#but watercolor is cheaper
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Winner of the Leaf Contest
Sorry for the delay with the winner's painting! I had way to much late work to turn in T-T
Anyways, the winner was "Leaf #1" !! (and by a lot) , so as promised, here is the leafy leafy!!
^added an extra picture I took so we could see the actual shape
It's not my best work tbh, but at least I got to practice with backgrounds a bit, and I think i'm finally warming up to watercolor :3
Any kadoozles, that concludes the leaf competition, a perfect farewell to the autumn season as Christmas looms over us all with the stress of gift buying O-O
*dedicated to a friend who loves fall and leaves, luv u bestie <3*
#my art#artists on tumblr#art#fall season#autumn#artwork#fall leaves#leaf contest#leaves#water color#water color art#bye bye fall#i need sleep#and therapy#but watercolor is cheaper#watercolour art#drawing#tumblr polls
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blegh barely drawing this month but I’m testing out some new paper & itfeels good 2 sketch some of my boys…
#wip#sketch#hope this paper works bc its way cheaper#gimme ur watercolor paper recs#ooughh hard to draw in the winter#bigeelsart
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how long til 4 years from now ? (what a time to be alive)
#politics#i hate everything#how lovely#i finally came of age to get my own money#buy my own things#found out abt online shopping and it was so good because i could shop for art supplies for so much cheaper!!!#now? when my government just did the 👍 on a law that adds a fuckton of taxes to buying online?#so fucking stupid#i get trying to boost national commerce instead of international#but maybe you should've focused on actually getting things made in here first ?!?#tell me a brazilian brand that sells GOOD watercolor#like fucking white nights#i want a fullpan set with good quality ...#i bet that even if brazil did end up making some#our stupid culture to be lazy af would end up making everything poor quality#so EVEN IF it was good or decent quality#it'd probably be the smallest pans I've ever seen in my life ever#i hate that#i hate that !!!
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I have yet to do a single canvas painting since the last time I bought buy-one-get-two-free canvases. And yet I bought 12 more buy-one-get-two-free canvases.
#i have gouache that im not scared of and oil that im a little scared of and MANY CANVASES#the trick is to have so many that painting on them does not feel precious#i am reaching the amount of canvases that do not feel precious#this is why i have four high end watercolor books and four huge cheaper watercolor pads and two pads of black cardstock#if i have plenty of paper i can afford to waste some yknow#anyway i also bought a little plastic lap table so i can work on things from my bed or out on the grass heheh
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Happy to announce that I'm ready to go traditional this year >:)
#cool story pyro#got myself some watercolors and alcohol markers !!#(not copics lol i'll begin with cheaper stuff to see if it's worth the investment)#looking forward to try it all out !! being on a comp all the time is tiring
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another downside of messing up that painting: i pretty much emptied my ultramarine pan in the process and the leftovers most likely wont be enough for a second attempt.
#tütensuppe#i was literally at the hobby shop a few weeks ago but decided to not get anything#because i figured it would be a while before i touched watercolors again#and oops here we are.#also im getting the expensive pans i also have a cheaper kit and the difference in paint quality is staggering#maybe i can find something to keep the pans in as well bc they sure dont fit in my box and i dont feel like juggling 182571 loose pans
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About to say fuck it and swap mediums to acrylic since I know I can buy fuck off huge tubes of paint and not have to worry about how much I use doing practice.
I can understand why they don't make giant tubes of gouache but that doesn't change that it's kind of a bummer.
#nicoisms#another benefit is I can use the canvas boards I have with acrylic which are cheaper than watercolor paper in the large
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not to go all "RETVRN" over ads, of all things, but i'm looking at some ads in an 80s trade publication and thinking we do need to go back to non-minimalist drawn ads with more artistry. give me my ink and watercolor ads, you bastards. end the tyrannical reign of digital minimalism and photography
#probably good money for the artists who got those jobs tbh...#i'm guessing it's cheaper to just take photos or do art with basic shapes and text#but these watercolors and gouache pictures are so nice :(
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Hey, quick thought: if I did a little run of Stargazing Asterion linocut prints (black ink on 4x6 watercolor paper) how many of you would want them? They'd probably be $15, maybe a little extra for shipping if it was outside the US. It may take me a little bit to get to these, I'm just floating the idea.
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I use the tag #helldraws for my art stuff, but in a practical sense I don't keep a standing store or site, because I really only do artwork by commission or when the fancy strikes me--I have a few pieces that I could sell at the moment, but that's unusual for me--they're often sold before they're even done.
My commissions are not cheap--they're usually $500 for 24x36 canvases (all of the below except one), with smaller works like Ad Astra, the first one, at $350. I'm a little flexible on price and size, but the reality is that the layering in most paintings take me weeks or months to complete.
Unfortunately, "cat was there" does not narrow it down at all, since the cats are always there. The pieces I have for sale right now are these ones:
And some recent works that aren't for sale are these, though with any of these I could be convinced to revisit the subject and make a second edition:
Anyone wanting one of the current paintings or to talk commission details is welcome to message me.
Edit: Where is Your Rider O Pale Horse is sold, so add that one to the list of paintings that I'd revisit as commissions.
@hellenhighwater , do you do commission paintings? There's a space in the new house calling for one of your big canvases.
#helldraws#I only take a few commissions a year and they just seem to ....happen#so I don't have a site set up#or at least not anymore#its not worth the maintenance to keep it up#I do also take commissions in watercolors but that is not something most people are really looking for#i dont do a lot of those#they are cheaper though because theyre smaller#not actually any easier but I feel weird about pricing them the same
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OH BOY YOU KNOW WHAT TIME IT IS
my shitty old car is really truly dying and rent is eating up most of my paycheck so buying another vehicle is gonna kick my ass. if you wanna grab something from my print store or buy me a coffee i'd greatly appreciate it.
things are even dire enough that i got off my ass and made some crude commission info sheets:
these prices are estimates and actual amounts are gonna vary depending on the specifics of the commission. i charge more for things outside my usual subject range since they take more research and fussing to get right, while subjects that i'm always drawing for fun (bugs, teeth) are liable to cheaper.
i do all of my sketches digitally MSPaint style and all of my rendered drawings with real ink and watercolors, usually with some digital tweaking or compositing afterwards. traditional art pieces can be mailed to you for the cost of shipping and packaging.
feel free to DM me with both what you'd like drawn and in what style--digital sketch, b&w linework, b&w heavy crosshatching, monochrome inkwash, watercolors, etc, or best of all just link me to a previous drawing of mine in the style closest to what you want. i can take money through paypal or ko-fi, payable after i complete the art and before i send you the full resolution copy.
if there's a queue i'll try to give you an estimate of how long it'll take me to get to your commission. please be patient with me; i have a full time job and a bad case of ADHD. i reserve the right to refuse or rescind a commission for any reason including and especially if the client acts pushy or gives me weird vibes.
whoops sorry that was a long post. thanks for reading.
#commission info#lets see how this goes#sorry its so expensive but i have so little free time and energy for art these days that it is extremely precious to me#but also tbh i think most artists on here massively undercharge for their art#you know who you are
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I am working on some experiments! This is a marker, watercolor and pencil piece. Art area is around 9 inches x 3.5 inches with a bit extra border around all sides. Line art was drawn digitally and I'll be making a few more designs based off the lineart. I'm hoping to make affordable art that is cheaper to mail :) What do you think of it? Is this something you'd want to buy? I'm planning to auction this later, but if you'd like to make an offer please leave a comment :)
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#furry#anthro#anthro art#furry art#furries#illustration#fantasy#fantasy art#art#animal#kemono#wolf#wolves#wildlife#animals#dog
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Necessary but Stupid -> The StarvingArtist!Dream/Plasma AU You Didn't Request
UM. So. This was definitely just a weird little AU idea I had... definitely not while hooked up at csl daydreaming about Dream & Hob... that I was just going to dump in @gabessquishytum's Ask, as one does with weird little AU ideas. And then it kind of exploded. Into an actual story.
---Rated: G. Logistics in the tags. Ao3 link ---
There's no stopping the dark cloud that passes over Hob's head the moment he opens the door to the plasma center. But now he can smile brightly through it and let the storm blow quietly away. The dark memories this place holds still surface every time he walks in, but he's never once considered not going. Even though it's been ten years since Eleanor and the babe died of some rare blood condition that triggered childbirth complications, Hob's still there twice a week, every week, rain or shine.
He waves to the clerk at the desk. The security guard greets him with a comment about the latest football match, and Hob makes an appropriately pained, commiserating expression. He asks the technician taking his blood pressure how his honeymoon went — Côte d'Albâtre, right? — and Hob reminisces cheerily about his own trips to France.
Nobody’s ever exactly happy at the plasma center, but the sunny professor’s relentlessly friendly chatter brightens everyone’s day. All the staff know him by name, his surprisingly colorful stories can help pass the time on those long-line days, and his smile always lights up the room.
Sure, Hob can be kind of opinionated — like whenever he declares that death is stupid and nobody should have to die of preventable diseases! Everyone just goes along with it, and it’s so cruel! (Nobody actually disagrees, but he is very vocal about it.) The first time he said this — sitting hunched with downcast eyes, just weeks after his wife’s death — his voice was soft with hopelessness, and it cracked as he held back tears. But ten years later, when people ask him why he’s still doing this when he’s a tenured professor with a summer cottage and a retirement plan, Hob declares jovially that death is stupid! Nobody has to die when he can give them something they need from his own arms — it’s a renewable resource!
Hob, it cannot be said enough, brightens everyone's day — usually.
But not today. Not everyone's.
Dream cannot believe the insufferable words coming out of this man’s mouth. It's the first day Dream’s set foot in this particular center, and he already wants to go home.
But home is the problem. Dream's new apartment is much cheaper than the building that just evicted him, but this latest series of paintings are taking far longer to complete than he'd hoped. And also, the art world just fucking sucks. Dream can't fool himself. Even when the paintings are ready, it's unlikely they'll sell well enough or soon enough to plug the gaps in his income.
For years, Dream played the whole shitty-jobs roulette to support his art, but ever since he was kidnapped and spent years in a glass cage in a basement, he can’t even manage that. Seriously, try explaining that kind of resumé gap to a job interviewer. When he does manage to get work, it always goes bad fast. Dream wasn’t exactly totally undamaged before, but now he feels like he's all scars.
Dream is not here by choice. He cannot imagine who would be.
He'd gone to his old plasma center for years — till he was forced to move — in order to make ends meet. Today, he's here to fill in the glaring gap between the meager payment he got for a small watercolor last January, his savings, and a near-maxed-out credit card. (Nearly maxed out in the hasty scramble to get to a cheaper place to live. Moving was expensive. Funny how that works.) The plasma center is, in some ways, far preferable to many of the jobs he's had in the past, and it allows Dream to spend more time on his art. But it is absolutely unfathomable how anybody could pursue an eternity of this if they didn’t have to.
Dream keeps his head down avoiding the attention of the chatty professor. He stays quiet. His cold, bony hands are tucked into his long cardigan sleeves except for when he's chugging water, nearly by the gallon. He's about 2kg from the next weight class. Unfortunately, he's lost weight since his eviction, but if he could bump the scale a little higher, it would mean a higher draw — and a slightly higher payment. He's always cold these days, so the heavy sweater isn't a hardship, and the water fills up his stomach and supplements his inadequate lunch of oatmeal and stolen sugar packets.
The first time Dream meets Professor Hob’s eyes is when they’re sliding the needle into his arm and Dream has to turn his head away sharply. Dream was never afraid of needles — not until that night when someone (he later learned it was a twisted old cult leader named Burgess) stuck him with… something that knocked him out cold and he woke up in the basement. These days, although he's done this many times before, when the metal pricks his skin, Dream still lays frozen like an ice sculpture as his heart pounds against his chest.
He has sold his vintage leather jacket, his treasured collection of elegant handmade cloaks (there was a theatrical phase, it’s complicated), and most of his books (the shelves of his sparse apartment now hold only a few cheap volumes of blank paper for his sketches). But it wasn’t enough.
Burgess was years ago, but Dream's life still lies in ruins.
He does not like being here. But it seems that this — his body's materials, his very essence — is the only thing of value he has to offer the world. This most basic biological function, the blood pumping through his veins, is all anyone wants of him now.
So despite his fear, he lets them bleed him.
Hob is usually quiet when he’s hooked up to the machine. He'll chat in the line and in the lobby and at the vitals check, but on the donation floor, he politely minds his own business. Here, everyone retreats into their own world, usually scrolling on their phone or staring at the clock. People don't usually feel like talking when they’ve got a needle in their arm. And Hob’s an extrovert, not an asshole.
But today, the man beside him looks over, and Hob can’t wrench his eyes away. The man is thin and sheet white and his eyes are huge and watery over jutting cheekbones. His lips might be trembling.
“Alright there?” Hob asks kindly.
The man’s head twitches. It might be a nod.
Hob has seen people pass out here before. With the way this guy looks, Hob’s mildly shocked that anyone thought it was a good idea to drain him of vital fluids. But the people here know their business. His numbers must be under control, or else he wouldn’t’ve been allowed in.
Still, under control doesn’t necessarily mean ok.
So Hob gently keeps the conversation going with the man. Dream, he learns and his heart flutters at the name. He weirdly doesn’t seem bothered by Hob’s donation floor chatter (maybe because he's too bothered by the needle in his arm to notice anything else). Dream doesn’t even pull out a phone. He seems to hang on Hob’s every word of small talk.
“I can shut up if you’d life,” Hob offers when he realizes with a shock that he’s babbled through the entire first draw. “It just seemed like you needed some distraction.”
“Please.” Dream blushes slightly. Well, at least his skin is getting some blood. “Tell me about… your experiences. What… have you been doing?”
Huh?
What has he been doing? That’s vague.
But if anyone can find a way to fill a vague prompt, it’s Hob. So he chatters some more about the union organizing at his university and a ridiculous new scheduling system for the adjuncts — it’s like they’ve taken all the worst aspects of on-demand scheduling from the fast food industry and applied it to higher education for some incomprehensible reason. One of his colleagues had a class — and £2000 of pay — cancelled two days before term started. But not everything’s bad. Hob knows the students are planning a walkout next week, which he fully supports and has already adjusted his lessons to compensate for the lost time. Also, there’s a new pizza place on campus which is rather decent.
He really is just rambling.
But Dream seems to need it. He hasn’t looked down at his arm once, and Hob’s certain that’s for the best.
Dream has to admit that the insufferable professor has made the time go by a lot quicker. He’s shocked when they’re sliding the needle out of his arm, then wrapping his elbow up, and he’s free to go. He mumbles what he hopes is a polite goodbye to Hob, who is also finishing up, and then practically stumbles out into the rain.
He clutches his cardigan around him and pulls up his hood and plods away from the center. This place is closer to the new apartment than his previous plasma center, but it’s still a half hour hike home. The buses take even longer — his crappy apartment isn't exactly on a convenient route. But at least walking saves him a few quid.
“Hey!”
The voice makes Dream flinch. Out of the corner of his eye, he sees a car slow down beside him, and his heart ratchets up in his chest. He doesn’t look over, only hunches deeper into his wet cardigan and walks faster.
“Hey, Dream!”
Oh.
Belatedly, Dream recognizes Hob’s voice. He finally looks up to see Hob looking out his car window and smiling despite the rain streaming onto his face.
“Looks like you could use a ride!” Hob jerks his head toward the passenger’s seat. “Hop in!”
Dream stares at the kindly professor. Who offers a stranger a ride in their car? Sure, Dream spent the last forty five minutes listening to every mundane detail of this guy's super normie professional life, but they still barely know each other! And if Hob actually knew Dream — a failed starving artist and all around fuckup, consistently two minutes away from homelessness — there’s no way he’d want to associate with him outside of the polite minimum of chatter at the center.
So what the fuck is Hob playing at?
“Come on, you’ll get soaked!” Hob prods.
Fear strikes Dream, and he recoils, stumbling away from the vehicle.
“Dream? You alright there?”
But Dream is already running, tearing off through the rain. He cuts through a shitty neglected park, climbs a fence and gets chased by a rottweiler through a closed off parking lot, and dashes across a highway — almost getting hit twice. He doesn’t stop running until he’s home.
Or, well, what passes for his home now.
Dream dries off, makes some tea, and grabs a sketchbook. His hand shakes as he doodles, but the process calms him and grounds his mind.
Then, as usual, after his fear begins to ebb, he feels stupid.
His mind replays the afternoon's events. Hob’s smile is brilliant in his memory. Though the initial snatches of overheard conversation were insufferable — not to mention incomprehensible — his recitation of the mundane details of life had been oddly calming. And, though Dream had perhaps not appreciated it in the moment, Hob had seemed genuinely concerned.
The more Dream thinks about it, the stupider he feels. Worse, he feels ashamed. How rude to run from Hob, who’d only wanted to help!
The scar tissue that has proliferated over Dream’s heart has truly damaged his ability to function among decent people. That night, he lays awake for a long time thinking about this. He should probably just never go back to the plasma center. He can’t imagine facing Hob after reacting so poorly to his kindness.
But the next day, after he scribbles up the month’s expenses and tries to make the math work, Dream realizes he has no choice.
The day after that, he’s plodding back to the plasma center.
The feelings of shame are almost overwhelming, and Dream slouches in with his head lowered, shoulders hunched, and eyes averted from everyone.
“Dream!” Hob’s voice is like a warm bubble bath. “Hope you got home alright.”
Dream can barely look at him, but Hob's smile is like a ray of sun on Dream’s face. There’s a cloud of concern shadowing his eyes, but he’s otherwise as cheery as ever.
“Forgive me. I…” Dream cannot explain.
“Look, I’m sorry. I totally overstepped,” Hob says. “I know I can be a bit much, and I shouldn’t’ve pushed.”
Dream cannot believe that Hob is apologizing to him.
“If you don’t mind me asking,” Hob said gingerly, “was that your first time? It’s just you didn’t seem particularly pleased with the whole process. I thought I’d likely never see you in here again.”
“It was not. I have done this…” Too many times to count. “…frequently.” Dream finds the prospect of explaining the complexity of his situation too daunting. But he is touched by Hob’s concern. “I do not enjoy the process.”
Hob makes a sympathetic noise.
“But I did enjoy…” Dream pauses. What the fuck is he doing? Hob’s been kind enough to overlook his rudeness; Dream should just shut up and leave him alone. But maybe Dream has been alone too long, been too long without a sympathetic ear, because he keeps on mumbling, “I enjoyed hearing about your university. With the union… and the pizza… and everything.”
Impossibly, Hob brightens even further. “I could take you! The pizza really is delicious—Oh, shit, sorry, I’m doing it again, aren’t I?” The cloud of concern is back as he takes in Dream’s downcast gaze. “I’m being too much. Sorry, I didn't mean to push!”
“No, not at all. It sounds lovely. I just…” Dream shifts awkwardly. “They don’t exactly pay us enough here for going out.”
“Oh, I’ll get it!" Hob says with a wave of his hand. "It’s no problem. I’d love to take you out. You looked like you could’ve used a good meal after that last one. Have you at least eaten something so far today?” Hob tries to keep the worry out of his voice so he doesn’t sound like a mother hen. All the instructional materials are very explicit about not donating on an empty stomach, but he knows that people do what they have to.
“I have,” Dream says honestly. His lips twitch as he takes in Hob’s worried look. But Hob's smile, even suppressed, is a beautiful thing. “Really,” Dream stresses. “Oatmeal is cheap. I've had enough to be getting on with things. But later…”
“Great!” Hob’s heart flutters, but he stamps down the feeling. The memory of Dream running from him twists at his heart. He never wants to make him afraid again.
On the donation floor, they're next to each other again. And again Hob chatters happily about whatever he can think of to keep Dream distracted. It all seems to go well until they emerge together into the parking lot and Hob notices Dream tense as he glances at Hob’s car.
“We can hop on the bus, if you prefer,” Hob says. “The campus is just down the main line, and I've got extra passes.”
Dream blushes, and his shoulders hunch like he's ashamed. “I wouldn’t want to inconvenience you.”
“It’s nothing of the sort! It saves on gas and it's good for the planet!”
At the bus stop, Hob notices the way Dream’s gaze constantly flicks around his surroundings. Even when he looks down and hunches in on himself, his eyes remain alert, as if he's still hyperaware of every movement on his periphery. Hob wants so badly to reach out and comfort him and wipe away whatever has caused him to move through life with such fear, but he doesn't dare overstep.
Hob is glad that the pizza place is in the bustling, well-lit central food court. Dream's body relaxes somewhat, and that specific tension which Hob had notice in the parking lot doesn't return. Hob buys him a giant slice of spinach, mushroom, and feta and a sealed bottle of water, and Dream even cracks a smile.
“I apologize for my behavior,” Dream says as they find seats at a plastic table in the middle of the food court.
“No need," Hob says. "I didn’t mean to frighten you.”
“You were being kind, and I reacted… extremely.” Dream takes a deep breath and then a long sip of water.
“You don’t have to tell me,” Hob hastens to assure him, "about… whatever happened… if you don't want to."
Dream nods. He knows. Despite his annoyingly resurgent fear, he feels safe around Hob. So slowly, hesitantly, he begins to explain.
It’s an abbreviated form of the story. Dream avoids the details of how Burgess thought he could siphon the life force from vibrant young adults. How he'd drawn a whole following into his delusion, even though he'd ultimately kept Dream for himself. How (Dream had learned later) Burgess had boasted about having a fresh young man, the font of youth, trapped in his basement — and no one had done anything, whether because he was just a rich eccentric who could get away with a "joke" like that or because he'd paid enough people off. He didn't tell Hob how the elder Burgess hadn't ever been held accountable because he'd died before any of it had come to light, and the younger Burgess had fallen into a coma. A care worker had ultimately taken a wrong turn, stumbled into the basement, and that was how the police were finally called to Fawney Rig. But since no one was alive (or conscious) for a big, thrilling trial, the entire ordeal just fizzled quietly into the background.
It’s not the whole story. But it's enough.
Hob’s face grows progressively more horrified. He's abandoned his half-eaten pesto and prosciutto slice. It sits cold in front of him now. He feels sick.
“I make art,” Dream says into the silence. “It is not lucrative, but I can work when and how I wish. I have not… had a great deal of luck with traditional employment. Especially not since… those events.”
“Right. Of course." Hob's voice cracks over his words. For once, he's struggling to extract his usual chatter. "Can’t imagine anything’s easy after that.”
Hob doesn't touch the remainder of his pizza, but Dream polishes his off. He looks oddly relaxed now, as if, in the telling, some of the weight of the horrifying story has slid from his body.
“I’d love to see your art,” Hob says on the bus back to the plasma center parking lot. Belatedly, he cringes at the presumption, wondering if it's too much, knowing now that he really ought not to push his interest onto a bloody kidnap victim.
“I have a website,” Dream says, bringing it up on his phone and showing the address to Hob. Then he stands, though they're only about halfway back to the center. “This stop is closer to my home. I… Thank you. For the meal. And the kind ear. Perhaps… I will see you next Tuesday?”
“Of course,” Hob says, and a little bubble of happiness rises in his chest. “It’s Tuesday and Thursday for me until the schedule changes next term.”
Over the next few weeks, Hob isn’t always next to Dream on the donation floor. But he asks Dream to tell him about his latest project afterwards, so Dream has something to think about during the donation. And also so that it's not just Hob chattering away at their post-donation dinners. Which are happening regularly now. Sometimes they go for pizza, sometimes a good curry or a hefty shawarma; Hob introduces Dream to the pubs with the best (and biggest) burgers. He knows all the places to get a solid, filling dinner, not because he's concerned about getting his money's worth but because Hob just enjoys a good meal and he's more than happy to help put some meat on Dream's bones.
And get the artist to open up.
Slowly, Dream begins to do just that.
It starts to seem like Dream feels safe with Hob. When they're out, he stands close to Hob, as if comforted by his presence. His shoulders begin to straighten out, and he hunches less when they're together. Dream's gaze is still alert, but it rarely sinks to the floor now, and his eyes don't flick fearfully around so much when he's with Hob.
Three weeks after they meet, Dream lets Hob drive him home.
Two weeks after that, he invites Hob inside to see his current projects.
Hob knew Dream was a good artist from the first glimpse at his website, but seeing the bright canvases in person is just stunning. The glistening abstractions echo the swirling galaxies and deep, black voids of the universe. The colors blend in fantastic points of light or unearthly flames or brilliant streaks across the sky. The textures — flattened out in the photos — give an impression of looking into entire worlds. The brushstrokes are mountain ranges and deep ocean trenches and shaded valleys where, somehow, Hob can imagine entire populations living and thriving within the fibers of the canvas.
"The, erm… the university has spaces for community exhibits," Hob says, struggling to bring himself out of the captivating images as if wading out of a dream. How appropriate. "I could look into that, see if you could do a show. Maybe the Art Department could have you in for a lecture, too — you could talk about the real-life challenges of being an artist, the actual work involved, the practical—" Oh no. He's being too much again. "I mean, of course, you don't have to! I won't say anything without—"
Dream's arms are around Hob's shoulders before Hob can even turn away from the canvas. His wild, dark hair is tucked against Hob's cheek as Dream tightens his grip.
Hob's hands slowly move to Dream's back. He can't speak for a long moment. Instead, his hands gently rub against the thin material of Dream's shirt. Hob can feel the edges of his spine and ribcage, but Dream also feels softer than Hob would've imagined the first time he saw him, pale and shaking, weeks ago.
"Thank you," Dream murmurs. He steps back, and his gaze lowers, but now it's not filled with fear and sadness. He's smiling shyly. "If you could do that, I-I… would be grateful."
Hob can do that!
He's in Medieval History himself, but he's friends with half the Art History department due to overlapping lectures, the occasional historical consultation or spontaneous debate, and just being a friendly guy. And the Art History people know a few of the more curious, historically-aware Art people due to various collaborations and consultations on the evolution of modern styles and techniques and the socio-political contexts of artistic development.
Hob, with his talent for striking up conversation, takes less than a week to find several interested parties. And once he shows them Dream's work, everyone is extremely eager to invite the talented local artist to campus!
The next time Hob walks into the plasma center, Dream is already beaming. His smile is bright enough to singlehandedly banish the residual storm cloud that always follows Hob over the threshold.
"I hit the next weight class," Dream says. He leans subtly into Hob's side.
"Good on you!" Hob says, beaming right back. When he tells Dream about the interest in his work, Dream's arm snakes around his waist for a subtle but firm half-hug.
At Dream's first show (he's already scheduled in with both the Art and Art History Departments — the latter wants to address the reality of artist's lives across time — and, hell, Hob's even lobbying his own History Department to get Dream in as part of a series on creative work throughout history), Hob is enamored with one canvas he hasn't seen before. From a distance it's a dark oil-slick abstraction with iridescent slashes of green and blue, but up close, Hob can see the feathery edges of wings.
He cannot explain the sudden, confusing wave of sorrow-joy-awe it provokes deep in his chest.
"Departed souls," Dream says softly, coming up behind Hob, "come back as ravens. Or so it is believed by some."
Hob sniffs and tries to control the itch in his eyes as he turns toward Dream. "Oh?"
"I painted this one soon after I regained my freedom. It felt like a part of me had not survived the imprisonment. It was… necessary, perhaps, to lose something in order to regain my life, but it hurt nonetheless."
"Oh." Hob doesn't know what else to say, but he reaches out, gingerly wrapping an arm around Dream, waiting for any hint of refusal, but Dream turns into him and clutches him tight, and Hob's arms tighten around him in turn. "It's beautiful," he finally says, his words muffled against Dream's hair.
"I think now… maybe… some part of me that had not survived… has come back. In some form."
And Hob is gone. Tears leak down into Dream's hair. Hob clutches at him for support, but he can feel himself shaking, and now it's Dream rubbing soothing patterns into his back and tightening the embrace.
When they finally pull back, Dream wipes Hob's cheeks with his palm. He tilts his head in a silent question.
"Just… death," Hob says. "It's bloody stupid, isn't it? In all its forms. Necessary, maybe but stupid. I don't want any part of it."
Hob laughs at himself, as if the brash declaration itself is stupid.
But Dream only nods; he can see that there are deep forces moving beneath Hob's usually cheery exterior.
On the way home, he listens as Hob finally opens up about his wife and the unborn babe. After a decade, Hob says, the wound has closed up, he has "moved on" in all the ways one is supposed to move on, he has a new — and rather wonderful — life. But the scar will remain forever. It still hurts, but he's grateful for the life he had and the new one he's grown into.
"Shit," Hob says suddenly.
Dream looks around and realizes they haven't driven back to his own crappy apartment building.
"Sorry." Hob wipes his eyes. "I've blabbered so much, I wasn't paying attention. Driven myself right home."
"It's alright," Dream says. He peeks over at Hob shyly. "I've never seen your place."
Hob blinks at him for a moment — Dream's heart thuds against his throat — and then, despite the tear tracks still drying on his cheeks, Hob's face breaks into a brilliant smile.
"Are you hungry?" Hob asks. "I can actually cook quite well. It's not always pub food and pizza."
With perfect timing, Dream's stomach gives an almost painful rumble. "I'm starving."
Inside, Hob cooks a delectable dinner. Dream watches Hob move about the kitchen, chattering happily — he's already inviting Dream back over for brunch and maybe a Netflix marathon and Christmas. And Dream's mind is blossoming with new paintings, these ones bright with twining paths and colliding galaxies and shared dreams.
Hob is vaguely aware that he might be babbling into too much territory again, but when he sees Dream watching him with that dreamy sparkly in his eyes, his heart is just too full to care. As they eat together, he lets himself just be excited and not worry about reining himself in. Truly, he might not mind an eternity of this.
And Dream is thinking much the same thing.
#Apparently paid plasma donation is illegal in the UK & you can't donate 2x/week SO...#This is also the Dystopian AU where all the regulations have been axed sorry#+I don't know how buses work in the UK. This is how they work in my city :)#the sandman#hob gadling#dream of the endless#fanfic#dreamling#my fanfic
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OPEN COMMISSIONS!
Types of drawings I’m offering:
I will draw any type of NSFW request except for a few I reserve the right to refuse. Specific ideas can be discussed between us in private.
I will draw any type of fanart unless I find the media to contain anything in support of bigoted ideology, contains hate speech, is in support of any kind of hate group including Israel, or condemns any group or minority.
I will draw any type of OC unless you request any kind of hateful imagery, are in support of any hate group or bigoted ideology including Israel, or are using this OC for hateful content.
I will draw gore/guro.
I will draw fursonas and any other type of persona provided it is not affiliated with any of the hateful content written above.
I will include your commission in my portfolio unless you specifically request otherwise.
Deals:
Animals are half off any starting price if drawn alone.
Including an animal to any drawing of a humanoid will be 75% off of any starting price.
Any additional humanoid figure is half off of any original price.
All drawings will come with backgrounds for free unless requested otherwise.
You will receive one copy with background and one copy without background.
Styles:
My preferred style leans more towards realistic elements and proportions
I can imitate anime styles but prices will be adjusted based on the amount of work I think something will be. A simplistic style might become much cheaper or more expensive.
Pricing:
Head or Icon:
Sketch/pencil drawing- completely shaded- $40.00
Sketch/pencil drawing-incomplete look- $40.00
Inked-Traditional- $50.00
Inked-Digital-$50.00
Colored-Traditional-Prisma markers- $50.00
Colored-Traditional-Watercolor- $65.00
Colored-Digital-$55.00
Bust (can include hand gestures):
Sketch/pencil drawing- completely shaded- $45.00
Sketch/pencil drawing- incomplete look- $45.00
Inked-Traditional-$50.00
Inked-Digital- $50.00
Colored-Traditional-Prisma markers $65.00
Colored-Traditional-Watercolor- $70.00
Colored-Digital-$55.00
Full body:
Sketch/pencil drawing- completely shaded- $75.00
Sketch/pencil drawing- incomplete look- $75.00
Inked-Traditional-$80.00
Inked-Digital-$80.00
Colored-Traditional-Prismacolor markers-$90.00
Colored-Traditional-Watercolor-$100.00
Colored-Digital-$90.00
Comic Page (no lettering):
Please keep in mind that this price is in addition to a contract and royalties connected to the project.
Sketch/pencil drawing-completely shaded-$100.00
Sketch/pencil drawing-incomplete look-$100.00
Inked-Traditional-$100.00
Inked-Digital-$100.00
Colored-Traditional-Prismacolor- $150.00
Colored-Traditional-Watercolor-$200.00
Colored-Digital-$175.00
Abstracts
Sketch/Pencil linework-$50.00
Inked-Traditional-Ballpoint pen-$75.00
Inked-Traditional-$80.00
Inked-Digital-$80.00
Colored-Traditional-Prismacolor-$90.00
Colored-Traditional-Watercolor-$100.00
Colored-Digital-$100.00
Covers (Album, Novel, etc.)
Contract and royalties to be negotiated.
I can take payments through paypal, venmo, and kofi.
Please dm me if you're interested or have any questions and please reblog this to spread it around! I'd really appreciate it!
If you like any of the art featured here, please check out my etsy shop here!
#commissions#art comms open#twisted wonderland#bg3#baldurs gate 3#astarion#gale#Batman#dc#Joker#dnd#marvel#dungeon meshi#oc#oc commission#tokyo revengers#hunter x hunter#hisoka#wyll#fate zero#fate/strange fake#fate/grand order#fgo
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Perfect for any artistic style, offering a diverse selection of tools: smooth sketchers and soft line brushes, authentic markers for bold designs, delicate skin and coloring brushes, precision inkers, dynamic watercolor (pressure-sensitive tips), blenders, splash brushes for dramatic effects, halftone textures, and premium paper textures to give your work that final touch of perfection. This set includes 60 brushes!
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#procreate#procreate brushes#brush#brushes#free procreate brushes#procreate set#procreate brush#anime#sketch#lineart#markers#watercolor#paper texture
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I’m sorry if it was already asked by someone, but what materials do you use for your traditional art?
Heya!!
Okay this will be a bit of a longer reply since over the years I do art I've accumulated a lot of tools, but I'll try to write it in a "digestible" way under the cut.
1. Sketchbooks
I am an easy woman, I like sketchbooks that have a lot of pages, can handle multiple tools and doesn't cost me a fortune. So far the winner in this is Canson XL for mixed media.
2. Sketching
For my sketching and pencil doodles I use mechanical pencils in size 0.5 and 0.3 with HB lead, it's the easiest one to erase and it doesn't smudge, not any preference in a brand, just don't really use the light plastic ones since they tend to creak.
For erasing I use a combination of kneadable eraser and tombow mono eraser for more precise things.
3. Lining
tombow fudenosuke!!!!! Best marker ever, doesn't smudge under water nor alcohol markers and has flexible nib.
If you're not a fan of the flexible nib, my other go to are either liners from Uni-pin or microns
4. Coloring
For my marker pieces like this one :
I use the cheapest off-brand alcohol markers I bought in a big set on AliExpress. They're great for personal work but not that much if you're planning to display it anywhere, the color gets immediately eaten by sun
For my watercolor pieces like this
I now use white nights watercolors :]
The set of 36 to be exact and some random brushes I also accumulated over the years.
Before investing in white nights I used watercolors from Koh-i-noor, that looked like this :
And are much cheaper (in Czechia, dunno the prices out of the country)
For white highlights I use Sakura gelly roll pens. I tested out different brands too and these do their job the best.
5. Scrapbooking/ collage backgrounds
For backgrounds like this:
I accumulated over some time a lot of scrapbooking papers and stickers either from action or AliExpress, but also sometimes I use cut outs from magazines I get for free.
For precise cutting I use a precision craft knife, but before that I just used a box cutter knife, just don't press too hard.
Also a very good thing to get is a light pad, again AliExpress is your friend in this, and tbh before moving to the light pad, I used to shine my phone camera under the paper.
Makes the cutting muuuuuch easier.
And last but not the least
6. Taking photos of your art/ scanning
Phone camera + Snapseed is god tier combo for me, there are so many tutorials on YouTube how to edit the photos into full crispy quality.
But between my friend group it's well known that I am not very good at taking photos, so I scan most of my things.
Just a disclaimer that a good scanner is a very expensive thing ... But if you're willing to go through some loops, you can get a very neat CCD scanner from second hand for very cheap, sadly most of the time the cheap ones are very old and it took a lot of prayers and IT friend to set that thing up :DDD
So that's all I can think of right now, don't forget I got all these things over the years, and still I tend to draw or doodle with pretty cheap low quality things, since I believe that art can be made with everything... The more professional tools just tend to make things easier, but still it's better to test it out a bit before fully jumping into buying big expensive sets.
I wish a lot of luck with creating and don't be scared to experiment :3
#me žblptin#long post#art tips#jojka's creations#traditional art#i hope that my rambling is understadable-
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