younger, this had been crushing. Why did his brother get to have a soulmate but he didn't? What was so different about him that he didn't deserve a destined love?

Though, after he became the man he is today, Jeff found that he didn't care about soulmates. He probably would've killed his soulmate, if he had one. If anything, he found himself developing a burning hatred at the very concept of soulmates.

Everyone had always played it out to be something wonderful, something people were lucky to have. But he's seen otherwise. He's killed soulmates who have turned on each other just to try and save their own life. It's all a bunch of romanticized bullshit.

And he thinks you're a dumbass for believing that your soulmate would be a good person. Jeff doesn't understand why he hasn't killed you yet, you're just some nobody that he for some reason enjoyed the company of. Maybe it's because you never try changing him. Or maybe it's boredom, who knows.

But he hates when you talk about your soulmate that you've yet to meet. You speak as if you're already in love, and it leaves this suffocating feeling in his chest each time. It didn't feel like anger or annoyance, but he was too prideful to label it as jealousy. Why would he be jealous?

Why do you want to meet your soulmate so badly anyway? You have him. He may not be your soulmate, but does it really matter? You better really hope this man never realizes he's in love with you because you're actually fucked if he does, like…

The moment he comes to terms with his feelings for you, you're never meeting your soulmate. He's crossing out their name on your wrist with his knife and replacing it with his own. You wanted to meet your soulmate so badly, so there. Now he's your soulmate. His name is forever carved on your skin, after all.

He may even force you to carve your name into his arm as well to further solidify the whole ‘soulmate’ thing you so desperately craved. You're stuck with him now, like it or not. No amount of screaming and crying will change what's happened.

Jeff doesn't understand why you're so upset. You wanted this. You were practically begging him for it, always telling him your dream life with the one you're destined with. Seriously, you should've expected this from him.

But it's okay, he'll be the soulmate that you've always wanted.

He'll stay by your side. He'll kill anyone who dares to even think about you. You said so yourself, you don't need anyone so long as you have your soulmate.

Really, he's just giving you what you want. Though he won't lie, he can't help but feel a sick and twisted pleasure at having you depend on him. He likes having you around, even if it's with your mouth taped shut to keep you quiet.

Maybe this soulmate thing isn't as bad as he thought it was.

HOMICIDAL LIU — had always dreamed of meeting his soulmate when he was younger. Something about soulmates always fascinated him, and he absolutely loved hearing stories of soulmates meeting and falling in love.

He learned from a pretty young age that whoever his soulmate was, he shared scars with them. This was something he discovered when he felt a stinging sensation on his arm one day and he could see the scar manifest on his skin. He had been so fascinated by it, and even excitedly showed it off to his parents and Jeff as if it were some sort of reward.

Though, after nearly dying at the hand of his little brother, Liu had become… terrified at the thought of meeting his soulmate. He knew that you shared his scars now. You probably got weird looks from people on the street because of them, right?

And it must've been a horrific experience, waking up in the middle of the night to blinding pain all over your face and neck and arms, unable to stop the scars from forming, not knowing what was happening. You probably hated him. He wouldn't blame you if he did.

But when Liu met you, there was no way he'd be able to let you go. At first, he had just seen you in passing, He knew you were his soulmate the moment he laid eyes on you because you weren't even trying to hide the scars you had. You wore them proudly. He had followed you home that night, just to make sure you were safe.

He felt bad about it, but he couldn't help but come back the next day. His mother must be yelling at him from her grave, scolding him for stalking his soulmate instead of just talking to them like a normal person. A simple mistake on his end (aka Sully literally forced the man in front of you) led to the two of you actually meeting.

You had been so concerned, asking him if he were okay. It had been years since he sustained these injuries, but you still asked. You had always wanted to ask, ever since that night. Your pain was dull in comparison to what he must've gone through, and Liu nearly cried experiencing your kindness because he simply did not deserve it.

Liu tries really hard to have a normal relationship with you, he really does, but he's so utterly paranoid about your safety almost constantly when he's away from you. It makes him sick to his stomach imagining the danger you could potentially find yourself in without him around to keep you safe.

It didn't help that Sully only amplified these thoughts and good lord, how would you react to meeting Sully? Liu had always been very careful making sure that he never fronted when you were around, but Sully was starting to become ansty, eager to meet you.

When Liu wasn't hunting Jeff, he was with you. Sometimes you knew, but most of the time, you didn't. Stalking you was second nature at this point, and he doubts it's something he'll ever stop doing. Besides, it's not like he's hurting anyone by stalking the person he loves. Is it completely wrong and a violation of privacy and respect? Yes. Does he feel guilty? Absolutely. Will he stop? No chance. This is for your safety, after all.

Sully thinks he's a fucking fool behaving this way all for one person just because you're his soulmate (which he also thinks is dumb, by the way.) but then he actually meets you for the first time. You had immediately clocked in on the fact that he wasn't Liu, even though Sully prides himself on mimicking the man fairly well. Looks like you have two soulmates now! Yay!

Unfortunately for you, Sully is a lot more direct than Liu. Liu keeps his possessive thoughts to himself whilst Sully makes it very clear that you belonged to them. Liu's affection was hesitant, scared that he may hurt you if he's too eager. Sully's affection was almost suffocating, the way he'd cling to you and refuse to let go.

And if you ever decide that being with them is too much, trust me when I say they will go to great lengths to keep you with them. Liu isn't above locking you away somewhere if it means keeping you safe, and Sully won't hesitate to kill someone just to keep you in check.

Liu just wants to keep you safe. You can't protect yourself, so let him do it for you.

EYELESS JACK — was confused by the blackened, withered string connected to his pinkie. He knew what soulmates were, though he's not sure why the remnant of one was still tied to him. After his… changes… he shouldn't have a soulmate at all, not even the remnants of one.

Even the smallest string around his finger meant the bond was still there. It made no sense, it defied nature itself just by existing. He didn't understand, but he couldn't deny that he was curious. Whoever was on the other side of this string was destined to be with him, how could he not be curious?

It took time, but Jack had plenty to spare. He followed the string as best he could. The poor thing was so fragile, the smallest tug could tear the bond apart. He's not sure what he'll do when he finds the one he has a fragile bond with, to be honest. Soulmates aren't really… useful, to him. His only driving force is survival. Food. Nothing else is important.

Yet this was, oddly enough. There was just something deep inside of him telling him that he needed to find his soulmate.

And when he found the end of his string, it was connected to you. Now, Jack has no memory of who he was before becoming a flesh-eating demon. He was human once, he thinks, so maybe that's why there's something so familiar about you. A long forgotten part of himself was craving you.

And you? You were utterly horrified to find someone that resembles your missing best friend in your home one night. This was Jack, and yet… he wasn't. You didn't know this man. You didn't want to know this man. But he didn't care. Jack was dead set on having you.

He wouldn't leave you alone. He showed up every single night just to watch you. It was unnerving. To you, it felt like he was waiting for the right time to strike. You were waiting for him to kill you, to devour your soul or whatever.

To him, he was protecting you.

You were his mate. That's what he recognized you as. And as your mate, it was his duty to protect you. He didn't see his behavior as odd. To him, he was just providing for you. He saw no harm in breaking into your home every night to make sure you were safe.

Jack may not understand fully why he's attached to you like this, but he can make an educated guess. It's clear that you knew him. Or, you did, at least. You look at him as if you're looking at a ghost. Clearly, you were someone he's always been attached to. Though, it seems his demonic traits have amplified that attachment.

He won't hesitate to hunt you down if you try running away.

There's nowhere you can go where he won't find you. He'll follow you to the ends of the earth, if he must.

Jack doesn't need you to love him back. Hell, he doesn't need you to like him. He just needs you, in any way he can have you. His entire being aches when he's not with you.

So here you are, stuck with the creature. You're haunted by him, really. And, to be honest, you're not sure if you wanted him to leave.

NINA THE KILLER — wrote literal fanfic on how she wanted her first meeting with her soulmate to go. All she ever wanted was for someone to love her, so when she learned that the inner voice that all of her thoughts was in belonged to her soulmate, she was utterly ecstatic!

This was the only thing in life that mattered to her. Nothing else was important. Everyone in her life thought she was strange, how obsessed she was over someone she hasn't even met.

But if they could hear your voice, they'd understand. Whenever she needed comfort, she would just think random thoughts so she could hear your voice.

And when she finally meets you, it's like something out of a fairytale. To her, at least. She had just broken into your home to kill you, but when you begged for your life, it was like everything clicked.

She looked at you as if you were everything she could ever need, and it made you feel sick to your stomach.

Nina had no plans of letting you go now that she finally had you. One moment, you're in your home, and then the next, you're waking up in a cabin deep in the forest, decorated to seem like a cozy home.

She acted as if she hadn't kidnapped you. In her mind, you two were pretty much married already. You're her soulmate, after all! That's better than marriage in her eyes. And if you don't play along with her, she won't hesitate to remind you just exactly what she could do to you.

Not that she would ever actually hurt you!

No, Nina could never do that. You're the only thing that has kept her sane all these years. Your voice is the only thing that keeps her going these days.

You just gotta understand that Nina can't live without you. She'd never hurt you, but she's not above scaring you into compliance if it means you'll play along with her fantasies.

But if you ignore the fact that she kidnapped you and is holding you hostage in a cabin so deep in the woods that your chance of escape is slim to none, she's actually probably the best soulmate you could ever ask for. When you actually play along with her, that is.

She doesn't force too much affection on you. If she wants to cuddle you, she will, like it or not. But she never takes it any further than that. She respects your boundaries in her own sick and twisted way.

There's no escaping her love now that she finally has you. She'll drown you in it until it's all you'll want.

THE BLOODY PAINTER — had no real interest in meeting his soulmate, even if it meant his world lacked color. The lack of color in his world didn't deter from his passion for art, and he didn't need to see color to create a masterpiece. If anything, the black and white world he lived in seemed to fit him perfectly.

Sure, he had a few passing thoughts on what his soulmate might be like, but it's nothing he ever really entertained. And if he ever met his soulmate, he sincerely doubts he'd want any real connection with them. Rather, he doubts they'd want anything to with him.

So imagine his surprise when he bumps into you one day and color suddenly bursts into his world. It's dizzying, for the both of you, but all Helen can focus on is the red you were wearing.

Red is a beautiful color on you.

It's an awkward start to your relationship, mostly because it was so sudden. Neither of you really knew what to do, and in the beginning, it honestly seemed as if you two just weren't meant to be. But somehow, it seemed to work out.

Helen really didn't want you finding out about his whole serial killer thing. He wanted a normal relationship with you. Something that would separate him from the whole ‘Bloody Painter’ title the media had given him.

He could spend hours just drawing you. You invade his every thought most days, and he can draw you from memory. He has numerous sketchbooks just filled to the brim with drawings of you. And almost all of them feature the color red in some way.

Art was his main way of expressing his love to you. His expression was always apathetic and his words never felt like enough to him, so what better way to show his love than by painting you masterpieces? Almost every piece of art he made these days were dedicated to you. Even his murders.

It was only a matter of time before you learned about his side hobby, unfortunately. You were smart, something he loved very dearly about you. He's not sure when you started to suspect him of being a killer, but he knew you were starting to become wary of him. Whenever the news talked about a recent murder, he could always feel the way your gaze drifted over to him, even if for a moment.

To be honest, he didn't see any reason to confirm nor deny your suspensions. He was curious to see whether you'd stay with him or if you'd try to leave the longer you suspected him. Not that he'd let you, of course. Helen couldn't lose you, you were his muse. If he lost you, how could he ever create art?

Helen would only do something if you tried telling someone about your suspicions. Maybe your friend or family member was a detective, but whoever you try telling is going to end up a bloodied corpse in front of you, your boyfriend standing over their corpse with a look of mild disgust.

Their blood smearing onto your skin when Helen gently cups your cheeks, telling you how careless you had been, how you left him with no choice but to kill that person. You were freaked out by the entire situation, but Helen wouldn't let you go.

Red truly is a beautiful color on you.

TICCI TOBY — genuinely had no idea he had a soulmate, simply because he couldn't feel pain. Truth be told, he didn't even know what soulmates were until he was already a proxy. Kate had been kind enough to explain it to him, when he questioned the mark on her neck.

It was a concept that he found interesting because the idea of meeting someone who would finally understand him was too good to pass up. At the same time, he couldn't help but think it to be bullshit. Toby had always been disillusioned to love, even if he couldn't quite remember why. It just seemed too good to be true.

He wasn't even sure if he had a soulmate, truth be told. He didn't have any marks on him as far as he could tell, and there were no words or names or anything like that. He just assumed he was one of the rare few that didn't have a soulmate.

But then he met you.

You, the newest proxy. Fresh meat, dazed and confused and in need of training. He was like you once, years ago. He trained himself, too stubborn to listen to anyone else. Because of that, Slender always made him train any new proxy it brought. It annoyed him beyond belief, but he didn't have much of a choice.

There was something strange about you. He's not quite sure what it was, but he found it strangely difficult to look away from you for too long. There was just… something drawing him to you. He only understood why when he cut himself on his hand when he retrieved one of his hatchets he had you throwing.

You had gasped. It was a pained one, so of course he had to check you for injuries. When he found the cut on your hand, you had pointed out the fact that he had a similar one on his own. It was… weird, truthfully. And maybe he was being dumb, or whatever, but Toby couldn't help but wonder if… were you his soulmate?

The very thought was enough to drag his hatchet across his arm, watching as the very same cut he had given himself tore into your skin as well. It had left him speechless, to say the least. He felt conflicted in so many ways, and to be honest, he avoided you in the beginning. He had nobody for the longest time, and now he suddenly has a soulmate? It was just a bit much for him, and he needed the space.

But trust that once he's accepted that he has someone in his life now, you're stuck with him. Toby isn't a physical person, so you don't have to worry about him actually sticking to you, but he always seems to be keeping an eye on you. For Toby, he's always been hyper aware of his surroundings because if he's not, he could get hurt without realizing it and then bleed out and die, so sad. But now he has to make sure you don't get hurt as well, already becoming increasingly protective over you.

Any missions tasked to you, Toby will always join you. Doesn't matter how simple the mission is, or if you or Slender try to argue with him, he's going.

He's so protective over you that it borders on possessive. He hates when you get close to anyone, and the moment you leave his line of sight, he's hunting you down. Friend or foe, Toby doesn't want you near them. You have to understand that everyone has bad intentions. Hell, Toby himself acknowledges his behavior to be bad as well, he's well aware of that fact. But to him, it's for your own good. You can trust him, but you can't trust anyone else.

And there's literally no chance that you'll be able to leave him if you tried. As a proxy of Slenderman, you're stuck with him. Slender doesn't care about your comfort, it only cares about you completing the missions it gives to you. Sure, it finds Toby's behavior strange and mildly annoying, but it's not causing you any physical harm, so it simply doesn't care.

But Toby would never, under any circumstances, hurt you. That's something he will vehemently refuse to do no matter what, so you could use that against him if need be.

Just… just let him have this. Let him have you.

[gigabyte-flare]

Insatiable (Part 1)

Summary: You are a researcher for D.S.O. who is responsible for studying Leon Kennedy as Las Plagas overtakes him, maybe even finding a cure. He starts to take a liking to you, too much of a liking to you.

Word Count: 2k

Pairing: yandere plagas!Leon Kennedy x fem!reader (afab)

Disclaimer: This story is a work of fiction. Actions depicted in this story are not condoned in real life. You are responsible for your own content consumption. If any of the following warnings trigger you, please read at your own risk. Minors do not interact, this story is 18+ only.

Warnings: Extreme violence and gore, biting, dubcon, forced breeding, gross las plagas-y things, death, mentions of un-aliving. DEAD DOVE: DO NOT EAT.

A/N: Heavily inspired by this artwork by @chanif-art on Tumblr along with Project Scorpion by @tagzpite. Literally could not get this idea out of my head until I wrote it down. Definitely going to be another series. We're also going to pretend D.S.O. was founded way sooner than 2011 k byeeeeee

“I fought a war and I learned how to win, but how do you fight when the enemy’s within?”

You step out of an elevator led by two armed D.S.O. operatives in tactical gear deep underground at HQ, your white lab coat flowing gently as you walk forward. Grasped in your right hand is a voice recorder. You and the operatives go through a series of heavy steel doors leading you into the bowels of the underground facility.

Is all this really necessary? you think to yourself as you’re led deeper into the abyss.

Finally, you’re brought to a single cell enclosed with clear polycarbonate panels with steel reinforcements. In this cell was a man sitting in a chair that was bolted into the floor, his hands chained behind his back and his legs chained to the legs of the chair. This man is Agent Leon S. Kennedy. You approach one of the panels closest to the steel door keeping him in. 

Switching the voice recorder on and bringing it to your mouth, you state your name before continuing, “The year is 2004. The subject is field agent Leon Scott Kennedy, currently 27 years old and exhibiting the late stages of Las Plagas infestation, his body is covered in dark, vein like marks. Subject is currently slumped over in the chair. He appears to be catatonic.”

Bringing the recorder away from your mouth, you motion to one of the operatives to guard the door. You input a passcode into a key panel next to the door. It lets out a hiss as it slowly swings open. As you step in, the door swings closed and locks.

You bring the recorder back to your mouth and continue, “Agent Kennedy?”

You watch as Leon slowly lifts his head, his face completely covered in the dark veins, his once blue eyes now have a slight red tinge to them, it makes your stomach twist in sorrow, he used to be such a handsome man.

“Subject appears to still have some cognitive ability left as he immediately recognized his name. We’re still trying to understand how he hasn’t broken down now that the alpha Plagas host, Osmund Saddler, has been destroyed--”

“I’m right here, you know,” Leon suddenly spoke, making you jump.

“Ag-Agent Kennedy!” you reply, eyes wide in shock that he’s able to speak. 

“Please, just call me Leon, sweetheart.”

His dark gaze seemed to pierce straight into your very soul. You collect yourself, clearing your throat.

“How are you feeling, Leon?”

Leon looks down at himself, tugging gently at his restraints before looking back up at you, “all things considered, I actually feel pretty damn good.”

“That’s… good, I guess,” you reply, your nervousness clear in your voice. 

You hadn’t prepared for this, every researcher that attempted to interact with him got absolutely nothing out of him, hence why they sent you down. You argued with them, not seeing the point but now you began to realize that the difference was they were all men, you were a woman. 

“Awww… there’s no need to be so nervous, sweetheart, it’s just me, Leon Kennedy. I promise I don’t bite,” he says, a small smirk appearing on his lips, “hard.”

“Do you know where you are and why you’re here, Leon?”

He lets out a chuckle, “yeah, I’m in D.S.O.’s research facility because I’m turning into a monster.”

“That’s putting it rather bluntly, but yes, that’s correct.”

“About time they sent someone cute down here to visit me, the rest were much too dull. If I wasn’t chained up, I’d ask you out to dinner and a movie.”

You feel yourself blushing, “that’s… very kind of you Leon, however that won’t be happening anytime soon, I’m afraid.”

“That’s a shame, because I’d love to take you to bed and make you scream my name,” he growls, a sinister grin overtaking him.

Your heart is pounding out of your chest as your eyes widen at him. This wasn’t like Leon at all, the parasite was clearly twisting his thoughts. You panic, turning around to motion the operatives to open the door and let you out. As soon as you’re out of the cell, you briskly walk away from the cell as fast as you can, not once looking back. You could have swore you heard Leon’s laugh echo after you. 

“I am not going back down there, are you insane?!”

“You’re the first person he has actually spoken to since he got back from Spain,” the lead researcher, Bryan said, setting your voice recorder down onto his desk. 

“So? Your point? I’m not doing it and that’s final!”

“Look, this recording gives us valuable data on him, it’s clear that the Plagas inside him is mutating into a more dominant strain. It must know it’s the last one left,” Bryan said, pleading with you.

“So we’re just going to poke and prod him like he’s some guinea pig? Leon wouldn’t have wanted that! Are you sure there’s no way we can cure him?”

“If we attempt to remove the parasite now, it will kill him--”

“Then let’s put him out of his misery, this isn’t right!”

The silence between you was deafening. After a few minutes, Bryan finally spoke.

“Judging by this recording, the Plagas has one thing on its mind.”

“Which is…?”

Bryan looked up at you, letting out a heavy sigh, “reproduction.”

“All the more reason I shouldn’t be going back down there!”

“He’ll be restrained and you’ll have at least two operatives with you at all times, you’ll be safe,” Bryan leans forward on his desk, folding his hands together, “the data you collect from Agent Kennedy is invaluable in finding out how the parasite works, just… go down and talk to him. I know yesterday was unnerving but there is one thing he said that is true, he’s just Leon Kennedy. He’s in there somewhere, even if the Plagas is influencing him.”

You cross your arms, staring at the floor, letting out a frustrated sigh before looking back up at Bryan, “fine. But I want hazard pay.”

“Consider it done, here’s your recorder back,” Bryan says, sliding the recorder across the desk towards you. 

You grab the recorder of the desk, turning on your heel to walk out of Bryan’s office.

“You are to report down there in an hour, you hear me?” Bryan calls after you just as you walk out the door.

You fight the urge to flip him off, thinking better of it. You walk down the hall into your office, getting your lab coat back on and sitting at your desk. You press play on the recorder, listening back on your interaction with Leon several times. There was one part where you repeated it several times, sending chills down your spine.

“That’s a shame, because I’d love to take you to bed and make you scream my name.”

How long had Leon been locked down here, chained to this chair? How many men in lab coats came and tried to talk to him? He knew he was a lost cause, why were they keeping him alive? How many times did he wish death would come and take him in his sleep?

But then you came, awakening something in him.

Your natural scent filled the cell completely, so many hours had gone by and he could still smell you and you smelled absolutely divine. He couldn’t stop thinking about you, the way your voice was so sweet yet filled with drive and intelligence. The way you blushed when he flirted with you. The way your heartbeat began to race at just the mere mention of taking you.

God you were so cute when you ran off, all flustered, he couldn’t help but laugh; he hadn’t felt alive like that in so long. His reminiscing was interrupted suddenly when he could hear footsteps coming down the hall. Lifting his head, he practically began to salivate when he saw you had returned.

You came back to me, baby, where you belong…

“The subject appears to be conscious and alert, he watched us as soon as we were in his line of sight,” you say as he watches you speak into the voice recorder. 

With a hiss, the door opens and you step inside. Leon breathed in deep, taking in the smell of you, you smelled even better than you had yesterday. He feels his cock twitch in his pants in excitement. He watches as the door behind you closes and locks, just like it had yesterday, trapping you in here with him.

Curse these fucking chains…

“You’re more lively today, Leon, care to tell me why?” you ask, your voice flat and void of any emotion.

“How about you tell me why you smell so nice,” Leon replies, grinning at you, drool running from his mouth down his chin.

He watches you shift uncomfortably before you continue, “I’m not answering that.”

Leon scoffs, shaking his head, “then I’m not going to talk to you, sweetheart.”

You take a deep breath, “if I’m going to be honest, I don’t know why I smell so nice to you, Leon.”

His red eyes scan up and down your form, imagining it without all those needless clothes. Imagining himself pinning you to the floor and fucking you stupid. A strange, clicking sound came out of him from the back of his throat as he pulled aggressively on the chains holding him to the chair. He watches as the two men with guns outside become alert. Leon lets out a low growl as he glares at them.

You turn to face the men, signaling to them to stand down. He watches them both relax before you return your attention to him. 

“The transformation appears to be progressing faster than expected,” you say into the recorder, “are you in any pain, Leon?”

Leon slowly shakes his head, “no, just unbelievably horny, doll.”

“We have reason to believe the subject is displaying an increased libido due to the fact that the parasite inside him knows it’s the last of its kind.”

“Stop talking about me like I’m not here, that’s awfully rude.”

“Fine,” you say, lowering the recorder away from your mouth, “what do you want to talk about, Leon?”

“You should ask those nice boys out there to take these chains off me,” Leon purrs, staring at you longingly.

“Absolutely not, Leon,” you reply, crossing your arms, “those chains are there for my safety as well as your own, at least until we can get the Plagas out of your body.” “I think I’m too far gone for that, don’t you think, sweetheart?”

You take a deep breath and exhale loudly, the sorrow clear in your eyes, “I am so sorry that this is what you have become, Leon.”

“I’m not,” Leon says as that sinister grin overtakes him again; he starts to chuckle.

“Leon,” you begin, stepping closer and kneeling down to be eye level with Leon, “I know the real you is in there, somewhere, you have to fight it.”

Your scent was almost enough to drive him crazy, you were delectable. He licks his lips, that clicking sound coming out from this throat again. His eyes are locked on you and he sees you glance down briefly before looking back into his eyes. He knew what you were looking at, you were looking at the noticeable bulge in his cargo pants.

“You’re so pretty, you know that?” Leon says, his body visibly trembling.

You don’t respond, you simply stare at him with that same sad look in your eyes. How could you not want him as much as he wanted you. His lips curl into a snarl.

“Let me FUCK YOU!” he growls, lunging forward, the bolts in the chair letting out a loud screech as they’re bent slightly.

You stumble back, falling backwards onto the floor as Leon continues to struggle violently. The two men with guns come rushing in, one of them grabbing you off the floor while the other shoots a tranquilizer dart into Leon’s thigh. Leon feels the effects almost instantly, his body becomes limp as he becomes sluggish, his mouth hanging agape as he watches you get led out of the room by the two men, the door shutting and locking behind them as you’re led away.

“Mine,” he whispers in his last moments of consciousness, “all mine.”

Part 2