#but they are MISSING OUT so badly

[sowearecleariamhere]

The argument that you don't listen to rap because you are ace... is so stupid? Like I am ace, don't generally like rap except for a few specific artists that tickle my brain, but even if you like the genre but not that "it is all or almost all sexual" (braindead take btw)... then listen to rap in a language you don't speak well enough or at all? If you don't want to hear specific lyrics and don't mind not understanding all of it, that would be such an easy fix? I will defend checking out things especially music genres that you have a negative bias against anyways and also music from countries and languages that you don't know til the end of time

[tea-n-ink]

Homesickness is where the heart is

[b4kuch1n]

polymer broadcast signal hijack

[kitkatt0430]

Been in a Batfamily (in all it's fucked up drama) mood lately and thinking...

Jason gets into town, starts establishing his Red Hood persona, screwing with the Bats and taking over Crime Alley. He intends to use the new Robin to screw with Batman and manipulating Black Mask into reporting the new Red Hood back to the original. And as planned, Joker does not respond well to 'some upstart' using his old moniker.

Except when Joker breaks out of Arkham he can't help but be distracted by Batman and his shiny new Robin. (Has Joker been out while Tim's been Robin at this point? Let's say no for the sake of fanfic purposes.) Now Harley made Joker promise no more killing kids after what happened with the last Robin, made it clear that was a hard boundary for her and she'd leave him for good if he want after any more kids.

Of course, his promise that of course he wouldn't kill anymore kids was a total lie but it got Hartley to go all soft and agreeable for him again and that was what mattered. Besides, he doesn't want to kill this Robin. He wants to see what Batman sees in having child sidekick and take one for himself.

So Tim gets kidnapped by the Joker before Bruce can send the poor kid somewhere not Gotham for his safety. And Joke unmasks Tim because of course he does. And Harley sees how young Tim is and watches Mr. J start electrocuting the kid because surely the brainwashing'll stick if they fry his noggin' a bit first...

And Harley decides this is a boundary for her too. She can't be a part of this and even if it kills her, she's going to save this kid. She knows she can't do it on her own and her first thought is to go find Batman.

Of course, she quickly nixes this idea. Batman isn't ruthless enough and sure maybe he'll make it all the way through Joker's henchmen - admittedly as per usual - and rescue the kid. But then Mr. J will go back to Arkham and even though Harley doesn't want Joker dead... she also kinda wants him dead for this one. For using his promise to her not to kill kids as an excuse to torture children instead.

Next choice is Nightwing but he's out for the same reasons as Batman. Nightwing is somewhat more likely to kill the Joker and could live with it in the way Batman couldn't, but it's not a guarantee and Harley wants this kid to know that the guy who did this to him will never be able to do it ever again.

And then Harley remembers. Red Hood. Who definitely picked that name not as an homage but as a taunt. Who clearly hates the Joker and all he stands for. Who will... probably kill Harley, let's be honest, but she's not sure she wants to live without her Mr. J even as she's mentally planning out the man's death. So.

Harley makes an excuse to leave. Joker says something about mom doing the grocery shopping to the kid he's electrocuting and hands off a list of random stuff to Harley. She takes it and skedaddles. Heads all the way to Crime Alley. Stands outside it for a long moment. Thinks about the kid Joker's gotten his hands on. The way he screamed and cried and begged for Batman to come save him after the bravado of Robin quickly wore off.

She steps into Crime Alley. And then she does random acrobatics down the street, waiting for the Red Hood or his men to show up.

And they do. The Red Hood's henchmen are quick and efficient in grabbing her and presenting her to their boss. There's a gun in her face and she should be terrified and she is but...

She tells Red Hood about the kid. She drops the fake accent she put on for Joker and let's herself be, for just one last time, Harleen instead of Harley. The doctor who cares and not the killer Joker molded her into. "So kill me or whatever, I know I deserve it for believing Mr. J's lies again. But you have a code. You don't hurt kids. You don't kill kids. And maybe I'm asking too much, but I wasn't there and didn't save the last one. So I'm begging you to save this one."

Jason sees green. He has Harley take him to the Joker's hide out. He tears his way through the Joker's goons and doesn't hesitate to kill the Joker because he's too deep in the pit rage at the man who murdered him to care about his convoluted plans to try and force Bruce's hand, to make Batman finally kill Joker.

On the bright side, killing the Joker himself clears up some of Jason's lazarous pit related anger management issues. On the spot. The down side however is that Jason now has a traumatized Tim to deliver back to Batman - which he'd rather not, Batman cannot be trusted not to weaponize children - without being blamed for the state Tim's in.

He makes this Harley's problem - explain this to the Bats yourself, it's your punishment, Harley - and decides he needs a new plan to say 'screw you' to Batman with. He's gonna win over Robin 3.0 and get the kid to willingly abandon Batman to join the Red Hood Crew. How hard can it be, anyway?

Meanwhile Tim has absolutely figured out Jason is the Red Hood because he's absolutely connecting dots he should not be capable of connecting and formulating his own plan to try and lure Jason back home. Because why would Tim focus on healing from his own trauma when he could prioritize someone else's and compartmentalize the hell out of his own problems. Which is definitely the healthy thing to do and not at all going to bite him in the ass with depression and miscommunications down the line. (They all need so much therapy.)

So now the Joker's dead, Harley has delivered Tim safely back to Batman, (Ivy is about to get an unexpected visitor,) and the Bats are about to start playing four-d chess with each other to try and achieve various goals. Jason is trying to steal Tim from Bruce. Bruce thinks maybe saving Robin means the new Red Hood could be saved from himself after all. Tim is trying to lure Jason back to the manor for Alfred's cookies and oh is that a long overdue conversation with Bruce that is also sprung on him like a trap??? And Dick would just like to thank Red Hood but somehow winds up drunk confessing to the definitely-a-hallucination-of-Jason the whole didn't find out his little brother was dead until after the funeral when Dick got back from space thing and how he's so grateful to the Red Hood for saving this new kid who's just the neighbor's kid but also rapidly looking brother-shaped and why is he so bad at protecting the people he cares about???

(Jason rapidly going from 'drunk Dick is funny' to 'drunk Dick is clingy and cries and oh god he's getting emotions all over me make it stop')

[secretagentspydetectiveninja]

can't get over how fucked up and weird nahyuta is... like i don't mean in the surface-level haha "what's crack-a-lackin homie" way, i mean this kid who grew up on the run as essentially a wanted criminal, who got separated from his brother in the middle of his childhood, throwing himself into monk training and religion to find some semblance of peace and meaning to his suffering, only to end up tortured and held hostage by his own aunt and having years worth of blood on his hands from all the people he sent to their deaths... helpless and drowning with his sole hope being that dhurke would save him, then finding out that dhurke was already dead and he'd lost his chance to ever reconcile... and not wanting to lose apollo on top of it too, but not able to bring himself to sacrifice rayfa for it!! watching his mother get shot in front of his eyes!! his family members all being used against each other as chess pieces to control him!!! and there's nothing he can do!!!!

and like even just as a person the way he's so down to just infodump about whatever he's been researching and how his interest in science alongside his deep spirituality complements his partnership with ema, who he is way nicer to than literally any other prosecutor ever treats their detective, he's so weird and curious and genuinely sweet under the cruel façade... he is so much. can't get over how he's a prosecutor AND a monk and even a prince. he's literally the actual prince regent of a country. he's THE androgynous icon. and he's hot!!!

[bistaxx]

Hey guys remember when um-

[tentacleteapot]

I feel like I can't go five minutes on YouTube without seeing a video named something like "this analog horror series is the SCARIEST SERIES IN THE UNIVERSE" and the thumbnail always looks exactly like this

[stagefoureddiediaz]

Something something about us being shown Eddie developing his cooking skills before buck - that were shown Eddie being able to cook a full meal (and bake) before were shown Buck doing the same thing. And something something about that foreshadowing Eddie having his full feelings realisation before buck.

Eddie’s cooking skills are on display in 5x11 outside looking in when he cooks dinner for buck Chris and Taylor - and he’s baked cupcakes for desert as well.

But we don’t actually get shown buck cooking a full meal until the 6x01 lasagne. He’s only got as far as breakfast foods when he makes Maddie an omelet in 2x04 stuck but we don’t get shown him actively cooking again until he makes the lasagne.

After that its hit and miss on the cooking and baking front for buck - burnt lasagne in a 7 and I’m assuming his baking isnt that great in 8x07 by the way Chim has one bite and then pushes the loaf away before he masters the ziti, garlic bread etc in 807 and then later the scones in 8x08.

[fennethianell]

Lazy Sunday

[evilkitten3]

i have a theory about shinji, gin, and aizen, but i'm not really sure how to word it.

we never really see shinji and gin interact all that much, which makes sense bc both of them have significantly more important relationships with aizen, but at the same time it's a little odd how much there isn't.

like. gin cut hiyori in half. shinji is understandably pissed about that, but he aims that anger at aizen - and this seems to be one of the very few things in the bleach world that honestly isn't on him bc he never told gin to do that, he never even implied it. hiyori was never a threat to him. hell, we don't even know if she was charging in the right direction; if anything, attacking her implies that she was which is a really stupid thing to do when you're surrounded by a bunch of people who super want you dead and would kill you if they could be sure you weren't tricking them into stabbing each other (ofc it could also be a fakeout but still)

but i don't remember shinji's beef ever really being with gin, even tho he didn't seem to anticipate that gin was working with aizen the whole time during tbtp. so like does he feel responsibility there? cuz gin went straight from academy to 3rd seat and shinji could plausibly feel like that sent him right to aizen bc he doesn't know that gin was always aiming for that. did he blame himself? does he feel like he should've seen it coming? does he still see him as some weird genius kid? does he just view gin as an extension of aizen, which is both dehumanizing to an extent but also entirely fair bc gin did that to himself?

the thing is, since we never really see them interact much, it's kind of only interesting on shinji's side of things, bc gin doesn't really care about much outside of whatever the fuck he thought he was doing and the version of rangiku that he has in his head who needs back something that the real one doesn't ever seem to have realized she lost to begin with. gin's so disconnected with basically everybody that most of the time you can usually assume his thoughts are just "lol. lmao" and there's no reason to think that doesn't extend to shinji as well (gin has deep thoughts on: aizen, ichigo, and matsumoto (massive asterisk on that one ofc) and i think everyone else is kinda set dressing to him lmao the guy is Fucked Up)

anyway i think it's interesting to toy around with that relationship as it was in reality as well as how it might've been perceived, but also in the sense of both of them being sort of opposite ends of the manchild spectrum - shinji leans into his childish side but still has a fairly adult worldview, and gin is able to pull off maturity to an extent but was never able to escape a deeply childish mindset

[feroluce]

Lucid Dreamer (1/2)

part 2

Gepard notices that it's been. Quiet lately. Like weirdly quiet. TOO quiet. He hasn't seen Sampo Koski in almost a week, which is about the longest he's ever been absent. And he is NOT worried. He's not! So what if they've been getting along more lately! So what if Gepard sometimes looks for him in his favorite hiding places! So what if he's been dreaming about blue hair and green eyes! It's nothing!!

But they're….strange, these dreams. Gepard doesn't usually remember what he's dreamt. It's out of his mind seconds within waking up. But these stick with him, they won't leave him be, they feel different somehow.

He dreams of Sampo bringing food to the frontlines and eating breakfast in his tent with him. Sampo always sneaks him extras. He dreams of chasing Sampo through the alleyways, Sampo sometimes letting himself be caught, Gepard sometimes catching him, and trying to ignore how it feels more like a game now more than anything else. He even dreams that Sampo tags along with him on one of his few civilian days. Sampo runs errands with him, prattles about inane bullshit while Gepard picks out groceries for the week, drags Gepard into some bakery he's never been to but he thinks Serval mentioned once.

And sometimes, it feels so close to reality, that Gepard half expects to see Sampo, shamelessly swaggering into the frontlines with all the guards' breakfast like his wanted poster wasn't only recently taken off the walls of Belobog. He's disappointed when it's always someone else instead. He tells himself his disappointment is ridiculous and if Sampo wants to go prowl around the Snow Plains or wherever he is, then fine. It's not any of his business.

…But it IS his job to investigate any unusual criminal activity relating to the frontlines. And the frontlines are Sampo's usual haunting grounds, and this is unusual activity, and Sampo IS technically a criminal, so it is absolutely part of his duty to look into this - is what Gepard tells himself the entire tram ride down into the Underground.

Natasha tells him he's gone, and Gepard has to steel himself. He knew Sampo made enemies wherever he went, there are a lot of people who would love his head on a platter, but he didn't think-

Natasha corrects him that she means literally gone. As in off-planet. Sampo always leaves her a note before he goes anywhere, so she knows not to expect any supply runs from him. He should be back in exactly two weeks. Thank the Preservation.

Gepard goes back home. He waits.

The uneasiness doesn't leave him.

"Where did you go?" Sampo stops dead in the middle of some story about Seele, and how you'd think someone with as blunt a mouth as her wouldn't have so much trouble asking a woman out, even if that woman IS the Supreme Guardian, and stares at him. He nearly fumbles his cigarette.

"Ahaha, what do you mean, I'm right here?" Sampo smiles at him the same way he always does. Gepard has no idea why he asked. It just popped out. He can never tell when Sampo is lying, anyway.

"I don't know. I feel like I haven't seen you in a long time." Gepard idly mouths at his own cigarette. He almost never smokes, but he wants to ration their stocks of Blizzard Immunity, and it helps with the cold. It's seemed colder lately, for some reason.

Gepard flicks his lighter once, twice, sighs at the third time because a metal prosthetic and thick gloves make the damn things so difficult. Sampo reaches over and wordlessly kisses the end of his cigarette to Gepard's, lighting it. "Thank you."

Nothing happens for almost a full 30 seconds. Something churns behind Gepard's ribcage. Because Sampo never leaves a "thank you" hanging. This is the part where he gives his spiel about how helpful and kind he is and Gepard either brings up how long his rap sheet was before Bronya helped clear his name, or just stares deadpan because seeing Sampo squirm is weirdly satisfying.

"…I'll be back in one more week."

Gepard jolts awake in his cot, mouth dry and eyes bleary.

The hell.

The next dream he has, Sampo looks tired. Sometimes he seems normal. Sometimes he says strange things, like how he wishes he'd gone to some restaurant in Belobog. Ate his favorite food more recently. Brought something with him. Gepard asks why he can't do that now. Where would he bring something? Sampo only shrugs. His rebuttals have less energy.

Gepard doesn't know if he wants to dream more, or less.

He ticks down the days on his calendar. Natasha hasn't told him any different. She promised she would if she got any kind of message. Sampo returns tomorrow, from whatever vacation or seedy business dealings he's been off having. He is not excited about it. He is not looking forward to it. He's not!!

Gepard falls asleep late that night, unable to settle. He dreams again.

He's alone. There are tons of people everywhere, the frontlines are always crowded. But he's alone. They all pass right by him as though he were a ghost. Gepard starts to walk before he realizes his feet are even moving.

He checks the trashcans in the dead end alley. He checks the supply crates that someone always stacks too high because they don't feel like finding more space for them. He pauses to check the soldiers that march past him, watching their footprints in the snow.

He finally finds Sampo on the rooftop along the northernmost wall, the one that looks out over the plains, towards Everwinter Hill, towards where the Stellaron had once been kept. With a full moon and an entire land of white snow, Gepard can almost see clear out to the horizon.

"Found you." Sampo stiffens, and Gepard is almost prepared for him to sprint off the roof. He doesn't. But he doesn't relax either. Gepard sits down next to him and stares out at the wastelands.

"…I fucked up." It wasn't what Gepard had been expecting. Sampo never 'fucks up,' Sampo just gets into incidents that are entirely, supposedly, not his fault and that he just happens to always be within the vicinity of.

"What did you do now?" It must be really bad if Sampo is coming to the Silvermanes for protection.

Instead, Sampo ignores his question completely. "See out over there? Right on the other side of that mountain. There's a safe house that way. It's hidden under a lot of snow and dead trees, but it's there. And in that safe house is a box full of letters. I need you to deliver those letters for me."

Gepard's brow furrows. It's a weird favor to ask. Sampo would never tell anyone where his hidden safehouses were. It defeated the whole purpose of a hidden safe house.

Something is wrong, something is really really wrong.

Gepard turns back to look at him again and startles, all of his questions dying in his throat, because the entire left side of Sampo's head is suddenly matted down, dark and sticky, his skin is dyed red red red-

"In three more months, there's gonna be something big happening." Gepard grabs Sampo's hand and it feels slick and warm against his palm. "I won't be here. So I need you to do my end of things for me." Gepard tries to keep hold, but something is fading, something is slowing, the sun is coming up but the colors are all wrong, everything feels like encroaching fog, Sampo's hand slides right through his. "I was gonna come back with my mask to finish setting the stage, but…" Gepard makes a frantic grab for Sampo's wrist, the air twists, he comes back empty-handed. "They have you. And you're the Iron Wall of Belobog. So it'll be ok."

Gepard finally manages to find his grip, snatches the front of Sampo's dark wet jacket and yanks him forward to hold onto him, and this close up, he can see it better, his colors are bleaching out, leaking outside the lines as if Sampo will become part of the background, as if he's fading into the strange fog that's been closing in on them. His fingers are already starting to feel empty again.

"Wake up."

Gepard jolts awake, uncurls his hands from where they're fisted in the blanket, scrubs the dampness off his face. Breathes. Breathes. Breathes. Today is supposed to be the day.

He throws on his civilian clothes, and he goes down to the shipyard the IPC had built. He finds a spot where he can see every person that returns to Belobog, and he waits.

And he waits and he waits and he waits.

No one he recognizes appears.

[gen4grl]

you would think after all the yapping i do about these losers i would have a plethora of art uploaded … no… so here is my first kantrio post lol

i did these over the last month while watching the olympic weightlifting and jamming to kpop (stan red velvet and kiss of life BTW!!!)

[desultory-novice]

"...Where did you get that bone, Marx?"

"From the Cooler Meta Knight. He said I could keep this in exchange for getting rid of the rest."

"Whose bone is it?"

"Dunno. Didn't ask. Doesn't taste like Adeleine's so I figure it's no one we know."

"Should I ask how you know what Adeleine's BONES taste like?"

"Magolor, I know what EVERYONE's bones taste like. It's part of their scent."

"How does that...? Never mind. So, what do mine taste like?"

"Charbroiled chili gumdrops marinated in apple cider vinegar."

"...What?"

"It's completely delicious!"

[starryyskies]

I get so depressed scrolling seeing other people make amazing art for the fandom and I feel left behind because I’m always working or doing something with life that takes me away from drawing. It really sucks not being able to draw when you want…

[0vergrowngraveyard]

i was having a pretty good day ngl, but then i was forced to bare witness to another “NINE BAD AND EVIL!!!!!” video

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.