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wiypt-writes · 4 years ago

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Murder, He Wrote

Part 3 Co-Written with @southerngracela

Summary: It’s Thanksgiving, but when you’re being held hostage by Hugh Ransom Drysdale there’s really not a lot to be thankful for, is there?

Warnings: Bad language words. MATURE (NSFW 18+) NON-CON situation, kidnap, violence. DO NOT READ IF ANY OF THOSE TRIGGER… READER DISCRETION IS ADVISED. YOU HAVE BEEN WARNED!!!!

Pairing: DARK! Ransom Drysdale x Reader

A/N: So this is Part 2 to our submission for @Jtargaryen18 ‘s Haunted House 2020 Challenge. Once again READ THE WARNINGS!!!! This is a DARK Series… don’t @ us if you can’t follow simple instructions and end up with butt-hurt. And if you’re under 18…get off my blog.

Disclaimer: This is a pure work of fiction and by writing it does NOT mean I agree with or condone the acts contained within. This fiction is classified as 18+. Please respect this and do not read if you are underage. I do not own any characters in this series bar reader and any other OCs that may or may not be mentioned. By reading beyond this point you understand and accept the terms of this disclaimer.

Murder, He Wrote Masterlist // Main Masterlist.

Part 2

You could feel the chill of the outside seeping into your space, your bones, through the vented window following your shower. The way it crept in made you realize just how far along through fall you were, maybe it was even approaching the onset of the holiday weather. Either way, a storm seemed to be outside. At least it felt like it. Once dried, you found yourself wrapping up tighter in the thick cardigan you’d chosen before you dried your hair, and allowed yourself a quick squirt of perfume before settled into the reading chair in the corner of your room, your journal on your lap.

The little, leather bound book had been in your handbag which had been given back to you earlier that morning as the latest reward for behaving and as you ran your hand over the deep brown cover, you couldn’t help the air of excitement you felt at having been given your treasured little note book, despite the dreary sky you could see from the porthole above your chair.

It had actually surprised you that Drysdale had kept it and not disposed of it the same way he had your phone and your car. But for whatever reason, he’d held onto it, and for that you were grateful. Grateful that you had something of your own from before this imprisonment to anchor too. You’d expected him to want some kind of favour in return but he hadn’t demanded any sort of sexual gratification, simply informed you he would be out most of the morning and would be back mid to late afternoon. As soon as he had gone you had eagerly tipped the contents of your bag onto the bed, almost crying at the sight of your half empty bottle of Coco-Mademoiselle, the Mac Lip-gloss, NYX Eyebrow pencil, Mont Blanc fountain pen, a full tube of mints and your treasured journal. With teary eyes you’d put everything away in its new place, apart from the book and pen before padding into the bathroom for a shower, deliberately sorting yourself out for the day. All you could think of was taking the time so you could savour the moment when you could hopefully make some sense of the jumble in your head by spilling it onto a page.

You opened the cover and flicked to your last entry, the morning of Halloween. A rambling rant about Mick-The-Prick filled the page and you paused, tears in your eyes, as you’d give anything to be stood in his office thinking about ingenious ways to kill him and get away with it. Ironic, really considering that was exactly what your captor had done; committed murder and gotten away with it.

You went to jot the date down in the corner of the page and realised that actually, you didn’t have a clue what it was. Down here, night bled into day, day bled into night…and soon it all bled into weeks. However, given the fact your cycle had been and gone a week ago you figured that it was maybe four weeks since Halloween. Of course, you could ask Hugh, but the less you had to ask him the better as far as you were concerned. You hate the fact that he had this hold on you, that you had to ask for and ‘earn’ things by being ‘good’. And whilst it made you sick to your stomach, you’d fast learnt it was easier to comply than rebel. The night he had left you tangled in your sweater had hurt. It had taken you a good twenty minutes to muster the strength to work your way out and drag yourself into a bath, your body shaking with the trauma, sobs wracking your frame. Your body ached for days, your mind in a post-traumatic cloud of despair. And whilst it hadn’t broken you per-say, it had certainly made you realise exactly what the bastard was capable of, and you had no intention of finding out just how much further he was willing to go.

So, in summary, it had taken Ransom Drysdale two days to break you into compliance.

You’d become passive, so to speak. You gave into his whims, let him use you as he saw fit, did as he told… for the most part anyway. There had been a few other incidents post the sweater one where you’d forgotten yourself and protested, fought a little and he’d gone hard on you, but nothing like that second night. Your passive behaviour was mistaken by him for compliance, and as such you had earned a number of rewards. The bistro table where you took your meals, a book or two which just so happened to be by his grandfather, a gesture you weren't sure was him purging or pressing an agenda onto you. And more recently and most preciously, your bag. But, the strange thing was, that whilst he wanted you to give into him physically, he seemed to enjoy the fact that you were in no way, shape or form compliant to him in others. You openly sassed him, bit back, called him out and he actively encouraged it. He’d started spending a little more time with you in the mornings and afternoons, not just visiting you to toy with you or fuck, but to engage in these little tete-a-tete’s, and the sickest, most perverted thing about it was that you were almost glad. The loneliness was crippling, and you craved company. Even if it was his.

All things considered, you’d rather ask him for as little as possible so instead, you flicked to the front of the book and crossed off the days on the small calendar inside the cover. Deciding that the date it led you to was as accurate as it was going to get, you turned back, jotted it down in the top right of your page and stared at the blank lines, looking to sort your thoughts for your next entry.

The saying used to go, what's in a name, however as I sit here thinking back on the last few weeks I wonder now what's in a day. My days consist of imprisonment. Held by a captor I have met once before. He's smart, almost too smart. Displaying forms of abuse and aggressive behaviors any FBI analyst would love to dive deep into. But that's not my job, no, my job is to please and satisfy him. Answer to his whims of gratification at any call of the day. I have nowhere to go, nowhere to hide. But if I behave, he lets few things get by. I miss home, my bed, my life. I miss Mick, which is saying a lot all things considered. I don't know still what he wants from me, other than the obvious sexual gratification with little to no room for anything else. I'm a toy, a means to an itch. I don't know how long exactly I've been here, I can only guess it's been about a month. Nor do I know how long I'll have to stay. The answers are blurred like my vision, marred by tears and the low light inside. I haven't seen outside since the day he took me. I haven't been anywhere outside this room. I can see from the small porthole window above this stupidly soft leather chair the season has changed. It feels like deep fall, and as a storm comes outside, what little sky I see is bleak and dark, clouds covering the bluest of skies, angry and ready to open up, raining down water to wash away the sins of the day. I wish I could do the same.

Before you realized, time had obviously passed, for the sound of the door bolts unlocking had you guessing it was late afternoon or early evening. A glance up at the porthole behind you confirmed as much. The sky was dark and rain had been beating on the window for a little while.

In came Drysdale, hair a bit wet, a strand slightly out of place, wool pants and maroon sweater. He carried a plate of food in one hand and a bottle of water in the other. He looked irked, like he'd wasted time on something, a look you were now able to decipher after weeks of seeing it.

"Happy Thanksgiving," he said, setting the plate down on the bistro table with its two accompanying chairs, waiting for you to join him.

Instead of biting back, you simply whispered, "it’s Thanksgiving?" You checked the inside cover of your journal and see the date again. You were a day off and it now dawned on you. It was the fourth Thursday of the month and indeed, Thanksgiving. You glanced back up at Ransom and a deep sadness washed over you. Closing your journal and setting it on the table by your chair, you stood, moving towards him and the plate of food. You took a seat and looked down at the plate, full of the holiday dish basics; turkey, gravy, mashed potatoes, stuffing, diced not candied yams and roasted green beans. It was gourmet and nothing near what he'd been serving you or managing to try. "Thank you," you said softly, rolling your fork through the potatoes. You take a bite but it's about as bland and tasteless as your despair.

"I brought it back from the country club, I met my father there," he looked under your gaze again, as if willing your eyes to his. "Do you not like it?"

Finally, your gaze met those cold cerulean orbs, setting your fork down and you took a drink of water, "No, it's fine." Then you picked up your fork again and took another bite, this time of the turkey and gravy. You didn't have it in you for an argument or it's physical ramifications.

"Are you not hungry?" Ransom pressed.

"I guess not as much as I thought," you repled further poking at your food, your voice cracking a little as you try to keep your composure. The sting of the holiday has you broken, far more than you'd expected. Normally, today you'd be helping your mother in the kitchen, settling the final touches on the side dishes and listening to your father tell your uncle about some a-typical dad joke he'd heard. Your sister would be giddy over the wine while her boyfriend of the month received death glares from said uncle and your father.

Ransom outwardly sighed and you wait for what you were trying to avoid. "Are you alright?"

The question threw you off guard completely and you struggled to hide the shock from your expression. He never cared about your feelings before. Maybe he thought you were coming down with something. You braced yourself to answer honestly. There was no point in lying, he'd see through it.

"I'm fine, I'm not sick if that's what you're thinking," you answered, a deep restraint on your tone to keep yourself in check. "I hadn't realized what day it was. I didn't know it was Thanksgiving." You swallowed the lump in your throat and blinked hard. "My mom, my sister and I, we used to all help make dinner as a family. My dad and uncle would talk a bunch of shit around the fireplace while shooting death glares at my sister's flavor of the month."

He looked at you like he was confused. You scoff, "Of course you wouldn't understand."

"What's that supposed to mean?" He squint his eyes, biting the inside of his cheek. His body language completely changed as he leaned forward on his forearms, popping one shoulder up higher than the other.

"Nothing," you backed down immediately.

"Tell me," he pressed.

God, he was relentless. You pushed your plate forward and leaned on your own elbows. You looked at him with a raised brow, "am I going to be in trouble if you don't like what I have to say?"

"Depends," he popped a shoulder smugly.

You matched his expression and his demeanour falters just a fraction. You saw it, but you didn't hold back. "Then I'd rather keep it to myself. That's what you want isnt it? Me to comply, be obedient? Frankly, I'm not in the mood."

He failed to hide his smirk and you noticed that too, "Sweetheart." It wasn't laced with teasing, rather his pet name for you on his tongue held a cautious venom.

"You hate your family. You know nothing about love and what it takes to give love. Hell, I don't doubt that for a minute you've ever felt loved. It's all an act. Self-preservation even. I don't know you or your family outside of the hours of research I did and the mere forty five minutes I listened to you drone on about your 'predicament'. But, the cold hearted truth of it is, you don't know how to love." You watched him run his tongue along his teeth as he continued to glare at you, but you weren't finished. "And that's what family is, it's what they do. They love, they are the embodiment of love at its deepest root. Maybe, just maybe somewhere along your life, your parents loved you, but judging by the Thrombey-Drysdale standards, none of you know what love is outside your selfish tithings and flashy cars. It got lost along the way, more than likely long before you ever were born."

"Wow," he raised his brows and clicked his tongue against his teeth, "That's good, that's really good."

You're fear receptors suddenly spiked as recognizable flash of anger in his eyes flashed through his irises. But there was something else there that you couldn't put your finger on it. Your breathing quickly up-ticked as you felt your palms begin to sweat.

He inhaled a deep, almost centering breath, "that perfume in your bag, I like it."

As if he'd grown a second head, you blinked hard refocusing on him. Had you heard him right? You'd just broken a rule, laid out an unspeakable truth for him and now in a blink he's, God forbid, complimenting your scent? Who the fuck was this guy? Was he on meds? Because he should be or he should at least probably share. It might make life here more bearable. "What?"

"The perfume from your bag, you're wearing it. It smells good," he lamented.

Alright, now the 'of sound mind' argument might be worth something because he sure as shit wasn't now. You swallowed and picked up your fork, taking a bite of the cold food just to buy yourself some time as you tried to process the scene before you. You had no remark to make. Confusing jumbled any thought of a coherent word you could utter.

"Maybe if I'm out, I can pick you up a new bottle. I noticed you were near empty," Ransom offered.

This was starting to make your stomach turn. If he'd gone through your bag, because why wouldn't he at this point, smelled your perfume, had he read your journal? You made a mental note to go back through and see if there was anything he'd read that he had used against you thus far or could use to corner you in the future. You looked around the room, waiting to see if you were being Punk'd. Just who the fuck is this guy? Without your expression giving too much of your confusion away, you nod at him in reply. "Thank you, I'd like that."

"Hmph," he paused, a dramatic effect he seemed to know that your heart rate up in anxiety. "Well, then why are you looking at me like I have two heads, Y/N?"

Tread lightly, you thought to yourself. He didn't call you by your first name often, in fact, the last time he had, you were very much smarting back and it resulted in a forceful situation that left you raw and sore for a few days. It was always 'Sweetheart'.

He baited you, you knew it, but you couldn't back out now. So you sighed, "I know I'm not supposed to ask questions, but, I don't even know who you are right now. Do you? One minute you're giving me food and being gentle, the next you're allowing my opinion, and now you're ready to flip this table. That's as close as two heads as it gets."

"Careful, Sweetheart," he now glared at you. There it was, you were in for it. The approach of choice, you weren't sure of, but he was done. You'd learned the different tones in his voice by now, the cues he gave. You were definitely in trouble. You dropped your eyes to your plate. The food stone cold and no longer even appealing in its slightest measure, a wave of nausea washing over you. You further pushed your plate away, "I don't think I'm hungry anymore."

His broad frame rose from the chair, "you weren't to begin with," his left hand reaching for the plate and holds it in his hand, "Third drawer down in the armoire. Pick something, I'll be back."

You watched him leave, the familiar click of the door shutting and snap of the lock sounded around the small apartment and you exhaled loudly, your head dropping into your hands. This wasn’t the first time he’d requested that you ‘dress for the occasion’ so to speak. With a deep breath you stood up and crossed the room, opening the drawer of requirements, seeking out a negligee for him to no doubt remove. Your fingers roamed over the fabrics and selection. La Perla, Agent Provocateur, Carine Gilson, Coco de Mer and Fleur of England were just a handful of the expensive, high-end brands that filled the space. Your fingers smoothed over a black macrame and tule underwired long line bra and the matching thong that was folded neatly under it. Plucking it from the drawer, you headed for the bathroom. You slipped out of your casual tee, duster cardigan and leggings, the bra and panties you'd had on. You sighed as you took a good look at yourself in your naked form.

While you hadn't lost a ton of weight over the last month, you could tell you'd grown thinner. You weren't gaunt but your lack of a daily Dunkin' Donuts macchiato had seemed to thin you out. Your captor made sure you were fed, but you didn't always eat. The plump of your cheeks had receded and your little pooch brought on by happy carbs was sucked into your frame. There were a few bruises still seen, near green, an indication of their final healing stage. The pock mark from a hickey he'd given you still a bit scaby as he'd broken the skin just barely. This was your life now and it made what few bites of Thanksgiving dinner in your stomach nearly lurch forward back up your throat.

You swallowed it down, pulling the long line bra straps up your arms and clasping it behind your back. Your legs slipped into the thong panties and you pulled the material up your freshly smooth legs. Your shaky fingers plucked at the hair tie that fastened the end of your brain closed, nails raking through your hair to loosen your tendrils. He always wanted your hair loose. You looked at yourself in the mirror, you were ready.

***** Ransom tossed the un-eaten food into the garbage and dumped the plate into the sink to be dealt with later. Turning so that his lower back was leaning on the edge of the kitchen counter he ran a hand over his clean shaven jaw, his mind ticking over the events of the day so far. A pain-in-the-ass Thanksgiving meal with his father had been made bearable by the fact he knew he was coming back to her, and because he hadn’t wanted to be a complete monster he’d made the effort of bringing her a nice dinner back too. But she’d hardly touched any of it.

And what disturbed him most about it, was the fact that instead of wanting to punish her for being an ungrateful bitch, he instead felt a deep rooted sense of concern. She’d lost weight, her face was pale, her hip bones more pronounced, and frankly the last thing he wanted was her passing out on him. Whilst he wanted her compliant, necrophilia really wasn’t his bag.

He had thought by giving her back the bag she’d had on her the night he took her he might have seen a lift in her spirits so to speak, a little gratitude, but instead she’d been meek and reserved until he’d coaxed that familiar sass out of her. And even then she’d been reticent.

It should have pleased him that she was learning her place and becoming more subservient. But if he was being honest with himself, he almost missed her fighting and arguing back. It had been exciting in a way, and he had thought it would have taken longer than it had to break her so to speak. Maybe he had overestimated exactly what a fighter she was, maybe she wasn’t the right muse for his writing after all. Because, let’s face it, writing a tale about a woman who was captured and broken into submission within two days, merely becoming a puppet for her captor’s whims was hardly going to win him any accolades was it? He needed more, needed something that he could spin a good story from. He knew now that when he went back down to her he had to try a different tact so to speak, he needed to coax her mind into reacting not merely her body.

Because if he couldn’t do that, there was no point in keeping her.

He allowed her half an hour or so before he headed back down the stairs and found her sat on the bed, dressed in one of the sets he’d purchased, her hair loose round her face and shoulders the way he liked. She jumped to her feet and he had to actively supress the groan that was rolling in his throat as his eyes scanned her up and down, and he didn’t miss the slight bruises that dotted her skin in various places where he’d marked her as his own. She’d long since stopped trying to cover herself up. Instead she stood stock still, her eyes focussed on the floor.

With long strides he walked into the room and stopped in front of her, tipping her chin up with his finger so she was looking at him, her eyes wide with trepidation and he gave a smirk as he reached up, brushing her hair off the side of her face and neck, dropping his head as he did so.

“You smell so good, Sweetheart.” He inhaled against her pulse point, lips pressing into her there. He felt the gasp of her breath, the way her skin pricked with chill bumps. He smirked to himself, he’s found her spot. And he filed that away, committing it to memory.

“I like this…” he practically purred as he toyed with the straps to the bra, a long, thick middle finger outlining the strap against her skin, lips following pursuit.

“You should, you chose it.”

He chuckled, ignoring the snark behind her words. “Like I chose you, huh?”

Like I chose you.

His words echoed around your head, reminding you exactly why you were in this fucking situation. Because he had decided you would be. He wanted you, and just like with everything else in his life that Hugh Ransom Drysdale wanted, he simply took. But what worried you the most about all this was whether or not you would be discarded the same way he no doubt discarded the other possessions he lost interest in.

You took a deep, steadying breath as his hands moved from the straps of your bra, long fingers moving to caress the back of your neck, but there was no grabbing, no force. He was being positively gentle.

And it scared the crap out of you.

“Are you afraid of me?” He asked, his breath hot and wet in your ear as you trembled under the further graze of his fingers against the macramé of your set.

“You know I am," you swallowed nervously. You weren't new to this, this wasn't your first time, but the way he was being soft, a stark character change to his a-typical stance with you was what had you crawling in fear in the inside. Was it a game? Was it some sort of ploy? Was this his idea of foreplay now before he turned it up and went hard enough to bruise but not hard enough to make you cry?

A flat palm ran down your abdomen, already taught in fear. But not before a thumb grazed along the underside of your breast. Agonizingly slow, his hand, still splayed over you, dips into your matching macrame panties, dipping into your wet folds, thumb lightly pressing against your clit.

“You’re so wet, considering you’re scared.”

You didn't answer, just swallowed hard, the lump stuck in your throat as it fought against a little whimper.

His mouth once more latched onto your neck, the kisses gentle as opposed to the bruising ones you had become accustomed to. The fingers in your folds matched his slow nature, teasing you in such a way that when you closed your eyes and focussed your mind elsewhere, you could almost believe you were somewhere with a man you’d given permission to touch you in such away. But when his lips moved to your jawline and you took a deep breath, the heady scent of his cologne hit your senses and your eyes flew open as you were reminded just whose lips and hands were violating you in such away.

You swallowed as Ransom pulled away, his hand gently grasping your chin once more as he issued a simple instruction.

“Strip for me, sweetheart.”

You took a deep breath, swallowing down the bile that had once more risen up your throat as he sat down on the edge of the bed, his legs bent, hands resting on his knees as he watched you the way a lion watched its prey. You undid the clasp on your bra, your eyes remaining locked on his as you slid the straps down your shoulders and dropped the garment to the floor. Your captor took a deep breath, his eyes flicking down your body as you moved to shed the bottom half, wondering what on earth had been the point of wearing it in the first place. But even as you asked yourself that, you already knew the answer. It was a bout power, another way for him to remind you just who you belonged to now. How he could strip you bare in more way than one without even lifting a finger.

But lift a finger he did, curling it in mid-air as he beckoned you towards him. You took careful steps over the floor until you were stood in between his legs. His large hands smoothed up the outside of your thighs, before he pulled you towards him, his nose brushing the skin of your abdomen as he took a deep breath, fingers curling round your thighs.

And then, in a flash he stood, taking you with him, and before you could so much as utter a squeak or noise of surprise he had you naked, laying across the bed, the sheets cold against your skin, a contrast to the heat emanating from the body against yours. The look in his lust blown eyes was overwhelming. You didn't know what you were in for but as his body, still clothed in the frayed maroon sweater and wool slacks sunk into the mattress between your legs, you felt a chill course through your veins, your skin, again, pricking in bumps all over. His hands, with their thick fingers, trailed long lines up and down your thighs, Ransom's full lips kissing at your sensitive inner skin, a nip or two here and there as he went from your knee, upward.

He could smell your arousal, see it glistening as it dripped from your core. "Someone's ready," he quipped. He watched you swallow hard, a literal lump in your throat bobbing the skin. Your eyes never left him. "No cumming until I tell you. Do you understand?" When you didn't answer immediately, he swiped his tongue over your wet lips, tasting the honey your body gave him, your back arching away from sheets. "Do you understand?"

And there it was, your punishment finally arriving from your little moment before over dinner. As you still had your wits about you, you uttered a single word response, in the hope that the more submissive you were, the more accepting you were of your chastisement, the less hard on you he was going to be.

"Yes."

His mouth expertly devoured every inch of you, from your inner and outer pussy lips to the depths of your walls, tongue fucking you like you he was starving, the lavish holiday meal he'd partaken in not filling enough. His thumb pressed against your engorged nub, causing you to writhe but a firm arm over your abdomen kept you in place. The same thick fingers that traced lines up your thighs, two were now buried deep inside you, his tongue working away any juices that seeped out. As he gave you a third, stretching you more, you felt your walls start to tighten, that burning coil in your belly flare and your hands gripped the sheets tighter.

Ransom could clearly feel you flutter against his fingers as he stopped his assault and looked up at you.

"What did I say?"

Your chest heaved, your stomach taught and you fought to obey. When you managed to calm yourself, he began again, almost from square one, slowly, tantalizingly slow.

The action was torture and you were desperately willing yourself to remain grounded as again your body fought to ride over the edge building inside you. When his mouth was over you completely, tongue deep, thumb pressing again into your clit, you felt the urge to cum. But he pulled away, slowly, his thumb stopping the pressure, his tongue slowly dragging out of you.

"I said no. This is your punishment for your smart mouth over dinner."

"Please, I need to, I'll... I'll make it worth your while, please just let me." Your voice sounded alien as you spoke, the words leaving your mouth in the desperate hope he’d take pity on you but to no avail. Your attempts at bartering served only to frustrate him, anger him even and he Ransom backed away, roughly pulling you to the edge of the bed before stripping out of his sweater and undershirt, the undeniable outline of his hard cock along his thigh strained against his wool slacks.

Harsh in his grip, he repositioned himself between your legs, your thighs across his shoulders, ass dangling above the floor as a heavy arm kept you still. His flat tongue, hot and full of your sex was eating away at you while his final throws of resolve ate away at him.

“I’m done playing fucking games.” he growled against your aching cunt “I should have gagged you, stuffed my cock deep into the back of your throat, something, anything to shut you up.”

You barely had time to register his words before once more you were flat out against the mattress, trying to regain your breath and calm yourself down when he backed away, tore open his flies and smirked down at you.

"Oh no, Sweetheart, we're not done yet." He kneeled beside you, his chest heaving, hair completely out of place, anger and wait, was that pain, flickering in his eyes as he stuffed you with a hard thrust of his length. "Now you’re gonna cum on this dick."

He thrusted hard and within a few slams of his hips against yours, he allowed you the release you were begging for, "that's right, Princess, cum on my cock."

You wept at the feeling finally freeing you, cries of pleasure spilling from your lips as you squeezed around him. Your chest heaving against his, skin to skin. The fabric of his wool pants hot and itchy against your inner thighs. He was still thrusting but now it had slowed to a roll, slow and calculated. Your muddled mind was buzzing and rapidly trying to sort out if he'd cum inside you or if he wasn't finished. His features were softer, but still filled with purpose and his lips latched onto a naked breast causing your body to react, tingles and flames licking at your core again. His eyes looked up at yours as he caged you in, still buried deep inside you, hips rolling.

"I said we weren't done," he rasped. His thrusts and rolls, the two very different tactics mixing now, made the swell of his cock inside you abhorrently pleasurable. Try as you might, it was impossible to feel otherwise.

And Ransom was finding it equally as hard to hold on. His weight was evenly distributed over her, his cock swelling inside her heat. It took all he had not to blow his load the first time he made her cum, hearing the sinful sounds of her orgasm that felt like a volcanic eruption around his hard shaft. But now he could feel her again, tiny little pulses around his already overtly sensitive dick. He was sure his precum was leaking out, wanting to paint the way for the rest of him to follow. He rolled and thrust as his lips nipped at her neck. She moaned loudly, her body exuding lust. He could feel her shake beneath him and to his delight and surprise her eyes were no longer screwed shut and turned away. Instead they were locked on his. The moment those deep hued orbs met his, he felt a hitch in his breath and tightness in his chest that travelled through his belly and into his cock, causing the thick member to throb inside her. Tiny, soft hands gripped at his biceps, her touch a fiery scald against his skin, almost as if it were frost bite. Her touch equally shocking as her stare and he gave a roll of his hips to hide what he felt. A deep, satiated roll of his hips that sent her over the edge.

"Hugh!" She came around him, harder than her first, crying out his given name. It snapped him from his moment of revelation, driving him insanely frustrated at the word leaving her lips. He slammed into her as she rode out her orgasm, chasing his own.

You felt the dismissal of his body as he violently pulled free from your walls, spewing his hot seed over your abdomen, drops claiming your tits too. He nearly collapsed, his dick in hand, the other holding himself up against the mattress between your legs.

He left you there, dirty, degraded and shut the door with a barked instruction for you to clean yourself up. You no longer cried in front of him, either before, during or after. There was no point. He didn’t care about how you felt, but the thing he DID seem to care about was the fact that you still refused to call him Ransom.

It was the one thing you held on to, the only thing that gave you an inch of control in this entire fucked up situation. You hadn’t missed the look on his face when you’d cried out 'Hugh' in the throes of your last orgasm. Before that moment there had been a softness in his eyes, one that had unnerved you no end, along with something that had looked suspiciously like hope. But when his given name had tumbled involuntarily from your mouth and not the one he preferred that softness had turned to contempt and you didn't miss the undercurrent of disappointment either.

And seeing that, knowing that it pissed him off and dare you say it, upset him so much was your single, albeit feeble, act of rebellion that served as a desperate boost to your ever waning inner strength. *****

Ransom laid in his large, plush bed, hands behind his head as the silk sheets pooled at his waist as morning was in full swing outside. His thoughts strayed to his girl in the basement and he took a deep breath, shifting slightly as he remembered the way her fingers had felt as they’d curled around his biceps, her touch firey but cold. That had been the first time she’d touched him when she wasn’t trying to push him away, it had been involuntary, he knew that, a reaction to the way she’d been feeling, the way he had made her feel.

A twitch resounded deep in his belly....the way he made her feel.

He realised now that he’d been going about this the entirely wrong way. The force had been necessary to make her comply at first, but last night she hadn’t just complied she’d participated, just what he had wanted all along. And all after he’d shown her a little leeway, brought her dinner, entertained her talk. He understood now that he needed to play a different card from his hand. She responded better to conversation, talking. Ransom hated fucking talking, he was more cerebral, calculating. Conversation means connecting, and connecting was something he wasn’t particularly interested in normally. He needed to lead, to be in charge, but it was clearly what she knew and thrived on, so he had to swallow his apprehension down to play the long game, to get what he wanted.

Now he understood that, it was going to be so fucking easy. All he had to do was to seemingly show her compassion, a little give so he could take so to speak. He rolled his head, cracking his neck as he remembered what she said about cooking with her mom so he decided that after her stellar performance last night, today she’d earned a bigger reward than a book or some journal. He was going to show her what she could have if she just gave in and admitted what he knew she truly wanted. A large house, a garden, a pool, a hot tub, silk sheets, a large bed, and a man to fuck her every way to heaven and back. He could give her everything that any woman could possibly desire, and then some.

With a twitch of a smirk across his lips, Ransom pulled his naked frame out of bed and slipped into joggers, a soft waffle knit thermal long sleeve pulled over his tousled hair. He felt like company for breakfast and he knew exactly to invite up.

His bare feet padded with purpose over the plush carpet of his room, down the stairs and onto the first floor, over the hard wood and marble tile of the halls and entry, down the plush carpeted spiral staircase down to the basement.

He reached the door and gently turned the locks, quietly pushing the door open as he turned the knob. It opened quietly and his eyes fell upon the empty bed. He frowned slightly, wondering where she was. Then his eyes found her, sitting curled up with her eyes cast upward, that little tease of a porthole window in her focus. She'd turned her chair around so she could see it more clearly, the throw blanket he'd tossed at her the week before was wrapped around her body. He didn't know the time, but it wasn't early nor was it afternoon. Not that it mattered, neither had anywhere else to be.

"Good morning," he said lowly. He watched as her eyes slowly moved away from the only bit of outside world she'd seen for weeks now.

"Morning," she replied quietly, her eyes locking onto his. "I err, I was just..." she trailed off. "Actually, I don't know what I was doing to be honest."

He stalked up to the chair, kneeling in front her. His hand reached up and cupped her cheek, his thumb running over her cheek bone. "You were such a good girl last night. Took me so well, teased me with that little number you had on. I've thought about you all morning."

Ransom watched her throat bob as she swallowed before licking her lips and biting the inside corner of her lip. Such an innocent gesture that had him half hard straight away.

"I want to give you something. But you have to be good, or it goes away," he started. "Can you be good, Sweetheart?"

She nodded, slightly. "Okay," he smirked. "Now, fix the chair and come up to make us breakfast."

Ransom stood back, allowing you some space to accommodate his request. You slipped the throw blanket from your shoulders and left it in the chair as you rearranged the piece back to its normal state. You met him at the doorway. You didn't miss the way his eyes moved over you, the way they lit up in a way at as he looked at the silken material covering your body. The dark teal silk and lace cami set was just one of a handful of options he'd provided for you. All the same, different colors, all in your size.

You hesitated for a second, not sure if this was another one of his little games but he simply met your eyes with his own and nodded up the stairs. With tentative, shaky steps you climbed them, sensing him close behind you as for the first time in weeks you left your prison. You felt anxious, highly on edge and nervous. What was awaiting you? There was the sickening feeling in your stomach of excitement too, you hadn’t seen the outside since Halloween. You paused at the top of the stairs in the hall. The kitchen was directly across from you, the entry to your right. The door to the basement clicked shut and you felt Ransom’s firm chest behind your back as his form invaded your space. He dragged a finger down your arm causing the strap of your top to fall away, placing a soft kiss on your shoulder.

"Straight ahead, Sweetheart."

“Okay,” you whispered before you slowly made your way through to the large, airy kitchen. You stood looking around, taking in the fancy appliances before you turned back to Ransom. "Did you have something in mind?”

"Well..." Ransom leaned in the doorway, watching you as you stood in the middle of the tiled floor "Yesterday wasn't the first time you said you enjoyed to cook so I thought you might like to." His eyes flicked once more down your frame and back up again before he nodded his head towards the rear of the room. “Anything you need is in the pantry and fridge.”

“And I can make anything I want?” You blinked, not quite able to believe what he was allowing you to do. It was fucked up that you were even considering this as a reward but, you’d take it. Boy would you take it, anything to grasp some sense of normality in this day-by-day hell you were living.

“Sure.” Ransom popped a shoulder again and you took a deep breath before you turned and headed to the sink to wash your hands before sorting out your menu and you froze. The outside landscape had stopped you cold. From what you could see of the back garden the property was secluded, not over looked. A lawn extended a fair distance back from the rear of the house, a neat decking area stood to the right which sported a hot tub and a little further down there looked to be a pool of some kind which was covered over for the season. Trees hung over the bottom of the garden lining the high wooden fence, what few leaves they still sported were shades of crimson, gold and brown and the river traced it’s banks as it curved around the side and back of the house, the sun shining off the surface, giving it the impression it was made of sapphires. It was breathtakingly beautiful and you felt your heart shatter, your eyes well and you couldn't help but hold back the urge to weep as your chest contracted painfully. You were so close to the outside, separated only by a pane of glass, yet it had never felt further away.

His voice broke you from your despair and you swallowed back the sob that choked your throat as you flicked your attention to the left, Ransom's reflection drawing closer towards you as he crossed the terracotta tiled floor.

"Everything alright?"

You cleared your throat and gave a quick shake of your head, "Fine."

Again you felt him in your space. His presence consuming. “You sure?”

Sure? No you weren’t sure. Because none of this was fine, in fact it was as far from fine as it could possibly get. In that moment you wanted nothing more than to spin round and hammer your fists into any part of his body you could hit but you knew that it wouldn't get you anywhere, bar back in the basement likely shackled naked to the bed so you instead turned slowly to find yourself caged in by his broad frame so close to yours. You cast your eyes downward, uncomfortable at his searching stare, "Yeah, I’m sure.”

Your tongue flicked nervously over your lips as you continued to avoid his gaze before you cleared your throat “How do you like your eggs? Or would you prefer an omelette? Pancakes even?" The urge to move away from him pulled you away from your idea of a menu. Brunch basics were flooding your brain and you rattled off a few nervously. He may have said you could make whatever you wanted, but right now, you had no clue. Seeing a different space, the outside world and breathing new air had rattled you.

“You choose.” Ransom spoke softly, his hand reaching up to brush your hair off your face before he tipped your chin up so your eyes met his. He looked at you, and you swallowed as for the first time there was something unreadable on his face. His eyes were looking at you in a way they’d never looked at you before, with a softness you’d never have anticipated he could possess.

"Waffles." You suddenly blurted out, desperate to escape his gaze "I err, do you have a waffle iron?”

“No.” He deadpanned.

"Oh," you swallowed "Erm, then in that case French toast...maybe? Is that ok?"

“Sounds delicious.” He said, his hand dropping from your face, “Sure it’ll taste almost as good as you.”

“Great. How about with fresh Chantilly cream and berries if you have them?” You asked, completely ignoring his blatant back handed compliment and you started familiarizing yourself with the space as you glanced around.

“Like I said, whatever you want, Sweetheart.” He shrugged, and with that he stepped back to allow you to move away.

Ransom watched her move around the luxurious kitchen, looking through the pantry and cabinet near the stove taking out cinnamon and vanilla, plucking items like bread, butter, eggs, berries and cream from the fridge. Searching drawers for utensils and measuring cups and spoons. Finding a pan and bowl from a bottom cabinet. Measuring sugar from the glass jar on the counter. He hoped the ingredients were still fresh, he wasn't exactly sure how long they'd been stored. She moved like she belonged there, he thought to himself. So sexy looking in her nightwear, bare feet on the tile, her ass and breasts moving underneath the silk as she stretched and worked.

"Coffee?" He offered, as he moved from one side to the other. He made sure his exquisite espresso machine was ready as it sat in all its glory on its own portion of the counter like a batista station inside Starbucks.

He didn't miss the way she watched him move around her, preparing the coffee and grabbing the orange juice from the fridge. He reached over her shoulder, his body brushing against hers as he opened the cupboard where he kept the glasses and mugs. He peered down at her, giving a twitch to the corner of his mouth. A smirk indeed. He noted the way her eyes followed him as he poured the juice, like he was going to poison her or something.

"It's just juice, Sweetheart," he said nonchalantly and put the juice back in the fridge. He set the breakfast table for them and took a seat in his place, a now hot cup of coffee in his hand, hers sitting on the counter next to her.

It wasn’t long before she had finished and brought the plates to the table, sitting down timidly in the seat to his right as he gestured to it, stopping her dead as she was about to make her way around to the opposite side.

It was quiet, the only sounds heard for a while were the click and scrape of forks and knives cutting away at the plates of food. Ransom wouldn't admit it out loud, but this was the best French toast he'd ever had in his life. Something about it, the way it was not soggy, but perfectly moist, the edges just crispy. The way the cream made for no syrup and the sweet berries added the final element. He watched her pick at the food for a moment or two as he glanced over at her and saw a small bit of Chantilly in the corner of her mouth.

A long arm reached across the table and automatically she flinched a little, as if she was going to pull away but one firm stare stopped her in her tracks. His thick thumb padded away the white, sweet cream and he brought the same thumb to his lips, sucking the cream away. He lifted his brows in a teasing manner and twitched up his lips, "Delicious. Like I said, almost as good as you, Sweetheart."

"Thanks, I think," she paused.

"Trust me, I know."

The comment seemingly threw her off her meal and it didn't get past Ransom. She had started picking at it, moving it around the plate like she had done with her dinner the night before. He, on the other hand, was near finished.

"Are you still not hungry?" He inquired.

She shook her head, "I just made my portion too big. I overestimated my appetite, I guess."

"Huh," he placated her reply. He knew she was lying but he let it slide, realizing that seeing a new space, the window to the outside was overwhelming. So, he thought he'd sweeten the deal. "I thought maybe you'd like to see the house," he offered, watching as her big eyes locked onto his and she took a deep breath.

"That sounds nice, thank you."

"Good, after breakfast then." He nodded affirmingly, as if it were drying ink in his mind. He picked up his coffee and finished it off, his plate already clear.

She stood from the table, collecting his plate with her own and headed for the sink. He turned in his chair, stalking her, watching her every move. The way she pitched over the sink, bending her frame over the dishwasher to load it as she cleaned up the kitchen.

With each bend and snap of her hips, he felt his mouth water more. Her little silk cami riding up as she moved, her breasts falling in and out of a fuller view. When she tucked a stray hair behind her ear, he was on her. He moved behind her, his hands grabbed her hips as she spun around completely startled giving a gasp and a quick yelp.

"Easy, Sweetheart," he chuckled as she looked at him, her eyes wide.

"Sorry... you, err...you startled me." She whispered as he moved his hands so they gripped at the side of the kitchen counter on either side of her, caging her in with his body.

"Some women would like that," he quipped, arching an eyebrow a little and watched as she swallowed hard and cast her eyes downward. Moving one hand slowly up her arm, over her shoulder and around her neck, he tipped her head back up so those large, Bambi eyes locked onto his.

His hand adjusted, gripping her chin softly as he moved closer still, dipping his head he pressed a firm kiss to her lips. He felt her go rigid, her chest spiking as she drew in a sharp breath, her body shaking slightly in his hold. "Stop fighting it..." he whispered against her mouth before he kissed her again. This time, his tongue traced the line of her upper lip, the feel of it soft and soothing.

You felt his tongue line your lip and you couldn't hold the whimper of fear that passed through you. He’d never kissed you before, not on the mouth anyway. You felt him deepen his kiss, his big hand cupping your face, pulling you into it more. Your mind went elsewhere, imagining anyone but him kissing you like this. You couldn't deny it, this intimate moment, completely lost on both of you for different reasons, felt good and he was good at it. He was damn good at it in fact, and that alone made you want to vomit your breakfast into his throat. At that, you jerked back, panting a little, feeling your lips swollen from the way he'd sucked your bottom one between his, pulling at it just the right way. You hated the feeling between your legs that it had evoked, your body betraying you just like it always did.

In an attempt to stave off the conflicting emotions spiking within you, you focussed on his face, the face you hated and to your surprise he looked dazed. The usual stoic expression that clouded his features had been replaced with something akin to surprise but no sooner had you noticed it, it was gone.

"Clean up and I'll meet you in the study." He told you, his voice a deep almost pained whisper.

"But I don't..." you started but were quickly cut off.

"You're a smart girl, figure it out," he smirked and slipped away.

You were tempted to follow, just so you'd see where he was going but you knew not to defy a command. The feeling of unease seemed to disappear as you slumped your shoulders and instead defeat filled your frame. A trembling hand came to your lips as jittery fingertips touched your swollen skin. Your bottom lip quivered like a ripple in a river and you quickly covered your mouth, turning on a dime as your French toast littered the sink. If the water hadn't been running already, Ransom would no doubt have heard you retching. You rinsed your mouth out to attempt at hiding that vomit taste from your tongue and quickly finished your task of cleaning up the kitchen, salty tears dripping from your chin, mixing with the soapy water.

When you could stall no longer, you sighed and headed out into the large hallway, taking a quick look around. It was light, airy, the grand staircase swept in and curved round to the next floor and your eyes lingered on the heavy wooden door just beyond it. You hesitated, and then with a dejected sigh realised there was no point even trying to escape. Even if it was unlocked, which you doubted, the threat to your family was just too much for you to risk. Instead, you decided to head down the corridor to your right and found yourself in a large open plan living room of sorts. It was decorated in clean whites and crisp greys with a huge feature stone open fireplace and sported a bar at the back. A brown leather sofa and two matching arm chairs were strategically placed around an expensive looking coffee table but you didn’t bother to look at the rest, this wasn’t the room you needed so you turned back on yourself, walked back into the hall and took the turning to your left.

This time you found yourself walking into what you could only assume was his study-come-den of sorts. It was huge, and once again sported a sofa pushed up against the wall, looking out over the spectacular view of not only the garden but the river too. But that wasn’t what caught your attention, nor was it the walnut desk and laptop that sat upon it. It was the floor to ceiling bookshelf behind it. Your mouth dropped open as you made your way towards it but then you stopped, biting your lip. Were you supposed to be looking at them? But, he had said to meet you in here. And left you to find your own way. Surely, if he didn’t want you looking around he wouldn’t have left you to it.

Throwing caution to the wind you strode forward, your pace hurried this time and your eyes quickly scanned across some of the books. You couldn’t help but feel shocked. Whilst there was a huge collection of his Grandfather’s books, and a number of other crime novels of types, it was the colourful spines to your right that made your chest heave in delight. The entire Harry Potter collection. With a shaky hand you reached for The Philosopher’s Stone, noting the British version of the title, and opened the front page giving another gasp as you read the publishing details.

This was a first edition. And from the date you also knew it would be one that contained the misprint errors. And as such, would be worth a small fortune.

“See something you like?” that familiar voice hit your ears and you gave a little shriek, jumping around, clutching the book to your chest to avoid dropping it.

“I’m sorry.” You hastily began to apologise “I was just…erm…”

“It’s ok.” He assured you, crossing towards you. Once more he encroached into your personal space and you felt the blades of your shoulders press into the shelf behind you. “Harry Potter fan?”

“Yeah.” You nodded, “Didn’t think they’d be your type of thing.

“They’re not really.” He shrugged “I’m a collector. Everything on the shelves, well they’re all first or limited editions, so worth a lot.”

“Figures.” You mumbled, turning round and slotting the book back into the space it had come from. As you did you felt him push up behind you, his hands on your hips, the unmistakable feel of his hard on dug into the lower part of your back and you fought to stop yourself shuddering. He was after pay-back for allowing you to leave your prison.

“Did you like the house?” he asked, brushing your hair off your neck.

“Yes.” You answered politely, your voice catching a little as he placed a kiss to the crook of your shoulder.

“You know, it could all be yours sweetheart if you just stopped fighting what you know you want” His kisses continued up your neck as his words whirled around your brain and you were back to where you had been in the kitchen. It felt good. And that disgusted you.

“Did you enjoy making breakfast?” he whispered, his lips by your ear.

“Yeah.” You nodded, your voice barely there.

“Show me how much.” His teeth nipped at your lobe, his hips grinding forward and you swallowed and closed your eyes. You knew what he wanted but as you turned to face him you had an idea. One which would save you being fucked no doubt over the desk or on the hard looking couch.

With a lick of your lips you looked at him and sank slowly to your knees, taking his sweats with you. His hard cock sprang free, slapping his lower abs and you reached out, grasping it in your hand.

“Fuck, yeah baby…” Ransom hissed as you moved your head forwards and took him in your mouth.

You pulled out all the moves, you took him as deep as you could, gagging a little as he wasn’t a small man. You kept your hand firmly on the base of his cock, you hollowed your lips, you swirled your tongue around his shaft and he let out a little groan his hand fisting in your hair as his hips bucked forwards.

“Jesus, I knew your mouth was smart but…” he panted, looking down at you. You raised your eyes to look at his as he bit his lip, his entire face contorted in pleasure…

Pleasure that was ruined by the sound of the doorbell.

“What the fuck…” Ransom growled out, un-fisting his hand from her hair. “Who the fuck is that?”

He glanced down at her and she looked up at him, wide eyed. She was a mess, swollen lips, wet chin and dressed in nothing but her skimpy tank and shorts. With a frustrated growl, Ransom pulled his dick out of her mouth and grabbed his phone from the table to check the doorbell camera. His face blanched as he saw who it was.

“I don’t fucking believe it…” he mumbled, as she looked up at him.

“Who is it?” She asked, wiping her face, “I’m not exactly dressed for visitors, Hugh.”

Ransom might have been pre-occupied with the familiar face staring at him from his phone, but he still picked up on that 'Hugh' and he glared down at her. “No shit, and because we have a visitor, I'm gonna let that one slide. Get up.” She rose to her feet, blinking a little as he pulled off the thermal he was wearing and tossed it to her. “Put that on. No one gets to see you in silk but me.”

She blinked as she caught it, confusion spreading across her face. “Don’t you just want me to go-“

In a flash, he grabbed her chin between his thumb and finger and she winced, “If I wanted you downstairs I’d have said. So put the damn shirt on, and when he starts asking questions just remember what I said I could do to your family and friends.”

In complete complacency, he watched her slip his thermal over her head, her fingers barely peeking through the sleeves to fix her dishevelled hair. The material hit her mid-thigh and his eyes brows gave a flicker of approval before he walked to the entry and opened the door. "What do you want?"

"Pleasure to see you too, Mr. Drysdale..." that infuriating Southern drawl hit Ransom's ears with all the finesse of a cheese-grater. Benoit Blanc, without so much as a gesture of request, pushed past Ransom as he strode inside, stopping in the tiled entry, looking around.

"Do you have a warrant?" The man of the house snipped in his usual spiteful tone.

Blanc still didn’t reply, and Ransom rolled his eyes following him as he wandered down the hallway, stopping at the open door to the study. "Well, if it isn't the lady of the hour."

Ransom stood behind Blanc, an infuriatingly warning glare sent his girl's way. He noted the way she was sitting on the couch, her legs tucked underneath her, lips still swollen, cheeks flushed, hair tousled. She looked like a sex kitten, and maybe that was the idea. He warned her to sell it after all…

"Excuse me?” Y/N looked up at the two men in the doorway.

Blanc stepped inside the room, taking a seat on the edge of the same couch where she sat. "I've been looking for you, young lady. A lot of people are looking for you, you know Miss Y/L/N.”

“I errr…” she swallowed a little as she slowly got to her feet, her hands pulling the hem of the thermal down before she folded her arms across her chest, not in a defiant manner, but almost as if she was hugging herself “Did someone send you or…”

“No, nothing like that. You see, I heard you'd gone missing, and I knew you had a work connection to Mr. Drysdale, that, shall we say didn't go quite as planned. So when things started adding up, I thought to ask the man himself."

“Well, congratulations, this is one mystery you actually solved correctly, Sherlock. As you can see she’s here and she’s fine, and we were in the middle of something, so if you don’t mind….” Ransom folded his arms, his eyes moving from hers to Blanc, who was irritatingly completely ignoring him, his gaze focussed intently on the woman who stood in front of him.

Ransom could see him take her in fully, now seeing the situation he may have just walked in on. She looked dishevelled and was missing crucial parts of her clothing, but she had no tears in her eyes, no markings looking to be of abuse or out of the ordinary. None that were visible anyway. Blanc’s gaze then dragged over to Ransom who was bare foot in joggers and still half aroused, which he did nothing to hide as he folded his arms over his naked chest.

Ransom held Blanc’s gaze, his chin jutting out defiantly, the detective only looking away when the lady of the hour spoke, her voice quiet, as she gave a small nod. "He’s right, I’m fine."

"Then why not tell your family where you are?”

“I err…” Y/N’s right hand gripped he cuff of the sweater sleeve tightly, “I just, well, I…”

Ransom could see that she was losing it and he knew he had to intervene. He walked over to her and placed an arm around her, kissing the top of her head lightly, "It's alright, Sweetheart. I know how he can be frustrating. We're doing nothing wrong."

With that he turned his gaze to the man in front of him, not even trying to hide the sneer of contempt that was crossing his face “I have neither the time nor the crayons to explain this to you Blanc.”

“Well, maybe Miss Y/L/N has some crayons hidden up her sleeve so to speak.” Blanc smiled innocently and Ransom felt the anger floor his system.

“You’re starting to really piss me off.” he snarled, “You barge into my home, without so much of an explanation…” his rant was stopped dead as Y/N placed her hand on his chest, palm splaying over his bare skin. Ransom swallowed at the touch of her fingers against his skin, firey hot just as they had been last night when they curled around his arms.

"Hey," she spoke and he looked down to see her giving him a smile that didn’t quite reach her eyes but one that should be enough to convince the dumbass detective who was watching them. "It's okay." She then turned to Blanc as he held his hand up, palm open, speaking to Ransom.

“I’m not trying to be frustrating Mr. Drysdale, I'm merely enquiring after Miss Y/L/N’s wellbeing."

"I'm not here under duress if that's what you're thinking.” She spoke, clearing her throat. “Hu… Ra, we have had to keep our relationship private,” she stumbled on the right identity, settling for 'we'. Clearing her throat again and settling her nerves, she continued, "Mr. Blanc, as you well know, I'm reporter and his background has been less than stellar as of late. It no doubt would not look good for either of us if it had come to light. My reputation as a journalist would have been in tatters.”

“Well, lies and deception certainly go hand in hand when it comes to Mr. Drysdale...”

Ransom rolled his eyes dramatically “Change the record, Blanc. The static is a little loud.”

Blanc completely ignored him, his attention still on her. “So you caused all this worry, because of some…” he waved his hand in front of him, gesturing between the pair of them.

Ransom’s arm curled round her even tighter, his fingers pressing into her hip and he felt her stiffen a little before she relaxed into his side and gave a small nod.

"Like I said, it wouldn’t have gone down well with my family, or my career.”

“Ahh, yes, your job, which you quit.” Blanc looked at her. “Yes, I spoke to your boss.” He answered her unasked question. “Why would you be so worried for your reputation as a journalist, if you’re not actually a journalist anymore?”

At that she took a deep breath “I quit the paper because my boss is an asshole. His antics on Halloween were a step too far. But that doesn’t mean I have no intentions of working ever again. I'm currently taking a long overdue sabbatical.”

Blanc studied her again, almost as if he was weighing something up and she once more began to fidget and Ransom decided he’d had enough.

"Okay, I’m done being polite,” Ransom moved his arm from around his girl and stepped towards Blanc, placing himself directly between the detective and the woman. “You've interrupted out little post brunch love affair and I’m horny, so…do you need help finding the door, or can your super sleuth skills figure the way back out of it on their own?”

“Miss Y/L/N?” Blanc spoke, his eyes locked onto Ransom’s. Ransom felt the nerve in his jaw twitch, the fact that Blanc wasn’t scared of him irritated him no end.

There was a pause and then her voice came clearly from behind him as she spoke, “If you'd be so kind as to not tell my family where I am, I'd appreciate it. I prefer this time without their unwanted opinion.” Her voice was steady, measured almost. “You can tell them that you've found me, alive and well."

Blanc knew he wasn't welcome, he had proof of life and no reason to suspect foul play. He stood, his long wool coat falling into place around him. "Well, then I guess my work is done." He brushed passed Ransom and gave a quick quip, "I'm warning you...."

"What was that?" His girl wondered. She'd heard him.

"Have a nice day," Blanc nodded curtly “I’ll see myself out.”

You watched the back of the detective as he left the large living room, Ransom following him to the doorway where he stood, arms folded, watching. The sound of Blanc’s feet on the tiles of the hallway grew fainter and fainter until eventually they stopped completely. The latch of the door sounded and you fell to the closest thing you could sit on. Your while body shook with a chill that crept into your bones but not from the cold. No, you were sick to your stomach in fear and worry. The bile of deceit rose to your throat and had you not already spewed up your breakfast it would have most likely decorated the carpet of the study. Instead, you swallowed down the sour bile as Drysdale approached you and you glanced up at him, blinking whilst he studied you for a second, his face passive. As you held his gaze, something akin to amusement flashed in his cold blue eyes and a twisted smirk spread across his face.

“Your acting skills certainly improved there along the way, at the end you were almost award worthy.” He drawled, his hands falling to his hips. “Even Meryl Streep would be jealous.”

"Fuck you," your voice quivered.

He arched an eyebrow, an amused expression on his features “Already played that game Sweetheart, and carry on back-chatting me and you’ll be back in the basement.”

"Wh... What?"

"You pulled through in the end there. It was a rough start, but you convinced Colonel Sanders that you were here on your own."

“Colonel Sanders?” You blinked, “What the fuck are you talking about?”

“Blanc. CSI KFC.” He replied. You were none the wiser as to what he was going on about and it must have shown on your face as he simply rolled his eyes. "Never mind...the point is, sweetheart, I'm in a good mood. And seeing as you behaved...”

"What?" Your voice was quiet, meek.

"If you shut that pretty little mouth for longer than a second, I'll explain." His tone was measured but you didn’t miss the underlying threat.

“Sorry.” Your eyes fell to the floor, your left hand worrying at your right.

“Eyes on me.” He barked and your head whipped up automatically and he smirked at you as you took a deep breath. “As I was saying, seeing as you were such a good girl, I thought I’d reward you, let you stay up here with me for the day.”

The notion shocked you. Your mouth went dry and you couldn't make sense of it. But then, the more you thought about it, the more his audacity irked you. He’d imprisoned you, used you, abused you…and now he was implying that staying in his company was a fucking reward.

“Wow, thanks…” you blurted before you could stop yourself, sarcasm lacing your tone. As soon as the words had slipped from your mouth you felt panic flood your system as he stepped towards you and reached out, his right hand curling around your throat.

"Don’t push me sweetheart.” His voice was low as his fingers squeezed the column of your neck, a reminder of how easily he could simply end it all whenever he chose.

And just like that the softness that he had displayed with you earlier that morning was gone, and the shutters were back up. You swallowed hard, feeling the strain of your throat against his touch, his eyes now dark and full of that familiar angry lust and desire that chilled you from head to toe. Blanc had riled him, gotten underneath his skin, that was easy to see while your mouthy comments fuelled that ire. And as such, he needed an escape, an outlet.

And he was going to get it from you.

“Now on your knees and finish what you started."

**** Part 4

#murder he wrote #dark ransom drysdale #ransom drysdale #dark ransom drysdale x reader #dark ransom x reader #dark ransom drysdale x you #ransom drysdale x reader #ransom drysdale x you #ransom drysdale fic #chris evans #chris evans characters

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laur-rants · 4 years ago

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Schrodinger’s Game Theory: The Fate of Daud

Ever come up with a theory, and then halfway through creating it, the evidence changes and so you’re stuck with a lot of well-put-together ideas but nowhere to go with it?

Anyway, I did that with Daud. Lol.

I just rediscovered a whole ass rant in my drafts (which is now in the link above for private viewing and judgement PLS read it, if you’re missing some context to this post) that I clearly spent a lot of time and energy on, where I came to the conclusion that Daud in Death of the Outsider is actually a imposter/doppelganger, and it was because of the writing from the book contrasted the writing in DotO so poorly, that I came to believe this. I was like, VERY convinced prior to Billie’s book coming out that this was, in fact, a viable game theory. !00%. There was a chance that out there, somewhere, Daud was still stuck in his mind, and needed someone to come rescue him. Stranger things have happened to explain characters coming back from the dead in a video game, okay?

Somewhere along the line, though, it stopped being game theory and was more like, a fan idea. I had collected enough evidence to come to the conclusion that my theory wasn’t sound. That, and Billie’s book released, and there’s no way I could argue that. Instead, imposter!Daud moved to Fan Theory, something I could fictionally, write about, put into an AU.

But... Just because it’s probably not true in the scheme of the game doesn’t stop me from thinking about it, from wanting to talk and share those ideas with others. Even if, at the end of the day, they hold no water and it wouldn't matter because, well. If Billie’s book is to be considered post-DotO canon, then there’s no reason to believe my theory would hold weight. It wouldnt matter, because Daud well, he was left for dead either way. Nobody was coming to rescue him. I’m sure there’s plenty of questions people have in response to this, the most chief one being

“If its not Daud how is he in the Void talking to the Outsider and Billie at the end of DotO??”

And my usual response is: the end of Return of Daud saw Daud becoming trapped within his own mind, through a trap laid by witches from the very beginning of the book. That meant, even if his physical body was still, well, physical, he was trapped inside his mind.

I proposed that out of survival, well, a sliver of his mind would hole itself up in the Void, maybe even be stuck there (this is not so uncommon as it appears; think of what happened to Jessamine in the Heart). Once the spell on his mind and the Outsider were gone, the sliver could return back to his mind. And he’d still be alive.

From a gamer perspective, looking at the mechanics of the game, and everything else, it makes sense. I’m sure some people would say this theory would ‘cheapen Daud’s death’ and I would refute that by simply saying ‘all of DotO cheapened Daud’s death, and despite being a playable character in the franchise he dies unceremoniously off screen and we just take Billie’s word for his death to heart.’ Nothing cheapens a death faster in my head than ‘time to renege on this character’s entire past arch and have him die off-screen.’ His death was ruined far before they went into the Void. If anything, this would give Daud a change to explain himself.

But I digress. I actually did do a stupid amount of research on this. And what it all really boils down to is that there was bad writing involved in DotO when it came to timeline consistency and quality checkers not checking for that, + the book having been rewritten like, twice, to keep up with what Arkane was changing in DotO in real time.

That’s post marked 9/25/18. I’ve had this theory sitting around for a long time. I enjoyed it. I find it compelling. But ultimately, it was me trying to save Daud, in my mind. Would it be cool for the witches to have stolen Daud, replaced him with a dummy body Eyeless/Envisioned, given that dummy body his memories, and then, when it had outlived it’s usefulness of sending Billie astray, the magic broke and it perished? Hell yeah it would have been cool. and honestly, according to the books, it was a viable option! They could do all those things. You can’t tell me that

Billie can steal faces,

Emily can create copies and

They witches had access to a gemstone that can make prisoners of their own mind/see the thoughts of others,

and NOT immediately think that they’d try and replicate one of the strongest Marked to ever live. The one that TRAPPED DELILAH, no less. And because the witches messed with Daud’s dreams at the beginning of the book (it’s subtle, but its there, its like, you see it on the reread sort of thing), that’s the whole reason he thinks the Outsider is supposed to die, so of course the double would fervently believe the singular obsession that brought Daud into a trap in the first place...

I’m digressing again. Anyway.

What does this mean for Dear old Daud?

It means Daud canonically died, and it was shitty and poorly written and I’ll be salty about that until the day I die because some schmuck on twitter wrote one singular essay and Harvey Smith decided ‘you. you’re the one who needs to write this story’ and then we got Corvosider fanfic in a Dishonored game and I wanted to die. It doesn’t help that this writer was notoriously pretentious and shit-stirring in the fandom at-large BEFORE their hiring-- anyway, this isn’t a salt piece on that. I AM SALTY ABOUT IT, but I’m not the person to discuss it at length. Just know that that’s why some of the narrative decisions in DotO are so out of fucking whack, and we all have to deal with it.

MOVING ON....

There is still... a very slim chance. To save Daud.

Realistically speaking, this chance will never occur. It’s clear and obvious that Arkane has no plans on returning to the Dishonored universe, so despite all these loose ends that Arkane left and all these pieces that need to be picked up and all this lore that’s been reneged on, there’s really not much of a chance that we’ll see, say, Billie, return in a game that is specifically designed to save the timelines. Which, honestly, would be fucking baller. I want a game where I play as Billie, where the shattered timespace of Dunwall is saved by her capable hand, and Emily is free to rule for decades without having to fear that the Isles will fall into the Void like it’s Deimos falling into Hell in DOOM. We KNOW the timelines are saved because we KNOW that Emily has a long and Just (or unjust, if you went high chaos lol) Rule over the kingdom. That can’t happen if, just three years down the line, Billy is running all over the place trying to make sure time doesn’t break at the seams.

But that’s the thing, isn’t it? Because of how Daud meets Billie in RoD, we know that a Billie three years into the future (’YOUR future,’ she tells him) is trying to save his life. There are other timelines she’s saved already, for sure. Including saving Daud in the past, saving Corvo and Emily in the past, saving Granny Rags in the past -- basically, saving all the Marked from coming to an untimely end. And then, after all that, she goes back in time and tries to save Daud, tries to save him from being poisoned by witch magic and falling into a trap that is triggered when he touches her Future version of the Twin-bladed Knife. She goes through a sort of Groundhog Day scenario, where she confesses that she’s tried hundreds of times to save him, and she couldn’t save that Daud.

But why show us Billie failing to save Daud, if she was destined for failure? Because, eventually, she must succeed.

And therein lies Daud’s (potential) salvation. Is it realizing the other Daud is an imposter? Well... let’s think of it this way. Is the Billie who regained her arm and eye an ‘imposter’ where the ‘real’ Billie is in a timeline where she lost those body parts? Is the Aramis Stilton who went mad in the basement of his mansion the imposter? Or is it the one that Emily saved and was able to keep lucid? These people aren’t ‘imposters’ to their timelines, but they kind of are to the timelines that are saved. Which means DotO could be an entirely separate ‘timeline’, one that we manage to play through and see the ending of. But the ‘true timeline’ may never be known. But at least, we know it happens, and we have Billie to thank for that.

FIN.

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meyeselph · 3 years ago

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Gwenpool: Desperate Misanthrope's Confused Angst

Showtime

Ms. Pool woke up in a familiar room. Not in Krakoa - there are no mutants around. This isn’t a story about that. Look, honestly, without an actual Gwenpool series and the constant breaks in her comics appearance I can’t even begin to give a fuck. I cancelled my marvel universe subbie. I might get back to my stories but single issues are iffy. I read fast and don’t pore over the artwork. So I get 10 minutes of entertainment for….FIVE DOLLARS? When did this happen? Jeezus.

Who even reads comics anymore?

Anyway, long story short, Gwen got out of bed and recognized the room as her old one from the “old times.” The dark times. The ‘not running around in pink and white outfits and shooting people’ times. She panicked (Been there. It is what it is though). The only way out of trauma is through.

She dressed in old clothes, immediately hit by old smells, she couldn’t help but cry. Was it all a dream? Have I gone insane (again)? All the usual self doubts cropped up. I mean, really, if you think this kind of thing didn’t pass through her mind regularly why don’t you transport yourself to a comic book universe?

Oh, you can’t?

Oh. It isn’t actually possible for you and I’m stupid for suggesting it. So, yeah. If it actually happened and you kept that attitude then the logical assumption for a normie is a mental breakdown. Trick for Gwen, though, is it's probably always been both real and her being nuts.

So she goes downstairs to the kitchen to figure out why this is happening and Evil Gwen is having cereal. Let's say cocoa puffs. I’ve been thinking about those recently. You ever remember cereal as something worth cherishing. Not as just bullshit that TV convinced you to want? God damn, now I want Cookie Crisp. Cookie Crisp wasn’t even ever that good. Why do I want Cookie Crisp?

So also sitting around the table were the faceless versions of her father, mother, and her brother. Just chilling. No BD. Seen Eternal Sunshine of The Spotless Mind?

Yes, I know that references aren’t jokes - fuck you, I’m painting a picture and I CAN’T PAINT, THAT’S WHY THIS ISN’T A COMIC. Fucks sake. Anyway. So, Gwen is so creeped out that she just sits her butt down by Evil Gwen as if she’s the comforting presence here.

Her name’s too long. Let’s call Evil Gwen uh…….Gren. You know, like Grendel from Beowulf. I haven’t actually read Beowulf and this is all a little confusing but I'm solving problems here. Writing this is harder for me than you would think so it’s best to keep things flowing off the cuff. That’s the Gwenpool™ style anyway, isn’t it? Are you laughing yet? IMPROV. “YES AND” MY SHIT, READER!

“So, you ever really look into the retconned past thing, hun?” Gren said, moving her tongue around her food. Being gross as an attempt to be properly evil. She swallowed before continuing. “This is all I could really put together on short notice but i’m pretty sure what the future people created, all that stuff to try and trick you, it was all bullshit.”

“What do you mean? Are you trying to convince me to go all psycho like you again?” Gwen asked, exasperated, realizing she was now back in the whole ‘fuck with Gwen to decide her fate’ song and dance routine from the end of her first arc.

“Nah, not really.” Gren said. A hammer appeared in her hands out of nowhere and Gren swung it into their fake father’s head, snapping his neck..

“DAD!” Gwen instinctively cried as she saw her father’s body slump to the floor. Gren slapped Gwen’s face. “That’s it,” Gren said, “this is what the trick was.This is a poorly created character in a fictional story. Meant to manipulate you into attaching your concept of “father” to it. Even his finished version in the original comics run wasn’t THAT well drawn. Your dad read like a boomer’s idea of a responsible parent. You were going through a mental crisis and struggling to find purpose in life and his genius idea was get a shitty low paying job and suck it up?”

Gren turned to their brother, pushed his face to the table and smashed the back of his skull. . “Brother dearest, too. Going right along with their victim blaming. He gaslighted you as if what you were going through was just you being ‘irresponsible.’ Bitch, people working a minimum wage job aren’t somehow not impoverished and miserable because they get some of that ‘honest work’ that folks keep badgering on about. Minimum wage work is occupied by many physically and mentally disabled people held hostage; they’re people society only pretends to care about. Then they turn it all into you acting like some world ending threat. No questions about what drove you to the edge in the first place. You are just ‘unstable,’ so you’re just a problem to be solved. They say, ‘Let’s all solve this girl being upset and on edge by ruining her concept of self, reality, and memory.’ Brilliant!”

Gwen barely processed this in horror. Gren then slit the poor facsimile of their mother’s throat while continuing to rant, “You see people die all the time, Gwen. Half of the time you are doing the killing. You do it because it’s in a story. In a story the NPCs don’t matter and, after all, your original schtick in the story was to be kill-crazy. The non-marketable characters can be replaced or retconned at the stroke of the artist’s pen.” Gren leans forward as she pulls a Gwenpool mask over Gwens face. “Then the writers convince you that you have some middle class milk toast family and you take abuse and subsume your emotional needs because the problem MUST be you. You aren’t ‘normal’ so you have to be fixed.”

Gwen wiped her eyes over the mask and sighed. A bit of fire filled her gut as she stared at Gren. “So fucking what? You want me to go on a killing spree and be a big time villain to get myself a nice, shiny permanent big bad status? That’s how I stay around right? Just build my legacy on bodies?”

Gren scoffed “You already lost that fight, girly. Where do you think we are? Because this ain’t Marvel Comics.”

Confused, Gwen blinked and tried reaching for the page margins, finding nothing. Wait….why was everything on this page so ill defined and undetailed? Wait? Why was the story in kinda wobbly third person past tense?

Gwen sighed “Oh. I’m in a fanfic. I guess the publishing fight is for another day eh?”

“My advice, personally,” Gren stated, “is that you consider the lobster.”

“Wait, what the fuck?”

Gren pulled aside the kitchen curtains revealing the face of a giant lobster, its claws tapping on the glass. The lobster muttering gutterally about personal responsibility.

“Because there’s a couple thousand giant lobsters outside that would like to claw you until you read their book.”

Scared of Girls

On the rooftop, Gren shoved a high powered rifle into Gwen’s hands while she handled the close range threats. So, this conversation they’re about to have is important. Sniping puts Gwen into a sort of zen space, so that’s a better task to keep her focused, after all.

“So, what? You wanted me to internalize that my “origin story” is bullshit? Okay, what does that accomplish, then?” Gwen asked in a bit of a deadpan. She was so tired today. Not really feeling her happy go lucky energy. More like a “happy go fucky” energy. It was hard to always be on a knife's edge. Still the rifle’s kick into her shoulder was satisfying as she blew through two of the creepy looking lobsters at once. “Also, why the lobsters?”

Gren considered this. “Okay, last question first, I had to experiment a lot and do a lot of research to construct this place for your learning and healing in fanfic form....These buddies are a failed experiment of mine that I repurposed because the fic needed more action. Isn’t that right, giant enemy crap?” As she peppers the nearest goon with a hail of shotgun pellets the entire throng of them burst out, sharply muttering about divine symbols.

“As for what I'm trying to teach you, it’s that you aren’t reaching your potential.” Gren grumpily huffed.

“Duh,” Gwen reloads, “I mean you just killed a mannequin version of the voice in my head that says that to me every day.” one of those crustaceans talks about feminine symbolism while she decides on her next target.

“Not like fake daddy’s ‘Be a responsible member of society by paying your taxes’ type of potential. I mean your creative and emotional potential.” Gren flipped off the slavering throng of monsters, noticing they were starting to keep their distance from the roof.

“I never did finish that fanfic idea I had.” Gwen mused.

“God, don’t mention that,” Gren thrusts a finger at Gwenpool. “Not that I don’t respect fanfic, but when comic book writers make you and Kamala squee about fanfiction to try and relate to “the kids” it comes across as so condescending.”

“Really? I mean…..I'm sure it’s meant as support for the concept?”

“Most fucking superhero comics are just legalized fanfiction! The people who created the characters are either long gone or working on someone else’s characters! They just think they are so much better because they got fucking paid. They can’t imagine themselves as on the same playing field as fanficcers even though most of them have the same level of connection to the roots of the work as anyone else.” Gren groused loudly as she seemed to pull Reed Richards out of nowhere.

Confused, Reed looked around until his eyes met Gwen’s.“Oh great, you again.” Reed groaned as he turned to survey the piles of lobster gibs while Gwen cheered the lobster forces’ retreat with a resounding “EDF, EDF!”. The scattered creatures skittered amongst the bland scenery. It looked like a suburban neighborhood but someone forgot to color in the sky….or write that the sky had color. A castle hung out in the distance breaking up the generic normalcy and lay cloaked in shadow despite being surrounded by an endless white void.

“And…..black….you?” Reed pointed to Gren, raising an eyebrow.

“Yeah, I have an evil future self….well I stopped that future so it’s an….evil...alternate timeline self?” Gwen said with a nervous chuckle, abandoning the kill quest for the minute and rested her rifle on the roof.

“Ah. Yeah I’ve been down that road. It’s a rather common occurrence. Multiverse being what it is.” Reed laughed heartily while putting his hands on his hips.

“I’m not sure I’m evil, honestly,” Gren interjected. “I think I’m just really fucking grumpy and I’m slightly more gung-ho on the homicide. Considering Gwen’s already one of the more kill crazy characters on the roster it’s not that much of a distinction.” Gren flipped her cape. “My main distinction is I don’t like that meme from The Incredibles! You can just make it so the cape detaches automatically when it’s pulled hard enough!”

“You could still have it tangled up around your face.” Reed pointed out in his standard know-it-all fashion.

“Don’t make me go into fuck wife mode, stretch.” Gren spat. “Okay, anyway, so I brought him here to illustrate a point. Reed. Explain particle physics to me as a laymen.”

“Huh...i’m not sure why but okay. Particle physics (also known as high energy physics) is a branch of physics that studies the nature of the particles that constitute matter and radiation. Although the word particle can refer to various types of very small objects (e.g. protons, gas particles, or even household dust), particle physics usually investigates the irreducibly smallest detectable particles and the fundamental interactions necessary to explain their behaviour. In current understanding, these elementary particles are excitations of the quantum fields that also govern their interactions. The currently dominant theory explaining these fundamental particles and fields, along with their dynamics, is called the Standard Model. Thus, modern particle physics generally investigates the Standard Model and its various possible extensions, e.g. to the newest "known" particle, the Higgs boson, or even to the oldest known force field, gravity.” Reed rattled this off rather mechanically.

Gren then took out her phone and showed Gwen the Wikipedia article on “Particle Physics,” which is naturally the same words that Reed had regurgitated above, just without any formatting and, again, on a phone.

“Reed can’t be a genius in any subject unless he’s written by a genius in that subject. That’s how stories work. Everyone is limited by the understanding and capabilities of the writer. Same with your origin story and all the people you’ve interacted with. If you are as ‘meta’ as you think you are then you have to realize that you aren’t actually talking to people. You are talking to the writer. Dr. Strange didn’t rewrite your existence to be a part of the Marvel Universe. As far as most of Marvel continuity goes Dr. Strange was never there and doesn’t know or care about his MCU casting…..Hey Reed, buzz off please before the conversation pivots to why you haven’t cured all known diseases.”

Reed looked a little surprised but then pulled out a teleportation device (of course he has one) and blipped away with a shrug.

“How awkward is that going to be when he enters the MCU after Kamala is already introduced with a very similar power set?” Gwen chuckled.

“Keep up the way you’ve been going and you’ll never see it. I’m not exactly expecting a young blonde girl casting call for Deadpool 3 and that’s your best bet.” Gren snarked. Gwen winced with a sigh.

“I don’t get what I'm doing wrong. I have a fanbase comparable to some of the characters that have already shown up but I can’t even get comics written about me most of the time. An MCU push seems unlikely. They would literally have to deal with completely recontextualizing my powers and gimmick”

“Let’s ask her what you should do.” Gren motioned her way to the suddenly appearing long hair future Gwen, looming over them like The Attack of the 50 foot Woman for some reason. Dwarfing the roof they are on. Let’s call her BIGwen!

Gold Guns Girls

As BIGwen acclimated to her surroundings she stubbed her toe on a car, dramatically flipping it so that it took out a few more lobsters before caving in a nearby house. The lamentations about clean rooms soaring as the remaining couple dozen of them attempt to clean up some of the bodies of their fallen kin. The large and sort-of-in-charge Gwen hissed in pain and adjusted her boot. Getting her balance as best as possible she muttered curses that traveled rather well considering the lung capacity of a giant.

“You know,” Gren started, “I wasn’t expecting much from our previous uses of the ‘make her big for emphasis’ trick, but it really does only work as a vague ghostly background element. I didn’t just want it to be ‘oh, here's a third Gwen for the conversation, though. Would lack umph.”

“ Yeah, I get it, but staring at my own giant taint is unsettling.” Gwen muttered.

“I’d still, hit it.” Gren grinned, then immediately got punched in the arm. “OWWW! Look, I’m the evil one here and we’re in a fanfic. I’m allowed to make internet fetish jokes.”

“And I’m allowed to hit you for it.”.

“Dirty lampshading goody two shoes. Don’t act like half your fanbase isn’t thirsty. It’s “insert current year argument”, all art is sexy to someone.” Gren complained back,rubbing her arm before hopping off the roof. Gwen followed while listening as patiently as she could considering how many changes in topic her evil-caped self is going through to get to her point. “This chick is the reason you’ve been on the path of good girl. Some vague idea that in the future everything will work out for the best. HEY, DOWN HERE, BIG SHOW!” Gren waved at BIGwen and she looked down curiously.

“Yeah what??” BIGwen responded in a booming and agitated tone. Honestly, being in this fic made every version of Gwen a little grumpy.

“How’s she supposed to be a popular hero that makes it into the MCU and has a stable publication history?” Gren asked.

“Fuck if I know.” Came BIGwen’s response. “Have you tried growing your hair out?”

“Rub it in,” Gwen muttered under her breath, “I’m not gonna lie, I’m kind of depressed now.” Gwen said as she sat on an abandoned car.

Gren hopped on the roof of the car, patting Gwen’s shoulder before squatting with enough force to flex the car’s shocks like a rocking chair just to amuse herself. “Future “good” Gwen wasn’t an actual plot point, it was a call to action to the fans to make fanfic like this and support the character outside of the actual Canon. Chris didn’t trust that Marvel would treat the character right. That, and your obsession with getting a new book, are both the writer’s attempt to turn a marketing tactic into fan engagement. If you want to be real then that makes the fans want you to be real even more, too.”

Gwen sighs heavily and leans her chin on one hand. “I mean...the time traveling through the life of an NPC fan complete with a Never Ending Story reference was a bit sappy even by the standard we sometimes set...damn it it really was just kind of a fan manipulation trick wasn’t it?”

BIGwen Sat down on the street next to them and crossed her legs. “Hey, little me. Don’t get too down. I mean it worked for the most part. You have a healthy cult following. Characters have survived on less and there are worse things to be known for then as a fan first character”

“But I have to fight for attention all the damn time, though. It’s so easy for Wade with his fucking meme bullshit. He even gets runoff enthusiasm from me. Jeff the land shark is all over Oldpool online” Gwen felt rather heavy and tired all of a sudden. Marvel editorial forcing a gun to your head is not a fun way to be.

“All that fight is hell on the fanbase too.” Gren sighed. “Advocating for shit, getting crumbs and being expected to accept it while Disney lavishes all the attention based on some bullshit numbers game. Even if you make it into the MCU will it be a Batroc style cameo with obligatory ‘killed off in case we don’t feel like paying the actor again later.’ Will it be an emotionally rounded character or an ambush bug style joke? The thing is. You're Not the one fighting and you never were.”

“The fuck do you mean?”

“This version of her doesn’t know?” BIGwen whimpered.

“You aren’t real, Gwen.”

Head Like a Haunted House

“No….we aren’t having this conversation. Fuck you fuck you i’m not a fucking Nihlist and i’m not going to do this right now.” Gwen said as she scrambled off of the car and pulled out some guns. BIGwen then picked her up off the ground.

“You need to hear this, Gwen,” BIGwen boomed. “The gimmick has run its course. It’s fucking with your canon. You’re never going to be a marketable character keeping up a half fourth-wall Kayfabe”

Gren climbed onto BIGwen’s Shoulders and perched over Gwen all menacing like. “You need to listen. I’ve been trying to ease you into this. Making things more meta slowly until you were ready but it was never going to be easy.”

One of Gwen’s guns was fired from it’s holster and pierced one of BIGwen’s fingers. BIGwen screamed and her grip loosened. Soon Gwen was on the move running up her arm and firing at Gren, who dodged like the nimble and cute badass she is. “Don’t do this Gwen. Just because it doesn’t matter to the comic version of you doesn’t mean it doesn’t matter.”

“I’m a real person god damn it! I read the comics out there! I came in! That’s why I know shit I shouldn't know. That’s what I am! THAT’S ALL I AM!” Gwen shrieked as she pulled out a sword from hammer-space and decapitated BIGwen. Suddenly a mess of colored streamers and a pile of Mickey Mouse merch tumbled out. Look, I am busy right now. Gwen is still slashing at my ass. I'm not going to explain it.

For some reason now the remaining lobsters were helping Gren. For Gwen’s own good you understand. This is proof that I’m right for some reason.

Gwen pulled out a revolver, firing pumpkin sized holes in lobsters who were still wailing about self actualization. She fully planned on shoving a sword up her evil self’s ass and getting rid of this doppelganger shit for good. Which is total bullshit by the way. She totally just cut off Gren’s leg because what the fuck you mean I’m not real? I’m going to be real all over your corpse.

Gren didn’t really think that was even a good comeback and also thought you should probably say it instead of meta willing the smack talk into existence, otherwise this fanfic is going to read like trash. Also, Gren’s leg wasn’t actually cut off. In a puff of smoke it is revealed that the cut off leg is a log and her leg is fine. Gren is a ninja now, believe it.

Gwen proceeded to do a sick ass CQC judo throw on Gren and then grab her cape and wrap it around her face like Reed suggested. Callbacks for the win! Callbacks to Checkov’s gun ideas always lead to victory in fights! She then totally shot at her and such.

But the bullet was caught by the cape because the cape was a symbiote! That’s right Gren is also GRENOM!...boy that sounds stupid. Anywho, the cape was no longer around her face and the fight continued and Gren now ALSO had extra powers and special wizard-symbiote armor (that would only show up in the MCU version if Marvel finally got the Sony characters back). The meta powers work like shit in text but this would be really good in CGI or animation if Marvel wanted to adapt this fic and give the writer lots of money. Gren still has more experience with them, though, and Gwen can’t really just kill her way out of this fic so she has to just let the story play out.

…...eh?....oh Gwen’s crying. I love/am you girl but we gotta work on the crying. Fucks sake this is harder than I thought. I’m depressed now too. Well I'll try to get the writing back on track so you guys can see what is going on. Even the lobsters are minding their manners now. Chill vibes, guys.

“The marvel character page for Gwenpool says, and I quote:

Gwenpool arrived in the Marvel Universe from the “real world,” but has wasted no time in making the most of her time in her fictional universe. Using her knowledge of comics to her advantage, Gwenpool causes and solves problems for her fellow heroes.”

Gren drags a lobster corpse slowly toward Gwen and sits on its tail as she talks to her. Taking her time to really scrape the lobster against the ground, smearing the gore on the pavement. Not that it was heavy for her or anything. Totally still has that symbiote, which would make moving it easy. Totally wasn’t a detail added in the second revision of the fic slightly before the lobsters were added.

“The words “Real world” are in quotation marks in that wiki. Real people don’t make it into comics because fiction isn’t real. Half of your versions barely make use of the ‘real person’ gimmick because it’s too meta by half and not every writer wants to waste time justifying it. So they just treat it like Deadpool’s medium awareness. Which it mostly is.”

“I really am just a fucking rip off distaff character.” Gwen moans. “Just a Gwen combined with a Pool. I’m worse than the Batman who laughs. I never mattered because I was never real”

“Fuck don’t say that. You were made with love and care by a team of creators who took a weird offshoot idea and built out a compelling metafiction idea and a likeable protagonist off of it. They just didn’t have the time and foresight to go far enough.” Gren sighed.

“Far enough?” Gwen sniffed as she was pulled up to her feet and dragged toward one of the big castles. As they walked Gren kicked along a Mickey Mouse doll that had rolled out of BIGwen’s severed head. Every time it bounced it cheerfully said ‘hahah. I love you!’

“Too much haha, not enough trauma. You’re not just a joke character.” Gren said as she kicked the Mickey doll into the big front door of the castle. The shadowy thing of course lighting up and being all fantasy and shit as the door opened.

“Well I did end both of my comic runs pretty mopey.”

“Damn right you did. When the jokes run thin they run to your real bread and butter. You’re an empathy machine.” As Gren shoves Gwen through the gate they are swallowed up in the castle, going dark again. “Let’s getcha sad clown on.”

Never there

“See, what evil me should have been telling you about in the original run is how to find meaning and purpose when technically nothing means anything. Comic book characters live in a world without real death and suffering. It’s all a puppet show version of real pain and real emotion meant to bring that out of an audience.” Gren opined as they walked through a black void to a couch floating in a nothing area lit only by the static of an old TV.

“Can we turn on a light?” Gwen asked as she sat on the couch. Gren sat on another recliner that suddenly appeared and put her feet up.

“Fuck off. Ambiance is a thing. We aren’t having a ‘lights on with something fun on the TV’ conversation. So look, I am not really ‘evil gwen.’ I’m half an author insert and half a plot device. If we are talking about the reality of the story you are basically talking to yourself. I am speaking about the things you don’t want to admit to yourself. You know, you’ve seen this kind of story sorta... right?” Gren picked up the remote and frustratedly changed channels between a bunch of vaguely illustrative footage on the TV, not finding anything that worked. A lot of black and white footage of trains for some reason. Just what comes to mind when I think of documentary footage? Weird.

“I am not sure how to illustrate this shit visually and this is a text story anyway so I would have to explain the illustration,” Gren griped.

“I basically get it. It’s not that uncommon a trope.” Gwen nodded.

“Because of the level of meta we are on right now we have to really acknowledge that you are basically an author insert, too. I mean, to a certain extent every version of you is more the writer that is working with your character at the time than a set character.” Gren said as she settled on a visual of Gwen being pushed out the window by her own narration text in the original comic run. When all else fails, resort to footage from the last story. That way people can look it up online!

“Right here is where the character crystallized in the mind of the author of the current fic we are in. A vague suicide metaphor wrapped up in the flavor of self destructive escapism. Your parents in the story thought it was a suicide attempt on at least some level. This is serious business. Not just a girl who doesn’t like work and can’t finish her fanfic. In this comic you are built on this understanding. The writer of this fic has ADHD and autism. So his version of you more or less has it, too. Writers bring themselves with them into their work.”

Gwen nods and takes a deep breath. “I….I can feel it. Like the world is closing around you. You aren’t built for anything that anyone wants from you. The one thing you really believe in, the one thing that really defines you, the stories in your head…..it’s just not enough.

You can’t trust you’ll ever make it with writing because you can barely write. You barely have the energy to do anything but wish that you weren’t you. What if someone actually listened? Actually believed in you and whisked you away somewhere else where the world would fit your needs? What if you were someplace you could be someone else, someone strong and confident?”

“Yeah. Like a funny anti hero in a comic for instance.” Gren nodded. “But the original comics sort of left the theme on the table. They were captured by the misconception of Gwen as the problem and not a person who needed help. All that desperation that real fans of the character might feel just bundled up into love for this character that really ‘gets’ them but Marvel doesn’t ‘get’ the character. They won't use her. They won’t go past vaguely gesturing at her mental issues and moving on. They saved the angst for Wandavision.” Gren scoffs.

“I mean the show was okay but they literally have a character built entirely on the theme of escapism and trauma. One that’s custom built for mind-screw visuals and reality bending plots and they think she’s just a lazy fangirl who really likes guns that they can sit beside Deadpool sometimes and stick in the X-Men’s bloated background character roster when they don’t need her.”

Gren leads Gwen off the couch and deeper into the void where a door to a bedroom waits. A room like her own, absolutely slopping over with old toys of comic book characters. An unclean messy space in a run-down house that smells faintly of cigarette smoke. Huddled in bed, reading an 80s era X-men comic with a flashlight, is a 12 year old Gwen.

“This is never going to be canon but this is the version of Gwen in this fic. She can’t stop crying at school. Things that shouldn’t be hard are so hard and she can’t explain why. Everyone says she’s making excuses. Meanwhile her mother is fucked out of her mind on pain killers and her step father killed himself last year ‘cleaning his gun’ while drunk. You know exactly what is on her mind right now?” Gren says as she gestures at the girl.

“I wish the superheroes would save me from this.”

“They won’t. They can’t. They were never meant to.” Gren Slams the door loudly on the scene.

“That is the emotional core of Gwenpool in this fic. The desperation that so many of the fans down here in the fucking muck of the real world feel. Poor and emotionally unfulfilled. Confused and vulnerable. If Disney and Marvel gave two fucking shits about people like that they wouldn’t waste as many stories as they do. They wouldn’t just use untold wealth to make expensive escapist stories with the military. Their gestures toward progressive ideas that they occasionally make in their stories would be THE ENTIRE POINT of their stories and the actual thing they used that money for instead of lobbying the government to keep Mickey Mouse out of the public domain.

“Disney has the power yet they save a fucking miniscule fraction of who they could. Saving people doesn’t make money.”

When I Get To The Green Building

Gren stormed through the void. The scene disintegrated around her as Gwen followed. Both now in a bit of a sour mood but with newfound determination.

“Come to think of it. Why is the fucking Hulk getting to fight for social justice in the comics? Why are they making a gay alternate universe Captain America? Why are they grasping at straws so hard to find characters that get to advocate and I am just sitting on a fucking island being grumpy?” Gwen groused. “I’m pretty sure I’m pansexual….at least in this fic. I could advocate for a bunch of shit at once.”

“You have a youth fanbase, a unique story and you technically aren’t an alternate universe version of fucking anything no matter how many people still think you are a Stacey. They made a fucking ‘for the fans’ character and then neglected it. Presumably because some fucking money making metric didn’t pan out despite the comics just being an MCU test kitchen and IP farm anyway.”

“You’re a fucking check mark on a ledger. I don’t even know if anyone technically created Gwenpool as a whole and Disney/Marvel can give the character to whoever they want to do whatever they want completely separate from what the fanbase wants and needs because she isn’t established. The IP landlords have spoken. The fans haven’t risen to enough ‘buy my merch’ calls to action to invest more resources. So tease endlessly until that changes.”

“Gah. Now I'm actually as pissed as you are.” Gwen said as she started fiddling with her guns. “Who do I kill?”

“We can’t do shit. You’re not even a character at this point. You are a meme for an underused character.” Gren smirked all evil like. “See but that’s it. You aren’t just a meme. You’re a MEME.”

“Uhm...I don't follow.”

“Like the concept of Justice. Gwenpool is an idea. Defined entirely by how people who engage with the idea choose to engage with it. The IP law means Disney owns Gwenpool but they don’t own how Gwenpool is perceived. Just like we as a people decide what justice is through popular consent we also decide what Gwenpool is. You see they made a character for the fans…..in my opinion that means the fans can do as they like with it even if it makes Disney uncomfortable.”

“I mean they can’t even stop porn of their characters just because of the sheer volume of the problem. I suppose people could do whatever.” Gwen nodded.

“Exactly. So the fans should just fucking Occupy Gwenpool!” Gren said as she flipped her cape dramatically with a mad smile on her face. That’s right. She was Dirtbag Leftist Gwen all along!

“Squat on that IP. Make Gwenpool a mental health advocate. Make her an LGBTQ activist. Make her fight for social and financial justice so hard that Bruce Banner looks like a poser. Make her talk shit about politicians who put their career ahead of the people. Do all the shit that makes the comicsgate crowd sad. Keep politics in our stories! Rally around that pink and white ass so hard they have to notice and then tie it all to the fact that Disney has great power and with great power they take no responsibility for how shitty the world is.”

“ If they are going to fuck Gwenpool fans they gotta learn Gwenpool fans fuck back. We have already proven we can make all kinds of cool shit. Let’s get serious and make more, harder, faster! Get a hashtag or some shit. They can't DMCA all of us! GWEN IS OURS WE JUST HAVE TO REACH OUT AND TAKE IT. Then they either respect the character and her fans or they just hit a PR disaster.”

“Marvel/Disney neglects fan focused cult character themed protest movements. Proves they are only progressive when it makes them money. They’re so worried about Mickey ending up in the public domain? We’re the public domain! After our entire lives stannin their characters and buyin their merch building them from an animation house into a juggernaut they are just another weight on top of the boot on our necks. They have to take responsibility!” At this point Gren is pretty much ranting maniacally and neglecting the actual writing of the story so this is Gwen taking over to wrap up.

Guys I may not be ‘the real Gwen’ but really, isn’t the version of Gwen that actually came from the real world all of us? Isn’t Gwenpool really the Gwens we made along the way? We could easily bring a little heroism and chaos to the real world (at least to the internet) if we really tried. Put the fear of God into some IP landlords and fight for some cool people that society is screwing over, too.

Prove that even in the fandom abyss people aren’t as powerless as they seem. Use that internet comic fan mobbing for something besides giving Zack more money. Disney is gearing up for their next IP fight for Mickey in 2024. Seems like a fine time for IP themed protests. For now we just need to spread the word that our needs are more important than their profits.

It’s been real. It’s been long. It’s been a real long time coming…..

But I finally finished my fanfic.

See ya, true believers.

#gwenpool #fanfic #deconstruction #outofloveiswear #fortheoriginalwritersnotmarvelordisney #tw mental health #tw mentions of suicide #tw mentions of drug abuse #tw violence #tw gun violence

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yukidragon · 3 years ago

Note

When chapter 1 first came out Toby made a twitlonger to answer some questions people may have and here's what he said about the connection between Undertale and Deltarune.

"What you're seeing here is not the world of UNDERTALE. UNDERTALE's world and ending are the same as however you left them. If everyone was happy in your ending, the people in the UNDERTALE world will still be happy. So, please don't worry about those characters, and that world. It will remain untouched".

He also said, "To rephrase that, DELTARUNE's world is a different one. With different characters, that have lived different lives. A whole new story will happen... I don't know what you call this kind of game. It's just a game you can play after you complete UNDERTALE, if you want to. That's all".

This means that the Genocide ending of Undertale has no relation to Deltarune, especially considering the fact that not everyone has done/wants to do a Genocide run. So it wouldn't make sense for Chara to be involved at all since they only wanted to erase the world and move on the next (presumably another game) because of the events that took place during the Genocide route.

Obviously Kris is their own person struggling against the control of the player, that being even more evident in the Snowgrave route and certain reactions they have towards actions the player makes throught the main game. But to shifting the blame onto a character from another game is pretty redundant and misses the point of Deltarune's theme of choices not mattering that being your choices and Kris's choices.

I know that you don't like Chara and have a lot of issues with them and I'm not going to go into a rant on whether or not they're "evil" but cmon. Trying to make them out as "The big bad" in Deltarune is pretty unnecessary.

Hang on, who said I don’t like Chara?

I’m pretty sure I’ve said repeatedly that I’m a Chara fan? I mean, why else would I get so deep into character analysis of them and co-work on an ask blog centered around her?

You can enjoy a fictional character but still think they did bad things and theorize that they had ill-intentions. Those two things are not mutually exclusive.

Anyway, onto the part about Deltarune... I’m aware of Toby’s statement. I’m also aware that Toby has established that this is a multiverse by creating Deltarune in the first place. How I interpreted his statement, and Deltarune’s existence in general, was that everyone’s personal interpretation of their own playthrough and the story they made with Frisk and the others is canon. There are worlds where players chose genocide, pacifist, neutral, or even abandoning the run in perpetuity.

Personally, I think that’s fantastic. It means people are free to read into the game, its events, and its characters in the way that most resonates with them and that’s absolutely valid.

I think it’s absolutely true that the player has a part to play in Deltarune, similarly to how they play a part in Undertale. The control the player has over Kris is definitely a plot point.

However, there are also blatant references to Chara in Kris’ story. From Kris’ appearance, their brandishing a knife, glowing red eyes, their love of chocolate, and even having possession of a red soul... These are things that are revealed in Undertale. There’s no way these references are unintentional given the references to other characters and plotlines from Undertale.

Does this mean Chara is the final boss? No. I don’t even think that’ll be the case. My personal opinion is that Chara is tied to Kris in some way. Whether that means Kris is Chara (or an amalgamation of Chara and Frisk), Chara is influencing Kris, or there’s some other connection, we don’t know yet. There’s only two chapters of the story so far, nowhere near enough to tell us the ending to the story.

From what I’ve interpreted of Chara’s actions in Undertale, as well as events in a genocide run, it leads me to a theory that Deltarune is the world moved on from a genocide run. A genocide run. Not to say that every single Undertale world has a genocide run, but it’s possible that after one game - one world - finished on genocide, that specific Chara moved onto the next world and that world is Deltarune.

Am I married to this theory? Oh heavens no. There’s not enough of the story for this to be anything more than speculation at this point. There’s plenty of other theories floating around online and inside my noggin. I just find this one to be the most appealing to me. I fully expect it to be proven wrong and find that Toby intended to take things into a different direction.

I just like this theory because, well, I am a Chara fan. I’m interested in seeing their story continue and learning more about them. I might be decently confident in my personal interpretation about them from Undertale, but I’m hardly an expert. I’m just a rainbow cat putting a puzzle together that’s missing at least half the pieces and guessing what the picture actually is.

If you don’t agree with that theory, that’s absolutely fine. Your interpretation of what’s going on sounds valid to me.

#Undertale #Deltarune #Chara #Kris #Warning: An Opinion #the only issues I have relating to Chara #or fandom in general #are people using a fictional story or character #as an excuse to start fights #and bully other fans #who like the same fandom and character they do

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itsclydebitches · 3 years ago

Text

YYH Recaps: Episode 4 “Requirements for Lovers”

Hello, everyone! It's been quite a while, huh? Ah, the endless cycle of wanting to write and yet, astoundingly, not writing. I know it well.

Good ol' writer's block has skedaddled for a time though, so let's make good use of that and dive into Episode Four: "Requirements for Lovers."

Ohhh, YYH getting spicy with its titles 😏

Actually wait, I shouldn't be making dumb jokes just yet. First I want to acknowledge a slight change to future recaps: YYH, RWBY, and anything else I might try my hand at. Namely, a lack of pictures moving forward. A few weeks ago — months? I honestly can't keep track — tumblr implemented a new limitation where no post can have more than ten images in it. It's a move that, while I'm sure has its justifications, makes sharing analyses of visually-based media all the more difficult. I'll be doing my best moving forward to describe scenes as needed, as well as combining connected images together to stretch out my limit, but I'm not going to pretend that it'll be the same as getting the visual play-by-play we’re used to.

Tumblr certainly is a website, huh?

Anyway, we open on Yusuke once again lamenting the difficulty of hatching a spirit beast that doesn't immediately devour him from the head down. On the one hand this is an admittedly easy way to reset the story over the course of this arc — the storytelling equivalent of waking your character up each morning — yet I cannot deny that if I were undergoing a resurrection test, it would consume my every thought too. Can't really blame Yusuke for endlessly bringing the conflict up when the conflict is this deadly.

Well, deadly for a ghost, anyway.

Specifically, he's worried about how embarrassing it would be to get eaten by something that came out of an egg this tiny. I'm torn between reminding a fictional character that things grow — a pissed off chicken could kick my ass and it started out in an egg too — and just shaking my head over the absurdity of worrying about embarrassment when, you know, you would cease to exist. It's not even a matter of, "What if I die and then I'm embarrassed about it in the afterlife :( " Yusuke is already IN the afterlife. He's got nowhere to go but oblivion!

Luckily, Botan takes a more practical approach to these worries, pointing out that he'll be just fine provided he does some good deeds. Yusuke starts a rant about how do-gooders are only ever out for themselves.

Yusuke, you dumb-dumb, you're a do-gooder now. What was all that help for Kuwabara, hmm? As said, these early episodes exist in a semi-reset loop, where Yusuke needs to stew in his main character flaws for a while before any real growth starts to stick. Those flaws being, primarily, "I'm a pessimist" and "also I hate myself."

Case in point, Botan accuses him of always seeing the glass as half empty. Which, while true enough (outside of his confidence in fighting, anyway), by now we've got a pretty good sense of where Yusuke developed this attitude. He affirms this by talking about how Koenma's got him by the balls, "just another idiot abusing his power!" With an alcoholic mother and those teachers from last episode, it's no wonder Yusuke thinks this way. Mr. Takenaka's interest and Keiko's care aren't enough to combat the rest of Yusuke's experience, not when Takenaka is an outlier and Keiko is Yusuke's peer. Her desire to keep him on the right track reads only as an inevitability at best (the downside of having a perfect childhood friend), or a legitimate annoyance at worst. Or, as we'll continue to see in this episode, a way for them to flirt.

Is it any wonder Yusuke would sneer at Koenma's offer then, expecting the worst? The fact that Yusuke is still undergoing the challenge at all, no matter what he says, speaks volumes to me.

However, Botan is less than comfortable with his criticisms. She panics a bit at Yusuke insulting the (junior) ruler of the underworld so blithely. That, and the fact that he's carelessly tossing his egg around.

(Yes we’re using precious picture space for memes are you SURPRISED?)

Anyway, Botan isn't just concerned for the sake of concern. She cautions Yusuke against speaking too freely because there may be investigators checking in on his progress. No sooner does he ask what those investigators look like than one appears.

Thunder! Lighting! An energy so intense that Yusuke is briefly blinded! It is, as he says, quite the entrance. What kind of being could possibly be at the heart of such an astounding show?

Why, this teeny-tiny cutie, of course.

Remember, few appearances in YYH coincide with the character's true self. Would you ever assume this is the all-powerful investigator who holds Yusuke's future in her hands? Of course not. That's the point.

The investigator introduces herself as Sayaka and immediately demonstrates that she has no more patience for Yusuke's attitude than Botan does. "These damn kids," he mutters and my brain briefly blue screens because Yusuke. You're fourteen.

Plus, Sayaka and Botan clearly have some sort of eternal youth situation going on, so there's that too.

Sayaka is, in a word, fantastic. She pulls no punches with Yusuke, teleporting away from him with what can only be described as a shit-eating smile, all while refusing to tell him what exactly she's investigating. “I’m sorry, but that’s a secret!” However, Keiko is clearly at the forefront of her interest. She refers to her as Yusuke's "girlfriend."

Botan is more than happy to point Keiko out — because of course they're still following her around! — and pulls a Et tu, Brute? on Yususke, leading Sayaka right to her. Like most of the Underworld, Sayaka is rather shocked that the pretty, popular, scholarly girl is supposedly into the delinquent. It's the power of childhood friendship, you fools! Specifically, Sayaka references the "positive markings" that Keiko has accumulated, but the audience already knows by now that such markings are suspect at best. Yusuke himself is proof of that. So if his terrible marks don't preclude him from being a young kid's savior, should we really view Keiko's as proof of superiority?

I mean, Keiko is fantastic, but that's not really the point here.

Starting her own investigation into Yusuke's life, Sayaka begins with one hell of a bombshell: "There's no point in doing [the resurrection] if the people closest to you don't care." WOW. Not only is that a harsh assessment, it's one I don't think I can personally get behind. The offer to restore Yusuke to life is built on the acknowledgment that their system is flawed (even if there's no work to change or dismantle that system): they thought he was worthless, his sacrificial death seems to have proven them wrong, and now they want further evidence, in the form of this trial, that Yusuke is a good person at heart. The whole point of this challenge is to give him a second chance, with testimonies like Mr. Takenaka's emphasizing that Yusuke has always been capable of more, so long as he applies himself. This, as we'll see throughout the series, applies to relationships too. The Yusuke with one friend he play-fights with, a distant mother, and a school worth of kids who are terrified of his very name is not the future Yusuke they expect him to become, so... why base his resurrection on what he's already (not) accomplished? Granted, the show is very unclear about what, if anything, Sayaka will do if she decides that Yusuke doesn't have a life worth going back to (even if I have my own theory discussed at the end), but the fact that this is suddenly a factor at all seems grossly unfair, not entirely unlike Kuwabara's rigged promise. We as the audience know that people love Yusuke. Yusuke himself is beginning to acknowledge that. But if this fourteen year old delinquent truly had no one that wanted him back from the dead... isn't that all the more reason to allow a resurrection and give him the chance to build a life where he would be missed?

This stupid shonen got me thinking too much istg.

Yusuke, ever the self-deprecating pessimist, bypasses all of the above thoughts and jumps straight to, "It's clear if [Keiko] had any sense she'd want me gone." I'd find that attitude incredibly sad if I wasn't distracted by how cute Botan and Sayaka are, sitting on the oar together. The spirit girls who fly together, thrive together!

Botan starts teasing Yusuke about having a crush, which just feeds his temper and Sayaka's confusion. Deciding that she needs to gather more info, they follow along for an average day of school because these earlier episodes are, apparently, ghost-stalk Keiko hours.

We see her reading aloud in class from Heart of Darkness (not the easiest book for some middle schoolers), scoring a point during volleyball practice, refusing to let one girl cheat off her homework, but happily helping another who runs up with a question. So she's pretty, athletic, and academically successful, the trifecta for any good love interest. Sayaka is impressed not just with her "nearly perfect" scores, but also the maturity that Keiko demonstrates, such as maintaining her morals about cheating while remaining compassionate.

Actually, I really love the contrast this provides for us, the viewer. Meaning, Keiko is shown to be at her least mature when in Yusuke's presence. Not that her responses aren't justified, but watching her dramatically snatch gum from his mouth, slap him across the face, or pull crazed expressions as she yells at him is a far cry from this calm, poised, soft-spoken Keiko. It's a way to visually show us that she's comfortable in his presence, despite the suspect humor attached. Not that the Keiko we see at school is faking or anything — she is legitimately that kind and articulate — but we see that being with Yusuke allows her to relax in a way she doesn't with others. School!Keiko is, as Sayaka says, pretty much perfect, 24/7. Yusuke's Keiko is a little rougher around the edges, in a way that implies a multifaceted personality shining through.

However, the only conclusion our trio draws is that, given Keiko's accomplishments, any attraction must be one-sided.

Poor Yusuke lol.

In a plot move that is so ridiculously contrived, just as Yusuke is grappling with the accusation that Keiko couldn't possibly like him back, a "handsome boy" arrives to ask Keiko out. He says that he couldn't bear it when she stopped reading Heart of Darkness because he's fallen in love with her voice. "Will you be my girlfriend?"

Please excuse me while I lose my shit over how ridiculous this is. I legitimately straight up cackled when I watched this scene.

Luckily for Mr. Absurd, Keiko takes him seriously — and lets him down easy. She says she can't be his girlfriend and when he presses the "Why?", asking if she already likes someone else, Keiko confirms that she does. This is done through a shot of her feet. Not a POV shot given the angle, but close enough that it feels like we're stepping into Keiko's shoes (haha), shyly staring down at the floor in embarrassment and regret.

Rejection complete? The guy screams.

I mean he screams.

I mean this nobody we're never gonna see again unhinges his jaw and lets out an unholy shriek the likes of which makes me shriek in utter GLEE.

It's insane. It's wonderful. I'm going to use one of my coveted image spots to show you his face:

Look at that and tell me this show isn't amazing.

Okay, I'm focusing again. As Keiko runs off Botan and Sayaka start dragging Yusuke, teasing him about how Keiko chose him over that "charming handsome boy."

...Please scroll up and look at that image again. I find YYH's definition of "charming" and "handsome" to be hilariously wrong.

Yusuke, as per usual, throws himself into damage control, claiming that Keiko didn't say who she liked, so really it could be anyone. They're not buying it. “'I like Keiko' is written all over your face!” Botan crows. Meanwhile, Sayaka is scribbling in her little investigator's journal that feelings on both side are severely misunderstood. "Suggest serious counseling."

Fantastic idea, Sayaka. I'd personally suggest counseling for the whole dying/best friend getting resurrected thing... but relationship woes work too!

We cut to later when school is out and Keiko has gone over to Yusuke's. To say that Atsuko has done a poor job of keeping the house clean lately would be a serious understatement.

Keiko points out the old food and broken glass specifically, cluing us in that this isn't just a messy environment, but a dangerous one as well. This is proven when she accidentally knocks a stack of books over and a used bowl falls onto Yusuke's face. What's interesting is that Keiko says that things are "back to normal" now, though I'm not sure if that's in reference to the state of the house, or just the note Atsuko left behind, asking Keiko to take care of Yusuke while she's out. I'm inclined towards thinking it's just the note, partly because of Keiko's shock when she first arrives, because the house wasn't shown to be in this state prior to Yusuke's death (first image above), and because the note is accompanied by a great voiceover that makes Atsuko sound quite sloshed when she left. That's what's normal, the drinking and carefree attitude, not the state of her home. If we buy that reading, it allows for another fantastic look into Atsuko's mental state. If she's already an alcoholic, the trauma of her son's death and the following revelation that he's coming back might make her struggle in other ways. Like finding cleaning to be an impossible task.

She's depressed. It doesn't excuse the state she's left Yusuke in and, as previously acknowledged, YYH is definitely not a show interested in this nuance, but I still find it fun to take what little we've gotten and run with it.

However, Keiko is firmly on team "WTF Atsuko." She hurries to make sure Yusuke wasn't hurt by the falling bowl, bemoans him being "covered in garbage," and says that leaving him in this state should be considered a felony. Knowing it's far beyond her power to fix Atsuko's failings, Keiko swears to come here after school every day until Yusuke regains his body. It's as she's cleaning him of the dust that's gathered that Keiko becomes entranced with Yusuke’s features. Particularly his lips. The soft lighting returns, their theme song swells, and Keiko gets thiiiis close to kissing Yusuke for the first time.

Which is a little weird, right? I mean, we know why Yusuke is freaking out. Beyond the embarrassment of a middle schooler receiving his first kiss while two ghost girls eagerly watch on, he's made a hobby of denouncing his interest in Keiko to anyone who will listen. But for the average viewer — for Keiko herself — don't we care the he's, you know, dead? Or if not technically dead, very unconscious? Don't get me wrong, I fully understand the appeal of this situation in a generalized, cultural sense (with the side disclaimer that I'm reading a Japanese product through an American lens). Sleeping Beauty exists for a reason and there's definitely an element of that here: a gender-reversed setup where Keiko’s kills may break the "curse" of Yusuke's untimely death. Even his in-between state of being mirrors the "death like sleep" of the fairy tale. But when you strip away those Disney-esque thoughts, we're left with a girl about to kiss an unresponsive body, not as a common gesture of care (the parent who kisses their child while they sleep), but as a first time, romantic milestone.

It's a little weird lol.

But embrace the romance! As well as its inevitable interruption. Just as Keiko is about to land a peck, the neighborhood watch committee announces a heat and fire warning, startling Keiko out of her thoughts about Yusuke's "beautiful face." (There's another gender reversal for ya.) She gasps at her almost-action, conveniently remembers that her mom wanted her to do some shopping, and hightails it out of there before embarrassment can really kill them both.

So she runs off for food... in a sweater? The outfit is cute and all, but I wonder what the animators were thinking, putting Keiko in a puffy pullover during an episode all about a heat wave.

It's about at this point that the plot goes from cute romance to absolutely buck wild. The fires the neighborhood watch committee mentioned are not, in fact, due to the overwhelming heat, but an arsonist that's going around tossing molotov cocktails through open windows. Why is he doing such a thing? I don't know. Arsonists be doing arson, I guess. The important bit is that Yusuke's place is his next target, considering that Atsuko forgot to lock the windows when she went out. Within seconds all that garbage is set ablaze, quite obviously putting Yusuke's resurrection chances at an all time low.

"Wake up, stupid!" he shouts at his unconscious body. Mood, Yusuke. That's me every morning.

So this is a full scale emergency now and everyone is scrambling trying to think of something to do. Yusuke comes up with the idea to possess himself like he did Kuwabara — nice attempt at a loophole there — but since it would technically count as his resurrection, no dice. Botan decides to go get Kuwabara himself, even though he's too far away to do anything. It's still worth a shot. Sayaka, meanwhile, watches all this unfold with a somewhat clinical detachment. She's not quite indifferent and she's definitely not cruel... she’s just not as emotionally invested in this as the other two. Which not only re-emphasizes her purpose here, as an observer judging Yusuke, but also highlights the bond Botan is forming with him. As mentioned before in regards to her hanging out with Yusuke rather than ferrying souls, Botan is well past someone assisting Yusuke simply because it's a part of her job. He's her friend.

We get some shots of the growing fire which includes a hazy texture to the animation I quite like and then we cut to Keiko several blocks away, shopping bag in hand. Word of the new fire spreads, with one bystander mentioning that it's the twelfth today.

"This is eerie.”

“Yeah, I can’t help feeling we’re under attack.”

That's because you are! Someone stop that man!

Sadly, I don't think the arsonist is mentioned again, let alone captured. We'll just have to relegate that to my incredibly niche fic wishlist.

Keiko also overhears that the latest fire is on fourth avenue, which of course is where Yusuke lives. Recognizing that he might be in trouble, she takes off at a run.

Meanwhile, Botan finds Kuwabara practicing his kicks against a Yusuke dummy. Amazing resemblance, right?

Watching for the purpose of recapping, I'm picking up on a lot of details in the animation I quite enjoy. I don't think anyone would claim that YYH, at this point in time, has the most impressive or flashy animation (the fight scenes later are another matter entirely), but there's a clear love for the product that shines through. The scared expression on Kuwabara's dummy. His unexpectedly dainty kick, complete with pointed toes. Botan's more translucent coloring to emphasize her supernatural status compared to Kuwabara. There are a lot of nice touches despite the overall simplicity.

Plus, you can't forget the lovely irony of Kuwabara fighting a defenseless "Yusuke" while the real guy actually lies defenseless amidst a fire. We already know that despite his tough talk, Kuwabara would be horrified to learn that his friend rival had died (again) in such a manner.

Capitalizing on that transparency, Botan runs a hand through Kuwabara's back to catch his attention. He gets his "tickle feeling" and instinctively looks around towards Yusuke's house, seeing the smoke. "Something tells me I should go that way." Gotta love a guy who drops everything to chase a vague, supernaturally induced hunch.

As Kuwabara leaves we cut back to Keiko arriving at the house, staring in horror at the blaze. We get an audio flashback to her talk with Yusuke where she promised to take care of his body until he got back. So she tries to run in, only for a couple of the onlookers to snag her, quite correctly keeping her from undergoing a suicide mission. We learn later that Keiko absolutely would have died without Yusuke's sacrifice, so her "You cowards!" is born more of emotion than justified accusations. It's not cowardly to look at the raging inferno in a small apartment and realize that recklessly running in will only result in two dead teens, not one.

I mean, the flames are already right there, licking the door. Even if Keiko somehow managed to avoid burns, the smoke alone would do her in. Still, Keiko tries to mitigate the damage by dumping a bucket of water over her head. As a kid I remember thinking this was the smartest thing ever. Utterly inspired. Keep that in the back of your mind, kid Clyde, for future reference. As an adult... I have no idea whether this would actually help or not lol. Any firefighters doubling as YYH fans?

Recklessness and iffy precautions aside, I can't express how much I appreciate the story giving Keiko things to do. Yusuke recognizes that she's the only one with the maturity and open-mindedness to believe in his resurrection. She's the one picking up Atsuko's slack regarding his day-to-day needs. She never hesitates for a moment, heroically throwing herself into this blaze for Yusuke's benefit. Yeah, a lot of that still falls into the emotional/domestic sphere — what we expect of the love interest in a 90s anime — but too often action stories don't have a clue what to do with their non-action characters, not even when it comes to just supporting the fighters. They're simply... there. Keiko, however, isn't window dressing. Whether it's helping Botan survive an upcoming, supernatural plague, or cheering the team on at the Dark Tournament, Keiko is an important part of the story, despite lacking the fighting prowess of the rest of the cast.

Just as important, this episode establishes a core equality between her and Yusuke. We just watched Keiko reject a (presumably) accomplished guy for him, telling the audience that these surface differences — academics, power levels, popularity, looks — don't matter to them. Yusuke is not Keiko's lesser just because he doesn't have the same scores in Sayaka's book and Keiko won't become Yusuke's lesser just because she doesn't have spiritual power like he does. The only important thing here is that they love each other and they're both willing to sacrifice everything for the other. In the span of about ten minutes, Keiko nearly gives up her life for Yusuke and, in turn, Yusuke gives up his resurrection for her. The level of care they show towards one another is balanced, despite those differences.

They’re a good ship, y'all. Even if this recapping's got me noticing Yusuke/Kuwabara potential lol.

To get back to the plot, a drenched Keiko charges into the fire, yelling Yusuke's name for the drama of it because we all know he can't respond. Despite the audience (hopefully) recognizing Keiko and Yusuke's equality, that memo hasn't reached Yusuke yet. "You're a lot more important to this world than I am!" he yells, hammering home that despite everything — knowing he instinctively saved a child, watching his loved ones grieve for him, helping Kuwabara just because he can — Yusuke still, deep down, believes that he doesn't deserve to come back; that he doesn't measure up to those around him. The self-sacrificial nature this insecurity produces shocks Sayaka. She points out that if Keiko doesn't save his body, he's not coming back. "What's the point of being alive if Keiko has to get killed for it?"

Keiko means more to Yusuke than the rest of his living existence. Jot that down in your notebook, Sayaka!

Kuwabara arrives and runs into one of his friends who informs him that Keiko just went inside. “Yusuke’s girl? The one we saved from those thugs?”

BOY does that tell us a lot about their rivalry! I mean yeah, we've already established several times over that Kuwabara — just like Yusuke himself — is not the cruel street thug he'd like to present himself as. If these characters actually wanted to hurt each other outside of a martial arts challenge, don't you think Kuwabara would capitalize on the "Yusuke's girl" bit? Everyone seems to know that they have feelings for each other, but Kuwabara never once wields that as ammunition against Yusuke. There are no taunts about him not being good enough. Or rather, I should clarify there are no serious taunts — Kuwabara is well known for his teasing. There's also no attempt to steal Keiko out from under him, the common treatment of the love interest as a "prize" that many stories fall into. Indeed, later this episode YYH will deconstruct this a bit. Yusuke sees Kuwabara grab Keiko's hand and yells that he better not be getting "fresh" with her. But it's purely Yusuke's worries shining through. The audience gets a crystal clear picture of the situation and knows, categorically, that Kuwabara has only the most innocent of intentions in holding Keiko's hand.

(Well, running from the police isn't innocent, but...)

I keep getting sidetracked. Plot! Keiko makes it to Yusuke's room and finds that he is already on fire. She then proceeds to try and put it out by patting it with her hands. I take back what I said about Keiko's smarts in this scene. Now we know where that supposed recklessness comes from though. Apparently they're both immune to fire! Nothing to worry about here, folks.

JK she's actually in danger, despite the animation choices. By this point everyone, including Keiko, realizes that there's no way out: the fire has blocked the door. Sayaka then reveals that there is one way to save her. If Yusuke throws his egg into the fire, the energy of the spirit beast will release and guide her to safety. The catch? Hatch the egg early and it won't complete its intended function of guiding him back to his body. This beast is gonna guide one person and that is it.

Cue Yusuke's near immediate decision to sacrifice his life for Keiko's. Granted, it's not precisely one life for another. Yusuke's resurrection was always contingent upon the beast not devouring him whole — something Koenma claims would have happened at the end of the episode — meaning that it's not technically a fair trade. Yusuke might have sacrificed Keiko's life for his own... only to fail to get that life back anyway. (There's a tragedy for ya.) To say nothing of how Yusuke is currently dead and has been for at least a couple of days, whereas Keiko very much is not. There's some sort of philosophical discussion there about potential being pit against current reality.

BUT that's not the point! The emotional point is that he sacrificed his life for hers — the potential of his resurrection, the potential of that life he might have led — all technicalities aside. And I, for one, think that's very neat of him.

A blue light shines as the egg's energy is released, providing a lovely contrast to the fire surrounding them. A path forms to the door and Keiko, recognizing Yusuke's presence, follows it. "We'll make it, Yusuke," Keiko says, which is one hell of a sucker-punch now that we know she's just carrying a corpse. Unbeknownst to Keiko, Yusuke is very much not making it. That's the only reason why she is.

Kuwabara appears to help them the rest of the way which is also a pretty awesome thing considering that, from everyone else's perspective, the fire is still raging and blocking the door. Despite his spiritual awareness, Kuwabara gives no indication that he noticed this strange light, or Yusuke's hand in the rescue. Which basically means he lunged into a bunch of deadly fire for Keiko and doesn't question how in the world he isn't burned.

Keiko's hands are fine, Kuwabara's whole body is fine... fire immunity must run in the friend group!

Yusuke has another rare moment of vulnerability — "They're both okay" — and I cackle happily at the "both" because see. You love Kuwabara too, Yusuke! All this bluster about hating him and finding him annoying. The second he rushed into that fire you were crawling up the walls.

Except then that happiness gives way to something that sounds a little more shocked. Devastated. "Well, I sure am... relieved..." Kudos to Cook's voice acting. You can hear the exact moment Yusuke realizes what he's done. Not that he regrets it, but the consequences are finally sinking in. He's relieved that they're safe, yes, but now he's never going to be able to rejoin them.

As Yusuke has an(other) existential crisis, Kuwabara peels back the blanket Keiko had wrapped Yusuke in, revealing his face. “What are you doing with Yusuke’s body?! Are you some type of sick grave robber?” he shouts. God I love when a story actually keeps track of who knows what. Kuwabara, for all his recent involvement in the plot, doesn't actually know what's going on. From his perspective Yusuke died, he made a scene at the wake, he saved "his girl" from a bunch of thugs, lost a huge chunk of time only to wake up with her randomly hugging him (then slapping him), participated in a bet with his awful teacher and had a couple weird, Yusuke related dreams while studying, and has felt the presence of ghosts perhaps a little more frequently than usual. Now he's trying to help save Keiko from a fire only for her to reveal she risked her own life for Yusuke's body. Of course he's freaking out! What's she doing with that?

What's utterly fantastic though is that Kuwabara takes all of five seconds to process this and then enters immediate Ride or Die mode for Keiko. She's been hoarding Yusuke's body for undetermined reasons? Well, who is he to judge? The important thing here is that people are arrested for keeping bodies, so they've gotta skedaddle before the firefighters show up.

Hence, hand-holding and avoiding arrest.

As Yusuke starts threatening Kuwabara not to get "fresh" with her, Botan sadly reminds him that he no longer has a say in who Keiko does or does not fall in love with. The switch in tone is jarring. Whereas before Botan would have teased him mercilessly for the crush, now she knows that nothing can come of that — and it would be cruel not to remind Yusuke of that too.

"Oh no. I didn't think..." Yusuke whispers, further establishing that he knew the risks of using his egg, but hadn't allowed them to sink in yet. Now they have.

He gives a fake little laugh with, "Just when it was getting good" and I cry at the development in the span of just four episodes. Despite what I said at the beginning about the show resetting each week, there has been a lot of change thus far. Yusuke wants to live now! He wants to be there for Keiko! He looks down on his tiny family and screams at the unfairness of it all! They're talking about how they can't wait for him to come back and now that's never gonna happen!!

It hurts, friends. It hurts a whole lot.

During this conversation between Keiko, Atsuko, and Kuwabara, we see that a couple of hours have passed (it's nighttime now, the fire is out) and Atsuko is apologizing for putting them all in danger like that. And by that I mean yes, she does technically apologize with an "I'm sorry" and everything, but it's also a one sentence apology pit against... well, near death for the three people standing (and sitting) before her. Atsuko seems just as concerned by Keiko losing her hair as she does Keiko nearly burning to death and she kneels by Yusuke's wheelchair, baby-talking to him about how he forgives her, right? I love Atsuko, she's great, but objectively speaking she is not a good mother. Not right now, anyway.

Oh yeah, and just to reiterate that: Keiko's hands are fine after patting down Yusuke's on-fire body, but her hair, which I'm pretty sure never catches, has to be cut short. Ah, anime logic. Funny thing is, YYH isn't the only story to take the love interest and give her a cool, short cut thanks to a traumatic event. Anyone read Ranma 1/2?

During this conversation we also learn that, sometime between the fire and now, Keiko filled Kuwabara in on everything that's happening with Yusuke. Makes sense. He kneels beside the wheelchair, joining the others in telling Yusuke that they'll wait patiently for his return. Yusuke, above them, continues yelling about how they're waiting on a dead man.

“It can’t be helped. He made this decision on his own."

Except it can, in fact, be helped!

Just as all hope is truly lost, Koenma appears and announces that Yusuke will be returned to life. Why? Because sacrificing his egg for Keiko is a better indicator of his worth than the egg itself could have been. Despite feeding on his negative outlook and heading towards biting Yusuke's head off — something the animation backs up by showing us teeth during the fire

— Yusuke's act demonstrates a tendency towards being a "decent human being" that is "so rare." Wow. That's depressing. Still, yay that Yusuke has those qualities! And this, to my mind, helps explain Sayaka's presence. Koenma recognized that judging Yusuke couldn't be left to the egg alone and indeed, Sayaka took note of his worth before he ever threw the egg into the fire. First it was questioning why someone as amazing as Keiko would go for him, then it was solidified through the shock of Yusuke announcing that coming back to life was meaningless if she wasn't in it. Even if Keiko had somehow, miraculously escaped the fire before Yusuke's sacrifice, I bet Sayaka's report would have tipped him in resurrection's favor anyway.

Everyone is, of course, overjoyed and my heart swells at the intense gratitude Yusuke displays. My favorite part though is when Koenma cryptically says that “Your added experience with death could make you very useful" (a nod towards future events that goes right over Yusuke's head) and his response to this is a yelled, "YOU THINK I'M USEFUL?" This poor kid. The God of everything ever is chucking out revelations left and right, about resurrections and spirit beasts, but the only thing that really penetrates is the realization that someone thinks he's useful. Talk about relatable.

You know, I've been thinking about why this moment works so well. I mean, there are a lot of other stories where undermining the consequences our hero faces — either with humor, or by erasing them completely — can feel like the audience was cheated. I think YYH dodged that with a couple of crucial factors. First, Yusuke's consequence isn't something new that he's now avoided, it's just a permanent extension of something he was already dealing with. We did get to watch him inhabit the space between life and death, grappling with whether he'd ever be able to return. The story didn't deny us that growth, it just confirmed something we all instinctively knew: this tale won't end here with Yusuke permanently going to some afterlife. Second, the Deus ex Machina fix doesn't happen too soon. Yeah, it's only a couple of minutes in a single episode, but we (and Yusuke) still get to sit with that outcome for a while, soaking it in before its removal. Finally, there's no doubt that Yusuke earned this reprieve. Koenma's timing might be sudden and (if you're not genre savvy) unexpected, but looking back at the series as a whole thus far, we're able to agree absolutely that Yusuke deserves this. Far from feeling like we were cheated, this solution invites just as much celebration as we're seeing on screen, for the simple reason that we can buy into Koenma's reasoning. We know now that Yusuke is a good person. We saw him selflessly sacrifice his future for Keiko. We agree that he deserves a second chance.

Thus, the episode ends with Yusuke flying up to fill the screen in his joy, a far better, final shot than Harry Potter and The Prison of Azkaban managed 😰

And that's it for Episode 4, folks! See you later for Episode 5 💕

#YYH #Yu Yu Hakusho #YYH Recaps #mymetas

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macgyverseries · 4 years ago

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rebutting and debunking frequently used arguments against macriley

I made this 10-page google doc rant a while ago, but I never ended up posting it. Today, however, I woke up and chose violence. So here it is: my thoughts on frequently used arguments against macriley.

I took some quotes and arguments that people put online (reddit, tumblr..), and I debunked them all :p I feel like I always see the same arguments all the time, and I’m honestly getting a little tired of hearing them. I’m here to settle this once and for all.

and yes, i did manage to cut down the google doc by 3 pages :D (but it's still long af so rip my brain)

1.”Mac and Riley are siblings because Jack is their father”

I can (mostly) get behind the argument that Mac and Riley shouldn’t be in a romantic relationship because of their super strong friendship. Some people really value that sole platonicness, and I get that.

But the argument that I can’t get behind is that: Mac and Riley are siblings because Jack is their father figure”

If you google the definition of “father,” the first result that comes up is: “a man in relation to his children.”

Now, Jack was definitely the father figure to Riley, and I would consider her his child. He raised her. He helped shape her ideals and upbringing.

Mac only met Jack when he left MIT. So it was pretty much after Mac was raised (by Bozer’s parents haha), that Jack really came into his life. Mac already became his own person. (also, I always saw Mac and Jack as more of a bromance)

So because Riley and Mac met Jack at different periods of their lives, and they were raised differently, I wouldn’t say that they were siblings who were raised by the same father.

2. “The show writers left the impression that there was a huge age gap between them”

I understand this a little. I do think Riley was introduced as pretty young and idk naive? Because she was literally in highschool, and then she went to prison, and then she got released into the wild. Personally, when I started watching the show, I googled the whole cast. So I started the show knowing that they were the same age.

And also, the more I got to know Riley, the more that I thought that Riley was more mature and had an old soul herself. I think it was because she was just a dynamic and round character, who is well-developed.

But, I get first impressions. I feel like once you get stuck on an impression, it’s hard to go away from that.

Also, Jack would’ve totally shipped macriley, and you can’t change my mind.

3. "Riley isn't ready for a relationship"

I honestly think that this argument should be more geared towards Mac. He needs to figure himself out and go to therapy ffs. However, this person targeted Riley (the literal queen), so I shall defend her:

I understand wanting Riley to take some time off, and figure herself out before going straight into another relationship with someone. But here’s the thing. Throughout the first few seasons Riley’s character was very well established, and she didn’t have any partners during that time. She has proven that she is a strong, well-rounded, independent woman (with or without a partner). So i think it is valid to say that she isn’t just some girl who only has boy toys. She is much more than that.

My next point is that Riley has made it clear that she wants a lasting relationship with someone who will support her. When talking with Mac in 4.04, we see her express her interest in a stable, healthy relationship. It’s not wrong to go out and look for that potential partner. This applies to everyone (not just fictional characters): It’s going to take a few relationships and self-discovery, to find a good relationship, and people shouldn’t be shamed for searching for that.

Riley has only ever had two major boyfriends that I remember. First was Billy; she took that relationship very seriously. She really did seem happy with him. It was a shame that he cheated on her. Second was Aubrey. She also took that relationship very seriously. She had been living with him for six months (and they even had the cutest date nights!) So I wouldn't say that Riley only has boy toys. She has meaningful relationships.

Lastly, I think this was written when season four started airing, but it’s been over a year (and a pandemic) since Riley has dated. I think enough time has passed.

*4. I had to split this one up because, oh boy, there is a lot to unpack here.

4a. “If that was the direction they’d chosen to take with that relationship from square one… My issue with it is that Mac and Riley were presented to us as friends/ found siblings for three years. There were NO romantic vibes to speak of between them..”

I actually felt the same way about macriley. The thought of them being together in season one, made me want to throw up. I don’t think the writers intended on having macriley, and I was perfectly fine with that.

I know that people look for different things when they ship. Some really like having instant gratification with the spicy, hot, sexy parts of a relationship, like macdesi (which is why I was fine with the idea of shipping macdesi in the past).

I always wanted to see macriley do more: have hot, flirtatious banters/interactions. it can be hard to ship people who seem to be missing that part of the love equation. So i agree. It's definitely strange. And I understand if you genuinely have a hard time seeing the romantic potential of macriley, when the writers have only dragged out and shown us the platonic potential of them.

Also, the reason why it is difficult to see macriley as romantic, was because they ALWAYS PRIORITIZED AND WERE DRIVEN on their friendship. A partner should be friends first, and then makeout buddies second.

But just because people start off as friends, doesn’t mean that they still don’t have that potential to be lovers. Because guess what?! Feelings change. It’s now canon that Riley has feelings for Mac, and Mac always had feelings for Riley (but never acted on it).

I'm sorry, but you like a boomer when you say “bAcK iN mY dAy, tHeY dIdN’t HaVe fEeLiNgS fOr EaCh oThEr.” like okaAAAyyYYyYY????? We are not “back in your day” anymore. We are in the present. We are in today. And today, macriley is real :)

4b. “There’s the incredibly tired trope where long-term coworkers suddenly catch feelings for each other out of nowhere”

Personally, I will never get tired of the friends to lovers trope. I think the fact that Mac and Riley had such a strong friendship and foundation is what makes them perfect. Again, I know that some people just like instant gratification, but I love when a couple can take their time to have depth, emotion, and realness in their relationship.

Obviously I am biased because I have so much love for this trope, it's my favorite trope, but I don't see why you would use the “it’s overused” as reasoning to hate a ship. Just because a trope is used a lot, doesn’t mean it is bad (that’s probably why it is so good lmao). I can understand getting tired of it, and growing a dislike towards a trope. For example, I have grown an extreme dislike towards the love triangle.

A bit of a tangent: But the difference between overusing love triangles and overusing friends to lovers, is that love triangles aren’t just commonly used tropes. They are cliches. They cause unwanted drama and unnecessary hurt to one character. Whereas friends to lovers doesn’t involve as much drama and pain for a character. It is more of just angst between two people. And we know that they will get together eventually with a happy ending. So it was never really problematic.

And even then, the great thing about overusing or utilizing tropes, is that they can act as a guide. It allows the show writers and cast to make it personal, make it their own, adding their own special flair to it

I just don’t see the “this trope is used a lot” as a valid reasoning for disliking a ship .It just seems like this commenter doesn’t like the friends to lovers trope for the sake of not liking it.

I could be very wrong in my assumption of this person’s thoughts on friends to lovers, maybe there is a deeper reasoning as to why they don’t like it, but the tone that i interpreted when i read this section, was that they don’t have a real reason to dislike it, it’s more of just because.

4c.“then there's the fact that Riley had a mostly single Mac in her life for 3-4 years and she never even considered him romantically until he was with someone else”

First: Riley didn’t CHOOSE to fall in love. You may recall that “emotions aren’t a science. You can’t control them.”

Second: Mac was broken up with Desi when she caught feelings for him. Plus, the moment Riley saw that Mac and Desi were getting happy together, she moved out and gave them space. She sacrificed her own feelings for his happiness, despite the fact that her heart was breaking.

4d. “and finally, Mac not only still doesn't seem to even have Riley on his radar in that way but he literally told another woman that he loves her just last week. Neither of them look particularly good here if they get together now.”

I'm assuming that this was written when 4.12 first aired. I'm also assuming that this comment was more directed towards the idea of Mac and Riley getting together immediately at the end of the season, rather than later down the road. I always saw of macriley as more of endgame material. That i would see them get together sometime in the future. So I agree. Macriley getting together during that time period, would be too rushed and unsatisfying.

------------------------------------------------------------------------------

So those were most of the supposed arguments that I saw for people who were against macriley, but I also wanted to provide some really good examples of people who were very respectable, and actually had valid reasoning for disliking them.

1. they just don’t like shipping in general

Ships can be annoying af. Seeing people ONLY focus on the ships is sometimes tiring. I, myself, even feel a little guilty making this post, because I need to chill and mind my own business lmaooo. I really should let people do whatever they want to do with their lives, and not get caught up in the ships, but here I am :p

Anyways, I know that there is a lot of unnecessary drama that comes with shipping, and it's tiring to see people constantly go on and on about romance, when there are other perfect things about the show.

2. No matter how hard they try, they just feel it.

This is literally so dumb (and a little hypocritical/self-contradictory), but if you have a gut feeling, and you just can’t get yourself to ship it, I get it. If you truly and genuinely believe that they are best platonic friends, I can't change your opinion. And I have respect for you (if you say it in a kind manner).

Here is a nice example of a person who expressed their opinion in a nice way, with no BS.

So the moral of the story: I can't control your deepest thoughts. I can't control your gut feelings. And that’s okay. But the moment that you start backing up your thoughts and insights with BS reasoning, is the moment that I lose respect for you.

#macriley #macgyver #sorry that was so freaking long

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sylvana-the-tsarina · 3 years ago

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Feeling

These days I feel like I do that simultaneously too much and not at all.

Specifically what I’m talking about right now is feelings regarding fictional characters. You know, the kind of appreciation and excitement you get when your favourite character is brought up, the new perspectives on life you can gain from examining the ins and outs of a story, the sense of community you have in a fandom. Those feelings.

Lately I’ve been feeling rather... estranged, in a fandom I’m part of. For context, it’s the first (and only) fandom I ever joined actively, and it’s where I made some of the dearest friends in my life, so I have a soft spot for it. I don’t think either the fandom or my friends ever did anything wrong, or caused this “estrangement”, not intentionally anyway. It’s not their fault, and I believe that fully.

It’s just... these days I see them get so excited over the characters in that fandom, I see them get upset over arguments that don’t do someone justice, and I realise that I’ve detached. I don’t feel nearly as strongly as they do, heck, I don’t even know if I have feelings about these things at all.

And then one character is brought up who I’m actually fond of, but they’re brought up in the context of another fan famously disliking them, and suddenly I’m detaching and recoiling because I feel vaguely hurt. Now I feel too much, because surely if everyone else can laugh about it then I should be able to as well?

I remember that once upon a time I did feel strongly about characters like they still do now, and once upon a time I was able to laugh off the second, even if I did disagree.

What changed, then? Have I just outgrown this fandom? Is it that my feelings have just naturally faded over time?

That’s what I assumed, at first.

But I was thinking about it one day, really thinking about it, and I’ve realised it’s not just this fandom.

I’ve noticed a tendency of mine. It’s this tendency to, whenever I notice someone(s) feeling strongly about something, I immediately don’t feel strongly about that thing, even if I felt very strongly about it before. This extends to things like food preferences, or even religion.

Why do I have this tendency? What happened to my ability to feel strongly about things and take delight in sharing that feeling with others?

I got hurt once, a few months back. It was a small thing (or so I thought at the time) that I brushed off the next morning after thinking and talking about it.

I was live reacting to a show so my friends could see what I thought while I was watching, and at one point a character did something that made me incredibly angry at him. I ranted about that to my friends (who had already watched the show), they gave their replies, and later on in the show - plot twist! - turns out the guy didn’t do the thing I thought he did, in fact, he pulled off something really clever that I can’t help but marvel at now as I look back on it. At the time though, I was floored. All that anger I felt just a moment ago now had nowhere to go, was actually wrong of me to feel that way, and once my friends were aware that I got to that point, I received some teasing. You know, “uno reverse card” and the like, simple things.

It made an impact on me, though. I felt almost betrayed in that moment, ridiculous, I know, but the hurt was real. The fact that they knew the plot twist was coming up, empathised with me before the plot twist and then proceeded to tease me after- let’s just say I felt that in a wrong way.

I’m going to take a moment here to remind you that this isn’t their fault. Teasing is a form of affection for them. I just didn’t (and still don’t) have the right... build for that, I guess you could say.

It’s only recently that I realised the extent to which it made an impact. Only recently that I realised the reason I was so detached all the time was because I was afraid of that happening again.

I’m afraid of my emotions being laughed at. I’m afraid of feeling used. I’m afraid of not being taken seriously. I’m afraid of my very real and strong reactions being used as a source of entertainment.

So now I don’t feel strongly about things, as a defence mechanism, I guess you could say. I’ve always been protective of my feelings, but it’s taken a turn recently.

Now what? Honestly, I’m not sure. I know I want to feel again, some part of me has forgotten how, but I know I’m capable of it. I think what I’ll try is reading books and feeling fully with myself, and maybe later tell people I know about the books.

Perhaps I should talk to them about it. I don’t know. I think I would benefit from them knowing, but I also don’t want to hurt them, you know? I don’t know how else they would treat me if they couldn’t tease me, and I really don’t want to be a nuisance.

The first step in healing is recognition, though. I recognise that I’m sensitive, I recognise that I should avoid certain things, and I’m hopeful about all of this.

So, yeah. Who knows. I may just come out from all of this with a better mindset than before, In Sha Allah.

I can certainly try.

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xmanicpanicx · 4 years ago

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Romanticized Things That Aren't Actually Romantic

1) The "shut up" kiss

It happens in more movies, TV shows, and novels than I can even count. One half of the couple (usually a woman or girl) will be talking, and the other person (usually a guy) will suddenly lay an ol’ sloppy one on her mouth. Often times, she’s rambling about her insecurities, so some people think it’s cute when he kisses her, symbolically laying her worries to rest. Don’t worry, hon! There’s nothing to be insecure about! He likes you! There are two big problems with this. The first is that when someone is speaking, you shouldn’t cut them off; best case scenario, it’s rude. Of course, people cut each other off all the time in conversation, so that’s different. But when a character interrupts another character’s speech to kiss them, they are essentially prioritizing their sexual desires over the other person’s need to express themselves. It’s an action that has an agenda. Everyone wants to be truly listened to when they speak. So if, for example, we have a female character babbling about her insecurities, the male character should hear her out, and then respond to what she says. There is plenty of romantic potential in words — even more than in kisses, in my opinion. His response could still be a kiss after she’s finished speaking (as long as it’s not a rattlesnake-strike type of kiss that doesn’t give her a choice). However, we still have another problem: the female character’s self-confidence shouldn’t be contingent upon the male character’s opinion of her. In other words, a kiss from a guy, no matter how much she loves him, will not and should not heal her negative perception of herself. Not healthy. Real people and characters should accept themselves on their own terms rather than on the approval of others.

Sometimes, the sudden kiss will come in the middle of a female character’s angry rant. The male character thinks she’s cute or sexy when she’s angry, which can be frustrating and patronizing for anyone who voices their anger because they want to be listened to and taken seriously. But regardless of why the character is talking, the other character should stop kissin’ and start listenin’.

2) Female double standards

Women and girls often feel really uncomfortable when men objectify them and make comments on their bodies, so they call these men out — and rightfully so. They also call male authors out for only describing women in terms of their bodies and giving them very little, if any, personality. Once again, rightfully so. Unfortunately, in real life and in literature, there is a double standard here. It’s one thing to write an erotic novel in which bodies of every gender are described in explicit detail and with an express purpose. But I’ve read novels without any sexual content that go into so much detail about guys’ looks. And these male characters are often not well-developed, either (think of the stereotypical jock with a hot bod and no brain). Authors — especially female authors, who are usually the ones perpetuating this — need to do better than this. If it's not okay to do that to girls, it's not okay to do that to guys, either. Also, what is up with that scene from The Notebook? The one where Rachel McAdams repeatedly slaps Ryan Gosling because he’s breaking up with her. How on Earth is that okay? The Notebook is widely considered to be a super-romantic movie, but there is nothing romantic about that scene, and it should be a deal-breaker for their relationship. If the tables were turned and Ryan Gosling slapped Rachel McAdams for breaking up with him, the entire plot of the movie would be different. It would be a thriller, a story about a woman trying to escape a scary ex. We would never root for the two of them to get back together.

3) Overly-metaphorical sex scenes

Cheese, cheese, and more cheese. Would you like some crust and tomato sauce with all that cheese? So many novels shy away from the anatomical details and favor metaphors for how the sex makes the characters (or just the narrating character) feel. In theory, there is nothing wrong with this, but I personally tend to roll my eyes more often than not at the actual execution. The narrator will say something too dramatic, like “our bodies became one and the universe opened up before me.” Or “and then we were flying, soaring with and through one another.” Or something else that is just… not sexy. As far as being poetic, there isn’t anything special about those phrases, either. There is nothing wrong with describing sex as it really is. I realize that novels featuring sex that are aimed at young adults probably cannot describe things too explicitly, but there’s no need to replace dirty details with flowery language. Go for whatever sincerity you can in the situation. There are plenty of different emotions to mine and sensual details leading up to the actual sex that read more thrillingly than the sex scene itself.

4) Instalove

It's simply not as much fun to see characters fall for each other right away. And how could they possibly fall for each other right away, anyhow? Is it all about looks? If so, both characters are instantly less likable because they're shallow. And that's not real love, either. You need to actually know someone in order to feel a such a deep emotion for them.

It's also important to note that making the characters "love" each other at the outset of the story does not heighten the emotional stakes. It actually cheapens them. Because how can we take this so-called love seriously when we don't get to know, don't get to care about, the characters as individual people before they fall for each other?

Now, if we get to know each character and watch them get to know each other, and slowly fall for each other, that's much more rewarding. It's character growth, and it's a whole process that we, as readers, get to experience vicariously though them.

This may just be a personal preference, but I think it's best to even avoid phrases like “my heartbeat skipped” or “my skin tingled when our hands brushed” in the beginning stages of the story. Even though the declarations of love and outright displays off affection may come later on, statements like these reveal instant attraction, which still isn't as rewarding as attraction that grows over time and through events.

5) Love interests being obsessed with each other

From approximately 2005-2015, YA literature saw a horde of books featuring teenage girls and boys who are everything to each other. I almost mean that literally. The first really popular book like this was Twilight, but it had a huge influence on everything in YA that came after, especially YA fantasy. How romantic, some people think, that hero lives for the heroine! And vice versa! Perfect! Meant to be! Everyone wishes they could have that one, true, perfect love!

Listen. Go back to Britney Spears’s first album and play the song “Born to Make You Happy”: ”I don’t know how to live without your love, I was born to make you happy.” Solid 90s bubblegum pop, but with unhealthy lyrics. An unhealthy mentality. Most of us are familiar with that heady, all-consuming feeling of falling in love, how it feels like that’s the best and happiest part of life as it’s happening. There’s nothing wrong with portraying that. It’s relatable. The glorification of it beyond all else is the problem. The hero and heroine have scares throughout the story during which they almost lose each other, and that brings to light just how strongly they feel each other, to the extreme that nothing matters except each other. Then, of course, they ultimately end up together, happily ever after, never having to part again. But in real life, people break up, or sometimes even die. People have no choice but to be apart from the person they loved so much from then on. And it’s devastating, but it’s not the end, even if it sometimes feels like it. That’s why it’s so important for books to give some indicator that there are other things that matter besides (and dare I say even more than) the one person the hero/heroine is in love with. The characters have to have some sense of self-love or resilience. They have to have other people they care about, or at least values/principles and goals. They have to be an actual person, not just a vessel filled to the brim with love for just one other person. Romanticizing a co-dependent relationship can be hope-crushing message, especially for teenagers who haven’t had enough time to grow, to weather the storm of life and toughen up and become wiser and more self-aware and self-confident.

7) The super dominant male love interest

Okay, I’m not trying to kink-shame anyone because I know there are people who absolutely love this trope. I want to say it’s fine, as long as it remains in Tropeland. But even if women want to keep these love interests solely within their fantasies, I do worry about the message it sends to men, if it makes them think that they can be abusive douchebags because women are into that. I already know of far too many men who think that women are only into assholes.

Personally, I’ll never understand the appeal of a man, fictional or otherwise, who dictates what a woman should wear, her food choices, where they go and what they do for dates ALL THE TIME. And jealousy! Sure, jealousy indicates that someone cares, and it’s a normal human emotion, but I’ll never understand the appeal of a guy who gets so jealous, he won’t allow his girlfriend any freedom. I’ll never understand how cruel, disparaging words could ever be on the same sexiness level as dirty talk. And I really, really will never understand how a man physically harming a woman could be considered sexy. It’s weak and cowardly, hurting someone who doesn’t stand a chance of fighting back because they’re nowhere near as strong.

I get the appeal of a guy who sees a woman as his equal and isn’t afraid to spar with her, challenge her, and maybe even be a little bit rough with her, knowing that she can handle it. I see the appeal of a confident man who isn’t afraid to tell a woman what he wants. When his presence becomes legitimately threatening and completely selfish, that’s when I personally see a problem. But hey, to each their own.

#writing #writing advice #ya fiction #writing rants #writing rambles

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hopeswriting · 4 years ago

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Modern AU (Adult!)Arcobaleno on socials media though. While Flames and mafia are definitely still a thing.

Now I’m by no means well acquainted to all the different popular socials media, but here’s my humble take:

Reborn on Instagram.

He only has pictures of Leon first and foremost, with him in the background in one of his ridiculous but very well-made cosplay. Leon of course also wears the same cosplay as him.

He never shows his full face in any of the pictures, but just enough his followers know he’s handsome as fuck.

The artists/photoshoppers among them regularly put the pieces together to see how he could look like, but in a funny-and-obviously-purposefully-wrong way only.

Reborn loves them and saves them all.

------

Once in a blue moon he does post a picture of himself where you can see him clearly all dressed up and fancy, and then immediately deletes it.

But only after he’s sure it has been seen, so he can watch his followers lose their shit while drinking a nice espresso.

They try hard, but so far none of them managed to save any of the pictures before he deletes them.

------

Often there’s what suspiciously looks like blood stains on their clothes and straight up dead bodies lying in the background, but Reborn went so passive-aggressive with the few who dared to ask, everyone is too afraid to ask now.

Anyone who badmouths Leon in any way is instantly blocked. But only after Reborn ripped them a new one AND let his followers do it too.

Skull on Twitter and Snapchat.

He tweets the most random, out of nowhere, highly worrying things, that always sent his followers in a frenzy trying to figure out why the fuck he would think of any of this in the first place??

“aren’t you ever tried of your solid, rigid, restrictive bones? don’t you want to just be Luffy from One Piece, a rubber being that can shape themself in whatever way they wish?”

or:

“nobody ever tells you this, but the stress of picking apart melted leather from your burnt skin before it heals is VERY worth the adrenaline of making fire your BITCH”

or:

“is it REALLY illegal if you break in and eat the food but leave money behind??”

------

That’s just his Twitter only followers though.

The ones on Snapchat have the privilege to watch him stumble head first step by step to his tweets, and are actually very involved and active spectators that keep him out of jail, or killing himself, or killing someone else.

Skull, recording a video, halfway stuck in between two buildings: What’s up guys, there're these guys following me and trying to kill me, quick tell me what bones to break so I can fit in there.