#but when did he see her again?

[furiarossa]

You would make a good point, masterofthestairs! But we already thought of that, and it's clearly not the case...

We're gonna explain it for other people who may have similar doubts.

Vlad can't get shot with ectoblasts, while he wears the specter deflector: the belt protects him from any ectoplasmic attack, there's literally the entire Fenton shield in it! This allows wearers to avoid the effects of ghost powers, the belt is used literally like this in other episodes.

Vlad and Danny can survive wearing the specter deflector because they're not full ghosts, they're just half-ghosts, and their human parts protect them.

Full ghosts (like, we say, a bear ghost) couldn't even touch someone wearing the belt... here what happens when a full ghost attacks someone who wears the Specter Deflector (from the episode Memory Blank):

Terminatra is even a stronger ghost than Danny, and yet the Specter Deflector easily defeats her:

The Specter Deflector works also against subtler ghost powers, like Ember's hypnosis:

In the end of the episode Maternal Instincts, Vlad survives, so we guess the Specter Deflector perfectly worked against the bear (who is probably just a lesser ghost and would be vaporized by something as strong as this tech containing the entire shield of the Fenton's house). The bear, being a full ghost, and not an half-ghost, would have nothing to protect it, so it wouldn't be just "zapped" and still continuing to attack: it would be blocked and probably killed if he wanted still to reach the wearer of the belt.

Also, we would say that the bear is not just a "bear" with bear intelligence, as it can not only recognize what the heads and pelts on Vlad's wall are, but even be enraged by them, implying that it can form logical thinking:

And Vlad could have stayed in, instead of running away, and be saved by Maddie (we see that she knows how to fight those animal ghosts), that would have been definitely easier and more productive for his plan…

What we could argue, is if Vlad knows all the potentiality of the Specter Deflector, but:

a. He and Maddie talked (presumably about ghosts, since she has also a book about ghosts in her hands) for a long time offscreen. It is plenty possible that she revealed to him the true nature of the new invention that she's wearing. This is not a canon information, I know, but at this point, here we're speculating ;)

b. Vlad didn't seem completely surprised by the function of the belt. It is also possible that, being an expert himself, he could recognize an anti-ghost energy field, even a portable one.

Hmmm....

Then there's:

c. Vlad didn't understand all the potentiality of the Specter Deflector and was freaked out, that's why he run away. But there's a weird couple of things that happen after this episode...

Seems like the belt returns in the hands of the Fentons (who use it in different occasions) despite Vlad never giving it back. The last we see of Vlad in the episode is this:

And the Specter Deflector was created by completely gutting the original shield of the Fentons house, so it's a pretty unique, pretty powerful artifact, we don't know if Jack could just, easily, create another one...

Vlad never uses again the Specter Deflector. This means probably that he's not in possession of the belt anymore. Pair this with the fact that the Fentons have it again, and you see that there's a missing scene here! Did Vlad see again Maddie, to give her back the Specter Deflector? And WHEN?

But now we digress, these theories don't have much to do with the ending of Maternal Instinct (or do they? We've yet to figure that out).

Anyway, thanks for sharing your theory! It was fun to think about it again. And of course, if anyone else thinks they have an explanation for what happened... we're all ears (or rather, all eyes, because we need to read it). Let us know! Maybe we overlooked something.

Interesting notes: We noticed all this "he's wearing the Specter Deflector" situation because we were wondering: how a man without any powers would survive, alone in the forest, against a bunch of wild ghost-animals? Then we noticed the Specter Deflector and we went like: "Ohhhh, that's how" and immediately after "Wait, wait a moment, then why is he running away?...".

The ending of maternal instinct is... weird? Doesn't make much sense?

Vlad has on the Specter Deflector, a belt that protects him from ghosts. Repeat after us: Vlad cannot be attacked by ghosts, he cannot be touched, because he is wearing a protective artifact created by the Fentons.

And it was Danny who gave it to him.

So why does he run away from the ghosts, when Danny turns them against him? It makes no sense.

They can't hurt him: he is protected by the Specter Deflector.

He can stay there, wait for Maddie to return and beg her to protect him from the, buhu oh so evil, ghosts. The fact that he has the belt on should be part of his plan!

Him running away is... a forced ending? Isn't Vlad just... winning? Now he can deal with Danny without Danny being able to touch him as a ghost, because he'll get hurt, and so he's forced to stay in his human boy form?

And Vlad is DEFINITELY stronger than him if they're both in human form?

sdfdfWFFEFFFRWRE what is happening doesn't make sense.

(Maybe I will elaborate more on it later, maybe I won't. Or maybe I will write some fanfic, trying to understand what the heck happened here).

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[crustyfloor]

A new pop-up store dropped for ALIEN STAGE's 2nd anniversary and wow. It's so sick.

It's Interesting what exactly these experiments are focusing on and monitoring.

Instrument practice

I found it interesting earlier that Till was so tame, more so than he usually is when he's going through experiments, but music, and making music is what he loves doing, So he was fully in his element here. This was probably the only thing he was made to do by the aliens that he at least tolerated.

(Additionally, judging by his collar (orange), he was at least calm. maybe he just isn't fazed anymore.)

//Side note, that head contraption looks familiar BUT this most likely isn't related at least i hope

(It puts me at ease, at least..)

Dance practice

This surprised me, but I suppose Mizi needed more skills.

She looks very startled here, and nervous(?) +It looks like she's doing this while singing. And with that face covering I assume this was a test monitoring her dance balance, precision, etc. At first, I did think it was odd, "Why would Shine put her through that" But alas I was reminded that even though Mizi is the flower of the group she was never untouchable, to Shine, this was the equivalent of teaching your dog to sit and stay.

(seeing this it reminded me of those scenes in movies where the people are dancing, and the music gets faster and faster until they fall. I wonder if she was doing through something similar to that)

Singing practice (?)

Similar to Till she also looks quite calm outwardly, if the machine around her neck is an iteration of the collars they have, then this process wasn't something she liked, or given how intense this experiment looks, this was a test of high-pressure to ensure she always stayed calm during performances (?). Then again this could also be a posture practice given all the structure focused on maintaining her position.

(What I believe was another form of this test was shown before so I think so)

(With her hands in a praying stance I wonder if she was praying to herself or singing a religious song (sweet dream?) It's also interesting that the machinery around her looks like a halo, and she looks so...angelic? holy?)

Image making practice

By image making, I think they made Ivan replicate expressions with his face. Whether this process was painful for him or not...I'm not sure. But it looked visibly uncomfortable, maybe that was the point. (His expression, even in this circumstance is so dubious..)

Ivan, among other things, needed to have a spotless appearance to be successful, his image was a priority given his skills were certainly guaranteed.

I assume the aliens eventually took note of his lack of expression, in the real world this can be a detriment to one's career, so the Aliens had to ensure quality was perfect. (To a more...dedicated level)

Superiority test

'Superiority test' Is very vague.

HyunA is very calm here too, likely sedated in that water with all the tablets on her. I guess this was a test to get an idea of a pet human's strengths and weaknesses, endurance, and temperament to compare and contrast them with others, testing who is more viable for Alien stage?

Another interesting, and sad part about this is that HyunWoo was there, watching his sister through her experiments.

(Also, it looks like both of her legs are normal, no alien leg yet.)

Heart rate variability

And finally, the most visceral of them all. The wording 'variability' makes this all the more sickening, the Aliens were testing his heart hours, testing it at different rates, speeds, and states. And he was in agony the entire time. Even the way he's clutching his chest, it gives me chills. This would've been a completely harmless test in a normal setting, as something quite similar to this can be performed efficiently in real life. But he's being tortured in the process.

This is one of the first times we've ever seen Luka's face so truly clear and unprotected, (understandably so.) He's even crying.

[evilwizardtits999]

People who say Connor/ Ratonhnaké:ton is the most serious assassin or that he has a really flat personality are flat out lying. Literally in the gameplay when you call on the assassin recruits and they are injured if you press B as if to loot them HE REACHES DOWN and asks them if they are alright WHILE HOLDING THEIR HAND. I keep thinking about it, it's the sweetest thing I've seen in these games. HE IS ACTUALLY WORRIED ABOUT HIS RECRUITS, (his friends). I mean the whole Homestead thing proves it and all but outside of that. Idk it's just stuck to me, like he really actually cares.SOMEBODY put that in the game, somebody thought of it, others agreed and they added that. Let's not forget he also has his hood off when he enters the Homestead, he finally feels safe. Like, he lost his tribe, his people and then they created A WHOLE ASS FLAG for themselves, they defend each other and stuff. And like, he created that, he made his own family and got involved with everyone in their own way. I just idk, idk man....he...he cares.....

[forzathunder]

"I have many fears, most of them about Lucrezia." — Cesare Borgia (The Borgias, 2011-2013) + hints of insecurity

that she adores someone that much / if she will reject his dark nature and act of love and violence as Ursula did / if he truly is not part of her desires / that she easily forgets him

[galacticlamps]

the way Edwin's immediate reaction upon seeing the misery wraith in the Devlin house is to grab Crystal and cover her mouth, even while he's explaining (apparently calmly) that it hunts by sensing negativity and pain - presumably instead of using sight or sound

and the way that he does the exact same thing to Charles when they're reunited in Hell, but here he urges him specifically to be quiet (in what must be the most barely audible line of dialogue in the whole show) because he's found that's the only way he can get a short reprieve between bouts of torture from the spider thing (to the point that when he ran into Simon earlier he - rather nonsensically - believed the sound of tearing paper behind a closed door was also a big risk)

All I'm saying is, it doesn't look like it was actually all that important he stop Crystal from making noise in the Devlin house, and as much as that scene originally read as Edwin kinda having his shit together while Charles & Crystal were both more affected & then literally incapacitated, his head couldn't have been half as clear as it first seemed if his immediate reaction was reverting to Surviving Hell Tactics even when they weren't really helpful or applicable here

[danandfuckingjonlmao]

good night and sweet dreams to the best, sexiest, sluttiest, smartest, realest, most based, valid, relatable, girlipop, sympathetic, cunt, fun, cool, feminist, aspirational girlboss character in dead boy detectives: doll spider <3

good night to her and no one else. i hope the rest of y’all have a bad night and terrible dreams.

[bluerosefox]

Of Godsons, Fruitloops, and Lois 'I will drag all secrets out into the sun' Lane

Danny loses his parents due to their own lack of safety in the lab (death? Coma? People finally putting their foot down about the Fenton's endangering their kids? Idk pick). Jazz can't take him in due to being in college and living on its campus (and he didnt want to force her into an apartment just to keep him, he saw the prices and knows she'll have to work to make rent) and Danny fears the only place he can go to is... Vlad. (Sam's parents would never let him live with her and Tucker's place doesn't have the room)

Vlad's been lording it over Danny, smug about it all, after all he IS Danny's godfather and he has the space and money to provide for the boy in his time of need.

Only, when digging into Danny's files, his social worker discovers Vlad isn't Danny's godfather, he was meant to be but the Fenton's forgot to send/sign in the final paperwork (even if those documents were the only contact they had with Vlad over the years before the reunion)

No Danny's godparent, the person to take him should anything happen to the Fenton's is....

Lois Lane.

His mom's childhood friend.

[heybiji]

"Do me a favor and put your arms around me."

[ruporas]

post ep 11

[backpackingspace]

Hey hey do you think Athena almost went to go visit odysseus out of habit because she was bored and wanted someone to mess with, because she found a new move that would be perfect for him, because she had to witness some absolute idiocy and if she has to suffer odysseus does too and maybe after she wants he'll make some dumb joke that'll make her find the whole thing funny, because she misses him and didn't realize how lonely she was until she didn't have his friendship, because she cannot sleep at night and cannot stop replaying their last conversation over and over and over how as he screamed at her he had tears in his eyes and she---

[1v31182m5]

Lyrics by Tommy Dorsey's Street of Dreams 01:25

[aleksanderscult]

Was Aleksander power-hungry or wanted power to use it for the protection of his people?

This question is one of the most hotly debatable in this fandom and I decided to clear this out not by analyzing his words through the POV of other characters (who don't believe him and therefore the reader finds him a liar) but through his own perspective in "Rule of Wolves".

So let's take an objective look inside his own thoughts and find out.

His very first thoughts were how could he reclaim his powers, describing the whole experience as somewhat painful and confusing to him. His second were about Alina.

And these are his third ones. He explains how utterly worthless Nikolai and Zoya are to save Ravka. How immature and weak. Aleksander finds himself to be the only one able for this task. His powers, experience and general abilities are testament to that.

But note how he calls Ravka "his country". From the carved woods decorating his bedroom to his knowledge of "every pebble and branch" of it, this country is special to him. He loves it, feels a connection to it and wants to protect it.

(You just can't call the Darkling "unpatriotic")

He displays bitterness for his loss and Ravka's new state just verifies to him that his plans would only prevent this decaying fate.

Yuri: "Sankta Alina who gave her life for Ravka"

Aleksander: "Am I a joke to you?"

And indeed is he?

Aleksander displays a very strong resentment for the lack of recognition he has gained. His statement: "I gave my life for Ravka" probably doesn't only allude to his death from Alina's hands but also his total commitment in the protection of the Grisha and Ravka that lasted for centuries. He gave his life away by pushing his personal happiness and well-being aside and wholly dedicating his life and skills to a selfless goal. He wasted years, allies, soldiers, endured otkazat'sya Kings that rule him, a bitter mother and his own immortality only for others to hurriedly erase any memory of him once he's gone.

So it seems that his desire to be seen only stems from his long-awaited and secret wish for his actions to be recognized.

Based on the last screenshot, he views his actions as justified not because of a "power-hungry nature" but out of his efforts to help others. Whether these actions are justified or not depends on the reader.

I believe this is one of the most concrete evidence that Aleksander truly cared about the Grisha.

He felt intense anger for those who were ignorant and apathetic towards the Grisha's fate and he himself cared about who was gonna sit the Ravkan throne.

No matter how much humanity he shed as the years passed, it seems that he didn't shed all of it by the time of these books.

Apparently Aleksander had two main goals in this book:

- To protect his people and country as he always strived to do.

- For others to finally give him some credit and have their acknowledgment that yes, he has done something for this country all these years.

In order to help the Grisha and change their fates he needed to be in a position of strength, hence his desire to take the throne. He views himself as a fatherly figure towards his people. A protector and guardian.

But he also wants to become a Saint and king. For people to look up to him. So many Saints had done less than half in comparison to Aleksander and they still won people's love. Now it's his turn and he thinks he deserves it.

I'm adding a short parenthesis here.

His concern didn't only extent to the Grisha but to his blind, otkazat'sya followers as well.

He cared about what would happen in the battlefield and seemed ready to create nichevo'ya to protect them. Merzost is extremely painful but this "selfish" villain is ready to use it to protect his naive but innocent army.

A hundred of years ago Aleksander refused the King's gold as payment for his services. Instead he opted to plead for the construction of a palace. A home and haven for all the Grisha that were hiding out of fear from the persecution against them.

He saw his chance and took it to make the lives of his people a little better.

So this whole "the Darkling created the Fold out of his desire for power" was bullshit after all.

He wanted power but only to use it to end the wars. Ironically, the result of it (aka. the Fold) only aggravated the problem.

And the Darkling's dream never came entirely true. He gave them a home but never a safe life. Ravka was almost always at war, Grisha were never accepted, the Ravkan kings never paid much attention to the Grisha's problems regarding their role in society which placed them almost at the bottom of the food chain.

All these things worried Aleksander and pushed him to action both when he created the Fold and when he started the Civil War.

The Darkling has a very different mentality than those who don't have the burden of immortality on their shoulders.

Aleksander uses time as an advantage and has a remarkable patience. He bides his time and strikes when he sees the opportunity, leaving other people to die since they're only just a part of a whole. He probably thinks: "Well, I'll meet plenty more new otkazat'sya in the future so why should I be concerned for this bunch here?"

But the bleak future of the Grisha make him stop and think. They're the only reason why he stays and fight and why he proclaimed Zoya a Saint.

So it's obvious that Aleksander only used power for the benefit of his people and country.

- When king Yevgeni offered him a handsome reward, Aleksander turned it down and chose to appeal for a better future for the rest of the Grisha.

- When the wars didn't stop coming and Grisha were again getting killed, he tried to use merzost to augment his powers and put a stop to it.

- When he tried to use the Fold as a weapon with Alina at his side, he did it to place Ravka in a stronger position in comparison to his enemies.

- He viewed Nikolai and Zoya dangerous to the rest of the country.

- He was concerned of what would happen to the Grisha if Demidov became king.

- He was determined to save Ravka and lead it as their king and protector.

- Even though he thought of leaving, he stayed out of concern for the Grisha (again).

Contrary to the people who say that the Darkling began selfless but by the time of these books became selfish, it seems that he never lost his selflessness. He still kept thinking about others and his last moments he was unrepentant for his crimes since he did them for others not for himself. It's true that he had pride and an ego but rightfully so. No one else was as powerful or as capable as him to make a change and, honestly, no one else made a decent effort but him.

He also displayed a strong bitterness for the fact that others were so quick to forget him and his actions. He felt wronged that after all he had done, none wanted to acknowledge his own part in the protection of Ravka. He wanted to be seen and appreciated. His anger and indignation came from a place of injustice as he saw it. Whatever he did was labeled as wrong and people only feared him, never feeling gratefulness or love towards him. The Darkling wanted others to give him his due for what he went through, did and tried to do. Recognition after so many years of feeling invisible and hated.

It was something that even his enemies admitted about him:

The strongest evidence of his yearning to shield his country is how he willingly gave his life for it at the end. He would be tortured forever but at least his people wouldn't forget him and he would have fulfilled his desired role as a protector of his country.

[stop-breaking-my-heart-dragonage]

You ever think about how in spite of knowing their exact locations, the game never gives any indication that templar Carver has reported his mage sibling, Merril (a blood mage) or Anders (an abomination) to his superiors?

I do think about that a lot, even though I tend to ignore the Templar Carver route because I know Warden Carver to be true in my heart and soul... but I totally get the appeal of Templar Carver within DA2's narrative, y'know?

It's so fascinating, really. I've never played a run with Templar Carver, I just can't bring myself to do it, so I know I'm missing out on smaller details of it. From what I do know, this drives me crazy in the best way possible.

Deciding whether to bring him or not to the Deep Roads is such an important choice, not only because it affects his fate, but how it affects his relationship to Hawke. He tells you that he wants to go, he makes it very clear that it's important to him that he goes, too... and Hawke can just leave him behind and it hurts him. I don't think that registers enough with some people just because of how Carver is, like it doesn't matter what Hawke's motivations are [staying behind for his safety, not wanting to bring him, thinking someone should stay with Leandra, etc] it still hurts him because it tells him that Hawke doesn't need him, and Carver wants to be needed.

And yes, there are other contributing factors to why he joins the templars, but it doesn't matter what your relationship is to him, it doesn't change the fact that he doesn't turn Hawke or his companions in.

Sure, the meta reason is it's a video game and you're playing the main character. You're never in any actual danger of being captured by templars, and you're not going to lose your companions to them that easy.

But if we look at it through the narrative and Carver's character, that's when it gets interesting. You can max out his rivalry and be an utter asshole to him [there's a point where you can call him a brat and mock him for being stuck in your shadow, like Hawke can be real cruel about it] but it doesn't matter, you're still his sibling. He even makes a remark about how you might not know what that means [referring to leaving him behind] but he does. He refuses to kill Hawke in the end when Meredith makes the order, too.

Which can I just point out that Hawke has the option to let Bethany die in the end if she's with the circle and they side with the templars? Just saying, Carver NEVER does that no matter what, but Hawke has the option to betray Bethany like that and it's fucked and interesting and it makes me want to eat my chair-

As for Merrill and Anders, I think he knows that if he turns either of them in, then the chances of Hawke being brought in as well skyrocket. They're all friends, they're in the same group... bring one in, and you'll probably get the other two.

I also think Carver just genuinely likes Merrill. Yes, I'm a Carver/Merrill shipper, so I have a bias, but even if you remove anything romantic from their dynamic I believe that's true. Of all the companions, Merrill is the only one who doesn't make fun of him, or find him annoying, in party banters. He never snaps back at her, like he's never defensive with her, he's just a little awkward and nice.

Like, HE'S SO NICE TO HER! He tries to find common ground with her! She asks him about "swording" and he's taken aback by her saying he's good at it, but you KNOW that if someone like Anders asked him the same question, he's be all, "shut up, you're stupid, stop talking to me >:["

Think back to that banter Carver can have with Aveline post-act 1 where they're talking about how the guard wasn't the right place for him [hard disagree with you there, Aveline] and Carver says he was a bit of a tit, wasn't he.... and every companion will agree except Merrill. She doesn't say anything, whereas other companions like Anders will be like "ugh maker YES" and if you have a purple Hawke, they'll go on to other ways Carver was a tit like?? I think Carver and Merrill got along and he doesn't want to turn her in because she was nice to him! And she's a blood mage! He knows what will happen to her if the templars get ahold of her! He doesn't want to see her made tranquil or killed!

At that point, he's witnessed what bad blood mages can do, assuming you've brought him along for those quests, but even so. He knows Merrill isn't like that and he likes her, so of course he's not going to turn her in despite that being his literal duty.

Then there's Anders who Carver doesn't like. If you're in a romance with him, Carver will tell him that's why he doesn't turn him in but c'mon Carver, you know that's not the only reason. My theory is Carver may not like Anders and he knows the man's got a spirit of justice inside of him... but Anders also runs a free clinic. If he's ever taken in by templars, then so many people [including a LOT of Fereldan refugees] will be without free health care and will suffer for it. I think in Carver's eyes, Anders might be irritating but he doesn't more good than harm. Carver knows first hand how shitty refugees and poorer people are treated in Kirkwall. Anders' clinic is the one place they can go for help and actually get it, and he's not going to be the one to take that away because the templars say "magic bad."

So yeah, I'm not as informed about the Templar Carver route, but I do think about how if I did do that route, he wouldn't betray Hawke or their companions no matter what and what that says about him.

[quietwingsinthesky]

it ever hit you out of nowhere that castiel is living in a dead guy's body and the show just does not care. it does not care. jimmy novak might as well not exist the moment he or claire is out of sight. cas stole a guy's body and his face and his life, and we can't ever talk about it or discuss it in detail because of how fucking horrifying it is that sam and dean's best friend just walks around in a dead guy suit. there's not even a human soul in there anymore. it's just a corpse. stone-cold body snatcher indeed.

[serpentface]

how is sex work perceived and treated - spiritually, legally, morally - in broad areas relevant to the white calf core cast? imperial wardi, the hills etc

Sex work is EXTREMELY stigmatized in Imperial Wardin, yet generally regarded as an element of society and a necessary function, not one to be eliminated. You'll occasionally find fringe groups decrying the presence of brothels as polluting elements upon cities, but they are minority figures- sex work is legal, generally accepted, and very common.

There are some exceptions- in most of the city-states, only sex work out of registered brothels is considered fully legal (independent sex workers are breaking the law in most city-states, though how much these laws are enforced varies heavily). All legally operating brothels must be officially registered, and are heavily taxed.

Prostitution of children is illegal, and this is one of VERY few protections for sex workers that is strongly enforced. But it should be clear that the societal definition of a child here does not match the contemporary- a person is generally considered an adult woman upon menarche (which is later on average due to poorer nutrition, but is still going to include a lot of like, 14 year olds). Boys are considered adults at the age of 16.

Forced prostitution is also illegal on paper, but this is poorly enforced. Even when not Outright forced, many sex workers are working as indentured laborers, or under prohibitive conditions where they have very little freedom of movement or legal ability to leave during the duration of their contracts.

Sex workers are an incredibly vulnerable, stigmatized social minority that have very few protections and are often subject to abuse.

The stigma against sex work surrounds the sex workers themselves. This is culturally justified and partly rooted in aspects of broader body taboo- receiving penetration = metaphysical vulnerability = openness to spiritual pollution, and they are considered to be heavily polluted by their line of work (regardless of whether or not a given person actually is receiving penetration on a regular basis- male sex workers who primarily have women as clients receive much the same treatment, the stigma here is fundamentally a form of bigotry, not something with a consistent internal logic).

In addition to concerns around penetration, the act of '''selling''' the body itself is seen as a polluting devaluation of the sacred body and using it to extreme excess. Sexuality and libido is societally valued, but in a framework of moderation- sex workers are seen as wildly out of moderation and are often ascribed qualities of an excessive libido by virtue of their line of work.

Sex workers are prohibited from entering most temples and participating in many public rites, justified in their ‘polluted’ status, under the assumption that it will de-purify the place and sully most rites. This serves to keep them isolated from key facets of social life and culture, and can leave many spiritually ostracized (most sex workers from within this cultural sphere are also going to believe in notions that they are spiritually polluted, with limited outlets to cleanse themselves).

There is one folk tradition that has developed to assuage some of these fears and the sense of isolation- an epithet to the Face Ganmache that translates literally to 'Mother of Whores' (a rather strong name that reclaims degrading slang in the original language as well), which watches over sex workers and their labors. This is wholly a folk tradition and not part of core dogma, and priests are self-appointed, mostly elderly former sex workers. They provide rites of purification and blessings for those denied access to temples, sometimes train themselves as midwives to assist in births (or abortions), and will help ensure deceased workers get proper funeral rites.

Generally, the concept of something being spiritually polluted translates to full avoidance of the person/place/thing involved, but these concerns are rarely applied to the Hiring of sex workers (ie they are spiritually polluted and highly impure and shouldn't enter temples but you, the client, are not affected by contact). While some people will try to provide logical explanations for why hiring a sex worker is not polluting, this does not have any true underlying logic and is a product of a society that both reviles sex workers and desires their labor.

They are generally expected to visually identify themselves as sex workers at all times- the exact details vary by city-state, but wearing hair unbraided and an uncovered head in public is most common (particularly in the west of the region).

Male sex workers are denied certain rights otherwise available by default to men (self-legal representation, ability to own land that is not gifted, etc). Female sex workers do not have these rights to begin with, and have even more difficulty than other women in finding legal representation, given that they situationally rarely have fathers/husbands/male family members willing to support them.

Because of their inability to represent themselves in court and the difficulty in finding representation, they often have little to no recourse against abuse or violations of their contracts. There are some lawyers who specialize in representing sex workers (fewer still who do this entirely out of benevolence for a vulnerable social class), but they are few and far between.

The majority of sex work is marketed towards male clients, and the majority of sex workers are women. Male sex workers are mostly young men who serve male clients, and will usually keep themselves beardless and not overtly masculine (while not distinctly effeminate either) to remain desirable targets for the sexual outlet of most men. (There is no concept of sexuality in this culture- if you are a man, you are a penetrative partner in sex and the gender of the receiving partner is of little concern. Younger men beneath you in social stature (in practice, these are almost always sex workers) are considered appropriate targets of male desire, and as such you have some men who would be considered heterosexual by contemporary standards having sex with other men). Male workers who primarily serve female clients tend to vary more in age and have less social restrictions on their appearance or masculine presentation.

Eunuch sex workers usually serve male clients, and are regarded as appropriate targets of male attraction regardless of their age (largely as they are seen as entirely incapable of performing penetrative roles, and conceptualized as de-gendered). Akoshos (those designated male who perform women's gender roles) sex workers are seen as uniquely predisposed to serve both male and female clients, as their gendered space is broadly conceptualized as dual-gendered (being physically capable of performing 'male' penetrative roles while living under women's social roles)

Hiring of sex workers is not considered infidelity and is entirely permissible to do while married, though women are often heavily discouraged from doing so (largely out of concerns of pregnancy, partly out of patriarchal control over women's sexual behavior). A woman who pays for sex work receives more scrutiny than is applied to men. It is not outright inappropriate, but can be considered indicative of an excessive libido or overmasculinization. Women are imagined as having naturally lower libidos than men, so behaviors that challenge this notion tend to be be noted.

The only circumstances in which hiring sex workers as a man attracts scrutiny is when it is deemed excessive, symptomatic of an uncontrolled libido. Men who hire male sex workers closer to their age and/or bearded will also attract scrutiny- while not outright Condemned, it's suspiciously out of the acceptable range for male desire (though will most often similarly be interpreted as an excessive, uncontrolled libido, ie you'll just fuck anything with a hole). Receiving penetration from a sex worker as a man is wholly condemned, as is seen as UNIQUELY violating, not only a severe deviance from male social roles, but at the hands of a stigmatized, polluted figure that is at the absolute bottom of the social ladder. This usually happens in secret and often involves paying the worker off for their silence.

The one major exception to stigma against sex workers is in the lemna courtesan tradition. Lemna are mostly unmarried women and/or akoshos who are very skilled trained performers who work as entertainers for wealthy clients. Their services are not sexual in nature, rather they sing, dance, act, play music, and recite poetry, and are skilled conversationalists that provide company for clients. Lemna usually operate out of elite brothels, but as separate services to the sex workers, and are in theory never available for sex work. Lemna providing sex work sometimes (though not frequently) occurs in practice, but it is always be presented as something they have not been Paid to do- their payment was for entertainment, and they will present it as a (almost always purely fantastical) situation that they have grown attracted to their client and are engaging in a romantic tryst.

Lemna courtesanship is long-established and a valued part of this culture's art and theater traditions, and they do not face the same stigma as sex workers, rather being seen as an elite class of performers. They do not exactly have a High place in society either (as unmarried civilian women and/or akoshos, they are notably lacking in social power), but the regard towards them is overall positive. The exemption to this stigma partially lies within the framework of body taboo (they do not explicitly 'sell' their bodies or directly engage in sex work), but is largely rooted in the esteem of their tradition rather than any coherent logic.

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Sex work has a much less significant, less complicated, and less intensely stigmatized place in the highlands, mostly due to its reduced presence. Most people are living in relatively small agricultural villages, or transiently as herders, so there are fewer opportunities for sex workers to operate on regular and official levels. The only places you can reliably find sex workers within the highlands are in small quasi-towns that crop up around land trade routes, or occasionally as traveling traders (usually offering material goods in addition to sex work services).

There’s also no intra-highlands currency system, so sex workers will usually be paid in goods, which in turn influences the cultural lens on sex work. Goods have direct, immediate utilitarian value that currency does not, and paying goods for service is most pragmatically done as a means of material practicality- forming alliances, acquiring farmhands, receiving the defensive or offensive service of warriors, etc, not for temporary gratification.

The fact that this cultural sphere is fairly egalitarian in terms of gender (though it has strongly enforced, separate gender roles for married men and women) also contributes to the comparative lack of stigma- part of the Imperial Wardi stigma against sex work is interwoven with misogyny (with women sex workers being the most degraded extent of femininity, and male sex workers taking on inappropriate, degraded feminine roles in providing sexual services). Women have equal overall societal power to men in the Hill Tribes cultural sphere, and things associated with femininity are not Themselves degrading (men seen as feminine are not shamed for femininity itself, rather in their specific failure to perform male gender roles- the distinction can be subtle but is very significant to how gender roles are approached).

Casual sex between unmarried men and women is fully accepted, somewhat seen as a hallmark of youth. However, married couples are expected to remain exclusively faithful to one another. This also goes a ways to discourage hiring of sex workers, which would be accepted grounds for a divorce and a mark of shame on the person who strayed.

While not excessively stigmatized, the views on sex work here is nowhere near Enlightened And Supportive either, it’s still seen as a highly degrading, unfortunate line of work. Sex workers are usually going to be unmarried women of marriageable age who could not (or would not) acquire a husband for one reason or another. They are women who failed in expected roles of marriage and becoming the manager of a family’s home and property, and have not even taken an esteemed, productive role for spinsters (usually physical labor in herding, farming, raiding) in favor of one that is considered ‘selling’ one’s body to provide useless, base services to desperate men. It's something that will usually be looked at as sad and unfortunate at best, or an absurd dereliction of duty at worst.

Male sex workers are virtually unheard of (within the highlands at least, there's cultural stereotypes of Wardi men being effeminate and predisposed to sex with men, so of course THEY'VE got male sex workers all over the fucking place), and the concept of a man operating as a sex worker would just seem absurd to most.

But the levels of social shame surrounding sex work are actually higher for the client in this cultural context- it’s suggestive that you either cannot afford to get a wife/do not have the requisite masculine skillset to be a husband, or otherwise that you’re so utterly incapable of getting laid that you have to go to great effort and barter for sex, a petty expense of valuable goods. It's both a foolish waste and in many ways a failure of expected male gender roles. Most men who hire the services of sex workers will keep it on the down low, or (if living near the borders) commute to Wardi towns or tradeways for access. It’s seen as an act of desperation, foolish, emasculating, and will generally be mocked and shamed.

I actually have a framework of a folktale that kind of demonstrates the cultural lens pre-established (no names for the characters or clans involved, it's supposed to be of the far northern Bict-Braíghnnas tribe). I'll put it under the cut:

One of the folktales describes a young woman who was strikingly beautiful and exceedingly clever. She was of the Bict-Braíghnnas, the lone daughter of a very small, very poor clan, consisting only of her immediate family and a few cousins. Her father had died young, and her younger brothers and cousins were malnourished and inexperienced, and could do little to protect or grow their meager herd of horses (they certainly could not afford cattle). She had to take on the role of the provider for herself and remained unmarried long past marriageable age, living day by day doing whatever she could to scrape by and keep her family afloat.

She became aware that the patriarch of her ruling clan had an eye for her, and he began approaching her in hopes of soliciting sex. At first, she always brushed him off. She found him repulsive, as he was foolish and greedy and rather ugly. But she started to see an opportunity in all this. It was a humiliating opportunity, but one she was willing to take.

The next time he approached, she pretended to consider his advances, but only if he should provide payment in turn- if she was as beautiful as he kept saying, and he was as wealthy as he kept bragging, wouldn't it be worth the price? He first offered her a sack of barley, but she laughed him off. He then offered her fine clothes, but she feigned insult, was she not already beautiful even in poor, worn rags? He then offered her a breeding pair of pheasants, and she pushed aside her shawl to expose her breasts, and sweetly asked if he Really could not do better, wealthy in cattle as he was. The man was now, quite clearly, hard in his trousers.

He finally relented to an obscene payment- he would go under his wife (the owner of his cattle)'s nose and give her an adult cow, in payment for having sex with him just once. This is a high price to pay, but she was gorgeous and he was rich in cattle and could afford to lose one (or two. or five. Maybe more.). She accepted his offer and had sex with him, and came away with her very first cow.

(Some tellings of this story go on a tangent here where she sneaks the cow right back into the man's fields under cover of darkness, to breed it with one of his bulls and begin forming her own herd)

Over the next several months, he started regularly approaching her for sex in exchange for cattle, until he had to start coming up with explanations to his wife as to where the missing cattle had gone- he first claimed they were given as gifts, then that some were stolen, inventing wild stories of great raids and declaring open conflict with the greatest rival to his clan, all as means of masking his dalliances. This skirmishing came at great cost to his own clan, but he was too foolish and weak-willed to stop.

The woman was meanwhile using her newfound and growing wealth in cattle to make connections and political moves, slowly establishing herself as a powerful figure and having many in her debt. Her brothers and cousins, finally well fed, grew tall and healthy and began to take on roles as herders, protectors, and raiders, with the assistance of more young men gained in alliance. All the while, she dutifully continued her paid trysts with the patriarch whenever he summoned her.

Eventually, the man had given her so many cattle (which had been bred in the meantime, and more had been acquired in trade and raids) that she had three times as many as he did. One day, she did not appear as expected. She had amassed great wealth for herself and her clan, and had been courting the unwed son of the patriarch’s rival clan. The son paid a hefty bride price for her, and they were wed on that day.

Now the wealthiest in cattle and the most powerful clan in the valley, the woman and her new husband ousted the weakened and disgraced former patriarch, becoming the new ruling clan of the Bict-Braíghnnas. The couple were wise and wealthy rulers, and their clan remains in power and rich in cattle to this day.

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The cultural outlook on sex work (among other things) is fairly well encapsulated here- the sex work itself is degrading, but this fits into common motifs of this cultural sphere’s folktales where the hero figure overcomes difficult and often degrading situations with wit and social skill, and ultimately rises above it. Note that as a (non-comedic) hero of this tale, she uses her sex work very intentionally and pragmatically for material gain and alongside many other measures to increase her standing. Also note that, when unmarried, she's specified as taking up practical labor roles, and ultimately acquires a husband and ends the story in the expected position as a wife.

The actions of the man who hired her are distinctly shameful. He is performing his role as a husband TERRIBLY- being unfaithful, completely mismanaging his wife’s herds and ultimately driving his clan out of power all in pursuit of petty lust. He is in part an exaggerated, cartoonish embodiment of the cultural perception of the clients of sex workers- desperate, foolishly lustful, and an overall failure as a man. Most hearing this story would find his role highly comedic, a powerful but stupid foe for the clever and pragmatic hero to overcome.

(Very minor side note: the detail of him being enthralled by her breasts is also meant to be comedic- breasts are not sexualized in this culture (women's hips/thighs/buttocks are what is typically seen as sexually attractive), and many women will be out topless on hot days without note being made of it (toplessness is culturally acceptable, exposing genitalia/buttocks is not). The notion of a man being out of his mind horny over the sight of a bare tit would register to listeners as excessively lustful in a humorous capacity)

While the focus of the story is ultimately more on the contrast of thrifty and foolish behaviors, it also functions as a discouragement of hiring sex workers, casting the loss of assets in trade for sex as a similarly foolish venture, degrading to the worker and humiliating to the client.