#but when i tell you i am making the content i want to see i mean that shit

[heavyhitterheaux]

Mo' Money Mo' Problems

See Me Through You Blurb

Synopsis: Asking for help has always been hard for you, but when you aren't left with another option, your recently drafted NFL boyfriend comes to your rescue

Pairing: Boyfriend!Joe Burrow x Girlfriend!Reader

Requested: by a gorgeous anon 😍

Series Masterlist

Please Do Not Repost My Content Anywhere

Erin looked at you as you sat down across from her and sighed. This had been going on for the past week and you had now given yourself a headache trying to figure out what you were going to do.

“Call your boyfriend.” Erin told you as she threw your phone for you to catch it, but you quickly shook your head no as you caught it before it hit the floor.

“I am not calling him.”

“And why NOT?” She exclaimed and looked at you as if you were crazy.

“Because this is my problem and I'm going to deal with it. I don't have to run to him for every little thing.”

“YOUR BOYFRIEND PLAYS IN THE NFL! AS A QUARTERBACK! Or did you suddenly forget?”

“Just because he plays in the NFL doesn't mean I’m going to take advantage of that.” You said as you crossed your arms.

“Bestie, I love you but you fucking annoy me so much sometimes. So let me ask you this, Joe doesn't have a problem asking you for sex correct?”

“What in the world are you getting at?”

“Answer my question.”

“No, he doesn't.”

“And he fucks you raw simply because you had a fucking pregnancy scare two semesters ago when he won the Heisman.”

“Erin, get to the point already. I was scared out of my damn mind.” You replied as you rolled your eyes.

“My point is that you shouldn't have a problem asking your boyfriend who fucks you raw for money. At the very LEAST like bare minimum he can give you a little cash.”

“I get it but..”

“Uh no you obviously don't. And you know how he is. First thing out of his mouth is going to be why didn't you tell him. I'm convinced that man would drink your bath water if you let him.”

“I swear you get on my nerves.”

“Welp been doing that since we were three and that's not changing any time soon.”

“I don't know. I feel kind of weird asking people for anything. Like not just him and I’ve always been like that.” You said as you got up to go into your kitchen with Erin following close behind.

“It's not like he's going to want you to pay him back. I guarantee you that he'll give it to you without a second thought. You never know unless you try. Surprised he hasn't put your name on the bank account yet.”

“Something is wrong with you.”

“Bitch, don't act like he's not going to put a ring on your finger. Surprised he didn't do it our first semester.” Erin told you as you turned to look in the freezer for ground turkey to make homemade burgers for the two of you.

“Yes, obviously but not yet.”

“He is literally just waiting for you to graduate to do it.”

“And how do you know all this?” You asked as you began to cut up red onion along with some green bell peppers.

“I just do and like I said, he would drink your bath water.”

“Ew, Erin that's nasty.”

“Just calling it like I see it. But if you don't fix this in 48 hours when your rent is due, I'm calling Joe.”

Twenty four hours later you were finally lying down in your bed after a long and exhausting day, your phone rang indicating a facetime call coming through and you rolled over onto the other side to answer it. When your boyfriend's face came into view, you instantly smiled.

“Hi my love.” You quietly said and wrapped yourself tighter in the blankets that were covering you while propping up your phone.

“Hey baby doll. How was your day?” He asked while it looked like he was sitting up against the headboard.

“Hmm, long. I've been up since 4 in the morning. But you know I never pass up an opportunity to talk to you. I miss you.”

“I miss you too and Erin called me.”

“What? Why?”

She literally only gave you 24 hours and not 48 like she promised.

“You tell me. Something going on that I should know about?” Joe asked and you continued to look at him confused.

“Uh, not that I can think of.”

“Let me ask you this then. Have you paid your rent this month for your condo?”

“No and I have no idea why she called you. I told her I would take care of it.”

“Because you miscalculated your bills for this month and they added a whole bunch of fees and you decided to suffer instead of calling your boyfriend for help.”

“I…”

“Is that it?”

“I didn't want to bother you.” You quietly said and Joe just looked at you.

“Seriously? When are you ever bothering me? I have another question for you.”

“Yes?”

“You plan on being with me for a long time, right?”

“Yes.”

“And you know that I'm going to take care of you right? Especially when you graduate and move up here.”

“Yes.”

“So, why wouldn't I take care of you now?”

“I know you will, but if I can do it on my own, I'm going to try to.”

“But I'm here and you don't have to. Aren't you a WAG now?” Joe asked as he smiled at you.

“I want to be the W and not the G.” You replied without skipping a beat.

“Who’s to say that I don't already have your ring?”

“Well, my finger is still bare so? What does that do for me?” You told him as you held it up so he could see your hand.

“Touché, princess.” Joe told you as he smirked.

“Mm hmm, that's what I thought.”

“But next time you come up here we're picking out a house.”

“I…”

“Me and my future wife along with my future kids need a place to live so we can start looking. Or we can have it built, your choice."

“And a new car, mine is on its last leg.”

“Name it and it's yours. That goes for whatever else you want to.”

“NO! I'm going to get it! You are not going bankrupt buying someone who is not even your wife expensive things.”

“You ARE my wife; it's just not on paper yet.” He told you as he shrugged while your cheeks began to heat up.

“Babeeeee.”

“What? I'm not saying anything that isn't true. And besides, I'm not spending any money from my contract. Just my endorsement deals. But back to our original problem, you're good for the rest of the year.”

“I… JOEY! That was like 4,000 dollars!”

“Money is not a factor when it comes to you. If you need it, I'm getting it. So can we move on?”

"Fine, while I have you in a giving mood, I want an elephant." You replied and Joe simply gave you a blank stare.

"Best I can do is the Cincinatti Zoo, you gotta work with me here."

"Well, you said 'name it and it's yours'."

"Baby, I meant within reason and an elephant is not within reason."

[necroliberty]

So because this is amazing and because I am hyperfocusing on Gravity Falls. Let me share a bit of Amelia's long-lost sister, Kelly Ness. Okay, they aren't sisters anymore, but still.

Kelly fell on the blue grass of a random dimension. She wasn't the type to keep note. The atmosphere was different, somehow safe and dangerous at the time. But again, she didn't particularly keep a note on things like that. Kelly just made a bee line to a mailbox inside either various stickers added to the tin. Mabels had a knack to give stickers to everything. But Kelly just gave them a cursory glance as her right eye gave her the info on each. Giving the coordinate to each stickers place of creation. She should make note of getting stickers for respectives Mabels. Sometimes, it was the only thing that could tell Kelly where to actually send the damm things. Eventually, she opened the mailbox with a specific key and looked through the letters. Some were boring ads that she threw around. No one needed those. Some were Stanfords incredible writings, making sure to say exactly who and where it should be sent. Other times, it was Stanley's doing letters of his own. They were often hard to send back. Mabels were also there. It was obvious with how much stickers and colors her letters had. She practically never had to read the content to know exactly where to go. A bit more, and she was wondering if Mabels just knew the mailbox wasn't actually magic. The rarest were of Dipper and McGucket. For whatever reason, these two either didn't bother make letters or weren't the type to fall in a portal. "Or maybe they both want to be left alone?"

She blinked, and her right eye started to smoke under the intense heat. Forcing Kelly to keel over and grip her eye as the letters floated around her. Smoke from her eye, holding onto them with annoyance. Through her right eye, she could always see something the one who spied. Well, what he saw, to be specific. A mirror was right in front of the demon. A man in his early 20s with brown curly hair broke through by antlers that seemed to either spill ink or petrol from every imperfection in the wood. His eyes were big, staring down the mirror for some kind of stability. Not to mention his long tail swiping at the air behind him. His clothes were still looking like a preacher from a school play. He looked incredibly annoyed. This was a very bad day. "Vulture, do I need to remind you not to insult the likes of me so blatantly."

Kelly wanted to scream that this was stupid, and she was allowed to ask questions. But she also knew better. Days like these, you needed to placate him. So Kelly still held the expression of pain and started to add a quiver to her voice. "I am sorry, I didn't mean for my words to cause harm. I was a fool to even think it in the first place."

The demon stared at his own reflection, closing his eyes too to be able to see her. He vaguely shook his head, making some his hair made of leaves fall to the bed surrounding him. "No, not a fool, just a bad day." He looked down at his hands and feet. His hands were now made of wood, and his feet were deer hooves. He hated this form with such wrath. But his eyes told that he knew better than to take her acting as proof. He didn't trust Bill anymore than she trusted him. He finally closed his eyes again.

Kelly sighed as the pain stopped. She breathed slowly and normally not to let the right eye see her weak. All the letters she had dropped were now safely in her hands, and she looked through them again. Filing them into various pockets in her messenger bag. Making sure she didn't put a letter for the wrong timeline or dimensions.

When she was finally done, she walked away until she could find a loophole in the dimension. Leaving it behind to give letters to family and friends.

This is Kelly Ness as a Mailman. They don't get uniforms because she is the only one.

My smol mini series about the drifting stars au is here!! Ft letters to Dipper!! May do more depending on the reception~

[corviiids]

hello thank you for asking i am very flattered. i would be most honoured to give some advice that i am most certainly unqualified to give!!

ok advice 1: hey why does everyone keep telling me to read and write a lot

i think this is the most commonly given advice. i have always found it true but incomplete, because on the face of it this kind of focuses a little too much on volume. which by itself just isn't going to do that much for you, or it will, but it'll do it very slowly and ineffectively, because the second part of this advice i don't see nearly as much (and the part that makes it work for me) is that after you read or write something you need to do The Why Interrogation. what are you looking for?

when you like something, why do you like it? not just in terms of copying and learning an author's stylistic quirks or techniques, but in a more abstract way:

is it the narrative? that the premise is novel, that the progression of the story is unexpected and thrilling, that the stakes are high?

is it the characters? what is it about them? do they have compelling backgrounds? does the author spend a lot of time in their heads? is the pov internal in a way that lets you experience the story from their shoes? does their biased narration tell you more about them? or is it a detached narration that lets you see the characters in a way they don't see themselves, so the gap is intriguing?

is it the telling? maybe the prose is beautiful - what makes it so? sentence structure? unconventional use of grammar and punctuation? elegant, sophisticated vocabulary? or maybe the dialogue is sharp and human so conversation flows naturally. is the story paced carefully? does the author linger more in certain moments?

the same exercise is useful for what ISN'T working.

if your attention is drifting, what's making it drift?

purple prose? clumsy prose?

does the narration drag?

do the characters feel stagnant, and why?

plot doesn't make any sense?

maybe this sounds obvious, but imo it's a crucial piece of the advice that i just don't see as much because people tend to focus on volume of works consumed/created. the reflection and analysis is what makes that volume useful, otherwise you're just churning through content. the question should always be why, why, why. why did that work, why didn't it work, why did i like this, why does it suck. then proceed to: if i were doing this, how could i make it work?

advice 2: don't forget that all the words you need already exist.

this is more subjective advice. this is something that works for me personally. so ymmv. have you ever tried magnet poetry? you should try magnet poetry.

i always see writing as kind of a puzzle. if i have an idea in my head, the idea exists. the job is actually a translation exercise: how do i express the thing in my head as a thing other people can see? in this way it's like visual art, but it's also not like visual art at all. in visual art you choose where all the lines and colours go, completely freely. any line you draw is a brand new line.

in language, all your parts already exist. all the words already exist. (you can make new ones if you want but that's a whole different thing.) you are plucking symbols out of a collective understanding. it is like lego. all you are doing is selecting the most effective pieces and placing them in order. so for me, i am simply trying to find the 'right' words to fit each context as best as possible. it becomes a game of arrangement, which determines your expression.

then syntax and punctuation become your rhythm, which is how you determine flow. sentence length, word length, whether you omit words or use more, whether you want to be a bit unconventional. character also plays into this - i am not writing an advice 3 because i am getting self conscious but advice 3 would have been consistency of voice.

so i would prioritise vocabulary and timing. what are you trying to say (which words do you pick) and how do you want the reader to experience your words, how do you want the words to feel and sound (how will you pace your sentences)? remembering that all the parts are already there. it is the world's biggest game of magnet poetry.

advice 3 which doesn't exist: keep your voice consistent.

this advice doesn't exist. im not writing this i got embarrassed and stopped at 2. but if i did write this it would say, remember who you are. (remember who is writing your story. are you a character or are you god? remember how much you know. remember which feelings you have access to.)

[airybcby]

જ⁀♡⊹｡° always picking a fight

( alexis ness x fem! reader )

♡ a/n — i love ness so here's ts i wrote at 1:30 AM ( MANGA SPOILERS FOR MOST RECENT CHAPTER )

♡ word count — 1.1k

♡ content — alexis ness x fem! reader, fem! reader, established relationship, hinted that ness and reader have known each other for a while, kaiser's an ass, kaiser and reader fighting, violence ( reader slaps kaiser )

♡ synopsis — There was only two ways to describe Alexis Ness—loyal to a fault, and yours completely.

Alexis Ness thinks you’re insane.

Because who in their right mind would walk up to the star of Bastard München, Michael Kaiser, and slap him? Who would storm past the press, security, and their own boyfriend to get in the face of The Emperor himself?

But here you are—eyes blazing, voice steady despite the storm brewing in your chest—standing toe-to-toe with Michael Kaiser like you’ve got nothing to lose.

And then your hand strikes his face, sharp enough to leave a faint red mark blooming across his cheek.

“What the hell is wrong with you?” you spit, words laced with venom. “How dare you talk to him like that?”

Kaiser barely flinches, though the press of his tongue to his cheek betrays his surprise. “Excuse me?” he says, voice dripping with condescension, his gaze flicking past you to where Ness is awkwardly hovering. “Ness, is this your girlfriend? You should teach her some manners.”

Your glare sharpens, and Ness stiffens behind you, already moving to intervene. “Kaiser, let’s not—”

“No, Alexis,” you cut him off, your voice slicing through the tension like a knife. “Let’s not pretend this is okay.” You take a step closer to Kaiser, finger pointed at his chest. “Do you think you’re untouchable? That you can just say whatever you want and everyone’s supposed to bow down and take it? You told him to quit soccer. Do you know how hard he’s worked for this? How much he’s given up just to stand on the same damn field as you?”

Kaiser smirks, the kind of infuriating grin that makes your blood boil. “Oh, please. If he’s so delicate that one comment from me shakes him, maybe he should quit. I don’t have time to babysit dead weight.”

“Dead weight?” you echo, incredulous. “You’re one to talk. You’d be nothing without someone to pass you the ball. Or did you forget that soccer is a team sport, Your Highness?” The tone you spoke the nickname full of nothing but sarcasm and distain.

Ness steps forward, his voice soft and pleading. “(Y/N), please, it’s fine. I—”

“It’s not fine!” you snap, turning briefly to look at him, your expression softening for a fraction of a second before you whip back around to face Kaiser.

“You’re not fine. You’re allowed to make mistakes, Alexis. You’re human, no matter how much this prick thinks he’s better than everyone else.”

Kaiser raises an eyebrow, clearly amused. “Wow, Ness, you’ve got yourself a firecracker. Tell me, do you keep her on a leash, or does she just run wild?”

' Oh. ' Ness thinks.

" Oh ?" You say, your eyes narrowing and before you can think twice, your hand raises again, but Ness catches your wrist just in time. “(Y/N), stop,” he murmurs, his voice strained but gentle. “It’s over. Let’s go.”

For a moment, you’re frozen, chest heaving with anger, your glare still locked on Kaiser. But then you see the way Ness’s shoulders are hunched, how his eyes are darting to the ground as if he’s trying to make himself smaller.

And just like that, the fight drains out of you.

You let Ness guide you away, your hand still trembling in his. You can feel Kaiser’s smug gaze burning into your back, but you don’t look back.

The walk back to your shared apartment is silent, the tension thick enough to choke on. Ness doesn’t say a word, and neither do you. You’re still fuming, but the anger isn’t directed at him.

When you finally step inside, the silence feels suffocating. Ness closes the door softly, setting his bag down by the wall, and you shrug off your coat with more force than necessary.

“Do you want to talk about it?” Ness asks quietly, his voice cautious, like he’s testing the waters.

You shake your head, avoiding his gaze. “No.” Your voice is thick with emotion, the one syllable wavering as you hid your face from him.

But he knows you better than that. He always has.

He’s seen this pattern too many times—how your fiery outbursts always burn brightest when you’re protecting someone you love, and how the aftermath leaves you raw and vulnerable. He knows you’re trying to hold it together, but the cracks are already showing.

“(Y/N)...” Ness starts, his voice hesitant. He takes a tentative step closer, watching you carefully, like you might break if he moves too fast.

“I’m not crying,” you blurt out, your voice shaky.

His lips press into a thin line. “I didn’t say you were.”

You let out a bitter laugh, and that’s when the tears start to spill, hot and unrelenting. “He shouldn’t talk to you like that,” you choke out, your voice trembling with the weight of your emotions. “You don’t deserve it. You don’t deserve any of it.”

Ness is by your side in an instant, his arms wrapping around you in a gentle but firm embrace. “Hey, hey,” he murmurs, his voice soothing. “It’s okay. I’m okay.”

“No, you’re not,” you whisper, burying your face in his chest. “You just don’t want to say it. You’ve always been too nice, too... loyal. Even when people don’t deserve it.”

He sighs softly, resting his chin on top of your head. “I’m sorry,” he says, and the sincerity in his voice makes your heart ache. “I didn’t mean to make you so upset.”

You pull back slightly, just enough to look up at him through tear-filled eyes. “You didn’t do anything wrong. You never do. That’s the problem, Alexis. You let people like that shaggy haired fuck walk all over you, and it’s not fair.”

He brushes a tear from your cheek with his thumb, his touch impossibly gentle. “I don’t care what Kaiser thinks of me,” he says softly. A lie, and you both know it.

“I care about you. And seeing you like this... it hurts more than anything he could ever say to me.” Alexis Ness had taken many verbal lashings from Kaiser, but nothing would hurt him more than seeing you hurt because of him.

You sniffle, a fresh wave of tears threatening to spill over. “I just... I hate seeing people treat you like you’re nothing. Because you’re everything to me, Alexis. You always have been.”

For a moment, he doesn’t say anything, his eyes searching yours. Then he pulls you close again, holding you like you’re the most precious thing in the world.

“I don’t deserve you,” he whispers, his voice barely audible.

“Yes, you do,” you reply fiercely, your words muffled against his chest. “You deserve everything, Alexis.”

The two of you stand there in the quiet of your apartment, holding each other as the weight of the day slowly starts to fade. You know the fight isn’t over—not with Kaiser, not with the world—but in this moment, it doesn’t matter.

All that matters is the way Alexis holds you, steady and unwavering, as if he’s trying to absorb all your pain and make it his own.

And maybe he is. Because that’s just who Alexis Ness is—loyal to a fault, and yours completely.

is ness also batshit crazy? sometimes, but i think he'd be more vulnerable with a gf

likes, comments, and reblogs are appreciated!

[thevixenwitch]

Metaphysical Shop Red Flags:

Little bit of a disclaimer on this one: This post is made from my personal experience. If you have a small business, this post is not about you, but hey if some of these things stand out to you, maybe it's worth analyzing your business model.

I am someone that's been active in irl and online pagan and witch spaces for over a decade now, and am compiling this from my own experiences, as well as those of my partners. I'm also a tad anti-capitalist, so an alternative title for this post could be "How to Spot if You're Actually that Metaphysical Shop's Cash Cow".

Now, let's get started.

Unknown or unethically sourced White Sage is a really noticeable starting place. Once I was at a market and saw cute smoke cleansing bundles with dried flowers and cinnamon sticks and quartz points, very pretty, very flashy! But when I asked where the Sage was sourced, the lady manning the booth said they were from Amazon. Some sellers value visual appeal to make a sale over anything else.

Overt appropriation via bulk, drop shipped items like “smudging” tools, dream catchers, etc. This list of items can vary dramatically based on who owns the shop, what practices exist in your area, so it’s good to educate yourself on how to spot appropriation. This does NOT mean ethically sourced options that benefit marginalized communities, that’s what we want to insist our local shops have for us to buy!

On that note, a lack of local creators and/or sourcing in general. Not every store has a goal of being a community hub, but beyond that they are still very visible aspects of the community. It strikes me as very odd that I can more reliably buy locally sourced herbs from a random gift shop than I can from a metaphysical store no matter which state I’m in.

Crystals with no information about where they were sourced. There is a growing issue with the intense demand for crystals that has caused an increase in unethical sources, so knowing where your purchases come from is important. Compare prices at metaphysical shops to those at your local rock shop, especially if you are lucky enough to have one run by gemologist, geologist, or rockhound. I have talked about this already elsewhere, so I won’t bog down this post too much with it. The short of it is, transparency is a green flag.

This one may be controversial, but dramatic markups in general. Don’t be afraid to compare prices to other places, particularly other local options if they are available. A few dollars variance is normal, but a huge markup should be obvious. Things like location can have a huge impact on price, which is good to keep in mind. The availability and price of something can vary wildly based on that factor alone, but that’s why I recommend checking against other options within your area. Do remember that comparing to Amazon prices isn’t fair to small businesses, and “cheap” is not the goal here.

If the contents of the store are all drop-shipped, or bulk stock that can definitely be something to keep an eye out for. If the place is full of items you can actually look up on Amazon, that may be worth paying attention to.

Prevalence of well-known problematic authors. If they have Silver Ravenwolf on a central display, that’s always something that tells me a shop prioritizes making a sale over providing quality products. If there’s an overwhelming presence of Lewellyn published books with minimal alternatives, that shows a lack of care for diversity or quality control.

AI items. Let’s be so for real here. Walking into a shop and seeing an obviously AI generated altar cloth with gibberish symbols all over it is a bad thing. I’ll talk more on the rising presence of AI that’s very negatively influencing the quality of information available in the pagan community at a later time.

Bulk resin and 3D printed items. We’ve all seen them, the vendor at a fair with an army of dozens of jointed dragons, or ten resin-cast, glitter-filled Gaia statues that light up! All so sparkly, colorful, and eye-catching. I’d implore anyone to learn more about how much plastic waste is involved in bulk production of low-quality products like this.

What my wife likes to call “Apple Store vibes”. Call me traditional, but when a store is all sleek white lines and tidy, understocked shelves, I know I’m in for some of the highest prices for incense I’ve ever seen. These stores are meant to bring in people with money burning a hole in their pocket, and that’s often reflected in the visually appealing kitsch that never actually seems to serve a purpose.

This can be a red flag SOMETIMES but not always: A lack of diversity in the paths represented. Sometimes a shop is just a reflection of the owner’s personal practice, or the focuses of the local community. Other times, there can be a reflected air of superiority of one path over others. This is entirely dependent on the individual store.

A big one I’d like to end on; they only host paid classes and services with no way for under-served members of the community to attend or participate. This is made even worse if the events are all over $20. Especially if this store is the only option in your area for these things! Instead of providing a service, they could be focused on cornering the market.

A quick Green Flag for some positivity, the presence of the owners or staff’s personal practice! I love being able to ask for insight from the source, I love being able to buy someone’s personal oil blends, I love learning more about things I may not have thought about because I’m not walking that path myself. Staff that want to chat and help can be so nice and really add to a welcoming environment.

Supporting small businesses is so important, and they can really be cornerstones of our community, but we need to be able to see the difference between someone passionate about providing resources and space to a community, and others that are looking to make a quick buck off of people starving for that. We as consumers need to hold our communities to some kind of standard, and I for one find that my standard is a certain level of authenticity. Not everyone selling metaphysical tools and supplies is trying to scam someone, but there are bad actors everywhere. Educate yourself, keep your eyes open, and don’t be afraid to ask yourself what someone’s motivations are.

[bullet-prooflove]

Hi! Request for Duke Crocker please

"Why am I the only one naked right now?"

❤️

Tagging: @kmc1989 @of-mice-and-mirth @magic-multicolored-miracle @itsdanajane16 @trublu2u

Companion piece to:

Death In A Tarot Card - Duke learns his fate.

You aren’t in bed when Duke wakes up, he doesn’t hear your footsteps on the deck, or feel your presence in the room. Something has shifted he thinks, he isn’t sure what but he can feel it in the depths of his soul as he pushes himself up from the mattress.

He finds you in the galley, sitting at the small table by the porthole. Your hands are wrapped around a mug of Earl Grey tea as you stare out of the window at the sea as it laps against the starboard side of the Rouge.

"Why am I the only one naked right now?" He asks you as he leans in the doorway, the sheets gathered around his hips.

You sigh before you remove the two tarot cards out of your bag, setting them down on the table in front of him. His chest tightens as he looks down at them, your fingers tracing over the Death card.

“Did you ask me to marry you because you love me?” You ask him as you push it towards him. “Or because you found out you wouldn’t be here in a couple of months?”

“Why can’t it be both?” He asks you, his dark hair falling across his features as his eyes meet yours. “I’ve been carrying that ring around for weeks waiting for the right time and then it turned out there might not be one.”

“So your reaction to finding out you’re going to die is to come home, propose to me, fuck me stupid and then get up and resort to do the same thing all over again.” You say, your fingertip tapping on the Death card.

“I don’t want to die.” He tells you frankly. “But if these are my last days, there’s nowhere else I’d rather be than inside that sweet pussy of yours, making you say my name.”

Your cheeks colour then and he really hopes that this isn’t one of the last times he gets to see you blush.

“If you’re serious about marrying me, I want to do it today.” You tell him as you push your own card forward.

It’s the Lovers.

A man that looks like him, holding a woman that looks like you. He’s seen this card a thousand times since the two of you got together, always sandwiched between the pages of a book. He can’t believe he’s never noticed the resemblance until now.

“I want to honeymoon in Cape Breton.” You continue as he picks up the card and stares at it. He notes the rings on their fingers, wedding bands he realises. “I want to make love in that little bed and breakfast we found in Nova Scotia, to see the Northern Lights, experience that magic with you…”

You trail off then because what you’re reciting, that’s his bucket list, the one he whispers to you in the dead of night.

“Today then.” He says, his voice rough as sets the card back down upon the table. “We’ll get married today.”

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[scoutofmymind]

exLuigi x Reader. I want something juicy, queen!

Darkest Before Dawn — { Luigi x Reader }

Content: SFW, angst, bitter feelings, unrequited love, arguing, friends funeral, etc.

W.c: 3,236

Notes; A close friend of yours and Luigi’s passes, setting the stage for an untimely reunion in bitter circumstances — later facing the raw truth that sometimes it takes losing someone to find your way back to each other.

This turned a lil self indulgent for my need to get some angst out. I can’t help it. I love drama

The autumn wind carries leaves across your feet in lazy spirals, nature's own procession leading deeper into the cemetery. Your arm is linked with Maya's — she hasn't left your side since the news broke, and even now her grip tightens whenever your breath hitches.

The sea of black suits and dresses before you ebbs and flows like a dark tide, faces both familiar and strange blurring together through unshed tears.

Grief comes in waves.

One moment you're choking back laughter at Jamie's story about Olivia’s disastrous attempt at making tiramisu for your monthly dinner parties, the next you're biting your lip bloody to keep from sobbing when someone mentions how she used to be the most fun out of anyone to kayak with, rain or shine.

It shouldn't matter. Not today.

Not when Sarah's gone and everything feels simultaneously too sharp and too dull.

But your eyes keep betraying you, scanning the crowd between eulogies, during the hymns, through the quiet moments. Your ears strain past the murmur of condolences and shared memories, searching for that particular timber, that specific cadence that you'd know anywhere.

The laugh that used to rumble against your shoulder during lazy Sunday mornings, the voice that could fill a room without trying.

"He isn't here," Maya whispers, tracking your restless gaze as it sweeps the room for the thousandth time. "You can breathe." Her words are meant to comfort, but they settle like stones in your stomach.

Luigi didn't come.

You force yourself to accept this, to let your guard down as the ceremony begins.

The first notes of Sarah's favorite Chopin nocturne float through the air, weaving between muffled sobs and shaky breaths. She'd played this piece herself, once, at your apartment's housewarming. Her fingers had stumbled over the keys of your secondhand piano, but her smile had been radiant.

The memory splits you open all over again, raw as that first night — the 3 AM phone call, the way your knees had hit the kitchen floor, how the world had tilted sideways and never quite righted itself.

And then, like a punch to the solar plexus, you see him.

Luigi.

Hovering in the back, looking like he's been assembled from broken parts. His hair is disheveled, his tie crooked, those warm brown eyes you once knew better than your own now bloodshot and hollow. He's swaying slightly, and you recognize the tells — one desperate cigarette on the drive over, black coffee clutched like a lifeline.

You've seen him hold himself together like this before, all fraying edges and stubborn pride.

Your fingers dig into Maya's arm, but you bite back the words. Let her think you're still alone in your grief.

It feels safer than acknowledging how your heart still recognizes his particular brand of falling apart.

You try to stay hidden in plain sight, but his presence is magnetic — always has been. That familiar electricity crawls up your spine each time his gaze finds you across the room. Even now, even here, his eyes carry that same concerned weight they did a year ago, like you're the one who needs saving.

You feel him everywhere, the way you always have, only now your carefully constructed walls have crumbled at the worst possible moment.

The reception becomes suffocating, all polite murmurs and half-finished sentences about how she's in a better place now.

You slip outside for air, and there he is — a portrait of barely contained grief on the church steps. His fingers work mechanically over Olivia’s AA coin, turning it over and over like a rosary whilst the cigarette between his lips burns dangerously close to the filter, more ash than purpose, as if he's forgotten it's there.

Something pulls you forward — muscle memory, perhaps, or maybe it's the voice in your ear, gentle but insistent: Sit with him. He needs you.

"She was so proud of this," Luigi murmurs, eyes fixed on the coin catching the dying light. The messages wear like prayers beneath his thumb — It's always darkest before the dawn, and One day at a time. The edges are smooth now from his constant fidgeting, as if he could somehow extract comfort from its worn surface.

Olivia had been more than just his neighbor — she was the thread that stitched your lives together.

You still remember her braces-filled grin when she introduced you at soccer team tryouts, convinced her two favorite people would hit it off. From there, it was a domino effect of shared milestones; friendship bracelets woven under summer stars, prom photos where Sarah pulled faces between you both, the three of you crammed into her ancient Volkswagen for driving lessons, and dorm room numbers exchanged like secrets.

And now here you sit, on opposite sides of a chasm she can no longer bridge.

Words feel inadequate, hollow in the face of such loss, so you stay silent. But your eyes betray you — they always did with him — filling with that mixture of concern and understanding that used to make him feel seen, now just makes him feel exposed.

"Oh," he groans, waving his free hand like he could physically brush away your gaze. "Don't fuckin' look at me like that — Please." The last word catches in his throat, raw and ragged, like it costs him something to say it.

You snap your gaze to the swaying trees, watching October paint its warning signs of winter across the landscape. Your spine straightens like a soldier at attention, fighting the tremor that threatens to shake loose more tears. "I just want to know you're okay."

Luigi's laugh is a broken thing, more wound than sound.

You feel his eyes boring into your profile, but you keep yours fixed on the dying leaves dancing in the wind. "A phone call would have been fine," he mutters, loading the chamber of your familiar game with practiced precision.

It's so perfectly Luigi — dropping emotional grenades at the worst possible moments, like he's testing if the blast radius of your shared pain has changed; you chamber your own round without missing a beat. "The phone works both ways," you fire back, the words carrying just enough bite to draw blood.

This is the dance you know best — this careful choreography of hurt, each of you taking turns to twist the knife a little deeper. It's muscle memory, really, born in the crucible of young love and forged in the fire of terrible timing.

The game never has a winner, just two people who loved each other so completely it became a fault line.

"I've got a lot on my plate," Luigi breathes, the words hanging as flimsy as tissue paper in the autumn air. His gaze burns into your temple with an intensity that's achingly familiar — that same scorching desperation you remember from late nights when his demons wouldn't let him sleep.

He's still that wounded boy underneath it all, wrestling with ghosts that never quite stopped haunting him.

"You don't think I do?" The words snap out before you can stop them, your head whipping around to meet his gaze head-on. His eyes are two bruised hollows, those warm brown irises you once wrote poetry about now floating in seas of red, crowned by shadows that speak of endless sleepless nights. "Yet I-" you gesture sharply at yourself, voice pitched low and razor-sharp, "had the fucking decency to show up on time."

The punch lands exactly where you aimed it, and you watch him flinch like you've slapped him.

It's a cheap shot, using his tardiness as a weapon, when you know damn well he probably spent hours just trying to make it out of his apartment.

But grief makes soldiers of us all, and today you're both armed to the teeth with things you shouldn't say.

Bang.

Luigi stared at you with those winter-dark eyes, and the world collapsed into a singular point of existence.

The distant traffic faded, the autumn wind stilled, even the harsh rays of the sun that peeked through the clouds hid behind them once again — leaving nothing but this moment, this breath, this unbearable weight between you.

You'd remember this look until your own dying day; the way his pupils dilated slightly, how his left eye still caught light differently, the precise shade of umber in his iris that you'd never quite managed to mix on your palette.

"I'm sorry," you whisper, but the words feel like ash in your mouth, too little and far too late.

You watch him fracture in real time, each carefully constructed wall crumbling like a condemned building, and somehow – impossibly – it only feeds the anger burning in your chest. "But just because I’m not an engineer doesn't mean my life is some cute little hobby. You don't have a monopoly on struggling, Lu."

Luigi recoils like you've struck a match against raw nerves, his entire body seeming to cave in on itself.

The cigarette, forgotten between his fingers, drops ash onto his pressed black slacks — the ones you know he probably spent an hour convincing himself to put on.

His jaw works silently, grinding teeth the way he always did when trying to swallow something too big to say.

"You think I-" he starts, then stops, pressing his thumb so hard into Olivia’s coin that his knuckle turns white. There's a violent tremble in his hands now, the kind that used to precede his worst panic attacks. "I couldn't-" Another false start, words crumbling like wet sand.

What he can't tell you is how he spent three hours this morning sitting in his parked car outside the church, chain-smoking through half a pack, trying to convince his legs to carry him inside.

How he threw up twice before leaving his apartment, the coffee and cigarettes his only defense against complete system shutdown.

How he's been sleeping on his couch because his bed feels foreign without late-night phone calls about recovery meetings and bad reality TV shows.

Instead, he just stares at you with those haunted eyes, and you see it then — the way he's holding himself together with safety pins and spite, one wrong word away from shattering completely.

I'm not okay. I haven't been okay.

His composure fractures further, a hairline crack spreading across carefully constructed walls.

The hand holding Olivia’s coin drops between his knees, dangling there like a surrender flag while his other hand rakes through his dark curls that haven’t seen proper care in days.

But you recognize the gesture — it's the same one from high school, when his father would show up drunk to soccer games, when college rejection letters came, when Olivia first went into rehab.

"You know what?" His voice comes out sandpaper-rough, caught somewhere between anger and anguish. "You're right. You're always fucking right." The words twist with something bitter, but the venom isn't meant for you — it never really was. "I should've been here earlier. Should've been there more. Should've-" He chokes on the rest.

The coin slips from his trembling fingers, pinging against the concrete steps. You both watch it spin, a dizzying dance of copper catching what little sunlight breaks through the clouds, before it settles face-up.

One day at a time stares up at you both, Sarah's mantra now a mockery — because how do you take it one day at a time when every day feels like drowning?

It’s always darkest before the dawn.

Luigi's shoulders shake with something that might be a laugh or might be a sob, with him, it's hard to tell the difference. "She called me, you know. Night before." His voice drops to barely a whisper, like he's sharing a secret he's been carrying around like a bullet in the chest. "I was busy. Said I'd call back in the morning."

"Lu,” Your voice cracks on his name, the anger from moments ago evaporating. You remember your own last conversation with Sarah — something trivial about a TV show she'd started binging.

How were either of you supposed to know it would be the last time?

"Don't." He cuts you off sharply, but his voice betrays him, wavering like it walked a tightrope. "Just — don't do that thing where you try to make it okay. It's not fucking okay." His hands are shaking so badly now that when he reaches for another cigarette, he drops the whole pack.

You reach for it automatically, and your fingers brush his as you both grab for it, making him jerk back like he's been burned, but not before you feel the cold clamminess of his skin. "When's the last time you ate something?" The question slips out before you can stop it, that old protective instinct rising up despite everything.

"Christ," he laughs. "You sound just like her. She used to-" He stops abruptly, swallowing hard. "She'd text me every morning. 'Did you eat breakfast?'" His voice trails off, and you watch him pick up her coin again, thumbing the worn edges.

"I have her last text," you offer quietly, pulling out your phone. "Want to see it?"

Luigi's head snaps up, eyes wide with something between terror and desperate need. "I-" he starts, then just nods, the simple movement seeming to cost him everything.

You pull up the message thread, trying to ignore how your hands aren't much steadier than his.

And there it is, timestamped 9:47 PM: “Found this stupid cat video, reminded me of that time at Lu’s when his cat jumped from the second floor onto the dinner table.. Miss you. We should do dinner soon.”

Luigi makes a sound like someone's just punched him in the stomach. "I can't- fuck," he breathes, pressing the heels of his hands against his eyes. "She sent me some stupid meme. I didn't even open it. I was in the middle of a work call and I just — I thought I'd have time."

"We all did," you whisper, watching a leaf spiral down between you. "That's the whole point of recovery, isn't it? Having time to fix things."

"Yeah, well," his voice is razor-thin, "turns out time's a real bitch that way." He finally looks at you properly, and the raw devastation in his eyes makes your chest ache. "You know what the worst part is? I kept the voicemail. Her last one. Haven't listened to it yet. I can’t -“

Your breath catches. "Do you want to? Now?" The raw and desperate need to hear her voice in something that isn’t a stupid video on your phone claws at you. "Together, I mean."

Luigi's hand tightens around Olivia’s coin until his knuckles go white again.

For a moment, you think he's going to say no, going to retreat back behind those walls he's spent years perfecting. Then, almost imperceptibly, he nods.

He fumbles with his phone, hands shaking so badly you have to help him hit speaker.

For a moment, there's just static, and then — her voice fills the space between you, bright and clear and so achingly alive it feels like being gutted.

“Hey, Lu. I know it's late, but... I've been thinking. About you and-" A pause, a soft laugh. “God, you're both so stupid sometimes, you know that? Life's too short to keep playing this dance. I see how you look at those old shitty Polaroids, how you both light up when I mention the other. Pride's a killer too, trust me on that one. I learned it the hard way."

Your hand reaches for Luigi’s, his grip crushing.

“Remember that time freshman year, after the accident? How you both stayed with me for two weeks straight, taking shifts so I was never alone? That's- that's what love looks like. Real love. And you idiots still have it, you're just too scared to admit it. So consider this your intervention." Another laugh, softer now. Sounds like she’s moving about her apartment, completing nightly tasks and having called Luigi to chat before bed. “Call me back when you get this. We'll figure it out together. Love you, dumb fuck.”

The message ends.

Luigi's breathing has gone ragged, each inhale sounding like it's being dragged across broken glass. "She knew," he whispers. "She always fucking knew."

"Lu-" you start, but your voice fails you. Because what can you say? That Olivia was right? That you've spent almost an entire year pretending not to miss him like a phantom limb? That sometimes you still reach for your phone to tell him about your day before remembering you're not supposed to anymore?

"I can't-" he sucked in a ragged breath, “I can't lose you both. I can't-"

"Hey," you say softly, your thumb unconsciously tracing circles on his palm. "I'm right here. I'm not going anywhere."

He makes a sound that's half-laugh, half-sob, his free hand coming up to cover his face, but not before you see the tears finally breaking free. "Last time I saw her, she made me promise we'd all have dinner together. Said she was tired of splitting holidays, of pretending we weren't all still family just because you and I couldn't -" He trails off, his shoulder shrugging as he groans, tilting his head back to unclog his nose and stuff the tears back where they belong.

"Because we couldn't get out of our own way," you finish. The truth of it sits heavy in your chest, all the wasted time, all the stubborn silence. "God, we're fucking idiots."

"She used to call me every Sunday, you know? Just to ask if I'd talked to you yet.” Another sniffle rips through him, “Every damn Sunday for almost a whole year."

You let out a wet laugh. "She did the same to me. Every Wednesday, like clockwork. 'Have you called Lu yet?' 'No, Liv.' 'Well, why the hell not?'"

"Sounds like her." Luigi's voice goes soft, fond despite the pain. His hand is still in yours, warm and familiar and terrifying.

The silence that follows feels different somehow — less like a wall and more like a bridge.

Olivia’s coin catches the light between you again.

One day at a time.

"So," you say finally, squeezing his hand. "What do we do now?"

“Well -we - we honor her, right?" Luigi looks to you again, his voice stronger despite the tremor in his hands. "Not just with words or - like - memories." He looks down at your intertwined fingers, then back up to your face with a vulnerability that makes your chest ache. "But by fucking stopping this war of attrition we've been fighting since-“

"Since the goddamn gallery opening," you finish softly. That night hangs between you — the argument that started as something small ended with eleven months of radio silence. "When you said my art was just a-“

"I never meant it," he cuts in, voice raw. "I was terrified, watching you risk everything while I played it safe. You were so brave, and I was-“ He draws a shaking breath. "I was a coward who took it out on you instead of admitting I hated my own choices."

"We can't get the time back," you say gently, watching his thumb brush over your knuckles this time instead of the coin. "But maybe,” You pause. "Maybe we can stop fuckin’ wasting what we have left."

[candykenma]

Hi, can I pls request Haikyuu pretty setter squad when their s/o is struggling from writer's block or artist's block please?? Thank you =D

I LOVE THIS. PLEASE MARRY ME???

Oikawa

• Honest to god oikawa couldn't careless not in a mean way but hes missed his s/o all week now.

•He literally drags his s/o from the desk and just cuddled them despite the complaints and protest

•when he realizes it's actually getting to his s/o he'll buy they're favorite ice cream. Probally door dash it along with dinner bc if he lets his s/o go it'll be right bk to work for them.

• has his s/o shower with him and face care stuff to distract them.

Sugawara

•HE SIMPLY GIVES YOU IDEAS.

• This man will read what u got and be like "hey do you wanna like have sex at a carnival?" Or whatever random thoughts come to mind after reading and his s/o will go "THATS A GREAT IDEA"

• not referring to doing but instead writing a detailed chapter Abt whatever random thoughts came out of his mouth

• if that doesn't he work he'll sit u down on the couch and make u watch movies with him trying to secretly help u get ideas

•hell show u random stuff on Pinterest or tell u stories that his kids at school told him just to try and give u something to right about

•🥰

Akaashi

• this man right there frustrated wit u

•yall both got deadlines , both got writers block , both starving bc y'all forgot to eat.

• Akaashi probally stops for ant 10 minutes to cuddle with u and rub his fingers through your hair then straight BK to work

• they're was this 1 in incident where you were complaining Abt how cringe everything you wrote sound and he looked dead at you and said "why r u making it cuddly and innocent? You aren't either of those things" 😭

Kenma 😋my baby

•once again he doesn't gaf

• if u ask him for help he'll probably tell u the BK story of a character from one of his games he likes, or just tells u to put it down and he can't help u bc he doesn't read books unless he has too😭

• The definition of no fucking help. He tried and it's cute but baby no....

• if he sees it's affecting your health he'll butt in putting u to bed or taking u put to eat reluctantly,

•he'll offer to run you a bath as well but that's Abt as much as u get

Atsumu

• just as unhelpful and ANNOYING Abt it

• it's not that I have writers block it's that u can't write or think with him in you guys room. Your actually spazzing out so much so u send him to the store with a list of things you need and want jus to write

• he doesn't mean to and u never tell him that but he definitely makes your job harder.

• though u realize u can't write when he's not around either, his crazy stories and random thoughts he blurts out are the material and foundation for ur writing

•He comes BK home and you shower him with cuddles

Kageyama

• Also not very helpful

• I imagine most of the books you write would be smut related, you'd probably be letting out all that untapped pent up energy

•he probally read one of your books once and was like "u wrote this....?" And u jus were like yeah not think Abt the fact all your books are porn on paper with some good plot here and there

• He probally started doing things a bit different like playing into the books uve read in order to give you more content. He'd take you on more extravagant but intimate dates to help the creativity 🤷

I TRIED ITS 2:45 AM.....HOPE U LIKE???

[callmemonster68]

JAY - God of Shadows ( smut )

A deity destined to rule the shadows and watch mortals from afar, yet one who loses himself in his own darkness when consumed by obsession for a mortal woman.

Pairing: Jay, a deity X FemReader

Genre: Obscenity

Warning: Contains explicit content, unprotected sex, suggestive, penetration, explicit language, climax, sex, swearing, loss of virginity, hickeys, messy make-out sessions, dirty talk, compliments, rough sex, touching bruises, handcuffs, chains, sadomasochism , masochism, brands

Note: I'm recently starting to write, and English is not my native language. I apologize for any mistakes and hope to improve my writing. Feedback is always welcome!

Night was Jay’s absolute domain. He walked among the shadows like a king in his castle, observing mortals live their pathetic lives. But that night, something changed. He saw her.

Jay was known to lack emotions; he was the embodiment of emptiness, mystery, the unknown. Yet, upon seeing her, a primal hunger consumed him. It wasn’t just desire—it was obsession. He wanted her.

Y/N was alone, lying on the damp grass in a moonlit field. Her body seemed sculpted from darkness itself, yet the moonlight touched her like a forbidden sanctuary. Jay felt something he couldn’t understand—an overwhelming, fiery longing.

He materialized a few meters from her, his eyes glowing with the intensity of his obsession. When Y/N sat up, alarmed, he enveloped her with his voice, soft as velvet yet sharp as a blade.

Jay: “Who are you to dare enchant the Lord of Shadows himself?”

Y/N recoiled, but couldn’t help locking eyes with him. Jay felt a perverse pleasure in her hesitation—a sweet fear that fed his obsession.

Jay: “Do not run from me,” he commanded, advancing like a living shadow. “You have no idea of the power you possess. Or what I would do to have you.”

She tried to speak, but the words caught in her throat. Jay’s predatory smile grew as he leaned closer, delicately holding her chin with fingers that seemed carved from the night itself.

Jay: “You don’t understand, mortal. I could offer you worlds, dreams... pleasures that even gods would envy. But, truthfully, I want something simpler: I want you. Your surrender. Your body, your soul, your will... everything.”

Y/N tried to protest, but Jay only laughed—a low sound, thick with desire.

Jay: “Don’t fight this,” he murmured, his fingers brushing her neck. “I can be cruel, or I can be generous. Tell me... do you want to know what it means to be claimed by the darkness itself?”

Finally, she found the courage to speak.

Y/N: “You’re insane... Who... who are you?”

Jay tilted his head, his eyes blazing.

Jay: “No, little mortal. I am Jay, the God of Shadows. And now, you are mine—in every possible way.”

Y/N took a step back, but he advanced, his words dripping like sweet poison.

Jay: “You feel it, don’t you? This energy between us? It’s as if you were created solely for me.”

He raised his hand—a gesture both gentle and commanding—and a shadow slithered forward, brushing her skin. The touch was cold yet electrifying.

Y/N: “Why me?”

Jay: “Because you’re perfect. Every curve, every thought, every breath... everything about you was made to torment me.”

She tried to back away again, but he caught her wrist, his grip firm and possessive.

Jay: “You can try to run, but it’s useless, little one. I am the shadows. There is nowhere you can hide from me.”

Y/N’s voice trembled as she argued.

Y/N: “This isn’t... right. You can’t force me to do anything.”

He chuckled—a deep, lustful sound.

Jay: “Force you? No. But seduce you? Oh, that I will. I’ll make you beg to be mine.”

The shadows around them began to move, snaking across her body almost carnally, yet never crossing the line. Jay understood the thin boundary between fear and desire—and he was determined to make her cross it.

Jay: “Every night, you will dream of me. Every moment away from me will be torture. I will invade your thoughts, your desires, until you can no longer live without me.”

Though Y/N resisted, something in her eyes hinted that part of her was already yielding. Jay smiled, knowing the battle had only begun—and he had no intention of losing.

---------- TIME SKIP ----------

A dimly lit room, only candles casting shadows on the walls. The air was thick with desire. Jay, imposing and magnetic, approached Y/N, who lay on the bed, gazing at him with a mix of awe and longing.

Jay: “You know you cannot escape me, don’t you? Every shadow in this room belongs to me—just as you do.”

Y/N: “I know, Jay. And that only makes me want you more.”

Jay: “You’re so fragile, so human... and it drives me mad. I can’t let anyone else touch you.”

Y/N: “What do you mean by that?”

Jay leaned closer, his lips almost brushing hers.

Jay: “I mean that you’re mine. And I’ll show you exactly what that means.”

Y/N: “I want to feel it, Jay. I want to be yours.”

Jay: “Then let me take you to a place where only we exist. Where you are mine, and I am yours.”

He pulled her closer, his hands exploring her body as he kissed her passionately. The tension between them heightened, and Jay’s possessiveness became tangible.

Jay: “Never forget, S/N. You are mine. And I will do anything to protect what is mine.”

Y/N: “Then show me, Jay. Show me what it means to be yours.”

Jay enveloped her in his shadows, but instead of fearing the darkness, she felt safe and desired. He kissed her intensely, his hands traveling over her body. As the faint candlelight filled the space once more, Y/N felt the lingering intensity of Jay’s kiss on her lips, his touch igniting an unquenchable desire within her.

Jay gazed deeply into her eyes, his possessive yet adoring expression revealing the depth of his longing.

Jay: “You are mine.”

Y/N shivered, the mix of possessiveness and tenderness making her want to surrender completely. Jay leaned in again, his lips meeting hers with an urgency that made her feel alive.

Jay: “Let yourself go.”

S/N: “I’m in your hands.”

In the quiet intimacy of that moment, their bodies intertwined, surrendering entirely to the pull of their desire—a union of light and shadow, mortal and divine.

Lying naked on the bed, the two explored each other's bodies with their hands. Y/N, a little hesitant, placed her hand on Jay's hardened cock, which responded with a low groan. Slowly, she wrapped her hand around its base, and while looking into Jay’s eyes, she began to move her hand back and forth. It didn’t take long for Jay’s eyes to roll back in pleasure.

Jay was quick to reach for Y/N’s soaked pussy, her arousal sticky against his skillful fingers. He quickly found her clit, making circular motions that elicited soft moans from Y/N.

As both of them neared release, Jay stopped her movements.

Jay: “I don’t want to come yet. I want to be inside you when I do.”

Jay gently laid her in the middle of the bed, positioning himself between her legs. He guided his cock to Y/N’s needy entrance, slowly pushing in until he was fully inside her. He leaned down and kissed her passionately, starting to move at a slow and sensual rhythm. The kiss turned messy, filled with moans and sighs escaping between their lips.

Jay: “You take me so perfectly. Your pussy was made just for me.”

Y/N: “Yes, only you can have me like this.”

Jay’s movements quickened, her walls tightening around him more and more. It was becoming too much for him, and as he lost himself in the pleasure, his powers seemed to spiral out of control.

Jay’s eyes turned completely black, and a darkness far denser than before enveloped the room. His thrusts, once sensual and loving, turned intense, strong, and possessive.

When Jay finally reached his climax, his eyes returned to normal, and the darkness receded once again. Realizing what had just happened, Jay, startled, stopped his movements and withdrew. He looked into Y/N’s eyes, concerned, afraid he had hurt or terrified her.

Jay: “Are you hurt? Did I scare you?”

Smiling and feeling utterly satisfied, Y/N responded as she stroked his face.

Y/N: “Scary? My God, you’re divine.”

This story is part of the universe of ' Divine Sins: Immortal Fantasies with ENHYPEN ' created by me.Description:Seven sensual and mysterious tales that delve into the desires between mortals and immortals. Inspired by the members of ENHYPEN, these stories reimagine the group as powerful gods and a fallen angel, all wickedly alluring and irresistibly seductive. Each narrative immerses readers in a world of fantasy, unveiling forbidden passions, divine secrets, and the overwhelming intensity that sparks between celestial beings and an ordinary human. A universe brimming with lust, mystery, and the captivating allure of the forbidden, where every story is an invitation to desire. Contains mature content.

✿ If you don't reblog and comment, you can be sure I'll be showing up in your dreams tonight... and I won’t be as sweet as in the story ✿

[wlwsoccerfics]

Girl of my Dreams(Sara DoorsounXReader Feat Fletcher)

Warning: swearing, mentions of s*xual content

You and Sara have been dating for around 8 months now. Basically since you transfered from Wolfsburg to Frankfurt. Originally you have been from New York City. Your dad is American while your Mom is from germany.

The brunette was so excited to go to a Fletcher Concert with you. You did manage to hide the fact that you weren't looking forward to that at all. Not because her music was bad because it wasn't, but more because quite a few Songs were about you. The two of you used to date when you and her were like 17 years old.

So the fact that you two were invited to Go backstage because Sara talked about your ex on social Media and said how much she enjoyed her music made you feel sick. Somewhat in your mind you were hoping cari wouldn't make it known that you knew one another when you would go to her concert but of course that was most likely wishful thinking.

The two of you won't be going alone though. No Laura & Stina would be going with you. This was probably gonna make it even more awkward. But you just couldn't get yourself to admit that the songs your girlfriend liked so much were partly about you. Like 'S*x with my ex' or 'wasted youth' yeah those for example.

A little while later that day the four of you were having some lunch at a little Café close to the venue in Cologne where the Concert would be. Turned out luck really was never on your side because sure as hell Cari (Fletcher) walked in with her best friend Alex and her band. Even worse for you, both Cari & Alex noticed you right away walking over to you. "Y/n! Long time no see!" Alex spoke up. "Yeah it's has been quite the few years!" You replied. "You still look like a fucking dream!" Cari told you. What you also noticed was the eyes of Stina, Laura and Sara, your girlfriend were on the two of you. "Wait you call her Cari? And she said you STILL look like a dream? Do you know her personally?" Sara wanted to know. Alex was too quick to answer so you couldn't slowly let your girlfriend in on this. "They know every Inch of one another." She told your girlfriend and your friends. "Alex!" You and Cari spat out at the same time. "We were a couple, in high school." You explained. "And hooked up a few times when we were like 19. After that we didn't really communicate much. Just a Message whenever one of us had a Birthday." You explained "Some Songs are about me but Babe i promise that it doesn't mean anything. I only love you!" You were really stressed out about this. And for sure did regret not telling your girlfriend about it. Stina & Laura just stared back and forth between you, sara and cari. "You didn't think mentioning that the Artist i like happens to be someone you slept with?! And some Songs are about you?! Babe that's not cool!"Sara answered. At least she still called you babe so things were still fixable. Good for you! "I know Babe! I am so sorry! I didn't want to make a big deal out of it!" You tell her and take her hand. "Can we talk? In private?" You wanted to know and she nodded her head, standing up as you lead her to the restroom.

Leaving Cari, Alex, Stina and Laura behind. You lock the door behind the two of you. "Please Sara don't break up with me! I know i messed up by not telling you! I just didn't want to make it awkward. Didn't work that well, did it?" You stammer out. Sara let out a small chuckle. Taking your hands in hers. "Love, i sure not happy about you not telling me and i hope you will be honest with me from now on but it's not like you cheated on me and i am not gonna lie i find it kind of hot that i am with you while she clearly still has a thing for you! Yet i am the one you kiss and sleep with!" She answered. There was this mischievous grin on her lips and you knew what that meant. So you grinned as well now. "Honesty from now on!" You whisper out as she pushed you against the Wall of the restroom, biting your earlobe gently ,which resulted in you covering your mouth with your hand moaning into it. Things got alot more heated and let's just say you left the bathroom with shaking knees and Hickeys in different places of your body. Life was great at the moment.

When you two got back to your table Stina & Laura were alone. Cari, Alex and the Crew were gone. By the way the two of you looked when you returned both could tell what you did in the bathroom. "Had fun, talking?" Laura asked teasingly. You blushed and sara chuckled softly. "We did! Thanks for asking, Laura!" She replied and slapped your butt playfully. Which made you giggle shyly. Was a bit embarrassing but oh well. "That is wild! Even for you Guys!" Stina answered and laughed. "If you are curious they left a while ago and said the look forward to seeing us later at the concert!" Laura informed you.

After you ate and talked some more you went to the Concert & went Backstage to talk to Cari. She actually ended up being quite happy for you two and said she would sing at yours and saras wedding. For free of course. All of you ended up at a bar somehow and you just all enyjoyed eachothers company. You and sara always stayed close to one another . One of the most fun but also weirdest days in your lifes.

[nonrebloggingviewerswillbeshot]

An Observation

Disclaimer: This is written by a sex(also kissing) repulsed, Asexual.

I think I finally realized what made Veilguard my favorite out of the other 3 games.

In the other 3 the precedent was set. If you wanted a relationship, sex, and its various other intricacies was a requirement.

Heck even the chantry boy was ready to go to the bone zone in no time at all.

If I could mod out the sex and stuff from the other games I would do it in a heartbeat.

Veilguard however? They took care of that for us- or me anyway!

Not to say you don't get to the bone zone at the end of the game, but at least to get a 'relationship' you didn't have to jump through the hoop of physical intimacy to get there.

They made you work for it!

Earn it!

Build a bond with the person you were interested in.

I'm so tired and bored of romance portraying the importance of sex, when some of us value a deeper emotional connection far more than any form of intimacy. I get it, I'm on the more niche end of my little spectrum, but how I feel is still important and valid.

Seeing media, in any form, push how important and expected sex is in a relationship just hurts to see, for me. I've known enough people in my life who don't understand asexuality in any way shape or form and will try and guilt you into putting out because, well, if you aren't there's something wrong with you. And I'm wasting my time with you if its never going to happen.

I'm not for everyone, and I don't expect to be. But if you're with me, you already know what to expect. I'm up front about it and am not going to hide who and what I am.

I dare say that my opinion on this translates onto my romance choice in Veilguard. Lucanis. Who was so clearly on the spectrum of asexuality it could make you cry. The fact that we, or I, got someone that just wanted to be with you without all that extra stuff... maybe I did weep a little.

Because FINALLY!!!

I refuse to believe that MK said he was Demi to, as people like to put it "pull a JK.R" because I knew what he was pretty darn quickly. And even then she responded to someone asking if he was, because clearly other people could tell too! And OMFG the Wyvern thing???

The thing about us Ace people and dragons being cooler than sex(I came into the community later than most so that was always the inside joke I remembered)? Perfection! I don't know if that was the goal, but damn did I love it regardless! It was so good!

So, all in all, I'm sorry that most of you don't think Lucanis' romance was done very well, and it needed more of something. But... you can pry his MK post confirming, slow burn, acts of service, demisexual, just let me fall asleep in your arms at the end of the day, having romance, from my Cold Dead Hands!

I've seen the cut content. I've seen the other romances in game, and I don't want his to be anything like theirs. Or change, get patched with more content, etc.

Let me, or dare I say 'Us' have this! You had 3 other games to enjoy your sex drives. Let me have just this one! He's not for everyone, and dare I say it, he doesn't need to be.

Much like how Dorian was gay, Sera was a lesbian, Cullen wouldn't date a Qunari. Solas wouldn't be with you unless you were an Elf. Not all romances need to be for everyone. And that's okay!

End rant!

Disagree with me if you wish, idrc, just be civil about it.

[twig-tea]

Thank you for the tag in your post, @doublel27! This is a great example of why tagging is polite and vagueposting is rude (I'm going to use this as a teachable moment so bear with me): You've made reference to several stances that I don't hold and linked back to my post as evidence I do, but because you've tagged me, I can now clear the record. I might choose to ignore a tag sometimes, and tumblr can't be relied on to actually alert the person who was tagged reliably, but the point is the tag generally gives me the visibility and the choice; and the link lets people see for themselves what I said, so they can make the determination themselves even if I didn't bother to clarify. If you'd made this post without linking or tagging me, your readers would have to take your word for what my point was and I'd have no way to know you were misrepresenting my position. Whether or not I'd said on main to tag me, using my (or anyone's) words in a post critiquing them without attributing them or tagging the source is rude, and it feels awful to experience. I appreciate you taking the feedback in the original thread and tagging me directly so that I could see this.

You invoked my We Are post specifically as an example of criticism of We Are and Perfect 10 Liners (which, for the record, I haven't written anything about the latter, but I'm glad my post has you thinking about them both in conversation with each other and hopefully trends at large) that informed the perspectives of @lurkingshan and @waitmyturtles which you've represented as being: shows which don't meet their metric of good should not be engaged with or are ruining the genre. In fact, in my own post (which you've stated has informed their opinion), I started that post with the opposite statement:

I don’t begrudge anyone who enjoyed this show and I’m genuinely glad it brought comfort to people.

I went on to say:

...Shows are fully allowed to not be for me, I usually can differentiate between when a show is doing something I don’t like well, or when it’s failing at its own goals. And I don’t begrudge people with different taste getting catered to sometimes; my refrain is that most problems of representation are not solved by calling for less of something, and rather than wanting something not to be made, I’d rather champion for more and a greater variety of content.

I also am certain that both Shan and Jay know New Siwaj is a queer creator because I laid out in full New Siwaj's history creating shows as a gay creator (which you mentioned as a kind of 'gotcha' in your post) to get to the crux of my concern, which was this explicitly:

I wanted to lay out how I've watched New Siwaj’s career go from finding a way to tell incredibly poignant and healing queer narratives (by creating his own company, and fitting these moments into the GMMTV series he did work on) to stripping out queerness from the shows he’s creating in the last year or so.

I then brought in other examples. The point I make in this post is that there has been a pattern of shows from ~the last year adapting novels but not including specific aspects around queer conflict from the source material in the adaptation. I am judging these adaptations against the Thai novels they are based on, and looking at the active choices the adapters are making in the context of the markets in which they operate--which, for the record, is the opposite of ignoring their agency. I would say the same statement for Shan's and Turtles' posts (linked for convenience). And to assume Shan and Turtles only took away the critical aspect of my post or that they aren't making their own judgments of the BL scene at large seems like a disingenuous interpretation.

The part of your response and the original post by @maybe-boys-do-love that bothers me is that it implies that I think (I'm now assuming MBDL was responding to me among apparently several others, since you've invoked me in this response and suggested you've been speaking to him about it, but without having been referenced in the original post I have no way of knowing--just to again underscore my frustrations with vagueposting) that only my way of seeing shows is correct or valuable; that I conflate sex scenes with queerness; that I think BL romcoms are less valuable, less queer, or less good than more serious toned takes; or that these shows should not exist or be made in future. I would hope it's clear from my own writing that I don't think any of that, and that anyone reading @lurkingshan and @waitmyturtles's posts would understand they also do not think any of this. I'm not sure who either of you are actually mad at, but the ideas you're fighting are not written in any of the things I've said or anything I've reblogged from Shan or Turtles. And the insinuation that the criticism of the writing of these shows holds some kind of power to prevent others from enjoying or making series like this is frankly giving any of us too much credit.

Looks like while I was writing @wen-kexing-apologist wrote a great summary of the points made in the original posts by Shan and Turtles in the comments section of their post, so anyone reading can feel free to go there to read a 2-comment summary if you don't want to go back and read the full set of threads for yourselves.

It's not a good use of energy to argue about how someone chose to interpret my words or the words of others, so I'll stop there. I'm happy to discuss the points that I've made in my writing, but defending against bad faith interpretations of my or other people's posts is not what I want to spend any more time doing.

[guarddog-of-proendos]

Image descriptions

- written by a visually impaired person

What is an image description?

an image description is exactly what it sounds like, a block of text describing the content of an image. this is important for many people but especially for blind and visually impaired people who cannot see the image (at least, not well enough to understand what's going on)

(people also cite that this helps people with slow internet, if you add that to this post I am hitting you on the head with a stick. our access to the internet is enough of a reason to add image descriptions, they don't have to help abled people as well.)

image descriptions serve the purpose of providing the same access to content and context in a post that you, a sighted person, have. the goal is to allow equal access for visually disabled people and other people who struggle to access images.

have you ever been stuck scrolling through Tumblr while images are refusing to load? was that frustrating? imagine how we feel every day, all the time.

How to write an image description

writing an image description is a skill. it's okay if you aren't great at it at first. not being great at it is not an excuse to not try. I'm tired of people telling me they can't be assed to try writing an image description because it might not be perfect. I would much rather read an imperfect image description than have no image description at all.

when you're describing an image the key point is to describe what's relevant, what you look at in an image. if the image is a tweet, describe what the tweet says. if the image is a picrew of an alter, describe what that alter looks like in the picrew.

You don't need to include every detail

a lot of guides will, with well intentions, tell you to describe a lot. sometimes, describing a lot is relevant. if you're describing a piece of art or photography then describing a lot is important because the point of the photo is to appreciate all of the photo. if you're taking a selfie, I truly do not care that your walls are blank and white. sometimes, more detail is less accessible. I don't want to scroll through paragraphs up on paragraphs for a photo that sighted people can just glance at and get the gist of.

take for example, this post divider I just used:

you could describe this as: a post divider with a large star in the center surrounded by a halo of the moon phase in gold. 2 horizontal lines come from it in the center with a pattern of alternating sun, moon, sun, and star symbols.

... that's really long. the point for sighted people is to break up the text with something pretty. it's not to admire all the intricacies of the image.

a more appropriate description would be: a star themed post divider

text, on the other hand, should always be transcribed in full. do not describe your DNI banner as "a DNI banner" that tells me nothing. put down all the text, all of it, because all of the text is relevant.

never use AI to write an image description! it's insulting and often inaccurate. problems with generative AI aside, throwing an image into chatGPT and then copy and pasting the sludge it spits out makes me feel like I'm not worth taking a minute to actually write an image description. AI generated image descriptions tend to be impersonal, inaccurate, and hard to follow because it just throws up all the random details it picks up on rather than describing the point of the image. with the editing required to fix a chatGPT image description you could have written your own and it would be better.

I truly cannot write an image description

ask for help. if you have no one you can directly ask, add a note to your post asking for help writing the description when you post it. when someone writes a description for you, copy and paste it into the original post. there is no such thing as image description theft, the point is accessibility. you can't steal accessibility. copy and pasting is not just okay it's encouraged!

on other people's posts (regardless of whether or not you can write an image description) you can often find image descriptions in the notes. taking a minute to check for image descriptions before reblogging an undescribed post is something fast and kind you can do for the people who need image descriptions. often you'll find a description and then hurray! that inaccessible post is now accessible!

....but I don't have any followers who need image descriptions!

yes you do.

if you truly don't it's probably because none of them can access your blog. fix that and suddenly you will have followers who need image descriptions

why is this in the pluralgang tag? none of you describe images.

Questions are encouraged

(if you have any)

[re-re-redline]

I am so glad you asked

What a Convo Between the Two Looks Like:

Rider: “……”

Saber: “………”

Rider: “……”

Saber: “………”

Rider: “Look, I’m so—“

Saber: “For the good of Rome, kill yourself.”

Rider: *Stunned silence.*

Rider: “…A-Alter. Just listen to me, I—!”

Saber: “Unnecessary. I already know and I don’t care.”

Rider: “………”

As you can see, Alter just cuts Constantine off anytime he speaks directly to him. He wants to hear nothing from him and is 99% sure he knows exactly what his creator is going to say next, and funnily enough? He’s actually right on the money most of the time.

Now, the contents of what he does say to Constantine vary depending on whose in the room with the two of them. He’s not going to say anything particularly inflammatory or cut deep with his insults if anyone else is around—Master especially—because he knows that someone’s going to jump to Constantine’s defense and that could start a fight. Hence he keeps it on the down low in public.

But in private? Oh, he’s not holding back. Alter constantly tells Constantine to off himself because, thanks to Alter now being here, Constantine is no longer needed in Chaldea.

Think about it. Alter is the ideal that Constantine made up of himself, he is THE BEST Constantine there is purely because of the fact that Micheal sees him that way (or saw due to Constantinople’s interference making it not so anymore.) So why would Master need someone like Constantine (Rider) when Constantine (Saber) now exists, hm? And if that’s not convincing then compare kits. Alter actually does damage and can survive way longer than Constantine can and ever will. And that’s all that matters to Master, right? Damage and survivability.

You see the picture I’m painting here? Alter constantly attacks Constantine’s insecurities when they both happen to be alone because he absolutely hates Constantine for giving Constantinople the material she needed to create him the way he is now.

And all poor Constantine can do is just stand there and take it because he knows Alter’s right about most of what he said. The one thing that Constantine will never ever concede to Alter is the fact that he is needed. Master NEEDS him and he knows that. His predecessors and the Holy Progenitor need him. His friends: Don Quixote & Sancho, both Vlads, Johanna, and so, so many more need him. He knows for a fact that there will be a Constantine shaped hole that cannot be filled if he were to end himself like Alter wants him to. And Micheal could never hurt the people he loves like that ever. …Unless he were giving his life for them, of course.

But yeah, Alter is not shy about showing his contempt. He just dials it down when other people are present to keep the peace. Though you can tell that he’s slowly getting angrier by the second when his sword starts emitting that ghastly cursed red aura from it. It starts off dim but gets to be an almost crackling and bright flame on his sword when he’s at his limit, it’s that apparent.

Thankfully for everyone, Alter doesn’t start on his own so the two can awkwardly sit in silence in a room together and nothing will happen. The two will just be sitting in envy of each other until one leaves.

Constantine is envious of Alter’s stoicism and ability to shake things off. He always tried to be that person when he was alive but just couldn’t hold himself together because of the immense pressure and stress he was under during those four years of his reign. He wanted to be the man his people deserved but could never truly fulfill that lofty standard he set for himself and that only led to his strong self loathing after death.

Alter is envious (as much as he can be) of Constantine’s ability to feel as well as his having memories of his family and friends in life. Alter wants to cry, to be afraid of dying and to feel weak or inadequate—he wants to feel all of the negative crap that Constantine loathes because that’s what completes a person. He also very much wants to feel joy and contentment like Constantine does. Maybe then when he finally gets his emotions back, he’ll understand why his chest tightens slightly every time he sees a family having fun. Maybe he’ll understand why he can’t bring himself to get new earrings, or why the person who gave them to him is so important to him. Maybe he’ll understand why he feels the ever so slight need to watch over Master like a hawk when they get sick. Maybe he’ll understand why…

See, the two of them envy what the other has not realizing that it actually sucks more than they think it does. They both simultaneously understand each other the most and the least out of everyone and it’s just… UGH! It’s both riveting and infuriating to watch these two interact for that reason. Ugh… These two need to reconcile so bad. You’d probably need to use a Command Spell to get Alter to not cut off Constantine mid-sentence and actually listen to him. You also would probably need to give Micheal a big pep talk so he can have the courage he needs to actually say what he’s really feeling. It’ll be messy but it is possible!

Endnote: I hope I answered your question! Alter’s pretty difficult to write dialogue wise because of how utterly dry he is, but that only adds to the tragedy of his existence. He could be more in that department but he just isn’t because he can’t be anything more. But you could definitely see on his face that the contempt runs so, so deep. Hence why he solely stabs at Micheal’s insecurities whenever they get to talk alone. A precise set of strikes that tells Constantine all he needs to know about what Alter thinks of him.

Alter would probably explode in anger—and yelling at the top of his lungs and grabbing Constantine by the collar and shaking him kind of anger—if they weren’t in Chaldea. The walls are thinner than they look and Alter, yet again doesn’t want to start anything with anyone else to keep the peace. That’s Alter at his most animated, otherwise he’ll be snarling and fuming at his creator. Shooting him dirty looks when he thinks no one’s looking and what not.

But that’s all I got for now. Thank you for your kind words and sharing your thoughts! I loved answering.

Have a good day, and I’ll be seeing you!

—Redline, over and out!

Constantine XI Alter (Saber)

>Spoilers for Constantine’s Interlude<

Foreword: This was supposed to be a sketch, I swear. But on another note, I am alive! Just slowly working up to writing after a few hectic weeks. But the train is moving, just very slowly which I imagine is nothing new. One thing I HAVE been getting up to is my painting of portraits of my blorbos for their birthdays. I suck at drawing anything festive, so I hope the quality of the piece makes up for it, hehe… I have Constantine’s done and I am extremely proud of it.

Buuut that’s in February, so let’s get into my explanation and thoughts on this hypothetical of my boi! Starting off with…why he looks like this.

(I would also like to note that I haven’t ran this through TTS yet so there probably is some grammatical errors and for that I will apologize in advance, I will iron them out soon.)

On the Subject of Appearance:

Alright, obvious and iconic Alter color palette aside, what’s up with the vast amounts of white? Because… Our guy wears black mostly in his first ascension and then dies it down in his second by adding a LOT of red, so it’d make sense his alternative would be set apart by having him wear and have the color white. Plus it illustrates just how DIFFERENT he is compared to Micheal, how opposite or perhaps…opposing he is. But more on that later. (Also I was planning on this being just a sketch so I wasn’t really thinking of coloring anything until his second ascension when I realized I would have to in order to communicate how different he is from Constantine and it kinda snowballed from there. Oops…)

Now…about the, uh, cracks on his skin. THAT is marble. Sections of Alter’s body are petrified marble with a few dry cracks in the skin. Why? Because of the legend circulating after his death of him being a marble statue. It’s like how Hans has mermaid scales and how Okita will forever have tuberculosis, Alter’s body along with several other things were affected by how people saw him. I’ll get into it more later.

But! There are some cool things, or not cool rather, to note about the marble patches on his body. Like how a lot of pain he’d feel is nullified by it thanks to lack of, y’know, nerves. This also goes for sensations in general as he wouldn’t know if you were tapping him on the shoulder or were pouring boiling water on that spot. So yeah, sections of his body cannot feel but can still move just fine. It doesn’t impede his movement at all! It just…cracks a lot.

If you ever see him stretch and pop his spine, you will not only hear the snapping of bones but also stone splitting. Don’t worry, it’ll fix itself so you don’t have to worry about him sustaining major damage from just moving around. It’ll just take some getting used to.

Now. You may have noticed that the marble patches grow more the further into his ascensions he is, to the point where his armor receives patches of marble on it too. Now this wouldn’t even be something to mention if not for the fact that I’d like to think that anything new he wears in his 2nd and 3rd ascension starts petrifying slowly over time. Not all the way but enough to the point where it gets to be a chore doing laundry.

But yeah, that’s all I got for his design so far. On to the next!

On The Subject of Class and Gameplay:

If you play JP or have Clairvoyance then you already know why its not the obvious choice. Because his legend mentions specifically that the angel who wakes him up will give him the sword he used on his final day. So it’d make sense that his class would change to Saber.

Now. In this hypothetical where I’m the one designing him as a unit. I’d imagine his gameplay to be like so:

2 Buster Cards with 5 hits, 2 Arts Cards with 4 hits, and 1 Quick card with 3 hits. Same card numbers but different hits.

His NP would be an Offensive Buster NP that does the following: Increase Buster Card Effectiveness for 3 Turns, Increase ATK for 1 Turn, Inflict Curse, Deal Major defense ignoring damage to one/all enemies, Restore HP by 2,000 (effect increases with Overcharge), Apply Resistance to Death by 5000% for 1 time (non-stackable) and Apply a stackable Guts for 5 turns that restores half of Constantine XI Alter (Saber)’s HP upon Death.

That is one hell of an NP that not only hits hard but also provides major survivability which is what Constantine is all about. Now, I could quite decide if he should be a Single Target or an AOE but I do imagine his gameplay to be your awesome clutch soloist unit for CQ’s, Advanced Quests or boss fights. Is this really cool hypothetical NP is a showing of my massive bias? …Maybe. But that’s not important, onto the skills!

Skill 1: The Ends Justify The Means (A) [Cooldown at LV.10 is 6 Turns]

Increase Buster Card Effectiveness for 3 Turns, Increase ATK for 3 turns for All Party Members and Apply Target Focus to All Party Members Excluding Constantine XI Alter (Saber) for 3 Turns.

Skill 2: Demise Privilege (Alternative) (C) [Cooldown at LV.10 is 7 Turns]

Increase NP Gauge for Self by 50%, Gain crit.stars per turn for 3 turns, Remove 2,000 HP from all Non-Roman Party Members and Restore HP by 3,000 to self, Apply Guts to self for 3 Turns.

Skill 3: Legend of The Marble Emperor (EX) [Cooldown at LV.10 is 6 Turns]

Apply a State Where Upon Hitting an Enemy, Inflict Curse (1,000 DMG) and Disastrous Curse for 3 Turns, Apply Special ATK to enemies with Curse.

As you can see, Alter is a very selfish DPS that drains HP from his non-Roman allies to keep himself alive along with inflicting curse stacks for damage over time. He’s be a nice pair up with Van Gogh for that last thing. And much like his NP, he really wants to live and it’s going to be difficult to kill him. So yes! Soloist in the form of a Saber.

Is his kit too cracked? …Maybe. Maybe not. I’ll let you all tell me what’s what.

On the Subject of Composition:

Constantine XI Alter is a Saber class servant comprised of three parts.

The first and the largest portion—the base, if you will—is Constantine’s ideal self, dreamed up during his final years of life in the late 1400s. As we are aware, Constantine utterly despises how weak he thinks he is. He hates the fact that he feels like he wants to breakdown and cry so much, he hates the fact that he’s terrified of dying, and most of all he hates that he isn’t strong enough to take the current crisis in stride like he believed his idols would have. Thus, Constantine saw his ideal self as a man who would not feel fear in times of crisis, would not cry when he was losing, and would not break under pressure. A truly stoic and strong leader that can handle any sort of disaster, that is to say: an emperor who wins and survives.

The second part that makes up this servant are the wishes of the people of Constantinople. After Constantine death, a rumor floated around that the emperor had not died. He was rescued by an angel at the brink of death and turned into a statue. He would then sleep in a hidden cave underneath the Golden Gate of Constantinople awaiting the call of an angel who would restore his form and give him the sword he used in the final battle. It was a lovely thing to hope for and believe in, thus that rumor turned into a legend backed by the hopes and dreams of the people. It is this that would have completed this variation of Constantine had it not been for…

The third and final part is less of a ‘part’ per se and more of a distortion of what already existed. A wild, vengeful anger and grief corrupted what would have been the lovely culmination of the ideal self of Constantine plus the people’s hopes and dreams and twisted it into a cold automaton hellbent on continuing the existence of Rome as he knew it no matter the cost. These intense negative emotions came from the one and only Constantinople herself. When our favorite emperor perished and the Ottomans took over, there was no one as throughly stricken by grief—if we ignore George and Constantine’s remaining family—as Constantinople. It was pure agony to watch her people be murdered, enslaved and violated for days with the subsequent rebuild and installation of new buildings hurting too. But the most painful thing of all was watching her subjects slowly disappear one by one: people she watched grow up and live life for centuries on end vanishing never to return until all that was left was a large group of strangers who now occupied that space. It was maddening to say the least. The result was a lot of time passing and the events of Constantine’s interlude (yes, I read a summary of it and it could not come sooner for me.) While Constantinople WAS forced into slumber through the battle, much like the emperor she is so deeply connected with, Constantinople made a final last ditch effort to have her and Constantine’s wish come true. Thus creation of an Alter of Constantine XI as well as a new singularity set shortly after the death of the real Constantine came to be.

On The Subject of Personality:

Alter is barely like the man we are familiar with, he would be practically unrecognizable if his face and voice were different. The most glaring difference is the lack of any expression on this man’s face. The muscles on his face only move for three reasons: he’s speaking, blinking, or the boiling rage underneath his skin has erupted upon the mention or appearance of the Ottomans. He just carries that same deadpan expression no matter what happens, good or bad. This is due to Constantine’s wishes to be a truly stoic man down to his core. Though, thanks to the distortion caused by Constantinople, most of his other emotions have been muted to make room for the, and I quote: “Boiling Rage™ that is 100% necessary and important to the restoration and maintenance of the Byzantine Empire. Yup, totally required. Why? Because screw you that’s why!”— Constantinople, circa Right Now. I jest, I jest. But really. Alter is either having tiny tinges of emotion flittering around in his skull sometimes—you know like the alleged to exist fruity taste of La Croix—or pure and absolute anger, no in between. Thankfully, for masters, the percentages of the anger is incredibly low unless for some odd reason you have Ottoman Turks that keep appearing left and right in your area.

Unlike our friend Micheal, or any sapient being really, Alter doesn’t really…have opinions. He’s just neutral about most things in the world and mostly shrugs at whatever he’s interacting with. Good weather? Okay. Great food? Okay. Amazing friends? Okay. The milk went bad and the store’s closed right now? Okay. You stepped on the corner of five different Lego blocks on your way to the bathroom? Okay. Your pillow is scorching hot and you can’t sleep? Okay. Several hundred people just died in utter agony? O—you get the point. I’m sure you know the one exception that Alter has, but allow me to provide you with one and we’ll get into another in the next section. The red earrings on his ears, cracked beyond belief yet still hanging just fine… Yes, Alter likes those. That’s why he hasn’t taken them off or removed them. Why? Well… He vaguely recalls someone important to him gifting him these. That man, after helping Constantine put his on, took out another similar pair and placed them on his own ears. He then said: “Now we match! Plus, I’ll be able to pick you out in even the most dense of crowds, my lord, as these earrings are one of a kind.”

(Yes, I headcanon that George gifted Constantine his iconic red earrings and has a matching blue pair for himself so that they both kinda match but hold their individuality all the same. A nice little thought that warms my heart.)

On The Subject of Speech:

The way this man talks is so dry and bland that one would think that Alter is bored out his skull by simply existing. His voice is so flat and borderline monotone, no effort to emphasize anything or even to make digesting the info easier. And to make matters perhaps worse he doesn’t talk much and tends to make what little he does say compact. It’s a flavorless way of communication that only changes when, you know, the Boiling Rage surfaces.

You know how in Constantine’s Bond Profile #1 it states that he “sometimes speaks more roughly in times of duress?” (Or “a more crude tone” if we’re reading the fan translation.) Yeah, well that’s no longer a sometimes. He still doesn’t talk much but man is he swearing and being rude as hell when he is pissed. The imperial decorum that our Micheal lives by has gone out of the window and will not be seen again until Alter calms down. No, he won’t apologize to anyone. Don’t bother, it’s a fruitless endeavor.

On the Subject of His Knowledge:

Alright, what does Alter know about himself? He knows that he was crafted by Constantine to be the ideal version of him. He knows about the legend surrounding his death and that being the reason for the petrification on his body. And he knows about Constantinople messing with his Spirit Origin and his current reason for existing and the objective that comes with it. …That’s it. That is all he knows.

Nothing about his personal life or his family or his best friend who had his back throughout it all, nothing. In its place are vague and fuzzy vignettes of familiar people he can’t put a name or face to that appear in his mind’s eye from time to time.

Now, as for his opinions on what he knows… Uh, I’ll just get the one with the least words on it out of the way first. The petrification thing? Yeah, he could not care less. The patches of marble on his body don’t limit his mobility any and yeah, the petrifying of his clothes is kind of annoying but it’s slow enough to where it’s not that big of a deal. It’s whatever.

Now. As for his creation—that being Constantinople messing with him and him being Constantine’s ideal self—he has a…not very good opinion on the two. And by that I mean he absolutely hates them.

He hates Constantinople for twisting his already good spirit origin into what it is now and placing within him an undying anger. He also hates her for basically using him as a tool to get what she wants all because the ‘real’ Constantine rejected her wishes, essentially using him as a replacement. Not good.

He hates Constantine for cursing him with the ridiculous traits of being stoic down to his core as well being the ‘perfect’ emperor for his people. Because of that, not only does he not FEEL anything at all but he also has this immense pressure in his very soul that he MUST have Rome survive at all costs and that he must solely devote himself to that cause with every fiber of his being. Yes, the severity of those traits were caused by Constantinople’s anger and grief distorting him but the base traits were all on Constantine.

Now, in Constantine’s defense (because I am a Constantine defender), he had no idea that this would happen let alone that an Alter of himself based on what he saw as his ideal self, the emperor his people deserved and would suit them best, even existed in the first place. It was a dream to him. A dream of a man who was much better than he was, doing way better than he is and winning all at once. That is all that Alter was to him then and what he was to Constantine before the singularity.

Endnote: Whew… That was a lot! But I think that was I’ve got on Alter. As you can see, I’d been doin’ a big think on him and he was a very fun character to design both artistically and in writing. I h Endnote:

Whew… That was a lot! But I think that was I’ve got on Alter. As you can see, I’d been doin’ a big think on him and he was a very fun character to design both artistically and in writing. I hope you don’t mind the crumminess in the piece, if you can even call it that. I wasn’t joking when I said it was supposed to be a sketch hence the noticeable climb in effort across the ascensions.

In other more exciting news… I have 10 followers! Ten whole people! That’s enough to get one of those long tables at the fancy restaurants with!

It’s quite the milestone, one I was not expecting. So, to celebrate, I’m going to bypass the order of things I WANTED to get through with before I did this sort of thing—since I didn’t think I’d get 10 followers, honestly. But, I will be dropping a poll sometime soon—before the day’s end Nope, way too sleepy right now.—of a few headcanons you guys can choose from for me to do next! And not JUST for Constantine, Mehmed, or Sannan—no, no. I will also be tacking on my two other blorbos that I have neglected to mention, them being Hajime-chan (my strongest Saber) and Izou (my strongest Assassin.) So it’ll be Multi-Core Headcanons (haha), five people in one list. And don’t you worry, it won’t be like, one paragraph long or anything half-assed. That shit will be long, like 4k minimum per person which would—if I strictly hang around that number—would be a 20k long HC list.

So case in point! It’ll be a celebration and I implore you to vote.

But yeah. That’s all for this post. I’ll also be posting something else shortly after that is NOT the poll but a nice occurrence for lil’ ol’ me. If you have questions, comments, a desire for elaboration or a keyboard smash of your thoughts, let me know! And I’d like to thank you all for indulging my delusions today and before today and I hope you all have a great day.

—Redline, over and out!

[moe-broey]

Adjacent topic, but. One of my favorite things actually is when Alfonse pulls the player aside and is like "Let me think out loud real quick." and when the situation calls for it, "Also what do you think?" Like obviously this happens so much across any game ever, especially ones that have a designated partner character. But it feels so special to me...

Especially with Alfonse, especially when he calls the summoner by name. He didn't used to do that!! In the very beginning!!! And he slips up, as Lif. Trying So hard to take it back. It just feels so personal... 🥲🥺

[winepresswrath]

I do gotta say tho, even tho I’m mad at aziraphale because he’s being a terrible boyfriend like what you said about the “I forgive you like” because WHAT. But also I really like the way the show really demonstrates the underlying cruelty of heaven and it’s angels. Really shows the hypocrisy of a group of beings who are supposed to do good, especially aziraphale who really buys into the heaven propaganda, who hurts people, particularly the person who means the most to him. Because like you said he fully just takes advantage of that devotion Crowley has for him. Insane, this shwo makes me INSANE

I missed this anon and yeah! The angels were one of my favourite parts of the season, and I think the strongest element aside from Neil Gaiman deciding he's just a simple man who wants to put his otp in situations. They are deeply awful and I kind of love them. They are the exact kind of moralizing hypocrites who are callous and cruel precisely because they think being on team good means everything they do is justified and it's actually impossible for them to be in the wrong (they're angels! is it even possible for them to do the wrong thing?).

but!! To me, they also seem like they're basically kids? Obviously they're not literally children, but there is this very consistent reoccurring joke about how childish/sheltered/immature they are. Muriel is the most obvious example, but the archangels come off like bratty twelve year olds to her sweet little kid.

Gabriel is basically teenager in love flipping off his family as he runs away with his backstreet guy. Uriel is constantly picking at Michael, Michael is playing at being in charge like it's a game, and it's ridiculously easy for both Aziraphale and Crowely to trick them obvious half assed lies. They're not allowed to ask questions! The Metatron treats them like badly behaved kids out past their curfew. At any point an old man with a beard may pop up to scold them and send them home, and they're all scared of doing something wrong by his standards and getting in trouble with this guy who is pointedly not God but who lines up exactly with the pop-culture idea of god the father, and who offers Aziraphale, among other things, a respite from the hard work of figuring out what the right thing to do is for himself. It's fine! You don't have to question the belief system you were born into or make a painful break with everything you've ever known! Aziraphale has had six thousand years on earth to grow up, but the other angels have been sitting in a sterile white box playing "i'm not touching you" games with each other and filing paperwork.

And I think that's extra interesting because this season also really emphasizes:

Heaven has Institutional Problems

Aziraphale isn't the only angel who's unhappy in heaven. Gabriel and Muriel were both completely miserable. They just didn't understand that they were unhappy because they'd never experienced anything else.

Angels who aren't Aziraphale can change and grow! There's very explicitly Gabriel being changed by love and Muriel growing up a bit on earth, and from a more fan-theory angle there's also Jimbriel, who I think is probably basically Gabriel minus the war and six thousand years of playing referee for Michael and Uriel while unleashing an assortment of plague and calamities on earth because that's God's will! Buck up champ.

We also get Gabriel and Beezelebub talking about how their underlings basically live for Armageddon, "if you can call that living." This is so bleak. They've all been on a six thousand year time out just dreaming of the day they get to beat the shit out of each other until they feel better, but it won't work because eternity is just more of the box.

Anyway I think it's going in a distinctly eden adjacent direction. Aziraphale is going to tempt those angels with knowledge and the capacity for change. I have veered so far from your ask anon i'm sorry you're right heaven really went all out on sucking this season & while Crowley and Aziraphale are both fucking it up Crowley refrains from being spectacularly cruel to Aziraphale about it and Aziraphale should learn to return the favour. I forgive you!! I forGIVE you. I forgive YOU. "you can be an angel again" is actually a worse thing to say than "you're a demon. i don't even like you." when he finally picks crowley over heaven i'm going to lose my mind.