#but we already established that in the asks

[pearlywritings]

Sometimes the name doesn't matter

synopsis: sometimes it matters that you are his wife. PART 3

pairings: Childe, Neuvillette, Pantalone, Wriothesley x fem!reader (separately)

tw: fluff, established relationship (married/engaged/mated), secret relationship, immortal reader in Neuvi's part

word count: 6.1k+ words

a/n: part 1 and part 2 can be read here!

Childe

Spurred by the whistles and a whip of a coachman three fine white horses are trotting along the snow-covered road, dragging a big sleigh. Made of the sturdiest wood and painted in red and gold, the construction is effortlessly sliding on ice crust, almost lulling you under all those warm blankets and furs Ajax has thrown over your half-sitting half-lying bodies. You are glad to have this instead of jolting in a carriage (not like it’ll even be able to ride through all this snow), sure to have an aching arse even under the thick sheepskin coat, and instead of whatever machinery your lover could’ve gotten his hands onto due to his position - otherwise it wouldn’t have been so romantic.

Resting your head onto his shoulder you sigh blissfully, puffing out a small cloud of warm air. The fluffy-looking firs, tall pines and naked larches are flashing past in a magical gleam of snow-covered branches; you think you see two grayish squirrels chasing one another on a tree on your left.

“Oh, little minxes. A couple of seconds later and that snow could’ve ended up on our heads.”

You giggle at the young man’s comment, taking your gloved hand out of the sable muff and reaching to adjust the hat with earflaps (which he once again refused to tie under his chin) on his head. Before you can retrieve, a bigger hand clad in mitten wraps around yours and brings it to the chapped pale lips. As if spellbound you watch him press a tender kiss just where your ring finger joins the palm - right where the engagement ring is hidden under the thick material.

Now it’s hard to tell if your cheeks are rosy from cold or the swirling emotions.

“A little bit more and we will be in Morepesok,” he says softly, deep pools of his blue eyes staring back at you adoringly. “I can’t wait to share the news with ma, pa, sisters and brothers…”

You know he’s written them a letter right after you said ‘yes” to him, too excited to wait. So excited in fact, that he couldn’t sit still in expectation for the response, so he solicited an impromptu week-long vacation with the help of Pulcinella, and here you are, on your merry way to his home village.

“I can’t wait for that too,” you smile, leaning up to peck his nose, eliciting the same smile from him. “But I worry a little - will they be happy for us? I mean, that it’s me who you are going to marry?”

“Absolutely!” He nods enthusiastically and you have to readjust his hat again. “They all love you very much, I promise you. And if I am being completely honest, mom and Tonia did keep asking me when I intended to make you my wife during the last couple of times we visited.”

“Wait, really? Why didn’t you tell me?”

“Because I was already planning a proposal at the time - didn’t want to spoil it by accidentally letting my tongue loose.”

It’s hard to believe that this man is one of the Tsaritsa’s Harbingers. Childe is surprisingly good at separating his work and off work behavior, turning into a completely normal, maybe just a tiny bit unhinged, young man as soon as his family is involved. You know he’s built this facade to keep them and you away from harm, but you also know it comes from the heart as well.

“Then I can only hope we can bring the female members of your family to the capital soon - I want them to participate in the wedding dress shopping.”

You are immediately gathered into a tight embrace and your laughter is smothered by the fur on his collar. Yes, he is the Eleventh Harbinger, Tartaglia, Tsaritas’s soldier, Childe… But in moments like this he is just Ajax. Your Ajax.

His parents’ house meets you both with the quiet creak of the gates, the barking of two big fluffy malamutes outside, the clink of the horseshoe against the wood on top of the front door, the warmth of a well-heated inside and a bit taller than the last time you saw him Teucer, who runs full speed at his big brother, practically tackling him.

“Big brother is home, big brother is home!”

Ajax joyously laughs, somehow managing to take off his coat and dropping it to the colorful carpet at the front door before hoisting the exclaiming boy into his arms. Kicking off your felt boots to step from the anteroom, you watch with a smile as he squeals when your lover presses his cold cheek to the warm smaller one, squirming in the strong arms. 

Not a minute later more of his siblings appear, closely followed by their mom - freckled, with her ginger with gray hair tied in a thick braid and an apron thrown over her green dress, the woman smiles brightly and, letting her children surround their brother, walks to you with arms spread, ready to embrace you.

“Mother, my clothes might be cold,” you try to warn her, but she doesn’t listen, hugging you anyway.

“As if it can affect me! Oh, I’m so happy to see you, my dear. How was your trip? Are you tired, hungry? I’m almost done with lunch, and in the meantime I can ask my husband to throw in the firewood and heat the bathhouse for you two.

“It’s very kind of you,” you smile, wrapping your arms to give her a hug in return. “But I think we’ll wash up in the evening - I really doubt Ajax’s sibling will let him go in the following couple of hours.”

Before she can say anything, a tall, wide man appears from the other room. His beard and hair are gingerly brown with gray too, thick brows naturally furrowed. By the rosy cheeks, the remnants of snowflakes melting on his hair and the choice of clothing you guess he’s just returned to the house through the back door - probably after chopping wood.

Upon lowering his gaze to you, his facial features smooth out.

“If it isn’t my son and a dear soon-to-be daughter-in-law!” His gruff voice booms across the house, immediately redirecting everyone’s attention to you and making you blush. “I knew Ajax was too impatient and would rather come to visit and bring his fiance along than wait for a response letter.”

As he moves to greet you properly and help with discarding the outer clothes, you notice your gingerhead whispering something to his siblings, to which they giggle and throw glances at you. Catching the gaze of your lover, you lift an eyebrow, as if asking ‘should I be concerned?”. But he only shakes his head with a smile and ushers everyone to the dining room.

However, the curiosity is getting better of you, as throughout the evening you keep catching the glances, watch Tonia whispering something to her mom, and the woman giving Ajax a ‘really?’ kind of look, but with a fond smile, and then his dad slapping his back with a boisterous laugh, saying something along the lines ‘I was the same way with your mom too’.

So you confront him once you are left alone in the room.

“Hey, foxy, what’s going on?”

“Hm?” He lowers the blanket that he’s just tucked inside the duvet cover and reaches for the sheets. “What do you mean, bunny?”

“Whatever you’ve been doing,” you put one of the pillows down and reach out for the other as well as the pillowcase. 

“And what’s that ‘whatever’ I’ve been doing?” You don’t miss the sly smile finding its way onto his face. You huff.

“I don’t know. You tell me.”

The man hums, tucking the edges of the sheet between the mattress and the bed.

“Nothing you should worry about. I just asked them all to practice a little.”

“Practice?’ Cocking your head, you throw both pillows onto the bed. “Wait, did you start planning something for the wedding?”

“Not quite. Rather for after it.”

Confused, but intrigued, you step closer when your lover sits down and beckons you, being dragged into his lap a second later. Blue eyes look at you in an unspoken fascination, as he leans forward to place a kiss to the corner of your mouth, prompting you to loosely wrap your arms around his shoulders.

“Since we are getting married, I deduced that it would be only right for my family to call you my wife. Thus I asked them to get acquaintanced with the term, so they could start doing it as soon as we are pronounced husband and wife.”

You blink at him once, twice. After the third time you exhale, shaking your head, but the lift of your lips doesn’t go unnoticed by your fiance.

“I should’ve known you’d pull something like this, I am not even surprised, let alone mad. But they could just keep addressing me by my name. Plus your siblings already call me ‘big sister’ and your parents made me an honor of acknowledging me as the ‘daughter’. It won’t change much.”

“But it will!” He pouts and you can’t resist the urge to pinch his cheek. “You will be my wife and I want everyone to help me show it! Does it bother you though?”

Looking into those uncharacteristically begging eyes, you really can’t deny him his little antics. Not like you were going to in the first place.

“No, no, I don’t mind, love. Honestly, it's very sweet how excited you are. Makes me look forward to it.”

“Yeah?” Look at him, smiling like a satisfied cat, who's had too much sour cream for its own good. His embrace tightens on you a little.

“Yeah.”

A beat of silence passes as Ajax enjoys the many kisses you pepper to his face, squeezing his eyes shut, grinning, boyishly eager for more.

“Do you think I should ask the whole village to do the same?”

“Ajax, no.”

Nuevillette

“Mother, do you mind helping me a little? I can’t reach over there…

“I’d be delighted, my dear.”

Neuvillette watches with a fond look as you put the tea cup down and stand up to walk closer to Verenata and assist her with whatever the potion maker needs. Your figure is ethereal, clad in the finest fabrics, flowing with every step and gently dropping as you crouch gracefully to hoist the melusine in your arms. From above the rim of his silver goblet the Hydro Dragon can't tear his eyes from the way one of your many “daughters” wraps an arm around your neck and reaches up, while the corner of your lips, which he can see from his position at the table, is turned upwards.

“Mother is so kind and patient,” Laume says just a step away from Neuvillette’s chair. When the man turns his head to look at her, there is Flo standing too.

“Yes, and she is so beautiful,” the other melusine sighs, clasping her hands together. “And she always brings us such nice and comfortable clothes…”

“Monsieur Neuvillette married a wonderful woman,” a couple more melusines nearby agree and there is a warm and fuzzy feeling takes place in the Judex’s chest.

Marriage… Such a beautiful concept humans came up with to validate the union of two. It begins with the wedding - a day full of happy tears and blissful smiles, shared vows to be together in sickness and in health, sweet claims of love and promises of joyful life ahead. Then this very life begins and for beings like you and your husband it’s a long, but welcome trip.

You’ve been claimed by each other for quite some time before the more ‘mortal appropriate’ ritual, and the melusines - the wonderful creatures Neuvillette once took under his wing - were aware and happy for your relationship. And it was actually their idea to hold a wedding too, once Sigewinne naturally asked how the two of you planned to introduce your bond in civil words to humans.

And it was their initiative to start calling you “mother”. With your actions you quickly became one for them anyway, and the girls actively sought your company when it was possible. Thus, such tea parties at the Merusea Village as today are a common occurrence (besides, you always welcome them because it's a great opportunity to dig your husband out of the pile of responsibilities he tends to bury himself under).

However, lately Neuvillette started noticing that when he heard the word leave the girls’ mouths, a strange feeling began rising in his chest. Even though not quite familiar with the concept of jealousy, the Judex was sure it was not the case - he loved when the melusines called you that. So, he could not really put his finger on why the action caused such an indescribable reaction.

He decided to observe. On his walks throughout the city, the man seeked the sights of parents with children to attentively listen and watch while leisurely passing by or stopping at the shopping booths to linger on the scene. He was quick to note that the interactions were hardly different from the ones between you and the girls - kids would call for their mothers in all the same tones: when happy, when asking for help, when seeking comfort and many other typical occurrences he’d seen a handful of times before.

What really caught Neuvillette’s eye was the way the parents behaved. And soon his focus shifted to the married couples instead. As reserved as the nobles seemed to appear, the ones in love still managed to slip a murmured ‘my dear’, or ‘beloved’ or ‘my sweet [Name]’ in their speech. All the things the Hydro Dragon was all too used to call you too, relishing in the image of your loving smile and joyfully crinkling eyes as you responded in kind.

But it is like a waterfall pours on him when a week later, after that tea party where he once again sunk deep in thought, a keen pointy ear makes out a simple word in the crowd.

"Wife"

Male’s heart flutters. The understanding quickly dawns on him, even more so when his eyes find the couple on the other side of the road, - it was no simple term to introduce the partner to the third party. No, the tenderly spoken word was used by that man to address his lover, to softly draw her attention to him, to remind her he is happy she is holding such a position in his life…

At least that’s what kind of puzzle pieces together in Neuvillette’s head. The couple is long gone, yet he is still standing there, hand resting on the handle of his cane and eyes staring into space.

He starts to remember all the sweet names he called you, each and every one stored in his memory with the heart-warming images of your reactions. There are all kinds of those: my love, my pearl, lizzy (affectionate from ‘lizard’; you used to tell him that dragons are just big lizards and it kinda stuck), kisses-stealer, fairy-tail nymph… The man is surprisingly creative with his words when it comes to you.

Sure, he calls you his mate, quite often too, but to his chagrin it has never occurred to him that he could call you ‘his wife’ too! It’s so simple, so absurdly logical, yet it took him weeks to figure out.

Humans are truly fascinating.

When Neuvillette returns to his office in the Palais Mermonia you are already there, lazing on a sofa with a bunch of papers, in which your husband guesses the script of probably another upcoming play of Furina. And judging by the more than a half pages turned you’ve been waiting for him for a while.

When the door closes and the cane disappears in the myriad of sparkling bubbles, you lift your gaze, and a smile immediately lights up your lovely features.

”Neuvi,” You speak softly, getting on your feet and leaving the script behind, “I hoped we’d depart on the afternoon stroll together. So imagine my disappointment when Sedene told me you had left just ten minutes ago! Oh, I knew I’d be late if Lady Furina had kept me for another minute, yet I still hoped I’d be on time…”

As you are approaching him, the Judex remembers the melusine’s words upon arrival: “Mother waits inside”. This makes all his previous thoughts resurface, and when he meets you half-way and reaches for both your hands to place a kiss to the back of each, Neuvillette has half a mind to try out his new discovery.

“Our Archon enjoys your company a lot, and, knowing you, you are not really mad,” you roll your eyes playfully, tiptoeing to peck the tip of his nose, murmuring a quiet ‘hush, let me be a tiny bit indignant’. “And I’d be honored to keep you company for the evening stroll,” and then, after a little pause of hesitation, he adds, “wife.”

He watches as the previously present smile on your face grows even bigger, but after a couple of seconds starts to fade slowly, eyes squinting a little bit to stare at him in hardly-concealed curiosity.

“What was that?”

“What was what, dear wife?”

“This!” As if to emphasize your words you point your finger to his mouth, and it’s Neuvillette’s lips’ turn to curl in a small smile.

“It’s something I hoped to discuss with you,” his gloved fingertips soothingly brush over your knuckles and soon your hand is clasped into his, as the man leads you both back to the sofa. “You see,” he starts when you sit down, “I am fascinated with the notion hidden behind the word ‘mother’ the melusines like to call you. That’s who you are for them both in reality and in terms. I’ve made some observations, and figured that sometimes humans in marriage also use the…familial terms to address one another. It seemed lovely to me and I wanted to try it out with you. What do you think?”

You hum in thought, replaying in your head the way Neuvillette spoke to you twice. It is hard to explain, but you somehow immediately see the appeal and understand why your lover got hooked on it. Seems lovely indeed. You wonder, what if you…

“Will you tell me more about those observations on our evening stroll, husband? Ooh, it does sound wonderful!”

Mark him stunned, but for a moment Judex grows speechless. The violet depths of his eyes swirl with adoration as you clap your hands gleefully, and he knows, that from now on your everyday routine will never be the same

“With pleasure, wife.”

Pantalone

Dancing snowflakes are slowly descending in their tender waltz and are gleaming like the tiniest of gems in the streetlights’, enveloping the already magical winter capital of the Cryo region in a solemn atmosphere. The white cover of the ground is crunching with every step of a passerby and every wheel rotation of the fancy-looking carriages, while the street is a jumble of fur coats and heavy military overcoats, finally breathing life into the afternoon-quiet city.

It’s a wonderful evening, too marvelous to spend it at home, too enchanting to miss the new ballet at the Bolshoy Theater, the true accumulation of the Tsaritsa’ nation’s nobility and intelligentsia. The wonder of Snezhnayan architecture is both the place to rest and enjoy the purest form of art and home to many gossip circulating in society. Some fresh and just hours old, some ancient and undying, like the topic of the Ninth Harbinger’s lovers.

Lord Pantalone is well-known and often-praised for his contribution to the Snezhnaya’s economy, along with extending the Fatui influence all across the Teyvat. But also he is quite famous for the women he appears in public with. It’s always someone new, it’s never the same one as before. Different shapes, different hair, different style - it is impossible to guess the raven-haired man’s tastes. However everybody knew - the Harbinger never entertained the company of the ladies who made attempts to catch his attention. Those ladies themselves say as much.

The Regrator’s companions never open their mouths, never utter a word - at least not when there are people around. There has never been a single name, never a remembered face - all women wear the mask covering the upper half of it, concealing the identity of yet another lucky choice of the rich man. 

Never the same woman - always the same mask.

This evening does not disappoint the gathered crowd - lifting their gazes, directing attention to the Harbinger’s personal box, they once again see the notorious mask. The long fringe of wine-red hair is coquettishly framing the ever-lasting piece of leather, similarly flaming lips are tugged in a haughty smile - as if the young lady doesn’t realize that once the night is over, she’s going to be discarded like many others before her. The dress according to the latest fashion trends and the beautiful garnet necklace do not surprise the audience anymore - even known for his love for replacements, Lord Pantalone dresses his partners royally.

The man himself has chosen yet another black costume, with a dark burgundy shirt hidden underneath and bird-shaped garnet brooch on the left side of his chest. Multiple beautiful rings catch the light when he lifts his gloved hand to adjust diamond-shaped glasses, before turning his head and addressing something to his tonight’s escort. She boisterously laughs, saying something in response, but even if attendants tried to strain their ears, they wouldn’t hear anything so far away. Even harder it gets when the third ring of the bell echoes across the theater chamber and both the Harbinger and the woman are forgotten, until the performance is over.

So no one sees when the ring-decorated hand reaches for a smaller female one, fingers sliding under the chintz-covered palm, thumb immediately reaching to tug on the hem of the glove, so the thin cool lips could press against the small patch of bared skin. A glimpse of a smile is what Pantalone gets when you glance at him with amusement playing on your lips.

Always the same mask, never the same woman, huh? 

Pride has long slithered into your heart, yet it still lifts its snake-like head every time your act of decisiveness succeeds, happily hissing. Every time it’s a test of your skills, a gamble with the eyes of ones around you, and every time you hit the jackpot, leaving the people guessing, staying the only one in possession of the banker despite the speculations.

As long as Her Majesty Tsaritsa is aware of your existence and the place you occupy next to Pantalone, you are free to do anything you want with his reputation relationship-wise. And he allows it, because should you desire the whole world - he’ll throw it to your feet like the cheapest trinket. One would say it’s because he is prideful too - he knows it’s because he loves his wife.

Loves to the point of entertaining the masquerades she stages whenever the two of you need to appear in public. It plays wonderfully into his possessive nature and desire to keep his precious beautiful wife to himself and helps with the enemies - “changing the ladies” minimizes the chances of putting at risk his one and only. Not like many know of you in the first place.

It���s a win-win arrangement for you as well - there is still an opportunity to cling to his arm, to use his expensive cologne, to play with the rings on his fingers and sneakily make out in a dark corner where no one can see. To be tugged into his lap in the carriage on the way back to his mansion, to have his long fingers undo the strings of the mask, and once the piece of leather falls onto the floor, have the palms slide down the sides of your neck, swiftly fiddling with the heavy necklace, only to let it be, the caress the shoulders, pushing the sleeves down… 

…to leave them at the elbows and grab your arms to push your back into his chest as the warm lips press to the juncture between the neck and the shoulder.

And what if you’ve lost your name in the process of this disguising? Having been an actress a long time ago made you used to it. But isn’t it fun to come up with the new ideas for your next performance? Your husband gifts you way too many dresses and jewelry sets - you must find use to all of them! He now has to simply spend a bit more on the wigs and makeup to fit each combination of fabric and gems.

“Did my wife have a pleasant evening?” The velvet voice of the man behind you caresses the ear and you meet his gaze in the full-size mirror in front of you. Amethyst eyes sparkle in the bedroom light and you smile coquettishly, red lips stretching seductively.

“Did she? How could I know?” You tease, reaching to your back to undo the corset, just to be stopped by his hands, fingers digging into the dozens of strings. “And don’t you know, Mr Harbinger, that it’s very offending for the woman, when the man speaks about another lady in her presence?”

“Oh, I wasn’t aware,” he muses, tugging a bit harsher on the ties and making you gasp, “that my dear wife can be jealous of herself.”

“When you know her poorly. Tsk-tsk, what a bad husband you are.”

Pantalone laughs behind you, shaking his head at your untrue words, and you reach to your head to remove the fiery wig. By the time Pantalone is done with your corset, you are done letting your naturally beautiful locks down, sighing in relief from both the released ribcage and hair roots.

The dress, having lost its vital support on your body, falls to the ground next to the wig and quickly becomes forgotten as you two step away from the mirror.

Your husband is still mostly clothed, having only eased out of his coat and unbuttoned the jacket, so you busy your hands with tugging the black article off and then reaching for the gleaming tiny buttons on the shirt. Your figures bask in the warm light of the room as you continue undressing the man - your eyes concentrated on the expensive fabrics, his - on the lovely expression of your face.

“But if you must know,” Pantalone raises his brow, when you look up at him, a much sincere and tender smile lighting up your visage, “your wife loved the evening very much.”

And that’s everything he’s ever wanted to hear. Fingers tangle in your hair, you harshly inhale, and his lips are on yours. Lipstick is smudging, your fingers accidentally catch the silver chain, and his glasses get slightly askew, but it doesn’t matter. His wife loved another thing he’s done for her. The banker’s day has ended in a great profit.

Wriothesley

Fortress of Meropide is a huge metal labyrinth of floors and corridors, where noise is never-ending even in the late hours of the night. The metal box which is the Duke’s office however, is constructed to mute the annoying sounds or else the one inside would have a very hard time concentrating.

Usually, even the ruckus happening outside and the clanking of the heavy machines underneath can’t sway Wriothesley’s attention if he has his mind set on doing the paperwork, even something as boring as bills. Today, however, the man has caught himself multiple times glancing at the clock he’s hung up a couple of years ago - there is no way to tell the time all the way down underwater, true, but it serves him a greater purpose. It helps him count hours and minutes before you arrive.

Tuesdays and Thursdays are the days when you take a half of the day off to come down to the Fortress to meet up with your husband. You both quickly realized that traveling back and forth together in either of the directions (fortress or home in the city) would be way too inconvenient. So, you improvise by visiting him throughout the week a couple of times and then he comes home to properly spend the weekend, having learnt to delegate his responsibilities to the most trustworthy guards. So far you’ve been extremely pleased with the arrangement, and the Fortress’s crew have learnt your face by heart to not cause you any obstacles in reaching your beloved’s office.

Today, nevertheless, something must’ve gone wrong. Pale blue eyes are practically drilling the minute hand of the previously mentioned clock, watching it moving further and further from the tiny 10-minute bar, which should’ve marked your appearance at the top of his stairs. And he gets it, everything could’ve happened, something as trivial as the queue at the pastry shop that might’ve gotten longer today, but when the delay surpasses the half-hour mark, the warden puts his fountain pen down and follows it by the creak of the chair legs on the metal floor.

As he descends down the stairs - each clunking under the heavy soles of his boots - a fleeting thought of you stopping by at the medical bay first is immediately brushed aside - his office is right on the path of entering the Fortress’s main body, and you love your husband too much to let him sulk in his longing. 

When he pushes the colossal doors open, eyes instantly start searching the area ahead of him. However, nothing unusual is spotted - two guards are standing at the front of his abode, not even flinching at the unpleasant scraping noise the metal makes; a couple of inmates are walking past them, bowing their heads right as they see the appearing the figure of their warden - Wriothesley simply nods and sends them off with a flicker of his hand; then there is Monglane’s desk with its irreplaceable owner. And no trace of his beloved wife.

Closing the doors behind him, Wriothesley comes up to the guards, inquiring if they’ve happened to see you. Getting a negative response, he hums and starts walking forward, to the corridor leading to the elevator, not bothering with asking the very same questions to Monglane.

With every passing minute, especially while waiting for the elevator, the man starts realizing how impatient he is growing, if the tapping of his foot and crossed arms are not an indicator enough. Even with just one day apart, he’s missed you so awfully much, your adoring smile, your soft voice and cute little giggles, that he feels rightfully robbed since you are not yet in his embrace, showering his face with kisses and then whining pretentiously because he’s forgotten to shave once again. Sometimes you swear he is not a big bad wolf, but a mean huge hedgehog.

He almost stomps inside the cabin the second its doors slide open and pushes the button to the reddening of his fingertip. It is a long trip up to the next level, and he admits he’s tugged on his leather straps wrapped around his arms a couple of times, but Archons, how little it all matters, when, exiting the elevator, he finally hears such a familiar voice. Your voice.

Your husband’s legs carry him like they obtained a mind of their own, following the full of amusement lilt he knows can belong only to you, just to come to a halt next to the wooden boxes piled up on the side of the path. 

He can see you, quite clearly, adorned in a cute pair of pants and a shirt, shoulders covered in a crocheted shawl - always ready for the cool air of the Fortress, yet looking so comfy, that Wriothesley can't help but desire to tackle you to the sofa in his office and cuddle this instant. And he would've done just that, if the conversation you've been having didn't catch his attention.

“No, it's wrong again. It's not Britney, it's Brytnneigh.

“But you are saying the same thing!"

"No, it is not B-r-i-t-n-e-y. It's B-r-y-t-n-n-e-i-g-h."

"Slower, please."

In the second voice the warden easily guesses a new guard that has just been employed a couple of days ago. He remembers signing the papers his weekend substitute brought him on Monday. Wriothesley also remembers how the man swore that he’d passed on to the newbie all the information and training he needed to know. But, it appears, he forgot to mention the most important thing…

“Did you make sure to write my name with two N’s?” Your voice is laced with hardly concealed mirth, and, though he can’t see the face of the guard talking to you, your husband is sure the poor young man looks quite miserable.

“Yes, mademoiselle, I did.”

“Wonderful, but it’s ‘madame’, I am a married woman after all. But no worries, I am flattered you think I look so young,” Wriothesley shakes his head with a silent chuckle. He adores you so much, but maybe it really is time to stop your little play of a new inmate, or else he’ll surely have to call for Sigewinne to check on the poor guard.

“And your last name, madame?”

“I am Brytnneigh Deirdrophnea de Troistêtesloup. Do you want me to spell it for you, dear?”

Yes, he really should stop you.

Before you can open your mouth again, you see in your peripheral vision a figure moving. Upon turning your head slightly, you are graced with the sight of your beloved husband, walking towards you with a quirked thick brow, and crossed arms. All you can do is sheepishly smile, waving at him.

“O-oh! Duke Wriothesley, Sir!” The guard behind the registration desk immediately jumps to his feet, squaring his shoulders and saluting at the arrival of his superior.

“At ease, young man,” Wriothesley nods, stepping even closer, practically invading your personal space, icy blue eyes looking at you unblinkingly. “What is going on here?”

“Nothing much, Mr Warden,” your eyes crinkle in the corners, a sight so infectious, that the man’s lips turn into a small smile. “Just a cute old me, ending up in the Fortress for Archon knows what time.”

“M-madame!” The guard exclaims rather loudly, that even your husband turns to look at him. “Even if it's not your first stay here, you shouldn’t be taking liberties with the Duke!”

“No, no, it’s alright,” Wriothesley raises his hand. “She is no longer your headache-”

“Hey!” You elbow his side to the bewilderment of the guard. In his shock he doesn’t even reach for his weapon.

“-I will personally escort this troublemaker inside. And cross out that abominable name out, would you? It’s not her name.”

“It’s not..?” Now Wriothesley really sympathizes with the guy, he looks utterly lost.

“It’s not. But,” a big scarred hand gently cups you under the chin and turns your head more properly towards the guard, “be sure to remember this adorable face very well for the next time. You’ll need that to let her in and out.”

“...out?”

“Yes, indeed. This woman is my wife.”

As the elevator doors slide close and the cabin starts moving down, you turn to Wriothesley and throw your arms around his wide frame, face burying into his chest.

“Are you proud of me for coming up with such a long and difficult name in a single thought?”

“Oh, for sure,” strong arms circle your waist and chapped lips press to the top of your head, “I bet you would be hard-to-catch if you were a criminal. But why did you decide to play such a prank on a poor man?”

“Well… I just wanted to see his face when he found out that I am the wife of the Duke of the Fortress of Meropide himself. Another reason is that there was no guard who knew my face and I doubt he would’ve believed my word. I just got creative with the way of making him summon someone else. You simply got here before anything could happen. Plus, it’s good to keep them on their toes with a job like that. Besides, I did apologize and praise him for his patience.”

At that Wriothesley just sighs and then chuckles, raising one of his hands and threading his fingers through your hair, pressing your head even closer to his chest. He is not even feeling iffy about the lost half an hour of your time together anymore. Because you gave him an opportunity to introduce you as his wife once again.

[aventurineswife]

can i request boothill, aventurine, and jing yuan with a jealous gender neutral reader? every time the jealousy tag is added to a fic, it’s always for the character and leaves me wondering what the opposite would be like. feel free to delete if you’ve written something like this before and thank you for your service to the hsr community 🫡

Jealousy, Jealousy

Tags: Boothill x Reader, Aventurine x Reader, Jing Yuan x Reader, Jealousy, Emotional Conflict, Fluff with Minor Angst, Romantic Tension, Hurt/Comfort, Established Relationship, Protective Partner, Light Humor (?).

Warnings: Mild jealousy and insecurity themes, Brief mentions of violence or conflict(?), Emotional vulnerability, Slight suggestive undertones (Aventurine's part).

A/N: Totally get you because there's not many fics out there where Reader is the ONE who's jealous 🫣, I did the opposite one where the characters were jealous so this my first time writing where the Reader is jealous. Hope you love it!

The smoky haze of the cantina mingled with the scent of leather and gunpowder, a typical night for Boothill. The Galaxy Ranger leaned against the bar, his mechanical fingers tracing the rim of a half-full glass of whiskey. You stood nearby, trying to keep your composure as a stranger—a suave-looking gunslinger—sidled up to Boothill with a sly grin.

“You’ve got quite the reputation,” the stranger drawled, tipping their hat. “A sharpshooter like you must’ve broken a few hearts.”

Boothill chuckled, showing his shark-like teeth. “Nah, hearts ain’t my target. Bullets don’t play favorites.”

The stranger laughed and leaned closer, their words drowned out by the raucous music, but their intentions were crystal clear. Your chest tightened as you watched Boothill’s sharp eyes glint with amusement.

“Hey,” you interrupted, your voice steady but laced with irritation. “Boothill, aren’t you forgetting something?”

He turned to you, eyebrow raised. “What’s that, partner?”

“That I’m the only one who gets to sit that close to you.” you said firmly, crossing your arms.

Boothill’s grin widened as he pushed the stranger back with a mechanical hand. “Well, ain’t that somethin’? Looks like I’m already claimed.” He stood, draping his arm around your shoulders. “Guess you’ll have to find another cowboy to sweet-talk.”

The stranger huffed and walked off, leaving you and Boothill alone. He leaned closer, his voice soft and teasing. “Didn’t know you were the jealous type, sugar.”

You jabbed a finger at his chest. “Maybe if you weren’t so charming, I wouldn’t have to be.”

Boothill laughed, his voice rich and warm. “Don’t you worry. You’re the only one who’s got a claim on this gunslinger.”

The roulette wheel spun, its clinking sound echoing through the luxurious casino. Aventurine stood at the center of attention, effortlessly charming the crowd with his flamboyant gestures and glittering smile. His eyes glinted as he placed another bet, drawing cheers from his admirers.

You stood on the sidelines, your jaw clenched as a particularly bold admirer leaned over, whispering something in his ear. Aventurine’s laughter rang out, smooth and melodious, but it only fueled the fire simmering within you.

You strode forward, catching his wrist just as he reached for another stack of chips. “Having fun?” you asked, your tone sharp enough to slice through his entourage's chatter.

Aventurine blinked, then grinned, clearly amused by your sudden intrusion. “Ah, my lucky charm,” he said, pulling you closer. ���Jealous, are we?”

“Maybe I wouldn’t be if you weren’t flirting with half the casino.” you shot back, narrowing your eyes.

He raised an eyebrow, his expression equal parts playful and sincere. “Now, now. You know there’s only one person I’m truly invested in.”

“Then maybe show it more often,” you muttered, glancing at the crowd still watching him with longing gazes.

Aventurine chuckled and leaned in, his voice dropping to a whisper. “If it helps, I only play games I know I’ll win. And with you, darling, the jackpot’s already mine.”

You rolled your eyes but couldn’t suppress the smile tugging at your lips. Aventurine’s charm was infuriatingly effective, and he knew it.

The sun filtered through the branches of the garden, casting dappled shadows on the stone pathway. Jing Yuan reclined on a bench, his eyes half-lidded as he enjoyed the rare moment of peace. You approached quietly, only to pause as you spotted a young soldier eagerly engaging him in conversation.

“You’re so wise, General,” the soldier gushed. “It’s no wonder everyone looks up to you.”

Jing Yuan chuckled, his deep voice smooth as silk. “Wisdom comes with age, and age comes with its own set of burdens.”

The soldier blushed, clearly enamored. Your hands curled into fists as jealousy bubbled up. Jing Yuan noticed your approach, his gaze softening. “Ah, there you are,” he said, waving you over. “Come, join us.”

The soldier glanced at you but didn’t move, still lingering too close for comfort. You stepped forward, meeting Jing Yuan’s gaze with a pointed look. “Am I interrupting something?”

“Not at all,” he replied, patting the bench beside him. “We were just discussing the importance of patience in leadership.”

“I see,” you said, your voice cool. “Well, I hope the lesson was enlightening.”

The soldier finally took the hint and excused themselves, leaving you and Jing Yuan alone. He tilted his head, studying you with a knowing smile. “You seemed… displeased.”

“Maybe I don’t like sharing.” you admitted, crossing your arms.

Jing Yuan reached out, taking your hand in his. “You have nothing to worry about. My heart belongs to you, and no amount of flattery will change that.”

You sighed, feeling the tension drain away as his thumb brushed against your knuckles. “You’re lucky you’re so convincing.”

He chuckled, pulling you closer. “And you’re lucky I find your jealousy endearing.”

[gloomwitchwrites]

i’ve only recently found ur acc and i’ve fallen in love! ur def becoming one of my inspo’s in writing my own fics!:D

now, what about t141 with an alt s/o who’s always dying their hair or piercing themselves? maybe it’s the first time they find reader doing said shenanigans, what would their reactions be? 🤔 i think soap would have the best one lol, but i’d love to hear what your thoughts about it! <3

Well, hello! Welcome! Now, I had multiple people request this very thing. I am answering one of those asks and the others will simply fall under this one (since they are all very similar). I did go with some variety here since being "alt" can mean a lot different things. I do have one with hair dying, one about showing off their taxidermy/skull collection, a metal concert, and forcing (Gaz) to have a makeover. I had lots of fun. Enjoy!

For the masterlist and how to submit your own request, click HERE

Task Force 141 x Reader (can be read as gn!reader)

Content & Warnings: established relationship, humor, fluff, swearing, hair dying, taxidermy, concerts, makeovers

Word Count: 800

ao3 // main masterlist // imagines & what if masterlist

John Price

“Jesus bloody Christ. What happened?” John stands in the doorway of the bathroom, his eyes wide as he surveys the scene. “Did you murder someone?”

You stand hunched over like a gremlin in the shower, holding the handheld showerhead. The dye in your hair is circling the drain, but that’s not the only place is stains. The shower is going to need a good scrub as is the bathroom sink.

“I’m changing my hair?”

John blinks. “You told me you were going to a salon.”

“This is cheaper.”

His mouth opens and then promptly closes. You see the gears turning. John is reigning in the panic.

“It’ll come out,” you insist.

“Everything is red,” murmurs John.

“Only temporarily,” you insist.

“Are you talking about your hair or our bathroom countertops?”

“Are you mad?”

“No,” he says firmly, hand on the doorknob. “I’m going to shut the door and pretend that our bathroom doesn’t look like a crime scene.”

“I love you!” you call out as he starts shutting the door.

“I love you, too,” he sighs heavily. The door is nearly shut before it suddenly opens again. “Do I need to grab bleach from the store?”

“That would be great.”

Kyle "Gaz" Garrick

“Stop moving,” you mutter.

“You’re gonna poke me in the fucking eye, love.”

“It’s just eyeliner. Calm down.”

“You’ve poked me already.” Kyle points at his eye. The white is slightly red with irritation.

Kyle’s gaze narrows, but you only tut, grasping the bottom half of his face with your hand. Squeezing his cheeks a bit, you tilt his face from side-to-side, observing your work. About half of his face is done. You’ve even added face piercings to his lips and nose.

The clothes were the easy part. Kyle was more than willing to put on what you picked out for him. It’s completely different from his tracksuits and jeans. He looks like he walked right out of the punk scene.

“You promised I could do your makeup.” You put a little whine in it, pouting your lip.

Kyle lightly grasps your wrist and tugs, removing your hand from his face. “I did,” he agrees. “But all this? Really?”

You’ve set out nearly every product you have, nearly covering the entirety of the bathroom counter.

“We have to match,” you insist.

Kyle’s mouth twitches slightly but he settles. “Fine. But you better make me the best-looking bloke in the joint.”

John "Soap" MacTavish

“This is June.” You present the racoon skull to Johnny.

His eyes widen slightly. “Hello, June,” he greets.

You wait for the eventual frown, for the brief flicker of disgust, but it doesn’t come. Johnny isn’t drawing back or judging you at all. His attention is rapt—focused.

You gently return the racoon skull back to the shelf and point to a collection of preserved butterflies. “These were a gift from a friend.”

“They’re beautiful,” murmurs Johnny. “Do they have names?” He leans in, observing the display of colorful wings.

“No, but they do!” You enthusiastically gesture toward the rest of your collection. There are skulls and bones from all sorts of animals, preserved beetles, tentacles in jars, and even petrified fish bones.

Men say they want quirky, but when they get quirky, they run. Johnny though is entirely fascinated.

“Can I touch this?” he asks with an excitement that surprises you, pointing toward a beaver skull.

“Yes. It’s delicate though. I’m always fixing the jaw.”

Johnny lightly lifts the skull and brings it close to his face, slowly rotating it.

No. Johnny isn’t disgusted. He isn’t shaming you for your special interest. If anything, he’s fascinated.

You’re keeping him.

Simon "Ghost" Riley

The shredding of the guitar reverberates in your chest. It stirs your blood, sending waves of adrenaline through your limbs until even your fingers and toes twitch with anticipation.

The breakdown is coming, and with it will come a sea of bodies. They’ll crash against each other like a massive wave before descending into chaos, nothing but flailing limbs and gnashing teeth.

Already, the energy is pulsing, becoming a frenzy that will eventually burst.

You’ve never been in the middle of the pit before. You usually stay off to the sides or well out of the way, not wanting to receive an injury.

But now you have protection. Now, you have a bodyguard.

Simon stands right behind as your support and your shadow. This isn’t his scene, not that he doesn’t enjoy a metal show, but he could care less about throwing himself around in a pit. When you expressed the desire to do so, Simon agreed, but only if he joined you.

Sure, it might scare some people off, or deter others from getting too close, but Simon is supportive anyway.

He’s just a bit vicious. A bit protective.

The shredding rises. It’s time.

A pause.

Then everything crashes.

taglist:

@glitterypirateduck @km-ffluv @tiredmetalenthusiast @miaraei @cherryofdeath

@ferns-fics @tulipsun-flower @miss-mistinguett @ninman82 @eternallyvenus

@beebeechaos @smileykiddie08 @whisperwispxx @chaostwinsofdestruction @weasleytwins-41

@saoirse06 @unhinged-reader-36 @ravenpoe67 @sageyxbabey @mudisgranapat

@lulurubberduckie @leed-bbg @yawning-grave81 @azkza @nishim

@voids-universe @iloveslasher @talooolaaloolla @sadlonelybagel @haven-1307

@itsberrydreemurstuff @cod-z @keiva1000 @littlemisscriesherselftosleep @blackhawkfanatic

@sammysinger04 @kylies-love-letter @dakotakazansky @suhmie @kadeeesworld

@keiva1000 @jackrabbitem @arrozyfrijoles23 @lovely-ateez @waves-against-a-cliff

@ash-tarte @marispunk @gingergirl06 @certainlygay @greeniegreengreen

[focusonkayjay]

between the ride and the roses (6)

Pairing: Jungkook x (f.) Reader

Genre/Tags: biker/ motorcycle shop owner! jungkook x flower shop owner! reader, enemies to lovers, opposites attract, slow burn, angst, smut, fluff

Series summary: There's an insane turn of events when your calm and peaceful life is intruded by Jungkook, a biker boy who sets up his loud business right next to your own. Your paths cross under unlikely circumstances, starting with a clash of personalities but gradually you find yourself establishing a deeper connection with the annoyingly attractive biker jerk. You both have no idea what's in store for you guys as you try your best to put up with each other.

Word count: 4.8k

Chapter Warnings: mature language, mention of injuries and wounds.

A/N: thinking of uploading another story soon and simultaneously updating it with this story. anyways, let me know how this part was <333

part 6: bruises before the blossom

The harsh buzz of the alarm pierces through the silence, dragging Jungkook from a restless, fitful sleep. His head throbs, heavy from the lack of rest, his body aching from tossing and turning all night. The bed feels too cold, too empty, and it’s a reminder of just how miserable he feels.

Even in his sleep, his mind never truly let him escape the images of you... the sound of your voice cracking with anger, the hurt in your eyes, and the way you turned away from him.

He drags himself out of bed, a sigh slipping from his lips as he rubs at his eyes. The entire day ahead seems like a mountain he’s not sure he’s capable of climbing. He’s still trapped in the mess he made.

There’s a weight pressing down on his chest that doesn’t ease, not even when he tries to focus on the simple motions of getting ready. His mind keeps replaying the argument, each harsh word, each painful silence, and his stomach churns with guilt.

The ride to his shop is cold, the morning breeze biting through his jacket. As he rides, all Jungkook can do is replay the mess he’s made in his mind, searching for a way to fix the chaos he’s so recklessly caused.

The hum of the shop’s overhead lights and the scent of motor oil mixed with leather greet Jungkook as he steps into his motorcycle shop, the familiar setting providing a small sense of comfort amidst the chaos inside his mind.

It’s early, and the place is quiet except for the occasional clinking of tools or the sound of an engine being worked on in the back. He takes a deep breath, trying to steady himself, but it doesn’t help. The weight of yesterday still hangs over him like a dark cloud.

Yoongi’s already there, sipping coffee at the counter, his eyes flicking up when he hears the door open. He raises an eyebrow at Jungkook’s disheveled appearance and his tired eyes. He doesn’t need to ask if something's wrong.... it’s so obvious.

“Wow, you look like shit.” Yoongi comments dryly, leaning back in his seat, the mug still in his hands.

Jungkook drops his bag onto the counter with a heavy sigh. He doesn’t even respond right away, simply running a hand over his face in frustration. The guilt is eating him alive, gnawing at the edges of his every thought.

Jungkook remains silent, pulling up a stool and sitting down beside Yoongi. He leans forward, elbows on the counter, his gaze unfocused. “I screwed up, hyung. I fucking... I fucking messed up.” he starts.

Yoongi furrows his brows, not quite sure where this was coming from but he watches Jungkook carefully for a moment, before placing his mug down and crossing his arms. “What happened?” he questions.

Jungkook swallows hard. “We… we had a fight. Last night... me and Y/n... And... and I...” He pauses, grimacing at the memory of how he’d snapped, how everything spiraled out of control. “

"I didn’t listen. I said things I shouldn’t have, Hyung. Hurtful things. And the worst part, we weren't even alone. People were watching...And now… now I can’t stop thinking about it. The way she looked at me when she walked out…” His voice falters, a knot tightening in his throat. “I don’t know how to fix it.”

Yoongi’s expression hardens slightly, the disappointment clear in his eyes. “You messed up that bad, huh?”

Jungkook nods slowly, his hands trembling slightly as he grips the edge of the counter. “I don’t even know why I acted like that. I just... got so caught up in my own head, I didn’t even think about how she was feeling. And now… she’s pissed. Probably doesn’t want to see me... ever.”

Yoongi exhales sharply, rubbing his temples. “Listen, Kook… sometimes you really act like a damn idiot. But come on... you know better than this. She didn’t deserve that. I don’t care how stressed you were, how tired you were… there’s absolutely no excuse for treating anyone like that, especially her.”

Jungkook flinches at the words, but he can’t deny the truth in them. Yoongi’s never been one to sugarcoat things, and right now, his bluntness is exactly what Jungkook needs to hear.

“I know...” Jungkook mutters, his voice barely above a whisper. “I really know. I just… I don’t know what to do next. How do I fix this?”

Yoongi lets out a long, resigned sigh. "I know I helped you out last time, but this time… I’m afraid you’re on your own, Kook. You’ve got to figure this out yourself." He shrugs, not sparing the younger man a single glance.

Even though his words sting, Jungkook knows Yoongi’s right. This time, he has to take responsibility for his actions and find a way to make it right on his own.

The morning stretches on, but Jungkook’s mind is stuck in an endless loop, the weight of his actions from the previous night pressing down on him with an unrelenting heaviness. He keeps glancing over at your shop, the stillness of the street on your side, unsettling, your shop’s "Close" sign glaring in the quiet morning light.

Something’s not right. You’re never late to open. His thoughts spiral, consumed by guilt. Did his words hurt you so much that you’d decided to close for the day? The weight of the uncertainty gnaws at him, each minute dragging him deeper into the pit of regret.

As the clock ticks on and the day wears into afternoon, Jimin and Hoseok finally arrive at the shop, both as lively as always, their energy contrasting sharply with Jungkook’s clouded mood.

They step inside, their footsteps echoing on the concrete floor, but they immediately halt when they see his expression... dark circles under his eyes, shoulders hunched, and the tightness of his jaw.

Jimin raises an eyebrow, crossing his arms as he watches Jungkook. “What happened to you? You look like you haven’t slept in days.”

Hoseok, ever the teasing one, chuckles as he makes his way to the counter, but the moment he catches a glimpse of Jungkook’s face, the humor fades. “Man, what’s with the face? You look like a kicked puppy.” he worries.

Jungkook’s eyes flicker up to meet theirs for a moment before they quickly drop again. His heart is too heavy to lift his head properly, too consumed by the thought of you. He can barely form the words, his chest tight with an overwhelming sense of guilt.

Finally, he exhales a breath he didn’t realize he was holding and sinks onto the stool, running a hand through his messy hair.

“Y/N’s not opening her shop today...” he mutters. Jimin raises both eyebrows, the concern immediately evident on his face. “And that’s got you looking like you’re about to collapse?” he questions.

Jungkook nods, his voice strained as he continues. “I… I messed up last night. Badly. I...” His voice pauses as he struggles to form the words, the guilt threatening to choke him. “I hurt her. I said things I shouldn’t have. And now… she’s not even opening her shop. I think… I think I pushed her too far.”

Hoseok steps forward, his expression hardening as he leans against the counter, crossing his arms. “You hurt her? How? What did you do?”

Jungkook’s eyes are glassy, filled with regret. He hesitates, his mind racing back to the argument, to the harsh words he’d thrown at you in the heat of the moment. He swallows hard, before narrating the entire incident from last night.

Both Hoseok and Jimin listen to him intently and Jungkook can't seem to ignore the disappointed look on their faces.

Hoseok, places a hand on Jungkook’s shoulder. “You can’t undo what’s been said, but you can make things right. It’s not going to be easy, but you need to give her space. Let her process everything. Don’t push her.” he says.

Jungkook nods slowly, his throat tight. All he can do for now is just wait and see when he's about to be gifted the opportunity to talk to you again and set things right.

//

You pull the blanket tighter around you, cocooning yourself against the world as you lie in bed. The echoes of last night’s argument reverberate in your mind, pressing down like an unbearable weight. It’s not the anger that lingers... it’s the shame.

The shame of losing control, of letting your emotions boil over in front of him. You hadn’t meant for him to see that part of you... the part you keep carefully hidden, locked away behind walls you’ve spent years building. Now, the memory of it stings, and the question gnaws at you: Will he ever see me the same way again?

Today was supposed to be a normal day. You’d planned to open the shop, lose yourself in the routine of arranging flowers and greeting customers. But the idea of facing the world... facing him...feels unconquerable.

So you stayed in bed, letting time slip by as guilt and self-doubt festered. The shop, your sanctuary of independence, momentarily feels like a burden, a tether pulling you towards a confrontation you’re not ready for.

Your thoughts churn, trying to make sense of everything. The tears, the words you shouted in the heat of the moment... they feel too raw, too exposed. You wish you could take them back, even as a part of you knows they needed to be said. But guilt has a way of distorting things, making you second-guess what was right, what was wrong, and what was simply human.

As the sun dips lower in the sky, Taehyung and Juwon show up, their familiar faces offering a much needed reprieve. They find you exactly where they probably expected... in bed, unmoving, staring blankly at the ceiling.

Taehyung doesn’t ask questions, he simply sits beside you, his hand warm and steady as it rests on your arm. Juwon mirrors his quiet support, settling on your other side, their presence wrapping around you like a shield against your own thoughts.

They don’t press you for answers or force you to recount the night. Instead, they coax you out of bed with gentle persistence, presenting the takeout they’ve brought like a peace offering. Though you can’t bring yourself to talk about the turmoil brewing inside, the quiet comfort of their company begins to lighten the heaviness in your chest.

Taehyung eventually puts on a movie, something lighthearted and familiar. As the scenes play out on the screen, you find your mind wandering to tomorrow.

Closing the shop today might have been necessary, but you can’t keep hiding. There’s a business to run, responsibilities to shoulder... even if the thought of seeing Jungkook again ties your stomach in knots.

The anger is still there, simmering just beneath the surface. What he said, what he did... it wasn’t excusable. But a small, stubborn part of you wants to hear his side, to understand why. Will you ask him? Probably not. Not yet.

For now, all you can focus on is how to avoid him tomorrow, how to navigate the day without letting his presence unravel you all over again.

//

A week passes, and you’ve become somewhat of a pro at ignoring Jungkook. Each time he walks past the shop or lingers in the vicinity, you manage to find something else to focus on, your eyes never straying in his direction.

He doesn’t approach you either, which you figure is his way of giving you space. Though you wouldn’t admit it out loud, you’re grateful for the unspoken truce.

The planning meetings for the town fair have stalled, but you push the thought aside, convincing yourself it’s not worth worrying about right now.

It’s Friday evening, and the shop feels unusually quiet. Taehyung had called earlier, practically buzzing with excitement. He’s sold one of his paintings to a famous singer who not only bought the piece but also promoted it on social media. The result?

Tae's art business exploded overnight. To celebrate, he invited you and the rest of the group to a jazz club, and there’s no way you’re missing it.

You decide to close the shop early, flipping the sign on the door with a small thrill of rebellion. The usual routine of tending to customers and tidying up can wait until tomorrow. Tonight, you’re determined to let loose.

You brought your outfit with you earlier, knowing you wouldn’t have the time to go all the way back home, just to change and get ready. You head into the storeroom, a quiet hum of anticipation filling the air as you change out of the clothes you're wearing.

The dress you’ve chosen is simple yet striking, a dark, elegant number that hugs your figure perfectly. You smooth it down, catching glimpses of yourself in the small, dusty mirror propped in the corner. It’s not ideal, but it’ll do.

Once dressed, you grab your makeup bag and head to the washroom to finish getting ready. The harsh fluorescent lights are far from flattering, but you lean close to the mirror, carefully applying your eyeliner and adding a touch of highlighter to your cheekbones.

When you finally step back to take in the full picture, you pause, a small smile tugging at your lips. You look... radiant. The shadows that have clung to you all week seem to lift, and for the first time in days, you feel more like yourself. The heaviness that’s been following you takes a backseat, and you let the excitement of the evening take its place.

With one last swipe of lipstick, you grab your clutch and flick off the washroom light. Stepping back into the shop, you take a moment to glance around before locking the door behind you.

The cool evening air greets you as you step outside, a soft breeze carrying the promise of a night to remember. For the first time in what feels like forever, you allow yourself to look forward to something other than your next obligation.

Tonight, it’s about celebrating Taehyung and, for just a little while, forgetting everything else.

Once you lock the door behind you, you’re ready to leave the day behind and immerse yourself in the celebration waiting for you. But just as you turn to head down the street, you stop in your tracks.

Sitting on the curb a few feet away is a figure so familiar, your heart recognizes him before your eyes fully process it.

Even with his face tilted downward, you know it’s Jungkook. His dark hair falls in loose strands over his forehead, and the slump of his shoulders speaks of exhaustion. He’s completely still, almost like he’s waiting for something... or someone. The sight makes you pause, confusion flickering across your face. What is he doing here, sitting outside on the curb, right outside his shop?

You take a hesitant step closer, the sharp click of your red pumps breaking the silence. The sound alerts him, because his head lifts slowly, and suddenly, his gaze meets yours.

In that instant, it feels like time itself stops. His dark, expressive eyes hold yours, and for a moment, the weight of the world seems to fall away. It’s the first time in what feels like an eternity that you’re truly seeing each other.

You take a sharp breath as your eyes scan his face, and what you see makes your stomach twist. A nasty bruise blooms across his forehead, his split lip is still raw, and the faint trace of dried blood lingers at the corner of his mouth.

He looks like he’s just come out of a fight. Panic rises in your chest, questions swirling in your mind. What happened to him? Who did this? And why is he sitting on the curb like this? You remember he was like this the other night too... the night he snapped at you, the night you snapped at him.

While your mind races, Jungkook sits frozen, too stunned to speak. He’s captivated, his eyes drinking in every detail of you like it’s the first time he’s truly seeing you. Your long hair cascades freely down your back, glossy and catching the faint glow of the streetlights.

The sleeveless cherry red satin dress hugs your curves with a perfect balance of elegance and allure, the thigh-high slit teasingly revealing the smooth length of your leg with every subtle shift of your body.

He can’t stop staring, his eyes tracing the curve of your shoulders, the way your dress glides effortlessly with your movements, and how your red pumps seem like they were made just for this moment. You look breathtaking. Ethereal. He almost forgets the pain in his body, too lost in the sight of you.

“You look…” he begins, but his voice falters. Words seem inadequate for what he wants to say. His throat tightens as he tries again, but nothing comes out. His eyes do all the speaking for him, wide and reverent, as if he’s looking at something impossibly beautiful.

Your heart hammers in your chest, torn between the storm of emotions his presence stirs and the worry that knots your stomach at the sight of his injuries. “Jungkook…” you whisper, your voice soft but tinged with concern. “What happened to you?” you question softly.

He doesn’t answer right away, his gaze still fixed on you, as though he’s afraid to look away and break whatever fragile spell this moment holds. But you don’t miss the faint twitch of his lips, like he wants to say something but can’t.

The silence stretches between you, charged and heavy, until finally, you take another step closer, your concern overpowering your hesitation. “Jungkook...” you say again, firmer this time. “Are you okay? What happened?”

Unable to hold yourself back any longer, you step towards him, your heels clicking softly against the pavement. Without a second thought, you crouch down beside him and gently place a hand on his arm, your fingers curling against the fabric of his jacket.

“Come on.” you murmur softly, your worry overpowering the tension that had hung between you for the past week. Jungkook stiffens slightly at your touch, caught completely off guard. He hadn’t expected you to come near him, let alone help him.

But before he can process it, he’s distracted by something entirely different... your scent. It envelops him, warm and sweet, with a faint floral hint that makes his head swim. It’s intoxicating, like you’re some kind of drug, and for a brief moment, he forgets the sting of his bruises.

You carefully pull him up, his weight leaning against you as he stumbles slightly. “Let’s get you inside.” you say, your tone leaving no room for argument. He doesn’t protest, letting you guide him towards the entrance of his shop. With one arm wrapped around his waist for support, you open the door and step inside, the small chime above the entrance ringing softly in the quiet.

It’s your first time in Jungkook’s shop, and as you help him inside, your eyes instinctively wander. The space feels intimate, yet rugged, filled with the unmistakable smell of motor oil and leather. Rows of polished helmets and sleek motorcycle parts line the shelves, glinting under the dim, warm lights.

A large workbench sits towards the back, cluttered with tools and blueprints, while a sleek black motorcycle stands proudly in the center of the room, gleaming like it’s just been polished.

For a moment, you’re almost in awe. You’ve passed by his shop countless times, but stepping inside feels like stepping into a part of him you’ve never seen before. Each detail seems to hold a piece of Jungkook... his precision, his passion, his identity.

But while you’re busy taking in the space, Jungkook is busy watching you. He leans slightly against you, his gaze fixed on your face, illuminated softly by the warm light.

The way your eyes dart around, curious and intrigued, makes something stir in his chest. Even now, with everything that’s happened, he can’t believe how stunning you look and how easily you take his breath away.

Finally, you spot a counter against the wall, and with a quiet urgency, you guide him to it. “Sit here.” you say, your voice firm but gentle. He lowers himself onto the stool with a wince, and you step back slightly, taking a proper look at him.

His face is a mess of bruises, and his split lip looks worse under the harsh lighting. The sight makes your chest tighten with worry.

“Look at you...” you murmur, shaking your head. “You’re hurt.” In that moment, it’s as though all the unresolved tension, the arguments, and the awkward silences are erased. The only thing that matters is him and the pain he’s in.

“Where’s the first aid kit?” you ask, your voice steady but laced with concern. Jungkook hesitates for a second, his eyes still glued to you. It’s impossible for him to look away... the way the soft red of your dress clings to you, the shine in your hair, the way you’re moving with such care for him...it’s overwhelming.

Finally, he clears his throat and gestures toward a cabinet near the workbench. “Over there.” he manages to answer, his voice hoarse. You move quickly, locating the box and pulling it out with purpose.

Taehyung’s jazz party, your plans for the night, everything fades from your mind as you return to Jungkook’s side. Setting the first aid kit on the counter, you pull out antiseptic wipes and gauze, ready to tend to his wounds.

As you gently dab at the cut on his lip, he flinches slightly, but he doesn’t pull away. Instead, he watches you intently, his gaze softening with every careful motion you make. The way you focus on him, your brows furrowed in concentration, makes his heart ache in a way that has nothing to do with his injuries.

“Why didn’t you take care of this sooner?” you ask quietly, breaking the silence as you work. You don’t look at him, your focus entirely on cleaning the dried blood from his forehead, but your tone carries a mix of frustration and worry. “You shouldn’t be walking around like this.” you add.

Jungkook doesn’t answer immediately. Instead, his lips twitch into a faint, rueful smile. “Didn’t think it mattered.” he mutters, his voice barely audible. You pause at that, your hand stilling for a moment before you continue. “Of course it matters.” you say firmly, your tone soft but resolute. “You matter.”

The words hang in the air between you, heavy with unspoken emotion. And for the first time in what feels like forever, Jungkook feels something warm begin to thaw the cold wall between you.

You want to ask him what happened... why he’s in this state, all battered and bruised, like a fragment of some untold story. But the words falter before they can leave your lips. There’s a hesitation you can’t shake, a fear that prying might break whatever fragile tether still holds the two of you together.

So instead, you focus on the tangible, the here and now, pouring your attention into tending to his wounds while your questions remain locked inside.

For Jungkook, the proximity is intoxicating. Your scent is subtle but distinct, wrapping around him like an embrace, a drug he knows he shouldn’t crave but can’t resist. Every small movement you make draws him in deeper.

The way your long hair cascades over one shoulder, framing your face, the delicate piece of jewelry resting at the hollow of your throat, catching the faint light like a whispered secret. You look like something out of a dream, and he wonders, for the briefest of moments, if this is some cruel trick his mind is playing on him.

“Why are you all dressed up?” The words escape him before he can think them through, his voice low, almost reverent.

You glance at him, your fingers pausing for just a second before resuming their careful work on his bruised knuckles. “My friends and i are going to a Jazz club. Just a small celebration.” There’s no irritation in your tone, no sign that his question was unwelcome. Just calm sincerity, as if speaking to him like this is the most natural thing in the world.

The weight of guilt suddenly bears down on him, sharp and unrelenting. “I’m ruining your plans.” he murmurs, his eyes dropping to the floor, his voice tinged with regret.

You shake your head, an easy, unthinking gesture. “You’re not.” you reply softly. “There’s still time.” The simplicity of your words only deepens the ache inside him.

How can you be this kind, this patient, after everything? The warmth of your presence, the gentle tone of your voice... it’s disarming, unraveling the careful composure he’s trying so hard to maintain.

As you place the last bandage on his forehead, smoothing it down with a tender precision, he can’t help but watch you. Every detail, every gesture, is etched into his memory like a masterpiece he’ll never get tired of admiring. And then, as you pull back, your hands brushing against his ever so slightly, something in him snaps.

Before he realizes what he’s doing, his hand finds your waist, pulling you closer with a delicate urgency. The motion is fluid, instinctive, and you freeze, startled by the suddenness of it all.

Your heart skips a beat, your breath hitching as you find yourself standing between his legs, your hands bracing against his shoulders for balance. His touch is firm but hesitant, as if he’s afraid you’ll pull away.

“Jungkook…” you whisper, your voice fragile, barely audible.

He wants to speak, to apologize, to address the distance that’s grown between you, but the words just won’t come out. He’s too distracted by the feel of you so close, by the way your wide eyes meet his with a mix of surprise and something else, something he can't really read.

He opens his mouth to speak, to apologize, to say something... anything... but the words die before they can form. Instead, his gaze drops to your lips, the space between you charged with an intensity neither of you can ignore.

He drinks in the sight of you... the soft sheen of your skin, the way your breath hitches ever so slightly. He’s utterly lost, caught in the gravity of this moment, and he doesn’t want to be found.

You, too, are caught in the pull, your thoughts hazy and disjointed. Your eyes trace the curve of his lips, lingering on the slight swelling from his injury, and before you know it, you’re leaning in. The distance between you seems to disappear on its own, like some invisible force is drawing you together.

Jungkook’s heart is pounding, his hand tightening ever so slightly on your waist. His mind is a whirlwind, and yet, everything feels perfectly still. This is it, he thinks. This is the moment where everything changes. He’s so close now, his lips hovering just a breath away from yours, and he swears he can feel the faintest ghost of a connection with you.

But then, like a cruel twist of fate, your phone rings. The sound is loud, jarring, shattering the fragile bubble that had enveloped you both.

You jolt, startled as you harshly step back, breaking the connection. Your cheeks flush as you fumble for your phone from your clutch that was placed on the counter, the spell broken but the aftereffects still lingering. “Sorry,” you mumble, your voice shaky as you glance at the screen. It’s Seokjin. Of course, it’s Seokjin.

“Where are you?” his familiar voice, laced with concern comes through the line once you answer.

“I... uh...I’m on my way,” you stammer, trying to steady your voice. “I’ll... I'll be there... I'll be there soon.” You hang up quickly, your hands trembling as you slide your phone back into your clutch.

Turning back to Jungkook, you open your mouth to say something, but the words won’t come. Instead, you hold your clutch close, your movements rushed and uncertain.

“I...ummm...I have...I have to go,” you finally manage to say, your voice barely above a whisper. Without waiting for a response, you turn and run for the door as your heels click against the floor while your heart pounds against your chest, your mind trying to process what just happened.

Jungkook doesn’t stop you. He stays where he is, leaning against the counter, his hand still tingling from where it had rested on your waist. A faint smile tugs at his lips, bittersweet and filled with longing. He can still feel the warmth of your presence, still smell the faint traces of your perfume lingering in the air.

His heart is a riot in his chest, his mind replaying the moment over and over like a movie he can’t turn off. He tries to calm himself down and to make sense of it all, but one thought keeps cutting through the haze. You were there, with him.

And even if it was for a fleeting moment, everything....everything felt right.

taglist: @kimyishin @ghijkd @dolligguk @mimi1097 @jksusawife @yooforeaa @abbie1847 @myjungkookthighs @thesarcasmqueen-22 @fairypjminie @lovelytaes-blog @jjeonjjk7 @daddyjeonnn @vantelover1306 @jeeykey (if i missed someone, pls lmk !!)

<- part 5 // part 7 ->

series masterlist

[pandapetals]

Arm Wrestle

Remy bets Logan to arm wrestle leading to chaos.

professor logan howlett x professor fem!reader - established relationship (y'all married), cute, fluff, teasing, no y/n used, no reader description, your an english professor, logan is a history professor - imagine days of future past logan with the white streaks in his hair

a/n: Another brilliant idea inspired by @she-loves-wolvie and the tikok she sent me.

read on ao3 or find more parts for the series: here

The living room buzzed with low chatter as everyone gathered around the coffee table, uno cards fanned out in their hands. Ororo was lounging gracefully on the couch, Hank sat cross-legged on the floor with an air of calm concentration, and Scott was already in team leader mode , explaining the rules like this was some kind of world-saving operation.

“Does everyone understand the rules?” Scott asked, scanning the group like he expected someone to whip out a notepad.

“It’s uno,” Hank replied, arching an eyebrow. “I think we’ve got it covered, fearless leader.”

“Honestly, we could’ve played something more exciting,” Remy chimed in with a dramatic sigh, leaning back on his palms. “Poker’s always a good choice.”

Scott groaned, pinching the bridge of his nose. “We would be playing poker if someone didn’t turn every game into some raunchy ‘flirt with Rogue’ fest.”

You chuckled as Remy smirked unapologetically. “What can I say? I like raisin’ the stakes—especially when ma chérie is playin’.”

Your grin widened as you leaned forward. “Speaking of, where is Rogue tonight? You’re actually here without her?”

Remy shrugged, looking vaguely offended. “She’s out with Jean. I’m a gentleman, cher. I give her space.”

Scott muttered something under his breath about miracles, but you ignored him, turning your attention back to your cards. The first round went well enough, with everyone groaning over +4 cards and loudly accusing Remy of stacking the deck. But by the third game, the excitement had dwindled. Ororo sighed dramatically as Hank leaned back against the couch, looking mildly bored.

“Okay,” Remy said, slapping his cards down on the table. “Uno ain’t doin’ it for me. We need somethin’ else.”

“And by ‘something else,’ you mean something chaotic,” Ororo quipped, rolling her eyes.

Before anyone could respond, Logan walked into the room, hands tucked into the pockets of his jeans. He was clearly looking for you, his eyes scanning the group until they landed on you.

“Hey, darlin’,” he greeted, his voice low and gravelly.

Remy perked up instantly, a mischievous glint in his eye. “Well, well. Look who’s here. Logan, you ever been good at arm wrestlin’?”

Logan raised an eyebrow, his gaze flicking to the table, then back to Remy. “What’re you talkin’ about, Cajun?”

Remy leaned forward, grinning. “How ‘bout a little challenge? One hundred bucks says I can take you.”

Ororo groaned, pushing herself to her feet. “That’s my cue to leave. I’ve seen this show before.” She gave you a knowing look before heading out of the room.

Logan smirked, walking closer. “You wanna arm wrestle me? For a hundred bucks?”

Remy shrugged. “What can I say? I’m feelin’ lucky tonight.”

Logan let out a low chuckle, pulling a chair over to the table. “Alright, let’s see what you’ve got.”

The room buzzed with excitement as everyone gathered around. Scott was already placing bets. “Hank’s the only one who might have a shot,” he whispered to Kurt. You leaned back on the couch, watching the scene unfold with an amused smile.

Logan planted his elbow on the table, his arm flexing as he waited for Remy to grasp his hand. “Don’t cry when you lose,” he said, his smirk widening.

Remy matched his smirk. “You talk big, mon ami . Let’s see if you can back it up.”

The match lasted less than ten seconds. Remy strained, his face turning red as Logan barely budged, his smirk never wavering. With a casual flick of his wrist, Logan slammed Remy’s hand down onto the table.

“Pay up,” Logan said, holding out his hand.

“Dammit,” Remy muttered, pulling out his wallet as the rest of the group burst into laughter.

One by one, Scott, Hank, and even Kurt tried their luck, each meeting the same fate. Hank came the closest, his muscles straining as he almost— almost —managed to push Logan’s arm down, but Logan held firm, finishing the match with a grunt of effort.

“Nice try, big guy,” Logan said, clapping Hank on the shoulder.

“That… was impressive,” Hank admitted, shaking out his arm.

As the guys continued to grumble and tease each other, you stood from the couch, a playful glint in your eye. “Alright, my turn.”

Logan’s head snapped toward you, his expression instantly shifting to something more serious. “No way, sweetheart.”

“Why not?” you challenged, crossing your arms.

“‘Cause I’m not gonna arm wrestle you,” he said firmly. “I don’t wanna hurt you.”

You rolled your eyes, stepping closer to the table. “Logan, I’m not made of glass. And besides, you’ve been beating everyone all night. Let me take you down a peg.”

The guys burst into laughter, clearly enjoying the idea.

“Come on, Logan,” Scott said, grinning. “You afraid of your wife?”

Logan shot him a glare. “Watch it, Summers.”

But you weren’t backing down. You moved to the table, sitting across from him and resting your elbow on the surface. “What’s the matter, tough guy? Afraid you might lose?”

Logan let out a low growl, his hazel eyes narrowing. “Fine,” he muttered, leaning forward and clasping your hand in his. “But don’t say I didn’t warn you.”

The moment your hands connected, you felt the rough warmth of his palm against yours, and you couldn’t help the small smile that tugged at your lips. “Ready?”

“Ready,” he rumbled, his eyes locked on yours.

Scott counted down, and the match began. Logan was holding back—you could feel it—but you didn’t mind. You weren’t planning to win with strength.

As he focused on your hands, you tilted your head, giving him a soft, playful look that you knew always got to him. “You know,” you murmured, your voice teasing, “I think this might be the first time I’ve ever seen you look nervous.”

Logan’s grip faltered for a split second, his gaze flicking to your face—and that was all you needed. With a triumphant laugh, you pushed his hand down onto the table, slamming it against the surface.

The room erupted into cheers and laughter as you leaned back, grinning.

“I win,” you declared, holding out your hand to Remy. “Pay up.”

Remy laughed, handing you a crisp hundred-dollar bill. “Remind me never to bet against you, cher.”

Logan shook his head, a grudging smile tugging at his lips. “That was low, darlin’.”

You leaned down, pressing a kiss to his cheek. “All’s fair in love and arm wrestling.”

Scott clapped Logan on the back, laughing. “Looks like the Wolverine’s got a weakness after all.”

“Yeah,” Logan muttered, pulling you into his lap with a smirk. “And I wouldn’t trade her for anything.”

The group dissolved into more laughter and teasing, but all you could focus on was the warmth of Logan’s arms around you, his soft chuckle in your ear as he whispered, “You’re somethin’ else, sweetheart.”

[yamayuandadu]

Nonconformity, ambiguity, fluidity and misinterpretation: on the gender of Inanna (and a few others)

This article wasn’t really planned far in advance. It started as a response to a question I got a few weeks ago:

However, as I kept working on it, it became clear a simple ask response won’t do - the topic is just too extensive to cover this way. It became clear it has to be turned into an article comprehensively discussing all major aspects of the perception of Inanna’s gender, both in antiquity and in modern scholarship. In the process I’ve also incorporated what was originally meant as a pride month special back in 2023 (but never got off the ground) into it, as well as some quick notes on a 2024 pride month special that never came to be in its intended form, as I realized I would just be repeating what I already wrote on wikipedia.

To which degree can we speak of genuine fluidity or ambiguity of Inanna’s gender, and to which of gender non-conforming behavior? Which aspects of Inanna’s character these phenomena may or may not be related to? What is overestimated and what underestimated? What did Neo-Assyrian kings have in common with medieval European purveyors of Malleus Maleficarum?  Is a beard always a type of facial hair? Why should you be wary of any source which calls gala “priests of Inanna”? 

Answers to all of these questions - and much, much more (the whole piece is over 19k words long) - await under the cut.

Zeus is basically Tyr: on names and cognates

The meaning of a theonym - the proper name of a deity - can provide quite a lot of information about its bearer. Therefore, I felt obliged to start this article with inquiries pertaining to Inanna’s name - or rather names. I will not repeat how the two names - Inanna and Ishtar - came to be used interchangeably; this was covered on this blog enough times, most recently here. Through the article, I will consistently refer to the main discussed deity as Inanna for the ease of reading, but I’d appreciate it if you read the linked explanation for the name situation before moving forward with this one.

Sumerian had no grammatical gender, and nouns were divided broadly into two categories, “humans, deities and adjacent abstract terms” and “everything else” (Ilona Zsolnay, Analyzing Constructs: A Selection of Perils, Pitfalls, and Progressions in Interrogating Ancient Near Eastern Gender, p. 462; Piotr Michalowski, On Language, Gender, Sex, and Style in the Sumerian Language, p. 211). This doesn’t mean deities (let alone humans) were perceived as genderless, though. Furthermore, the lack of grammatical masculine or feminine gender did not mean that specific words could not be coded as masculine or feminine (Analyzing Constructs…, p. 471; one of my favorite examples are the two etymologically unrelated words for female and male friends, respectively malag and guli).

While occasionally doubts are expressed regarding the meaning of Inanna’s name, most authors today accept that it can be interpreted as derived from the genitive construct nin-an-ak - “lady of heaven” (Paul-Alain Beaulieu, The Pantheon of Uruk During the Neo-Babylonian Period, p. 104). The title nin is effectively gender neutral (Julia M. Asher-Greve, Joan Goodnick Westenholz, Goddesses in Context: On Divine Powers, Roles, Relationships and Gender in Mesopotamian Textual and Visual Sources, p. 6) - it occurs in names of male deities (Ningirsu, Ninurta, Ninazu, Ninagal, Nindara, Ningublaga...), female ones (Ninisina, Ninkarrak, Ninlil, Nineigara, Ninmug…), deities whose gender shifted or varied from place to place or from period to period (Ninsikila, Ninshubur, Ninsianna…) and deities whose gender cannot be established due to scarcity of evidence (mostly Early Dynastic oddities whose names cannot even be properly transcribed). However, we can be sure that Inanna’s name was regarded as feminine based on its Emesal form, Gašananna (Timothy D. Leonard, Ištar in Ḫatti: The Disambiguation of Šavoška and Associated Deities in Hittite Scribal Practice, p. 36).

The matter is a bit more complex when it comes to the Akkadian name Ishtar. In contrast with Sumerian, Akkadian, which belongs to the eastern branch of the family of Semitic languages, had two grammatical genders, masculine and feminine, though the gender of nouns wasn’t necessarily reflected in verbal forms, suffixes and so on (Analyzing Constructs…, p. 472-473). In contrast with the name Inanna, the etymology of the Akkadian moniker is less clear. The root has been identified, ˤṯtr, but its meaning is a subject of a heated debate (Aren M. Wilson-Wright, Athtart. The Transmission and Transformation of a Goddess in the Late Bronze Age, p. 22-23; the book is based on the author’s doctoral dissertation, which can be read here). Based on evidence from the languages from the Ethiopian branch of the Semitic family, which offer (distant) cognates, Wilson-Wright suggests it might have originally been an ordinary feminine (but not marked with an expected suffix) noun meaning “star” which then developed into a theonym in multiple languages (Athtart…, p. 21) She tentatively suggests that it might have referred to a specific celestial body (perhaps Venus) due to the existence of a more generic term for “star” in most Semitic languages, which must have developed very early (p. 24). Thus the emergence of Ishtar would essentially parallel the emergence of Shamash, whose name is in origin the ordinary noun for the sun (p. 25). This seems like an elegant solution, but as pointed out by other researchers some of the arguments employed might be shaky, so it’s best to remain cautious about quoting Wilson-Wright’s conclusions as fact, even if they are more sound than some of the older, largely forgotten, proposals (Ištar in Ḫatti…, p. 40-41).

In addition to uncertainties pertaining to the meaning of the root ˤṯtr, it’s also unclear why the name Ishtar starts with an i in Akkadian, considering cognate names of deities from other cultures fairly consistently start with an a. The early Akkadian form Eštar isn’t a mystery - it reflects a broader pattern of phonetic shifts in this language, and as such requires no separate inquiry, but the subsequent shift from e to i is almost unparalleled. Wilson-Wright suggests that it might have been the result of contamination with Inanna, which seems quite compelling to me given that by the second millennium BCE the names had already been interchangeable for centuries (Athtart…, p. 18).

As for grammatical gender, in Akkadian (as well as in the only other language from the East Semitic branch, Eblaite), the theonym Ishtar lacks a feminine suffix but consistently functions as grammatically feminine nonetheless. I got a somewhat confusing ask recently, which I assume was the result of misinterpretation of this information as applying to the gender of the bearer of the name as opposed to just grammatical gender of the name itself:

Occasional confusion might stem from the fact that in the languages from the West Semitic family (like ex. Ugaritic or Phoenician) there’s no universal pattern - in some of them the situation looks like in Akkadian, in some cognates without the feminine suffix refer to a male deity, furthermore goddesses with names which are cognate but have a feminine suffix (-t; ex. Ugaritic Ashtart) added are attested (Athtart…, p. 16). 

In Akkadian a form with a -t suffix (ištart) doesn’t appear as a theonym, only as the generic word, “goddess” - and it seems to have a distinct etymology, with the -t as a leftover from plural ištarātu (Athtart…, p. 18). The oldest instances of a derivative of the theonym Ishtar being used as an ordinary noun, dated to the Old Babylonian period (c. 1800 BCE), spell it as ištarum, without such a suffix (Goddess in Context…, p. 80). As a side note, it’s worth pointing out that both obsolete vintage translations and dubious sources, chiefly online, are essentially unaware of the existence of any version of this noun, which leads to propagation of incorrect claims about equation of deities (Goddesses in Context…, p. 82).

It has been argued that a further form with the -t suffix, “Ishtarat”, might appear in Early Dynastic texts from Mari, but this might actually be a misreading. This has been originally suggested by Manfred Krebernik all the way back in 1984. He concluded the name seems to actually be ba-sùr-ra-at (Baśśurat; something like “announcer of good news”; Zur Lesung einiger frühdynastischer Inschriften aus Mari, p. 165). Other researchers recently resurrected this proposal (Gianni Marchesi and Nicolo Marchetti, Royal Statuary of Early Dynastic Mesopotamia, p. 228; accepted by Dominique Charpin in a review of their work as well). I feel it’s important to point out that nothing really suggested that the alleged “Ishtarat” had much to do with Ishtar (or Ashtart, for that matter) in the first place. The closest thing to any theological information in the two brief inscriptions she appears in is that she is listed alongside the personified river ordeal, Id, in one of them. Marchesi and Marchetti suggest they form a couple (Royal Statuary…, p. 228); in absence of other evidence I feel caution is necessary. I’m generally wary of asserting deities who appear together once in an oath, greeting or dedicatory formula are necessarily a couple when there is no supplementary evidence. Steve A. Wiggins illustrated this issue well when he rhetorically asked if we should treat Christian saints the same way, which would lead to quite thrilling conclusions in cases like the numerous churches named jointly after St. Andrew and St. George and so on (A Reassessment of Asherah With Further Considerations of the Goddess, p. 101).

Even without Ishtarat, the Mariote evidence remains quite significant for the current topic, though. There’s a handful of third millennium attestations of a deity sometimes referred to as “male Ishtar” (logographically INANNA.NITA; there’s no ambiguity thanks to the second logogram) in modern publications - mostly from Mari. The problem is that this is most likely a forerunner of Ugaritic Attar, as opposed to a male form of the deity of Uruk/Zabalam/Akkad/you get the idea (Mark S. Smith, The God Athtar in the Ancient Near East and His Place in KTU 1.6 I, esp. p. 629; note that the deity with the epithet Sarbat is, as far as I know, generally identified as female though). 

Ultimately there is no strong evidence for Attar being associated with Inanna (his Mesopotamian counterpart in the trilingual list from Ugarit is Lugal-Marada) or even with Ashtart (Smith tentatively proposes the two were associated - The God Athtar.., p. 631 - but more recently in ‛Athtart in Late Bronze Age Syrian Texts he ruled it out, p. 36-37) so he’s not relevant at all to this topic. Cognate name =/= related deity, least you want to argue Zeus is actually Tyr; the similarly firmly male South Arabian ˤAṯtar is even less relevant (Athtart. The Transmission and Transformation…, p. 13). Smith goes as far as speculating the male cognates might have been a secondary development, which would render them even more irrelevant to this discussion (‛Athtart in Late…, p. 35).

There are also three Old Akkadian names which might refer to a masculine deity based on the form of the other element (Eštar-damqa, “E. is good”, Eštar-muti “E. is my husband”, and Eštar-pāliq, “E. is a harp”), but they’re an outlier and according to Wilson-Wright might be irrelevant for the discussion of the gender of Ishtar and instead refer to a deity with a cognate name from outside Mesopotamia (Athtart. The Transmission and Transformation…, p. 22). 

There’s also a possible isolated piece of evidence for a masculine deity with a cognate name in Ebla. Eblaite texts fairly consistently indicate that Inanna’s local counterpart Ašdar was a female deity. In addition to the equivalence between them attested in a lexical list, her main epithet, Labutu (“lioness”) indicates she was a feminine figure. However, Alfonso Archi argues that in a single case the name seems to indicate a god, as they are followed by an otherwise unattested “spouse” (DAM-sù), Datinu (Išḫara and Aštar at Ebla: Some Definitions, p. 16). The logic behind this is unclear to me and no subsequent publications offer any explanations so far. It might be worth noting that the Eblaite pantheon seemingly was able to accommodate two sun deities, one male and one female, so perhaps this is a similar situation.

It should also be noted that the femininity of Ishtar despite the lack of a feminine suffix in her name is not entirely unparalleled - in addition to Ebla, in areas like the Middle Euphrates deities with cognate names without the -t suffix might not necessarily be masculine, even when they start with a- and not i- like in Akkadian. In some cases the matter cannot be solved at all - there is no evidence regarding the gender of Aštar of the Stars (aš-tar MUL) from Emar, for instance. Meanwhile Aštar of Ḫaši and Aštar-ṣarbat (“poplar Aštar”) from the same site are evidently feminine (Athtart. The Transmission and Transformation…, p. 106). At least in the last case that’s because the name actually goes back to the Akkadian form, though (p. 85).

To sum up: despite some minor uncertainties pertaining to the Akkadian name, there’s no strong reason to suspect that any greater degree of ambiguity is built into either Inanna or Ishtar - at least as far as the names alone go. The latter was even seen as sufficiently feminine coded to serve as the basis for a generic designation of goddesses. 

Obviously, there is more to a deity than just the sum of the meanings of their names. For this reason, to properly evaluate what was up with Inanna’s gender it will be necessary to look into her three main roles: these of a war deity, personification of Venus and love deity.

Masculinity, heroism and maledictory genderbening: the warlike Inanna

An Old Babylonian plaque depicting armed Inanna (wikimedia commons)

Martial first, marital second?

War and other related affairs will be the first sphere of Inanna’s activity I’ll look into, since it feels like it’s the one least acknowledged online and in various questionable publications. Ilona Zsolnay points out that this even extends to serious scholarship to a degree, and that as a result her military side is arguably understudied (Ištar, Goddess of War, Pacifier of Kings: An Analysis of Ištar’s Martial Role in the Maledictory Sections of the Assyrian Royal Inscriptions, p. 389). The oldest direct evidence for the warlike role of Inanna are Early Dynastic theophoric names such as Inanna-ursag, “Inanna is a warrior”. Further examples are provided by a variety of both Sumerian and Akkadian sources from across the second half of the third millennium BCE. This means it’s actually slightly older than the first evidence for an association with love and eroticism, which can only be dated with certainty to the Old Akkadian period when it is directly mentioned for the first time, specifically in love incantations (Joan Goodnick Westenholz, Inanna and Ishtar in the Babylonian World, p. 336).

Deities associated with combat were anything but uncommon in Mesopotamia. There was no singular war god - Ninurta, Nergal, Zababa, Ilaba, Tishpak and an entire host of other figures, some recognized all across the region, some limited to one specific area or even just a single city, shared a warlike disposition. Naturally, the details could vary - Ninurta was essentially an avenger restoring order disturbed by supernatural threats, Nergal was a war god because he was associated with just about anything pertaining to inflicting death, and so on. 

All the examples I’ve listed are male, but similar roles are also attested for multiple goddesses, not just Inanna. Those include closely related deities like Annunitum or Belet-ekallim, most of her foreign counterparts, the astral deity Ninisanna (more on this figure later), but also firmly independent examples like Ninisina and the Middle Euphrates slash Ugaritic Anat (Ilona Zsolnay, Do Divine Structures of Gender Mirror Mortal Structures of Gender?, p. 114).

The god list An = Anum preserves a whole series of epithets affirming Inanna’s warlike character - Ninugnim, “lady of the army”; Ninšenšena, “lady of battle”; Ninmea, “lady of combat”; Ninintena, “lady of warriorhood” (tablet IV, lines 20-23; Wilfred G. Lambert and Ryan D. Winters, An = Anum and Related Lists, p.162). It is also well represented in literary texts. She is a “destroyer of lands” (kurgulgul) in Ninmesharra, for instance (Markham J. Geller, The Free Library Inanna Prism Reconsidered, p. 93).

At least some of the terms employed to describe Inanna in other literary compositions were strongly masculine-coded, if not outright masculine. The poem Agušaya characterizes her as possessing “manliness” (zikrūtu) and “heroism” (eṭlūtu; this word can also refer to youthful masculinity, see Analyzing Constructs…, p. 471) and calls her a “hero” (qurādu). Another example, a hymn dated to the reign of Third Dynasty of Ur or First Dynasty of Isin opens with an incredibly memorable line - “O returning manly hero, Inanna the lady (...)” (or, to follow Thorkild Jacobsen’s older translation, which involves some gap filling - “O you Amazon, queen—from days of yore, paladin, hero, soldier”; The Free Library… p. 93). 

A little bit of context is necessary here: while “heroism” might seem neutral to at least some modern readers, in ancient Mesopotamia it was seen as a masculine trait (Ištar, Goddess of War…, p. 392-393). It’s worth noting that eṭlūtum, which you’ve seen translated as “heroism” above can be translated in other context as  “youthful masculinity” (Analyzing Constructs…, p. 471). On the other hand, while zikrūtu is derived from zikāru, “male”, it might refer both straightforwardly to masculinity and more abstractly to heroism (Ištar, Goddess of War…, p. 397).

However, the same hymn which calls Inanna a “manly hero” refers to her with a variety of feminine titles like nugig. There’s even an Emesal gašan (“lady”) in there, you really can’t get much more feminine than that (The Free Library… p.  89). On top of that, about a half of the composition is a fairly standard Dumuzi romance routine (The Free Library… p. 90-91; more on what that entails later, for now it will suffice to say that not gender nonconformity). 

This is a recurring pattern, arguably - Agušaya, where masculine traits are attributed to Inanna over and over again, still firmly refers to her as a feminine figure (“daughter”, “goddess”, “queen”, “princess”, “mistress”, “lioness” and so on; Benjamin R. Foster, Before the Muses: an Anthology of Akkadian Literature, p. 160 and passim). In other words, the assignment of a clearly masculine sphere of activity and titles related to it doesn’t really mean Inanna is not presented as feminine in the same compositions.

How to explain this phenomenon? In Mesopotamian thought both femininity and masculinity were understood as me, ie. divinely ordained principles regulating the functioning of the cosmos. In modern terms, these labels as they were used in literary texts arguably had more to do with gender and gender roles than strictly speaking with biological sex (Ištar, Goddess of War…, p. 391-392). Ilona Zsolnay on this basis concludes that Inanna, while demonstrably regarded as a feminine figure, took on a masculine role in military context (Ištar, Goddess of War…, p. 401). This is hardly an uncommon view in scholarship (The Free Library…, p. 93; On Language…, p. 243). 

In other words, it can be argued that when the lyrical voice in Agušaya declares that “there is a certain hero, she is unique” (i-ba-aš-ši iš-ta-ta qú-ra-du; Before the Muses…, p. 98) the unique quality is, essentially, that Inanna fulfills a strongly masculine coded role - that of a “hero”, understood as a youthful, aggressive masculine figure - despite being female.

It should be noted that the ideal image of a person characterized by youthful masculinity went beyond just warfare, or abstract heroic adventures, though. The Song of the Hoe indicates that willingness to perform manual work in the fields was yet another aspect of it (Ilona Zsolnay, Gender and Sexuality: Ancient Near East, p. 277). This, as far as I know, was never attributed to Inanna.

Furthermore, the sort of youthful, aggressive masculinity we’re talking about here was regarded as something fleeting and temporary for the most part (at least when it came to humans; deities are obviously a very different story), and a very different image of male gender roles emerges from texts such as Instruction of Shuruppak, which extol a peaceful, reserved demeanor and the ability to provide for one’s family as masculine virtues instead (Gender and Sexuality…, p. 277-278). It might be worth pointing out that Sumerian outright uses two different terms to designate “youthful” (namguruš) and “senior” (namabba) masculinity (Gender and Sexuality…, p. 275); the general term for masculinity, namnitah, is incredibly rare in comparison  (Gender and Sexuality…, p. 276-277).

It needs to be pointed out that a further Sumerian term sometimes translated as “manliness” -  šul, which occurs for example in the hymn mentioned above - might actually be gender neutral; in addition to being used to describe mortal young men and Inanna, it was also applied as an epithet to the goddess Bau, who demonstrably was not regarded as a masculine figure; she didn’t even share Inanna’s warlike character (Analyzing Constructs…, p. 471). Perhaps the original nuance simply escapes us - could it be that šul was not strictly speaking masculinity, but some more abstract quality which was simply more commonly associated with men?

In any case, it’s hard to argue that Inanna really encompasses the entire concept of masculinity as the Mesopotamians understood it. At the same time, it is impossible to deny that she was portrayed as responsible for - and enthusiastically engaged in - spheres of activity which were seen as firmly masculine, and could accordingly be described with terms associated with them. Therefore, it would be more than suitable to describe her as gender nonconforming - at least when she was specifically portrayed as warlike. 

Perhaps Dennis Pardee was onto something when he completely sincerely described Anat, who despite being firmly a female figure similarly engaged in masculine pursuits (not only war, but also hunting) as a “tomboy goddess” (Ritual and Cult at Ugarit, p. 274). 

These observations only remain firmly correct as long as we assume that gender roles are a concept fully applicable to deities, of course - I’ll explore in more detail later whether this was necessarily true.

Royal curses and legal loopholes

A different side of Inanna as a war deity which nonetheless still has a lot to do with the topic of this article comes to the fore in curse formulas from royal inscriptions. Their contents are not quite as straightforward as imploring her to personally intervene on the battlefield. Rather, she was supposed to make the enemy unable to partake in warfare properly (Ištar, Goddess of War…, p. 390). Investigating how this process was imagined will shed additional light on how the Mesopotamians viewed masculinity, and especially the intersection between masculinity and military affairs.

The formulas under discussion start to appear in the second half of the second millennium BCE, with the earliest example identified in an inscription of the Middle Assyrian king Tukultī-Ninurta I (Gina Konstantopoulos, My Men Have Become Women, and My Women Men: Gender, Identity, and Cursing in Mesopotamia, p. 363).  He implored the goddess to punish his enemies by turning them into women (zikrūssu sinnisāniš) - or rather, by turning their masculinity into femininity, or at the very least some sort of non-masculine quality. The first option was the conventional translation for a while, but sinništu would be used instead of the much more uncommon sinnišānu if it was that straightforward. Interpreting it as “femininity” would parallel the use of zikrūti, “masculinity”, in place of zikaru, “man”. 

There are two further possible alternatives, which I find less plausible myself, but which nonetheless need to be discussed. One is that sinnišānu designated a specific class of women. Furthermore, there is also some evidence - lexical list entry from ḪAR.GUD, to be specific -  that sinnisānu might have been a synonym of assinnu, a type of undeniably AMAB, but possibly gender nonconforming, cultic performer (in older literature erroneously translated as “eunuch” despite lack of evidence; the second most beloved vintage baseless translation for any cultic terms after “sacred prostitute”, an invention of Herodotus), in which case the curse would involve something like “changing his masculinity in the manner of a sinnisānu” (Ištar, Goddess of War…, p. 394-396). However, Zsolnay herself subsequently published a detailed study of the assinnu, The Misconstrued Role of the assinnu in Ancient Near Eastern Prophecy, which casts her earlier proposal into doubt, as the perception of the assinnu as a figure lacking conventional masculinity might be erroneous. I’ll return to this point later. For now, it will suffice to say that on grammatical grounds and due to parallels in other similar maledictions, “masculinity into femininity” seems to be the most straightforward to me in this case.

The “genderbending” tends to be mentioned alongside the destruction of one’s weapons (My Men Have…, p. 363). This is not accidental - martial prowess, “heroism” and even the ability to bear weapons were quintessential masculine qualities; a man deprived of his masculinity would inevitably be unable to possess them. The masculine coding of weaponry was so strong that an erection could be metaphorically compared to drawing a bow (Ištar, Goddess of War…, p. 395).

Zsolnay points out the reversal of gender in curses is also coupled with other reversals: Inanna is also supposed to “establish” (liškun) the defeat (abikti) of the target of the curses - a future king who fails to uphold his duties - which constitutes a reversal of an idiom common in royal inscriptions celebrating victory (abikti iškun). The potential monarch will also be unable to face the enemy as a result of her intervention - yet again a reversal of a mainstay of royal declarations. The majesty and heroism of a king were supposed to scare enemies, who would inevitably prostrate themselves when faced by him on the battlefield (Ištar, Goddess of War…, p. 396-397). 

It is safe to say the goal of invoking Inanna in the discussed formulas was to render the target powerless. (Ištar, Goddess of War…, p. 396; My Men Have…, p. 366). Furthermore, they evoke a fear widespread in cuneiform sources, that of the loss of potency, which sometimes took forms akin to Koro syndrome or the infamous penis theft passages from Malleus Maleficarum (My Men Have…, p. 367). It is worth noting that male impotence could specifically be described as being “like a woman” (kīma sinništi/GIM SAL; Ištar, Goddess of War…, p. 395).

Gina Konstantopoulos argues that references to Inanna “genderbening” others occur in a different context in a variety of literary texts, for example in the Epic of Erra, where they’re only meant to highlight the extent of her supernatural ability. She also suggests that more general references to swapping left and right sides around, for example in Enki and the World Order, are further examples, as they “echo(...) the language of birth incantations” which ritually assigned the gender role to a child (My Men Have…, p. 368). She also sees the passage from the Epic of Gilgamesh describing the fates of various individuals who crossed her path and ended up transformed into animals as a result as a more distant parallel of the curse formulas (My Men Have…, p. 369). However, it needs to be pointed out this sort of shapeshifting is almost unparalleled in Mesopotamian literature (Frans Wiggermann, Hybrid creatures A. Philological. In Mesopotamia, p. 237), and none of the few examples involve a change of gender. The fact that the "genderbending" passages generally reflect a fear of loss of agency (especially on the battlefield) or potency, and by extension of independence tied to masculine gender roles, explains why they virtually never describe the opposite scenario, a mortal woman being placed in a masculine role through supernatural means as punishment (My Men Have…, p. 370). It might be worth pointing out that a long sequence of seemingly contradictory duties involving reversals is also ascribed to Inanna in a particularly complex Old Babylonian hymn (Michael P. Streck, Nathan Wasserman, The Man is Like a Woman, the Maiden is a Young Man. A new edition of Ištar-Louvre (Tab. I-II), p. 2-3). It also contains a rare case of bestowing masculine qualities upon women: “the man is like a woman, the maiden is like a young man” (zikrum sinništeš ardatu eṭel; The Man is Like…, p. 5). However, the context is not identical to the “genderbening” curses. The text is agreed to describe a performance during a specific festival. Other passages explicitly refer to crossdressing and rituals themed around reversal (šubalkutma šipru, "behavior is turned upside down"; The Man is Like…, p. 6). Furthermore, grammatical forms of verbs do not indicate a full reversal of gender (The Man is Like…, p. 31). Overall, I agree with Timothy D. Leonard’s cautious remark that in this context only religiously motivated temporary reversal of gender roles occurs, and we cannot use the passage to make far reaching conclusions about the participants’ identity (Ištar in Ḫatti…, p. 298).

It’s important to bear in mind that a performance involving crossdressing won’t necessarily involve people who are otherwise gender nonconforming, and it doesn’t necessarily have anything to do with the sexuality of the performer. While I typically avoid bringing up parallels from other cultures and time periods as evidence, I feel like this is illustrated quite well by the case of shirabyōshi, a type of female performer popular in Japan roughly from the second half of the Heian period to the late Kamakura period.

A 20th century depiction of a shirabyōshi (wikimedia commons)

They performed essentially in male formal wear, and with swords at their waists; their performance was outright called a “male dance” (Roberta Strippoli, Dancer, Nun, Ghost, Goddess. The Legend of Giō and Hotoke in Japanese Literature, Theater, Visual Arts, and Cultural Heritage, p. 28). Genpei jōsuiki nonetheless states that famous shirabyōshi were essentially the Japanese answer to the most famous historical Chinese beauties like Wang Zhaojun or Yang Guifei (Dancer, Nun…, p. 27-28). In other words, while the shirabyōshi crossdressed, they were simultaneously held to be paragons of femininity.

Putting crossdressing aside, it’s worth noting women taking masculine roles are additionally attested in legal context in ancient Mesopotamia, though only in an incredibly specific scenario. A man who lacked male heirs could essentially legally declare his daughter a son, so that she would be able to have the privileges as a man would with regards to inheritance. For example, in a text from Emar a certain mr. Aḫu-ṭāb formally made his daughter Alnašuwa his heir due to having no other descendants, and explained that as a result she will have to be “both male and female” (NITA ù MUNUS) - effectively both a son and a daughter - to keep the process legitimate. Once Alnašuwa got married, her newfound status as a son of her father was legally transferred to her husband, though. Evidently no supernatural powers were involved at any stage, only an uncommon, but fully legitimate, legal procedure (My Men Have…, p. 370-372). It should be noted that when male by proxy, Alnašuwa was explicitly not expected to perform any military roles - her father only placed such an exception on potential grandsons (My Men Have…, p. 370). Therefore, the temporary masculine role she was granted was arguably not the same as the sort of masculinity curses were supposed to take away, or the sort Inanna could claim for herself to a degree.

Luminous beards and genderfluid planets: the astral Inanna (and her peers)

A standard Mesopotamian depiction of the planet Venus (Dilbat) on a late Kassite boundary stone (wikimedia commons)

Male in the morning, female in the evening (or the other way round)?

While the inquiry into Inanna’s military aspect revealed a fair amount of evidence for gender nonconformity, it would be disingenuous on my part to end the article on just that. A slightly different phenomenon is documented with regards to her astral side - or perhaps with regards to the astral side of multiple deities, to be more precise.

To begin with, in Mesopotamian astrology Venus (Dilbat) was one of the two astral bodies which were described as possessing two genders, the other being Mercury (Erica Reiner, Astral Magic in Babylonia, p. 6; interestingly, it doesn’t seem any deity associated with Mercury acquired this characteristic unless you want to count a possible late case from outside Mesopotamia). The primary sources indicate that this reflected the fact Venus is both the morning star and the evening star, though there was no agreement between ancient astronomers which one of them was feminine and which masculine (Ulla Koch-Westenholz, Mesopotamian Astrology. An Introduction to Babylonian and Assyrian Celestial Divination, p. 40). We even have a case of a single astrologer, a certain Nabû-ahhe-eriba, alternating between both options in his personal letters (p. 126). It needs to be pointed out that while some interest in stars and planets might already be attested in Early Dynastic sources, its scope was evidently quite limited and astrology didn’t develop yet (Mesopotamian Astrology…, p. 32). No astrological texts predate the Old Babylonian period, and most of the early ones are preoccupied with the moon (p. 36-37), though the earliest evidence for astrological interest in Venus are roughly contemporary with them (p. 40). Astronomical observations of this planet were certainly already conducted for divinatory purposes during the reign of Ammisaduqa, and by the seventh century BCE experts were well familiar with its cycle and made predictions on this basis (p. 126).

Inanna’s association with Venus predates the dawn of astrology by well over a millennium. It likely goes back all the way up to the Uruk period - if not earlier, but that sort of speculation is moot because you can’t talk about Mesopotamian theology with no textual sources, and these are fundamentally not something available before the advent of writing. The earliest evidence are archaic administrative texts which separately record offerings for Inanna hud, “Inanna the morning” and Inanna sig, “Inanna the evening” (Inanna and Ishtar…, p. 334-335). However, it is impossible to tell if this was already reflected in any sort of ambiguity or fluidity of gender. It also needs to be noted the archaic text records two more epithets, Inanna NUN, possibly “princely Inanna” (p. 334; this is actually the single oldest one) and Inanna KUR, possibly a forerunner of later title ninkurkurra, “lady of the lands” (p. 335). Therefore, Inanna was arguably already more than just a deity associated with Venus.

It’s up for debate to which degree an astral body was seen as identical with the corresponding deity in later periods (Spencer J. Allen, The Splintered Divine. A Study of Ištar, Baal, and Yahweh Divine Names and Divine Multiplicity in the Ancient Near East, p. 41-42). There is evidence that Inanna and the planet Venus could be viewed as separate, similarly to how the moon observed in the sky could be treated as distinct from the moon god Sin (p. 40). The most commonly cited piece of evidence is that astrological texts fairly consistently employ the name Dilbat to refer to the planet instead of Inanna’s name or one of the logograms used to represent it, like the numeral 15 (p. 42).

Regardless of these concerns, one specific tidbit pertaining to astrological comments on Venus is held as particularly important for possible ambiguity or fluidity of Inanna’s gender, and even lead to arguments that masculine depictions might be out there: the planet can be described as bearded (Astral Magic…, p. 6). Omens attesting this are most notably listed in the compendium Iqqur īpuš (Erica Reiner, David Pingree, Babylonian Planetary Omens vol. 3, p. 10-11). it should be noted that the planet is referred to only as Dilbat in this context (see ex. Babylonian Planetary…, p. 105 for an example). I’m only aware of two texts where this feature is transferred to the corresponding deity: the syncretic hymn to Nanaya and Ashurbanipal’s hymn to Ishtar of Nineveh. Is the beard really a beard, though? Not necessarily, as it turns out.

The passage from the hymn of Ashurbanipal has been recently discussed by Takayoshi M. Oshima and Alison Acker Gruseke (She Walks in Beauty: an Iconographic Study of the Goddess in a Nimbus, p. 62-63). They point out that ultimately there are no certain iconographic representations of bearded Ishtar. There are a few proposed ones on cylinder seals but this is a minority position relying on doubtful exegesis of every strand of hair in sight; no example has anything resembling the “classic” Mesopotamian beard. I’ll return to this problem in a bit.

In any case, the authors of the aforementioned paper argue the key to interpreting the passage is the fact that the reference to the beard (or rather beards in the plural) occurs in an enumeration of strictly astral, luminous characteristics, like being “clothed in brilliance” (namrīrī ḫalāpu). Furthermore, they identify a parallel in the Great Hymn to Shamash: the rays of the sun are described as “beards” (ziqnāt), and occur in parallel with “splendor” (šalummatu) and “lights” (namrīrū). Therefore, they assume the “beard” might be a metaphorical term for a ray of light, rather than facial hair. This would match actually attested depictions - in the first millennium BCE, especially in Assyria, images of a goddess surrounded by rays of light or a large halo of sorts are very common.

A goddess surrounded by a halo on a Neo-Assyrian seal (wikimedia commons)

Perhaps most importantly, this interpretation is also confirmed by the astronomical texts which kickstarted the discussion. The phrase ziqna zaqānu, “to have a beard”, is explained multiple times as reflection of an unusual luminosity when applied to Venus. The authors additionally argue that it is possible the use of the term “beard” was originally tied to the triangular portions of the emblems of Inanna and her twin (which indeed represent the luminosity of Venus and the sun) to explain why a plurality of “beards” is relatively common in the discussed descriptions (p. 64).

As I said before, the second example is a hymn to Nanaya. It’s easily one of my favorite works of Mesopotamian literature, and a few years ago it kickstarted my interest in its “protagonist”, but tragically most of it is completely irrelevant to this article. The gist of it is fairly simple: the entire composition is written in first person, and in each strophe Nanaya claims the prerogatives of another deity before reasserting herself: “still I am Nanaya” (Goddesses in Context…, p. 116-117). The “borrowed” attributes vary from abstract cosmic powers to breast size. The deities they are linked with range from the most major members of the pantheon (Inanna, Gula, Ishara, Bau…) through spouses of major deities (Shala, Damkina…) to obscure oddities (Manzat, the personified rainbow); there’s even one who’s otherwise entirely unknown, Šuluḫḫītum (for a full table see Erica Reiner’s A Sumero-Akkadian Hymn of Nanâ, p. 232).

As expected, the strophe relevant to the current topic is the one focused on Inanna, in which Nanaya proudly exclaims “I have a beard (ziqna zaqānu) in Babylon”, in between claiming to have “heavy breasts in Daduni” (Reiner notes this is not actually an attested attribute of Inanna, and suggests the line might be a pun on the name of the city mentioned in it, Daduni, and the word dādu) and appropriating Inanna’s family tree for herself (A Sumero-Akkadian…, p. 233).

A possible late depiction of Nanaya (wikimedia commons)

It needs to be stressed that Nanaya’s gender shows no signs of ambiguity anywhere; quite the opposite, she was the “quintessence of womanhood“ (Olga Drewnowska-Rymarz, Mesopotamian Goddess Nanāja, p. 156). I would argue the most notable case of something along the lines of gender nonconformity in a source focused on her occurs in the sole known example of a love poem starring her and her sparsely attested Old Babylonian spouse Muati. 

Muati is asked to intercede with Nanaya on behalf of a petitioner (Before the Muses…, p. 160), which usually was the role performed of the wife of a major male deity (or by Ninshubur in Inanna’s case; Goddesses in Context…, p. 273). Sadly, despite recently surveying most publications mentioning Muati I haven’t found any substantial discussion of this unique passage, and I’m not aware of any parallels involving other couples where the wife was a more important deity than the husband (like Ninisina and Pabilsag).

A further issue for the beard passage is that Nanaya had no connection to Venus to speak of -  she could be described as luminous, but she was only compared to the sun, the moon, and unspecified stars (Mesopotamian Goddess Nanāja, p. 153-155).

Given that the hymn most likely dates to the early first millennium BCE (Goddesses in Context…, p. 116), yet another problem for the older interpretation is that the city of Babylon at this point in time is probably the single worst place for seeking any sort of gender ambiguity when it comes to Inanna.

After the end of the Kassite period, Babylon became the epicenter of Marduk-centric theological ventures which famously culminated in the composition of Enuma Elish. What is less well known is that as a part of the same process, attempts were made to essentially fuse Bēlet-Bābili (“lady of Babylon”) - the main (but not only) local form of Inanna, regarded as distinct from Inanna of Uruk (the “default” Inanna) - with Zarpanitu (The Pantheon…, p. 75-76). Zarpanitu was effectively the definition of an indistinct spouse of another deity - there’s not much to say about her character other than that she was Marduk’s wife (Goddesses in Context…, p. 92-93). Accordingly, it is hard to imagine that the contemporary “lady of Babylon” would be portrayed as bearded.

During the reign of Nabu-shuma-ishkun in the eighth century BCE an attempt to extend the new dogma to Inanna of Uruk was made, though this was evidently considered too much for contemporary audiences. Multiple sources display varying degrees of opposition to replacement of Inanna in the Eanna by a goddess who didn’t belong there, presumably either Zarpanitu or at the very least Bēlet-Bābili after “Zarpanituification” so severe she no longer bore a sufficient resemblance to her Urukuean colleague (The Pantheon…, p. 76-77). Inanna of Uruk was restored during the reign of Nebuchadnezzar II, who curiously affirmed that her temple was temporarily turned into the sanctuary of an “inappropriate goddess” (The Pantheon…, p. 131). However, the Marduk-centric ventures left a lasting negative impression in Uruk nonetheless, and in the long run lead to quite extreme reactions, culminating in the establishment of an active cult of Anu for the first time, but that’s another story (I might consider covering it in detail if there’s interest).

To go back to the hymn to Nanaya one last time, it’s interesting to note that a single copy seems to substitute ziqna zaqānu for zik-ra-[...], possibly a leftover of zikrāku, “manly”. Takayoshi M. Oshima and Alison Acker Gruseke presume this is only a scribal mistake, since this heavily damaged exemplar is rife with typos in general (She Walks…, p. 63), though I’m curious if perhaps a reference to the military character of Inanna herself or Annunitum was meant. This would line up with evidence from Babylon to a certain degree, since through the first millennium BCE Annunitum was worshiped there in her own temple (Goddesses in Context…, p. 105-106). However, in the light of what is known about this unique variant, it’s best to assume that it is indeed a typo and the hymn simply refers to luminosity. 

While no textual sources earlier (or later, for that matter) than the two hymns discussed above attribute a beard to Inanna (Zainab Bahrani, Women of Babylon. Gender and Representation in Mesopotamia, p. 182), the most commonly cited example of a seal with a supposedly bearded depiction is considerably earlier (Ur III, so roughly 2100 BCE, long before any references to “bearded Venus”). It comes from the Umma area judging from the name and title of its owner, a certain Lu-Igalima, a lumaḫ priest of Ninibgal (“lady of the [temple] Ibgal”, ie. Inanna’s temple in Umma). However, Julia M. Asher-Greve  points out that the beard is likely to be a strand of hair, since contemporary parallels supporting this interpretation are available, for example a seal of a priest of Inanna from Nippur, Lugalengardu. Furthermore, she notes that the seal cutter was seemingly inexperienced, since the detail is all around dodgy, for example Inanna’s foot seems to be merged with the head of the lion she stands on (Goddesses in Context…, p. 208). Looking at the two images side by side, I think this is a compelling argument, since the beard doesn’t really look like, well, a typical Mesopotamian beard, while the hairdo on the Nippur seal is indeed similar:

Both images are screencaps from Goddesses in Context, p. 403; reproduced here for educational purposes only.

While I think the beard-critical arguments are sound, this is not the only possible kind of depiction of Inanna argued to reflect the fluidity of gender attributed to the planet Venus.

Paul-Alain Beaulieu notes that an inscription of Nebuchadnezzar with a dedication to Inanna of Uruk she might be called both the lamassu, ie. “protective goddess”, of Uruk and šēdu, ie. “protective genius”, of Eanna; the latter is an invariably masculine term. However, it is not entirely clear if the lamassu and šēdu invoked here are both really a partially masculine Ishtar, since there’s a degree of ambiguity involved in the concept of protective deity or deities of a temple - while there’s evidence for outright identification with the main deity of a given house of worship, they could also be separate, though closely related, and Beaulieu ultimately remains uncertain which option is more plausible here (The Pantheon…, p. 137-138). He also points out that there’s some late evidence for apotropaic figures with two faces, male and female, which were supposed to represent a šēdu+lamassu pair, but rules out the possibility that these have anything to do with Ishtar, since two faces are virtually never her attribute (The Pantheon…, p. 137).  There is a single possible exception from this rule, but it’s an outlier so puzzling it’s hard to count it. A single Neo-Assyrian text from Nineveh (KAR 307) describes Ishtar of Nineveh (there is a reason why I abstain from using the name Inanna here, as you’ll see later) as four-eyed, which Beaulieu suggests might mean the deity had a male face and a female face. The same source also states that Ishtar of Nineveh is Tiamat and has “upper parts of Bel” and “lower parts of Ninlil”, though (The Pantheon…, p. 137), so it’s probably best not to think of it too much - Tiamat is demonstrably not a figure of much importance in general, let alone in the context of Inanna-centric considerations.

The same text has been interpreted differently by Wilfred G. Lambert. He concludes that it’s ultimately probably an esoteric Enuma Elish commentary and that it might have been cobbled together by a scribe from snippers of unrelated, contradictory sources (Babylonian Creation Myths, p. 245). If correct, this would disprove Beaulieu’s proposal, since the four eyes would simply reflect the description of Marduk (Bel) in EE (tablet I, line 55: “Four were his eyes, four his ears”). I lean towards Lambert’s interpretation myself; the reference to Tiamat is the strongest argument, outside EE and derived commentaries she was basically a non-entity. I’ll go back to the topic of Ishtar of Nineveh later, though - there is a slim possibility that two faces might really be meant, though this would take us further away from Inanna, all the way up to ancient Anatolia.

As a final curiosity it’s worth pointing out that while this is entirely unrelated to the discussed matter, KAR 307 is also the same text which (in)famously states Tiamat has the form of a dromedary. As odd as that sounds, it’s much easier to explain when you realize that the Akkadian term for this animal, when broken down to individual logograms, could be interpreted as “donkey of the sea” - and Tiamat’s name was derived from the ordinary Akkadian word “sea” (Babylonian Creation…, p. 246).

The Red Lady of Heaven, my king

While both the bearded and two faced Inannas are likely to be mirages, this doesn’t mean the dual gender of Venus was not reflected in the world of gods. The result was a bit more complex than the existence of a male Inanna, though.

In addition to being Inanna’s astral attribute, Venus simultaneously could be personified under the name Ninsianna. Ninsianna could be treated as a title of Inanna - this is attested for example in a hymn from the reign of Iddin-Dagan of Isin  - but unless explicitly stated, should be treated as a separate deity. This is evident especially in sources from Larsa, where the two were worshiped entirely separately from each other (Goddesses in Context…, p. 92).

Ninsianna’s name can be literally translated as “red lady of heaven” (Goddesses in Context…, p. 86), though as I already explained earlier, nin is actually gender neutral - “red lord of heaven” is theoretically equally valid. And, as a matter of fact, it is necessary to employ the latter translation in some cases - an inscription of Rim-Sin I refers to Ninsianna with the firmly masculine title lugal, “king” (Wolfgang Heimpel, Ninsiana, p. 488). 

It seems safe to say that in Ninsianna’s case we’re essentially dealing with a deity who truly was like Venus. Timothy D. Leonard stresses that while frequently employed in past scholarship, the labels “hermaphroditic” and “androgynous” do not describe the phenomenon accurately. What the sources actually present is a deity who switches between a male form and a female one (Ištar in Ḫatti…, p. 226). In other words, if we are to apply a contemporary label, it seems optimal to say Ninsianna was perceived as genderfluid.

Interestingly, though, it seems that Ninsianna’s gender varied by location as well (Goddesses in Context…, p. 92). The worship of feminine Ninsianna is attested for example in Nippur (Goddesses in Context…, p. 101) and Uruk (Goddesses in Context…, p. 126), masculine - in Sippar-Amnanum, Girsu and Ur (Ninsiana, p. 488-489). No study I went through speculated what the reasons behind this situation might have been. Was Ninsianna’s gender locally viewed as less flexible than the discussed theological texts indicate? Were specific sanctuaries dedicated only to a specific aspect of this deity - only the “morning” Ninsianna or “evening” Ninsianna? For the time being these questions must remain unanswered in most cases. 

There’s a single case where the preference for feminine Ninsianna was probably influenced by an unparalleled haphazard theological innovation, though - in Isin in the early second millennium BCE the local dynasty lost control over Uruk, and as a result access to royal legitimacy granted symbolically by Inanna. To remedy that, the tutelary goddess of their capital was furnished with similar qualifications through a leap of logic relying on one hand on the close association between Inanna and Ninsianna, and on the other on the phonetic (but not etymological) similarity between the names of Ninisina and Ninsianna (Goddesses in Context…, p. 86). As far as I know, this did not influence the perception of Ninisina’s gender in any shape or form, though.

An interesting extension of the phenomenon of Ninsianna’s gender is this deity’s association with an even more enigmatic figure, Kabta. Only two things can be established about Kabta with certainty: that they were an astral deity, and that they were associated in some way with Ninsianna; even their gender is uncertain (Wilfred G. Lambert, Kabta, p. 284).

It might be worth pointing out that as a result Kabta and Ninsianna seem to constitute the first case of a Mesopotamian deity of variable (Ninsianna) or uncertain (Kabta) gender being referred to with a neutral pronoun in an Assyriological publication - Ryan D. Winters’ commentary on their entries in a variety of god lists employs a singular they (An = Anum…, p. 34):

Wilfred G. Lambert argued that the two were spouses (Kabta, p. 284). More recently the same point has been made by Winters based on Kabta’s placement after Ninsianna in An = Anum, and directly before Dumuzi in an Old Babylonian forerunner of this list (An = Anum…, p. 22). However, I feel obliged to point out that An = Anum, which fairly consistently identifies spouses as such, does not actually specify the nature of the connection between the two. Once the enumeration of Ninsianna’s names finishes, the list simply switches to Kabta’s (An = Anum…, p. 170). 

In another god list, which is rather uncreatively referred to as “shorter An = Anum” due to sharing the first line with its more famous “relative” but lacking its sheer scope, names of Kabta are listed among designations for Inanna’s astral forms, which would have interesting implications for the nature of the supposed relationship between them and Ninsianna (An = Anum…, p. 34). Furthermore, as noted by Jeremiah Peterson, both of them, as well as Kabta’s alternate name Maḫdianna and a further astral deity, Timua, are also glossed as Ištar kakkabi - in this case according to him likely a generic moniker “goddess of the star” as opposed to “Ishtar of the star” - in a variety of lexical lists (God Lists from Old Babylonian Nippur, p. 58). 

In the light of the somewhat confusing evidence summarized above, further inquiries into both Kabta’s character and the nature of the connection between them and Ninsianna are definitely necessary. Assuming that they were spouses, how did theologians who adhered to this view deal with them also being treated as two manifestations of one being instead (I suppose you could easily put a romantic spin on that, to be fair)? Did Kabta’s gender change alongside Ninsianna’s, or perhaps following a different scheme, or was this a characteristic they lacked? Unless new sources emerge, this sadly must remain the domain of speculation.

Ninsianna’s fluid gender also has to be taken into account while discussing one further deity, Pinikir. The discovery of a fragmentary god list in Emar made it possible to establish the latter was regarded as the Hurrian equivalent of the former (Ištar in Ḫatti…, p. 224; note that there seems to be a typo here, the list is identified as An = Anum but it’s actually the Weidner god list). This deity similarly was understood as a personification of Venus (Piotr Taracha, Religions of Second Millennium Anatolia, p. 99) and was in a certain capacity associated with Inanna - however, as it will become evident pretty quickly these weren’t the only analogies with Ninsianna.

Despite appearing in Emar in Hurrian context, Pinikir actually originated to the east of Mesopotamia, in Elam (Ištar in Ḫatti…, p. 223). Her name cannot yet be fully explained due to imperfect understanding of Elamite, but it is clear that the suffix -kir is feminine and means “goddess” (Ištar in Ḫatti…, p. 237; cf. the not particularly creatively named Kiririsha, “great goddess”). Sources from Anatolia recognize Pinikir as an Elamite deity, though direct transfer from one end of the “cuneiform world” to the other is unlikely (Ištar in Ḫatti…, p. 236). Most likely, Hurrians received Pinikir through Mesopotamian intermediaries in the late third or early second millennium BCE, and later introduced this deity further west (Ištar in Ḫatti…, p. 237). We know Mesopotamians were aware of her thanks to the god list Anšar = Anum, where the name occurs among what may or may not be an enumeration of deities regarded as Inanna’s foreign counterparts (An = Anum…, p. 36). For the time being it is not possible to track this process directly, though - it’s all educated guesswork.

While as far as I am aware none of the few Elamite sources dealing with Pinikir provide much theological information about her, and none hint at her gender being anything but feminine, Hurro-Hittite texts from Anatolia indicate that at least in this context, like Ninsianna in Mesopotamia, she came to be seen as a genderfluid deity, sometimes counted among gods, sometimes among goddesses (Gary Beckman, The Goddess Pirinkir and her Ritual from Ḫattuša (CTH 644), p. 25). Firmly feminine Pinikir occurs in a ritual text (KUB 34.102) which refers to her in Hurrian as Allai-Pinikir, “lady Pinikir”; interestingly this is the only case where she is provided with an epithet in any Anatolian source (Ištar in Ḫatti…, p. 211). However, there are examples of ritual texts where Pinikir is listed among male deities (Ištar in Ḫatti…, p. 229). He is also depicted in the procession of gods in the famous Yazilikaya sanctuary in a rather striking attire:

I know, I know, the state of preservation leaves much to be desired (wikimedia commons) This isn’t just any masculine clothing - the outfit is only shared with two other figures depicted in this sanctuary, the sun god Shimige and the Hittite king (The Goddess Pirinkir…, p. 25-26):

Shimige (left; wikimedia commons) and the king (right; also wikimedia commons)

Piotr Taracha argues that it reflects the attire worn by the Hittite king when he fulfilled his religious duties (Religions of…, p. 89); Pinikir’s isn’t identical - it’s only knee length, like the more standard masculine garments - but the skullcap is pretty clearly the same. He is also winged, which is a trait only shared with the moon god and one more figure (more on them in a bit), and likely reflects celestial associations (Ištar in Ḫatti…, p. 211). All the same traits are also preserved on a small figurine of Pinikir from the collection of the MET:

A much better preserved masculine Pinikir (MET)

It’s therefore probably safe to say that the male form had a fairly consistent iconography, which furthermore was patterned on what probably was an archetypal image of masculinity to Hurro-Hittite audiences. The king, whose appearance is reflected in Pinikir’s iconography, was, after all, supposed to be not just any man, but rather the foremost example of idealized masculinity (Mary R. Bachvarova, Wisdom of Former Days: The Manly Hittite King and Foolish Kumarbi, Father of the Gods, p. 83-84).

Since we started this section with beards, we may as well end with them - I feel obliged to point out that no matter how clearly described as masculine, neither Ninsianna nor Pinikir were ever described (let alone depicted) as bearded. 

It is difficult for me to estimate to which degree the information about the genderfluidity of Ninsianna and Pinikir can be used to elucidate in which way the association with Venus influenced the perception of Inanna’s gender. However, it seems safe to say the focus on secondary physical characteristics made some authors miss the forest for the trees. I’ll leave it as an open question whether Inanna could be interpreted similarly to her even more Venusian peers, but I’m fairly sure that a metaphorical beard is unlikely to have anything to do with the answer.

Excursus: “the masculinity and femininity of Shaushka”, or when an Ishtar is not Ishtar

Bringing up the masculine Pinikir, and the matter of possible genderfluidity of deities in Mesopotamia and nearby areas, makes it necessary to also discuss Shaushka. The two of them appear mere two lines apart in Anšar = Anum  (An = Anum…, p. 36), though they were not closely associated with each other - rather, they were both deities associated with Inanna who happened to belong to the same cultural milieu.

Mx. Worldwide: the transmission of Shaushka across the cuneiform world

Shaushka was originally the tutelary deity of Nineveh, but the attestations span almost the entire “cuneiform world” - from Nineveh in the north to Lagash in the south, from Hattusa in the west, through Ugarit and various inland Syrian cities all the way up to Arrapha in the east. There are simply too many of them to cover everything here.

The oldest known reference to Shaushka (which doubles as the first reference to the city of Nineveh) occurs in a text from the Ur III period. It’s not very thrilling - it’s only an administrative text mentioning the offering of a sheep made on behalf of the king of the Ur III state (Gary Beckman, Ištar of Nineveh Reconsidered, p. 1). The earliest sources render the name as Shausha; the infix -k- which only starts to appear consistently later on is presumed to be an honorific, or less plausibly a diminutive (Ištar in Ḫatti…, p. 55-56). Either way, it is agreed it can be translated simply as “the great one” (Ištar in Ḫatti…, p. 56) - a pretty apt description of its bearer.

Ur III attestations of Shaushka are sparse otherwise: a textile offering in Umma (possibly a garment for a statue), a handful of theophoric names like Ur-Shausha and Geme-Shausha in Lagash, and that’s basically it (Tonia Sharlach, Foreign Influences on the Religion of the Ur III Court, p. 106). Still, it’s probably safe to say it’s one of the examples of a broader pattern of interest in Hurrian religion evident in the courtly documents from this period, and in the appointment of a number of Hurrian diviners to relatively prestigious positions. Whether such experts might have influenced the introduction of Shaushka and other Hurrian deities who entered lower Mesopotamia roughly at the same time (for example Allani from Zimudar or Shuwala from Mardaman) remains an open question (Foreign Influences…, p. 111-114).

A degree of equivalence between Shaushka and Inanna was already recognized in the early second millennium BCE, as evidenced by a tablet from the northern site of Shusharra dated to the reign of Shamshi-Adad which records an offering made to “Ishtar of Nineveh” (Ištar in Ḫatti…, p. 58). However, it might have happened as early as half a millennium earlier, during the Sargonic period - Gary Beckman suggests the identification between the two might have initially occurred simply due to the importance assigned to Inanna by rulers of the Akkadian Empire (Ištar of Nineveh…, p. 2). 

Furthermore, a number of later Mesopotamian lexical lists label Shaushka as “Ishtar of Subartu” - a common designation for the core Hurrian areas (Ištar of Nineveh…, p. 2). Meanwhile, Hurrians and cultures influenced by them used the name Ishtar as a logogram to represent Shaushka (Ištar in Ḫatti…, p. 46). Furthermore, they placed Shaushka in Uruk in an adaptation of the Epic of Gilgamesh (Ištar in Ḫatti…, p. 125). One is forced to wonder if perhaps from the Hurrian interpreter’s perspective Inanna was some sort of foreign Shaushka ersatz, not the other way around.

Despite Shaushka’s origin in the Hurrien milieu of northernmost part of Mesopotamia, the bulk of attestations actually come from Hittite Anatolia (Ištar of Nineveh…, p. 2). Kizzuwatna, a kingdom in southeastern Anatolia, was the middleman in this transmission (Ištar in Ḫatti…, p. 95). The earliest evidence for Hittite reception of Shaushka is an oracle text from either the late fifteenth or early fourteenth century BCE (Ištar in Ḫatti, p. 84). However, save for the capital, Hattusa, no major cities were ever identified as cult centers of this deity, and they were seemingly worshiped largely within the southern and eastern periphery of the Hittite empire (Ištar in Ḫatti…, p. 94). Most of the ritual texts Shaushka appears in accordingly appear to have Kizzuwatnean, or at least broadly Hurrian, background (Ištar in Ḫatti…, p. 87).

Is non-astral genderfluidity possible, or what’s up with Shaushka’s gender?

Probably the most fascinating aspect of Shaushka’s character is the apparent coexistence of a female and a male form of this deity. The best known example of this phenomenon are the Yazilikaya reliefs, where a masculine form, with unique attributes including a robe leaving one leg exposed and wings, marches with the gods (with the handmaidens Ninatta and Kulitta - more on them later - in tow) while a caption accompanying a damaged relief indicates a feminine one was originally depicted in the procession of identically depicted goddesses (The Splintered Divine…, p. 75).

Masculine Shaushka (right) accompanied by Ninatta and Kulitta (wikimedia commons)

A restoration of the procession of goddesses, including feminine Shaushka (wikimedia commons)

A number of epithets applied to Shaushka were similarly explicitly feminine, for instance Hurrian “lady of Nineveh” (allai Ninuwawa) and Hittite “woman of that which is repeatedly spoken” (taršikantaš MUNUS-aš), implicity something like “woman of incantations” (Ištar of Nineveh…, p. 5); magic was apparently understood as a particular competence of this deity (Ištar of Nineveh…, p. 6). There is even a singular case of an incantation being explicitly attributed to Shaushka (Ištar in Ḫatti…, p. 98). 

Literary texts, chiefly myths from the so-called Kumarbi cycle, generally portray Shaushka as feminine too, and more as a love deity (to be precise, as something along the lines of a heroic equivalent of a femme fatale) rather than as a warlike one (Ištar in Ḫatti…, p. 85). Mary R. Bachvarova tentatively suggests that a reference to possibly masculine Shaushka might be present in the first of its parts, Song of Going Forth (also known as Song of Kumarbi), which mentions a deity of uncertain gender designated by the logogram KA.ZAL, “powerful”, which she argues has the same meaning as Shaushka’s name (Wisdom of Former…; p. 95 for the text itself, p. 106 for commentary). However, I’m not aware of any subsequent studies adopting this view.

Regardless of the contents of the literary texts available to us presently, Shaushka is explicitly counted among male deities in CTH 712. The enumeration in this ritual text also includes the “femininity and masculinity” of this deity. The male form of Pinikir is there too, though without a separate entry dedicated to any of his attributes or characteristics (Ištar in Ḫatti…, p. 219). Another example might be less direct: two descriptions of depictions of Shaushka use the terms “helmeted” (kurutawant), which referred to headwear worn by gods, as opposed to “veiled” (ḫupitawant), which referred to the typical headwear of goddesses. This lines up with the relief of masculine Shaushka from Yazilikaya (Ištar in Ḫatti…, p. 300).

A detail I haven’t seen brought up in any discussion of Shaushka’s gender which I personally think might be relevant to this topic is that their name occurs as a theophoric element both in feminine and masculine Hurrian theophoric names, which is otherwise entirely unheard of. Hurrians evidently were more rigid than Mesopotamians when it comes to theophoric elements in given names, as goddesses occur only in names of women and gods in names of men (Gernot Wilhelm, Name, Namengebung D. Bei den Hurritern, p. 125). 

Interestingly, Hittite sources pertaining to Shaushka offer a parallel to the “genderbending” curse formulas as well (My Men Have…, p. 363-364; note they are actually slightly earlier than the Assyrian examples). In a few cases, including a prayer and military oaths, this deity is implored to deprive foreign adversaries of the Hittite empire of their masculinity and courage, to take away their weapons, and to make them dress like women (Ištar in Ḫatti…, p. 90).

How did this aspect of Shaushka’s character develop? I’d assume that in contrast with Ninsianna and Pinikir, the influence of astronomical ideas about Venus can probably be ruled out. Beckman stresses that at least in Anatolian context Shaushka was evidently not an astral deity (Ištar of Nineveh…, p. 7). Timothy D. Leonard argues that the wings, which only the male form possesses, likely reflect a celestial role, but he doesn’t explore the point further (Ištar in Ḫatti…, p. 211). However, he notes that only Pinikir is explicitly identified with Venus in Hurro-Hittite sources, and presumably fulfilled the role of personification of this astral body alone (p. 225). 

Leonard argues that it cannot be established with certainty whether Shaushka  was perceived as capable of taking both male and female forms, as existing simultaneously as a male and female deity (with two bodies, presumably), or if they should be regarded as androgynous. However, he notes that there is no evidence for the recognition of any sort of nonbinary identity in known Hittite sources - so at least implicitly, he assumes the gender of both of the forms would need to be binary (Ištar in Ḫatti…, p. 298). 

It needs to be noted that the validity of applying the label “androgynous” to Shaushka has already been questioned all the way back in 1980(!) - in the first detailed study of Shaushka’s character and cult ever published, Ilse Wegner argued that in both visual arts and literary texts they are presented either as feminine or masculine, but never is their gender ambiguous (Gestalt und Kult der Ištar-Šawuška in Kleinasien, p. 47). Frans Wiggermann argues that KAR 307, which I already discussed and which describes a single figure with both masculine and feminine traits, might be related to depictions of Shaushka (Mischwesen A…, p. 237; thus I suppose the text would deal with an Ishtar, not with Inanna slash Ishtar herself) but this would quit obviously at best constitute a late exception which could be attributed to very vague familiarity with the deity. 

In addition to the options discussed by Leonard, a further interpretation present in scholarship is possibility is that Shaushka might have been seen primarily as a goddess, but performed a male role in specific context, to be precise when portrayed as a warlike deity (Ištar in Ḫatti…, p. 301) - in other words, that we are dealing with a similar phenomenon as in the case of Inanna. For instance, Wegner assumed Shaushka was essentially female, and the masculine portrayals merely reflect adoption of masculine-coded character traits and attributes as opposed to actual transformation into a male figure (p. 47-48). Gary Beckman similarly suggests that Shaushka was a goddess, and that the male form, which he likewise considers to be a military aspect, was interpreted as crossdressing, as opposed to an actual shift in gender (Shawushka, p. 1). Leonard accepts the possibility that the male form might reflect the fact that warfare was seen as an exclusively masculine pursuit in Anatolia, though since there are multiple sources where goddesses whose gender never shifted in any way appear on the battlefield he stresses it’s not impossible such gender norms did not necessarily apply to deities (Ištar in Ḫatti, p. 299-300).

Out of all the possible interpretations I personally find the possibility that Shaushka was imagined to shift between a male and a female deity to be the most convincing - in other words, that they were viewed as genderfluid, similarly to Ninsianna, though almost definitely for different, presently impossible to determine, reasons. However, since the matter is far from settled, I opted to generally use neutral forms across this section of the article - I hope this doesn’t make it too confusing. Can any of the information pertaining to Shaushka be applied to Inanna as well? I don’t really think so. For starters, no source goes out of its way to depict a feminine and a masculine form of Inanna in the same location, so I would argue that it is significant this is something attested for her counterpart - a sign that the latter’s masculine identity was more pronounced. Note that this is only my personal impression, though, and it might not fully hold to academic scrutiny, not to mention that the emergence of new sources might invalidate it.

Beyond Inanna: Shaushka’s other connections

While I focused on the connection between Shaushka and Inanna, it’s necessary to point out that the former was more than just a “foreign counterpart”. As a deity worshiped for well over a millennium, they amassed their own complex network of deities - often completely distinct from Inanna. For instance, it’s hard to find a parallel to Shaushka’s position as the sibling (and, in myths, main ally) of the head of the Hurrian pantheon, Teshub (not least because he represented a somewhat different model of a head god than Mesopotamian Enlil and Anu). However, to do this matter justice I’d basically need a separate article. Due to the scope of this treatment of Shaushka, I will limit myself only to a small number of figures they were associated with - either because they have something to do with their gender, or because they are additionally in one way or another connected to Inanna.

In Hittite context, Shaushka came to be closely associated with an Anatolian deity, Anzili (Ištar in Ḫatti…, p. 112). Since the latter’s character is poorly known (Ištar in Ḫatti…, p. 113), the reasoning behind the equivalence between them is opaque (Ištar in Ḫatti…, p. 119). Timothy D. Leonard tentatively proposes that Anzili’s name might be grammatically masculine and that it originally designated a god who later came to be seen as a goddess (as reflected in available sources), or that similarly as in the case of Shaushka both a male and a female form could be attributed to them (Ištar in Ḫatti…, p. 117). 

Untangling this problem is complicated further by the fact that Anzili’s name is used simply as a Hittite translation of Shaushka in both ritual and literary texts in which the deity of Nineveh is undeniably meant, down to being explicitly referred to with titles pertaining to this city - where Anzili obviously wasn’t actually worshiped (Ištar in Ḫatti…, p.120-121). Through the association with Shaushka, Anzili’s name even got to be used to translate the name of their Mesopotamian counterpart a few times - the Hittite translation of King of Battle, the most famous epic about Sargon of Akkad, refers to his divine backer as… “Anzili of Akkad” (Ištar in Ḫatti…, p. 125). Ultimately the translation was not entirely consistent, though, and texts written in Hittite where Shaushka’s name is nonetheless rendered phonetically, leaving no possibility that it was translated as Anzili, are also known (Ištar in Ḫatti…, p. 126).

Next to Inanna and Anzili, the deities probably the most commonly associated with Shaushka were their handmaidens Ninatta and Kulitta (Ištar of Nineveh…, p. 6). They could be portrayed as divine musicians (Gestalt und Kult…, p. 78), but also as warlike deities (John MacGinnis, The Gods of Arbail, p. 109). Ilse Wegner went as far as suggesting the phrase “right weapon of Shaushka” was an apposition of the pair, though that’s obviously speculative (Gestalt und Kult…, p. 79). 

Further information about their role is provided in a hymn to Shaushka (CTH 717). They are grouped in it with two other handmaidens, Šintal-irti (“seven-tongues”) and Ḫamra-zunna. The four of them are supposed to look after households which Shaushka views favorably, so that their inhabitants can live in harmony. Meanwhile, four other handmaidens, Ali, Ḫalzari, Taruwi and Šinanda-dukarni, are entrusted with making people in households which Shaushka resents quarrel with each other (Ištar in Ḫatti…, p. 120-122). It has been argued that this reflects the two aspects of Shaushka’s character - as a love deity in the case of the first four handmaidens, and as a warlike one in the case of the second group (Ištar in Ḫatti…, p. 123) - but I am skeptical if this can be easily reconciled with the fact Ninatta and Kulitta appear with them no matter which side of them is in the spotlight. 

Ninatta and Kulitta also represent probably the strongest case of Shaushka leaving a mark on their Mesopotamian counterpart. In the Neo-Assyrian period, they appear as members of the entourage of the latter not only in Nineveh, but also in Arbela and Assur under “Akkadianized” forms of their names, Ninittu and Kulittu (The Gods of Arbail, p. 109)

While Inanna had an extensive court - something that for mysterious reasons is not acknowledged online or even in publications aimed at general audiences (to use a recent example - even an a-list example like Nanaya comes up less times in Louise Pryke’s Ishtar than Buffy the Vampire Slayer, who, as far as I am aware, is not attested in any cuneiform texts) - I’m not aware of any instance of Ninatta and Kulitta being explicitly identified as counterparts of any of its members, though. Perhaps the fact that some of the cities in which they are attested were originally Hurrian has something to do with it - they weren’t introduced there as new additions, it was the Mesopotamian goddess who was superimposed over their original superior (The Gods of Arbail, p. 112).

Madonna-whore complex and beyond: (the modern reception of) Inanna as a love deity

After the brief detour focused on Shaushka, it is time to go back to Inanna - specifically to the most major aspect of her character I largely left out before, her association with love and all that entails.

As I already said, the oldest available texts affirming this was one of her prerogatives are younger than these linking her with war, let alone these hinting at her astral role. Regardless of when this aspect of her character first developed, it took until the Ur III period for it to take the center stage (Inanna and Ishtar…, p. 338). Simultaneously, it is by far the most well known today, to the point you often get the impression people barely know there’s more to her. Tonia M. Sharlach notes that even in scholarship there is discussion over whether this aspect of her character isn’t perhaps overestimated to a degree (An Ox of One’s Own. Royal Wives and Religion at the Court of the Third Dynasty of Ur, p. 268). 

At least when it comes to the spread of this misconception online, one is tempted to ask to which degree pretending this is the only thing about Inanna that matters amounts to the need to present her as some sort of demo version of Aphrodite, with limited, if any, concern for Mesopotamia.

None of these phenomena is why I kept it for last, though - even if I do agree that viewing Inanna simply as a “love goddess” is misguided at best. My decision simply reflects the fact that the relevant sources portray Inanna probably at her least gender nonconforming . As argued by Bendt Alster, in some cases in love poetry it would essentially be possible to substitute her and Dumuzi for an average young human couple without the need to make any adjustments (Sumerian Love Songs, p. 78).  Ultimately, these works reflect fairly normative ideas of courtship, romance and sex, though with a clear female focus (Frans Wiggermann, Sexuality A. In Mesopotamia, p. 412). The portrayal of love and eroticism in them has been described as “playful”, in contrast with the more blunt genres like potency incantations, or even with portrayal of sex in myths like Enki and Ninhursag (Jerrold S. Cooper, Gendered Sexuality in Sumerian Love Poetry, p. 92-94). Many of them are honestly an enjoyable read, as long as you are willing to engage with heavy use of assorted metaphors in descriptions of sex (date syrup, lettuce and agricultural activities are particularly abundant). Here is a fairly representative example:

The Song of the Lettuce (ETCSL)

There isn’t really much to say beyond that - they’re a fascinating topic in their own right, but they are largely irrelevant for the matter this article investigates.

Frans Wiggermann, an author whose work I generally value highly, made the peculiar argument that erotic poetry in which Inanna is the more active side and her goal is sexual gratification might reflect attribution of masculine traits to her and proceeded to argue every depiction of sex where the woman tops is ought to be related to this phenomenon (Sexuality A…, p. 417-418). He simultaneously raises an interesting point that these representations of Inanna might have been supposed to justify sex without the aim of reproduction. It is unclear to me how it would “allow minorities a place under the sun”, though (p. 418), as the sex scenes in relevant compositions are invariably straight.

While I am unsure about some aspects of Wiggermann’s argument, I should stress that I think it was made in good faith. Sadly this can’t be said about much of the other scholarship pertaining to Inanna and sexuality, and especially the intersection of the topic of sexuality and gender.  This matter has been investigated in depth by Zainab Bahrani in the early 2000s already. She argues that publications which overestimate the ambiguity of Inanna’s gender (which typically employ hardly applicable labels like “hermaphrodite”; she singles out Rivkah Harris’ Inanna-Ishtar as Paradox and a Coincidence of Opposites and Brigitte Groenberg’s Die sumerisch-akkadische Inanna/Ištar: Hermaphroditos? as relatively recent examples), in particular while emphasizing her erotic character, are essentially a leftover a fear of nefarious seductresses common in popular culture of fin-de-siècle Europe, for example in symbolist paintings (Women of Babylon…, p. 146).

Jen Delville's The Idol of Perversity, a fairly standard example of the sort of symbolist painting Bahrani meant, a representation of the fear of "unquenched bestial desires of a woman" (wikimedia commons)

I think it’s also a valid point that traits like assertiveness or a quick temper could very well be assigned to a femme fatale, and are not necessarily an indication of any ambiguity of gender (Women of Babylon…, p. 144), though I don’t think every aspect of Inanna’s characters needs to be subsumed under the erotic, and recent publications focused on her military role and its intersection with gender are much more nuanced, as you could see for yourself earlier.

Bahrani also highlights that publications she criticizes - both historical and modern - treat transsexuality, crossdressing and various adjacent phenomena and (male) homosexuality as basically one and the same (Women of Babylon…, p. 145; I will come back to this). However, I feel she falls into this trap herself to a small degree when it comes to women, as she appears to link the dubious Inanna scholarship  overestimating the ambiguity of her gender and the phenomenon of various femme fatale figures being portrayed as bisexual for voyeuristic purposes, and to Orientalist art at the very least implying lesbian activities (Women of Babylon…, p. 146). I am not aware of any actual publication dealing with Inanna or relevant phenomena (of any quality) which would go into this direction, though.

I also disagree with treating Inanna as unique compared to other goddesses just because she is not primarily portrayed as a wife or mother (Women of Babylon…, p. 149) - the median Mesopotamian goddess was a personification of a profession or the interests of a city or both, arguably; major members of the pantheon like Nanshe, Nisaba, Ninmug, Nungal or numerous medicine goddesses were hardly defined by either of these two roles, even if they could be, indeed, portrayed as wives or mothers in a capacity Inanna was not.

Most importantly, I disagree with invoking Freud and his disciples (positively, for clarity) to bolster arguments (Women of Babylon…, p. 153-154).

Still, I do think the core concerns raised by Bahrani are more than sound. The next section will sadly make that painfully clear.

Sexualization of lamenting

The validity of some of Bahrani’s criticism is pretty evident just based on the survey of past literature on the matter of the assinnu (The Misconstructed Role…, p. 83-84), a type of religious specialist or performer who you already met earlier in the subsection of this article dedicated to military curses. It would appear that the authors most keen on far reaching speculations about their gender identity and sexuality are probably some of the least qualified to deal with this matter, and lo and lo and behold, typically blur together being gay, nonbinary and any form of gender nonconformity. 

Furthermore, even though texts from Mari explicitly link the assinnu with Annunitu (The Misconstructed Role…, p. 94) - the single most straightforwardly warlike Inanna-ish deity of them all, whose very name, “the skirmisher”, refers to combat - a peculiar obsession with rendering their role into something innately sexual (or rather lascivious) just because of their association with Inanna, appears to be a distinct trend. It  intersects with the former issue; after all, it is known that anything but being a cis straight person who is a paragon of gender conformity is innately inappropriately (or even “abnormally”, as one of the past evaluations cited by Zsolnay critically put it) sexual.

For what it’s worth, there is some evidence that the assinnu were men who - at least in certain situations - crossdressed and played lyres (The Misconstructed Role…, p. 86). In an Old Babylonian hymn I’ve already mentioned, this is said to take place during a festival which also involved female performers who for this occasion dressed up in a masculine way and carried weapons, who are not described with any specific technical term (The Man is Like…, p. 6). Given the context of this mention, I feel the jury's out on whether this was universal, or merely a specific local festival, especially in the light of other evidence for the activities of the assinnu, though. The participation in a celebration which involved crossdressing could explain why late lexical lists - first examples only come from the Neo-Assyrian period, some 1000 years after the Mariote and Old Babylonian attestations - sometimes offer UR.SAL as the logographic writing of assinnu. This combination of signs can be interpreted in different ways - some probably can be ruled out since they refer to female animals (canines and big cats), not to people; this led to the common interpretation as “feminine man” or “woman-man” based on other sign values. Zsolnay disagrees with it, and tentatively proposes something like “servant of women” (The Misconstructed Role…, p. 85)., though this might be an overabundance of skepticism.

However, Zsolnay’s position might not be entirely unwarranted. She correctly points out lexical lists are not necessarily reliable when it comes to synonyms of technical terms, such as religious titles (The Misconstructed Role…, p. 86). Furthermore, the assinnu seemingly were famous for performing a song titled “Battle is my game, warfare is my game” (mēlilī qablu mēlilī tāḫāzu; presumably purposely a nod to terms often  used to describe Inanna’s warlike characteristics). They also danced the “whirl dance” (gūštu) - which likely also had belligerent connotations, and which quite importantly is the main topic of the poem Agušaya, which entirely focuses on Inanna as a warlike deity (The Misconstructed Role…, p. 93).  Yet more important is the fact that UR.SAL is not the only combination of logograms which could be used to render the term assinnu. The other option, SAG.UR.SAĜ, literally means “foremost hero” - in other words, it does appears to point at some sort of “warlike” or, to be more precise, “heroic” role  (The Misconstructed Role…, p. 85). Zsolnay accordingly concludes that the ordinary role of the assinnu was most likely that of an exaggerated “heroic strongman” performing war dances, and that with time an association between these specialists and festivals associated with the military aspect of Inanna (and similar deities like Annunitum) developed due to obvious similarities (The Misconstructed Role…, p. 98).

Nonetheless, just due to the association with Inanna combined with possibly vaguely gender nonconforming behavior (I will not attempt to evaluate whether it was a staple of their activities or only one of the celebrations they took part with), they came to be described in questionable scholarship as “temple prostitutes” (not an actually attested insitution, though it is evident we are dealing with a multi level conflation of crossdressing, being gay or trans, and sex work based on quotes from previous studies provided) whose very existence simultaneously must have terrified the general populace (The Misconstructed Role…, p. 85). 

I feel obliged to point out in a footnote Zsolnay states that after finishing her article she was informed by a reviewer similar conclusions about assinnu have been independently reached by Julia Assante in Bad Girls and Kinky Boys? The Modern Prostituting of Ishtar, Her Clergy and Her Cults. Sadly, while I am quite sympathetic to the latter author’s valiant struggle against the myth of “sacred prostitution” and related problems, her methodology is much more flawed than Zsolnay’s, and at times it feels like she herself falls into some of the pitfalls she correctly points out in other studies. I also feel obliged to warn you that for reasons uncertain to me, Assante at some point in the 2010s abandoned academic work and became a medium. Therefore, I would engage with her publications cautiously, to put it very lightly.

There’s at least one point Assante raises which warrants further consideration, though (even if she phrases it very differently than I would). She notes it is peculiar that any individuals whose gender might have been perceived as non-normative or ambiguous, or whose gender is unclear, are automatically presumed to be AMAB, and the possibility that women might have been gender non-conforming, or that people whose gender identity might have differed from Mesopotamian norms were AFAB, is not considered seriously. As an example, she points out that a passage according to which an enigmatic cultic official, the pilipili, received a weapon “as if she were male” sparked little, if any discussion (Bad Girls…, p. 36). This is definitely agreeable, and if nothing else a good start for further inquiries, considering no detailed studies of the pilipili alone have been conducted, as far as I am aware.

It might be worth noting that in the satirical Old Babylonian literary text The Old Man and the Young Girl the second of the eponymous character tricks her way into temporarily reversing gender norms through a royal court verdict, which prompts her to encourage other women to “behave like the pilipili” to celebrate her victory (Jana Matuszak, A Complete Reconstruction, New Edition and Interpretation of the Sumerian Morality Tale ‘The Old Man and the Young Girl’, p.192-193). While more evidence would be necessary to make a genuinely strong case, the possibility that the pilipili were women perceived as gender non-conforming does seem compelling to me on this basis - so, I suppose, credit to Assante in that regard, even if her treatment of the matter leaves a bit to be desired. It’s worth noting a similar proposal about the identity of the pilipili has recently been advanced by Sophus Helle based on the same passage Assante cited (Enheduana. The Complete Poems of the World's First Author, p. 158).

On a further related note, as a pure curiosity it’s worth mentioning that a single lexical list, Malku, lists the feminine form of assinnu - assinnatum - who never sparked the sort of discussion her counterpart did. It should be noted that this label is explained in this context as a synonym of ugbabtum, a fairly widespread type of priestesses (attestations are spread virtually everywhere from Terqa to Susa) involved in the cults of various deities (The Misconstructed Role…, p. 86). As far as I am aware, this is an isolated example, so for the time being it’s impossible to determine if assinnatum ever designated a distinct class of performers or cultic personnel or if it was a scribal invention. I’ll refrain from any speculation about whether it might have anything to do with the women who appear alongside assinnu in the Old Babylonian hymn discussed earlier.

To go back to the assinnu themselves one last time, a further thing to note is that sometimes far reaching dubious conclusions are drawn based not even on information pertaining to these performers themselves, but rather the gala and an enigmatic class of cultic officials presumably involved in mourning, the kurgarrû. However, while the latter two occur together quite often in literary texts (recall that the two clay beings in Inanna’s Descent bear the names Kurgarra - an obvious variant of kurgarrû - and Galatura, ie. “little gala”; however, note as well that gala also commonly occur alongside ašipu), there is very little evidence for any actual close association between them and assinnu - they only occur side by side in a single literary text, the lament Uru-Amirabi (The Misconstructed Role…, p. 91).

The gala (Akkadian kalû; not to be confused with galla, either literally a “gendarme” or town guard, or a type of demon fulfilling an analogous role in the underworld) themselves warrant some further discussion, as they are probably the most egregious example of the phenomenon discussed in this section of the article.

The primary role of the gala was performing various types of hymns, prayers and laments in emesal, a dialect of Sumerian (Paul Delnero, How To Do Things With Tears. Ritual Lamenting in Ancient Mesopotamia, p. 41). Through the third and second millennia BCE, gala most commonly occur alongside temple singers (nāru), for reasons which should be self explanatory, while in the first millennium BCE - alongside āšipu, a type of exorcist, which reflected the involvement of both groups in scholarship (Uri Gabbay, The kalû Priest and kalûtu Literature in Assyria, p. 116).

The gender identity of the gala is a subject of much debate. It might have been unique to them (in other words, they were nonbinary, with gala being both a professional designation and gender identity) or alternatively they might have been men who engaged in broadly speaking gender nonconforming behavior (How To Do…, p. 109). I am not going to attempt to convince you one option or the other is more plausible, I personally don’t think the matter will ever be possible to fully settle unless texts written by gala themselves going in depth into how they perceived themselves ever emerge. Obviously, we also have to take into account what exactly being a gala entailed varied between time periods and locations.

The only thing that can be said for sure is that the gala were not regarded as women. This seems to be an entirely online misconception, though one with an enormous reach - a post making similar claims garnered some 40k notes on this site recently. Said post also stated that they underwent “gender affirming surgery”; it needs to be noted that the status of the gala - or any other type of clergy - was in fact not attributed to any medical procedure (and I don’t think Magnus Hirschfeld, who pioneered gender affirming surgery and deserves more credit than he gets for it, lived in Early Dynastic Mesopotamia…). Obviously, this is not a denial of the possibility the gala weren’t cis (to put in in modern terms) - but it seems beyond credulous to both claim their identity depended on a medical procedure alone, and to project a fairly recent accomplishment for which a genuinely heroic maverick should be credited into incredibly distant past. I don’t think we need a trans version of “ancient matriarchy” mirages, personally.

However, ultimately the main misconception about gala is that they were “priests of Inanna” - and various mortifying hot takes emerge specifically from that. Especially online, more or less haphazard attempts are made to prove that, despite the plentiful evidence for what being a gala entailed, their role - and the roles of any even just tangentially related religious personnel - was innately sexual, since it was tied to Inanna (we have such choice tidbits as “males who engage in transgendered or prostitute behavior”, courtesy of Patrick Taylor, The Gala and the Gallos, p. 176; unclear to me how these labels are in any shape or form interchangeable). 

To put it bluntly: it seems like to some the fact the gala might have been, broadly speaking, lgbt (or just gender non-conforming) is in itself something sexual, much like the possibly gender nonconforming performance of the assinnu. 

What differentiates this view of the gala from similar faulty opinions about the assinnu is that I think at least online the intent often isn’t malicious - it is not wrong to hope someone in the past was similar (as I understand, the underlying assumption behind many misguided post is that the gala were trans women). However, sadly the underlying motivation of the authors whose takes end up laundered to teenagers online this way is ultimately an example of the same phenomenon which, in a more extreme form, leads to various suspicious groups calling for removal of the tamest possible literature for teenagers from libraries because a gay or trans character appears.

A further problem is that while the assinnu indeed occur chiefly in association with Inanna, the gala were not innately associated with her (and especially not with her sexual side) - referring to them as “priests of Inanna” is a misconception at best, and outright malevolent at worst (in bad faith cases, the logic follows what Bahrani described pretty closely). They were actually present in the cults of numerous deities, most of whom were paragons of gender conformity and had no sexual aspect to speak of - in other words, whatever the identity of the gala was, it was disconnected from the identity of the deity they performed for. Every single major temple dedicated to a city deity had a “chief gala” among its staff. Such an official oversaw the activities of other gala employed by it, but also took part in day to day economic activities of the temple, like managing prebends (How To Do…, p. 110). To go through all of the available evidence would take too much space, so I will only list a handful of particularly notable examples.

There was a “chief gala” among the staff of Ninurta’s main temple Eshumesha in Nippur, as attested in a list of provisions where this official appears next to a “chief singer” (Wolfgang Heimpel, Balang Gods, p. 583). In Old Babylonian Kish another “chief gala” was the second most important religious official in service of Zababa, with only the temple administrator ranking higher (Walther Sallaberger, Zababa, p. 165). A further “chief gala” resided in the temple of Sin in Harran, as attested in sources from the Neo-Assyrian period; the holders of this office were tasked with sending astronomical reports to the kings of Assyria (Steven W. Holloway, Aššur is king! Aššur is king! Religion in the exercise of power in the Neo-Assyrian Empire, p. 409). A “chief gala”, as well as a number of regular gala, were also part of the staff of the temple of Nanshe in NINA (reading uncertain; Tell Zurghul) in the Early Dynastic state of Lagash (Gebhard J. Selz, Untersuchungen zur Götterwelt des altsumerischen Stadtstaates von Lagaš, p. 205-206).

It’s important to note that the arts of the gala and the knowledge transferred among members of this profession - kalûtu - were associated with Ea, not with Inanna; the closest parallel are, once again, the arts of the āšipu (The kalû Priest…, p. 116). However, it would be disingenuous to call them “clergy of Ea” - I’m just highlighting they had no specific connection with Inanna. Stressing the lack of any unique degree of connection between her and the gala is not supposed to be an argument against inquiries into their gender identity, either - though I do advise to be cautious which authors are consulted. 

Maternal obsessions: do deities even follow gender roles?

While I dedicated a lot of space to warnings about questionable motivation behind some arguments pertaining to the gender of Inanna and especially clergy with varying degrees of association with her, it needs to be stressed that there’s a need to be cautious about the exact opposite attitudes too sometimes. While skepticism is generally a virtue in scholarship, it is hard to deny that some of the opposition to inquiries into Inanna’s gender and related matters also has highly questionable motivations behind it. 

For instance, my reservations towards Julia Assante’s article discussed earlier come from the fact that at least some of her criticism is rooted not in valid reasoning, but in what appears to be a degree of homophobia -  for instance, part of her opposition to interpreting cultic officials like the assinnu or gala as gay men (for which the evidence is indeed hardly sufficient - we have evidence for crossdressing in one case, and for either gender nonconformity or a unique gender identity in the other) stems from her conviction that this is an example of “abnormal male sexuality” (Bad Girls…, p. 37). 

Interestingly this is a selective case of homophobia, though, since she simultaneously voices a perfectly valid complaint that earlier scholarship has “not allowed discussion on lesbianism other than to dismiss it” (p. 36; it needs to be noted that in contrast with gay men, direct evidence for lesbians is lacking altogether in cuneiform - see Sexuality A…,  p. 414 for reference to a MLM love incantation and absence of a WLW equivalent - but you’d at least expect some serious inquiry into Ninshubur’s portrayal in literary texts by now). Some examples are even more blunt. For instance, Wolfhang Heimpel, after concluding that references to “bearded” Inanna reflect the perception of the planet Venus as opposed to the deity (which is not too dissimilar from the interpretation I highlighted as plausible earlier) reassures the reader that Inanna was therefore not an “androgynous monster” (A Catalog of Near Eastern Venus Deities, p. 15) - I am somewhat puzzled what exactly would be “monstrous” about facial hair. It’s hard to escape the conclusion that in contrast with the newer study of the same passages which I discussed in detail and have no objections to, it’s not the weakness of the evidence that bothers the author, but the slightest possibility of androgyny.

Not everyone is so direct, though. There are also more insidious cases - and these invariably focus on Inanna herself, as opposed to any religious officials. What I’m talking about are sources which refer to Inanna as a “mother” or “fertility” goddess or some nondescript “divine feminine” entity entirely detached from historical context. As a result Inanna is essentially forced into an incredibly rigid feminine role she never actually fulfilled. I won’t dwell upon the abstract maternal obsession itself much here. I already wrote a separate article a few years ago about its impact, exemplified by the recent portrayal of Inanna as a grotesque pregnancy monster in a certain videogame (this is not an exaggeration) and I think that was enough. It will suffice to say that these visions belong not in Mesopotamia at the dawn of recorded history, but rather in the most feverish depths of Victorian imagination (I won’t explore this topic here; Cynthia Eller’s publications are a good start if you are interested, though). Interestingly, simultaneously sources of this sort basically never investigate Mesopotamian texts which actually focus on motherhood - which is a shame, because compositions such as Ninisina A are filled with genuine warmth. However, they don’t deal with some sort of overwhelming Frazerian ur-mother reduced to bare biological essentials.

To go back to the main topic of this section, the  true crown jewel of the discussed subgenre of Inanna literature has to be this paragraph courtesy of Tzvi Abusch (Ishtar in Dictionary of Deities and Demons in the Bible, p. 453):

One is tempted to ask why Abusch argues Inanna is “incomplete” or exhibits “psychic wounds” due to her character not revolving around being a wife or mother. How about her roles as a war deity, love deity, personified astral body or representation of political interest of one city or another? Roles which are, quite obviously, fully realized? As a war deity, she was believed to assist kings, deprive their enemies of the ability to fight, and to confront various supernatural adversaries like rebellious mountains; as a love deity, she was invoked through love incantations and acted as the archetypal lover in erotic poetry; as Venus, she shone in the sky. 

Should we also question why, for example Tishpak’s roles as a husband and father are not fully realized considering he primarily plays the role of a warrior and divine sovereign of Eshnunna (the human ruler was merely acting as a governor on his behalf, a fairly unique situation otherwise only attested for two other gods)? Very few male gods actually match the image of masculinity presented in Instruction of Shuruppak as an ideal to strive for - just as very few goddesses fit the image of the ideal wife preserved in proverbs.

This is not the first time this comes up in this article, but while the world of gods, and the character of its individual inhabitants, obviously arose in specific historical context, it was not a perfect mirror of the world of humans and its mores  (Do Divine Structures …, p. 105-106). Ilona Zsolnay outright argues that even if some (but not all) of the Mesopotamian deities were at least in part characterized based on normative patterns of behavior tied to them - there are, after all, deities defined at least to a degree by, for example, fatherhood (like Enlil) or marital status (like Aya) - ultimately they were not bound by the same gender norms as humans. Furthermore, religious and political factors, as well as natural phenomena deities could be linked with, influenced their character considerably more (Do Divine Structures …, p. 116).

Granted, it should be noted that Abush is basically writing about an Inanna he made up. As you’ve seen earlier, the first attestations of Inanna already sound fairly similar to her most famous portrayals from later periods. However, he instead argues that the original Inanna lost to time was one of “primitive earth of mother goddesses” and that from the fourth millennium BCE onwards (coincidentally when the first actual attestations of Inanna emerge thanks to the advent of writing) Mesopotamians simply couldn’t grasp her true character (Ishtar, p. 454). The need to portray Inanna as she actually was imagined as some sort of aberration, coupled with a desire to uncover an “original” version which just so happens to conform to an incredibly rigid vision of femininity is quite something. Rarely do you see someone basically recreating the Madonna-whore complex so literally.

Absent parents, ever present children

While as I said I won’t engage in depth with the peculiar obsession with making Inanna into a maternal figure evident in Abusch’s treatment of her, I do feel obliged to cover a related phenomenon: the obsessive focus on the quite rare cases where some minor deities are identified as her children. This is a particularly big problem online, though vintage scholarship and publications aimed at general audiences (even very recent ones) are equally, if not more, guilty of it. 

The nominal assignment of largely irrelevant deities as children to Inanna was ultimately inconsequential, and in particular it had nothing to do with her erotic role - or with Dumuzi, for that matter, as he is never identified as their father (Inanna and Ishtar…, p. 339). Pregnancy, childbirth and maternity are not topics dealt with in compositions focused on the two of them (Gendered Sexuality…, p. 95). 

Only three deities have ever been described as Inanna’s children in primary sources: Shara, Lulal and Nanaya. In every single case caveats apply.

Shara’s connection to Inanna was geographically limited. It wasn’t a pan-Mesopotamian convention to regard them as related, but rather a local tradition restricted to Zabalam (Goddesses in Context…, p. 202). Julia M. Asher-Greve suggests that it might have originally been little more than a way to give Inanna access to the epithet ama, literally “mother” (but metaphorically, as a divine epithet, something like “venerable woman”; Jeremy Black, Songs of the Goddess Aruru, p. 48), which was however primarily used not to indicate motherhood but rather a position of authority in the pantheon (Goddesses in Context…, p. 140).

It’s also important to note that Inanna of Zabalam didn’t really start as (an) Inanna, since the earliest literary text she appears in, the Early Dynastic Zame Hymns from Abu Salabikh, refers to her with the enigmatic name Nin-UM. Joan Goodnick Westenholz assumed that Nin-UM was the original name of the goddess of Zabalam, with the name Inanna (and many of Inanna’s traits) effectively imposed upon her due to the theological and political influence of nearby Uruk (Goddesses in Context…, p. 42-43). Whether this was the case or not, the two are treated as functionally separate deities in god lists (Goddesses in Context…, p. 79-80). 

While this is far from certain, Douglas Frayne proposed that this phenomenon might also be the motif of conflict between Inanna and Gilgamesh, first attested in the standalone poem Gilgamesh and the Bull of Heaven from the Ur III period, and fully developed in the considerably later standard edition of the Epic of Gilgamesh (which might reflect what Paul-Alain Beaulieu described as “anti-Ištar sentiment”; The Pantheon..., p. 108). He assumes that it reflected hostilities between Uruk and Zabalam, with the antagonist actually being Inanna of Zabalam and not Inanna of Uruk (The Struggle for Hegemony in "Early Dynastic II" Sumer, p. 63-64). In any case, the connection with Shara cannot be taken out of context and applied where it is not explicitly mentioned.

The other most frequently cited case, that of Lulal, is even weaker than Shara’s. He is addressed as Inanna’s son exactly once, in a fragmentary hymn published in the 1960s (Anna Glen, Jeremiah Peterson, The Lulal širgida Composition CBS 12590 (HAV 5, pl. 7, VIII), p. 169) - so he has an equally firm claim to being her son as the personified Styx has to being Persephone’s mother. In Inanna’s Descent, the composition most often “enriched” today with forcible assertions of familial bonds between Inanna and miscellaneous side characters, the connection between them is merely “close, but unspecified” (Wilfred G. Lambert, Lulal/Lātarāk, p. 163). Anna Glen and Jeremiah Peterson assume he is an attendant, not a family member, and point out elsewhere (Inanna D, line 32) he is portrayed only as a minor warrior god acting on her behalf (The Lulal širgida…, p. 169). An annotated edition of the Weidner god list equates Lulal with Sin (Klaus Wagensonner, CCP 6.7.A - Weidner’s God List A) which, as it will become clear very soon, creates some issues for claims of widespread acceptance of his status as Inanna’s son.

The third deity sporadically addressed as Inanna’s child was Nanaya. In contrast with both Shara and Lulal, she was actually a major figure in her own right, and her connection with Inanna is attested in various cities and time periods. Ironically enough I don’t think I’ve ever seen her described as her daughter online, though. I suspect the explanation is fairly straightforward: she doesn’t appear in the “canon” of shoddy vintage translations of a small handful of texts on which the online image of Inanna often seems to be built.

However, the fact Nanaya had a firm connection to Inanna doesn’t mean undue importance should be assigned to the cases where they are presented specifically as mother and daughter. Only three sources actually refer to them this way: an inscription of king Lipit-Ishtar, a first millennium recension of an older balag song, and a unique oath formula. Olga Drewnowska-Rymarz assumes the relation described in them might very well be metaphorical (Mesopotamian Goddess Nanāja, p. 30).It would not be hard to find parallels proving this is a distinct possibility: Ninshubur was demonstrably not Inanna’s mother, and yet she addresses her as such as a sign of respect in at least one composition. Ninshubur herself has no known parentage, and yet refers to every high ranking god as “father” in Inanna’s Descent. The examples of using terms of kinship as an indication of respect or closeness are numerous.

Furthermore, multiple genealogies could be assigned to Nanaya. In laments, she is consistently the daughter of Urash, the tutelary god of Dilbat, for instance (Mesopotamian Goddess Nanāja, p. 31). Obviously, the fact that Nanaya could also be at least partially identified with Inanna (though this is a late phenomenon; Goddesses in Context…, p. 131) poses some problems for viewing them as child and parent. In most cases it’s probably best to agree with the description of the relationship between the two as “definite, but unspecified” (Joan Goodnick Westenholz, Nanaya: Lady of Mystery, p. 68). 

On a side note which is not directly related to the main topic of this article, it is quite peculiar that preoccupation with Inanna existing as a part of a family never seems to extend to highlighting her connection with her parents. Ironically, the family connections people downplay online are the ones which actually mattered the most theologically.

The tradition making Nanna (Sin) and Ningal Inanna’s parents was by far the most widespread one, and it is reflected in various genres of texts across history (Aino Hätinen, The Moon God Sin in Neo-Assyrian and Neo-Babylonian Times, p. 309-310; Goddesses in Context…, p. 230; The Pantheon…, p. 111; even Abusch’s Ishtar, p. 452). References to this connection are frequent in literary texts, even ones which don’t focus on Inanna, let alone on her family ties. For instance, Ka Hulu-a, which isn’t even a composition dealing with deities on the most part, casually refers to Inanna as “wise daughter of Sin” (dumu galzu Suenna; Jana Matuszak, Don’t Insult Inana! Divine Retribution for Offense against Common Decency in the Light of New Textual Sources, p. 361). 

The connection between Inanna and her parents was so strong it could be transferred to other deities by proxy. Both Shaushka (Marie-Claude Trémouille, Šauška, Šawuška A. Philologisch, p. 102) and Pinikir (The Goddess Pirinkir…, p. 27) - not to mention an entire host of major and minor Mesopotamian goddesses, ranging from Annunitum (The Moon God…, p. 313), though Belet-ekallim (Ištar in Ḫatti…, p. 160) to Nanaya (The Moon God…, p. 312) - could be addressed as the moon god’s offspring (or, at the very least, as the offspring of a moon god since at least in Shaushka’s case the name is in all due likeness used as a logogram).

Perhaps even more importantly, the connection between Inanna and her father was also responsible for her well attested association with the number 15, best reflected in the use of this numeral to represent her name from the Old Babylonian period onwards. Since Sin’s number was 30 (a reflection of the number of days in the lunar month), a half of that was deemed a suitable number to represent his daughter by ancient theologians (Wolfgang Röllig, Götterzahlen, p. 499).

Conclusions

I was initially reluctant to cover the topic of the gender of Inanna and related deities in depth, I’m frankly not sure why. It is not my intent to boast, but much of my online activity has consistently revolved around assyriology since 2020 (technically it has been my interest for much longer, but my methodology required refining). I wrote 200+ wiki articles about Mesopotamian deities, including multiple which specifically required dealing with the matter of gender; in contrast with the overwhelming majority of hobbyists I keep up with academic publications.

To go back to the question which originally inspired this article, I don’t think it’s possible to give a straightforward answer. I’d say at least some of the current mainstream Assyriological scholarship (by which I mean roughly from the mid to late 1980s to now) offers a fairly accurate evaluation of what can be said about Inanna’s gender, and about the gender of related figures - Ninsianna, Shaushka, Pinikir etc.; I hope spotlighting sources which can be described this way through the article makes this clear enough. Some specific details are definitely overemphasized (the eerie quest for a beard is the prime example but I’d be lying if I said Wiggermann’s puzzling views on femdom didn’t make me laugh). What is definitely overestimated is to what degree the supposed ambiguity of Inanna’s gender was tied to her sexual aspects. The general lack of any such characteristics among deities even more firmly associated with sexuality than Inanna was - I highlighted it in the case of Nanaya, but it holds equally (if not more) true for Ishara, Gazbaba, Kanisurra, Bizilla, the list goes on - also doesn’t seem to ever be highlighted. While obviously each of them was a deity with own unique character and not just a carbon copy of Inanna (for example, Ishara was associated with weddings in a capacity no other love goddess was, while Nanaya persistently appears in texts dealing with unrequited love or rejection), convergence of traits was a fairly common phenomenon in Mesopotamian religion. For example, numerous couples consisting of a medicine goddess and a war god emerged over the course of the late third and second millennia BCE - so surely it would eventually reemerge in one of these cases?

A further problem is of course the questionable scholarship based on these misconceptions which focuses less on Inanna herself and more on clergy associated with her, or even just vaguely adjacent to her. While a lot has changed since the early 2000s, let alone the 1980s, it is still arguably a major weakness of assyriology as a discipline that often gender, sexual orientation and presentation are often treated as entirely overlapping phenomena. There are numerous authors who write about relevant matters thoughtfully, but this is hardly the rule; especially when assyriology intersects with Bible studies or classics, the problem remains strong (meanwhile, in depth studies of, say, transmission of laments will often be quite cautious; it’s also not as easy as just blaming the age of some researchers and calling it a day).

However, there are also matters related to the gender of Inanna and related deities which definitely receive too little attention. To which degree what we know about Ninsianna can be applied to Inanna? Why the planet Mercury, despite also being regarded as switching between two genders, seemingly never came to be personified the same way as Venus? Why Shaushka and especially Pinikir appear in firmly masculine attire, while Inanna basically never does? All of these questions require further in depth inquiries. Much as I can’t give an unambiguous response to the initial question, I honestly don’t think it’s possible to give a straightforward answer on the matter of Inanna’s gender in the first place. Obviously, it’s impossible to disagree that fundamentally she was primarily a feminine figure. However, it’s also important to remember she essentially took a masculine role in the military context. I still stand by my joke chart from a few months ago:

While as I demonstrated things get much more murky when it comes to outright ambiguity or fluidity of gender, I would not rule it out entirely either, at least in an astral context - though I also doubt it’s fair to speak of anything directly comparable to the cases of Ninsianna, Pinikir or Shaushka. 

Perhaps in the end we have to simply accept how Inanna’s character is summarized in an Old Babylonian composition I brought up much earlier:

[nickfowlerrr]

crystal clear and smudgy

pairing: personal trainer!lance tucker x curvy!reader / just a little tiny hint of bucky barnes x curvy!reader

warnings: 18+ only. kinda established undefined relationship. no explicit smut but sexual content. talks of working out. just a little tiny hint of bucky x reader. steve rogers has a blink and you’ll miss it appearance. mentions of oral. some shades of degradation at the beginning. cursing. bits of fluff. mention of reader having a degradation and a praise kink. little ooc lance bc he’s way sweeter and a lot more bearable here than he is in the bronze 💀 not edited simply bc i didn’t want to edit it - apologies for any mistakes. if something needs to be tagged pls lmk!

words: 4k

notes: not expecting much interaction for this one but if you do so happen to give it a read, i’d love to know what you think! personally - i really loved writing this one ☺️ as always, reblogs and comments are more than welcome and so appreciated. thank you for reading! 🩵

“Let’s go, princess, one more set,” he orders, standing over you as you lay on the ground, collapsed and completely warn out by the last twelve reps. At this angle you could just lift your leg and hit him right where it hurts.

And he’d deserve it, too.

You’re distracted from the thoughts of kicking your own personal menace by the feeling of him kicking you. Right in your side. Not anywhere near close enough to hurt, but just enough to piss you off.

“Don’t fucking kick me,” you swat at him, “jackass.”

“You just gonna lay there and take it?” he challenges, walking further up your body so he’s standing over your chest now.

By the smirk that curves his lips, you can tell he’s about to say something else as your already hot body heats further under his burning gaze. He knows what he’s doing and you want to hate him for it.

He lifts a foot, holding eye contact with you as he brings it to your chest, pressing down with just enough of his weight to ensure that you can feel it as your mouth goes dry and your head goes empty.

“We both know how well you can take it,” he taunts, stepping just a little harder as your hands fly up to his shoe and push on his foot a bit as a stilted gasp - a gasp and not a moan - leaves you.

A moment later the chime sounds at the entrance of the gym, signaling the arrival of another. Lance’s smirk taunts you a second longer, that glimmer of mischief still twinkling in his eye before he steps over you.

Your eyes follow him as he leaves the weight room to greet whoever it is at the front desk. It’s a Wednesday so you know he isn’t coaching any gymnastic classes, and he stopped taking other clients on Wednesdays after the second time you found yourselves being…interrupted by an early arrival.

Wednesdays were now exclusively reserved for you.

You know how it sounds in your head, but you also know it’s really for no other reason than him wanting to get his dick wet without interruption.

At least that’s how it started, anyway.

After the second time you were almost caught, you refused his advances at the next session. You weren’t risking it. Lance, however, couldn’t have cared less if someone had walked in on you on your knees in front of him, his dick down your throat while you sucked him off. In fact, you’re almost certain he probably would’ve liked it. When he realized you were serious, he rolled his eyes and went to the front entrance, making a show of locking the door as you watched on. He got out his phone and texted his next client that he had to cancel before he came back over to you and shoved his phone in your face.

“There, happy now?” He asked before he tossed it next to you on the bench you were sitting on.

You just looked up at him and couldn’t get a word out before he was dragging you to the locker rooms. Happy maybe wasn’t the word you would have used, but surely satisfied. Especially after the way he fucked you in front of the big mirror across the room. Forcing you to look at yourself, to watch the way he used you, how he made you feel so good and so full of him, his lips pressed against your ear as he spoke the filthiest degradations, with sprinkles of praises when you squeezed his cock just right or made a certain sound that had him groaning deeply and squeezing your soft hips even tighter. And definitely after he fucked you again in the showers. It was slower that time; steamy and yet still rough, and god, just as fucking hot.

You went home with him that night.

And begrudgingly, every other Wednesday night since.

It’s become routine. You meet here, have your training session, and after that forty-five minute mark, it inevitably devolves into you two fucking around before Lance reminds you how much more comfortable his bed is compared to whichever surface you’ve found yourself being pressed against that night.

You assumed tonight would be like any other but as you hear Lance talking, and what sounds like two other men speaking in return, you get the feeling you’re wrong.

You briefly contemplate getting that one last set in before you shoot up, eyes wide at the realization of whose voice it is you’re hearing out there. No way, you think. Shouldn’t he have his own private gym at Stark Towers?

You get to your knees and crawl over to the window of the weight room, peaking your head just up enough to be able to see who it is out there.

You fucking knew it!

Of all the gyms in this city, he had to find his way to this one.

You can’t see his face, but you’d recognize that arm and that voice anywhere. Steve Rogers stands by him, gym duffle hooked over his shoulder as Lance says something you can’t quite hear about punching bags. You sink back down to the floor before any of the three men can spot you.

You don’t know why you feel so embarrassed but there’s a very strong urge threatening to take over you and see you bolting out the back door before anyone can say a word.

…That’s a lie, actually.

You do know why you’re so embarrassed. It’s not only the decision you made but the very real implications of what that decision means…

Because really, who in their right fucking mind would ever turn down a date with the Bucky Barnes?

No one! Never you.

And yet…you did.

You’ve been trying to avoid thinking about what feelings prompted your almost immediate no from the second the rebuff left your lips.

You’re single. You have every right to go out with anyone you so please. And yet, night after night, there’s only one man who runs through your every thought.

The same man who so shamelessly flirts back with any woman in his vicinity - and makes sure you see it every damn time. You always wonder if he can see the ire you try to hide burning in your gaze. If that’s what causes his smug smirk to spread when he spots you. That glimmer of mirth in his bright blue eyes. Ughhh.

The same man who sends you completely unsolicited selfies, thirst traps, and nudes nearly every damn day. If his texts weren’t so damn incessant, personalized, detailed and pointed, you’d almost wonder who else he sends those pictures to.

The same man who calls you whenever he’s bored. At first you thought he just wanted to hear the sound of his own voice, but lately you’ve been wondering if he just wants to hear yours.

The same man whose bed you’ve found yourself sleeping in nearly every damn night the past two weeks. The nights that have put to rest your wonder of who else he gets in his bed beside you.

The same man who -

Is standing right in front of you.

Your wide eyes blink up as you feel eyes on you. Three pairs.

You clear your throat and push yourself up to stand. Lance looks like he’s about to say something but Bucky’s voice cuts his off before he can get a word out. He says your name as a question and has not only yours, but Lance and Steve’s attention as well.

One of their brows furrowed a bit more significantly than the other.

You smile at him and titter nervously, “Hey, Bucky.”

“Hi,” he smiles back. “Steve, this is,” he gestures, providing him your name in introduction. “PR…Relations?” He says, trying to remember your job title again.

“Something like that, yeah,” you laugh.

“So I’ve heard. Nice to finally meet you,” Steve extends his hand to yours in a polite shake, a friendly smile of his own on his face.

“You too,” you say as you shake hands.

Lance says nothing as he crosses his arms over his chest, and you can feel his gaze heavy on you.

“So,” Bucky says as he takes a step closer to you while Steve turns to Lance expectantly. With a bit of what you might be reading into as reluctance, Lance finally peels his eyes off you and Bucky and starts toward the boxing area near the back of the large weight room. “It’s over here,” he leads him.

You’re now standing alone with Bucky, and yet you can feel Lance’s eyes on you still. You think you like it…

Maybe he’s getting a taste of his own medicine. Unlike him, though, you don’t plan on leading anyone on just to see if he’ll care. If that is, in fact, what he has been doing to see if he can get a response from you.

“You workout here often?” Bucky asks.

“Uhm, not really, no,” you laugh lightly. “I prefer home to here but Lance is my trainer,” you nod in his direction, “we have a weekly session.”

“Oh, nice. We’ve heard good things about this place, wanted to come check it out. It usually closes early on Wednesdays, right? We had to call and set this up.”

“Yeah, it’s normally closed around six,” you say, “lucky you guys’ll have a private session.”

“You do private sessions?”

“Hm?”

“Is that why you’re here, I mean? Private session?”

“Oh,” you can feel your skin burning, “uh, yeah. Mhm,” you nod, crossing your arms over your chest.

His lips tilt up at you and you can’t not return the smile as a little silence grows between you.

“Look, before I ask again, I want you to know that I can take no for an answer, I swear,” he says sincerely, looking into your eyes, “but uh, have you given any more thought to getting dinner?”

You take a stilted breath, your brows raising the slightest bit before you blink. You wet your lips before you force yourself to speak.

“I uhm,” you turn for half a second to glance back at Lance, finding his eyes still set on you before you return Bucky’s gaze once more, “I’m seeing somebody, actually. I kinda have been…I’m sorry, I should’ve told you that the first time. I just, uh, I. I wasn’t sure what we were- are,” you shake your head, feeling a bit flustered, “it’s a little complicated, uhm,” you let out a breathy laugh.

“No, please,” he shakes his head, “don’t be sorry. I get it. Complicated.” He rubs the back of his neck, his bicep bulging with the movement of his raised arm and the hem of his shirt lifting just a bit. Gooooooood.

You’ve said no to this god of a man twice now. Hell. You must really be in deep.

“Well, if complicated ever changes, you know how to reach me,” he offers with a light smile. You nod and give a soft one of your own.

Before Bucky has the chance to walk away, Lance is at your side, startling you a bit as you look over to him.

“You finished your last set?” He asks as Bucky looks between the two of you.

“Uh huh,” you nod. He knows you’re lying as he narrows his eyes at you but doesn’t call you out on it- for now at least.

“I gotta stay a little later tonight,” he says, reaching into his pocket and pulling out his keys. You watch as he takes his house key off the ring before he holds it out to you. “I’ll be home in an hour or two,” he says nonchalantly as you stare at the key dumbly for a long second before you finally reach to take it.

“Okay,” you murmur almost so quietly you barely hear yourself.

Bucky huffs a smirk to himself in realization before he speaks, “Well, it was good running into you. Have a good night. ‘M sure I’ll see you around again.”

“Yeah, you, too,” you breathe another smile of your own as Bucky passes, touching your arm briefly before making his way over to his friend.

You force yourself to then turn and face Lance completely, your wonder evident in your eyes at his actions. “You want me to-“

“Yeah,” he cuts you off. “You’re gonna end up there anyway, thought I’d save you the back and forth from your place to mine.”

Your eyes narrow at his attitude. You’re used to his cocky self assurance and the way every word seems to be laced with a taunt, but this isn’t that. He seems…you aren’t sure. But definitely off.

“I’m gonna end up there anyway?” You question, defiance and annoyance both nipping at you at once.

“Yes.” He readily supplies, taking a step closer to you, invading your space in a way you don’t normally mind when you’re alone.

“What makes you so sure?”

“Because that’s what this is.”

Oh god, you think. Maybe he heard you say you were seeing someone. Maybe he knew you were referring to him and maybe he doesn’t want you thinking this is anything more than sex. You’re not seeing someone. It’s not complicated. If you ignore the calls and texts and mid day and late night and early morning rendezvous and the cuddles and showers and pet names without malice or sarcasm reserved for only you, then yeah.

Yeah.

It’s just sex.

It’s not like either of you have ever said it’s anything else, you remind yourself.

You swallow down your embarrassment as your eyes flick toward your shoes. You spot your water and think to grab it and go. You don’t really have anything else to say. Just a lot to think about.

You don’t have time to do anything, though, before Lance’s hands come to hold your jaw, tilting your face up and forcing you to meet his eyes. They’re dark, his usual glint of taunting playfulness now gone. In its place is something much more heated, more serious. If you didn’t know better you might even say possessive…

“Because you’re mine,” he adds, voice deeper and lower as he takes another step to you. His eyes flash from your own to your lips and it’s not another second before he crashes his into yours, kissing you hard. His hands hold your head as he keeps you near him while you can do nothing but kiss him back. It’s not too long but still borderline desperate. You two don’t really kiss all too often and never this intently unless he has you stuffed full of him - and never have you kissed at all in front of anyone before.

Part of you knows he’s probably just putting on a show, wanting to prove something to who he perceives to be competition, and part of you doesn’t care. But a smaller part of you thinks maybe, just maybe, it’s not so much to prove something to Bucky - but to prove something to you.

You pull away after a second, but staying close enough to still breathe him in. You’re dazed and he knows it as that cocksure smirk spreads across his lips again after he looks into your shining eyes.

“Hydrate,” he tells you, letting you go. “I’ll stretch you out when I get home,” he winks, earning a gawked face from you as he starts to walk backwards over to the boxing side of the room. God, you pray they didn’t hear him say that. You chance a glance their way and see them already caught up in a sparring match, paying you and Lance no mind.

You see his slight annoyance at your preoccupation with what they might have heard and it makes you realize that this very random run in with Bucky might have changed the course of…whatever it is this situation has been. Is?

You have certainly never seen this side of Lance before. You again wonder what it means for him because you know well how he is.

This isn’t the time or place to figure it out, though. You give him another look and nod. “I’ll see you…then, then.”

You grab your water and go for your bag on the bench beside you, tossing the key he gave you in there and grabbing your own set to hold. You give him one more fleeting look before heading for the door, it’s like you’re trying to read his mind with every glance and you are getting absolutely nothing.

-

It’s not far from the gym to his place and you’re there within fifteen minutes. It’s a little weird unlocking his door and walking into the empty home, but you’ve been here frequently enough to not feel entirely out of place.

You refill your now empty bottle with the water from his water cooler and drink some more as you set your bag down on the couch.

You don’t know how you should wait for him, or what he’s expecting, but you’re sweaty and he’s not currently here on top of you distracting you from that fact, so you decide on a shower.

You head to his bathroom and strip down before grabbing your towel - wait no, not your towel. It’s just the towel you tend to use when you shower here. You grab it from the shelf with the other folded towels and drape it over the towel bar near the shower. You start the water and let it run for a bit while it warms before you step in.

You grab your loofah - that you only keep there for emergencies - and wash with your body wash. Again, emergencies. Once you’re clean and refreshed, you let yourself enjoy the warmth of the water gently beating down on you. And you let your mind wander.

‘Because you’re mine.’

Lance’s voice runs through your mind and sends a feeling through your body like no other. He’s never said that before. So definitely. So serious. And that kiss…

You take a deep breath and try to relax some more.

The more you think, the harder it is to deny.

God, you really are here all the damn time. And going over your daily routine you realize just how much Lance fits into it. You don’t know how you didn’t see it sooner, maybe you didn’t want to, but the truth is starting to creep up on you. This isn’t just sex.

But ah, can you really say that? All you two do when you’re around each other is fuck. You don’t think there’s been a single day you’ve spent with him that you didn’t do something sexual. So maybe…maybe you’re wrong.

Maybe it’s more of a friends with benefits type thing? You’re certainly past the point of just being fuck buddies.

But friends doesn’t feel entirely right either.

You know now, and truthfully you probably knew after getting asked out by Bucky the first time, that this is more than any of that.

You feel things for him. Things that aren’t just sexual attraction or kinship.

You don’t find yourself wondering what your friends are doing at random times of the day, smiling to yourself at the prospect of seeing them soon, no… Only with him.

You don’t find yourself craving the warmth or hold of your friends when you crawl into bed at night… Just him.

You don’t get butterflies when your friend’s contacts show up on your phone with a new message or a call… Only with him.

You don’t feel the way about your friends that you do about him.

You love your friends, yeah. But it’s not the way you-

You stop yourself before you can finish the thought.

You turn off the water and grab the towel off the bar outside the shower door.

You wrap yourself up and dry off best you can before walking out to his bedroom.

Realizing you might want to commit to a real relationship with someone and declaring that you might possibly be in love with them are two very different things. And you’re still not sure you’re ready to do the former, let alone the latter.

Do you really need to do this? To address it at all? You don’t think so. No. You don’t think you will.

So what if it is just sex? It’s been working for you both so far. You can’t deny you have feelings deeper than that for him, but you really don’t want to talk about it tonight. Maybe ever, you think petulantly.

Here’s the facts:

One, you think you really like Lance. Like, like like.

Two, you know you don’t want to get involved with anyone else - including, just as a reminder, Bucky fucking Barnes. Which again, is insane to admit.

And three, label or not, you can’t argue with him. He was right.

You’re his.

You sigh and resign yourself to the bubble of discontent sitting deep in your stomach. You’re so over it.

You think about grabbing something from his kitchen to eat but decide you really don’t have an appetite for anything. You forgo clothes, sure you’ll be rid of anything you put on when Lance gets home anyway, and get into his bed.

The second your head hits the pillow, exhaustion hits you full force. You’re beat. You try to fight it for a few minutes but eventually lose out and fall asleep in the blink of an eye. Lance’ll wake you up when he gets home.

-

It’s a tickle along your side that rouses you lightly. Your eyes open so slightly, still thick with sleep as you notice the darkenedness of the room. You’re groggy but you feel his featherlight touch again, ghosting from around your bottom, over your bare hip, and trailing up your side. You know it’s him. You’ll work through your sleep in a second, you tell yourself.

You wonder if he knows you woke up; he’s being so quiet. And he’s keeping his touch so soft. He’s laying beside you as you’re turned into him, laying on your side. You still don’t have the energy to move, still half asleep.

You make a little noise as his touch tickles up your side again and you shift into him further. You’re surprised as he shushes you and pulls you in closer. You can feel him looking down at you in the near blackened room as your face is now in his chest.

You let out a soft, sleepy moan as he gently fondles your tit in his hand, squeezing lightly, just feeling you as his thumb brushes over your peaking nipple. Your brows furrow as you turn into him to be closer and another delicate sound slips past your lips. You’re hushed again as he rescinds his touch, dragging his hand back down your body once more.

You rest a hand on his chest as you relax further into him. His hand finds its place on your thick thigh, moving your leg to rest across him.

He’s bare under the sheets, you feel him. He’s half hard and you’re expecting him to slip inside you any moment.

“Been thinking about you all damn day. Driving me fuckin’ crazy,” he seems to grouse to himself as he whispers aloud, pulling you closer yet. His skin seems a little damp and you can smell his soap. He must’ve showered.

You almost force yourself to open your eyes but you’re stopped by the feeling of Lance’s lips pressing softly against your temple as he hugs you into him. He always claims it’s you who searches him out in the middle of the night to cuddle into him, but clearly he plays a part in the way you always seem to wake up tangled in one another, too.

“Lance,” you murmur sleepily, unable to open your eyes if you’d wanted to.

“Shhh,” he hushes. “Don’t talk, just sleep.”

You don’t argue, you just turn more into him; content to do just that.

But you’re even more surprised when not very long after you both settle, you feel his breathing even out as he falls completely asleep with you in his arms.

No sex.

Hmm.

This, whatever it is…

It’s complicated.

Clearly.

But clearly, it’s not that complicated.

[aghostnamedcalamity]

If this hasn't already been asked, what is Benjamin's favorite toy? If he plays pretend, what kind of stories does he gravitate towards?

His favorite toy is his stuffed bear named Mookie! Most of his play-pretends revolve around playing doctor, especially after Mordecai bought him a Little Family Doctor kit.

Here’s a little snippet of the fanfiction where Mordecai purchased Benji his stuffed bear! For context, Benji was just recovering from the flu and Mordecai visited an A&P store that were getting popular around this time.

~~~~~~~~~~~~~~~~~

The black cat swiftly made his way through the vehicles passing by and came up to the large promotional signage decorating the store, gingerly pushing the doors open and entering.

As a first impression, he was unimpressed. It really wasn’t much different than the stores he was used to albeit a bit larger and whole lot whiter. He could only hope the hype was more in reference to the product available than anything else. It was, in fact, rather strange to see articles of clothing being promoted alongside dry food products.

Mordecai made his way to the counter as he continued to look about himself. The young attendee was a bright, yellow-haired girl wearing puffy sleeves and an apron with the company logo embroidered in the corner.

“Good morning, sir!” she greeted cheerfully with a large smile. “Welcome to A&P - the modern way to shop and the sure way to save! What can I get for you today?”

Mordecai stared dumbfounded at the girl, not quite sure whether he liked receiving a greeting as part of a promotional slogan or not.

“I’d like some tea,” he finally responded. “Earl Grey herbal. What brand do you carry?”

“What brands do you prefer?” the girl said. “We cater to your personal needs!”

“Twinings,” responded Mordecai, feeling himself becoming mildly agitated at the excessive joyfulness of the attendee.

“You’ve got it, sir! I’ll have it ready for you at the cash register,” the young lady said as she turned and weaved through the endless rows of shelves and boxes behind the counter.

Mordecai shook his head lightly as he watched with displeasure. As a second impression, he was still unimpressed. And, frankly, verging on developing outright dislike for the establishment.

As he waited with his arms crossed at the register, he let his eyes wander around the array of items displayed for customer viewing behind the counter and on the wall. At the window, a variety of toys sat and dangled, beckoning children to drag their unsuspecting parents into the store.

There was a stuffed bear with brass button eyes propped on a stand, staring out into the passing crowds on the street. He had brown fur and wore a bright yellow hat and raincoat with feet just a little too large for the rest of his body. Mordecai stared at the toy, pondering why a bear would need a hat and raincoat. And if he did need a hat and raincoat, why wouldn’t he need rain boots?

The black cat thought he recalled Benjamin going on about something regarding a bear that had a coat of some sort. He wasn’t entirely sure. Usually he’d just zone out when his son was being particularly talkative or passionate about some hyperfixation. But he did remember him ranting about someone wearing a coat and making funny voices on the radio.

“Do you like our new Mookie bear?”

He almost startled as the same attendee from before interrupted his focus. She had in her hand a tin of tea that she set in front of him on the counter.

“Mookie?” Mordecai questioned in confusion.

“Oh yes!” she continued and quickly grabbed the bear from where he was propped up. She brought it back to the counter and extended it out in front of Mordecai. “This is Mookie! He’s very popular right now. He’s got his own talk hour on the radio. The kids love him!”

Mordecai slowly reached up and grabbed the bear that was being offered to him. He held it in both hands as he stared at the layers of clothing it was wearing. Under the raincoat, the bear wore navy pin-stripped pants with a white collared shirt and bowtie. He was a very well-dressed bear, Mordecai noted.

“Toys are on sale today!” the young lady edged on in a sweet, encouraging voice.

“How much is it?” he asked.

“This little guy retails for $1.50 regularly, but today you can take him home for just $1.30!”

Mordecai grimaced. “That’s a bit steep for a stuffed bear, don’t you think?”

She shook her head in response. “Not for the most popular toy of the year. I’ll tell you what. If you decide to take him right now I’ll give you a discount from my manager! You can have him for $1.20.”

The black cat squinted at the bear as he pondered whether he really wanted the thing in his home. The bear looked nice enough, he supposed. The quality felt decent in his paws. He was also a quiet toy, which was something Mordecai continuously found himself on the search for. No shaking or rattling or whistling involved. Nothing to encourage his already-too-loud child to get over-excited with. He sighed dejectedly.

“Fine,” he said, handing the bear back to the attendee. “Just add it in with the tea.”

The girl quietly but excitedly clapped her paws together with a big smile before grabbing the bear.

“Wonderful!” she said, returning the bear to his place in the window. “I’ll be just one second, let me grab one from the back.”

Mordecai contemplated for a second and wondered whether he’d just been brainwashed or not. Would this constitute a brainwash? He shook his head in response to himself. He was fairly certain he was smart enough to avoid falling into up-charging schemes. The bear was nice enough, he justified himself. Benjamin would enjoy it.

He’d just grabbed the tin of tea that’d been sitting on the counter to inspect it when the young attendee popped back in holding an elaborately ribboned and wrapped gift box. She placed it on the counter in front of Mordecai where the tea had sat.

The dark furred feline stared at the present in confusion. He pointed at it and turned to look at the girl.

“What exactly is that?”

“It’s your Mookie bear!” the girl responded, beginning to add the costs onto the cash register.

“Yes, but why is it wrapped? I didn’t ask for it to be wrapped.”

“Oh, I’m sorry, sir!” the girl said. “I assumed it was for a child. Was it for you?”

Mordecai furrowed his eyebrows at the girl. “No, it’s not for me. I just don’t need it wrapped!”

“I see,” the young woman responded, placing one finger on her cheek. “Well, sir, I could always…unwrap it for you, I suppose. It’s standard company procedure to wrap toys and clothes I’m afraid. However, I should warn you that the cost of the wrapping is already included in the cost of the product and I unfortunately won’t be able to deduct that. Would you like me to unwrap it for you, anyways,?”

Mordecai sighed in despair, officially deciding he no longer cared for this store and would possibly never purchase anything here again.

“Just tell me what I owe,” he submitted, pulling out his wallet to try and get this transaction over with so he could leave already.

He felt ridiculous lugging the present around the rest of the walk home. It wasn’t a particularly large box, but it was so needlessly bright. Any chances of inconspicuousness vanished as it contrasted vividly against the darkness of the rest of himself. He grumbled in discontent as he made it home. It didn’t help that, thanks to the crowds of people alive and bustling at this hour, he felt the need to take an extra long detour to his home to ensure no one was watching him and this stupid clown box.

The black cat felt the exhaustion in every part of himself as he hung his house key on the hook by the door. He frowned at the box in his arm before tossing it on the couch dismissively and beginning the process of hanging his outwear

[amywritesthings]

nanami kento. / day 22: steam

fandom: jujutsu kaisen pairing: nanami kento x reader tags: 18+ mdni, implied nudity, shower contemplation, established relationship

for @thedrabblecollective's challenge / dividers by @saradika-graphics

The plea is somewhere on the tip of your tongue. We can stop. He already got out of the society once, but Nanami stands behind you as the steam of the shared shower masks your own devastation.

The higher ups will never stop. It'll always be an uphill battle.

"We will overcome," he murmurs against your ear as if he can hear your thoughts. His arm slides across your belly, worshipping the softness, before gently pulling you back against his strong chest.

"And if we don't?" you asks despite yourself.

He pauses. Nanami's ghost of a kiss is your answer.

[lara4eclipze]

›› sugar and spice

sypnosis -» sophia was nervous to introduce you to the rest of the girls especially since she has been sorta hiding you

beware -» fluff , swearing , mentions of dating , established relationship

talks -» this got requested on my main acc , but requested by @artrizzler19 !! ty "could you please do one with sophias gf (preferably masc) meeting the girls"

taglist (open): @nyssalvr @ohmyhaely @vrtualstar @jellaaa @c-yerim

"hey if they ask you anything feel free to not answer it alright?" sophia says her hands are sweaty as she opens the front door towards the shared home

"don't worry — it's not like they'll kill me...I think" you replied chuckling , honestly you were excited on the other hand though sophia seemed worried

the door opens and you were greeted with the members sitting down on the sofa , it looked like they were gonna interview you for a position

"it's a boy?!" yoonchae asks confused , before megan hits her shoulder muttering something about being masculine

sitting down the first question that was rung up was from lara , "when did you guys meet?" she asks her eyebrows lifted as if analyzing you

"it was a few months before you guys debuted" you replied calmly looking beside you as sophia looked happy with your answer

"anyways can I start? — we met because she was working in the café near our studio and at first I thought she was a he" sophia giggles as the rest of the girls quietly listened

"and then she asked for my number and I quickly found out that in fact she was well a girl, y/n was confident with me and was very caring so one thing led to another and here I am introducing her" sophia takes a deep breath waiting for the girls to ask more but nothing came

"wait that's so cute" daniela pipes up , and suddenly you were now family as well nothing was awkward , "hi y/n I'm yoonchae! sorry about what I said earlier, I like your style" yoonchae says as she approaches you , "it's alright really" you replied

" 'sup! lara , I think you already know that but I actually need help dressing like you — ugh I've wanted to try being masc for so long" lara sighs and obviously you agreed

the house was now loud yet very home-y , the girls were all sat on the sofa watching twilight since manon chose what to watch — sophia and you on the other hand were preparing some snacks for the rest

"this was better than I thought" sophia says referring to you meeting the girls , "told you not to worry" you replied snaking your arms around her nape placing a kiss on her lips as she smiles into it

click!

you and sophia hear a camera shutter only to see daniela and manon taking a picture of the two of you , "hey!" sophia says running after the duo leaving you to laugh your ass off in the kitchen

[maxdibert]

Why do you think Sirius gave up on his family? Do you think he thought they would forgive him for becoming friends with a blood traitor so he just did what he wanted but as the war progressed he realized he has to actually make a choice? Like he took it as a rebellion and angst at the beginning and only later realized how real the pressure was? Did he not love them enough? What was the deal there? (I know you are a Snape account but I love your takes on other characters as well that's why I'm asking for your opinion on this. Btw I read your fic and I love the way you write Snape's internal dilemas)

Well, you can ask me about any character—I don’t exclusively talk about Severus hahaha and i love to rant about things so... Also, Sirius? Can’t stand him. But I like him as a character because I find him so cynical and hypocritical that he’s absolutely fascinating. I’ve always had this love-hate relationship with rich kids from ultra-conservative families who play at being progressives and think they’re these righteous justice warriors but, at the end of the day, are still just privileged kids with privileged prejudices and privileged habits. And I mean that sincerely—no irony intended. I’ve met plenty of people like that in my life, and I think Sirius is a very realistic representation of the cognitive dissonance that people like this tend to have.

That said, here’s something I’ve always thought. Obviously, this is a personal headcanon based on my own experiences with people who fit his profile, but I think it holds water. Usually, people like this—those who grow up in oppressive environments and eventually become atheist anti-religion types, join the communist party to scandalize their ultra-right-wing parents, or turn into crypto bros after ditching the vegan hippie commune their parents raised them in—do this stuff in late adolescence, almost as adults. But Sirius? He starts rebelling really early, as a kid. By the time he’s 11, he already feels the need to rebel against his family.

It happens the moment he meets James, when James establishes that Slytherin is the worst. Sirius comments—offhandedly, without any resentment or anger—that his whole family’s been in Slytherin. He doesn’t seem like he’s at war with them yet, but you can tell he kind of likes the idea of not being in Slytherin just to piss them off. Add to that the fact that he hints in OotP that his dad was a pushover and calls Regulus an idiot—like he was just a fool—but he doesn’t seem truly resentful toward either of them. Sure, they didn’t have a great relationship, but when he talks about them, it’s more with antipathy than hatred. All of this leads me to the same conclusion: mommy issues.

Sirius had major mommy issues—or at least, that’s how I see it. Rich boys with daddy issues rebel by trying to become powerful men, detached from the arena where their fathers succeeded, but determined to surpass them. Rich boys with mommy issues? They turn into psychos. Seriously, that’s just how it works—I don’t make the rules. I think Sirius always clashed hard with Walburga because (and this is my favorite part, because this isn’t just a headcanon; I’m absolutely convinced of this from the little we see of their interactions—or of him with the portrait—in the books) they had the same shitty personality.

Walburga was a dominant, explosive woman with an imposing, even despotic, character. It’s very reminiscent of Bellatrix and, by extension, very much like Sirius. I think Regulus and Orion had similar personalities—the same kind Narcissa shows: arrogant, smug, classist, but restrained and composed. Egocentric, but calm. Walburga, Sirius, and Bellatrix are the other side of that aristocratic coin: the type who believe they’re entitled to everything and everyone, the kind who bulldoze over everything in their path. They’re wild and uncontrollable personalities, especially if someone tries to rein them in.

In my mind, Sirius took after his mom, and Walburga couldn’t stand having someone so much like her constantly challenging her authority. Sirius, meanwhile, couldn’t stand her trying to control him. So at age 11, his rebellion was probably just a tantrum aimed at his mom, a way to piss her off as much as possible. From there—and thanks to James’s influence, as well as the credit Sirius gave James because, spoiler-not-spoiler, James was also a rich pureblood wizard like him—he started adopting James’s worldview. Not because it was rooted in firm beliefs or clear reasoning, but because James had a family that wasn’t insane, so he was probably right. And if parroting James’s ideas at home gave his mom a few gray hairs, all the better.

It snowballed and escalated until the relationship was unsalvageable. James offered him a place to stay if he wanted to leave, and Sirius moved out. But the start of it all? A tantrum aimed at mommy. Sirius has some massive mommy issues he just can’t handle. And the funniest part? He’ll do anything to avoid being like her. He’ll go to any length to do the exact opposite of what she would do. But in the end, because they share the same awful personality, he behaves in the same violent, despotic, narcissistic way she did—just with different victims: Kreacher or Severus, for example.

It’s a brilliant little Oedipal case study.

[kandadze]

FoF rewatch ep 2: or, Heroes, assemble! (gifs and loose thoughts)

(The 30 images limit is annoying lol I have way more gifs I wanted to use but oh well.)

Having a spotty short-term memory really works in my favor lol I get to rediscover moments that I somehow forgot existed, like ZYZ fake-gagging at WX's endearment for ZYC (activating ZYC's Annoyed Cat mode). Just how the turntables, oh Great Demon...

(The way ZYC grabs his sword at the second sneeze...)

The vow scene establishes that not only is ZYC's Cloud Light Sword the only weapon that can truly kill ZYZ *dead*, killing ZYZ with it is also the only way to prevent a new malicious energy vessel from being born. Absolutely no pressure, ZYC.

It's fascinating that even at this very early stage, ZYC's hate is not *blinding*. It's intense, enough to squeeze tears out of his eyes (also can we just appreciate how openly ZYC expresses his emotions? He seems so closed off and stiff otherwise, and at the same time ... ::gestures at his tears::) but it's not all-consuming. ZYC asks questions and listens attentively when the demon responds, even seems affected somewhat when ZYC mentions being a vessel for the malicious energy. At the same time, he won't hesitate to swear an oath on his very soul to avenge the deaths of his family. And ZYZ looks at him, his would-be executioner, as if he was his savior... Right from the get-go, we're being alerted that nothing is quite as it seems at the first glance.

There's a certain smugness to WX in her early dealings with ZYZ that grates on me just as much on the rewatch. Sure, there's the fact that she's smart and can hold her own against him, and watching them banter and call each other's bluffs is pretty delightful...

And then there's her threatening to kill herself just to get a piece of information that he already refused to provide and is not vital to the issue at hand. I can just imagine how utterly stupid and wasteful that must've looked like to him, even if he didn't already have a vested interest in her wellbeing. You're lucky that he does care (and that this particular cell wasn't blocking his powers, or at least not enough), girlie!

On the first watch, the scene with ZYC sitting at The Table of Brooding and looking at the tokens for the remaining members of the team with a clear apprehension was, at least to me, just pretty (look at that view! Look at his eyelashes! Ahem.). On the second watch you go, foreshadowinggggg!

The Table of Brooding *and* Poignant Conversations:

Our second glimpse at baby!YiChen and I realize that most of the memories we get to see of him are set in winter. It's a great touch, visually placing that sad, broken kid in a season that appears as dead, cold, and empty as his heart used to be; at the same time it seems to imply that even years later, a part of ZYC is still frozen and alone in that snowy landscape. ::hugs baby!YiChen::

This is such a great shot:

I unironically love how some things did not get any clearer on the rewatch, like the whole Ying Long prophecy/ curse is still confusing to me. If ZYZ is over 30,000 years old then that would mean that for just as long there was only one "evilest demon" to kill; if there was any other demon that was killed by a Bing Yi descendant *after* Ying Long, it should be recorded somewhere, but there's no mention of it ever (correct me if I missed something). Soooo the only "evil demon" killed by the Cloud Light Sword that we know of was Ying Long, literally in prehistoric times when the world was still being formed. And Fan daren is not of Bing Yi lineage... how does he of all people know about the prophecy in the first place? (did humans even have speech that far back? How was the prophecy even heard/ understood, not to mention recorded?) How does he know that it's accurate, and that it's a curse?

Even our swordsman appears confused, but at the same time what he mostly cares about is that, curse or no, it means he'll get to avenge his brother and father. Even if he finds it odd that the demon *wants* to die so much he goes as far as to extract an oath from him. (This surely is not a set-up for a tragedy of Greek proportions, nothing to worry about ZYC)

Another moment that I forgot about, which once again proves that this whole show is like getting lost in a gallery - there's stunning portraits, landscapes, and still nature wherever you look.

To continue with the foreshadowing, once we get to meet PSJ for the first time, she's, as someone already rightfully pointed out, *blindfolded*. It's an absolutely brilliant, if small, detail that means so much more once you get to know this character.

Case in point for Bai Jiu and his silver needle...

(Also, it just hit me that they show him seeing patients at the Jixin Clinic... can we say more foreshadowing???

Which actually begs another question... how has ZYZ *not* recognized the place??? Did he literally erase all of his memory of it - together with what happened here - from his mind?)

Even the way WX and ZYZ went about recruiting PSJ and Bai Jiu foreshadows what their respective dynamics will be - WX will flirt like whoa and PSJ might be a grump, but she'll be there to catch WX whenever the goddess needs her; and ZYZ, as much as he seems to enjoy teasing Bai Jiu, will remain endlessly patient and gentle with him at the same time.

(Bai Jiu could've had another, more mischievous elder brother in ZYZ is all I'm saying, had it not been for we all know what(s), as well as his hero-worship/ fixation on ZYC...)

Case in point, the whole scene of Bai Jiu arriving at the Demon Hunting Bureau:

Then we have this - hilarious to me - moment when we get reintroduced to ZYC via Bai Jiu's admiring eyes, but all ZYC seems to notice is ZYZ:

ZYC had Bai Jiu at 你好 (not that I blame him lol)

(On the rewatch, this totally reads as hero-worship/ teenage crush, and I love love the found brothers story we get with these two, and *also* can you imagine how much the shipping potential would've increased had we gotten an older Bai Jiu, as was supposedly planned? I guess even GJM was not able to make *that* happen...)

How fast does WX go from snickering at Bai Jiu to running to PSJ's side once the archer arrives?

(Love this outfit on PSJ, it's one of my favorite color combinations)

Our heroes, assembled!

ZYC and ZYZ, doing what they do best (lol, or at least one of the things they do best):

We also get introduced to ZYC's third mode, Petty Little Bitch:

And finally, sorry WX, but you're supposed to be the one with book smarts in this ensemble... Even on the first watch I knew that the way they were made to "sign" that martial order was sus af, but she didn't even blink, or look at the damn thing again till the hidden message started appearing?

Anyway, this is long enough as it is lol The first two eps were definitely building blocks of our squad. Time to raise the stakes in ep 3!

[moomine]

Dad swansea and reader x daisuke established relationship

black friday | daisuke

author's note: this is based on the q&a where the devs said swansea was a sneakerhead lol. i love love love the concept of dad-swansea sm!! it actually maybe sorta kinda has me brainstorming another series.. thank you for the request! (cover image credit)

summary: (daisuke x f!reader) (modern au?) The semester is over and winter break has just begun. You and Daisuke met on campus and have been dating for a while now. When it's time for him to finally meet your dad, Swansea, he insists on getting him something for the season.

word count: 2,661

warnings: no trigger warnings (all fluff here)! all characters are 18+

now playing: Drugdealer, Kate Bollinger - "Pictures of You"

⋆⁺₊⋆ ☀︎ ⋆⁺₊⋆

The mall was a bustling hellscape. Packed like sardines, people pushed and shoved as they tried to meander from place to place. The line for the shoe store wrapped around the corner, down a long, wide hall, and into the food court. You stood side by side with Daisuke, your coat rustling as you hugged yourself. A cold draft blew past as other customers came and went through the grand entrance, each time causing a shiver to rake through you harshly. Daisuke, who was previously twisting his silver rings out of an anxious habit, stopped and began running his hands up and down the length of your arms. The friction of his hands sent waves of much-appreciated warmth throughout your body. You looked up at him, a grateful smile tugged at the corners of your lips.

“Thank you,” you said, breathing a sigh of relief.

“Of course. It won’t be so bad once we get ‘round the corner.” Daisuke peeked over your head and past the line, peering ahead to see how much longer it would take. It was moving at a snail’s pace, and all he could think about was empty shelves. In the nightmare of worst-case scenarios running rampant in his mind, the sneakers he had been keeping a watchful eye on for months were already sold out. Daisuke’s brows furrowed as he caught his bottom lip between his teeth, chewing at the soft skin absentmindedly.

“Maybe we should have gotten here earlier,” you observed, glancing around at the line of people as it only grew larger. You turned back to your boyfriend with a sympathetic expression, features softening as you reached out and placed a hand on his shoulder. “You don’t have to do this. Y’know that, right? My dad will be happy just to meet you at all.”

“That’s where you’re wrong. I absolutely do.” He laughed nervously, wrapping an arm around your shoulders and using his now free hand to run his fingers through his hair. “You’re, like, the most important person in my life. Your dad has to like me, he just has to. If he doesn’t I might straight up disappear. POOF! Daisuke’s gone, vanished into thin air.”

“You gotta relax. He’s gonna love you, I know he will,” you replied, leaning into him for a little extra warmth.

Daisuke held you tighter and shook his head apprehensively. “I just gotta make sure. I really, really want to make a good impression.”

“And you will! You wanna know how I know?” you asked, shifting under his arm so you were facing him. The line moved up and so did the two of you.

He nodded, eyes filling with admiration as his gaze fell from the line before you two to your face. God, he loved your face. No matter how hard he tried, he could never understand how a guy like him got so lucky. Daisuke knew he was a pretty good-looking guy, but you were gorgeous. Must have been his charming personality and impeccable sense of style.

“I know because you’re kind. ‘Cause you have a good heart and you care so much. My dad’s a good judge of character, he’ll see that.” Daisuke opened his mouth to protest, but you raised a finger and pressed it to his lips before he could. “Hey, I’m not finished. So what you don’t know what you want to be yet? You’re ambitious and talented, and you’ve got time. Don’t stress about that, ‘kay? He won’t care, I promise.”

“Can I talk now?” Daisuke asked, your finger still pressed against his lips. 

“You may,” you replied with a playful grin, your hand dropping to your side once again.

“I know I technically don’t have to, but I’m gonna get these shoes and impress the pants off your dad,” he stated, all proud until he had the chance to process what it was he had said. “That didn’t come out right…”

You laughed, taking another step forward as the line continued to move up.

-

A couple of weeks had passed since Daisuke bought those sneakers. Finals season came and went, ushered out by the frantic wrap-up of the fall semester and the introduction to winter break. It was early December when the two of you finally drove back home, meaning it had finally come time for your boyfriend to meet your parents. 

The entire way there Daisuke was a nervous mess. That anxiety only intensified the moment you were leading him to the front door of your family’s home. On top of the gifts he was already carrying, Daisuke had insisted on still carrying the bulk of your luggage inside as well. With one hand he held his presents to your folks, and in the other, he used to pull your suitcase behind him; your backpack was slung over his shoulders. He said it was about chivalry or something like that. As you stepped onto the front porch an onslaught of barking erupted from just beyond the door. 

“Lucy! C’mon, old girl, that's enough!” your dad, Swansea, shouted from inside the house.

You turned to smile at Daisuke only to notice his attention was busy elsewhere. He looked down at the gifts in his arms, biting at his lips. After a moment he noticed you had stopped and his gaze drifted back to you, offering you a timid smile of his own. You reached out and placed a hand on his shoulder, keeping it there as you began to rub small, comforting circles against the wooly fabric of his coat.

“It’s gonna be okay,” you whispered in a soft tone.

Daisuke looked down at the gifts in his hands, then back to you with a quick nod.

Now with his approval, you unlatched your keys from your belt loop and unlocked the door. As it swung open with a familiar groan, Lucy, your elderly border collie, came stumbling up to the doorway as she barked an excited ‘hello’. The dark patches of her fur were speckled with long, white hairs and her eyes held a little gray in them. She breathed heavily from her mouth, panting with her tongue hanging out. She looked from you to Daisuke, just as excited to see his new face as your well-known one.

“Hi, mama.” You knelt to her level, petting her head with one hand and scratching her chin with the other. “I’m home!” you shouted into the house.

The smells of garlic and onion wafted from the direction of the kitchen. Daisuke closed the door behind him, looking around the entryway with a curious eye. It dawned on him at that moment that he was standing in your childhood home. Over the course of your life, you had walked in and out of that very entryway countless times —going to school, coming home from your first job at that local coffee shop, leaving for prom or practice. 

“Took you long enough,” Swansea called back as he made his way from the kitchen to the two of you. “I was startin’ to worry you wouldn’t make it in time for dinner.”

Swansea stood in the doorway of the kitchen, a red apron that read ‘Kiss the cook’ tied loosely around his torso —one of the many stupid Father’s Day presents your mom had gotten him over the years. You stood up quickly, racing to him with open arms. He eagerly took you into a tight hug, his clothes and skin smelling faintly of 3-in-1 soap and motor oil.

“Haha. How about a ‘welcome home’ or ‘I missed you so much’?” you said sarcastically as you pulled away from him.

“Welcome home, kid. I missed you.” Swansea’s normal gruff tone of voice was much softer as he spoke to you.

Daisuke stood awkwardly by the front door, still carrying your belongings as well as his own. You glanced over your shoulder with a wide smile and motioned toward him. “Oh! Dad, this is Daisuke. Daisuke, this is my dad.” You took a step back, allowing the two of them to get a better view of one another.

His eyes shot from Lucy, who was now lying at his feet, and toward your dad. Almost too quickly, Daisuke let go of the suitcase and took a long step toward Swansea. He extended his hand, ready to shake, and adorned a toothy smile. The gifts along his other arm wobbled as he reached your father, which he clumsily saved from falling at the last minute.

“It’s a pleasure to finally meet you, sir. I’ve heard a lot about you,” Daisuke said.

“That so? Looks like you got a lot on your plate, son.” Swansea took his hand, holding it firmly as he shook it. Daisuke did his best to match his grip, almost squeezing too hard. Swansea motioned with a nod to your luggage still on Daisuke’s person, along with the gifts in his arms.

“What this? Nothing I can’t handle,” your boyfriend replied, almost smugly. “These are actually for you. Well, and your wife.”

“I think we’re gonna go take my stuff upstairs,” you butt in, looking between the two with a slightly worried expression.

“All right then. Your mom’ll be home soon, dinner’s on in fifteen. I’m makin’ paella.” Swansea turned around with a skeptical look. “Sound good?”

“Sounds perfect. Thank you, dad!”

-

Once the two of you were upstairs, it became incredibly clear that Daisuke’s anxiety had intensified greatly. As the two of you walked through the threshold into your room, he let out a quiet sigh —both out of relief and distress. Over the semester, your room had become closer to a memory and now, as you returned to it exactly as you had left it, it had become an almost nostalgic sight. It was exactly as Daisuke had imagined. The pale blue walls were littered with band posters and pictures of you with friends from high school. You had everything you’d expect in a student’s room. In one corner, snugged away and smothered in soft blankets and pillows, was a full-sized bed. In another were a mismatched desk and dresser. Daisuke could easily see you sitting at that desk, engaging with one of your many hobbies or finishing up some assignments. The visual managed to make a small smile creep onto his lips, but it faltered quickly when he heard Swansea on the phone with your mother just downstairs.

“He hates me, I can already tell,” Daisuke said. He carefully set down your luggage as well as the gifts, tucking them away nicely on your desk.

“You don’t know that. My dad’s just like that with everyone at first, but he always warms up eventually. I promise.” You sat on your bed, pulling your shoes from your feet and tossing them in different directions.

To keep himself from pacing, Daisuke took a seat beside you before flopping back into the comforter. The plush blanket quickly engulfed him as he rested an arm over his eyes. With a little laugh, you laid down on your side next to him, caressing his face with your hand. It felt soft against his skin as you cupped his cheek. His arm fell back to his side as he leaned into your touch, letting out a content sigh at the comfort that alone brought him. His eyes trailed over your face with that same lovesick adoration he normally harbored while looking at you —a stare that said more than he ever could with words. He knew he would never get tired of looking at you. 

“It’s going to be okay,” you finally said, pressing your forehead against his. “I love you.”

His eyes fluttered shut as he tried to melt into you. Like it was second nature, Daisuke tilted his head ever so slightly to the side and closed the gap between the two of you. Sparks of electricity tingled against your lips as he kissed you softly. Abandoning their posts, his hands found their proper positions —one on your hip and the other along the back of your neck— and pulled you closer. You couldn’t help but smile against his lips as he kissed you, your chest becoming light at his touch.

Reluctantly, he pulled away, keeping his forehead against yours. “I love you too,” he breathed, sounding far more relaxed than before. “So much.”

His gaze met yours once more, and it looked like he was going in for another kiss. Just as you felt his breath against your cupid’s bow, there was a knock at the door, followed by the sound of Swansea clearing his throat.

“C’mon, get your asses up. I’m makin’ you set the table before your mother gets home. I want it to look nice for her, understood?” Your dad looked between the two of you with that questionable face Daisuke was starting to become accustomed to. He then turned around, shaking his head from side to side.

-

Dinner was a surprisingly quick affair. To nobody’s surprise, Swansea’s paella was a hit —other than a couple of gripes from your mother who had grown sick of the dish. She fell in love with Daisuke from the first second she saw him, and she only loved him more when he got comfortable enough to talk. After everyone was finished eating, Daisuke insisted on helping clean up and he did so happily. While your mom stepped outside to smoke a cigarette, Swansea, Daisuke, and you sat in the living room as your dad began to open his gift.

Swansea tore into the wrapping paper, eyes going wide when he saw the brightly colored shoebox beneath. He looked up from the present in his hands, and his gaze fell to Daisuke with an expression of pure disbelief.

“Son, I-” he started before promptly getting cut off by you.

“Just open it, dad.”

Daisuke shifted beside you as Swansea discarded the rest of the wrapping paper. He leaned forward, elbows resting on either of his knees as he bit at his lower lip. Swansea ran his hand along the top of the box and slowly opened it. After lifting the tissue paper and getting a proper look at the sneakers underneath, Swansea turned to your boyfriend again.

“These aren’t easy to come by. How on earth did you get them?”

“I, uh- well, we camped out for them. [Name] told me you had been checking out a pair online for a while, and I thought I’d save you the effort,” Daisuke responded, running a hand along the back of his neck. “It was totally worth it. I got a super good deal on ‘em and everything.”

“Thank you.” Your dad just nodded with the faintest smile on his face. Although his words were simple, cut, and dry, it was obvious to you and Daisuke alike that he was truly grateful.

“Of course. I’m really happy you like them,” Daisuke said. He was practically glowing, beaming with pride as he looked from Swansea to you. He mouthed an oblivious ‘hell yeah’ in celebration.

Later that night while you were getting ready for bed, Daisuke ventured down the upstairs hallway toward the bathroom. Along the way, he passed your parents' room. Through the crack in the door, a narrow stream of light illuminated the otherwise darkened hall. Daisuke froze in place as he overheard your mom and Swansea talking from inside.

“So, what did you think of him? He’s just a delight. Isn’t he, hun?” Your mom questioned.

“Who? Daisuke?” Swansea replied. The springs within the mattress groaned as he eased himself into bed. “The boy seems like a good man. I like him for her. She needs someone who’ll help her loosen up. Poor girl is too damn high-strung.”

Realizing he probably shouldn’t eavesdrop, Daisuke rushed to the bathroom with a look of pride on his face. Your dad liked him. Better yet, Swansea thought he was good for you. That was a better gift than anything he could have hoped for.

[swan2swan]

The biggest problem with Dominion is the dichotomy of Maisie's plotline with regards to motherhood, and the way both plots revolve around it from wholly opposite perspectives while never actually clashing.

Her plot starts off simply enough: she's angsting about not being a real person, Claire's trying to protect her, and Maisie spits at her with the "You're not my mother!" line right before she's kidnapped.

This is a classic Finding Nemo setup, which Claire takes to with gusto: she calls on favors, slips into seedy markets, fights a crime boss, eludes raptors, jumps out of a plane, and crawls through a forest to get the girl she calls her daughter back. Most stories would show this as a trial: ye olde "GASP! My parents love me!" story.

But the fact that Claire has no obligation to bring Maisie back is never challenged. Soyona doesn't bother with asking or playing the role of the tempting serpent instilling doubt; the closest the movie comes to that is Franklin giving her the "I told you this would happen" speech. It's all taken for granted, which is...okay, because we have already established who Claire is, but that's not the problem.

The problem comes with the other half of the story: Maisie mopes to Wu about how she's just a close, and Wu immediately points out how no, she was conceived and carried in a human womb just like everyone else! And he calls Charlotte "your mother".

And Maisie goes "Is that my mother?"

And when she meets Ellie, Dr. Sattler is somehow fully aware of who Maisie's REAL MOTHER, the one who created her and who she looks like, is, and gushes about how great of a eugen--person she was. Every single time Maisie talks about "her mother" with the people around her, the word is referring to Charlotte Lockwood, the woman who birthed her.

Meanwhile, that Claire woman is crawling into a slimy pond to get away from a twenty-foot-tall Kreugersaurus because she wants to get Maisie away from kidnappers.

Of course, Maisie runs back to her and yells "Those are my parents!", but there's still something missing there. Claire's side of the story is all about her powering through, risking her life time and time again to track down her daughter...but there's never really a moment between them later. Maisie even posits the "So I was just an experiment to her..." plotline that has been seen before, but even that's immediately refuted.

The movie's not wrong for avoiding the cliches and the oft-used tropes of foster motherhood, but it doesn't really break any new ground, either. Obviously, people can have more than one mom, but there's something of an imbalanced focus on Charlotte as Maisie's mother in the Maisie and Jurassic Park plotline, while Claire in the Jurassic World plotline is doing all the expected Mom Stuff.

I can't wholly express what's bothering me about it, maybe I'm overthinking it, but it...doesn't quite sit right with me.

[use-yr-voice]

Oh wow. Wow. Democrats need to learn how to be more loving do we?

Like when we contend that children ought to be able to go to school safely?

Like when we insist that kids ought to have free school lunches?

Like when we propose that adults ought to be able to care for their elderly parents without an additional strain on their own finances?

Like when we refuse to villainize immigrant populations who came to this country seeking a better life for their families?

Like when we assert that all marriages are loving commitments between two consenting adults and they ought to be recognized and celebrated?

Like when we sent a message to women and girls everywhere- especially women and girls of color- that they might be the president of the United States someday?

Like when we demand policies that actually help the American people- all of the American people including republicans- and we tax greedy oligarchs who hoard their wealth?

Like when we tried to send aid to people who lost everything in two major hurricanes, only for a red congress to block it?

Like when we say we want to leave behind an inhabitable planet for future generations?

That wasn’t out of love???

I didn’t know Dr King personally. The man’s life was cut short years before I was born. I don’t know what his take on this election might have been. But well… given Dr King’s record of activism, of non-violent resistance, of his commitment to creating a better country for all Americans, especially people of color… I can reasonably surmise who he might have voted for and it wouldn’t have been Trump.

Sorry, but I’ll be saving up all of my love for the people who need it most. Turning the other cheek? Forgiveness? Yeah that’s all well and good for my actual neighbors or my co-workers or my own family. But I have no love, no affection, no sympathy, no pity, no compassion, and no tolerance for Trump or for his cronies. They forfeited that when they ran a campaign based on little more than lies, hate, and greed.

Jesus of Nazareth, much like Dr King, was a political agitator. His love was a radicalized love, meant for the poor and the destitute who rallied around him, the people who were suffering under the government of his time. Much like Dr King, his love got him killed. Jesus of Nazareth loved his people not the establishment. We don’t have to love the establishment either. Don’t ask us to love an administration based on little more than hate.

Under an administration led by Kamala Harris, America would have continued to thrive. Love would have flourished for the American people because her policies told us all that it was okay to love those who are different. I don’t hear that from her opponents. All I hear them saying is that we should fear outsiders, that we should hate those we disagree with, and that we should attack the vulnerable rather than help them. Those policies are kinda hard to love. It’s not easy to love your enemies when your enemy plans to wipe away your very existence.

I know op means well. I appreciate the sentiment. But op, you really ought to direct that meme at your fellow Republicans.

Democrats will continue to share their light. Democrats will continue to fight for the right to love and to be loved. VP Harris and Governor Walz based their platform on joy and revelry and we will reach that point again.

For now though, we grieve. It wasn’t just Kamala Harris who lost that election- it was all of us, Democrats and Republicans alike. Tariffs will hurt all Americans. Budget cuts and deregulation will hurt all Americans (it already is… listeria anyone?). Trump’s cabinet choices will hurt all Americans. Fascism will hurt all Americans. You republicans think you’ve won this election? False. We all lost. America lost. Musk won. Bezos won. Putin won. Trump’s greedy and heartless sycophants won. We all lost, even you, op. But sure, tell us that we need to shine our light when you’re blocking it with your trump signs. Tell us that we need to be more loving when you support the most hateful person in the country. Sure.

Actually, I found a much more relevant quote for you:

"Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly".

- Dr Martin Luther King Jr

Do not mistake our cries for justice with words of hate. We see a rapist getting elected president and appointing other sexual predators as his cabinet? We want justice. We see a convicted felon getting elected president when felons can’t even vote? We want justice. We see a spoiled brat draft dodger about to become the commander in chief of our military? We want justice. All of the people who’ve been sexually abused or assaulted, all the convicts blocked from the careers they most want even if they’ve served their time and reformed, those who fought for our country with honor… hell, all law-abiding, tax-paying, hardworking Americans? We want justice!

Even Jesus of Nazareth had to pick up a friggin rope and chase the deplorables of his day out of the temple. There’s a time for love and there’s a time to protect the ones we love. And that’s why we Democrats need to keep up the fight. It’s love we’re fighting for in the first place.

Hey Democrats?

[akanemnon]

To see or not to see...

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