#but we saw hades

[descendantofthesparrow]

Oogie boogie bash was a blast, we got like 10 pounds of candy, and ofc i had to visit the small descendants section, even if it's Ror themed, it's still descendants and I love descendants.

Off to boogie boogie bash with @gladsturbations~~

[ceruleanmarz]

What a time to be bisexual

[vviczyl]

When you have a meeting with your mother at 8, but dinner with Patroclus at 9...

Improvise!

Reference lmao

[thrnwhip]

if someone has already done this i am so sorry

[cthoniccompanion]

supergiant naming thanatos's scythe and letting us wield it in hades 2 is so iconic of them

[alyona11]

Ok time for my big Hadestown hot take and that’s that West End Hadestown doesn’t give you a 100% Hadestown experience. It’s still ridiculously good and 100% worth seeing, don’t get me wrong (I used my opportunity and saw it twice and will likely see it again if I’m in London), but it kinda made me realise a couple of things about OBC production that will always be my Roman Empire and make me deeply upset Broadway is too greedy to give us an OBC proshot.

So, here are some of my thoughts and reflections based on seeing Hadestown live on West End + seeing different versions (including London National theatre proshot) in boots. I think you can pretty solidly say that in Hadestown there are 2 main stories: Orpheus/Eurydice and Hades/Persephone. And even though arguably Orphedice is the main most important story, it my opinion it also wins from Hadesphone story being strong. Which works perfectly in OBC due to Amber Gray and Patrick Page delivering a very deep nuanced performances as their characters.

I think part of the success of Hadestown when it works on its fullest is how it creates a very deep emotional journey. And I feel that regardless which pair of Orpheus and Eurydice you have (if we take Broadway/tour/West End take on the characters) it’ll still work! Like you need to try really hard to mess up orphedice the way people wouldn’t root for Orpheus or wouldn’t empathise with Eurydice because they are so relatable and cute. You instantly love them, they are so so lovable. So orphedice part is one thing in Hadestown that imo works if not always then in 99% of the cases.

Hades and Persephone’s part of the story in the contrary is VERY hard to nail on 100%, in my opinion, and this is literally driving me crazy. Maybe seeing Amber Gray and Patrick page in professional recording awoken some feelings in me, I don’t know. I will state straight away that I also do enjoy other actors’ takes on characters and I do see some very interesting character moments there and there. However, I keep returning to the thought that Amber/Patrick’s characterisation works SO WELL for the main narrative. I’ll try to explain why I think so. Consider it my love letter to the OBC.

First and foremost, I feel like Hadesphone story has a very fine dynamic that the actors have to nail, so you would feel that: 1) these two still love each other; 2) these two are buried under their problems and see no way out, only a miracle (aka Orpheus and his song) can save their marriage.

And if the first one usually works at least due to Epic 3, the second one, imo, often (at least partially) falls victim to acting/directing choices which can cause troubles with point 1 as well. I think one big thing I’ve noticed is that often Persephone’s alcoholism gets forgotten in the acting performance. Like yeah sure her choreography includes drinking from a flask but in comparison to Amber you never get a feeling that she is absolutely wasted. Which, is in my opinion something that you should feel when you’re watching the show and something I was constantly forgetting about when I was watching the show on West End. I feel in Amber’s performance you can constantly see that her Persephone���s feel good attitude is a façade of a broken person who knows that her marriage is going to hell in front of her eyes yet she is too passive and hopeless to try to make an active change (well, she does try in Chant and nothing happens), so her only way is to chase the sense of normality that the “medicine” gives her. But when she is alone, if you get to catch a moment when people are not looking at her, you can see a deep sadness under her positive front and her memory of the old days when everything was more simple. Nevertheless, the main point that the lyrics literally say is that Persephone is blinded by the river of wine. And this is crucial to her character and her relationship with Hades because the story states that even though Hades is a problem and he is an active actor in creating more problems, he is not the only failure in this relationship. Persephone needs to be woken up from her apathy almost as much as Hades does and this is something that we see during If It’s True.

From Hades’ side I feel like it’s not a good decision to make him a total villain because when he is irredeemable you don’t feel like the whole “song that will fix the world” has any chance of working long term. I think Patrick nailed a deep antagonist very well. His Hades is weird and lowkey creepy and alien. He does objectively bad things but when you look at him you can’t stop thinking that he doesn’t operate in regular human logic or morality. When I look at him in Chant, it feels to me that his words about building stuff to impress Persephone are absolutely sincere, and I can absolutely see that his Hades doesn’t understand why she is so upset about it when his intentions are so so clear. Maybe it’s my vision but even before Epic 3 when he is so far gone and buried in his projects and messed up ideas I don’t have a single doubt that Persephone is a single motivator and goal of Patrick Hades’ life and that he literally doesn’t need any other being to care about. And tragically this fixation is what makes him blind to all other things he does even if those things ruin Persephone’s life (and other people’s but tbh I don’t think he cares).

I feel like by removing Persephone’s Chant 2 verse Hadestown created more problems for Hades and Persephone part of the story making it a much harder job for the actors to prove to the audience that Hades and Persephone have a chance to make their relationship work. Like I get that maybe it was a necessary things to do (even though I think the show is much better with it) but it made it so much harder to empathise with this particular part of the story unless the actors use the choices that work in the narrative. Because for example when I was watching the show on West End part of me was wondering “what is Persephone’s deal in all of that, what does she win by staying with Hades?” With the verse, and with Broadway Previews or London 2018 in particular this part was clear: Persephone still loves Hades and believes that he has the opportunity to change and become a better man he used to be. Without the verse, however, the actors should give you the same idea during the show which is a hard task considering Hades and Persephone have only 2 big conversations together (Chant and How Long). So apart from those songs there are only subtle mostly silent moments they get together through which the actors have to convey the same thought which is hella difficult and probably hardly will be appreciated by anyone apart from the people who sit closely.

So, maybe because in the actor combo I saw (Zachary and Lauren), I got a feeling that even though they were great separately, I didn’t feel much chemistry between them as a pair. I think, Persephone seemed pissed and tired of Hades all the time until How Long and I didn’t feel that she still believes in his willingness to change. And Zach Hades despite being entertaining, kinda gives the impression of Hades who has other options, he is not into Persephone enough. The only sparkle appears between the two in Epic III which is still cute but I’m not sure if it works just as well if that’s the first time you see the show? Also considering Zach Hades gives more malicious intent in His Kiss, The Riot it seems that he is not even slightly interested in Orpheus having any opportunity to succeed with his quest. Which is not bad, don’t get me wrong! But in comparison to Patrick who is deeply self projecting into Orpheus to the point where you could see that even though he doesn’t want to let him go, part of him does because it would prove he too could succeed in his challenge of waiting for Persephone, this take seems a bit lacking. And overall because of His Kiss, their promise in Wait For Me doesn’t seem as giving much hope that the story won’t repeat itself next Sunday. Which in its turn makes Orpheus’ sacrifice feel a bit… worthless. If on Broadway, when Orpheus turns, but spring comes again you feel like it is the start of something new: hopefully a kinder and softer time. On West End the show also wants you to feel it but when you think about Hades and Persephone you feel…less certainty that this sacrifice will have a long term effect?

I guess the creators wanted to concentrate on Orpheus and Eurydice more and forget about Hades and Persephone by making them more secondary story or maybe there was a lack of director’s involvement to give the cast some hints on how to make this particular part of the story work better, but it feels to me that in its current state the show works in its 85% power which is still great but once you know there is something missing you can’t stop thinking about it and wishing the show would give you those 15% you crave.

[genericpuff]

this is driving me nuts and i don't know if i'm off my rocker, but demeter's son is implied to have died when he was about ten. the great divide lasted ten years. is rachel seriously saying that demeter IMMEDIATELY got with the king and had a kid within the first few WEEKS of the divide? like, she's got a SHORT time frame if he is indeed ten. she's banished and made mortal, her daughter has to run the mortal realm, and demeter - who is obsessed with her duty - just. gets pregnant? wtf rachel?

k but they also claim that he's 12-

so yeah rachel really isn't even planning anything out anymore, she's definitely trying to save face in her interviews that she's 'planned out' what's currently happening for a 'long time', but evidently not long enough for her to notice the plotholes that are happening in real time lmao (so no, I don't think she's 'planned out' LO as much as she says she has... and if she actually has planned it out this far, then it goes to show how little thought went into said planning.)

love the idea though of Demeter being separated from Persephone, turned into a mortal, and just IMMEDIATELY shacking up with another mortal LMAO Rachel could have just as easily gone for the route of having Demeter be taken in by Theseus and Phaedra in her time of need and then become the nursemaid for their child Demophoon, but nah just- just forgo that entirely and make Demeter the biological mom, even though you've literally Demeter sitting with who we can assume to now be Phaedra in the S2 finale-

sigh

[maebird-melody]

We cosplayed Thanatos and Hypnos at WonderCon this year!

Thanatos is @aowyn

Hypnos is me

The Bone Hydra we didn’t catch the socials for.

[milowing]

"in the original myth medusa was a rape victim!" i'm literally banging my head against the wall

[thrassisfras]

I get the sneaking suspicion this encounter isn't as contentious as it seems

[valkerymillenia]

You know who would be interesting to see in Hades 2?

Minthe.

[mikka-minns]

Anyone else realy Fucking dissapointed with Erlang's personality in black myth?

Siiiigh....

[knocking-on-peoples-non-doors]

may 18th, 2024

[soulless-bex]

to all the new pjo fans, just thought id let you know:

in pjo, the gods canonically follow the western powers and canonically are influenced by them.

they reflected the greeks when their siege of power was there, they probably reflected britain at some point in history, since again, they follow and are influenced by western powers, and now they are in the states because they followed the western power there and are therefore also influenced by the culture.

and last i checked, togas were not in fashion in the states

[youjusttryandstopme]

Di Angelos in the background this, Lotus Casino that

What about Hazel Asphodel Fields?????

Edit: somehow I wrote Bianca instead of Hazel, whoops

[thegeminisage]

just stumbled into eurydice and her singing 🥺